Still 2 Wild [Explicit Lyrics]

Track Listings

1. Intro

2. That's My Hoe

3. Watch Em'

4. What I Am - Mr. Sche, Tom Skee

5. Ride or Die

6. Shake It

7. Big Business

8. Trippin

9. They Don't Like Us

10. Smoke On (Skit)

11. Pass da Hydro

12. Mr. Dro Man (Skit)

13. Hard on Em'

14. In da Mound

15. Hush Dat Noise

16. Let Em' Kno

17. 211 in Progess

18. Fuckamuthafucka

19. Outro

Still 2 Wild,Tom Skee & N.O.D.,2 Wild Ent.,Pop,Rap,Rap & Hip-Hop

Still 2 Wild [Explicit Lyrics]

Tracks:

Vocalise, Op. 34, No. 4 - Academy of St. Martin in the Fields, Sir Neville Marriner
Rrie - James Judd, Julian Lloyd Webber, Royal Philharmonic Orchestra
Menuet (Water Music Suite, No. 3 in G Major) - Orpheus Chamber Orchestra
Tempo Di Valse (Serenade for Strings in E Major, Op. 22) - Academy of St. Martin in the Fields, Sir Neville Marriner
Humming Chorus (Madama Butterfly) - BBC Concert Orchestra, Barry Wordsworth
Banks of Green Willow - Academy of St. Martin in the Fields, Sir Neville Marriner
My Bonny Boy (English Folk Song Suite) - Academy of St. Martin in the Fields, Sir Neville Marriner
Touch Her Soft Lips, and Part (Henry V) - Bournemouth Symphony Orchestra, Andrew Litton
Lento Ma Non Troppo (Two Aquarelles) - Daniel Barenboim, English Chamber Orchestra
Gaily But Not Quick (Two Aquarelles) - Daniel Barenboim, English Chamber Orchestra
Corral Nocturne (Rodeo) - Antal Dorati, Minneapolis Symphony Orchestra
Lullaby - Riccardo Chailly, Cleveland Orchestra
Shenandoah - Mormon Tabernacle Choir, Jerold Ottley
To a Wild Rose (Woodland Sketches, Op. 51) - Joseph Cooper
Sarabande: For Katharine in April - Eastman Rochester Orchestra, Howard Hanson
Simple Gifts (Appalachian Spring) - Los Angeles Philharmonic Orchestra, Zubin Mehta

Tracks:

Air on a G String (Orchestra Suite, No. 3 in D, BWV 1068) - Munich Bach Orchestra, Karl Richter
Andantino - Arthur Grumiaux,
Larghetto (Concerto in a for Oboe, BWV 1055) - Manfred Clement, Munich Bach Orchestra, Karl Richter
Bourree 1&2 (Cello Suite, No. 3 in C BWV 1009) - Pepe Romero
Contrapunctus, No. 9 (The Art of the Fugue, BWV 1080) - Academy of St. Martin in the Fields, Sir Neville Marriner
Adagio (Oboe Concerto, No. 1 in B Flat, HWV 301) - English Chamber Orchestra, Heinz Holliger, Raymond Leppard
Siciliana (Ancient Airs and Dances, Suite, No. 3) - Boston Symphony Orchestra, Seiji Ozawa
Siciliano (Sonata in E Flat for Flute and Harp, BWV 1031) - Maria Graf, Nicolas Chville
Larghetto, Con Sordini (Concerto, No. 6 in G ("La Cetra")) - Camerate Bern, , Heinz Holliger, Louise Pellerin
Andante (Sonata A5 in B Flat, HWV 288) - English Chamber Orchestra, Heinz Holliger, Raymond Leppard, Kenneth Sillito
Aquarium (The Carnival of the Animals) - Pittsburgh Symphony Orchestra
Berceuse (Dolly Suite, Op. 56) - John Lenehan, Julian Lloyd Webber
Arabesque, No. 1-Andante Con Moto - Maria Graf
Largo (Concerto in D for 2 Violins and 2 Cellos, RV 654) - Academy of Ancient Music, Anner Bijlsma, Christopher Hogwood, Monica Huggett, Catherine Mackintosh, Anthony Pleeth
Bells (William Byrd Suite) - Eastman Wind Ensemble, Frederick Fennell
Chorale Prelude: "Wir Glauben All an Einen Gott", BWV 680 (Giant Fugue) - Czech Philharmonic Orchestra, Leopold Stokowski
Nocturne, Op. 19, No. 4 - Semyon Bychkov, Misha Maisky, , Orchestre de Paris
Adagietto-Adagio (L'Arlesienne, Suite, No. 1) - Myung-Whun Chung, Orchestre de la Bastille
Larghetto (Concerto Grosso in a Minor, Op. 6, No. 4, HWV 322) - Orpheus Chamber Orchestra

