Dick Tracy [CD-single]

Track Listings

1. Dick Tracy [Radio Edit]

2. Dick Tracy [Vocal Version]

3. Dick Tracy [Instrumental]

4. Dick Tracy [Bonus Beats]

Dick Tracy,Ice-T,Warner Bros / Wea,Gangsta Rap,Hip-Hop,Old School Rap,R&B,Rap & Hip-Hop,West Coast Rap

Tracks:

Excerpts From: Pee Wee's Big Adventure
Excerpts From: Batman
Excerpts From: Dick Tracy
Excerpts From: Beetlejuice
Excerpts From: Nightbreed
Excerpts From: Darkman
Excerpts From: Back To School
Excerpts From: Midnight Run
Excerpts From: Wisdom
Excerpts From: Hot To Trot
Excerpts From: Big Top Pee Wee
Excerpts From: The Simpsons
Excerpts From: Alfred Hitchcock Presents: The Jar
Excerpts From: Tales From The Crypt
Excerpts From: Face Like A Frog
Excerpts From: Forbidden Zone
Excerpts From: Scrooged

Customer Reviews:

Great compilation - and that's just the first half........2005-09-14

I first got this on cassette in the summer of '94 and listened to it every day, drawn by its thematic range and compositional depth. And that was just side-one.

Elfman pioneered the sound that drives today's movie adaptations of comic-books and darker-themed children's stories. Side-One kicks things off with a rollicking, hyper-cartoonish theme from the first Pee-Wee movie - the one where Pee-Wee searches for his beloved bike. Elfman's theme contains layers of different rides - on tightropes, highways, in the middle of a NASCAR rally - which rudely yet melodically crash into each other.

The Batman entry actually contains several pieces - the opening credits, the extended sequence in the cathedral and the climax - which show Batman's darkened extreme at its "Frank Miller" best. (Dir. Tim Burton couldn't sustain the mood in the next sequel, and the franchise took a turn towards the camp of the TV series with the next 2 movies.)

The theme for "Dick Tracy" is perhaps the most romantic on this disc, a quality that surpasses the theme's comic-book origins, but ends on an ironic note that's pure Elfman.

"Beetlejuice" (opening & closing credits) gives Elfman's childish ID a chance to stretch its legs, or in this case, slam-dance.

"Nightbreed" is an enigma wrapped in a dark mystery, and that's just Elfman's score. Elfman's work on this movie is as good as the movie wasn't, having a more powerful narrative than the script - easily the best track on the entire disc, one likely to exceed the movie in its dose of chills.

"Darkman" doesn't quite rise to the occasion, though the score may be hobbled by the movie itself, which seldom surpassed one of the many "Batman" clones of the early 1990's. "Darkman" (the movie, I mean) excelled as a parody of many comicbook staples (the wronged hero, the relentless villain, the scientific breakthrough with just one flaw), but not enough to escape being largely anonymous. Within those constraints, it's still a moving if scary piece.

When is Elfman not like Elfman? When he was in the mid-late `80's and scored "Back to School" (A Rodney Dangerfield vehicle) and "Midnight Run". Horns in "School" bring it closer to Elfman's over-the-top style, while "Run" sounds like a love-theme for the run-down, out-of-the-way parts of America that seldom appear in Elfman-movies. "Run" is a fun score for a fun movie - it's nothing like Elfman's previous work but it perfectly captures the on-the-road-without-a-map craziness of the movie.

To this day, I don't know why I never ventured to Side-two, but it's irrelevant. Even half this disc is worth it

The best of Elfman!!!.......2005-09-05

I was obsessed about getting this CD right from when I heard about it. I found it at the library and was so excited about it, and it didn't let me down. In fact, it was a lot better than I expected. It's a fun and creepy (strange mix, but it really works!) collection of Danny Elfman's film and television soundtracks. The first track, Pee Wee's Big Adventure, is probably my favorite. Also, I really like Batman and Wisdom. Batman is creepy and dark, and Wisdom is just weird, in the best possible way.
I'd recommend this to anyone who likes film music, or everyone who is even the tiniest bit an Elfman fan. It's amazing!

Great Collection, A LIttle Too Eclectic.......2003-08-19

You should be able to tell from the movies and TV shows listed here whether or not you'd be interested in this collection. It's a little too eclectic for my tastes (hence only 4 stars) but better than volume 2. I think thatthe miscellaneous collected ites here along with the previously unreleased stuff should make this worth buying. Especially if you're a fan of Elfman's movie soundtrack work.

