Life Is [Import]

Track Listings

 
1. Strawberry Sex
2. Revolver
3. Ex-Girlfriend
4. Ring
5. Come Back
6. Somebody's Girl
7. I'm So Drunk
8. Missin' You ~It Will Break My Heart~
9. Japanese
10. Japanese
11. Life Is...
12. Japanese

Life Is,Ken Hirai,Sony Japan,Pop,Rock,World Music
Aman Iman: Water is Life
Average customer rating: 4.5 out of 5 stars
  • Atmospheric? Like a stone on your head.
  • Tinari"wonderful"
  • Great Album!
  • Traditional real life in 2007
  • Hypnotic and enthralling
Aman Iman: Water is Life
Tinariwen
Manufacturer: World Village
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Amassakoul
  2. Radio Tisdas Sessions
  3. Watina
  4. Vieux Farka Touré
  5. Boulevard de l'Independance

ASIN: B000MCICRE
Release Date: 2007-03-20

Tracks:

  1. Cler Achel
  2. Mano Dayak
  3. Matadjem Yinmixan
  4. Ahimana
  5. Soixante Trois
  6. Toumast
  7. Imidiwan Winakalin
  8. Awa Didjen
  9. Ikyadarh Dim
  10. Tamatant Tilay
  11. Assouf
  12. Izarharh Tenere

Amazon.com

When you hear this music clan -- group just doesn't seem to be the right designation for a band of nomad desert musicians/soldiers -- a listener can hear the calm of the desert night air and the serenity of the musicians who live there. The Taureg people truly seem to be of the land and never more so than here on the band's third album, Aman Iman. The loping percussion and the circular guitar lines conjure wide-open desert images evoked in the repetitive grooves. Some may grumble that the members are playing much as they did on the first and second albums, blending Arabic song structures, desert wails, and primordial blues guitar riffs, but for it to be any different would be akin to asking the people in Tinariwen to change who they are. Never have words been truer than those of the title, but this album also appends that sentiment, proving that music is life for the desert Taureg too. --Tad Hendrickson

Customer Reviews:

5 out of 5 stars Atmospheric? Like a stone on your head........2007-07-04

Finding Tinariwen made me happy. This group does to rhythm what Anoushka Shankar does to the 8 note scale. These are the strongest rhythms I've ever heard. They are something alive, you want to step aside to let it pass, you want to spin it and ultimately you want to dance with it.

This in NO way fits within my definition of atmospheric music. That genre was done to perfection by Eno 15 years ago. No, this music may invoke trances, it may put you on a plane to Timbuktu it may make you inexplicably desire to wrap your entire head in a sheet. It may cause you to dance your wife out of the living room, down the hall and into the bedroom. But it will not let you ignore it.

If you find yourself thinking this is atmospheric music then you're not listening. Consider it rock music. Turn it way up until plaster falls off lathe and then you will hear what you have missed.

5 stars squared.

5 out of 5 stars Tinari"wonderful".......2007-06-14

A mixture of funky guitar,traditional drums, and an array of upbeat instruments nicely compliments the seriousness and heaviness of the songs lyrics. All songs are translated for you in the "liner notes". Highly recommended.

5 out of 5 stars Great Album!.......2007-05-15

Just like Amassakoul, Aman Iman is some of the best music on the entire planet. A mix of blues and northern African styles that puts you in a trance.

4 out of 5 stars Traditional real life in 2007.......2007-05-14

I like the way he touches the guitar. At first I saw Tiraniwen three years ago and was not so impressed, but little by little I got the feeling for this desert rebel. He is wonderful bluesy and still totally based in his Mali culture. What I like very much is that he feels for all Mali tribes and cultures. He is a good example for harmony and peace. I want to visit the Desert Music Festival in Timbouktou in 2008.

5 out of 5 stars Hypnotic and enthralling.......2007-05-12

Tinariwen has often been described as "John Lee Hooker in the Sahara." While that baseline is a decent enough introduction, it's not nearly enough to embrace this band. This album follows Amassakoul, my first Tinariwen CD, and Aman Iman surpasses Amassakoul in every way. Depending on your mood, the music is soothing, hypnotic, challenging and stirring. The variations worked on repetitive figures reward repeated listening. If you haven't heard Tinariwen, Aman Iman is a great place to start.
Andrea
Average customer rating: 4 out of 5 stars
  • HOW DO YOU SAY,"WOW," IN ITALIAN?
  • Just buy it.
  • Teamo, Andrea Bocelli
  • A new style from Andrea.
  • Not happy with delivery (or non delivery) of this item
Andrea
Massimo Varini , Ensemble of Bologna , London Session Orchestra , Andy Duncan , Leo Z. , Rosario Jermano , Dave Arch , and David Arch
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Andrea Bocelli - Amore
  2. Romanza
  3. Cieli di Toscana
  4. Sogno
  5. Andrea Bocelli - Sacred Arias / Myung-Whun Chung

ASIN: B00063M112
Release Date: 2004-11-09

Tracks:

  1. Dell'Amore Non Si Sa
  2. L'Attesa
  3. Un Nuovo Giorno
  4. Tu Ci Sei
  5. Sin Tu Amor
  6. Libert
  7. Per Noi
  8. Le Parole Che Non Ti Ho Detto
  9. Sempre O Mai
  10. In Canto
  11. Quante Volte Ti Ho Cercato
  12. When A Child Is Born
  13. Go Where Love Goes

Amazon.com

It's no mean feat being the world's foremost crossover artist--a task that risks alienating two disparate audiences and everyone in between--but somebody had to do it, and Andrea Bocelli again walks that artistic tightrope with impressive deftness. The title may imply a casual intimacy (indeed, the singer admits to taking a more "hands-on" approach to the album's conception and production), but it's a collection that nonetheless continues to expand on the Italian tenor's ambitious internationalism. His collaboration "Sin Tu Amor" immerses his voice in the Gipsy Kings' own rich Iberian folk-pop fusion with compelling results, while "Where Love Goes" (a musical focal point of the film Lazarus Child), his English language duet with 11-year-old prodigy Holly Stell, achieves an almost liturgical grace. "Tu Ci Sei" (You Are There) continues in the romantic vein of his familiar theme "Con Te Partiro" (Time to Say Goodbye), while the single "Dell' Amore Non Si Sa" (With Love You Never Know) features Bocelli in a signature dramatic tour de force collaboration with arranger Mauro Malavasi, the accomplished producer of the singer's Romanza and Sogno albums. Bocelli's shrewd taste and vocal prowess here not only again redeem an oft-maligned genre, but elevate it considerably in the bargain. --Jerry McCulley

Customer Reviews:

