| 1. Claqueur de Doigts |
| 2. Nuit d'Octobre |
| 3. Adieu Créature |
| 4. Anthracite |
| 5. Mambo Miam Miam |
| 6. Indifférente |
| 7. Jeunes Femmes et Vieux Messieurs |
| 8. Amour À la Papa |
Editorial Reviews
Product Description
His second album release that was originally released in 1959. Recorded with Alian Goraguer's Orchestra. Includes the original artwork with extensive liner notes. 24 bit re-mastered. 2001 release. Standard jewel case.
Also, it has been proven that classical music has nothing to do with the cognitive development of young people. Now, teach them how to play piano or violin and you have yourself an actual YOUNG EINSTEIN, but listening to this kind of music does nothing for the development of the brain. It is just for lazy parents that can't sit down with their kids and play with them or read them a book.
Baby Einstein: Lullaby Classics
I would recommend this CD, and plan to purchase other Baby Einstein music!
He is inspiring, and she is right. This album is beautiful.
A friend's PC was able to read the CD and make a copy in standard format that can be read on any player, including my Mac. The story had a happy ending, but I can not comprehend why the publisher chose the oddball CD specification.
The music is excellent and worth the trouble of making a copy, but the publisher really shouldn't make you go to that effort just to listen to a CD that you paid for.
Each of the pieces are hacked apart to the point of it being comical. It's interesting to listen to the greatest music in the world, only to have the development cut. All of a sudden I was thrust into a new key, I thought my ears were going crazy. Perhaps an effort by a decent high school orchestra, but this music is not up to snuff with any other recording.
Do yourself a favor and go out and purchase real recordings of Mozart, and not watered down stereotypes.
A truely great gift for new parents, or if you have a sleepless little one at home. Turn on the cd, turn down the lights and let it sooth them to sleep.
The selections on this CD are all excellent and represent a nice range of Mozart's compostions, emphasising those that are ideal for creating a pleasant backdrop for leisure, dining and social occasions ("divertimentos"). The recordings are from the creme of musicians famous for their Mozart. Few works are as elegant and soaring as the Serenade #10 for winds - an astonishingly beautiful tune made famous from the early scenes of the movie, "Amadeus." Mozart supreme gifts of music are even seen in such humble "background music" as these pieces. And such continuity of warm, leisurely tones as these over 70 minutes is ideal for inspiring the baby to-be if that is why you are considering this CD. Better to expose a baby to the gentile, lyrical music of Mozart than to the dissonant, loud and disturbing tones of some classical music written well after Mozart.
As the reviewer below rightfully notes, compilation CD's of various unrelated works like this one is not quite how classical music is best meant to be heard. But in a way it is better for many to start with such collections like this - especially for those who just want the more quiet selections that are unintrusive. In that respect, this collection can be satisfying for most anyone (not just moms or babies). I have a huge classical music collection, but still really enjoy listening to one full CD of similar-temperament music like this one that flows easily and smoothly that doesn't demand my attention but only seeks to delight. And, in the end, that was the simple and primary goal of many of Mozart's compositions - to be purely enjoyed and delighted.
OVERALLY - The new songs sound O.K. and the old recordings are just as good as they were back then. This album is still a great buy!
I'm a heterosexual guy who's not an opera aficionado - I only mention these facts because I seem to be right in the bull's-eye of the target market for this product. Sarah B. has a nice voice and she's pretty. Both of these are featured prominently on this CD. The cover and several pages in the insert are devoted to what must have been a very long and expensive photo shoot (and Photoshop) of a semi-clad Sarah looking marvelous. (The CD also comes with a flyer so you can buy various Brightman "Classics" apparel - perhaps not for the heterosexual male).
As far as the music goes: not bad, not great. I don't claim to have the most discerning ears for this sort of music, but everything was OK by me. However, the pieces on the CD with which I'm somewhat familiar, such as "O Mio Babbino Caro," didn't sound quite as good as other versions I've heard (and that includes by Charlotte Church, not just opera stars). Also, the solo version of "Time to Say Goodbye" didn't sound nearly as good to me as the duet with Bocelli.
In sum, there were 3-4 songs I liked enough to rip to MP3s - which is enough so that I didn't feel ripped myself...
The CD technology eliminates the old game of "drop the needle!" Wonderful!
I recently purchased a boxed set of the recorded work of classical clarinetist Reginald Kell. It was wonderful to hear that music again! I lost my LPs in a fire, and never thought I could find them again!
I just love CDs! And thank you, Amazon, for giving us a pipeline to such wonderful music!
The best part was when my daughter told her Music Camp teacher, " Tchaikovsky is my favorite composer!" I thought she was going to faint.
I had heard rave reviews about the Classical Kids series of CDs (where a story is set to a composer's music), and, while my children enjoyed them, they didn't really want to hear the stories repeatedly, so the melodies didn't stick.
We got this CD from the library, and the minute they heard the first line of this CD, they were in hysterics. They just LOVED the silly lyrics, and they've listened to the CD repeatedly. They begged me to buy our own copy and to get the 2nd and 3rd CDs in this series. They ask questions about the music and the lyrics, trying to figure out what play on words and reality the creator of the CD was thinking about. They remember the music and who composed it. And they are much more interested in playing the pieces they know on the piano!
So, for our purposes, this CD has been perfect.
And yes, I put my money where my mouth is and purchased all three CDs in this set :) This one is still our favorite.
Imagine being able to hear works played by musicians with direct links to performers who've remembered what the composer wanted in performance of his/her works during his/her lifetime. Such opportunities arise through listening to recordings made by maestros like Arturo Toscanini (born 1867, began orchestra conducting 1886) whose musicianship -- not just in terms of scholarship and technical powers -- take us to a view of the contemporary Beethoven performing rite that seems to have dimmed with successive generations. Not that every Toscanini performance of a work is the same -- indeed there's noticeable evolution -- but his basic underlying approach remained sufficiently consistent for it to be captured in recordings, like this set, made quite late in his career (it ended in mid-1954, he died early 1957).