What Great Music.......2003-05-11

I fell in love with the music of Danny Elfman when Beetlejuice came out. There was something different about the music that he made. When Edward Scissorhands, and then Nightmare Before Christmas - I knew this man was a musical master. Its the verbal form of surrealism.

super.......2003-04-17

What a great CD. Danny's music is so original and inventive. this CD contains his pre 90's quirky, gothic music. it's all very well written and beautifully orchestrated. batman and darkman contain some really excellent long, dark, gothic cues that really take u away from reality. in my opinion no one, apart from howard shore, is as inventive and original as danny in the world of filmmusic. he far surpasses the repetitive works of williams or horner. buy this, and volume two, and keep supporting one of the greatest film composers of all time.ohh...and buy fellowship of the ring and two towers by howard shore....amazing work!

Average customer rating:

A Definite Batman feel
Danny Elfman's most underrated work.

Dick Tracy
Danny Elfman
Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD

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Men in Black: The Score
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Dick Tracy
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I'm Breathless

ASIN: B000008F1G
Release Date: 1990-06-28

Tracks:

Main Titles
After the Kid
Crime Spree
Breathless' Theme
Big Boy/Bad Boys
Tess' Theme
Slimy D.A.
Breathless Comes On
Meet the Blank
Story Unfolds
Blank Gets the Goods
Rooftops
Tess' Theme (Reprise)
Chase
Showdown/Reunited
Finale

Customer Reviews:

A Definite Batman feel.......2005-11-21

Since Elfman released this soundtrack a year after he wrote the legendary soundtrack for Tim Burton's Batman in 1989, Dick Tracy has a definite "Batman feel." The overture features a bombastic and march-like opening which later tapers down to a 1940's Mariln Monroe-esc orchestral love theme (Tess' Theme). The next track, "After the Kid," continues the original overture theme (the Batman-sounding one) with a slightly more creepier and exciting feel (you know how Elfman is). The third track, Crime Spree, is by far the best Elfman composed Jazz I've heard yet (Corpse Bride's got nothing on it!); Crime Spree is on of the jewels of this sountrack and helps create the "old gangster movie feel" throughout the soundtrack. So now you're thinking: "Wow! I gotta get me this here soundtrack now!" Well... here's why I rated it a four instead of a five. Track four, entitled Brethless' Theme, starts out beautifully and evokes a mood similar to that of the opening song (not the overture, mind you) of Bizet's Carmen. While you're busy marveling at the beauty of the first violin chord, however, you soon realize that half of the track has gone by and you haven't even been listening to it! The music after track three is utterly forgettable save for a few recoveries in tracks five and fourteen. Before I bought this CD off the "Amazon Marketplace" I wondered why in the world Dick Tracy was out of production and why Amazon wasn't selling directly (I mean, come on guys! Elfman doesn't composes crap!). Now you know. While the soundtrack contains several intriguing and exciting themes foreign to some Elfman fans who haven't discovered this CD yet, these few themes and songs are not strong enough to carry the entire soundtrack. There is a remedy, however. Madonna's soundtrack inspired by the Dick Tracy movie completes the circle. While some of its tracks are completely laughable, it does contain (like Elfman's soundtrack)a few musical jems. Combining the best songs from these two CD's and burning them on to one disk creates the best effect. Mr. Elfman, I applaud your efforts on this CD, but, unfortunately, some of the tracks weren't just up to your normal, fantastic standard.

Danny Elfman's most underrated work........2005-02-18

Every single review I read for this album was neutral, and I don't know why. I think this is a great score. It's my third favorite Elfman score (I think) next to 1.Batman, and 2.Beetlejuice. The best tracks are 1, 3, 5, 12, and 15. I recommend this score to anyone that likes Danny Elfman. Even though the movie wasn't that great, this score is on the other hand.

Average customer rating:

A Real Treat!
I LOVE IT!!!

Movie Love Themes

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

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ASIN: B000003CWT
Release Date: 1991-05-10

Tracks:

Main Theme From On Golden Pond
Unchained Melody From Ghost
Sooner Or Later From Dick Tracy
We're Losing Him From Somewhere In Time
Love Theme From Flashdance
Marion's Theme From Raiders Of The Lost Ark
Evergreen From A Star Is Born
Flashdance....What A Feeling
People Alone From The Competition
End Title From Shirley Valentine
Arthur's Theme From Arthur
The Last Time I Felt Like This From Same Time Next Year
Love Theme From Cousins
Waltz From Cousins
Through The Eyes Of Love From Ice Castles
End Title From Ghost
Cavatina From The Deer Hunter
The Way We Were

Customer Reviews:

A Real Treat!.......2007-02-16

As someone who works from home, this is a wonderful collection to put on during the day. The beautiful arrangements of some of film's most memorable music is a treat to listen to day in and day out. I was one of those looking for music from the "Cousins" soundtrack. I'm so much happier to have found this CD with more great music than I could've bargained for. I'm very glad to have this in my collection!

