Stan [CD-single] [Explicit Lyrics] [Import]

Editorial Reviews
Product Description
Third single off the chart-topping multi-platinum 'Marshall Mathers LP'. No U.S. release exists at all. Tracks, 'Stan' (Radio Edit) (feat. Faithless vocalist Dido) and three non-album cuts, 'Guilty Conscience' (Radio Version w/gunshot), the previously unreleased track 'Hazardous Youth' (Acapella Version) and 'Get You Mad'-Sway + King Tech featuring DJ Revolution w/Eminem. 2000 release. Slimline jewel case.

Stan,Eminem,Universal Int'l,5"CD Singles,Hardcore Rap,Hip-Hop,Pop,Rap,Rap & Hip-Hop

Stan [CD-single] [Explicit Lyrics] [Import]

Tracks:

The Girl From Ipanema
Doralice
Para Machuchar Meu Coracao
Desafinado (Off Key)
Corcovado (Quiet Nights Of Quiet Stars)
So Danco Samba
O Grande Amor
Vivo Sonhando (Dreamer)
The Girl From Ipanema - 45 RPM Issue
Corcovado (Quiet Nights Of Quiet Stars) - 45 RPM Issue

Amazon.com essential recording

Originally released in March 1964, this collaboration between saxophonist Stan Getz and guitarist João Gilberto came at seemingly the end of the bossa nova craze Getz himself had sparked in 1962 with Jazz Samba, his release with American guitarist Charlie Byrd. Jazz Samba remains the only jazz album to reach number one in the pop charts. In fact, the story goes that Getz had to push for the release of Getz/Gilberto since the company did not want to compete with its own hit; it was a good thing he did. Getz/Gilberto, which featured composer Antonio Carlos Jobim on piano, not only yielded the hit "Girl from Ipanema" (sung by Astrud Gilberto, the guitarist's wife, who had no professional experience) but also "Corcovado" ("Quiet Night")--an instant standard, and the definitive version of "Desafinado." Getz/Gilberto spent 96 weeks in the charts and won four Grammys. It remains one of those rare cases in popular music where commercial success matches artistic merit. Bossa nova's "cool" aesthetic--with its understated rhythms, rich harmonies, and slightly detached delivery--had been influenced, in part, by cool jazz. Gilberto in particular was a Stan Getz fan. Getz, with his lyricism, the bittersweet longing in his sound, and his restrained but strong swing, was the perfect fit. His lines, at once decisive and evanescent, focus the rest of the group's performance without overpowering. A classic. --Fernando Gonzalez

Customer Reviews:

It just doesn't get any better.............2007-06-30

....than this. Some very good albums may define a singer; some great ones, like "Tapestry" and "No Secrets", can define a whole generation. Here, we have an album so great we could use it to define "music".

There are conflicting stories as to how this recording, or, at least, Astrud Gilberto's part in it, came to be. At this distance in time, who cares? The late Stan Getz was said to be an unpleasant man. Who cares? He was, you see, a genius, who played the sax like nobody before, or since. Astrud Gilberto supports some political causes that I can't stand. Who cares? She's the prototype of a whole genre...another may be a little prettier, or have a little better voice, but Astrud is still "the original"; all others are copies. Music and politics shouldn't mix, anyway.

Here we have a collection of talent in one place not equaled till "The Blues Brothers". Besides Getz and Astrud, we have Antonio Carlos Jobim and Astrud's then husband, Joao. Great music, well played, and recorded to perfection. EVERYBODY needs at least one copy of this.

Every Collector's Must Have!.......2007-06-08

This is a classic if you don't have this you are missing out! Very relaxing.

Beautiful.......2007-05-22

This is a classic and worth its great reputation. No wonder it has remained popular for so many, many years. It is one of the few albums I enjoyed as a teenager and still enjoy 40 years later!

View fom Sugarloaf Mountain.......2007-03-14

Much has been said about this disc over the past nearly 45 years since it's recording and here at Amazon; mostly all positive here as the 136 reviews averaging five stars can testify to. I listened to this LP many years, off and on since it's original release and recently purchased the CD version so I may take it anywhere on my I-Pod. It goes without saying it is essential music. The understated vibe whispers classic. The pairing of Getz and Gilberto seems as natural and beautiful as sunsets on the beach on Rio de Janeiro. The soft sensual vocals of Joao and Astrud Gilberto pair well with the robust yet minimilist sax work Stan Getz to create an exquisite recording. The contribution by Antonio Carlos Jobim on piano cannot be overlooked as he helped create the total ambience. Soft romantic melodies results from the joining of these two forces in their respective fields to create the definitive bossa nova sound. The model for which bossa nova has been defined by is the quintessential "The Girl From Ipanema" features the famous duet by husband and wife Astrud and Joao Gilberto that is complimented by the cool tenor sax work by Getz twice on this disc;included is the 45rpm issue that was popular on the airwaves during the time period.It is ironic that Gilberto and Antonio Carlos Jobim did not want her to sing on what has become arguably one of the most recognized bossa nova songs ever recorded. The total recording is a reflection of a turbulent time in the world when peaceful music waft down from Sugarloaf mountain for the world to take notice and they have never stopped noticing. Maybe in our contemporay world of war and chaos we need more of the peaceful vibe of the bossa nova again. If you have never experienced this classic recording, check it out,it does still sound good after all these years. Recommended for jazz and Brazilian music enthusiasts.

Riding at Full Throttle on Top of Bossa Nova!.......2007-02-17

Bossa Nova started in Brazil in the late `50s. The "First Generation" included Antonio Carlos Jobim, Joao Gilberto and Vinicius de Moraes as their main artists. Their themes were composed focusing on "Love, Smiles & Flowers" and greatly influenced Latin America's music and even USA's jazz composers.

The present CD was recorded in 1963 when Bossa Nova was the "new thing" mixing with Jazz and conquering USA.
Three geniuses, Joao Gilberto (guitar and vocals), Stan Getz (tenor saxophone) and "Tom" Jobim (piano and composer of eight of the ten musical pieces in the CD) join and mix their efforts to give the audience an outstanding performance.
On top of all that Astrud Gilberto sang "Girl from Ipanema" (she had never before performed professionally) and became instantly a star.
Sebastiao Neto bass and Milton Banana drums complete the musical team.

"Girl from Ipanema" make you feel being at the wonderful Ipanema Beach surrounded by the loveliest girls in the world (believe me, I've been there). Astrud's voice is just unbelievable.
I recommend hearing, enjoying and comparing this song's version with the one recorded in 1967 by Sinatra and Jobim.
"Corcovado" aka "Quiet Nights of Quiet Stars" evokes those wonderful starred nights from Rio de Janeiro, with all their sensual appeal, hearing soft guitar music. Getz's saxophone phrasing is just from another world!
"Para Machucar Meu Coracao" ("To Hurt my Heart" authored by Ary Barroso) is the story of a love affaire gone sour. Joao Gilberto's voice is able to express heartrending pain.

This CD is one of the Top Popular Music in my personal selection, tied up with before mentioned Jobim-Sinatra. I recommend it warmly!
Reviewed by Max Yofre.