This Beethoven cycle is ADD mono and may not be any sonic improvement over either RCA's "74321", or "GD", series CDs of the same cycle; and it's unlikely to be sonically better than the superb LP transfers in the 100-disc set released (in the late 1970s) by RCA Japan (n.l.a.). But if you don't already own this latest RCA CD package, then, at the 'Amazon' price, it'll be an indispensible part of your Beethoven cycle experience.
The NBC Symphony is in great form (Toscanini reportedly said it didn't really become a top symphony orchestra until around its 1950 continental US tour and these discs are from that period) and the recorded sound, for the most part (say except for the Seventh's last movement) captures the dynamics and unique, chrystaline fabric of the Toscanini orchestral sound.
There's apparently some confusion over whether the set's 'Eroica' is the 1949 "studio" or 1953 "live" (broadcast) performance, but the insert-booklet's per-movement timings indicate it's the 1953 one (which is broader and differently inflected compared to the '49, and some earlier, Toscanini Eroicas; the 1949 one is included in RCA's "GD" CD series). Anyhow, this kind of issue is more for discographers than those out on a journey of important musical discovery.
Buy this set, especially at the price, the performances shouldn't fail to stimulate and inspire!
Some suggested references:-
'The Toscanini Legacy' by Spike Hughes (pub. 'Dover')
'Toscanini and the Art of Conducting' by Robert C. Marsh (pub. 'Collier Books') (in UK, titled 'Toscanini and the Art of Orchestral Performance' (pub. 'Allen & Unwin'))
'Arturo Toscanini - The NBC Years' by Mortimer H. Frank (pub. 'Amadeus Press').
which is just utterly not true!
don't get me wrong - i love furtwangler. he is one of the conductors i revere most, and i DO think that his beethoven is rarely surpassed. but there are a million ways to perform a piece! and most likely than not, this is not a matter of the cliched "subjective vs. objective" argument that most people put forward.
to argue that beethoven would not have conducted his music a la toscanini is absurd. very presumptious, of you ask me. actually, comparing beethoven's metronome markings with furtwangler's and tostanini's recordings, toscanini actually is closer to the norm. furtwangler actually disregards a lot of beethoven's instructions regarding tempi, phrasing, development, dynamics, etc.
many people, including me, would argue that furtwangler is not disregarding beethoven's intentions at all. beethoven's intention when, for instance, composing the first movement of the eroica, was not, as toscanini has said, "allegro con brio." it was the expression of beauty, the expression of the human soul. beethoven might've heard in his head the movement much faster than is usually performed. but music that occures in the mind and in the physical is significantly different (think of printing - the blue on your computer screen doesn't really turn out to be the blue you want when you print it out!). if furtwangler's performances best achieve this end (which i do believe they do), he has serviced beethoven immensly.
but who is to judge that furtwangler expressed what beethoven intended? perhaps beethoven intended a different kind of beauty? a different kind of soul? and this is why people who love music often have more than one record of the same music.
toscanini was a supreme maestro in his own right. he might not have the ability to direct a mind towards musical epiphany like furtwangler, or to steadily provoke the mind and heart to a state of climax like klemperer, but he does have a supreme sense of orchestral control. no one makes tuttis sound like tuttis as toscanini. he also has an insuperable talent of conveying musical excitement: not even erich kleiber, who in my opinion had one of the most powerful rhythmical senses amongst all the great conductors, can imbue a performance with as much explosive propulsion.
i must admit that i was also infected with the "toscanini-hate" for a while, particularly because sergiu celibidache, absolutely one of the greatest conductors, derided him as being a "note-factory." compared with celibidache or furtwangler, toscanini is a note factory. but this is merely because he prefers a more "absolute music" approach. to him, music is not an emotional, or spiritual language. it is just music. what the audience feels from the music is because of the innate quality of the notes themselves, not because the conductor tries to express them. one might say that people who prefer the first chords of the fifth symphony to be blatantly like "fate knocking on the door" would be disappointed by toscanini. but in a sense, such expectations are naive. to some performers and listeners, fate knocking on the door does not have to take on the gothic melodrama that most modern performances aim to achieve.
surely, there are sets out there that please me more - and this is not a collection of toscanini's best performances. there is a particularly noteworthy seventh on naxos coupled with an equally compelling fifth. this collection, however, serves as a worthy exponent of the virtues of toscanin's art.
for catharsis, look to furtwangler. for a sense of musical consummation, look to klemperer. elegance and liveliness, to erich kleiber. rough-edged and fiery, hawk-eyed execution, to schuricht. weingartner, walter, carlos kleiber, bohm, scherchen, and kempe also provide heartwrenching accounts. amongst the HIP performers, only gardiner had me convinced. actually, toscanini wouldn't be on top of my list of favorite beethoven conductors. but for others, he surely is, and it is more than a proper position.
After seeing a great performance of Verdi's La Traviata, I bought Toscanini's rendition of the preludes from this opera. This was in 1978. Toscanini's music were on budget lps at the time. And being in college, I was on a budget. I have several of his budget lps plus this Beethoven Symphony cycle on the RCA plum dog label from the 1950s that I bought used. I have always enjoyed the performances and have always had misgivings about the at best AM radio like fidelity of the recordings.
I recently listened to Toscanini's Brahms Symphonies at Rhapsody and the remastering has almost brought the sonics into the space age. WOW! The Beethoven symphonies too are at Rhapsody. They sound pretty good, but far from the great Analog of the late 50s to when digital kicked in circa 1980. When the music intensifies, it seems to my ear to start to distort a little and get a little shrill. Kinda like a movie theater where you can enter and egress with abandon as long as no one yells "Fire!!"
If we look at the fidelity coming from the 1930s and 40s, all complaints would be dropped and instead our astonishment would be given at just how great they sound. For historical recordings, they do sound GREAT. I enjoyed listening again to them.
Toscanini has gone from being the best thing since sliced bread to being regarded as an out of favor commissar who is now commissaring in outer Siberia. By listening to these recordings I would hope that your perspective will improve and that you would realize that Toscanini was a pretty good conductor, who brought great classical music to the masses, who had wide influence that is still felt thru his understudies, and that he was not the boogie man!
His second album release that was originally released in 1959. Recorded with Alian Goraguer's Orchestra. Includes the original artwork with extensive liner notes. 24 bit re-mastered. 2001 release. Standard jewel case.