I LOVE IT!!!.......2005-09-11

I HAVE BEEN SEARCHING FOR THE SOUNDTRACK OF COUSINS... I KNOW BUT HEY I LOVED THE MOVIE AND WHEN I REALIZE THAT THE SOUNDTRACK WAS BEEN ASK $120 I JUST WENT NUTS LOL LOL BUT I WENT ON MY SEARCH AND FOUND THIS GREAT GREAT GREAT CD, THAT HAS THE SONGS I WAS SEARCHING FOR AND MORE.

FOR EXAMPLE, CAVATINA FROM THE DEER HUNTER, HMM GREAT MOVIE AND GREAT SONG. AND LETS NOT FORGET THE WAY WE WERE, COME ON THAT IS A CLASSIC. AND ITS HAS THE THEME FROM THE MOVIE ON GOLDEN POND, ALSO UNCHAINED MELODY FROM THE MOVIE GHOST.

BUT WHAT TOOK MY OFF MY SIT WAS THE SONG *WE ARE LOOSING HIM, FROM THE MOVIE SOMEWHERE IN TIME. LOOK THIS IS A GREAT CD, AND IT IS WORTH ALL.

I HAVE ALL THE SONGS I EVER WANTED AND MORE. BELIEVE ME YOU ME, IT IS A GREAT BARGAIN. WONT BE DISSAPOINTED.

Sondheim - A Celebration at Carnegie Hall (1992 Concert Cast)

Average customer rating:

Great CD
Simply the Best
Inconsistent, but mostly excellent
"Celebration" is not strong enough a word
A maginificent evening, a magnificent album

Sondheim - A Celebration at Carnegie Hall (1992 Concert Cast)
Stephen Sondheim , Betty Buckley , Paul Gemignani , Patti LuPone , Liza Minnelli , and Bernadette Peters
Manufacturer: RCA Victor Broadway
ProductGroup: Music
Binding: Audio CD

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Side By Side By Sondheim (1976 Original London Cast)
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Sondheim, Etc.: Bernadette Peters Live at Carnegie Hall

ASIN: B000003FDW
Release Date: 1993-02-23

Tracks:

Symphonic Sondheim: Sweeney Todd--orchestra, Jerry Hadley ("Johanna"), Eugene Perry,Herbert Perry ("Pretty Women")
Evening Introduction--Bill Irwin
Loveland/Getting Married Today--Ensemble, Jeanne Lehman, Mark Jacoby, Madeline Kahn
Waiting for the Girls Upstairs--George Lee Andrews, Michael Jeter, James Naughton/Love, I Hear--Michael Jeter/Live Alone and Like It--James Naughton
Someone Is Waiting--Richard Muenz/Symphonic Sondheim: Barcelona--orchestra
Being Alive--Patti LuPone
Good Thing Going--The Tonics
Losing My Mind/You Could Drive a Person Crazy--Dorothy Loudon
Our Time--Boys Choir of Harlem/Children Will Listen--Betty Buckley
Anyone Can Whistle--Billy Stritch
Water Under the Bridge--Liza Minnellli, Billy Stritch
Back in Business--Liza Minnellli, Billy Stritch, Ensemble

Tracks:

Symphonic Sondheim: Comedy Tonight--Bill Irwin, orchestra
Sooner or Later--Karen Ziemba
Pretty Lady--Mark Jacoby, Eugene Perry, Herbert Perry
Green Finch and Linnet Bird--Harolyn Blackwell
The Ballad of Booth--Patrick Cassidy, Victor Garber
Broadway Baby--Daisy Eagan
I Never Do Anything Twice--BETTY
With So Little to Be Sure Of--Jerry Hadley, Carolann Page
Not a Day Goes By--Bernadette Peters
Remember?--Ron Baker, Peter Blanchet, Carol Meyer, Bronwyn Thomas, Blythe Walker (Quintet)/A Weekend in the Country--Kevin Anderson, George Lee Andrews, Mark Jacoby, Beverly Lambert, Maureen Moore, Susan Terry, Quintet
Send in the Clowns--Glenn Close
Old Friends--Liza Minnelli
Sunday--Bernadette Peters, Broadway Chorus

Customer Reviews:

Great CD.......2006-08-06

This is a wonderful double CD of fabulous musical numbers performed by theatre greats and directed by a legandary musical director.

Simply the Best.......2005-06-29

First, to the person who criticizes the recording b/c of "Broadway Baby." Daisy Egan (who sings in in this recording) sounds like she's 10 becuase she IS young. She had just appeared on Braodway in Secret Garden and won a Tony for it. It's a joke...Broadway BABY...hello, it's a joke.

In a compilation of songs like this you're always going to have tracks that you prefer over others, but the majority of the renditions in this CD are great. This is simply one of the best collections of Sondheim out there. You get interpretations that span from "classical" (Green Finch), to bordering on insane (Anything Twice). This is to demonstrate how versatile this composer really is.