Average customer rating:

Swirling, beautiful bossa nova-jazz
Bossa nova music that dips, swings, boasts fine harmonic structures--and an infectious rhythmic pulse !!!
Old School
I'd give it 6 stars if I could!!!
Nostalgic; great memories, so easy to appreciate

Jazz Samba
Stan Getz , and Charlie Byrd
Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

Brazil | South & Central America | International | Styles | Music

General | International | Styles | Music

Samba | Latin Music | International | Styles | Music

Bebop General | Bebop | Jazz | Styles | Music

Brazilian Jazz | Jazz | Styles | Music

Cool Jazz | Jazz | Styles | Music

General | Jazz | Styles | Music

Latin Jazz | Jazz | Styles | Music

Modern Postbebop | Jazz | Styles | Music

Bossa Nova | Latin Music | Styles | Music
Similar Items:

Getz/Gilberto
Wave
Stan Getz & The Oscar Peterson Trio: The Silver Collection
Jazz Samba Encore!
Francis Albert Sinatra & Antonio Carlos Jobim

ASIN: B0000047CW
Release Date: 1997-05-20

Tracks:

Desafinado
Samba Dees Days
O Pato
Samba Triste
Samba de Uma Nota So
E Luxo So
Bahia (aka Baia)
Daesafinado

Amazon.com essential recording

Guitarist Charlie Byrd was invited to travel and play in Brazil during a cultural goodwill tour sponsored by the Kennedy administration in 1961. He was completely enamoured by the music, and when he returned, he headed straight for the recording studio to make the now classic Jazz Samba. Collaborating with Stan Getz on tenor sax and backed by a band that included Gene Byrd (bass, guitar), Keter Betts (bass), and Buddy Deppenschmidt and Bill Reichenbach (drums), Byrd forged a new and brilliant sound. American record companies were to churn out hundreds of watered bossa-pop albums that have since given the style its lounge-addled image, but this album stands as a tribute to the vitality and adaptability of jazz. --Louis Gibson

Customer Reviews:

Swirling, beautiful bossa nova-jazz.......2007-07-30

Jazz is all about being evocative- the greatest examples of the genre have always been the ones that take the listener to another place, that have expressed emotions and ideas with uncanny accuracy. In essence, the best jazz recordings feel like they're coming from somewhere inside you, born out of your dreams and private thoughts and inner longings. Which, I guess, is why I'm so fond of Jazz Samba. The album's warm, lyrical tone instantly paints a portrait of some sun-splashed and utterly peaeful Brazilian beach, a hidden little paradise by a crystal ocean. But there's more to it than that. Jazz Samba's lush textures and instantly hypnotic imagery are downright theraputic. When you're stressed out, angry, or depressed, this is the ideal record to put on; the hypnotic, shuffling bass line that opens "Desafinado" casts a spell that isn't lifted until Getz's gorgeous, velvety solo at the end of "Bahia." The music radiates so much warmth and joy in the meantime, wiping away just about every single one of your worries and fears. It really is a neat trick. Of course, like any great piece of music, Jazz Samba is much more than music. Getz and Byrd make for a formidable team, bridging the gap between jazz's emotive cool and bossa nova's swinging sensuality with irresisitable finesse. The music is simultaneously dreamy and upbeat, hypnotic and energetic, beautiful and propulsive. Basically, it's a great album, and one that belongs in every jazz collection.

Bossa nova music that dips, swings, boasts fine harmonic structures--and an infectious rhythmic pulse !!!.......2007-06-19

Bossa nova music was created largely by Antonio Carlos Jobim and João Gilberto in the late 1950s and early 1960s. When Charlie Byrd and his trio heard it, they wanted to make a bossa nova album of their own. The result is this wonderful CD.

The CD track set opens with an extended version of "Desafinado." The guitar gets plenty of air time in bossa nova music; and Charlie Byrd's guitar solo stuns me with its beauty and sensitivity. "Desafinado" plays with a few key changes to enhance the quality of the number; and the percussion works very well, too.

"Samba Dees Days" picks up the tempo considerably; and this ought to brighten any party you play this at! Stan Getz plays tenor sax to perfection; and Buddy Deppenschmidt along with Bill Reichenbach play the drums very, very well. "Samba Triste" is the only truly mournful sounding samba on this album; the minor keys work very well as Stan's melancholy solo enhances the forlorn flavor to "Samba Triste."

"Samba De Uma Nota Só (One Note Samba)" exudes elegance and style; when you listen to this track the fusion of jazz and samba is very evident. "E Luxo Só" reverts to a faster tempo that really makes you want to get up and dance wherever you are; and "Bahia (Baía)" concludes the album with a silky elegance that is singularly beautiful.

There is one extra number. The bonus track is the 45 rpm issue of "Desafinado." Naturally, the shorter version of this number doesn't provide us with the luxurious meanderings of the full length track. Nevertheless, it interests the listener to hear what the band chose to include--and exclude--when, under time constraints, they had to deliver the number fast yet with all the brightness of the full rendition. You won't be disappointed.

The liner notes include the original liner notes by Dom Cerulli; and there are great black and white photos of the band members playing. John Litweiler contributes an informative essay about the creation of the album as well. The quality of the sound is excellent.

I highly recommend this CD for any fan of bossa nova music; and people who enjoy jazz with a samba twist will cherish this one for ages to come.

Old School.......2007-01-17

This CD was all I expected and more. It was soothing without being muzac, and there was plenty of latin for spice. I was raised with the old school style of jazz and this really fit the bill!

I'd give it 6 stars if I could!!!.......2006-09-16

Stan Getz is in this sax player's opinion the best jazz saxophone player that has ever been recorded. His sense of melody is superb. He hides his amazing technical prowess, makes it sound effortless, and never gets in the way of the melody. Nobody else even came close to his melodic improvisations.

I've worn out a few Jazz Samba LPs and now own it on CD. It's a timeless classic. It has perhaps the definitive version of "One Note Samba" on it. "Desifinado" "Bahia", "O Pato" also shine very brightly. In fact, there are no tracks on this CD that are less than superb.

Stan played a lot of different jazz styles, from Cool School to Post Bop to Bossa Nova. And although he is not from Brasil, Antonio Carlos Jobim wrote a Bossa tune honoring him because his "voice" fit the mood so perfectly. Of all the things Stan did a good job on, Bossa was perhaps his forte. And this album along with "Jazz Samba Encore" are two of his best Bossa albums ever.

I'd give it 6 stars in a 1 to 5 star rating system. It's a "desert island" disk.

Bob "Notes" Norton

Nostalgic; great memories, so easy to appreciate.......2006-08-12

A must piece of work in the latin genre to include in your collection; I've heard bits and pieces of these tracks throughout my life; it's about time I added all of them to my collection.

Stan Getz & The Oscar Peterson Trio: The Silver Collection

Average customer rating:

Great - The Best of the Best
"I'm Glad There Is You . . ."
Great rythym section
Herb Ellis & Ray Brown: Rhythm Machine
Essential

Stan Getz & The Oscar Peterson Trio: The Silver Collection
Stan Getz & The Oscar Peterson Trio
Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

Bebop General | Bebop | Jazz | Styles | Music

Cool Jazz | Jazz | Styles | Music

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Night Train
Jazz Samba
Getz/Gilberto
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Oscar Peterson Plays The George Gershwin Songbook

ASIN: B0000046ZJ
Release Date: 1990-10-25

Tracks:

I Want To Be Happy
Pennies From Heaven
Ballad Medley: Bewitched, Bothered, And Bewildered/I Don't Know Why I Just Do/How Long Has This...
I'm Glad There Is You
Tour's End
I Was Doing All Right
Bronx Blues
Three Little Words
Detour Ahead
Sunday
Blues For Herky

Amazon.com

Stan Getz and Oscar Peterson were both consummate performers, comfortable at any tempo, when they met for this 1957 recording, and they're clearly enjoying one another's skills on ballads and uptempo tunes alike. The group is one of the finest editions of Peterson's trios, with bassist Ray Brown and guitarist Herb Ellis. It's virtually a machine for quiet swing, and the absence of a drummer lets Getz's silky sound come to the fore with all its details intact. For all his fame as a virtuosic pianist, Peterson is an underrated accompanist. He complements a soloist with deft fills and unobtrusive propulsion, and the backgrounds he supplies here are as subtle as his solos are extroverted. The program is a good mix of standards and Getz originals, including the joyous "Tour's End," while the extended ballad medley could define jazz lyricism. There's also a brief but infectious version of Ellis's "Detour Ahead," the guitarist's early and highly successful foray into songwriting. --Stuart Broomer

Customer Reviews:

Great - The Best of the Best.......2007-01-27

There are so many superlatives about this album. The first thing one new to the Peterson trio may notice is the lack of drums. And yet, the trio swings so hard that it's very easy to forget. Getz's soft, gentle tone on sax makes a stark but highly effective foil to Peterson's high-energy keyboard acrobatics and staggering virtuosity. The bass and guitar hold everything together transparently, working together in perfect syncronization during the solos, to keep the energy at a proper pitch at all times, then peeling off to do their own magic when it's their turn to solo. The speedy opening cut, "I Want to Be Happy", constantly pops with surprises and new textures. Often, I'll play it twice in a row because it's so much fun to listen to. This album is top jazz musicians at the top of their game.