No. 2,Serge Gainsbourg,Polygram Int'l,France,French,Int'l & World Music,Pop,World Music
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Baby Einstein: Lullaby Classics
Manufacturer: Buena Vista ProductGroup: Music Binding: Audio CD  All Works by J.S. Bach
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ASIN: B0001IXTU4 Release Date: 2004-03-16 |
Tracks:
- Variations (Twinkle, Twinkle), K265/300e
- Minuet In G From Anna Magdalena
- Piano Sonata In C, K 545, 2nd Movement
- Spring Song
- Piano Sonata In D, K 576, 3rd Movement
- Jesu, Joy Of Man's Desiring, BWV 147
- Canon
- The Moldau
- Preludes Book II, Clair De Lune
- Sonata No.14 (Moonlight), 2nd Movement, Op.27
- Symphony No.9, New World
- Fur Elise, WoO 59
- The Four Seasons, Winter, RV267, 2nd Movement
- Orchestral Suite No.3 In D, Air, BWV 1068
- Sonata No.8 (Pathetique), 2nd Movement, Op.13
- Kinderscene, Op.15
- Waltz No.15, Lullaby
Product Description
The Lullaby Classics A Concert for Little Ears music CD is a 17-track, 35-minute concert featuring a collection of soothing classical melodies perfect to calm little ones as they wind down for nap time, bedtime or a bit of quiet time. Each piece, re-orchestrated for little ears by the Baby Einstein Music Box Orchestra, was specially selected to lull babies into sweet, blissful dreams. Lullaby Classics opens with ?Ç£Twinkle, Twinkle?Ç¥ variations by Mozart and includes calming and delightful melodies from composers such as Bach, Beethoven, Dvorak and Debussy. It ends with Brahms' ?Ç£Lullaby?Ç¥ tucking baby in for a cozy, restful sleep.Musical Selections:1. Variations (Twinkle, Twinkle), K265/300e, Mozart2. Minuet In G From Anna Magdalena, Bach3. Piano Sonata In C, K 545, 2nd Movement, Mozart4. Spring Song, Mendelssohn5. Piano Sonata In D, K 576, 3rd Movement, Mozart6. Jesu, Joy Of Man's Desiring, BWV 147, Bach7. Canon, Pachelbel8. The Moldau, Smetana9. Preludes Book II, Clair De Lune, Debussy10. Sonata No. 14 (Moonlight), 2nd Movement, Op. 27, Beethoven11. Symphony No. 9, New World , Dvorak12. Fur Elise, WoO 59, Beethoven13. The Four Seasons, Winter, RV297, 2nd Movement, Vivaldi14. Orchestral Suite No. 3 In D, Air, BWV 1068, Bach15. Sonata No. 8 (Pathetique), 2nd Movement, Op. 13, Beethoven16. Kinderscene Op.15, Schumann17. Waltz No 15, Lullaby, Brahms Age: birth +Awards:* Oppenheim Toy Portfolio Gold Award (2005)* National Parenting Center Seal of Approval (2004)* National Parenting Publications Awards (2004)Customer Reviews:
stinky for Einstein.......2007-08-03
Lame.......2007-07-22
Sounds like a cheap plastic toy.......2007-06-20
Also, it has been proven that classical music has nothing to do with the cognitive development of young people. Now, teach them how to play piano or violin and you have yourself an actual YOUNG EINSTEIN, but listening to this kind of music does nothing for the development of the brain. It is just for lazy parents that can't sit down with their kids and play with them or read them a book.
would make you sleepy.........2007-06-15
Kid's Music.......2007-06-08
Baby Einstein: Lullaby Classics
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25 Classical Favorites
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ASIN: B0000058HT Release Date: 1996-01-23 |
Tracks:
- Eine Klein Nachtmusik: (I. Allegro)
- Nutcracker Suite: (Russian Dance)
- The Four Seasons, Op. 8: (Spring: I. Allegro)
- Hungarian Dance No. 5 In G Minor
- Symphony in D, K. 161 - 163: (III. Presto)
- Waltz In D-Flat Major, Op. 64, No. 1
- Tritsch-Tratsch Polka, Op. 214
- Brandenburg Concerto No. 3 In G, S. 1048: (III. Allegro)
- Swan Lake: (Dance Of The Swans)
- Carmen Suite No. 2: (Habanera)
- Messiah: (Overture)
- Wind Serenade 'The Marriage Of Figaro': Overture
- Violin Concerto No. 1 In G Minor, Op. 12: (III. Allegro)
- Water Music: (Overture)
- Sleeping Beauty Ballet Suite, Op. 66: (Panorama)
- Symphony No. 26 In E-flat Major, K. 184: (III. Allegro)
- Waltz No. 10 In B Minor, Op. 69 No. 2
- Violin Concerto No. 1 In A Minor, S. 1041: (III. Allegro)
- Water Music: (Lentement)
- Brandenburg Concerto No. 4 In G Major, S. 1049: (II. Andante)
- Habanera
- Horn Concerto No. 3 In E-Flat Major, K. 447: (II. Romanza)
- Rhapsody On A Theme By Paganini, Op. 43: (Variation No. 18)
- Thunder And Lightning Polka, Op. 324
- Stars And Stripes Forever
Customer Reviews:
classic music CD.......2007-06-27
Good for beginners.......2007-02-15
Great mix.......2007-02-14
Good for first-timer.......2007-01-22
25 Classical Favorites cd.......2007-01-06
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Baby Mozart
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ASIN: B000065VCG Release Date: 2002-05-07 |
Tracks:
- Tune Up And Fanfare Based On Themes From 'The Magic Flute'
- Piano Sonata In C, K545, 1st Movement
- Piano Sonata In C, K330, 1st Movement
- Variations On 'Ah Vous Dirai-je, Maman,' No. 1, 8, And 11, K265/300e
- Piano Sonata In D, K576, 3rd Movement
- Concerto For Flute And Harp In C, K299, 1st Movement
- Piano Sonata In A, K331, 3rd Movement
- Piano Sonata In C, K545, 2nd Movement
- Sonata In D For Two Pianos, K448, 1st Movement
- Piano Sonata In C, K330, 3rd Movement
- Divertmento No. 17 In D
- Piano Sonata In B Flat, K570, 3rd Movement
- Piano Sonata In F, K533, 3rd Movement
- The Magic Flute, K620, Papageno Arias No. 2 And 20
- Symphony No. 41 In C, K551, 4th Movement
Product Description