In my opinion, some of the best renditions are "Not a Day Goes By," "Anyone Can Whistle", "Girls Upstairs Medley," "Losing My Mind/Drive a Person Crazy," and "Weekend inthe Country." Makes me wish I had been there to witness it first hand.

If you love Sondheim and enjoy hearing Broadway performers, get this CD. A great recording.

Inconsistent, but mostly excellent.......2004-03-21

I am sure no knowledgeable person would deny how absolutely perfect all these songs are. However, the performances on this album are extremely inconsistent. It will go from an excellent rendition (Waiting for the Girls medley, Sunday, With So Little To Be Sure Of, Sooner or Later, Green Finch, Send in the Clowns, Pretty Lady) to the weird (I never Do Anything Twice), to the bad (Broadway Baby, Our Time). I still have absolutely no idea how they managed to butcher one of the best songs ever written--Good Thing Going--and turn it into smooth jazz elevator music. Why would they give Broadway Baby to someone who sounds like she's 10? That said, Liza Minelli, Glenn Close, Karen Ziemba, Dorothy Laudon and the "Waiting for the Girls" performers are all very good. And ending with Bernadette Peters and "Sunday" ends the set on a absolutley fabulous note.

"Celebration" is not strong enough a word.......2003-04-30

This review is by Crosley.

I have been a major Sondheim fan for quite some time, and I finally obtained a copy of this album. I was blown away by the excellent cast and phenomenal selection of music. It is obvious how much work went into this production, considering that this is the live recording of a one time show, and it's flawless. The songs cover all of his shows with the exception of "Passion," which was released 3 years after this show. Also, the shows for which he wrote only lyrics are ommited, like West Side Story, Gypsy, etc. Thus, you can find material from A Funny Thing Happened on the Way to the Forum, Anyone can Whistle, Company, Follies, A Little Night Music, Pacific Overtures, Sweeney Todd: The Demon Barber of Fleet Street, Merrily we Roll Along, Sunday in the Park with George, Into the Woods, and Assassins.

There are two striking things about this CD (besides the music and performers themselves). First of all, some of the songs are completely stylistically reworked. The most obvious are "Good Thing Going" and "I Never do Anything Twice." Both are traditionally very ballady with a piano accompaniment, but here they have been redone as jazzy tunes. The result is excellent. Such reworkings demonstrate that Sondheim writes music for virtually any style, and in these cases, across several styles. It's a great example of his variety. The other interesting thing is how many songs have overlapping melodies of songs from different shows. Case in point, "Our Time" and "No one is Alone" are sung seperately by the Harlem Boys Choir and Betty Buckley (the original Grizabella in Webber's atrocious "CATS," although Buckley was excellent) respectively, and then combined. Putting these two songs together offer different meanings to each, and the music is only enhanced. Another example, the trio of "Waiting for the Girls Upstairs," "Love, I Hear," and "Live Alone and Like It" are sung in that order, and then the latter two are combined. Again, the meanings of the songs change, this time in an almost narrative style, and offering different takes on love in the same montage. Lastly (at least for this review, there are more), Dorothy Laudon's (the original Ms. Hannigan in Annie) combination of "Losing my Mind" and "You Could Drive a Person Crazy" is brilliant. Those who are familiar with these songs will wonder how exactly they fit, but trust me, they do. She swtiches back and forth between melodies to create a number that starts poignant and beautiful, and soon moves to become uproariously funny. Both the song reworkings and overlapping melodies of unrelated songs are all for the better.

I recommend this recording to anyone wanting to get better acquainted with some of Sondheim's best work, or those already familiar who want to hear a tour de force of phenomenal music. It has been said that Sondheim is a masterful lyricist (which he is), but lacks real talent for music. This CD is the final proof that such critics are wrong. His music may take a few listenings to get into, contrary to Webber or Wildhorn, but unlike those two, he doesn't cater to the audience. He challenges them to think outside of traditional musical theater in a glorious repertoise of shows that reach for a smarter, more sophisticated form.

A maginificent evening, a magnificent album.......2001-12-16

There's something to be said for the first concert you ever see at Carnegie Hall. I was fortunate enough to have this be my first. This entire evening was devoted to his genius and the performers did not disappoint.

This wonderful double CD shows off the best and brightest of the musical theatre composer and it is, as one person put it, "an embarassment of riches." With songs from his finest works done in amazing arrangements (listen to that harmony in "We Had a Good Thing Going"!) combined with fabulous performers this is a Sondheim lovers delight.

My favorite song is, without a doubt, Dorothy Louden and her wonderful medley of "Losing My Mind" into "You Could Drive a Person Crazy" followed very closely by the recently departed Madeline Kahn singing "Getting Married Today."