Tracks:

Pavane for a Dead Princess - Steve Erquiaga
Cavatina (The Deer Hunter)
Bachianas Brasileiras, No. 5 - Academy of St. Martin in the Fields, Alexander Lagoya, Kenneth Sillito
Sicilienne (Pell et Msande, Op. 80) - Steve Erquiaga
Arioso (Cantata, BWV 156) - Steve Erquiaga
Prelude (Suite, No. 4 in E Major, BWV 1006a)
Largo (Guitar Concerto in D Major, RV 93) - English Chamber Orchestra, , George Malcolm
After a Dream (Aprun R) (3 Songs, Op. 7) - Steve Erquiaga
Courante (Cello Suite, No. 3 in C Major, BWV 1009) - Pepe Romero
Romance d'Amour
Caprice, Op. 1, No. 24 - Nicola Hall
Concierto de Aranjuez: Allegro Con Spirito - Academy of St. Martin in the Fields, Sir Neville Marriner, JoaquRodrigo
Concierto de Aranjuez: Adagio - Academy of St. Martin in the Fields, Sir Neville Marriner, JoaquRodrigo
Concierto de Aranjuez: Allegro Gentile - Academy of St. Martin in the Fields, Sir Neville Marriner, JoaquRodrigo

Tracks:

Adagio for Strings, Op. 11 - Baltimore Symphony Orchestra, David Zinman
Bel Di [Madame Butterfly] - BBC Concert Orchestra, Barry Wordsworth
Ave Maria - Gunther Arndt, Berliner Handel-Chor, Lisa Otto, Radio Symphonie Orchestra Berlin
Largo in F [Xerxes] - Edward Brewer, Orpheus Chamber Orchestra, Randy Wolfgang
In Paradisum (Requiem, Op. 48) - Carlo Maria Giulini, Philharmonia Chorus and Orchestra
Swan (Carnival of the Animals) - Marie Goosens, Jascha Silberstein
Be Still My Soul (Based on Finlandia) - Choir of Paisley Abbey, George McPhee
Vissi d'Arte [Tosca] - BBC Concert Orchestra, Barry Wordsworth
Nocturne [A Midsummer Night's Dream, Op. 61] - Chicago Symphony Orchestra, James Levine
Interlude (Po de l'Amour et de la Mer, Op. 19) - Charles Dutoit,
Adagio (Concerto in D Minor, Op. 9, No. 2) - Maria Teresa Garatti, Heinz Holliger, I Musici
Chacony in G Minor - Richard Hickox, Richard Hickox
Ave Maria, D 839 - Arthur Grumiaux,
Adagio in G Minor for Strings and Organ - Martin Haselbock, Karl Mger, , Stuttgart Chamber Orchestra

A.E. Housman: A Shropshire Lad, Complete in verse and song

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A.E. Housman: A Shropshire Lad, Complete in verse and song
Alan Bates , Anthony Rolfe Johnson , and Graham Johnson
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005S85Q
Release Date: 2001-12-11

Average customer rating:

Vitality Begun

Manufacturer: Cavalli
ProductGroup: Music
Binding: Audio CD

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Greensleeves: A Collection of English Lute Songs

Average customer rating:

Graceful music
Not what I wanted
Greensleeves (Baird/McFarlane)

Greensleeves: A Collection of English Lute Songs

Manufacturer: Dorian Recordings
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

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Partsongs | Vocal Non-Opera | Opera & Vocal | Styles | Music

The English Lute Song
The Art of the Bawdy Song
English Mad Songs and Ayres
Watkins Ale: Music of the English Renaissance
The Mad Buckgoat - Ancient Music of Ireland

ASIN: B000001Q89
Release Date: 1993-08-31

Tracks:

It Was A Lover And His Lass
Author Of Light
Lute Solo: Watkin's Ale
So Beauty On The Waters Stood
When Laura Smiles
Lute Solo: Galliard
In Darkness Let Me Dwell
Lute Solo: Bonny Sweet Boy
Greensleeves
Wand' ring In This Place
Lute Solo: Packington's Pound
Shall I Come Sweet Love To Thee?
Sorrow Stay
Sweet Youth Go Bruise Thy Pillow
Lute Solo: Kemp's Jig
It Fell On A Summer's Day
Come Again
Lute Solo: Wilson's Wild
Awau With These Self Loving Lads
Mark How The Blushful Morn
Never Weather-Beaten Sail
Lute Solo: The Cradle Pavan
If Thou Longst So Much To Learn
Lute Solo: Robinson's May
TIme Stands Still

Customer Reviews:

Graceful music.......2005-09-27

The lute is a string instrument with a fretted neck and a deep, round back. In many ways, it is related to later similar instructments such as the guitar and banjo. It descends from a Middle Eastern instrument similar to the oud. The lute was one of the major musical instruments of the Middle Ages, and much music was composed for the lute, both as a stand-alone instrument as well as an accompaniment for singers.

This disc has some samples of both. Some songs are anonymous compositions, often derivative of much older folk tunes. Others are original compositions whose composers are known by name. Among these names are John Dowland, Thomas Morley, Alfonso Ferrabosco, Michael Cavendish, Thomas Campion, Nicholas Lanier, and Anthony Holborne, all of the 1500s/1600s. The music here involves both the 8-course lute and the 10-course lute (during the later Baroque time, lutes could have as many as 28 strings!).

The lute was eventually displaced by keyboard and other instruments, so in many ways its life is that of the music of the past. However, with recordings such as these, the lute lives again in vibrant form. Ronn McFarlane learned to play on a cheap steel-string guitar, but continued to study in a rather eclectic fashion, eventually studying at the Shenandoah Conservatory and the Peabody Conservatory prior to settling upon the lute as his primary instrument. In this recording, he is paired with Julianne Baird, a soprano with significant recording experience.

McFarlane and Baird emphasise the simplicity and lightness of the songs here; while some lute music and some folk tunes can be very elaborately arranged, here the performers strive for a more direct elegance. The particular period emphasised is Elizabethean; McFarlane and Baird sound as if they have come directly from the Queen's court directly.

This is a beautiful recording.

Not what I wanted.......2002-02-13

i should have read the description more clearly...this is partially vocal, not all instrumental. Nothimg wrong with the CD, but I only like instrumental.

Greensleeves (Baird/McFarlane).......2000-09-30

Incredible! Stunning musicianship from beginning to end. For fans of Dowland, this recording is a gem. The blend of lute and voice on 'In darkness let me dwell' is downright haunting. This recording is an absolute pleasure. 5 stars just might be an understatement here...

The Hyperion Schubert Edition 18 / Peter Schreier, Graham Johnson

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Peter Schreier Sings Schubert

The Hyperion Schubert Edition 18 / Peter Schreier, Graham Johnson
Franz Schubert , Peter Schreier , and Graham Johnson
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

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Similar Items:

The Hyperion Schubert Edition 22 - An 1815 Schubertiad II / L. Anderson, Wyn-Rogers, MacDougall, Keenlyside, Johnson
The Hyperion Schubert Edition 29 - Marjana Lipovsek, Graham Johnson
The Hyperion Schubert Edition 16 / Thomas Allen, Graham Johnson
The Hyperion Schubert Edition 17 / Lucia Popp, Graham Johnson
The Hyperion Schubert Edition 15 / Margaret Price, Graham Johnson

ASIN: B000002ZFC
Release Date: 1993-09-01

Tracks:

Das Finden
Die Nacht
An den Schlaf
Blumenlied
Auf den Tod einer Nachtigall
Erntelied
An die Harmonie
Das Heimweh
Abendlied
An die Entfernte
Drang In Die Ferne
Das Heimweh
Poetisches Tagebuch: Auf der Bruck
Poetisches Tagebuch: Um Mitternacht
Poetisches Tagebuch: O Quell, was stromst du rasch und wild
Poetisches Tagebuch: Der liebliche Stern
Poetisches Tagebuch: Im Janner 1817 (Tiefes Leid)
Poetisches Tagebuch: Im Walde
Poetisches Tagebuch: Im Fruhling
Poetisches Tagebuch: Lebensmut
Poetisches Tagebuch: Uber Wildemann
Poetisches Tagebuch: An mein Herz