5 out of 5 stars HOW DO YOU SAY,"WOW," IN ITALIAN?.......2007-06-22

BEFORE I START, LET ME SAY, THAT I AM A DANCE CLUB GUY AND THAT, ORDINARILY, THIS IS NOT MY KIND OF MUSIC. OF COURSE, I LAUGH AS I SAY THAT, AS, APPARENTLY, A NEW DOOR HAS OPENED IN MY LIFE, THANKS TO THIS MAN.
A FEW YEARS AGO I HAD HEARD ANDREA DO, "CON TE PARTIRO," ON A PBS SPECIAL AND MY EYES FILLED WITH TEARS THAT ANY HUMAN COULD MAKE SUCH SOUNDS. I WAS ASTOUNDED; MORE ASTOUNDING, STILL, WAS TO HEAR THIS ALBUM AND FIND THAT HIS VOICE HAD ACTUALLY VASTLY IMPOVED OVER TIME. HOW IS THIS POSSIBLE? " CON TE..," PALES IN COMPARISON TO THE QUALITY OF THIS WORK; THE TRACKS ON THIS CD ARE PERFECT, FULL, RICH, AND MORE MOVING THAN ANYTHING I HAVE EVER HEARD. I HAVE HAD IT A WEEK, NOW, AND I HAVE NOT BEEN ABLE TO LISTEN TO ANYTHING ELSE FOR VERY LONG, AND I PLAY IT OVER AND OVER. IT HAS BEEN MANY YEARS SINCE I HAVE BEEN AFFECTED LIKE THIS BY ANY VOCAL CD. IF HE NEVER RECORDED AGAIN HE WOULD HAVE MADE A MARK ON THE WORLD OF AUDIO NEVER TO BE ERASED OR FORGOTTEN. WHAT A VOICE! WHAT SONGS! THE CUT, "LIBERTA," ABSOLUTELY KILLS ME WITH FEELINGS OF JOY AND MARVEL. I HAVE EVEN TAKEN UP STUDYING ITALIAN BECAUSE OF IT.
TREAT YOURSELF, AND A GOOD FRIEND, TO THE SOUNDS ON THIS CD. SIT AND WATCH A SUNSET WITH IT ON... I MEAN NOW!

5 out of 5 stars Just buy it........2007-05-30

If you like soft music that make's you feel up beat, just order a Andrea Bocelli CD. Listening to his CD's after being at work all day, is like having an option in life to hear and be somewhere else.

5 out of 5 stars Teamo, Andrea Bocelli .......2007-03-08

One of his best. Need the lyrics translated from the Italian to the English inside the casing next time. Nonetheless, Mr. Bocelli has a beautiful voice. It made my wife and all my female co-workers swoon when they listened to it.

4 out of 5 stars A new style from Andrea........2007-02-24

There were some ugly songs in here.(I absolutely hate to say that about anything Andrea.)But the good far outshone the bad.
Un Nouvo Giorno stunned me the first time I heard it.It was so unlike anything I had heard from Andrea- very pop.But it soon grew on me.
Liberta is amazing.Very catchy and upbeat.
Sempre O Mai is my favorite.It keeps its tempo up and has the best of Andrea and pop.Great song.

So this album was really a double album with pop and classical songs interspersed.A good mix from the master.

1 out of 5 stars Not happy with delivery (or non delivery) of this item.......2007-01-16

When I ordered this on 12/04/2006 they said I would have it before Christmas. Then right before Christmas the delivery date was changed to mid-January. So I had to cancel my order and go, at the last minute, buy it at a store because it was a Christmas present. I wasn't happy about it and won't be buying from amazon for the holidays any longer.
Somewhere over the Rainbow: The Golden Age of Hollywood Musicals
Average customer rating: 4.5 out of 5 stars
  • They were right--there is NO business like the show business they did way back when !!!
  • One of the best cds I ever bought.
  • Never Sounded Better
  • Somewhere Over The Rainbow
  • "Hollywood Musicals of the Golden Age are still among us"
Somewhere over the Rainbow: The Golden Age of Hollywood Musicals
Various Artists
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

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  5. That's Entertainment!: The Best Of The M-G-M Musicals - Motion Picture Soundtrack Anthology

ASIN: B000066RO5
Release Date: 2002-06-04

Tracks:

  1. Singin In The Rain - Gene Kelly
  2. Theres No Business Like Show Business - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern
  3. 'S Wonderful - Gene Kelly & Georges Guetary
  4. Thats Entertainment! - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant
  5. Stranger In Paradise - Ann Blyth & Vic Damone
  6. Easter Parade - Judy Garland & Fred Astaire
  7. Lullaby Of Broadway - Winifred Shaw, Dick Powell & Chorus
  8. Get Happy - Judy Garland
  9. Night And Day - Fred Astaire
  10. True Love - Bing Crosby & Grace Kelly
  11. Honeysuckle Rose - Lena Horne w/ Benny Carter & His Orchestra
  12. They Cant Take That Away From Me - Fred Astaire
  13. Milkman, Keep Those Bottles Quiet - Nancy Walker & The M-G-M Studio Chorus w/ Tommy Dorsey & His Orchestra
  14. Baby, Its Cold Outside - Esther Williams & Ricardo Montalban
  15. For Me And My Gal - Gene Kelly & Judy Garland
  16. Puttin On The Ritz - Clark Gable & Co.
  17. Hallelujah! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs & Co.
  18. Bless Yore Beautiful Hide - Howard Keel
  19. Taking A Chance On Love - Ethel Waters & Eddie "Rochester" Anderson
  20. As Time Goes By - Dooley Wilson w/ Elliot Carpenter (Bonus Track)
  21. Laras Theme (Main Title) - The M-G-M Studio Orchestra (Bonus Track)

Tracks:

  1. Over The Rainbow - Judy Garland
  2. Its A Most Unusual Day - Jane Powell
  3. Wunderbar - Kathryn Grayson & Howard Keel
  4. Cant Help Lovin Dat Man - Ava Gardner
  5. Going Hollywood - Bing Crosby
  6. The Trolley Song - Judy Garland, The M-G-M Studio Chorus
  7. Gigi - Louis Jourdan
  8. I Got Rhythm - Judy Garland, Mickey Rooney & Co.
  9. Aba Daba Honeymoon - Debbie Reynolds, Carleton Carpenter & M-G-M Studio Chorus
  10. The Lady Is A Tramp - Lena Horne
  11. The Best Things In Life Are Free - June Allyson & Peter Lawford
  12. Cheek To Cheek - Fred Astaire
  13. A Kiss To Build A Dream On - Louis Armstrong
  14. Put 'Em In A Box - Doris Day & The Page Cavanaugh Trio
  15. If Swing Goes, I Go Too - Fred Astaire
  16. Almost Like Being In Love - Gene Kelly
  17. Lets Face The Music And Dance - Fred Astaire
  18. Be A Clown - Gene Kelly & Judy Garland
  19. Embraceable You - Connie Francis
  20. On The Atchison, Topeka And The Santa Fe - Judy Garland & Co.
  21. One For My Baby (And One More For The Road) - Fred Astaire

Amazon.com

The "Golden Age" referred to here spans The Jazz Singer and the advent of the talkies to the death throes of the old studio system in the 1960s. So vast was the era's musical landscape that even this 42-track, double-disc anthology can't encompass all its peaks. Not surprisingly, the bulk of this collection originated with the Tiffany's of the screen musical, M-G-M, a body of work whose riches here encompass both pop-cultural bedrock ("Over the Rainbow," "Singin' in the Rain," "There's No Business Like Show Business," etc.) and some less familiar, if equally delightful star turns: Clark Gable gamely "Puttin' On the Ritz"; the sassy, 1948 original of "The Lady Is a Tramp" by Lena Horne; and a loopy duet of "Baby, It's Cold Outside" by Esther Williams and Ricardo Montalban. Fred Astaire's elegant, epochal reign at RKO and M-G-M is represented by "Night and Day," "Let's Face the Music and Dance," and three others, while Metro mainstays Gene Kelly and Judy Garland share equal time and billing. It's not perfect--Cagney's "Yankee Doodle Boy" and/or some Sinatra seem more logical choices than the odd "bonus" duet of Casablanca's "As Time Goes By" and "Lara's Theme" from Dr. Zhivago that close out disc one--but it's a stunning, surprisingly comprehensive primer on the Hollywood film musical nonetheless. --Jerry McCulley

Customer Reviews:

5 out of 5 stars They were right--there is NO business like the show business they did way back when !!!.......2006-11-18

Everything that happens in life
Can happen in a show
You can make 'em laugh
You can make 'em cry
Anything
Anything can go....