"I'm Glad There Is You . . .".......2007-01-27

"This is one of the enjoyable recordings I've ever made. How refreshing is it to play with these pros." ~ Stan Getz ~

"This memorable session was Stan Getz and Oscar Peterson's first and only meeting in the recording studio as co-leaders. Stan Getz and Oscar Peterson Trio remains a most satisfying collaboration and is presented here - in its entirety - for the first time." ~ Nat Hentoff ~

Stan Getz with Oscar Peterson, Herb Ellis and Ray Brown? Yes, indeed, on this CD! The group will utterly delight you with their outstanding performances. While I tremendously enjoyed this CD in its entirety, the part I love most is the ballad medley, which the group perfectly performed. I believe this medley is the crowning glory of this album. It's so beautiful that I can just put track #3 on a repeat mode and forget the rest of the tracks! What a brilliant idea to do a medley of all these songs so meaningful to me. This medley alone is worth the price of the CD. The songs and its respective soloists are as follow.

"Bewitched, Bothered And Bewildered" - Stan Getz, tenor sax
"I Don't Know Why, I Just Do" - Herb Ellis, guitar
"How Long Has This Been Going On" - Oscar Peterson, piano
"I Can't Get Started" - Ray Brown, bass
"Polka Dots And Moonbeams" - Stan Getz, tenor sax

Also one of my favorites tunes here is "I'm Glad There Is You." Stan Getz's genius shows in every note of this superb and melodic track, and Herb Ellis plays his guitar in a very creative fashion. This is one of the most sublime and notable instrumental versions of all-time. It starts off artistically with Ellis' guitar then Getz joins in slightly overpowering Ellis' guitar to make the most enchanting mix of sax and guitar simultaneously, then comes that gorgeous "solo showdown" between Getz and Ellis. It's so beautiful! I listened to it with a few repeats.

Stan Getz can swing, too! Just listen closely to "I Want To Be Happy," "Pennies From Heaven," "Three Little Words" and his very own "Blues For Herky" and "Tour's End." He plays his favorite instrument effortlessly with ease, precision and virtuosic flair.

When jazz greats get together for a gig, the result is one fantastic album such as this.

An enjoyable musical journey.

Great rythym section.......2006-11-04

As a jazz guitar player, i personally love stan getz, and to hear him with ray brown, one of my favorite and greatest bass players ever. This was also the first i have listened to Herb Ellis play, his parts are a bit quiet but hey all guitarist were quiet until Charlie Christian. All in Four Really great musicians playing together, if you like this , check out russell malone, ray brown and monty alexander's Cd.

Herb Ellis & Ray Brown: Rhythm Machine.......2006-10-04

I love this recording, and all the other reviews have discussed the many reasons why it is so great. I just want to mention something that Herb Ellis said about playing with Ray Brown. Herb said that Ray's bass playing made him feel like he was being physically lifted up and carried along by some super-strong giant. Mr. Brown is the model of powerful swing - massive,deep tone, atomic sense of time. On this (and other) OPT recordings you can hear him lift-'n-carry the whole band.

Essential.......2006-08-09

This is hands-down, the best jazz album I've ever owned. Whether sitting in front of the speakers with eyes closed, absorbing every note, or using it as unobtrusive (but swingin') background music while I work, this album shines.

If you're an audio snob who expects every last KHz of treble to be there, you will be dissappoined. The audio quality is only on par with a good cassette tape, but the music more than makes up for it.

Rogue's Gallery: Pirate Ballads, Sea Songs, and Chanteys

Average customer rating:

Fun--but not great
aaaaaaaaaaarrrrrrrrghhhhhhhhhhhhh!
Disappointment would be an understatement
Zzz...
another set of hopes are smashed

Rogue's Gallery: Pirate Ballads, Sea Songs, and Chanteys
Various Artists
Manufacturer: Anti
ProductGroup: Music
Binding: Audio CD

British Folk | Traditional British & Celtic Folk | Folk | Styles | Music

Irish Folk | Traditional British & Celtic Folk | Folk | Styles | Music

Scottish Folk | Traditional British & Celtic Folk | Folk | Styles | Music

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Classic Maritime Music from Smithsonian Folkways Recordings
The Harry Smith Project: The Anthology Of American Folk Music Revisited (2 CD/2 DVD BOX SET)
American Sea Shanties and Songs
Orphans [Fold-out Digipak with 24-page booklet]
Shanties & Songs of the Sea

ASIN: B000GGSMD0
Release Date: 2006-08-22

Tracks:

Cape Cod Girls - Baby Gramps
Mingulay Boat Song - Richard Thompson
My Son John - John C. Reilly
Fire Down Below - Nick Cave
Turkish Revelry - Loudon Wainwright III
Bully In The Alley - The Old Prunes
The Cruel Ship's Captain - Bryan Ferry
Dead Horse - Robin Holcomb
Spansih Ladies - Bill Frisell
High Barbary - Joseph Arthur
Haul Away Joe - Mark Anthony Thompson
Dan Dan - David Thomas
Blood Red Roses - Sting
Sally Brown - Teddy Thompson
Lowlands Away - Rufus Wainwright & Kate McGarrigle
Baltimore Whores - Gavin Friday
Rolling Sea - Eliza McCarthy
Haul On The Bowline - Bob Neuwirth
Dying Sailor to His Shipmates - Bono
Bonnie Portmore - Lucinda Williams
The Mermaid - Martin Carthy & the UK Group
Shenandoah - Richard Greene & Jack Shit
The Cry Of Man - Mary Margaret O'Hara

Tracks:

Boney - Jack Shit
Good Ship Venus - Loudon Wainwright III
Long Time Ago -White Magic
Pinery Boy - Nick Cave
Lowlands Low - Bryan Ferry w/Antony
One Spring Morning - Akron/Family
Hog Eye Man - Martin Carthy & Family
The Fiddler/A Drop Of Nelson's Blood - Ricky Jay & Richard Greene
Caroline and Her Young Sailor Bold - Andrea Corr
Fathom The Bowl - John C. Reilly
Drunken Sailor - Dave Thomas
Farewell Nancy - Ed Harcourt
Hanging Johnny - Stan Ridgway
Old Man of The Sea - Baby Gramps
Greenland Whale Fisheries - Van Dyke Parks
Shallow Brown - Sting
The Grey Funnel Line - Jolie Holland
A Drop of Nelson's Blood - Jarvis Cocker
Leave Her Johnny - Lou Reed
Little Boy Billy - Ralph Steadman

Amazon.com

Johnny Depp and director Gore Verbinski hatched the idea for Rogue's Gallery while filming "Pirates of the Caribbean: Dead Man's Chest"--that idea being to cast genteel rock superstars like Bono, Lou Reed, Bryan Ferry, Andre Corr, and Sting to reinterpret gritty seafaring standards for an exhaustive 43-track double-disc set produced by Hal Wilner. Throw in a bunch of credible folk stars (Loudon Wainwright III, Richard Thompson), their offspring (Rufus, Teddy) and a string of other curious characters (Jarvis Cocker, Antony) and what results is one of the strangest compilations in recent memory, if not exactly the most historically authentic or, well, digestible. Nick Cave embraces the role just a little too hard on "Fire Down Below," while Ferry can't help but sound like he's singing for the cast of "The Love Boat," but cut through the chaff and there is some real bootie here: Bono's "Dying Sailor to His Shipmates," Jolie Holland's "The Grey Funnel Line" and "Boney" by a mysterious tramp called Jack Sh**, which must be some kind of anagram for Johnny Depp. --Aidin Vaziri

Album Description

While working on the two "Pirates Of The Carribean" films, Johnny Depp and director Gore Verbinski became fascinated with the lore and fable of the pirates and sailors who ran the high seas. Enter legendary producer Hal Wilner, who brings his knack for matching maverick musicians with extraordinary material. Artists on this double disc set include Bono, Sting, Nick Cave, Bryan Ferry, Lou Reed, Richard Thompson, Lucinda Williams, Jarvis Cocker of Pulp, and many more. "Rogue's Gallery" offers a look at the hardships, the horrors, the lusts and lurid depths, and the crystal beauty that led men to the sea in ships for hundreds of years.