Introduce your baby to the wonders of classical music with this Mozart collection. The musical selections on this CD were softened to create a happy arrangement that will appeal to babies. Since listenening to classical music has been shown to impact cognitive skills as well verbal ability, intelligence, and memory, this CD is a perfect tool to enhance your child's development. Musical selections include: Tune up and Fanfare based on themes from "The Magic Flute"; Piano Sonata in C, first movement; Piano Sonata in C, first movement; Variations on "Ah vous dirai-je, maman"; Piano Sonata in D, third movement; Concerto for Flute and Harp in C, first movement; Piano Sonata in A, third movement; Piano Sonata in C, second movement; Sonata in D for Two Pianos, first movement; Piano Sonata in C, third movement; Divertmento no. seventeen in D; Piano Sonata in B flat, third movement; Piano Sonata in F, third movement; The Magic Flute, Papageno Arias no. two and twenty; and Symphony no. forty-one in C, fourth movement. Age: Birth - 3 years Manufacturer: New Sound MusicAmazon.com
Of all the reasons you'll click the Add to Shopping Cart button next to Baby Einstein's Baby Mozart--and there are many--the best one is that playing this record for babies doesn't feel weird. Instead of subjecting tiny, tender ears to the kind of Mozart that can make adult classical fans wilt when tackled by a maestro who means business, this is Mozart lite, mixed and mastered by a dad, Bill Weisbach, who's clearly hung around for his share of crib-side cooing. The slightly tinny sound of a child's piano sweeps the sting out of Piano Sonata in B Flat's third movement; the first movement of Concerto for Flute and Harp in C floats by, birdlike; variations on "Ah vous dirai-je, Maman" translate to a fancy-sounding (but adorable) "Twinkle, Twinkle"; and Piano Sonata in F's third movement snuggles so deeply into its childlike setting that if you close your eyes, you'll see a pastel parade of animals floating by overhead. Other pieces (more aptly called fragments, since only one track stretches beyond the three-minute mark), like Symphony No. 41's fourth movement, wander into more robust Mozart territory, but it's here the claims about classical music enhancing young kids' abstract reasoning skills and spatial intelligence crystallize. Babies strapped in for a roller coaster of sounds that gracefully dips, swerves, and high-jumps like this version, do have to process what they're hearing somehow (and a case could be made that the instruments Weisbach's chosen--the vibraphone, glockenspiel, and music box among them--make it more appealing for them to do so). Followers of Julie Aigner-Clark's Baby Einstein empire, many of whom opted out of the fan club once Disney bought the company in 2001, won't trip over a single Mickey Mouse-ified sound here. This is pure, plugged in, and muted Mozart, and if it doesn't make your baby smarter, it'll at least sound awfully sweet issuing from your nursery's speakers. --Tammy La GorceCustomer Reviews:
Lively and comforting CD!.......2007-06-12
Baby loves this music!.......2007-02-17
Baby Mozart.......2007-02-14
great gift - thank you.......2007-01-18
Great music for baby AND mom.......2006-04-18
I would recommend this CD, and plan to purchase other Baby Einstein music!
Average customer rating:
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Romance of the Violin
Claude Debussy , Fryderyk Chopin , Camille Saint-Saens , Franz Schubert , Vincenzo Bellini , Wolfgang Amadeus Mozart , Christoph Willibald Gluck , Alexander Borodin , Antonin Dvorak , Claudio Monteverdi , Jules Massenet , Robert Schumann , Michael Stern , Craig Ogden , Gregory Knowles , John Constable , Jacob Heringman , and Stephen Orton Manufacturer: Sony ProductGroup: Music Binding: Audio CD Bellini, Vincenzo
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ASIN: B0000DG06L Release Date: 2003-10-28 |
Tracks:
- O mio babbino caro (from 'Gianni Schicchi')
- The Girl With Flaxen Hair (from Preludes, Book I; La fille aux cheveux delin: Prelude for Piano L 117/8)
- Nocturne in C sharp minor (Op Post)
- The Swan (from Carnival of the Animals)
- Serenade (from 'Schwanengesang' song cycle for voice and piano, D 957
- Casta Diva (from 'Norma')
- Andante from Piano Concerto No. 21 in C Major K. 467
- Nocturne from Quartet for Strings No. 2 in D Major: 3rd movement
- Dance of the Blessed Spirits (from 'Orfeo ed Euridice')
- Songs My Mother Taught Me, song for voice and piano B104/4 Op 55/4
- Pur ti Miro (from 'L'incoronazione di Poppea')
- Elegie (Elegie 'O doux printemps d'autrefois' for voice and piano)
- Traumerei ('Kinderszenen' for piano, Op 15, No. 7 'Dreaming')
Amazon.com
Every track on this CD contains a beautiful melody, many of them easily recognizable, all of them exuding tranquility. "O mio babbino caro" from Puccini's Gianni Schicchi opens the disc, with Bell delicately accompanied by a harp and spinning the long melody with great sensitivity. Bellini's "Casta diva" from Norma lives up to its reputation as the epitome of bel canto in Bell's hands; his violin sings. The middle movement of Mozart's 21st Piano Concerto takes well to the violin, and Debussy's "The Girl with the Flaxen Hair" is played with great warmth and sensuality. It would be easy to turn a recital like this into treacle, but Bell is wise enough to realize that the music is already sweet enough and he plays with great reserve and a minimum of sentimental slides. The light accompaniments always support, with woodwinds prominent but used with grace. This CD, in short, is a beauty: a fine gift, a lovely mood setter. --Robert LevineCustomer Reviews:
Romance of the Violin.......2007-07-16
End of the Day.......2007-06-08
He is inspiring, and she is right. This album is beautiful.
Wonderful!.......2007-05-30
Over and over and over...........2007-05-17
Non-standard CD format.......2007-04-22
A friend's PC was able to read the CD and make a copy in standard format that can be read on any player, including my Mac. The story had a happy ending, but I can not comprehend why the publisher chose the oddball CD specification.
