This Is for the Players

Track Listings

1. Treat Me Right

2. This Is for the Players

3. Sexual Playground

4. You Can Do Me Right

5. Interlude

6. High Rollers

7. Sexual Healing

8. I Am What You Want

9. Funking With Father

10. Interlude

11. Hey...How Ya' Doin'

12. I Want Your Lovin'

13. Interlude

14. Life

This Is for the Players,Father MC,Moja,Hip-Hop,Pop-Rap,R&B,Rap & Hip-Hop,Soul/Reggae/Rhythm & Blues

Tracks:

Veni, veni Emmanuel
Stille Nacht
Il est ne, le devin Envant
Nova! Nova!
Marche des rois
The Babe of Bethlehem
Verbum caro: Y la Virgen
Glory to God on High
This endere nyghth
O Jesulein suess
Il est ne, le devin Enfant (Instrumental Version)
God rest you merry, gentlemen
Swete was the song the Virgine soong
Quem pastores laudavere
Quanno nascente ninno
Riu, riu, chiu
Gabriel fram heven-king
Christum wir sollen loben schon
The Coventry Carol
Gaudete!
Verbum caro: In hac anni circulo
Alleluya: A nywe werk is come on honde
The Old Year now away is fled
Branle de l'Officiel (Ding! Dong! Merrily on high)

Amazon.com

Most people think of Christmas carols as originating from ancient--or at least olden-times, and indeed, many of the most enduring ones have survived for many centuries. Andrew Parrott and his Taverner Consort take us back seven centuries, in fact, and thoughtfully mix the old tunes ("Swete was the song," "This endere nyghth," "Nova! nova!") with more recent tunes. Parrott's musicians offer interesting takes on such familiar carols as "Silent Night" and "God rest ye merry, gentlemen." "Silent Night" sounds like an Austrian folk tune, complete with guitar accompaniment that reportedly was used in its original performance; "God rest ye..." is performed in the style of an English country church congregation--and uses a different tune from the one we usually hear. Various period instruments add to the color and flavor, and the arrangements are original and very effective. --David Vernier

Customer Reviews:

My favorite Christmas CD of all time.......2006-12-21

This collection of Christmas music strives for authenticity in performance, right down to Old French pronunciation in "Il est né le divin enfant." The carols are of varying antiquity and presented, not in order of age, but in an order that makes for an enjoyable listening experience, by contrast. There is precision in singing, use of period instruments, and presentation in original languages. It all adds up to excellence. Further, it brings joy and delight to the receptive ear.

Another reviewer said there wasn't any joy in these performances, and I say, "Humbug!" As beauty is in the eye of the beholder, joy is in the ear of the listener, and I couldn't receive this music without being transported to bliss.

As to the first track ("Veni, Veni Emmanuel") and audibility issues many have complained about, it's apparent that the a capella singing gets louder and louder as the chant progresses and we, the listeners, are being given the experience of sitting in a large cathedral as the choristers make their processional from the distant back of the nave up the center aisle and into the choir stalls in the chancel. That's why the music is barely audible at first and gets gradually louder, until it has full of volume. It's also why it's the very first track -- the choristers are processing in to begin the concert.

Hearing "Stille Nacht, heilige Nacht" performed using its original tune and what is held to be and very likely is the original guitar accompaniment from 1818 was a revelation -- I no longer sing the "improved" version of the tune that has become universal. It has the character of a Tyrolean folk song, light, joyous, reverent, and close to the hearts of the people singing and hearing it in that small Alpine church.

In fact, what's great about this album is that each carol conveys its original joy. The experience is enhanced by the welcome notes in the accompanying booklet that tell you about the history and background of each carol, the particulars of the version being performed, and more.

This CD is like a box of See's chocolates for the ear. The Taverner Consort, Singers and Players eventually came out with a second volume ("The Carol Album 2") and that's definitely worth having, too.