Customer Reviews:

Fun--but not great.......2007-07-03

What a concept--a pirate song co-produced by Verbinski and Depp inspired by the "Pirates of the Carribean" series. It should be great and in places, it is. The big question I came away with is--who is Jack Sh**? That one definitely has me guessing.

I won't belabor the song content or the production value. I think the most notable reviews have got that down pat, although I'm not marking down as far as they have because I'm giving points for originality being a fan of Spike Jones and some other truly demented people.

One thing to note: this is not a CD you'd buy if you were looking for something to amuse your kids. Some of the content is very bawdy and Mom and Dad would have some serious 'splaining to do to the little pirates. There's both some language and some situations that are more twisted than a Hangman's knot.

aaaaaaaaaaarrrrrrrrghhhhhhhhhhhhh!.......2007-06-09

Some of the songs are quite good(mellow)others a little odd. Its what I expected, but not what you would expect.

Disappointment would be an understatement.......2007-06-04

It is not unusual to find sea shanties performed by not the greatest musicians or singers in the world. It is not unusual to find shanties sung by people who have difficulty keeping perfect pitch, or tempo. But at least they understand what the music is about, and sing it with heart and enthusiasm and a love for the genre.

Hal Wilner should stick to whatever genre it is that made him know enough to be approached by labels, because he clearly has no understanding, and less enthusiasm for *this* genre.

If you love lively music from the maritime era, you can only be bitterly disappointed by this collection. Out of 43 tracks, I found 15 that were salvageable. Sort of.

I've already tossed this onto the pile to go to the resale shop. It wasn't worthy the cost of shipping.

Zzz..........2007-04-04

I have to admit that I have no idea what kinds of music the pirates sang aboard their ships. I know it probably wasn't "yo ho, yo ho, a pirate's life for me," but I expected something different than this. I think my expectations have been colored by groups like The Pogues, Flogging Molly, The Tossers, and the Real McKenzies. I have an annual Pirate Party and I was hoping to find some good music here to get people in the mood for a treasure hunt or pirate liar's dice, but instead, the music on this CD is something I'd put on if the party went on too long and I wanted to encourage people to leave. Some of it is actually awful and the rest is too slow and plodding to inject much energy into any situation.

I appreciate what was attempted here (contemporary artists paying homage to sea chanteys in the spirit of our romanticized version of the pirate era) but it just doesn't really work. The effect is similar to what would be achieved if the London Philharmonic Orchestra attempted to play rap "music" with Luciano Pavarotti rhymin' while flashing gang signs.

another set of hopes are smashed.......2007-03-29

the selection of titles attracted me. The quality of the arrangements, the voices, and the music---are all quite bad.

It is VERY sad that these same titles, could not have been produced for quality. They sound like a nightmare.

Average customer rating:

awesome!!!!
Only one decent song
Stunningly good Score!
Track 14 / Worth the price of the CD
A few standout tracks, but difficult to recommend on the whole.

The Island

Manufacturer: Milan Records
ProductGroup: Music
Binding: Audio CD

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Batman Begins
The Island
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ASIN: B0009X766E
Release Date: 2005-07-26

Tracks:

The Island Awaits You
Where Do These Tubes Go?
Sector 6
Starkweather
Agnate Ukuleles
You Have A Special Purpose In Life
Mass Vehicular Carnage
Renovatio
I'm Not Ready To Die
This Tongue Thing's Amazing
Mass Winnings
The Craziest Mess I've Ever Seen
Send In The Clones
My Name Is Lincoln
Blow

Amazon.com

After supplying something known as "additional music" to many films since the late 1990s, Steve Jablonsky seems to have become the go-to composer for director-producer Michael Bay. Jablonsky's score for Bay's sci-fi thriller The Island shows the influence of its producer, Hans Zimmer. "The Island Awaits You" sets up the mood, which is oddly muted for a movie directed by explosion-master Bay. Even a track titled "Mass Vehicular Carnage" is merely ominously low-key, oddly sounding like something by dank trip-hopper Tricky. Elsewhere, the electronic number "Starkweather" successfully creates a feeling of oppressive tension before integrating elements of the main theme. Unfortunately, in his effort to avoid big ka-booms, Jablonsky can be overly subdued; while nothing is jarring, nothing makes much of an impression either. Actually, there is one jarring thing on this CD, and it's the Prom Kings' nu metal/funk hybrid "Blow," tacked on at the end like an afterthought. --Elisabeth Vincentelli

Customer Reviews:

awesome!!!!.......2007-02-18

The brooding post modern industrial feel to the songs on this soundtrack give it a feel of epic proportions. I simplely love it!!!...dark,foreboding, and eerily brilliant on every track....thank you Mr. Jablonsky!

Only one decent song.......2007-01-15

There's only one coherent actual song on this CD. The rest is just a collection of sound effects and short music bits. If you want that one song, the nice one at the very end, fine, but it's too bad there aren't more like it. I think they could have done better. I remember liking the movie soundtrack a lot - I don't think it translates very well to CD, though.

Stunningly good Score!.......2006-11-10

This is a hauntingly good score to a pretty darned good film, which for whatever whim of the masses was less than well received. I you like taiko drums, fast paced and wonderfully executed "world beat" music, this is definitely the score for you, I've played it again and again and it only gets better with each listening.

Track 14 / Worth the price of the CD.......2006-11-04

I agree with other reviewers here -- much of the music on the CD is simply supplemental to the film, is forgetable, nothing really stands out, there is a lack of melody. Only one track (# 14) "My Name is Lincoln" -- stands apart, offering a theme, melody, choir and resolution -- it is a signature bit of composing that, for me, is really worth the price of the CD.

A few standout tracks, but difficult to recommend on the whole........2006-10-27

I'm afraid to say that I find this CD somewhat difficult to recommend as a whole. Steve Jablonsky is a prodigiously talented composer with a bright future; as his score to 'Steamboy' and trailer music and additional themes for Pearl Harbor attests. And although Jablonsky has done his job well here - the Island score works splendidly in the film - on CD the persistent throbbing electronica and pervasive percussion comes off so harshly as to the point of being too abrasive for the listen to be enjoyable (and I'm a big fan of electronica!)

In comparison to something like Spy Game by Harry Gregson-Williams, which is a deep, subtle and nuanced electronic score, the Island is stark and aggressive, with much repetition, few discernable themes, and occasional sequences of outright garish and incoherent noise generated mostly by garbled electric guitars. With all this in mind, I feel the CD generally hovers around the two star mark.

However, there are a couple of BIG standout moments; namely 'The Island' theme itself; first featured on the opening track, and then later on track 10 and elsewhere, has a beautiful, haunting, ethereal quality to it, reminiscent of the opening minute of 'Injection' from the M:I-2 score. Similarly, 'This Tongue Thing's Amazing' and 'You Have a Special Purpose in Life' have long, stretches of warm orchestral music that are decidedly enjoyable and memorable.

Finally - and most importantly - the finale, 'My Name is Lincoln' is such a standout track that it deserves special attention. It's a warm, uplifting, inspiring theme which borrows heavily upon Gladiator's 'Now We Are Free', but with an epic choral backing which pushes it to even greater heights. It's incredible, probably one of my top 10 favourite film score tracks of all time, seriously.

If ever there was an album that you should consider purchasing as individual mp3 tracks, this one is it - a purchase of tracks 1, 2, 6, 10 and 14 will pretty much cover 95% of all the good bits.