The music is excellent and worth the trouble of making a copy, but the publisher really shouldn't make you go to that effort just to listen to a CD that you paid for.
Average customer rating:
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25 Mozart Favorites
Manufacturer: Vox (Classical) ProductGroup: Music Binding: Audio CD Quartets
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ASIN: B0000058HV Release Date: 1996-08-20 |
Tracks:
- 'The Marriage Of Figaro': Overture
- Symphony No. 29 In A, K. 201: ll. Andante
- Symphony No. 25 In G Minor, K. 183: l. Allegro con brio
- Piano Concerto No. 9 In E Flat, K. 271: ll. Andantino
- Piano Concerto No. 17 In G, K. 453: l. Allegro
- 'The Magic Flute': Overture
- Symphony No. 40 in G minor: l. Molto Allegro
- Symphony No. 38 In D, K. 504 'Prague': lll. Finale: Presto
- Serenade In B-Flat For 13 Winds, K. 361/370A 'Gran Partita': lll. Andante
- Clarinet Concerto In A, K. 622: l. Allegro
- Flute Concerto No. 2 In D, K. 314: ll. Andante ma non troppo
- Clarinet Quintet In A, K. 581: ll. Larghetto
- Piano Sonata In C Minor, K. 457: ll. Adagio
- Piano Sonata In A Minor, K. 310: l. Allegro maestoso
- Piano Concerto No. 23 In A, K. 488: ll. Adagio
- Symphony No. 39 in E-flat, K. 543: lV. Finale: Allegro
- Horn Concerto No. 3 In E-Flat, K. 447: lll. Allegro
- Piano Concerto No. 21 In C, K. 467: ll. Andante
- Sinfonia Concertante For Violin And Viola In E-Flat, K. 364: l. Allegro maestoso
- String Quartet No. 17 In B-Flat, K. 458 'The Hunt': l. Allegro vivace assai
- Violin Concerto No. 4 In D, K. 218: ll. Andante cantabile
- Violin Concerto No. 5 In A, K. 219: ll. Adagio
- Eine Kleine Nachtmusik, K. 525: lV. Presto
- Requiem, K. 626: Confutatis Maledictis
- Exsultate Jubilate: Alleluia
Amazon.com
This is an astonishing collection of works - or parts of works - by Mozart that covers almost every aspect of his creative output: symphonic, religious music, concerti (for piano, horn, violin, clarinet, flute), chamber music, serenades (for strings; winds), a couple of opera overtures and more. Those who know and love Mozart's music will not need this, but it's a great introduction, a great overview. The selections are well-chosen and interestingly organized, with familiar pieces splrinkled among some not-so well known. A good primer. --Robert LevineCustomer Reviews:
How can you go wrong with Mozart?...Buy this and find out........2007-05-13
Each of the pieces are hacked apart to the point of it being comical. It's interesting to listen to the greatest music in the world, only to have the development cut. All of a sudden I was thrust into a new key, I thought my ears were going crazy. Perhaps an effort by a decent high school orchestra, but this music is not up to snuff with any other recording.
Do yourself a favor and go out and purchase real recordings of Mozart, and not watered down stereotypes.
25 Mozart Favorites.......2007-05-12
Wonderful collection and price!.......2007-05-11
Nice Mozart selection - Nice price.......2006-09-24
Mozart Listener.......2006-08-31
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Mozart for Mothers-To-Be: Tender Lullabies for Mother and Child
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ASIN: B0000041EV Release Date: 1996-04-09 |
Tracks:
- Divertimento In B-Flat (Adagio)
- Cassation (Final-Musik) In G - Adgio
- Divertimento In G Minor (Andante)
- String Quartet No. 12 In B-Flat - Adagio
- Divertimento In D, KV 131 - Adagio
- 'Eine Kleine Nachtmusik' - Romance (Andante)
- Divertimento In D, KV 136 - Andante
- Serenade In B-Flat 'Gran Partita' - Adagio
- Prelude No. 3 In F
- String Quartet No. 1 In B-Flat - Adagio
- Violin Concerto In D - Andante cantabile
- Divertimento In B-Flat - Adagio
Customer Reviews:
Wonderful.......2007-06-26
Great for putting kids to sleep!.......2007-06-08
Very Relaxing.......2007-04-10
A Must Have for all Parents of Little Children !!!.......2006-11-25
A truely great gift for new parents, or if you have a sleepless little one at home. Turn on the cd, turn down the lights and let it sooth them to sleep.
Inspire the baby-within.......2005-12-13
The selections on this CD are all excellent and represent a nice range of Mozart's compostions, emphasising those that are ideal for creating a pleasant backdrop for leisure, dining and social occasions ("divertimentos"). The recordings are from the creme of musicians famous for their Mozart. Few works are as elegant and soaring as the Serenade #10 for winds - an astonishingly beautiful tune made famous from the early scenes of the movie, "Amadeus." Mozart supreme gifts of music are even seen in such humble "background music" as these pieces. And such continuity of warm, leisurely tones as these over 70 minutes is ideal for inspiring the baby to-be if that is why you are considering this CD. Better to expose a baby to the gentile, lyrical music of Mozart than to the dissonant, loud and disturbing tones of some classical music written well after Mozart.
As the reviewer below rightfully notes, compilation CD's of various unrelated works like this one is not quite how classical music is best meant to be heard. But in a way it is better for many to start with such collections like this - especially for those who just want the more quiet selections that are unintrusive. In that respect, this collection can be satisfying for most anyone (not just moms or babies). I have a huge classical music collection, but still really enjoy listening to one full CD of similar-temperament music like this one that flows easily and smoothly that doesn't demand my attention but only seeks to delight. And, in the end, that was the simple and primary goal of many of Mozart's compositions - to be purely enjoyed and delighted.