$9.99 at iTunes... just thought I'd mention it.......2006-12-05

CD sounds divine. If you want this album, thought you might like to know iTunes has it available for download for $9.99. I just mention that since most sellers are treating it like a hard-to-get collector's item, and charging some startling prices even for used copies.

My Very Favourite Christmas Album.......2005-12-25

Not only is this my own favourite, but so many friends have fallen in love with it hearing me playing it over the Christmas season, that I have frequently bought it as a (much appreciated!) Christmas gift. A wonderfully diverse mix of earlier Christmas music, performed with freshness and vigour. If I could only have one album of Christmas music in my collection, this would be it. (Messiah doesn't really count does it? It's not officially Christmas music!!)

Something different -- very enjoyable.......2001-12-16

If this very stylish album does not have something that will please you, you are just too hard to please. With carols spanning seven centuries, in French, German, and English, from the old world and the new, this is a comprehensive survey of the Christmas carol.

The performances are not arranged chronologically, but rather in contrasting and complimentary order, alternating unaccompanied with accompanied, vocal with instrumental. Both the vocal and instrumental ensembles have a range of styles and sonorities. Compare, for example, the brash open sound of "The Babe of Bethlehem" and "Glory to God on High" with the restrained pure sound of "This endere nyghth" or the full sound of "Christum wir sollen loben schon."

The booklet contains notes and texts as well as a list of players, but do not identify the various soloists.

fresh and witty.......2001-12-12

If you've never strayed into the Early Music racks, start here! And if you have 30" of Christmas CDs in your collection and half of them are Early Music and traditional, you're still going to love this! No muddy, pretentious, over-orchestrated stuff here. Just period instruments or fresh voices, and some gentle musical jokes. (The little-sung and wonderfully rhythmic "March of the Kings" instrumental starts out barely audible in the distance with the jingle of harness and bells, grows louder, then fades in the distance as though the magi and their magnificent procession had passed on. And "Il est ne', le divin enfant", which mentions the reedy voice of the musette, is played on one.)

Average customer rating:

off da chain!

This Is for the Players
Father MC
Manufacturer: Moja
ProductGroup: Music
Binding: Audio CD

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ASIN: B000008Q5S
Release Date: 1995-10-17

Tracks:

Treat Me Right
This Is for the Players
Sexual Playground
You Can Do Me Right
Interlude
High Rollers
Sexual Healing
I Am What You Want
Funking With Father
Interlude
Hey...How Ya' Doin'
I Want Your Lovin'
Interlude
Life

Customer Reviews:

off da chain!.......2004-06-14

The one song Sexual playground is worth the C.D and all the other songs are tite too

Average customer rating:

For Background Use Only
Morpholinos
Manufacturer: Ncm East Records
ProductGroup: Music
Binding: Audio CD

General | Jazz | Styles | Music
ASIN: B0009G3B6K
Release Date: 2005-05-17

Tracks:

Rio
Rock With You
Synchronicity 2
King Harvest (Has Surely Come)
Leave It
Garage-Flavored Tune
Billy Don't Lose That Prayer
Carry on Wayward Son
Borderline
Sidecar

Pittsburgh Symphony Brass: The Spirit of Christmas

Average customer rating:

Majesty & grace; power & subtlety

Pittsburgh Symphony Brass: The Spirit of Christmas
George Vosburgh , Tami Fire , Richard Webster , Johann Sebastian Bach , Benjamin Britten , Marvin Hamlisch , George Frideric Handel , Ralph Martin Hugh / Blane , Felix Mendelssohn , James R. Murray , Pyotr Il'yich Tchaikovsky , Christmas Traditional , John Francis Wade , Richard Storrs Willis , and Pittsburgh Symphony Brass
Manufacturer: Four Winds
ProductGroup: Music
Binding: Audio CD

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Opera & Vocal | Holiday Music | Special Features | Music
Similar Items:

Pittsburgh Symphony Brass: A Christmas Concert
A Festival of Carols in Brass
Christmas with the London Brass
A Christmas Festival