Sings Sondheim
Average customer rating:

Patinkin Live

Sondheim recital

Also a very dissapointed fan

Adequate performance; poor entertainment

a very disappointed fan

Sings Sondheim
Mandy Patinkin
Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006JP2C
Release Date: 2002-10-29

Tracks:

Opening
Lesson #8
Another Hundred People
When?
Someone Is Waiting
Johanna
Green Finch and Linnet Bird
Pretty Women
Finishing the Hat
If You Can Find Me, I'm Here
Live, Laugh, Love
Live Alone and Like It
Everybody Says Don't
Rich and Happy, Part 1
Our Time
Broadway Baby
Rich and Happy, Part 2
Uptown, Downtown
Liaisons
Send in the Clowns
Live, Laugh, Love (reprise)
You Could Drive a Person Crazy

Tracks:

Free
Company
Waiting For The Girls Upstairs
Pleasant Little Kingdom/Too Many Mornings
Not While I'm Around
All Things Bright and Beautiful
It Takes Two
In Someone's Eyes
Beautiful
Losing My Mind
Take the Moment
Sunday

Amazon.com

Recorded live at the Prince Music Theater in Philadelphia, this double CD is one heck of an extensive tribute to Stephen Sondheim. Backed only by Paul Ford on piano, Mandy Patinkin gets through nearly three dozen songs penned by the Broadway master. Some are obvious (excerpts from Sunday in the Park with George, in which the singer created the title role), others less so ("If You Can Find Me I'm Here" from Evening Primrose). Patinkin is often mocked for his shivering falsetto, but here, it's actually when his voice explores a lower register that it falters. What's more interesting is when he tackles songs usually sung by women, such as Follies' "Broadway Baby" and Company's "Another Hundred People" and "You Could Drive a Person Crazy"--the latter hammed up so much that you can hear the chewing of the scenery. A distinctively mannered interpreter, Patinkin remains an acquired taste, but fans of his will be in heaven with this set. --Elisabeth Vincentelli

Customer Reviews:

Patinkin Live.......2007-07-19

I am a huge Mandy Patinkin fan, and this is, without a doubt, one of the best CDs in my collection. The transitions between songs are excellent and seamless, plus the song selection was top-notch.

Sondheim recital.......2007-01-22

Probably the best way to approach these disks is to treat them like a recital in a concert hall. Rather as you would listen to a Schubert or Schumann song cycle. Taken together this way, we come to hear Sondheim as one of our finest composers, serious, comic, manic, depressive, always dead on target no matter what the subject matter. And Patinkin is perfect for these songs; he understands the meaning and value of every note and every word, just as a fine concert singer would do, and he makes his listeners understand, too. One of the most intriguing concept albums in recent memory, and a joy all the way through. Bob Finley, Palm Springs, CA.

Also a very dissapointed fan.......2003-08-22

I too LOVE Mandy and Stephen Sondheim and own just about everything both has ever made! I also have been to 6 of Mandy's live performances. This was truly a big dissapointment to me. Every concert I have seen Mandy in has been filled with emotion and his personality just grabs hold of you for an evening of wonderful escape-ism. This to me was very un-entertaining and I actually became irritated after awhile of listening to it. It seemed to drone on with out the wonderful feelings and emotions and soaring voice that Mandy typically puts into his music. I gave this as a gift too (since my friend and I had missed Mandy at his Sondheim review in DC last year) and felt badly that I had. There are so many other great recordings of Mandy...Kidults, Saturday in the Park with George, The Secret Garden, Mandy sings Rogers & Hammerstien and Sondheim. This one has just sat on my shelf after I played it through twice hoping to warm up to it...while my other recordings are very worn out with years of playing!

Adequate performance; poor entertainment.......2003-05-04

I received this disc the same day a "Philip Quast Live at the Donmar". The Quast disc has its own flaws (and I dont wish to compare the two performers) but it has been strung together in a more thoughtful manner, with witty imagination and using a more dangerous in the choice of songs, which is really where this disc fails. The songs here are generally enjoyable though rather standard, and the lack of cohesion (running the songs together doesnt count) means I just dip into the discs listening to a few favourites, rather than enjoying the whole show.

a very disappointed fan.......2003-02-05

I have every recording Patinkin appears on, even if he's only on one track; I adore his voice, his flair, his emotion, his ability to deliver a song.

But (much of) this recording is disappointing, mainly because Mr. Patinkin's voice in the lower range sounds muddled and forced, as though he's lost ability to control it (however, the more falsetto sounds are as clear and sharp as ever).

And I don't care for the format of this performance. Live recordings should have live audience reactions: one (often unrelated) song after another without applause had me wondering when--if ever--was the audience was going to be allowed to react.