Average customer rating:
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Sarah Brightman Classics
Sarah Brightman , Tomaso Giovanni Albinoni , Francisco Tarrega , George Frideric Handel , Fryderyk Chopin , Sergey Rachmaninov , Giacomo Puccini , Antonin Dvorak , Andrew Lloyd Webber , Ludwig van Beethoven , Joseph Marie Canteloube , Francesco Sartori , and Paul Bateman Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD All Works by Albinoni
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ASIN: B00005RD78 Release Date: 2001-11-20 |
Tracks:
- Ave Maria (new recording)
- La Wally (from Time To Say Goodbye)
- Winter Light (new recording)
- Anytime, Anywhere (from Eden)
- Alhambra (new recording)
- Lascia Ch'io Pianga (from Eden)
- Dans La Nuit (new recording)
- Serenade/How Fair This Place (from La Luna)
- O Mio Babbino Caro (new recording)
- La Luna (from La Luna)
- Pie Jesu (new recording)
- Figlio Perduto (from La Luna)
- Nessun Dorma (new recording)
- Bailero (from Eden)
- Time To Say Goodbye (New solo version--previously unavailable)
Amazon.com
Have some friends who still haven't discovered what the Sarah Brightman fuss is all about? You'll find the perfect introduction to make converts of them all in Classics, so they'll have no more excuses to remain clueless. Sporting a Botticelli-inspired image of the platinum-selling soprano on the cover, Classics is a classy anthology including highlights from three of Brightman's chart-topping releases along with seven new tracks. Songs personally selected by the diva as her favorite classical interpretations are culled from her previous blockbusters: Time To Say Goodbye, Eden, and La Luna. And whether you're a fan already in the fold or one in the making, the new material here shows the diva at the top of her form, in new renderings of "O Mio Babbino Caro" and "Nessun Dorma" (accompanied by the Royal Philharmonic)--fascinating displays of the operatic confidence she's developed over her career. Other new offerings include a touching version of Schubert's "Ave Maria,' "Winter Light," a fresh take on her signature song "Pie Jesu" (from Andrew Lloyd Webber's Requiem). "Alhambra" and "Dans La Nuit"--a real treat, bathing the listener in Brightman's silky, sensuous vocalism--add two original titles to her famous adaptations of classical melodies to new lyrics (using Chopin's haunting E major Etude in the latter case). All told, a lovely affirmation of the directions Brightman has boldly taken in her career to date. -Sarah ChinAmazon.com
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More from Sarah Brightman
Time to Say Goodbye |
Diva: The Singles Collection |
Eden |
Diva: The Video Collection |
Live from Las Vegas |
La Luna (Live in Concert) |
Customer Reviews:
Sarah's Best Easy Listening CD.......2007-03-15
Best Brightman CD.......2007-02-07
Sarah Brightman is a Classic.......2007-01-02
Not The Best - Not the Worst - From Sarah Brightman.......2006-12-30
OVERALLY - The new songs sound O.K. and the old recordings are just as good as they were back then. This album is still a great buy!
Nice Cover.......2006-12-27
I'm a heterosexual guy who's not an opera aficionado - I only mention these facts because I seem to be right in the bull's-eye of the target market for this product. Sarah B. has a nice voice and she's pretty. Both of these are featured prominently on this CD. The cover and several pages in the insert are devoted to what must have been a very long and expensive photo shoot (and Photoshop) of a semi-clad Sarah looking marvelous. (The CD also comes with a flyer so you can buy various Brightman "Classics" apparel - perhaps not for the heterosexual male).
As far as the music goes: not bad, not great. I don't claim to have the most discerning ears for this sort of music, but everything was OK by me. However, the pieces on the CD with which I'm somewhat familiar, such as "O Mio Babbino Caro," didn't sound quite as good as other versions I've heard (and that includes by Charlotte Church, not just opera stars). Also, the solo version of "Time to Say Goodbye" didn't sound nearly as good to me as the duet with Bocelli.
In sum, there were 3-4 songs I liked enough to rip to MP3s - which is enough so that I didn't feel ripped myself...
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Vivaldi: The Four Seasons; Violin Concertos
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by Vivaldi
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ASIN: B00005NPK1 Release Date: 2002-08-13 |
Tracks:
- The Four Seasons: Con No.1 in E, RV 269 'Spring': I. Allegro - London Philharmonic Orchestra
- The Four Seasons: Con No.1 in E, RV 269 'Spring': II. Largo - London Philharmonic Orchestra
- The Four Seasons: Con No.1 in E, RV 269 'Spring': III. Allegro - London Philharmonic Orchestra
- The Four Seasons: Con No.2 in g, RV 315 'Summer': I. Allegro Non Molto - London Philharmonic Orchestra
- The Four Seasons: Con No.2 in g, RV 315 'Summer': II. Adagio - London Philharmonic Orchestra
- The Four Seasons: Con No.2 in g, RV 315 'Summer': III. Presto - London Philharmonic Orchestra
- The Four Seasons: Con No.3 in F, RV 293 'Autumn': I. Allegro - London Philharmonic Orchestra
- The Four Seasons: Con No.3 in F, RV 293 'Autumn': II. Adagio Molto - London Philharmonic Orchestra
- The Four Seasons: Con No.3 in F, RV 293 'Autumn': III. Allegro - London Philharmonic Orchestra
- The Four Seasons: Con No.4 in f, RV 297 'Winter': I. Allegro Non Molto - London Philharmonic Orchestra
- The Four Seasons: Con No.4 in f, RV 297 'Winter': II. Largo - London Philharmonic Orchestra
- The Four Seasons: Con No.4 in f, RV 297 'Winter': III. Allegro - London Philharmonic Orchestra
- Vn Con in c, RV 199 'Il Sospetto': I. Allegro - Itzhak Perlman
- Vn Con in c, RV 199 'Il Sospetto': II. Andante - Itzhak Perlman
- Vn Con in c, RV 199 'Il Sospetto': III. Allegro - Itzhak Perlman
- Vn Con in a, RV 356: I. Allegro - Itzhak Perlman
- Vn Con in a, RV 356: II. Largo - Itzhak Perlman
- Vn Con in a, RV 356: III. Presto - Itzhak Perlman
- Vn Con in A, RV 347: I. Allegro - Itzhak Perlman
- Vn Con in A, RV 347: II. Largo - Itzhak Perlman
- Vn Con in A, RV 347: III. Allegro - Itzhak Perlman
Customer Reviews:
Sublime!.......2007-07-19
plays every day!.......2007-06-14
Fun.......2007-05-26
Wonderful recording!.......2007-05-20
The CD technology eliminates the old game of "drop the needle!" Wonderful!