The clown with his pants falling down
Or the dance that's a dream of romance
Or the scene where the villain is mean
That's entertainment!

The lights on the lady in tights
Or the bride with the guy on the side
Or the ball where she gives him her all
That's entertainment!

The plot and the hot simply teeming with $ex
A gay divorcee who is after her ex
It could be Oedipus Rex
Where a chap kills his father
And causes a lot of bother

The clerk who is thrown out of work
By the boss who is thrown for a loss
By the skirt who is doing him dirt

The world is a stage,
The stage is a world of entertainment!

This two CD set amply proves that the musical melodies and lyrics from the golden age of the Hollywood musical remain unsurpassed to this day. This generous two CD set offers 42 incredible songs from Hollywood classic musicals. Most of these fine numbers are indeed from MGM, as Amazon correctly notes; but there are some RKO numbers and even a little from Warner Brothers. Thank goodness, though, that most of these songs came from MGM movies; MGM was the only studio that could boast that it truly had "more stars than there are in the heavens."

I love so many songs on these two CDs. Of course, there's the unforgettable classic "Over The Rainbow" sung by Judy Garland; she also performs "Easter Parade" and "Get Happy" on this two CD set and she carries most of the tune for "I Got Rhythm" even though Mickey Rooney helps her a little. I love "Baby, It's Cold Outside" for its' romantic overtones; and Lena Horne's "The Lady Is A Tramp" is flawless! We also get a rare chance to hear Clark Gable sing in "Puttin' On The Ritz;" and Bing Crosby's "Going Hollywood" may be brief but it's a fun song anyway.

There are two "bonus" tracks on the first CD: "As Time Goes By" from Casablanca and "Lara's Theme" from Doctor Zhivago. "As Time Goes By" is a good choice; it is another unsurpassed classic song that brings back memories and touches even the hardest of hearts. "Lara's Theme," however, is from the mid 1960s and I don't consider this period to be part of the "golden age" of Hollywood musicals.

The liner notes are excellent and they offer wonderful photos of the stars as well. The cover art is well done and the reverse cover art tells which movie each song is from and who is performing each song. Moreover, the quality of the sound is excellent especially when you consider that these numbers were recorded quite a few decades ago.

In short, this superlative two CD highlights the glory of the Hollywood musical when a certain type of sophistication dominated professional movie production. I highly recommend this CD for fans of Hollywood musicals, classic pop vocals and fans of the artists and actors who perform on this two CD set.

5 out of 5 stars One of the best cds I ever bought. .......2006-06-07

What an amazon collection of songs! This is bar none my favorite cd just because of the variety and the quality of songs on it. I love music from this era, and this cd is the perfect companion to my life. Love it! Buy it, you won't regret it for a moment!

1 out of 5 stars Never Sounded Better.......2006-03-16

Apart from the great selection of soundtracks, what really makes this compilation top value is the quality of the sound processing. Executed with finesse, these tracks sound better than when first issued and many are unedited, fuller versions: like "Singing In The Rain", for example. Throw in the great price, and this double disc set is a "must have" for all lovers of classic movie music.

5 out of 5 stars Somewhere Over The Rainbow.......2006-02-24

A Sensational CD with Lots of Showtunes that Keep You Happy and makes You Want To Sing Along With!!!

5 out of 5 stars "Hollywood Musicals of the Golden Age are still among us".......2005-07-13

Rhino Records and Turner Classic Movies Music present - "SOMEWHERE OVER THE RAINBOW: THE GOLDEN AGE OF HOLLYWOOD MUSICALS", some of the long ago musicals and stars that will never be forgotten...a 2-CD-Set covering several decades from 1935-1965 with many of the show stoppers of that time...some rare moments from entertainers that you haven't heard or thought of in sometime.

The lineup is fantastic and gives the listener a variety of what musicals were all about in the "Golden Age of the Hollywood Musicals"
June Allyson, Kay Armen, Louis Armstrong, Fred Astaire, Ann Blyth, Jack Buchanan, Louis Calhern, Bing Crosby, Vic Damone, Doris Day, Nanette Fabray, Connie Francis, Ava Gardner, Judy Garland, Kathyrn Grayson, Georges Guetary, Lena Horne, Betty Hutton, Louis Jourdan, Howard Keel, Gene Kelly, Grace Kelly, Peter Lawford, Oscar Levant, Ann Miller, Ricardo Montalban, Page Cavanaugh Trio, Debbie Reynolds, Winifred Shaw, Nancy Walker, Ethel Waters, Esther Williams, Dooley Williams and Keenan Wynn.

On Disc One 21 Classic Songs from great musicals with songs in alphabetical order:
AS TIME GOES BY - Dooley Wilson with Elliot Carpenter, pianist (1942)
BABY, IT'S COLD OUTSIDE - Esther Williams & Ricardo Montalban (1949)
BLESS, YORE BEAUTIFUL HIDE - Howard Keel (1954)
EASTER PARADE - Fred Astaire & Judy Garland (1948)
FOR ME AND MY GAL - Gene Kelly & Judy Garland (1942)
GET HAPPY - Judy Garland (1950)
HALLELUJAH! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs (for Russ Tamblyn) (1955)
HONEYSUCKLE ROSE - Lena Horne with Benny Carter & His Orchestra (1943)
LARA'S THEME (MAIN TITLE) - M-G-M Studio Orchestra (1965)
LULLABY OF BROADWAY - Winifred Shaw & Dick Powell (1935)
MILKMAN, KEEP THOSE BOTTLES QUIET - Nancy Walker with Tommy Dorsey & His Orchestra (1944)
NIGHT AND DAY - Fred Astaire (1934)
PUTTIN' ON THE RITZ - Clark Gable & Company (1939)
'S WONDERFUL - Gene Kelly & Georges Guetary (1951)
SINGIN' IN THE RAIN - Gene Kelly (1951)
STRANGER IN PARADISE - Ann Blyth & Vic Damone (1955)
TAKING A CHANCE ON LOVE - Ethel Waters & Eddie "Rochester" Anderson (1943)
THAT'S ENTERTAINMENT - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant (1953)
THERE'S NO BUSINESS LIKE SHOW BUSINESS - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern (1950)
THEY CAN'T TAKE THAT AWAY FROM ME - Fred Astaire (1949)
TRUE LOVE - Bing Crosby & Grace Kelly (1956)