Average customer rating:

The Searchers

Manufacturer: El Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B000P46PLY
Release Date: 2007-05-28

Tracks:

Searchers/Main Title/The Searchers
Searchers/Ethan Returns
Searchers/Meet Martin
Searchers/Locket for Debbie
Searchers/Ethan and Aaron/The Searchers
Searchers/Goodbye Ethan
Searchers/Posse Rides
Searchers/Comanches/Edwards' Ranch at Sundown
Searchers/Debbie at the Tombstone
Searchers/Martin Dragging His Saddle/Burning Ranch
Searchers/The Searchers/Indian's Grave
Searchers/Ethan Joins the Posse
Searchers/The Searchers/Indians Surround the Posse/Death Chant/Indians
Searchers/Saddle Up/The Searchers
Searchers/No Bonfires
Searchers/Ethan Returns from Scouting
Searchers/Brad Dies/The Searchers
Searchers/Laurie and Martin
Searchers/Laurie and Martin Argue
Searchers/Ethan's Dummy Ruse
Searchers/News of Debbie
Searchers/Camp by the Lake
Searchers/Buffalo Herd/Buffalo Drums
Searchers/Assembly
Searchers/The Searchers/Cavalry Crosses the Snowfield
Searchers/Mose
Searchers/Cicatriz
Searchers/Scar's Teepee
Searchers/Debbie Refuses to Leave
Searchers/Arrow Hits Ethan/The Searchers
Searchers/Laurie Warns Martin
Searchers/Martin to the Rescue
Searchers/The Searchers/Martin Shoots Scar
Searchers/Attack on the Indian Village
Searchers/Reunion of Ethan and Debbie
Searchers/End Title/The Searchers
Searchers/The Searchers
Searchers (Ride Away)

Album Description

2007 UK reissue of Max Steiner's soundtrack to the John Ford film starring John Wayne. Hailed as a masterpiece - not only as Ford's greatest film and Wayne's finest acting performance, but as one of the greatest films ever made. Among the generation of film-makers, from Jean-Luc Godard to Martin Scorsese, Wim Wenders to George Lucas, The Searchers has become a sacred text. Presented here in its original form, Steiner's score for The Searchers evokes every last aspect of Ford's vision: its grandeur, its darkness, its passion and its romance. It is an integral part of one of the greatest movies of the 20th century. 39 tracks. El.

Album Details

Hailed as a Masterpiece - Not Only as John Ford's Greatest Film and John Wayne's Finest Acting Performance - but as One of the Greatest Films Ever Made. Among the Generation of Film-makers, from Jean-luc Godard to Martin Scorsese, Wim Wenders to George Lucas, "The Searchers" Has Become a Sacred Text. Its Influence on Quest Films as Diverse as "Taxi Driver" and "Paris, Texas" is Unmistakeable and Its Stark Visual Beauty also Established Standards of Cinematography that have Never Been Surpassed. Presented Here in Its Original Form, Max Steiner's Score for "The Searchers" Evokes Every Last Aspect of Ford's Vision: Its Grandeur, Its Darkness, Its Passion and Its Romance. It is an Integral Part of One of the Greatest Movies of the 20th Century.

Stan Freberg Presents The United States Of America, Vol. 1, The Early Years, And Vol. 2, The Middle Years

Average customer rating:

They are right
A comedic gem (Vol. 1, that is)
Five stars for Volume 1; one star for Volume 2
Ten Stars for Volume 1
A classic (if a bit corny)!!

Stan Freberg Presents The United States Of America, Vol. 1, The Early Years, And Vol. 2, The Middle Years
Stan Freberg
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000033TV
Release Date: 1996-07-02

Tracks:

Vol. 1, The Early Years: Overture
Vol. 1, The Early Years: Columbus Discovers America 'It's A Round, Round World'
Vol. 1, The Early Years: Pilgrim's Progress 'Take An Indian To Lunch'
Vol. 1, The Early Years: The Thanksgiving Story (Under The Double Turkey)
Vol. 1, The Early Years: The Sale Of Manhattan 'Top Hat, White Feathers, And Tails'
Vol. 1, The Early Years: The Boston Tea Party
Vol. 1, The Early Years: Declaration Of Independence 'A Man Can't Be Too Careful What He Signs...
Vol. 1, The Early Years: The Midnight Ride Of Paul Revere
Vol. 1, The Early Years: Betsy Ross And The Flag 'Everybody Wants To Be An Art Director'
Vol. 1, The Early Years: The Discovery Of Electricity
Vol. 1, The Early Years: Washington Crosses The Delaware (Command Decision)
Vol. 1, The Early Years: Yankee Doodle Go Home (Spirit Of '76)
Vol. 1, The Early Years: The Battle Of Yorktown
Vol. 1, The Early Years: Finale 'So Long, Friend...'

Tracks:

Vol. 2, The Middle Years: Intro And Overture
Vol. 2, The Middle Years: Madison, Jefferson, Franklin & Osbourne: The First Advertising Agency...
Vol. 2, The Middle Years: 'Madison, Jefferson, Franklin & Osbourne'
Vol. 2, The Middle Years: Madison, Jefferson, Franklin & Osbourne (Part 2)
Vol. 2, The Middle Years: America! America!
Vol. 2, The Middle Years: Madison, Jefferson, Franklin & Osbourne (Part 3)
Vol. 2, The Middle Years: Rumplemeyer's Horseshoes: The Francis Scott Key Story
Vol. 2, The Middle Years: 'Rumplemeyer's Horseshoes'
Vol. 2, The Middle Years: Stephen Foster, Beloved Songwriter
Vol. 2, The Middle Years: Samuel F.B. Morse Sends The First Telegram
Vol. 2, The Middle Years: Abe Lincoln In Analysis
Vol. 2, The Middle Years: 'Show Folk'
Vol. 2, The Middle Years: Abe Lincoln At Home In The White House
Vol. 2, The Middle Years: Barbara Freitchie, Martyr Of The Year
Vol. 2, The Middle Years: 'Shoot If You Must'
Vol. 2, The Middle Years: Lincoln At Shiloh, With General Grant
Vol. 2, The Middle Years: 'As Long As You're Up'/'A Sober Life's A Hard Life'
Vol. 2, The Middle Years: The Appomattox Courthouse Bar & Grill
Vol. 2, The Middle Years: 'There'll Never Be Another War'
Vol. 2, The Middle Years: Custer's Last Stand
Vol. 2, The Middle Years: Alexander Graham Bell And The First Phone Call
Vol. 2, The Middle Years: Thomas Edison Invents The Light Bulb! The Phonograph! (Part 1)
Vol. 2, The Middle Years: 'Perserverance'
Vol. 2, The Middle Years: Thomas Edison Invents The Light Bulb! The Phonograph! (Part 2)
Vol. 2, The Middle Years: 'Planned Obsolescence'
Vol. 2, The Middle Years: The Wright Brothers At Kitty Hawk
Vol. 2, The Middle Years: Henry Ford Invents Detroit
Vol. 2, The Middle Years: 'Perserverance' (Reprise)
Vol. 2, The Middle Years: The Sinking Of The Lusitania
Vol. 2, The Middle Years: Two Tin Pan Alley Songwriters
Vol. 2, The Middle Years: 'U-Boat'/'The Guns Of August'
Vol. 2, The Middle Years: 'Hello, Peace, Hello'
Vol. 2, The Middle Years: 'There'll Never Be Another War' (Reprise)
Vol. 2, The Middle Years: Finale 'America! America!' (Reprise)

Amazon.com

When Stan Freberg released The United States of America in 1961, it was one of the first comedy concept albums ... and perhaps the funniest musical comedy never performed onstage. With a cast that included Jesse White and June Foray (as well as a dead-on Orson Welles impression by voice-over master Paul Frees), Freberg presented a madcap version of history that began with Christopher Columbus's insistence that "It's a Round, Round World." His crew, however, was unconvinced:

Crazy kind of scheme
It's a cockamamie dream
If we don't sight land we're gonna scream.

Later, a cautious Ben Franklin would express suspicion of the declaration Thomas Jefferson brought by for him to sign: "You go to a few harmless meetings, sign a few harmless petitions, and forget all about it.... Ten years later you get called up before a committee. No thank you! I'm not going to spend the rest of my life writing in Europe!"

