Black 9

Track Listings
1. Depths Of Below
2. Pimping Ain't Easy
3. Back Down Memory Lane
4. Problem Child
5. Product Of Society
6. Set It Off
7. I'm An O.G.
8. Life Of The D.O.G.
9. On And On
10. Terrordome

Black 9,Black 9,Scotti Bros.,Pop,Rap & Hip-Hop

Black 9

Black 9
Live In Dublin
Average customer rating: 4 out of 5 stars
  • Would you like ketchup with your bug?
  • he makes you get up and dance
  • Live in Dublin
  • Live in Dublin
  • Live audience is great.
 Live In Dublin
Andre Rieu
Manufacturer: Denon Records
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Tuscany
  2. Andre Rieu in Concert
  3. The Flying Dutchman
  4. The Vienna I Love, Waltzes From My Heart
  5. At The Movies

ASIN: B0000CABHH
Release Date: 2003-10-07

Tracks:

  1. Dark Eyes
  2. Thunder & Lightning
  3. The Merry Widow
  4. Song of the Volga Boatman
  5. Hor Ich Zimbalklange
  6. Espana Cani (Bull)
  7. O Mio Babbino Caro
  8. The Blue Danube Waltz
  9. Announcement Olympia Song
  10. Song of Olympia (puppet)
  11. My Heart Will Go On (Titanic)
  12. All Men Shall Be Brothers - Beethoven 9th
  13. Radetzky March
  14. Opera Potpourri
  15. The Red Rose Cafe
  16. The Marino Waltz
  17. Irish Washerwoman
  18. The Last Rose
  19. Chianti Song
  20. Lullaby

Album Description

Recorded at the filming in Dublin's famous downtown train terminal, LIVE IN DUBLIN features Andre and the orchestra performing a collection of old favorites and exciting new selections. Already a smash PBS program LIVE IN DUBLIN captures Andre Rieu and his magical live performances at their most elegant best!

Customer Reviews:

4 out of 5 stars Would you like ketchup with your bug?.......2007-05-05

The person who sang O Mio Babbino Caro is Carmen Monarcha. Do a search for her on YouTube; she's really fantastic!

Anyway, I saw Andre Rieu on a PBS special on television and it looked like such an awesome, high-energy concert! The CD is not so exciting, but it is worth buying just for that beautiful aria.

5 out of 5 stars he makes you get up and dance.......2007-04-10

my 3 yr old enjoys this as much as us

5 out of 5 stars Live in Dublin.......2007-02-17

The music is really toe tapping and excellent. Andre Rieu is a master of music.

5 out of 5 stars Live in Dublin.......2006-07-05

This concert is magnificent in its energy and in the great performances by Andre Rieu and the Johann Stauss orchestra. I watch it when I need lifting up. I love the audience interaction which makes me feel as if I'm there in person.

5 out of 5 stars Live audience is great........2006-05-03

This has to be one of Andre's best. The live audience adds much to the music being played. I wish I had been there for the performance.
Dowland - The Collected Works / The Consort of Musicke, Rooley
Average customer rating: 5 out of 5 stars
  • The greatest songs ever?
  • A musical treasure-box
  • a beautiful journey into melancholy
 Dowland - The Collected Works / The Consort of Musicke, Rooley
John Dowland , Anthony Rooley , Emma Kirkby , Christopher Wilson , The Consort of Musicke , Colin Tilney , Anthony Bailes , Jakob Lindberg , Nigel North , Glenda Simpson , Peter Holman , and John Donne
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Dowland: Complete Lute Works, Vol.1-5
  2. William Byrd: Consort Songs
  3. Bach: The Landowska Recordings
  4. Britten Conducts Britten
  5. Janácek: Operas

ASIN: B000004CYV
Release Date: 2007-03-13

Tracks:

  1. First Booke Of Songes: I. Unquiet Thoughts
  2. First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
  3. First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
  4. First Booke Of Songes: IV. If My Complaints Could Passions Move
  5. First Booke Of Songes: V. Can She Excuse My Wrongs
  6. First Booke Of Songes: VI. Now, O Now, I Needs Must Part
  7. First Booke Of Songes: VII. Dear, If You Change
  8. First Booke Of Songes: VIII. Burst Fourth My Tears
  9. First Booke Of Songes: IX. Go Crystal Tears
  10. First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
  11. First Booke Of Songes: XI. Come Away, Come Sweet Love
  12. First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
  13. First Booke Of Songes: XIII. Sleep, Wayward Thoughts
  14. First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
  15. First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
  16. First Booke Of Songes: XVI. Would My Conceit
  17. First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
  18. First Booke Of Songes: XVIII. His Golden Locks
  19. First Booke Of Songes: XIX. Awake, Sweet Love
  20. First Booke Of Songes: XX. Come, Heavy Sleep
  21. First Booke Of Songes: XXI. Away With These Self-Loving Lads

Tracks:

  1. Second Booke Of Songs: I. I Saw My Lady Weep
  2. Second Booke Of Songs: II. Flow My Tears
  3. Second Booke Of Songs: III. Sorrow, Stay
  4. Second Booke Of Songs: IV. Die Not Before Thy Day
  5. Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
  6. Second Booke Of Songs: VI. Time's Eldest Son
  7. Second Booke Of Songs: VII. Then Sit Thee Down
  8. Second Booke Of Songs: VIII. When Others Sing Venite
  9. Second Booke Of Songs: IX. Praise Blindness Eyes
  10. Second Booke Of Songs: X. O Sweet Woods
  11. Second Booke Of Songs: XI. If Floods Of Tears
  12. Second Booke Of Songs: XII. Fine Knacks For Ladies
  13. Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
  14. Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
  15. Second Booke Of Songs: XV. White As Lilies Was Her Face
  16. Second Booke Of Songs: XVI. Woeful Heart
  17. Second Booke Of Songs: XVII. A Shepherd In A Shade
  18. Second Booke Of Songs: XVIII. Faction That Ever Dwells
  19. Second Booke Of Songs: XIX. Shall I Sue
  20. Second Booke Of Songs: XX. Toss Not My Soul
  21. Second Booke Of Songs: XXI. Clear Or Cloudy
  22. Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here

Tracks:

  1. Third Booke Of Songs 1603: I. Farewell, Too Fair
  2. Third Booke Of Songs 1603: II. Time Stands Still
  3. Third Booke Of Songs 1603: III. Behold A Wonder Here
  4. Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
  5. Third Booke Of Songs 1603: V. Me, Me, And None But Me
  6. Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
  7. Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
  8. Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
  9. Third Booke Of Songs 1603: IX. What If I Never Speed?
  10. Third Booke Of Songs 1603: X. Love Stood Amazed
  11. Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
  12. Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
  13. Third Booke Of Songs 1603: XIII. O What Hath Overwrought
  14. Third Booke Of Songs 1603: XIV. Farewell, Unkind
  15. Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
  16. Third Booke Of Songs 1603: XVI. Fie On This Feigning!
  17. Third Booke Of Songs 1603: XVII. I Must Complain
  18. Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
  19. Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
  20. Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
  21. Third Booke Of Songs 1603: XXI. Come When I Call

Tracks:

  1. A Pilgrimes Solace: I. Disdain Me Still
  2. A Pilgrimes Solace: II. Sweet Stay Awhile
  3. A Pilgrimes Solace: III. To Ask For All Thy Love
  4. A Pilgrimes Solace: IV. Love, Those Beams That Breed
  5. A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
  6. A Pilgrimes Solace: VI. Were Every Thought An Eye
  7. A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
  8. A Pilgrimes Solace: VIII. Tell Me, True Love
  9. A Pilgrimes Solace: IX. Go Nightly Cares
  10. A Pilgrimes Solace: X. From Silent Night
  11. A Pilgrimes Solace: XI. Lasso vita mia
  12. A Pilgrimes Solace: XII. In This Trembling Shadow Cast
  13. A Pilgrimes Solace: XIII. If That A Sinner's Sights
  14. A Pilgrimes Solace: XIV. Thou Mighty God
  15. A Pilgrimes Solace: XV. When David's Life
  16. A Pilgrimes Solace: XVI. When The Poor Cripple