Also, while I've never had the privilege of attending a Patinkin concert, I imagined that--above all-- he would be passionate. Perhaps he was. But what (mostly) comes across on the CD is a somber--almost technical--performance.

I hope he's healthy, that mixed quality of singing on this recording was just a fluke, and that his next CD will be a Five-star as all his previous ones have been

Sondheim At The Movies: Songs From The Screen (Studio Cast Re-recordings)
Average customer rating:

What can you lose?

Pleasant overall, with some invaluable rarities

Sondheim At The Movies: Songs From The Screen (Studio Cast Re-recordings)

Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

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The Frogs / Evening Primrose (2001 Studio Cast)

ASIN: B000001512
Release Date: 1997-09-09

Tracks:

Back In Business - Alet Oury, Julie Alderfer, Farah Alvin, Heidi Godt, Kelli Shrewsbury, Gretchen Weiss
Dawn - Jolie Jenkins, Bryan Batt, Danny Burstein, James Hindman
The Glamorous Life - Cassidy Ladden
What Can You Lose? - Guy Haines
More - Jennifer Simard
Stavisky Suite One - Orchestra
Sand - Christiane Noll
It Takes All Kinds - Bryan Batt, Danny Burnstein, Robert Randle, Jim Ryan, Kevin Pariseau, Alec Timerman
Little Dream - Susan Egan
Stavisky Suite Two - Orchestra
Sooner Or Later - Jane Krakowski
Stavisky Suite Three - Orchestra
If You Can Find Me, I'm Here - Gary Beach
I Remember - Liz Callaway
When - Liz Callaway, Gary Beach
Take Me To The World - Liz Callaway, Gary Beach
Goodbye For Now - Orchestra

Amazon.com

The premier stage composer of his time, Stephen Sondheim has also contributed a substantial body of work to the big and small screens, explored in this 65-minute collection by the Varèse Sarabande stable of artists. The best known is Warren Beatty's 1990 live-action cartoon Dick Tracy, which won Sondheim an Oscar for "Sooner or Later" (covered here by Ally McBeal's Jane Krakowski). This CD includes "Back in Business" as well as the three songs also released on Madonna's movie tie-in album. Other rarities include "Dawn" and "Sand" from the unproduced film project Living Out Loud, the revised version of "The Glamorous Life" written for the 1978 feature film, and "It Takes All Kinds" from The Bird Cage. Orchestral selections include three suites taken from the film score of Stavisky and the gorgeous ballad "Goodbye for Now" from Reds. The major piece here is five songs written for the 1967 television drama Evening Primrose and covered by golden-voiced Liz Callaway and Gary Beach. The recording may not have the star power of an earlier recording by Mandy Patinkin and Bernadette Peters, but it's simply and effectively performed here. --David Horiuchi

Customer Reviews:

What can you lose?.......2000-01-29

Sondheim's little-known work for the big and small screen get presented in this enjoyable compilation. Fans of Sondheim's stage work might be extremely surprised to find the master trying his hand at several pop-flavored tunes. Gary Beach and Liz Callaway do a magnificent job with the four songs from "Evening Primrose" (and is my preference over Mandy Patinkin's over-hysterical rendition with Bernadette Peters), with particular beauty found in the stunning duet "When?"

Sondheim even tries the cheesy disco thing, with "It Takes All Kinds", cut from "The Birdcage". A more thrilling piece of ear candy has never been heard. Although the movie version of "Glamorous Life" can be heard on one or two other compilations and the movie soundtrack, this is one of the best.

I wish the album was truly comprehensive (tracks which have gotten more exposure, such as "Sooner or Later" "Can That Boy Foxtrot" and "Water Under the Bridge" are omitted), but the gems it contains more than compensates. An important album in any Sondheim fan's collection

Pleasant overall, with some invaluable rarities.......1999-05-07

The best moments from this umpteenth collection of music by Broadway supercomposer Stephen Sondheim are the (remarkably dissimilar) selections from 1990's "Dick Tracy" and the obscure 1960's TV musical "Evening Primrose," some of which have never before been recorded. Other items are less memorable, including some regrettable disco/80's pop pastiches from "Singing Out Loud" and "The Birdcage." The selections from "A Little Night Music" and "Stavisky" received sharper performances in the original soundtrack recordings ("The Glamorous Life" can be found appended to the newly remastered Sony/Columbia recording of "Night Music"s original cast; the complete soundtrack to "Stavisky" is available packaged with the must-have 1985 concert recording of "Follies."). This CD should be invaluable to avid Sondheim collectors for the "Primrose" numbers, dynamically sung by Gary Beach and Liz Callaway. Those less fanatic will probably find this a pleasant and workmanlike, but not particularly outstanding recording.