For decades, fans were frustrated by the lack of sequels that would carry the story beyond the Revolutionary War. (After attempts to turn the material into a real Broadway musical were ruined by heavy-handed producer David Merrick, Freberg went on to a lucrative career in advertising.) Finally, in 1996, Freberg went into the studio with the surviving members of his original cast--as well as stars David Ogden Stiers, Sherman Hemsley, Tyne Daly, Lorenzo Music, and John Goodman--with a new batch of songs and skits that covered the period from the founding of the United States government in 1789 to the end of World War I.

Volume 2 is not quite as strong as volume 1, but that's like saying that Babe Ruth didn't hit as many home runs as Hank Aaron. There's still plenty of great material in "The Middle Years," like Francis Scott Key's first draft of his most famous composition: "Rumplemeyer's horseshoes are the best you can use, what so proudly he's nailed onto all kinds of horses." Or Ulysses S. Grant demanding a drink so he can keep on...

Pursuing the South
Over the hills
Fearless and brave, minus a shave
And crocked to the gills.

The two-CD set includes the original liner notes from the 1961 release; a 1989 CD reissue of the first volume; and the notes by Freberg, Dr. Demento, and Ray Bradbury for the sequel. It also contains a complete lyric sheet. Although some of the jokes on the first CD may be too arcane for younger listeners, The United States of America can still be called, without overstatement, a work of genius. --Ron Hogan

Customer Reviews:

They are right.......2006-06-30

The reviewers above who said the first volume is one of the funniest records ever made are right.

I listened to it when it came out and tracks like "A Man Can't Be Too Careful What he Signs these days" (Jefferson and Adams trying to get Franklin to sign the Declaration of Independence) and the one where Betsy Ross presents the new flag to George Washington are still indescribably funny.

But you can still buy the two volume set, pour yourself a nice dry Martini in a damp frosted glass, and use the disk with volume 2 for a coaster.

O;-)

A comedic gem (Vol. 1, that is).......2005-07-05

I have been a BIG fan of this album for well over two decades, since I came across the LP at the local library as a teenager. I was simply in stitches, and searched at used record stores until I found a copy of my own, which I eventually wore out in my repeated listenings.

So I was excited when I heard that after all these years, Vol. 2 was finally coming. But what a disappointment.

Vol. 1 has great songs like "Round Round World", "Take an Indian to Lunch" and "A Man Can't be Too Careful What He Signs These Days" that not only sparkle with satiric wit, but are great tunes I sometimes find myself humming.

The songs in Vol. 2, however, fall flat and just feel, well, forced. And that applies to all of Vol. 2 as well. The sense is that they had a list of punch lines they were set on, and didn't stop to think if it was funny or not. Funny is not a word that can be applied to Vol. 2, sadly.

So buy it for Vol. 1. You can just discard the other disc.

Five stars for Volume 1; one star for Volume 2.......2005-04-19

"Vol. 1, The Early Years" is without a doubt the best comedy recording I have ever heard. I personally discovered it back in the mid-80s, when I came across a copy of the album one Saturday at the radio station where I worked. It was listened to many a time "in cue" or after sign-off. I simply could not get enough of it. I also listened repeatedly to his "Original Cast" greatest hits album and the classic "Freeberg Underground" live recording he did in the mid-60s at the Hollywood Bowl.

Ever since then, I had hoped that a) Vol. 1 would someday come out on CD, and b) that he would eventually make good on his promise in the original album's liner notes to bring out a Vol. 2.

Well, both of my wishes came true. Vol. 1 is out on CD and as good if not better than I remember it. Plus, they added back in some parts that were cut so the original recording could fit on one LP. Vol. 2, on the other hand, is a *major* disappointment.

Vol. 2 simply tries too hard. It tries to tackle a huge amount of American history (from the late 1700s through the end of World War I) in 34 tracks on one CD (a virtually impossible task). It tries to satirize events during the Civil War (a hopeless task). And, its satire lacks the "let's not take ourselves too seriously" light-heartedness of Vol. 1, which is another way of saying it is trying to be Politically Correct.

It's a shame Vol. 2 wasn't written and produced soon after Vol. 1. I honestly believe Stan and Co. would have come up with another classic.

I too wish Rhino still offered Vol. 1 separately. From a marketing/business standpoint, I understand why they don't do it.

Still, if you don't have Vol. 1, it's worth the sacrifice to buy the two-volume set just to get it. Who knows? You may end up liking Vol. 2. If not, it makes a good (albeit expensive) coaster.

Ten Stars for Volume 1.......2005-02-10

My mom turned me on this LP and I listened to it repeatedly. It makes history SO funny! I have not heard this LP in years and years but I can still remember so much of it word for word.

Chris Colomubus and his duet with King Ferdenand is great!

Chris: It's a round, round world, it's a round, round world. I contend its round and its goin' be found, it's a round world now and its always been!

Kind Ferdindad: It's a flat, flat world, it's a flat, flat world, I contend its flat, as a welcoming mat, and you're sailing off the end, it's a flat world now and its always been!

If you are Stan Freberg fan, this is a MUST HAVE! And while you are at it, get yourself a nutcup and a couple of french horns!

A classic (if a bit corny)!!.......2004-12-24

This is a classic bit of Americana.
A must-have for anyone who enjoys good comedy and great production value.

Average customer rating:

Great work revisited
Buy this!
Excellent
Get carried away.....
A classic masterpiece

Getz Gilberto
Stan Getz , and Joao Gilberto
Manufacturer: Umvd Labels
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006L6YG
Release Date: 2002-10-29

Customer Reviews:

Great work revisited.......2007-08-05

It's hard to beat the gritty-rich presence in the quality of these early pop & jazz 4 track recordings. This is a wonderfully high quality quality recording available in the wonderful format of SACD. Even though it is stereo mix only, I love play this SACD version of this album.

Buy this!.......2007-06-17

This is not only a pillar of Brazilian/American Jazz fusion, it a pillar of all great music in general. Play this for a romatic date & you will both be getting lucky that night guaranteed. So sensual, mesmorizing, just a flat out stunning piece of work.

Excellent.......2007-04-16

Nothing more to say but that the Gets-Gilberto duet is irrepetible. Try to get the volume I as well. It's a jewel....

Get carried away..... .......2007-03-05

Most people born in the last century have heard " The Girl from Ipanema". However, those uninitiated to jazz may have missed the total recording that launched the cabana classic. The sum total is better than its parts.

Even a language barrier is not a problem. My Spanish was not good enough to comprehend the whole recording, but it floats along to a degree that I could plug some lyrical parts and still be transfixed by the melodies. All serious jazz fans should have this as a part of their collection, and any interested in exploring couldn't go wrong by giving this a try.

A classic masterpiece.......2006-09-12

I am a very big fan of Stan Getz. I think is tone is superb and this album captures him at his best. One time Stan Getz said, "He never played a note he didn't mean." This spirit is exemplified in this album.

While the sound quality might not be as good as vinyl as the reviewer below points out, the quality here is still very good. The recording is romantic and the way it was recorded captures the intimacy of the moment.

If you are a Stan Getz fan, this is a must own recording. This is a very sensuous album and the vocals are excellent. I wouldn't hesitate to buy this for anyone who is a fan of Stan Getz.

Average customer rating:

terrific Meditative music
Superb shakuhachi music
Perfect Tai Chi Music!
An Eckhart recommendation
Excellent!

Shakuhachi Meditation Music
Stan Richardson
Manufacturer: Gemini Sun Records
ProductGroup: Music
Binding: Audio CD

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Moon on the Water

ASIN: B0000037AE
Release Date: 1998-02-24

Tracks:

Empty Bell
Choshi Or Shirabe
Empty Sky
Murasaki Reibo
Buddha Or Satsu
Yoshi Ya
Three Valleys

Tracks:

Reed Fence
Shin Kyorei
Tsuru No Sugomori
Shika No Tone
Offering
Wind In The Pines

Customer Reviews:

terrific Meditative music.......2007-03-17

Great album. Easy to get lost in the mood. The best of the three shakuhachi albums I own.

Superb shakuhachi music.......2006-11-14

For some reason I was put off by the negative reviews (that reason is I hate spending $20 on a CD I only listen to once, which tends to be the case if it's an average CD), so I waited until a cheaper copy popped up.