ASIN: B0000DG00F
Release Date: 2003-11-11

Tracks:

Golden Bells
First Noel
What Child Is This? (Greensleeves)
Take Me to Christmas Past
O Come, O Come, Emanuel
Hark! The Herald Angels Sing
Wassail Song
O Little Town of Bethlehem
Bring a Torch, Jeannette Isabella
Christmas Oratorio, Jauchzet, Frohlocket
Coventry Carol/Lully - Lullay
Corpus Christi Carol
Christmas Oratorio, Finale
Away in a Manger
It Came Upon a Midnight Clear
O Tannenbaum
Angels We Have Heard on High
O Come All Ye Faithful
Chocolate from the Nutcracker
Hallelujah Chorus from the Messiah
Have Yourself a Merry Little Christmas

Album Description

Pittsburgh Symphony Brass and Four Winds Entertainment are proud to present "The Spirit of Christmas." This splendid new recording features wonderful Christmas favorites arranged in magnificent settings that capture the joy and good cheer of the holidays, played as only Pittsburgh Symphony Brass can. Like their successful first holiday recording "A Christmas Concert," the new album offers popular carols in short festive arrangements for brass, but also adds to the program songs arranged for brass, organ, tympani, and voice. Sure to be a favorite is a very special new Christmas song "Take Me Back To Christmas Past," written by Marvin Hamlisch and sung by the talented young mezzo-soprano Tami Fire. Led by Grammy Award winner George Vosburgh and produced by the renowned Arnie Roth, Pittsburgh Symphony Brass performs on "The Spirit of Christmas" with the bold, virtuoso flair for which they have become so popular.

Customer Reviews:

Majesty & grace; power & subtlety.......2003-12-15

The Pittsburgh Symphony Orchestra is considered to be one of the finest orchestras in the United States, and their renowned brass section contributes to its characteristic tight, warm sound. The Pittsburgh Symphony Brass contains members of the PSO, including trumpet wielders George Vosburgh and Neal Berntsen, who provided the arrangements for this wonderful CD. Completing the sextet are William Caballero (horn), Peter Sullivan and Murray Crewe (trombones) and Eric Bubacz (tuba).

This, their second Christmas recording, is their finest thus far. "A Christmas Concert", their other Christmas CD, plays it straight with good performances of mostly traditional arrangements. "Spirit of Christmas" adds timpani (Timothy Adams) and pipe organ (Richard Webster) to many pieces, as well as mezzo soprano Tami Fire, who joins the players to sing Marvin Hamlisch's touching "Take Me to Christmas Past." The result of the additional orchestration is a more lush and varied sound; it makes for a more interesting experience to hear these larger orchestrations interspersed among those featuring the brass alone.
The final piece, Have Yourself a Merry Little Christmas is a particularly beautiful reading by George Vosburgh, playing solo on the Flugelhorn.

The new arrangements are superb and appropriate to the subject matter, exuding majesty without becoming bombastic. They also serve to spotlight the virtuosity and power of the PSO brass.

Tracks:

Violist Pieces: Piece #1
Violist Pieces: Piece #2
Violist Pieces: Piece #3
Violist Pieces: Piece #4 -- Resonant
Violist Pieces: Piece #5 -- Clear
Violist Pieces: Piece #6 -- Freely
Kegama
Peace March 1 ("Stop Using Uranium")
Peace March 2
Emma: Movement 1
Emma: Movement 2
Emma: Movement 3
Emma: Movement 4
Emma: Movement 5
Emma: Movement 6
Emma: Movement 7
Emma: Movement 8
Emma: Movement 9
Emma: Movement 10
Emma: Movement 11
Digger Song
From Leaning Forward: A Woman Invented Fire
From Leaning Forward: Drowning (II)
From Leaning Forward: The Women Let the Tide Go Out
From Leaning Forward: Note to the Grandparents
From Leaning Forward: Mulberry Street Ends in Good Works
From Leaning Forward: The Sad Children's Song
From Leaning Forward: This Is About the Women of That Country
From Leaning Forward: That Year