On Disc Two more memorable performances from the Golden Age of Hollywood Musicals:
A KISS TO BUILD A DREAM ON - Louis Armstrong (1951)
ABA DABA HONEYMOON - Debbie Reynolds & Carleton Carpenter (1950)
ALMOST LIKE BEING IN LOVE - Gene Kelly (1954)
BE A CLOWN - Judy Garland & Gene Kelly (1948)
BEST THINGS IN LIFE ARE FREE - June Allyson & Peter Lawford (1947)
CAN'T HELP LOVIN' DAT MAN - Ava Gardner (beautiful woman, who my youngest grandaughter is named after...Avalon) (1951)
CHEEK TO CHEEK - Fred Astaire (1935)
EMBRACEABLE YOU - Connie Francis (1965)
GIGI - Louis Jourdan (1958)
GOING HOLLYWOOD - Bing Crosby (1933)
I GOT RHYTHM - Judy Garland & Mickey Rooney (1943)
IF SWING GOES, I GO TOO - Fred Astaire (1946)
IT'S A MOST UNUSUAL DAY - Jane Powell (1948)
LADY IS A TRAMP - Lena Horne (1948)
LET'S FACE THE MUSIC AND DANCE - Fred Astaire (1936)
ON THE ATCHISON, TOPEKA AND THE SANTA FE - Judy Garland & Company (1946)
ONE FOR MY BABY (AND ONE MORE FOR THE ROAD) - Fred Astaire (1943)
OVER THE RAINBOW - Judy Garland (became her theme song for the rest of her life) (1939)
PUT 'EM IN A BOX - Doris Day & the Page Cavanaugh Trio (1948)
THE TROLLEY SONG - Judy Garland & MGM Studio Chorus (1944)
WUNDERBAR - Kathryn Grayson & Howard Keel (two of MGM's favorite singing duos) (1953)

It was once said by the songwriters of that era - "There are two artists you want perform your songs on the big screen, they are Fred Astaire and Judy Garland they sing it just the way we wrote it, for which you will have a guaranteed hit on your hands"...well, this collections certainly has some merit to that statement...because with Judy Garland and Fred Astaire performing seven songs each, there must be something to it.

This collection of musicals still has the magic that we remember from those bygone years...but as long as we have the labels and networks who play and show these wonderful films of yesteryear, they will never be forgotten...hats off to Rhino Records, George Feltenstein (producer) and Doug Schwartz (engineer) and Turner Classic Movies for sharing those 42 selections from 42 films...celebrating decades of the tunes and artists that gave it their all...from what it commonly called "The Hollywood Dream Factory"...The Golden Age of Hollywood Musicals is still among us...gotta love it!

Total Time: 2-CD-Set ~ Rhino Records 78323 ~ (6/02/2002)
American Angels
Average customer rating: 4.5 out of 5 stars
  • spiritual americana
  • Rich Heritage
  • Superb
  • Can't walk away from it!
  • Mana from Heaven
American Angels

Manufacturer: Harmonia Mundi Fr.
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
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Similar Items:
  1. Gloryland
  2. Wolcum Yule: Celtic and British Songs and Carols - Anonymous 4 with Andrew Lawrence-King
  3. 1000: A Mass for the End of Time / Anonymous 4
  4. A Portrait Of Anonymous 4
  5. The Origin of Fire: Music and Visions of Hildegard von Bingen

ASIN: B0001ADB4Q
Release Date: 2004-02-10

Tracks:

  1. Holy Manna
  2. Abbeville
  3. Wondrous Love
  4. Sweet Hour Of Prayer
  5. Jewett
  6. Dunlap's Creek
  7. New Britain
  8. The Morning Trumpet
  9. Resignation
  10. Poland
  11. Wayfaring Stranger
  12. Sweet By And By
  13. Blooming Vale
  14. Idumea (I)/Idumea (II)
  15. Sweet Prospect
  16. Shall We Gather At The River
  17. Amanda
  18. Invitation
  19. Parting Hand
  20. Angel Band

Amazon.com

This, Anonymous 4's final recording, is a break from their usual "early music" periods and locations; it presents American music, religious in nature, from the 18th and 19th centuries. And it's absolutely beautiful from start to finish. Their normal, exquisite technique and purity here blend to sound the way we imagined the ladies' choir in church meetings in America past might have sounded: sweet, sincere, and with harmonies recognizable yet somehow fresh. Some of the songs begin with the women singing "fa, so la" exercises, which was called "shape note" singing because some places taught singing with notes as shapes--circle, rectangle, diamond, triangle. But it's the music that counts, and there are treasures here. They include two versions of "Amazing Grace," one familiar, one with an unusual melody and a piece called "Blooming Vale" which is as sophisticated as anything on their previous albums. "Shall We Gather at the River" is performed with a clarity and loveliness that makes us forget that it's normally sung as background to movies about the Great Depression. The foursome sometimes sing in rich harmonies and occasionally alone or in pairs or trios. This is glorious Americana and highly recommended. --Robert Levine

Customer Reviews:

5 out of 5 stars spiritual americana.......2007-01-06

I have some of the older Anonymous 4 recordings which are more medieval
and gregorian in style (I love them!). They move on to cover spiritual
basics of the 1800s. If you like classical music, perfect harmonies
and spiritual americina, then you will be blessed!

5 out of 5 stars Rich Heritage.......2006-10-11

Anonymous 4 consistently produces exquisite and authentically beautiful recordings and this one presents early American hymns in ways few groups can manage. Some tunes are highly recognizable while others are 'new' to me but a refreshing reminder of the singing heritage of religious societies in times past. For those who enjoy old hymns and authentic renderings, this is a must buy.

5 out of 5 stars Superb .......2006-08-07

This collection of American Christian music is not only an enthralling musical experience but a spiritually uplifting one as well. Anonymous Four have transferred their luminous vocal quality to a new space with perfect success.

5 out of 5 stars Can't walk away from it!.......2006-08-07

My only "complaint" about the CD is that I absolutely HAVE to sit and listen to the entire thing whenever I start it up! I usually have music playing in the background while doing other things, but not this one! There are no tracks that I find myself wanting to skip over as in most collections. In fact, I usually find myself going back and listening to selected tracks again (and again and...) after taking the hour+ to listen to the whole thing through once.

These four ladies produce a unique and remarkable sound. I can't recommend it enough.