I have to say I really like this CD. I'm no expert in the genre, I just know what I like and I love the mellow sounds of the shakuhachi flute and have been on the lookout for good recordings over a long period of time. I'm a big Riley Lee fan and have many of his recordings and this is probably just as good as any of them and also the work of Kazu Matsui.

There's another flautist, Manose, who I heard live in concert recently. He's from South Africa and his live performance was stunning. In particular, he did a performance with Deva Premal and Miten that he made up as he was going along which was jawdropping beautiful and probably sold him dozens of CDs on that night. It's hard to find all of his CDs here on Amazon (and some are better than others, check out Suskera and Dhyana Aman) he's worth checking out. Also, if you havent got Riley Lee in your collection, you're in for a real treat.

This music is perfect for relaxing, I would imagine meditation also if you like background music for your meditation and for a massage therapist (or other worker in the healing or other fields that requires soothing background music).

As another reviewer said, you're getting 140 plus minutes of excellent music for $10. I'd say that's a great deal.

Highly recommended.

Perfect Tai Chi Music!.......2006-11-04

I use this CD when I'm teaching class, and it's perfect. The music is soft and doesn't have a familiar melody to distract students. It's very soothing, and very asian.

An Eckhart recommendation.......2006-09-03

I am a huge fan of Eckhart Tolle. He has this music playing as the opening to some of his live talks. I have seen this on video. He has this music recommeded on his website.

This music is hauntingly beautiful , as another reviewer said, without alot of overlay to get caught up in.

Perfect for unwinding, playing in the background to make any activity a meditation.

Love it.

Excellent!.......2006-07-27

I am no expert in the music of the Shakuhachi, but I thoroughly enjoy this CD. I find the music to be relaxing and peaceful, though I'm not sure if people actually 'meditate' to this type of music (if I remember correctly, the performance of the music is more of a meditation exercise than the listening, but I'm no expert in meditation either). The pace is slow, and the music can easily set the tone for a nice relaxing afternoon, or for winding down at the end of the day. If that's what you're looking for, this CD may be for you.

Average customer rating:

No One Was Safe .... Or Sacred
found an olde classic
"Stan Freberg Here..."
The Right Intro To Stan "The Man" Freberg
Stan Freberg-In A Class By Himself

The Very Best of Stan Freberg
Stan Freberg
Manufacturer: Collectables
ProductGroup: Music
Binding: Audio CD

General | Poetry, Spoken Word & Interviews | Miscellaneous | Styles | Music

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Songs & More Songs By Tom Lehrer

ASIN: B00000AF8G
Release Date: 1998-08-11

Tracks:

John & Marsha
I've Got You Under My Skin
That's My Boy
Try
The World Is Waiting For The Sunrise
St. George And The Dragonet
Little Blue Riding Hood
Christmas Dragnet (Yulenet) Part 1
Christmas Dragnet (Yulenet) Part 2
C'est Si Bon (It's So Good)
A Dear John & Marsha Letter
Sh-Boom
The Yellow Rose Of Texas
The Great Pretender
Heartbreak Hotel
Rock Island Line
Banana Boat (Day-O)
Tele-Vee-Shun
Wun'erful, Wun'erful! (Side Uh-One)
Wun'erful, Wun'erful! (Side Uh-Two)
Green Christmas

Customer Reviews:

No One Was Safe .... Or Sacred.......2007-08-06

Parodies of the hits and radio programs were a staple during the Forties and Fifties, beginning with Spike Jones & His City Slickers sticking it to everything and everyone from Cocktails For Two to Adolf Hitler (Der Fuhrer's Face), and from The William Tell Overture to the Tennessee Waltz. Joining him part way through his mad slashing of seriousness was Red Ingle & The Natural Seven featuring Cinderella G. Stump (Jo Stafford) lampooning Temptation (Tim-Tay-Shun) and Nature Boy (Serutan Yob - A Song For Backwards Boys And Girls), among others.

Then, in 1950, the master entered the picture. Only Stan Freberg wasn't content with just poking fun through sound effects. He went straight for the heart. Born in Pasadena, California on August 7, 1926, he got started at age 17 doing impersonations on the Cliffie Stone radio program in 1943. Soon his voice was in demand for movie cartoons, and in 1950 became one of the pioneers in TV, along with Daws Butler (later Huckleberry Hound among other voices) and Bob Hope side-kick Jerry Colona, on the Time For Beany puppet show.

A year later he released his first record, John And Marsha, on the Capitol label, taking a dig at the many radio soap operas. It contained just two words - John ... and Marsha ... and with Cliffie Stone's orchestra playing suitable shmaltzy music in the background, two star-crossed lovers would say "John .. Marsha .. John John ... Marsha Marsha ... John John John ... Marsha, Marsha, Marsha" with enough emphasis to suggest that there was a lot more going on than just mundane conversation. It was hilarious and an instant hit, going to # 21 pop in the spring of 1951.

A few months later he was back with a double-sided hit backed by Les Baxter's orchestra and using old buddy Daws Butler (who would appear on most of his hits). The A-side went after The Weavers' "On Top Of Old Smokey" by cleverly using its call and response arrangement in the old standard I've Got You Under My Skin. A number 11 hit, it was joined on the charts by the B-side, That's My Boy (not in this set) which reached # 30.

In 1952 Johnny Ray felt the Wrath of Stan when his monster hit Cry was crucified in Try, a # 15 hit in May with the Billy May band, and a little over a year later, with Walter Schumann & His Orchestra and June Foray, he stuck it to everyone's favorite TV show, Dragnet. St. George And The Dragonet was brilliant and, complete with Jerry Lewis and Jack Webb imitations, it went to the top of the charts late in the year. The flip-side - Little Blue Riding Hood - didn't do too badly either, going to # 9.

That disc went so well, in fact, that he had another shot at the show over the holiday season with Christmas Dragnet (Parts I and II), backed by the Nathan Scott orchestra. In this "Scrooge" became "Grudge" and it topped out at # 13 (it would be re-released in 1954 as Yulenet).

By the time he decided to take a shot at Eartha Kitt (C'est Si Bon - # 13 in February 1954) the fans - and artists - were divided into three camps. Those who loved him and those who hated him - both because of what he was doing to the establishment - and those who appreciated his satirical genius. Which camp the Senate was in was never recorded, but Point Of Order, billed as by Stan Freberg and Daws Butler and using "Baa, Baa, Black Sheep", ripped the Senate's Army-McCarthy hearings.

Then it was Rock & Roll's turn. Here was a whole new field for Stan who would take great delight over the next three years in exposing the sleazier side of the industry, and taking pot-shots at some of the genre's more obvious gimmicks. First up was Sh-Boom which, with Billy May's orchestra, and chorus by "The Toads", went to # 14 late in 1954. Then, in 1955, he split his attack with a savage and side-splitting spoof of Mitch Miller's Yellow Rose Of Texas (# 16) and The Platter's Great Pretender.

However the latter, complete with the constant tink tink tink tink tink piano in the background, did not chart, nor did his next Rock parody, Rock Island Line, and when the excruciatingly funny Heartbreak Hotel (schriiiiiip - I riiiiped muh jeans) could only manage a # 79 in 1956, it was clear that this genre that everyone said wouldn't last had some pretty loyal fans who were all coalescing into the "hate Stan" camp.

Apparently calypso wasn't so sacrosanct, however, because Banana Boat (Day-O) hit # 25 in the early summer of 1957, and later that year he found another delightful target. Lawrence Welk. In what I consider to be his best, and with Daws Butler and Peggy Taylor in tow, Wun'erful, Wun'erful (Side a-one and side a-two) offers the tale of a dance band, performing at a seaside bandstand, breaking away from the main structure and floating out to sea due to a malfunctioning bubble machine (a-turn offf the a-bubble machine.) It topped out at # 32 in November.

In 1958 he laid bare the commercialisation of Christmas with the magnificent Green Chri$tma$, a # 44 charter that was both funny and poignant. No easy task.