I recently purchased a boxed set of the recorded work of classical clarinetist Reginald Kell. It was wonderful to hear that music again! I lost my LPs in a fire, and never thought I could find them again!
I just love CDs! And thank you, Amazon, for giving us a pipeline to such wonderful music!
If all music were so beautiful.......2007-01-12
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Beethoven's Wig: Sing Along Symphonies
Beethoven's Wig Manufacturer: Rounder / Umgd ProductGroup: Music Binding: Audio CD Ballets
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ASIN: B000060OLA Release Date: 2002-03-05 |
Tracks:
- Beethoven's Wig (5th Symphony, Beethoven)
- Franz Liszt the Famous Pianist (Hungarian Rhapsody #2, Liszt)
- Please Don't Play Your Violin at Night (Eine Kleine Nachtmusik, Mozart)
- Can You Can Can? (Can Can, Offenbach)
- Just For Elise (Fur Elise, Beethoven)
- Haydn's Great Surprise (Surprise Symphony, Haydn)
- Kings and Queens of England (Trumpet Tune, Purcell)
- Drip, Drip, Drip (Pizzicato from Sylvia, Delibes)
- Harmony (The Merry Peasant, Schumann)
- Hey Guitar Teacher (Bouree, Bach)
- Tchaikovsky's Cannonball (1812 Overture, Tchaikovsky)
Product Description
GENERAL FEATURES: Beethoven's Wig Sing Along Symphonies are zany stick-in-your-head lyrics set to the greatest hits of classical music. Filled with fact and fancy about the world's most notable composers and their masterpieces, each Sing Along Symphony opens the door to "serious music" in a way that's fun. As a bonus, the orchestral performance of each classical piece is included without lyrics. Educational entertainment for all ages.Amazon.com
Inspired and wildly imaginative, Beethoven's Wig is one of the best introductions to classical music you could give to your children. Featuring snippets of 11 classical music staples--Beethoven, Bach, Mozart, Haydn, et al.--the disc and its creators, Richard Perlmutter and friends, pour on the silly lyrics the first time around to familiarize young ears to the old masters. Then in the last half of the record, the orchestra plays the same "serious" music pieces instrumentally. You might cheerfully recall Alan Sherman's popular spoofs of old classical works in Wig and you'll again chuckle at pieces like "Drip, Drip, Drip," which adapts Delibes's "Pizzicato from Sylvia." You'll also marvel at the expertise throughout the CD, with all the pieces well played yet thoroughly fun. Beethoven's Wig is an orchestral treasure with a sense of humor as old or as new as its listeners (and the fun questions that run throughout the CD's liner notes are almost as entertaining as the zany musical interludes). Highly recommended. --Martin KellerCustomer Reviews:
Great for young children. Many Thanks!.......2007-07-16
EXCELLENT CD to introduce kids (& adults) to classical music!.......2007-07-08
Tchaikovsky is my favorite composer, declares my [...]........2007-06-15
The best part was when my daughter told her Music Camp teacher, " Tchaikovsky is my favorite composer!" I thought she was going to faint.
Truly fun AND educational.......2007-06-01
My kids' hands-down favorite classical CD.......2007-05-18
I had heard rave reviews about the Classical Kids series of CDs (where a story is set to a composer's music), and, while my children enjoyed them, they didn't really want to hear the stories repeatedly, so the melodies didn't stick.
We got this CD from the library, and the minute they heard the first line of this CD, they were in hysterics. They just LOVED the silly lyrics, and they've listened to the CD repeatedly. They begged me to buy our own copy and to get the 2nd and 3rd CDs in this series. They ask questions about the music and the lyrics, trying to figure out what play on words and reality the creator of the CD was thinking about. They remember the music and who composed it. And they are much more interested in playing the pieces they know on the piano!
So, for our purposes, this CD has been perfect.
And yes, I put my money where my mouth is and purchased all three CDs in this set :) This one is still our favorite.
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Ludwig van Beethoven: The 9 Symphonies - Arturo Toscanini / NBC Symphony Orchestra
Ludwig van Beethoven (Composer) , Arturo Toscanini (Conductor) , and NBC Symphony Orchestra Manufacturer: RCA ProductGroup: Music Binding: Audio CD All Works by Beethoven
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ASIN: B0000CNTLU Release Date: 2003-12-09 |
Customer Reviews:
Toscanini's last Beethoven cycle -- a unique, bargain glimpse of the performing rite.......2007-06-30
Imagine being able to hear works played by musicians with direct links to performers who've remembered what the composer wanted in performance of his/her works during his/her lifetime. Such opportunities arise through listening to recordings made by maestros like Arturo Toscanini (born 1867, began orchestra conducting 1886) whose musicianship -- not just in terms of scholarship and technical powers -- take us to a view of the contemporary Beethoven performing rite that seems to have dimmed with successive generations. Not that every Toscanini performance of a work is the same -- indeed there's noticeable evolution -- but his basic underlying approach remained sufficiently consistent for it to be captured in recordings, like this set, made quite late in his career (it ended in mid-1954, he died early 1957).
This Beethoven cycle is ADD mono and may not be any sonic improvement over either RCA's "74321", or "GD", series CDs of the same cycle; and it's unlikely to be sonically better than the superb LP transfers in the 100-disc set released (in the late 1970s) by RCA Japan (n.l.a.). But if you don't already own this latest RCA CD package, then, at the 'Amazon' price, it'll be an indispensible part of your Beethoven cycle experience.
The NBC Symphony is in great form (Toscanini reportedly said it didn't really become a top symphony orchestra until around its 1950 continental US tour and these discs are from that period) and the recorded sound, for the most part (say except for the Seventh's last movement) captures the dynamics and unique, chrystaline fabric of the Toscanini orchestral sound.
There's apparently some confusion over whether the set's 'Eroica' is the 1949 "studio" or 1953 "live" (broadcast) performance, but the insert-booklet's per-movement timings indicate it's the 1953 one (which is broader and differently inflected compared to the '49, and some earlier, Toscanini Eroicas; the 1949 one is included in RCA's "GD" CD series). Anyhow, this kind of issue is more for discographers than those out on a journey of important musical discovery.