Tracks:

Three Pieces: Rock About
Three Pieces: Instrumental
Three Pieces: Starving to Death on a Government Chain
For 5 or 10 Players
Exercise 15
Exercise 16
Exercise 17
Exercise 18
For 5 or 10 Players
Dark As a Dungeon
Schoenen Met Veters

Customer Reviews:

great imagery in seldom heard settings.......2004-10-13

It is many times difficult to comprehend why a composer, a creative artist turns to the lifeworlds of politics to find him/herself,to locate and appraise materials to transform them into dramatic works.We are taught in our "democratic" institutions never to mix the dangers of politics and art, the two have no real affinity for each other, we are told. But the post-war avant-garde grew elitist,wrote a music for no one, harboring the torch of modernity. Soon however the modern grew institutionailzed the very places it loath to be and monopolies of commissions and opportunities became commonplace as you may find in France today, right now,or the marginalization of creative artists from lack of funds(mostly the USA)where the lion's share of funds is saved for establishment venues, who merely stick out their hand for money.
Christian Wolff's turn to a politics, Democratic socialism to be specific in the later Sixties, was logical move, a committed one, one that would prove to bear much fruit, with the ant-War rebellions on USA campuses and streets and in the major capitials of Europe, something we see again.

For Wolff emerged from the New York John Cage mileau of creativity,where his music(the Fifties and Sixties) was process oriented allowing performative freedoms to the musician with graphic notations and minimal instructions with many times mixed musical results, however the results here(the aesthetic object) was not the only end of this music. It was not until he began adopting these same techniques and approaches now attached committed to the political image where (to my mind) Wolff's imagination found fertile ground.

The ensemble pieces included on these two CDs is music seldom heard in any performative venue, in fact here is the only place you will ever hear this music.
Wolff's music we hear has a raw unfinished quality to it,somewhat like Chas Ives in concept and gesture, opaque much of the time with a plaintive simple melody sometimes emerging from the welter, the texture of things. It continues to be truly modern in its ongoing affinity for timbre, the love of pure timbre, of exposed lines not really resolving themselves just pure tension to equal the subject matter, as the anxiety-ridden life of Emma Goldman here. Emma once said, "If I can't dance I don't want a revolution" meaning that a revolution does not really transform every dimension of the lifeworld.

As you work your way through these disks the probelm emerges that Wolff many times leaves many performative decisions to the musicians themselves which does not make for interesting listening. I overall did not find myself bored however, sometimes the length of the piece is too long, overextends its premise. I found this here in the viola solos. Perhaps Wolff should discover the concept of the musical miniature.

The Barton Workshop are a committed bunch to Wolff's music and have done and performed live this repertoire numerously.

It is difficult music to listen to many times for Wolff's contrapuntal lines may look wonderful on paper but not when commenced in the real auditory world. Still you struggle through this music for you sense the imaginative power the political subject imparts here as "Dark as a Dungeon" after a tune of Kentucky coal miners,You sense Wolff's ongoing creativity that enriches the chamber music genre, gentle,questioning and fully enamored over what the instrument can offer the imagination.

Average customer rating:

Tabla Series

Manufacturer: Sense World Music
ProductGroup: Music
Binding: Audio CD

India | India & Pakistan | International | Styles | Music

General | International | Styles | Music
ASIN: B000A1G9TU
Release Date: 2005-08-09

Tracks:

Teentaal: Peshkar
Teentaal: Qaida
Teentaal: Rav
Teentaal: Qaida
Teentaal: Gat
Teentaal: Chakradar
Teentaal: Mishra Jati
Teentaal: Paran
Deepchandi Taal: Uthan / Peshkar
Deepchandi Taal: Qaida
Deepchandi Taal: Rela
Deepchandi Taal: Tukra / Chakradar / Anagat
Deepchandi Taal: Rela