For the reviwer looking for The Old Payola Roll Blues, if you haven't found it yet go to Lost Hits Of The 50s. There you'll find it with a whole slew of other gems. As for its performance on the charts, the tale of Rock star Clyde Ankle only went to # 99 in March 1960, perhaps because this time he was stepping on some pretty prominent toes as he delved into the late Fifties bribery scandals. Clyde, by the way, was a thinly-disguied Fabian.

An absolute gem of a CD, and if you can afford the box set also listed, go for it. You will love it.

found an olde classic.......2006-11-03

I have always liked olde time radio broadcasts and like Allan Sherman; Stan Freeburg is one of the masters in the field.

"Stan Freberg Here...".......2003-12-31

this CD contains 21 hilarious singles from Stan Freberg, the original music satirist decades before "Weird Al" came along. technically a satirist, Freberg didn't parody pop songs like Weird Al...Freberg tore them apart!! Called a hater of rock music by the '50s generation, Freberg nonetheless poked fun at what he seen as mediocre music being passed off as brilliant pieces of music. however, it all started for him musically with "John and Marsha", a satire on soap operas, in 1951. prior to this, Freberg was half of the puppet show "Time for Beany" with voice legend Daws Butler, who also played a huge part in Freberg's recording career too. Freberg was "Cecil" and "Dishonest John" while Butler was "Beany" and "Captain Huffenpuff". This show ran from 1949-1954. but...prior to that puppet show, Freberg was a teenage voice actor on Warner Brothers cartoons along side Mel Blanc. Freberg is the one who uttered the immortal phrase: "which way did he go, George? which way did he go?" in several cartoons spoofing "Of Mice and Men" characters Lenny and George.but, getting back to this CD. Freberg's recording career started with "john and marsha" in which Stan simply says the two people's names over and over in different emotions. somehow it's funny! don't ask me to over-analyze it! Freberg's stock in trade was satire of course. His wicked take on Johnny Ray on the song "Try" (a parody on Johnny's song, "Cry") is unreal! The Stan Freberg/Daws Butler/June Foray classics are here, too: "St. George and the Dragonet", "Little Blue Riding Hood", and "Christmas Dragnet". On "Heartbreak Hotel" we hear Freberg tackle Elvis and fight with the echo-chamber. On "Yellow Rose of Texas" Freberg delivers a southern dialogue...and is constantly bickering with the snare drummer. "C'est Ci Bon" is hilarious too. His mis-understood single, "Green Christmas", features Daws Butler and Marvin Miller as Bob Cratchit and Crass. Freberg is Scrooge of the advertising world. some critics said that Freberg was nuts for writing and recording a single that roasted his "other job" (Freberg wrote and produced comedy commercials for TV and radio in addition to his recording career and cartoon work). Country singers Ferlin Huskey and Jean Sheppard had a pop hit, "A Dear John Letter", but in Freberg's hands it became "A Dear John and Marsha Letter". His hatred for R&B is showcased on "Sh-Boom". Lawrence Welk doesn't escape Freberg neither and here we have the classic "Wun'nerful, Wun'nerful" which on the original '45 RPM single it was broken into Side Uh-One and Side Uh-Two. Stan Freberg remained a prominent figure in advertising well into the late '80s. In 1990 he started a 5 minute radio commentary called "Stan Freberg Here" that ran until 1998. Old-Time radio also used Freberg's famed voice as host of "When Radio Was" from 1991-1999, still being heard in countless re-runs everynight on AM radio. Freberg's recent project was supplying the voice to that screetching oddball Pete Puma in a cameo role in the recent Looney Tunes movie.

The Right Intro To Stan "The Man" Freberg.......2001-09-20

Stanley Victor Freberg's brilliance was summerized by Stephen Holden, music critic of the NY Times, who noted that Freberg's parodies were more than just of passing fads, but were superb self-contained radio comedies. The twenty-one tracks on this compilation serve up some of the best of his work during the 1950s.

Born in 1926 as the son of Baptist minister Victor Freberg, Stan first entered show business with his uncle, Raymond Freberg, whose stage act was as Conray the Magician. "Radio was my first library," Freberg has said, as he grew up during the audio medium's golden age and thus became enamored of the effect sound created. After graduation from Alhambra High School, Stan hopped a bus to Hollywood and set up a voice audition with Warner Brothers in 1944. Termite Terrace's legendary directors, Chuck Jones, Robert McKimson, and Isadore "Friz" Freleng hired Freberg on the spot and he started work alongside the equally legendary Mel Blanc.

Soon Stan was branching out more and more, doing cartoon voice work for the majority of the studios as well as a steady diet of work on radio. The Army then beckoned, and after his discharge in 1947 he was contacted by ex-Warners director Bob Clampett, for a puppet TV series he was developing. This became "Beany and Cecil" and became an all-time TV classic.

Then in 1951 he released "John and Marsha," a two-word satire of soap operas that became an instant classic. His career in musical satire thus launched, he compiled more such satires.

Among his best are his "Dragnet" parodies. In "St. George an the Dragonet" Freberg uses June Foray as a near-devoured maiden and Daws Butler (with whom he'd worked during "Beany & Cecil") as the dragon (voiced as a typical Dragnet heavy) and also the skipper of the woods' homicide division.

On "Little Blue Riding Hood" Freberg takes on the famed fairy tale as Sgt. Wednesday, with Little Blue and her grandma running a "goodies" ring - his use of the term "goodies" makes the listener genuinely take the term as police jargon for illicit substances.

Capitol made Freberg do one more Dragnet parody, the brilliant two-parter "Yulenet." Sgt. Wednesday and his partner, Frank Jones, interrogate Grudge, a non-believer in Santa Claus (as well as a non-believer in the Easter Bunny or Columbus - or Cleveland or Cincinatti, though he can't make up his mind about Toledo) who leaves Frank quite shaken and Joe determined to prove Santa's bona-fides.

The greatest strength of Freberg's Dragnet parodies is their attention to the show's detail - Daws Butler, who co-wrote "Yulenet," voices Frank, and perfectly captures the mannerisms Ben Alexander imbued in the character in his time on the real "Dragnet," while Freberg not only parodies the monaural delivery of Jack Webb, he also rattles off believable spoofs of the arcane numerical jargon used by police in reporting crimes - most brilliantly at the track's beginning. "Yulenet's" other enduring quality is its good-natured approach - the ending is believably happy, so much so that comes across as a legitimate "Dragnet" episode rather than just a parody. The real Sgt. Friday couldn't have done it better himself.

Music parodies continued for Freberg, and his funniest was "Banana Boat," his savaging of the embarassing Harry Belafonte hit "Day-O." Freberg exaggerates the song's absurd title and ludicrous lyrics, and the foolishness of the whole enterprise is displayed by the interruptions of Peter Leeds, a friend of Stan's from his radio days, who plays a too-hip bongo player who forces Stan to leave the studio repeatedly to sing.

"Banana Boat" was Leeds' third track with Stan - the first was Stan's take-off on "Great Pretender," followed by Freberg's "skiffle band" parody, a send-up of Lonnie Donegan's "Rock Island Line" and the common folk song trait of backgrounding the song's story more than necessary before going into the actual number.

The calypso form of "Day O" is then used in one of Freberg's tracks that is among his funniest and at the same time one of his most serious. "Tele-Vee-Shun" rips into circa-1957 television and with its terrific jokes and puns makes a serious point about the downside of the medium. There is a caustic nature to this parody that is used to greater effect on his controversial 1958 skewering of Christmas commercialization, "Green Chri$tma$," qualities reflecting his birth as a Baptist minister's son.

While by no means a complete compilation of Freberg's work, this CD is the right place to start in appreciating his work.

Stan Freberg-In A Class By Himself.......2000-11-06

Stan Freberg is the best satirist of all time-His thought provoking sketches & song parodies have made him a hit throughout the English speaking world-This CD is nothing short of spectacular-My favorite cuts are "St.George & The Dragonet","John & Marsha",& "Green Christmas"-For those who are unfamiliar with Freberg's work,this CD is a great place to start.

Soul Music:

Soul Music

soul music

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