Average customer rating:

Great Album
That's an interesting name

Dick Tracy
Original Soundtrack
Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD

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Dick Tracy

ASIN: B000008F1H
Release Date: 1990-05-31

Tracks:

Ridin' the Rails - Take 6, K.D. Lang
Pep, Vim and Verve - Andy Paley, Jeff Vincent
It Was the Whiskey Talkin' (Not Me) - Jerry Lee Lewis
You're in the Doghouse Now - Brenda Lee
Some Lucky Day - Andy Paley
Blue Nights - Tommy Page
Wicked Woman, Foolish Man - August Darnell
Confidence Man - Patti Austin
Looking Glass Sea - Erasure
Dick Tracy - Ice-T
Slow Rollin' Mama - LaVern Baker
Rompin' & Stompin'
Mr. Fix It [1930s Version] - Darlene Love
Mr. Fix It - Darlene Love
It Was the Whiskey Talkin' (Not Me) [Rock & Roll Version]
Dick Tracy [90's Mix] - Ice-T

Customer Reviews:

Great Album.......2005-04-04

I really enjoyed this album. They released two soundtracks to the Dick Tracy movie so none of the Madonna songs are featured on this album but all of the songs featured on this album are excellent! I was very impressed with the overall style of the music and the diversity of each of the songs. Great Artists such as Take 6, Kd Lang, Darlene Love, Ice T, Jerry Lee Lewis, Al Jereau, and Brenda Lee are featured on this album. It gives a great array of music and one artist is not just dominating!

That's an interesting name.......2004-11-03

This is the "soundtrack" to the Dick Tracy movie starring Warren Beatty. But none of the Madonna songs from the movie are here, and only a few of the songs here were actually heard in the movie. The songs are done in a 1930's style, to match the time period of the film (except for the three "bonus" songs done in a more contemporary style). There are some good songs here, and some not so good songs. It's a mediocre album, and that's about all I have to say about it.

Average customer rating:

A great idea, but incomplete
Excellent. The best of this style.

Bond and Beyond

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

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Beautiful Hollywood
Classics of the Silver Screen
Fantastic Journey
From the Heart
The Big Picture

ASIN: B000003CX1
Release Date: 2002-10-22

Tracks:

Theme From Goldfinger
James Bond Theme
From Russia With Love
Main Theme From Dick Tracy
Crime Spree From Dick Tracy
Main Theme From The Untouchables
Al Capone From The Untouchables
It's A Long Road From Rambo (First Blood Part Two)
Medley Of TV Adventure Themes: Dragnet/Peter Gunn/Perry Mason/The F.B.I./Hillstreet Blues/Mission Impossible/The Man From U.N.C.L.E./L.A. Law/Miami Vice/Hawaii Five-O
To Live And Let Die
For Your Eyes Only
Axel F From Beverly Hills Cop
Theme From Leathal Weapon
Woe, The Darkman, Woe! From Darkman
Nobody Does It Better
Theme From Shaft
All Time High From Octopussy

Customer Reviews:

A great idea, but incomplete.......2000-10-26

Erich Kunzel plays the Bond themes? What a great idea! In addition, there are a few more selections in the same vein, like the cops-n-robbers TV medley, music from The Untouchables, Lethal Weapon, Beverly Hills Cop, etc.

Sometimes, you want to listen to the 007 music in instrumental only, and Kunzel and the Cincinatti Pops do a good job with the arrangements. But where are the rest of the songs? Missing are three of my all-time favorites, You Only Live Twice, Diamonds Are Forever, and Moonraker. I think the album would be better with 'more Bond, less other.' We certainly don't need TWO selections from Dick Tracy. And the theme from Darkman is stylistically quite similar to Dick Tracy; nothing is gained by playing both. Don't get me wrong; I like Danny Elfman (check out his "Beetlejuice" theme on Kunzel's 'Great Fantasy Adventure Album'). I just wanted to hear all my fave Bond pieces on the one CD.

Still, it's a keeper.

Excellent. The best of this style........1999-02-15

All I can say is listen to the Trumpet solo on goldfinger. The best

Average customer rating:

Unsung Sondheim
Valuable only if you don't have any of these songs elsewhere

Unsung Sondheim
Various Artists
Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

General | Musicals | Broadway & Vocalists | Styles | Music

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ASIN: B000067CMJ
Release Date: 2002-06-04

Tracks:

Saturday Night - Stan Chandler
Love's A Bond - Walter Wilson
All For You - Davis Caines
In The Movies - Marilyn Cooper
What Can You Lose? - Judy Kuhn
Incidental Music From 'Invitation To A March' - Dave Rodgers
That Old Piano Roll - Lynnette Perry
They Asked Me Why I Believe In You - Rebecca Luker
No, Mary Ann - Jason Crade
Truly Content - Judy Kaye
Water Under The Bridge - Debbie Cravitte
Incidental Music From 'The Enclave' - Bjorn Messaget
There's Always A Women - Kaye Ballard
The Two Of You - Crista Moore
Multitudes Of Amys - Michael Rupert
Goodbye For Now - Liz Callaway

Customer Reviews:

Unsung Sondheim.......2007-05-20

What a collection of unsung Sondheim tunes. At times I wondered why these songs had been dropped from shows. Well sung by the various artists.