Average customer rating:

This Is Where We Bury It
Janine Stoll
Manufacturer: Janine Stoll
ProductGroup: Music
Binding: Audio CD

General | Folk | Styles | Music

Pop Rock | Pop | Styles | Music
ASIN: B000CAFN28
Release Date: 2005-08-02

Tracks:

Disappearing Act
Suddenly
Leaving Autumn
Novel
Devour You
Lay Your Hands on Me
Lament of the Lazy Lover
Empty Bottles
Leave It All Behind
Kitchen Table
What of These Things
Where Is the Rain
Lost to Me

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
The Mahler Symphonies: An Owner's Manual (includes 1 CD)
The Young Person's Guide to the Orchestra (Book & CD)
Study of Orchestration, Third Edition
The Life and Works of Ludwig van Beethoven

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Jazz for the Soul
Average customer rating:

sound quality was poor

Another great CD from The Allen/Cohn inc.

Great Album

a breakthrough ballads albumn

Jazz for the Soul
Harry Allen
Manufacturer: www.mcmahonjazzmedicine.com
ProductGroup: Music
Binding: Audio CD

General | Jazz | Styles | Music
Swing General | Swing Jazz | Jazz | Styles | Music
Similar Items:

Jazz for the Heart

Hey, Look Me Over

Nocturnes & Serenades

Ballad Essentials

American Songbook

ASIN: B0007DFWPS
Release Date: 2005-02-15

Tracks:

Body And Soul
She's Funny That Way
Sophisticated Lady
Desafinado
Laura
Don't Worry 'Bout Me
My Funny Valentine
One For My Baby
Star Dust
Where Or When
Willow Weep For Me
Blame It On My Youth
Young At Heart

Product Description

This is the long awaited "Ballads Only" album from Harry Allen with his sensational quintet, produced exclusively by the new, independent label www.mcmahonjazzmedicine.com. You can also purchase most of Harry's 29 previous cd's from this new site.

Customer Reviews:

sound quality was poor.......2007-06-26

I am not a fan of hot jazz, so maybe my review is biased. I wa hoping for very smooth jazz which this is not. Also the sound quality was poor. I returned it.

Another great CD from The Allen/Cohn inc........2006-11-03

I begin this review stating that the Harry Allen/Joe Cohn quartet is my n°1 favourite jazz combo. Period. Allen is one of the best mainstream sax player I ever heard: a wonderful tone, a mix between the sensual sweetness of Stan Getz and the big macho tone of Ben Webster, a total technique, an astounding sense of phrasing and melodic solo building. The same can be said for Joe Cohn (although he plays very sparingly in this record, not really on the spotlight). Furthermore, the quartet, thanks to nearly ten years of intense playing together, shows an incredible thigh interplay. I don't give five stars to this records only because in some moments it seems to me a bit something like a "jazz exercise", like if they would show the listener how a famous standard should be played. I'm not mad about the pianist, John Bunch, he plays with a quite predictable style, I would have been much more happy without him an with just more guitar... and the "all ballads" format makes the listening a bit too much relaxing after a while. However, this CD is wonderfully played, full of nice ideas and solos, highly advisable to listeners who like classic jazz, evergreen ballads and that mellow sexy jazz style good to listen to in front of your fireplace with a glass of good Cabernet, better if in good company... Personally I would advise other CDs to discover this fantastic quartet. And if you live in NY don't miss the chance to see them live, they are really unbelievable!

Great Album.......2006-09-26

Harry Allen plays a lilting, smooth tenor sax ballad. Brings back memories of the late great Ben Webster. Buy this album!

a breakthrough ballads albumn.......2005-01-15

If your a Harry Allen fan you,ll love this cd,if not this will make you a fan of this up and coming tenor player with the Ben Webster,Stan Getz sound.Also a top flight back up group headed by Joe Cohn and the piano great, John Bunch.You can tell by the song list it,s all Ballads.

Soul Music:

Soul Music

soul music

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