5 out of 5 stars Mana from Heaven.......2006-05-08

I think the title of this CD is perfect. I first heard an interview for this CD on Public Radio and fell in love. I had never heard Anonymous 4 before then but look for all I can find of their music now. The title is perfect as the women sound like Angels and the music lifts the spirit. I find myself singing the old version of Amazing Grace all the time now. Incredible and a huge blessing to all who hear it.
On How Life Is
Average customer rating: 4.5 out of 5 stars
  • Perfection...
  • Groovy
  • One word: unique
  • What The %#&@ Is This??!
  • The Best Rod Stewart Album of a Generation?
On How Life Is
Macy Gray
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000JQFG
Release Date: 1999-07-27

Tracks:

  1. Why Didn't You Call Me
  2. Do Something
  3. Caligula
  4. I Try
  5. Sexomatic
  6. I Can't Wait To Meetchu
  7. Still
  8. I've Committed Murder
  9. Moment To Myself, A
  10. Letter, The

Amazon.com's Best of 1999

Gray starts from a solid foundation of retro funk and soul and builds on it by adding hip-hop signifiers and modern studio techniques. The result is one of the better debuts of the year, thanks to Gray's blunt proclamations ("I've committed murder... and I don't feel bad about it") and inimitable vocal phrasing. On How Life Is offers the sass of a '20s blueswoman plus the don't-mess-with-me strength of a 21st-century R&B icon-in-the-making. --Keith Moerer

Amazon.com

Macy Gray's debut draws heavily on '70s funk traditions to make its progressive-R&B points. With help from a band including former Red Hot Chili Peppers guitarist Arik Marshall, she uses her raw yet controlled voice to celebrate sex ("Sexomatic," "Caligula"), God ("I Can't Wait to Meetchu"), and injustice ("I've Committed Murder"). Gray's songwriting doesn't seem fully developed yet, but On How Life Is is a striking first shot nonetheless. --Rickey Wright

Customer Reviews:

5 out of 5 stars Perfection..........2007-05-13

...as always, perfection. I have recently introduced my soon-to-be 70 year old mother to Macy with this album. Needless to say she is now a fan. Just buy this album, you will be glad you did.

4 out of 5 stars Groovy.......2006-09-01

If you're like me, you like all different types of music depending on your mood. When you're not sure what you want to hear but you want to get in the groove, this is the CD you want to listen to.

4 out of 5 stars One word: unique.......2006-05-08

Macy Gray literally hit the charts in 2000 completely out of nowhere. Her unique sound and listenable R&B singles like "I Try" caught the music industry completely out of left field, and Gray herself achieved numerous nominations and awards at many award shows, and deservedly so. Though she isn't the best singer by any means, her style is consistent and deliciously unique. "I Try" is, of course, the standout track on her debut album On How Life Is, and it remains to be her biggest hit. The remaining songs on her record follow suit: from the revenge-driven "I've Committed Murder" to the soul-induced "Do Something," On How Life Is remains a debut album from an individualistic singer-songwriter that is both completely original and completely irresistible.

1 out of 5 stars What The %#&@ Is This??!.......2005-11-22

How long of a career do you think this funk diva will have, eh? I give her at the most, say, five years before she completely shreds her raspy sandpaper-on-broken glass voice. Will I celebrate? YES. Oh, to be rid of this monstrosity of a singer! Anyone who buys ANYTHING by Macy Gray does not deserve eardrums, because this ain't music, it's pure torture. What a waste of Vinyl Chloride!!! Excuse me, I just had to clear my throat. Heh-heh-eh-hack-hack!!

5 out of 5 stars The Best Rod Stewart Album of a Generation? .......2005-09-17

I heard this album again by accident the other day, and then it hit me, this really is the best Rod Stewart album of a generation.
Star Wars Episode III: Revenge of the Sith - Original Motion Picture Soundtrack
Average customer rating: 4.5 out of 5 stars
  • Star Wars: A Musical Journey (2005) (V)
  • Not one of his bests, but very close
  • John Williams' finest work
  • A Great Conclusion to the Prequel Trilogy
  • Williams is slumming it
Star Wars Episode III: Revenge of the Sith - Original Motion Picture Soundtrack

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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  5. Star Wars: Episode IV - A New Hope

ASIN: B000850IS6
Release Date: 2005-05-03

Tracks:

  1. Star Wars and The Revenge Of The Sith
  2. Anakin's Dream
  3. Battle Of The Heroes
  4. Anakin's Betrayal
  5. General Grievous
  6. Palpatine's Teachings
  7. Grievous and the Droids
  8. Padme's Ruminations
  9. Anakin vs. Obi-Wan
  10. Anakin's Dark Deeds
  11. Enter Lord Vader
  12. The Immolation Scene
  13. Grievous Speaks to Lord Sidious
  14. The Birth Of The Twins and Padme's Destiny
  15. A New Hope and End Credits

Amazon.com

John Williams' lovely and moving score for the sixth Star Wars film brings thirty years of collaborating on George Lucas' beyond-popular intergalactic franchise to a close. (Is this really the end of Star Wars? Can't Lucas and Williams work together on a prequel to these prequels? Let us hope so, and that Jar Jar Binks is nowhere near it.) As this music accompanies the most exciting Star Wars film in many a moon, the soundtrack itself is more fun, more evil, more nasty and bumpy. Many of the heroic, anthemic themes woven throughout Episode Three: Revenge of the Sith will necessarily be familiar to any fan of the series, from the "Imperial March" to the main theme. It's remarkable how stirring the latter can be, no matter how many times you've heard it, and even for those who do not have all their money invested in S.W. memorabilia. There is a lot of new music here, and the lush, extensive range of both Williams and the London Symphony Orchestra is on display, most notably in the menacing, percolating "General Grievous" and the rousing "New Hope" end theme. --Mike McGonigal

The Force Is Also with:


Star Wars Trilogy soundtrack box set

Star Wars Episode II sountrack

Star Wars Episode II, Attack of the Clones

Star Wars Episode I, The Phantom Menace

Star Wars Trilogy on DVD

Star Wars, Episode III - Revenge of the Sith

Customer Reviews:

5 out of 5 stars Star Wars: A Musical Journey (2005) (V).......2007-06-21

product: Star Wars: A Musical Journey (2005) (V), included as bonus disc in Episode III soundtrack.

The bonus dvd with this soundtrack was the reason I purchased. I enjoy film soundtracks, and science fiction, but this dvd was a real highlight for me. I got the soundtrack cd out of the local library. The cd was missing from the case, but I found this wonderful dvd instead that I went out to purchase later.

With optional segments of dialog from Ian McDiarmid, this film is a stunning visual and musical overview of the full epic story of episodes I-VI of Star Wars. For those of us who felt that eps. IV-VI fell short of our expectations, this film presents them well as parts of the whole story. The Musical Journey also stands as a summary of the entire SW opus for someone who is not familiar with the Star Wars characters and plot. Highly recommended.

Options: no subtitles or other options.

4 out of 5 stars Not one of his bests, but very close.......2007-05-21

The Episode III soundtrack is very good. Not great, but very, very good. You can tell that Williams is getting old, but he still manages to weave together a very memorable score.

My favorite tracks are "Battle of the Heroes," "Anakin's Betrayal," Palpatine's teachings, "Anakin vs. Obi-Wan," and the "Immolation Scene."
The others are very good as well, but these are especially nice. "Battle of the Heroes" is Dual of the Fates for Revenge of the Sith. "Anakin's Betrayal" is a very sad track that is, in my opinion, one of William's most powerful pieces. "Palpatine's Teachings" is really, really neat. It's very dark and moody, a perfect piece for the evil emperor. The only weird thing is the end. "Anakin vs. Obi-Wan" is the action piece that plays during the battles of Anakin and Obi-Wan, and Yoda and the Emperor. Finally, "The Immolation Scene" is another sad piece, even more so than "Anakin's Betrayal."