Buy this set, especially at the price, the performances shouldn't fail to stimulate and inspire!
Some suggested references:-
'The Toscanini Legacy' by Spike Hughes (pub. 'Dover')
'Toscanini and the Art of Conducting' by Robert C. Marsh (pub. 'Collier Books') (in UK, titled 'Toscanini and the Art of Orchestral Performance' (pub. 'Allen & Unwin'))
'Arturo Toscanini - The NBC Years' by Mortimer H. Frank (pub. 'Amadeus Press').
i can't take it anymore.......2007-06-02
which is just utterly not true!
don't get me wrong - i love furtwangler. he is one of the conductors i revere most, and i DO think that his beethoven is rarely surpassed. but there are a million ways to perform a piece! and most likely than not, this is not a matter of the cliched "subjective vs. objective" argument that most people put forward.
to argue that beethoven would not have conducted his music a la toscanini is absurd. very presumptious, of you ask me. actually, comparing beethoven's metronome markings with furtwangler's and tostanini's recordings, toscanini actually is closer to the norm. furtwangler actually disregards a lot of beethoven's instructions regarding tempi, phrasing, development, dynamics, etc.
many people, including me, would argue that furtwangler is not disregarding beethoven's intentions at all. beethoven's intention when, for instance, composing the first movement of the eroica, was not, as toscanini has said, "allegro con brio." it was the expression of beauty, the expression of the human soul. beethoven might've heard in his head the movement much faster than is usually performed. but music that occures in the mind and in the physical is significantly different (think of printing - the blue on your computer screen doesn't really turn out to be the blue you want when you print it out!). if furtwangler's performances best achieve this end (which i do believe they do), he has serviced beethoven immensly.
but who is to judge that furtwangler expressed what beethoven intended? perhaps beethoven intended a different kind of beauty? a different kind of soul? and this is why people who love music often have more than one record of the same music.
toscanini was a supreme maestro in his own right. he might not have the ability to direct a mind towards musical epiphany like furtwangler, or to steadily provoke the mind and heart to a state of climax like klemperer, but he does have a supreme sense of orchestral control. no one makes tuttis sound like tuttis as toscanini. he also has an insuperable talent of conveying musical excitement: not even erich kleiber, who in my opinion had one of the most powerful rhythmical senses amongst all the great conductors, can imbue a performance with as much explosive propulsion.
i must admit that i was also infected with the "toscanini-hate" for a while, particularly because sergiu celibidache, absolutely one of the greatest conductors, derided him as being a "note-factory." compared with celibidache or furtwangler, toscanini is a note factory. but this is merely because he prefers a more "absolute music" approach. to him, music is not an emotional, or spiritual language. it is just music. what the audience feels from the music is because of the innate quality of the notes themselves, not because the conductor tries to express them. one might say that people who prefer the first chords of the fifth symphony to be blatantly like "fate knocking on the door" would be disappointed by toscanini. but in a sense, such expectations are naive. to some performers and listeners, fate knocking on the door does not have to take on the gothic melodrama that most modern performances aim to achieve.
surely, there are sets out there that please me more - and this is not a collection of toscanini's best performances. there is a particularly noteworthy seventh on naxos coupled with an equally compelling fifth. this collection, however, serves as a worthy exponent of the virtues of toscanin's art.
for catharsis, look to furtwangler. for a sense of musical consummation, look to klemperer. elegance and liveliness, to erich kleiber. rough-edged and fiery, hawk-eyed execution, to schuricht. weingartner, walter, carlos kleiber, bohm, scherchen, and kempe also provide heartwrenching accounts. amongst the HIP performers, only gardiner had me convinced. actually, toscanini wouldn't be on top of my list of favorite beethoven conductors. but for others, he surely is, and it is more than a proper position.
Classic circa 1950 Beethoven Symphony Cycle.......2007-05-30
After seeing a great performance of Verdi's La Traviata, I bought Toscanini's rendition of the preludes from this opera. This was in 1978. Toscanini's music were on budget lps at the time. And being in college, I was on a budget. I have several of his budget lps plus this Beethoven Symphony cycle on the RCA plum dog label from the 1950s that I bought used. I have always enjoyed the performances and have always had misgivings about the at best AM radio like fidelity of the recordings.
I recently listened to Toscanini's Brahms Symphonies at Rhapsody and the remastering has almost brought the sonics into the space age. WOW! The Beethoven symphonies too are at Rhapsody. They sound pretty good, but far from the great Analog of the late 50s to when digital kicked in circa 1980. When the music intensifies, it seems to my ear to start to distort a little and get a little shrill. Kinda like a movie theater where you can enter and egress with abandon as long as no one yells "Fire!!"
If we look at the fidelity coming from the 1930s and 40s, all complaints would be dropped and instead our astonishment would be given at just how great they sound. For historical recordings, they do sound GREAT. I enjoyed listening again to them.
Toscanini has gone from being the best thing since sliced bread to being regarded as an out of favor commissar who is now commissaring in outer Siberia. By listening to these recordings I would hope that your perspective will improve and that you would realize that Toscanini was a pretty good conductor, who brought great classical music to the masses, who had wide influence that is still felt thru his understudies, and that he was not the boogie man!
Beethoven's symphonies.......2007-05-12
Great Historical Collection.......2007-05-07
World Music:
- Non E' Per Sempre [Import]
- O Politico 50 Anos [Import]
- Obakadences
- Park Hotel [Import]
- Passé Présent [Original recording remastered] [Import]
- Passpartu [Import]
- Psychoholic: Psychobilly Ultimate Selection [Import]
- Redwood Cathedral
- Reevolution [Import]
- Ritmo de Negros
World Music
Where Have You Been Tonight (Bonus DVD) [Explicit Lyrics] [Live] [Import]
Nouvelle Vague [Explicit Lyrics] [Import]
Drowning Mona: Music from and Inspired by the Motion Picture [Soundtrack]
Fall Behind Me [CD-single] [Import]
Edward Elgar: Cell Concerto, Op 85/The Dream Of Gerontius, Op 38
Count Basie Septet & Octet - On Film & Live [Original recording remastered] [Import]