Amazon.com

Volume 18 in Hyperion's complete Schubert song series features tenor Peter Schreier, who presents a lovely program rich in Romantic imagery. The highlight of this disc is the mini song cycle On the Wild Paths to poems by Ernst Schulze. These are typically full of "nature" themes: stars, waves, the forest, the seasons--that sort of thing, and it's just amazing how Schubert comes up with a totally apt accompaniment for each poem. Heavy German, to be sure, but great music too. --David Hurwitz

Customer Reviews:

Peter Schreier Sings Schubert.......2004-08-21

This CD is volume 18 of the monumental recording of the complete Schubert songs on the Hyperion label. The performers are tenor Peter Schreier and pianist Graham Johnson. Johnson served as the artistic director of the entire project. He accompanies on each disk and wrote the extensive and scholarly liner notes for each volume. Peter Schreier sings in a light, lyrical tenor, which is yet capable of great expression and feeling. He is at the top of his form in this outstanding recording. The Hyperion collection offers an unparallelled oppotunity to hear a variety of the great singers of our day performing the Schubert songs.

There are 22 songs on this CD, almost all of which are in Schubert's simplest song style called strophic. Strophic songs are in a familiar stanza (similar to a church hymn) form in which the same music is used to set each verse. The form is common, but in lengthy songs it runs the risk of monotony.

Johnson's detailed liner-notes (almost book-length) begin with an introduction titled "Schubert and the Strophic Song" in which he traces the antecedents of Schubert's song forms in earlier composers and illustrates the many variations and subtleties Scubert brought to his compositions. Johnson sees many of the songs on this disk as pointing to the way to Schubert's final masterpieces, the song-cycles Die Schone Mullerin and Winterreise, both of which are predominantly strophic in form. He also points out the many beauties of these songs themselves. The liner notes also include extensive commentary, musical analysis, and biographical information on each of the songs, including text and translation. Johnson is a passionate and informed guide indeed to the Schubert lieder.

The songs on this CD fall into two basic groups. The first 11 tracks consist of a series of early strophic songs, most of which date from 1815-1816. These songs vary greatly in mood, intensity, and in the variety Schubert brings to the piano accompaniment. The songs I most enjoyed in this group include "Erntelied" (Harvest Song), D. 434, which Schubert set in 18166 to a poem by Ludwig Holty, and "Drang in Die Ferne" (Longing to Escape) D. 770, which Schubert set in 1823 to a text by Karl Gottfried von Leitner. The former is a bucolic song with ties, as Johnson points out to Mozart's famous song Das Veilchen (the violet) while the later work is full of a young man's longing to break free of the comforts of home and to explore the world and its risks for himself. It must surely have had a personal meaning for Schubert.

The second group of songs on this CD focus on a series of Schubert's settings of poems by Ernest Schulze (1789-1817). Scubert wrote this great group of songs in 1825-1826. Again Johnson provides full biographical information. Schulze's poems derive from a "poetic daybook" to express his frustration over an unrequited love. These are passionate, driven, texts and songs which Schreier performs masterfully. Johnson has ordered the ten songs on this CD to form an early Schubert song-cycle.

The first of the group "Auf Der Bruck" D. 853 shows the lover returning by horseback to try to win the woman who has spurned him. The song features an incessant and very difficult beat in the piano part. I was transported by the next song "Am Mitternacht" (At Midnight) D. 862, a song of deep longing. Johnson describes this song well and eloquently as "celestial music of the spheres, a stately dance to the music of timelessness, an impression that deepens as strophe follows strophe."

The Schulze collection includes on of Schubert's most famous songs "In Fruhling" (in spring) D. 882 set to a winsome piano and with bittersweet variations in each stanza. The final three Schulze songs "Lebesmut (Courage for Living) "Uber Wildemann" (Above Wildemann) and "An Mein Herz" (to my heart) are among the strangest, wildest, and most passionate music that Schubert wrote.

Schubert's songs are music for the heart. They are well suited for CD and for listening in quiet, intimate moments when one is alone with oneself. The songs are also works which will bear endless rehearing and much study. The liner notes on this albums, not to speak of the performance, make it a treasure. The listener who as heard Schubert's most familiar songs and has a passion to explore this music in detail will be overjoyed by this CD and by the Hyperion series of the complete Schubert lieder.