Although I really like this CD, there are some things that are missing (as usual). First, the whole sequence where the droids are looking for Obi-Wan after he was shot. You see Obi-Wan in his ship with Senator Organa on the Hologram (or whatever it is), and Obi-Wan says that his clones turned on him. That was some pretty awesome music that OF COURSE was left out of the CD. Then there was Dual of the Fates in the movie, but completely absent from the CD. And probably the most annoying was that whole piece of music before Obi-Wan and Anakin fight. It was so touching and sad and I CAN'T BELIEVE THEY LEFT IT OUT! Absolutely amazing. Also, did anyone notice that some little bits were cut out? For example, in Anakin vs. Obi Wan, they cut out about a second or two of choir. What?! What the heck is with that? It's when Anakin is running on the long thing and jumps on the droid on the lava. Also, there was some pretty cool drumming when you see Yoda and the Emperor fighting, and you can see the whole stadium (the big room). There's also drumming in "Enter Lord Vader" that is muted in the soundtrack.

Oh well...if I'm going to collect movie scores, I'm going to have to get used to the fact that in almost all cases there's not going to be every bit of music. I've experienced this in both Pirates of the Caribbean, Jurassic Park I (there was very little left out on this score), and almost everything else. At the moment, I'm just waiting for the 22nd, for the Pirates of the Caribbean 3 soundtrack. It's gonna be amazing.

See Yu

5 out of 5 stars John Williams' finest work.......2007-04-20

There is little more I can say that hasn't already been said about the soundtrack to Episode 3, especially what Amazon contributor Dan Mohr wrote in his review of the soundtrack on 2/2/2006. His review captured almost all the thoughts, feelings, and emotions I had when I first listened to the soundtrack, and was, IMO, the best review of John Williams' greatest masterpiece.

Having said that, I will say that few soundtracks have ever so perfectly captured the underlying emotional currents of their respective movie; in the case of ROTS, the contemporaneous tragedies of Anakin's fall to the Dark Side, the extermination of the Jedi, and the rise of the oppressive Empire. The listener is confronted with the depth and totality of the evil that has beset the entire galaxy to a degree that the film could not reach in only 2 hours.

Bravo, Dan Mohr, and BRAVO John Williams!

5 out of 5 stars A Great Conclusion to the Prequel Trilogy.......2007-04-07

This is a great work of art. I rank it 4th among Star Wars soundtracks after A New Hope, The Empire Strikes Back and The Phantom Menace. I had a hard deciding which I thought was better, The Phantom Meance or Revenge of the Sith, but I decided that The Phantom Menace lays the foundation for so much that is in this soundtrack and is thus the more masterful work. But that doesn't mean that this score still isn't great. Every piece is a thrill to listen to and pace never lets up. "Battle of the Hereos" is an amazing piece and the rendition of the "Funeral Theme" from Episoded I captures the film's tragety magnificently. Also I do not think John Williams could have portrayed the Jedi's extinction more perfectly than he did in "Anakin's Betrayal". This is without a doubt the best score of 2005 and one of the best of the decade.

2 out of 5 stars Williams is slumming it.......2007-04-01

Williams's score for Revenge of the Sith is almost entirely overbearing, lacking any emotional subtlety. The music is overcomplicated and even a bit confusing, especially in the tracks that correspond to action sequences in the movie. His overuse of choral tracks and vocals is too bombastic and irritating to be listened to without the explosions and laser blasts of the soundtrack to soften them. (Yes, this music is actually softened by the sounds of warfare.) Worst of all, much of the music has simply been lifted from earlier scores. At times his self-imitation was so blatant that I actually wondered whether the editor who had complied this score had made a mistake and I was listening to The Empire Strikes Back or A New Hope. Also suffers from not including the entire score, in some cases cutting out musical segues in obvious and awkward ways.
Life Is Peachy
Average customer rating: 4 out of 5 stars
  • Yes it is.
  • Missing they Y from the name
  • more melody is needed
  • Korn is peachy!
  • Overrated
Life Is Peachy
Korn
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002BHP
Release Date: 1996-10-15

Tracks:

  1. Twist
  2. Chi
  3. Lost
  4. Swallow
  5. Porno Creep
  6. Good God
  7. Mr. Rogers
  8. K@#0%!
  9. No Place To Hide
  10. Wicked
  11. A.D.I.D.A.S.
  12. Lowrider
  13. Ass Itch
  14. Kill You

Customer Reviews:

4 out of 5 stars Yes it is........2007-05-15

This was almost a continuation of their debut. The sound is very similar, and just like the first, there is not a dull moment. Odd song structures and insane vocals are prevalent. "ADIDAS", "Wicked", "No Place to Hide", "Twist", "Chi", "Swallow" "Mr. Rogers", etc. This album rocks and is full of killer tracks. There are a lot of Korn haters out there, so if you are just becoming familiar with them, listen and make a decision for yourselves. Don't listen to the haters. They are usually people who don't have open minds about anything, or they are insecure and bashing others makes them feel special. Korn is one of the best heavy bands in recent years and one of the most original to come out in the 90s. Are they the most talented? NO. Plenty of other bands have better guitarists, drummers, bassists, and vocalists. But they are good at what they do, and have made a successful career of it. I don't care how talented someone is with their instrument: if they can't write a hook, people will forget them. Korn knows hooks.

1 out of 5 stars Missing they Y from the name.......2007-03-12

Once upon a time I use to really like Korn and this was shockingly one of my favourite albums at the time but thankfully I grew up and listening to this garbage now makes me feel embarrased. Every track on here sounds the same apart from Wicked which is a cover anyway but this record is so obviously rushed it must have been done in like 2 days.

Johnathan Davis is one of the worst singers ever all he does is whine like a bratty kid that didn't get his favourite toy for christmas, he can't sing to save his life. None of the surposed musicians in the band have any talent. The guitaists Munky and head are both lousy guitarists who play the same riff over again, while Fieldy just slaps random strings not creating any kind of melody from them just slaps which doesnt make a good bass player. Drummer David Silveria is below Mediocre he just plays the same basic drum beat over and over.

The album starts of horibly with Twist which sees Jonathan making stupid noises over a crappy riff in the background. Making stupid noises is perhaps the only thing Johnathan Davis is good at.

It surprises me Head didnt leave earlier then he did if I was in this band I would have left as soon as this appaling record came out and saved myself the embaresment. Your life certainly wont be peachy after listening to this.

4 out of 5 stars more melody is needed.......2006-12-28

overall this album is ok for the most part guitar riffs werent too great but the songs still sounded good it had really no melody becouse the instruments were grindy and thrashy , but aside from the non meledic tunes the lyrics are pretty dark and creepy and give you that wierd feeling however the reason it was so grimey was not only for the lack of melody but becouse this ws a bit of a turn point for the band from general guitars(self titled korn)to electronics (untouchables)this i believe was in the middle of all of it anyway they were on a slipperly slope with this and almost messed this one up but they had some songs that kept the album alive like porno creep and a.d.i.d.a.s. and I dont think there will ever be a time were they ever mess an album up

1 out of 5 stars Korn is peachy!.......2006-12-15

Korn has no real talent how do I know well i use to be a fan for 4 years my taste sucked back then. Same awful guitar riffs not to mention they are very slow down tuned plain noise then hearing jonathans horrible wimpy vocals and his stupid gibberish in the 1st song twist with his anger. I grew out of this garbage years ago and found my true taste in music.