Valuable only if you don't have any of these songs elsewhere.......2006-10-07

In the early 90's this was a fascinating CD, as it gave listeners a chance to hear many of Sondheim's "lost treasures" which might otherwise be gone forever. (The man does not do "trunk songs" which can be dropped into other shows.) Time, however, has not been kind to this collection. The first four tracks from "Saturday Night" have some bouncy charm (I never realized before how naughty the lyrics for "Love's a Bond" are), but with the glorious complete cast album released a few years ago with David Campbell in the lead, they've now been rendered redundant. (And "In The Movies," though boasting endearing vocals, suffers with all of its context and intercutting songs gone.) "What Can You Lose" can't measure up to Madonna and Mandy Patinkin's sensitive performance on her "I'm Breathless" album (and that would hardly qualify as "unsung"). "That Old Piano Roll" is fun but slight, and "Truly Content" mines the same lyrical phrase over and over till the fun wanes, despite Judy Kaye's winning vocals. "Water Under the Bridge" is one of the weakest songs Sondeheim's probably ever done, and deserves obscurity. Other, better songs here with often exquisite renditions are nonetheless available on other discs, and thus again hardly qualify as "unsung": "I Believe In You," a sweet and lovely song, is on Bernadette Peters' second "Sondheim Etc." CD (though Rebecca Luker's warm, enchanting rendition here is nothing to sneeze at), Mandy Patinkin frantically covered "Multitudes of Amys" on "Experiment," Madeline Kahn and Peters jousted with "There's Always a Woman" on the "Anyone Can Whistle" cast album from the mid-90's (props to Kaye Ballard's biting performance here though), Streisand covered "Goodbye for Now" on "The Movie Album" (and gave it a poignancy and depth it probably doesn't really deserve for such a drab little song). What's left? A cheerful, seemingly menage-a-trois ditty called "The Two of You" (which, bizarrely, was apparently written for "Kukla, Fran and Ollie"). A just plain wonderful "No, Mary Anne," which combines an impassioned performance, hard-bitten realism and sweeping romanticism into something quintessentially Sondheim. (The liner notes indicate that Sondheim expected this to be a parody of a big hit song, "like 'Hello Dolly!'" Those who know anything about Sondheim--and the yawning chasm between his style and Jerry Herman's--may find their heads exploding at that one.) Two endless instrumental pieces from "The Enclave" and "Invitation to a March" (tracks #6 and #12) that are mostly remarkable for how uninteresting they are. The liner notes are outstanding and offer lots of intriguing perspective (listening to "Multitudes of Amys," and you just might wish that "Company" had ended as it was orginally intended to). If you don't have CDs by Peters, Madonna, Streisand, et all, this is a great introduction; otherwise, bump it way down the priority list.

Sondheim - A Celebration at Carnegie Hall (Highlights from the 1992 Concert Cast)

Average customer rating:

What a recording!

Sondheim - A Celebration at Carnegie Hall (Highlights from the 1992 Concert Cast)

Manufacturer: RCA Victor Broadway
ProductGroup: Music
Binding: Audio CD

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Into the Woods

ASIN: B000003FEM
Release Date: 1993-02-23

Tracks:

Symphonic Sondheim: Sweeney Todd
Company: Loveland - Getting Married Today
Follies: Waiting For The Girls Upstairs - Love, I Hear - Live Alone And Like It
Company: Being Alive
Merrily We Roll Along: Good Thing Going
Merrily We Roll Along: Our Time - Children Will Listen
Dick Tracy: Back In Business
Sweeny Todd: Green Finch And Linnet Bird
Follies: Broadway Baby
Merrily We Roll Along: Not A Day Goes By
A Little Night Music: A Weekend In The Country
A Little Night Music: Send In The Clowns
Sunday In The Park With George: Sunday

Customer Reviews:

What a recording!.......2000-06-29

I only wich I could have been at Carnegie Hall that night! Come on, Bernadette Peters, Liza Minnelli, Karen Ziemba, James Naughton, and so much more! After i bought this highlights album I knew I had to get the full 2-CD set. It's great cause it's live, the orchestrations are Heaven, and you will feel like your in new york in the audience. Buy it enjoy it and if you like it is much as I do buy the Video of the performance!

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