1 out of 5 stars Overrated.......2006-09-15

Okay, let's get something straight: Just because an album is loud and full of anger does not make it good!

The album starts out with Jon screaming complete gibberish while the music players of the group make various noises with their instruments, this goes on for about a minute. The rest of the songs continue in pretty much the same fashion.

Honestly, the only one who sounds halfway decent on here is David, but as a drummer he'd have to be pretty bad not to sound good compared to the squealing and sludging noise of everyone else. On this record, rather than playing their instruments, the boys seem to be "playing with" them, as a child would play with his food. The guitarists try to mask the fact that they aren't very good by incorporating all sorts of effects and tricks into their playing, like pitch-shifting pedals and feedback, but that doesn't help any.

I was surprised to learn that the song "No Place to Hide" was nominated for a grammy. Just goes to show you how bad people's judgement is nowadays.

In conclusion, Any KoRn fan will tell you this is a very good album because of it's raw anger and so-called heaviness, but don't be fooled, this is not good because it's not music it's noise. This album is essential only if you're a diehard KoRn fan and any other fan is likely to call you a poser if you don't own it. To everyone else, stay far away.

Korn on this album is:

Jonathan Davis - Lead Vocals, Bagpipes, Guitars
Reginald "Fieldy" Arvizu - Bass
James "Munky" Shaffer - Guitars
Brian "Head" Welch - Guitars, Background Vocals,
Lead Vocals (Lowrider)
David Silveria - Drums
Sometimes I Dream
Average customer rating: 4.5 out of 5 stars
  • Just a powerful soft touch to your ears!
  • One just isn't enough
  • A first - rate recital!
  • A Star Performance
  • Sometimes I Dream
Sometimes I Dream
Mario Frangoulis
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006FRN6
Release Date: 2002-09-17

Tracks:

  1. Vincero, Perdero
  2. Buongiorno Principessa
  3. Sometimes I Dream
  4. Luna Rossa
  5. Naturaleza Muerta
  6. Nights in White Satin (Notte Di Lucce)
  7. Ton Eafto Tou Paidi
  8. Non Sara'
  9. Hijo De La Luna
  10. Night Wants To Forget
  11. Canzone Arrabbiata
  12. A La Luna De Valencia
  13. Vincero, Perdero

Amazon.com

Forget the age of battling boy bands, the era of dueling young tenors is upon us. Hot on the heels of Josh Groban's dizzyingly successful, Ally McBeal-fueled debut comes this first international release from African-born, Greek-raised tenor Mario Frangoulis. There are some clear parallels between Groban's debut and this Frangoulis release, but some distinctive differences as well. While Groban coated his slick, David Foster-molded pop sense with a veneer of classical respectability, Frangoulis has effectively turned the formula inside out. With similar classical training--but a few crucial years of experience on his American rival--Frangoulis treats the classics reverently but not slavishly, with the title track effectively turning an aria from Puccini's Tosca into romantic Europop. Elsewhere, the international flavor is further expanded by three melody-rich songs ("Hijo de la Luna," "La Luna de Valencia," and "Naturaleza Muerta") by Spanish singer-songwriter Jose Maria Cano and a sing-along-ready take on the 1950s Neapolitan chestnut "Luna Rossa."

Like Groban, Frangoulis and producer Steve Woods also plumb the music of la cinema italiana for inspiration, turning Nicola Piovani's bittersweet Life Is Beautiful theme into the ponderous "Buongiorno Principessa," but faring better with a moody, dramatic take on Rota-Wertmuller's "Canzone Arribiata." The obligatory rock-pop cover here is the flamenco-inflected "Nights in White Satin", with Frangoulis joined in a bilingual duet with original Moody Blue Justin Hayward that's surprisingly effective. Less showy perhaps than Groban's debut, but a more nuanced and emotionally satisfying album overall. --Jerry McCulley

Customer Reviews:

5 out of 5 stars Just a powerful soft touch to your ears!.......2007-08-04

When I brought this CD, at the beginning I was doubtful about it because this tenor is relatively new and he is young too, but when I heard the songs I was impressed because the quality of his voice is just like a soft touch to your ears, is very comfortable and the selection of the songs and the arrangements of the song "sometimes I dream" was delightful and powerful at the same time, I really recomend this item, if you like great tenors definitely you have to buy this CD!!!

5 out of 5 stars One just isn't enough.......2007-08-01

We had to buy two of these CD's. One for the car and one for the house!

5 out of 5 stars A first - rate recital!.......2007-07-28


Mario Frangoulis, faithful to the Romantic traditin, this young raising talent made his international debut in the beautiful outdoor Theatre of Thessaloniki, with a vivd and charismatic presence, an absolute domain about every piece he sang, conferring them an imaginative lyric flight with that special candor and sublime expressiveness.

Particularly emotive was the nice surprise he had reserved the viewer and spectators when just in the final coda of Nights in white stain, he Justin Hayward, the original member of Moody Blues making with Mario a very emotive duo, loaded of vibrant emotion and rewarding memories.

The orchestra, support accompaniment, and enlightenment was superb. The repertoire included three recital!well known pieces of Mecano: the sensitive A la luna de Valencia, Hijo de la luna and Naturaleza muerta, sung with passionate ardor, but there were admirable entries such as Buongiorno Principesca from the film "Life is beautiful", the classic Luna Rossa and Night wants to forget was croned with a adaptation of Tosca "sometimes I dream."

The Italian people have a smart word when they are happy and wish you the best they can; they say Auguri , so I would wish from this humble position, the same hopes for this new promise of the song; Mario Frangoulis.

5 out of 5 stars A Star Performance.......2007-02-28

When I purchased Mario's DVD I had never heard of him. I was actually browsing Josh Groban items when I noticed the [...] suggested items below and had a look.
What a find. Mario Frangoulis is an outstanding performer with an incredible voice. The quality of his concert is excellent with a full orchestra and top notch audio quality. I have watched this performance 7 times and can't wait to see it again.



5 out of 5 stars Sometimes I Dream.......2007-01-19

A wonderfull full tenor voice with the ability to sing, popular, ethnic and opera. You cannot go wrong with this album.
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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  5. The Life and Works of Ludwig van Beethoven

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Varese Sarabande 25th Anniversary Celebration
Average customer rating: 4.5 out of 5 stars
  • A good value
  • The Sound Track Since Bernard Hermann
  • Good mix of film music
  • A mixed collection of movie music
  • Uplifts your soul, takes your mind into the heavens
Varese Sarabande 25th Anniversary Celebration

Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

Elfman, DannyElfman, Danny | ( E ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by HerrmannAll Works by Herrmann | Herrmann, Bernard | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
Korngold, Erich WolfgangKorngold, Erich Wolfgang | ( K ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by KamenAll Works by Kamen | Kamen, Michael | ( K ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by SchifrinAll Works by Schifrin | Schifrin, Lalo | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by WaxmanAll Works by Waxman | Waxman, Franz | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by ManciniAll Works by Mancini | Mancini, Henry | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Korngold, Erich Wolfgang | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
Movie ScoresMovie Scores | Soundtracks | Styles | Music
Movie SoundtracksMovie Soundtracks | Soundtracks | Styles | Music
Star WarsStar Wars | Soundtracks | Styles | Music
GeneralGeneral | Soundtracks | Styles | Music
Bargain Box SetsBargain Box Sets | Classical General | Classical | Today's Deals in Music | Formats | Music
All Bargain TitlesAll Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music
Similar Items:
  1. Paramount 90th Anniversary Collection: Scores
  2. In Session: Film Music Celebration
  3. The Essential Elmer Bernstein Film Music Collection
  4. Jerry Goldsmith: 40 Years of Film Music
  5. The Incredible Film Music Box

ASIN: B00008WI90
Release Date: 2003-04-22

Tracks:

  1. The Man from Snowy River (Bruce Rowland)
  2. The Winds of War (Bob Cobert)
  3. Blue Velvet (Angelo Badalamenti)
  4. Witness (Maurice Jarre)
  5. Raising Arizona (Carter Burwell)
  6. Pee Wees Big Adventure (Danny Elfman)
  7. Halloween (John Carpenter)
  8. A Nightmare On Elm Street (Charles Bernstein)
  9. The Fly (Howard Shore)
  10. RoboCop (Basil Poledouris)
  11. The Empire Strikes Back (John Williams)
  12. The Right Stuff (Bill Conti)
  13. The Final Conflict (Jerry Goldsmith)
  14. The Abyss (Alan Silvestri)
  15. Brainstorm (James Horner)
  16. Peggy Sue Got Married (John Barry)
  17. My Left Foot (Elmer Bernstein)
  18. The Dead (Alex North)
  19. Stanley & Iris (John Williams)
  20. The Milagro Beanfield War (Dave Grusin)
  21. Driving Miss Daisy (Hans Zimmer)

Tracks:

  1. Steel Magnolias (Georges Delerue)
  2. Unforgiven (Lennie Niehaus and Clint Eastwood)
  3. Raggedy Man (Jerry Goldsmith)
  4. The Grifters (Elmer Bernstein)
  5. Green Card (Hans Zimmer)
  6. City Slickers (Marc Shaiman)
  7. Father Of The Bride (Alan Silvestri)
  8. While You Were Sleeping (Randy Edelman)
  9. Babe (Nigel Westlake)
  10. The Adventures Of The Great Mouse Detective (Henry Mancini)
  11. The Adventures of Robin Hood (Erich Wolfgang Korngold)
  12. The Young Indiana Jones Chronicles (Laurence Rosenthal)
  13. The Secret Garden (Zbigniew Preisner)
  14. A Little Princess (Patrick Doyle)
  15. Rudy (Jerry Goldsmith)
  16. Iron Will (Joel McNeely)
  17. Memphis Belle (George Fenton)
  18. Eye Of The Needle (Mikl)
  19. Total Recall (Jerry Goldsmith)
  20. Back To The Future Part III (Alan Silvestri)

Tracks:

  1. To Die For (Danny Elfman)
  2. The Player (Thomas Newman)
  3. Black Robe (Georges Delerue)
  4. Medicine Man (Jerry Goldsmith)
  5. 2001 (Alex North)
  6. Star Wars: Shadows Of The Empire (Joel McNeely)
  7. The Crow (Graeme Revell)
  8. Blade (Mark Isham)
  9. The Omen (Jerry Goldsmith)
  10. Vertigo (Bernard Herrmann)
  11. Scream (Marco Beltrami)
  12. The Sixth Sense (James Newton Howard)
  13. Xena: Warrior Princess (Joseph LoDuca)
  14. Air Force One (Jerry Goldsmith)
  15. Starship Troopers (Basil Poledouris)
  16. The Matrix (Don Davis)
  17. The Iron Giant (Michael Kamen)
  18. Youve Got Mail (George Fenton)
  19. A Little Romance (Georges Delerue)
  20. Pleasantville (Randy Newman)

Tracks:

  1. Sunset Boulevard (Franz Waxman)
  2. L.A. Confidential (Jerry Goldsmith)
  3. Rounders (Christopher Young)
  4. The Score (Howard Shore)
  5. The Replacements (John Debney)
  6. Gone In 60 Seconds (Trevor Rabin)
  7. The Bourne Identity (John Powell)
  8. Rush Hour 2 (Lalo Schifrin)
  9. XXX (Randy Edelman)
  10. Die Hard (Michael Kamen)
  11. The Last of the Mohicans (Trevor Jones)
  12. Moby Dick (Christopher Gordon)
  13. The Mists Of Avalon (Lee Holdridge)
  14. Cleopatra (Alex North)
  15. Life As A House (Mark Isham)
  16. Emma (Rachel Portman)
  17. In The Bedroom (Thomas Newman)
  18. Cast Away (Alan Silvestri)
  19. One True Thing (Cliff Eidelman)
  20. Unfaithful (Jan A.P. Kaczmarek)
  21. Far From Heaven (Elmer Bernstein)
  22. Ice Age (David Newman)
  23. Shrek (Harry Gregson-Williams and John Powell)

Customer Reviews:

5 out of 5 stars A good value.......2007-05-17

I wasn't expecting to have 4 discs for this price, and the music is a quality selection of film music, giving a good scope of the genre, and a very listenable transfer.

4 out of 5 stars The Sound Track Since Bernard Hermann.......2006-07-25

This collection is bound to capture your heart and evoke a tin ear on successive tracks. I found much to like and some duds - easy to skip over.
Very good value.

4 out of 5 stars Good mix of film music.......2006-07-02

Good mix of films!
I'm a big fan of this soundtrack music and will be looking for more CD's like this.

4 out of 5 stars A mixed collection of movie music.......2006-02-23

For the price, this CD is a great bargain. The musical selections, as you might expect, are mixed in quality ranging from extraordinary to so so, the balance being worthwhile and interesting. Sonically the CD is excellent.

5 out of 5 stars Uplifts your soul, takes your mind into the heavens.......2006-01-06

I have been listening to great scores for many years and this collection is truly inspirational in so far as the choice of different scores takes you on a journey of listening pleasure matched by only a few collections.The price is incredibly reasonable for hours of listening pleasure. Don't pass this one up

World Music:

  1. Live at the Queen Elizabeth Hall [Live]
  2. Malabaristas Do Sinal Vermelho [Import]
  3. Manic Panic [Import]
  4. Martina
  5. Masterpieces of Chinese Folksongs
  6. Me...
  7. Merci [Import]
  8. Mood Swings
  9. No Projeto Pixinguinha [Import]
  10. Octavons [Import]

World Music

world music

World Music

Trancesylvania 3.99 [Import]

Carmina Burana (XI-XIII Century)

Big Band of the Swinging Years

OK

Diamonds [Soundtrack]

Chienne de Route [Import]

Echoes: the Best of Pink Floyd [Import] [Original recording remastered]

Cincinnati Music Volume 3

Concierto En Aranjuez

Beethoven: Variations in F Op66; Variations in Ef WoO46

Brandenburg [Import]

Destination Moon

Best of Bass Explosion

Once Again

Passionate Voice