Tracks:

  1. A Pilgrimes Solace: XVII. Where Sin Sore Wounding
  2. A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
  3. A Pilgrimes Solace: XIX. Up Merry Mates
  4. A Pilgrimes Solace: XX. Welcome Black Night
  5. A Pilgrimes Solace: XXI. Cease, Cease These False Sports
  6. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
  7. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
  8. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
  9. Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
  10. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
  11. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
  12. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
  13. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
  14. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
  15. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
  16. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
  17. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae

Tracks:

  1. Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
  2. Mr. Henry Noell Lamentations: II. Domine ne in furore
  3. Mr. Henry Noell Lamentations: III. Miserere mei Deus
  4. Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
  5. Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
  6. Mr. Henry Noell Lamentations: VI. De profundis
  7. Mr. Henry Noell Lamentations: VII. Domine exaudi
  8. Lachrimae: Lachrimae Antiquae
  9. Lachrimae: Lachrimae Antiquae Novae
  10. Lachrimae: Lachrimae Gementes
  11. Lachrimae: Lachrimae Tristes
  12. Lachrimae: Lachrimae Coactae
  13. Lachrimae: Lachrimae Amantis
  14. Lachrimae: Lachrimae Verae
  15. Lachrimae: Mr. John Langton's Pavan
  16. Lachrimae: Mr. Nicholas Gryffith His Galiard
  17. Lachrimae: Sir John Souch His Galiard
  18. Lachrimae: Semper Dowland Semper Dolens
  19. Lachrimae: Mr. Giles Hobies Galiard
  20. Lachrimae: The King Of Denmark's Galiard
  21. Lachrimae: Sir Henry Umpton's Funerall
  22. Lachrimae: Mr. Henry Noell His Galiard
  23. Lachrimae: The Earl Of Essex Galiard
  24. Lachrimae: Mr. Bucton His Galiard
  25. Lachrimae: Mr. George Whitehead His Almand
  26. Lachrimae: Captain Digorie Piper His Galiard
  27. Lachrimae: Mr. Thomas Collier His Galiard
  28. Lachrimae: Mrs. Nichols Almand

Tracks:

  1. Sacred Songs: Sorrow, Come!
  2. Sacred Songs: I Shame At Mine Unworthiness
  3. Sacred Songs: An Heart That's Broken And Contrite
  4. Psalms: Psalm 100: All People That On Earth Do Dwell
  5. Psalms: Psalm 38: Put Me Not To Rebuke O Lord
  6. Psalms: Psalm 130: Lord To Thee I Make My Moan
  7. Psalms: Psalm 104: My Soul Praise The Lord
  8. Psalms: Psalm 100: All People That On Earth Do Dwell
  9. Psalms: Psalm 134: Behold And Have Regard
  10. A Prayer For The Queen's Most Excellent Majesty
  11. Instrumental Music: Solus cum sola pavan
  12. Instrumental Music: Lachrimae
  13. Instrumental Music: Galliard
  14. Instrumental Music: Pipers Pavan
  15. Instrumental Music: Lachrimae
  16. Instrumental Music: Lady Rich Galliard
  17. Instrumental Music: Earl Of Essex Galliard
  18. Instrumental Music: If My Complaints
  19. Instrumental Music: Lachrimae Doolande
  20. Instrumental Music: Lord Willoughbie's Welcome Home
  21. Instrumental Music: My Lord Chamberlaine His Galliard
  22. Instrumental Music: Comagain
  23. Instrumental Music: Pavan Lachrymae
  24. Instrumental Music: Sorrow Stay

Tracks:

  1. Lute Music: Preludium
  2. Lute Music: Lachrimae
  3. Lute Music: Can She Excuse
  4. Lute Music: Dr. Case's Pavan
  5. Lute Music: Melancholy Galliard
  6. Lute Music: Sir John Smith, His Almain
  7. Lute Music: Fantasia
  8. Lute Music: A Dream
  9. Lute Music: Almain
  10. Lute Music: The Queen's Galliard
  11. Lute Music: Coranto
  12. Lute Music: Resolution
  13. Lute Music: Mrs. Vaux Galliard
  14. Lute Music: Almain
  15. Lute Music: Mr. Dowland's MIdnight
  16. Lute Music: Fantasia
  17. Lute Music: Loth To Depart
  18. Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
  19. Lute Music: The Earl Of Essex, His Galliard
  20. Lute Music: Pavan
  21. Lute Music: John Dowland's Galliard
  22. Lute Music: Aloe
  23. Lute Music: The Lady Clifton's Spirit
  24. Lute Music: What If A Day
  25. Lute Music: Mr. Giles Hobie's Galliard
  26. Lute Music: Come Away (Song arrangement)
  27. Lute Music: Galliard
  28. Lute Music: Fancy (Fantasia)

Tracks:

  1. Lute Music: Lachrimae (Basic Version)
  2. Lute Music: Galliard To Lachrimae
  3. Lute Music: [Jig]
  4. Lute Music: Galliard On 'Wasingham'
  5. Lute Music: Complaint (Ballad Setting)
  6. Lute Music: Mignarda (Galliard)
  7. Lute Music: Semper Dowland Semper Dolens (Pavan)
  8. Lute Music: The Frog Galliard
  9. Lute Music: A Fancy (Fantasia)
  10. Lute Music: Fancy (Fantasia)
  11. Lute Music: Piper's Pavan
  12. Lute Music: Captain Digorie Piper's Galliard
  13. Lute Music: Lady Laiton's Almain
  14. Lute Music: Dowland's Galliard
  15. Lute Music: Dowland's First Galliard
  16. Lute Music: Tarleton's Jig
  17. Lute Music: Walsingham (ballad Setting)
  18. Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
  19. Lute Music: Sir Henry Guilforde, His Almain
  20. Lute Music: Pavan (Related To 'Lachrimae')
  21. Lute Music: Mr. Langton's Galliard
  22. Lute Music: Mrs. Clifton's Almain
  23. Lute Music: Galliard
  24. Lute Music: Lady Hunsdon's Puffe (Almain)
  25. Lute Music: Galliard
  26. Lute Music: Go From My Window (Ballad Setting)
  27. Lute Music: Fancy (Fantasia)

Tracks:

  1. Lute Music: Pavana Johan Douland
  2. Lute Music: Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
  3. Lute Music: La mia Barbara
  4. Lute Music: Sir Henry Umpton's Funeral (Pavan)
  5. Lute Music: Lachrimae
  6. Lute Music: Farewell Fancy (Chromatic Fantasia)
  7. Lute Music: Farewell (On The 'In Nomine' Theme)
  8. Lute Music: The King of Denmark's Galliard
  9. Lute Music: Mrs. Vaux's Jig
  10. Lute Music: Mrs. Nichol's Almain
  11. Lute Music: Galliard
  12. Lute Music: Lord Strang's March
  13. Lute Music: Mrs. Winter's Jump
  14. Lute Music: Can She Excuse (Galliard)
  15. Lute Music: The Shoemaker's Wife, A Toy
  16. Lute Music: Mrs. Norrish's Delight
  17. Lute Music: Galliard
  18. Lute Music: Mrs. White's Thing (Almain)
  19. Lute Music: Mrs. White's Nothing
  20. Lute Music: The Frog Galliard
  21. Lute Music: Solus cum sola
  22. Lute Music: The Lord Viscount Lisle, His Galliard
  23. Lute Music: Orlando Sleepeth (Ballad Setting)
  24. Lute Music: Robin (Ballad Setting)
  25. Lute Music: Galliard (On A Galliard By Daniel Bacheler)
  26. Lute Music: Forlorn Hope Fancy (Chromatic Fantasia)

Tracks:

  1. Lute Music: The Lady Russell's Pavan
  2. Lute Music: Fancy (Fantasia)
  3. Lute Music: Sir John Langton's Pavan
  4. Lute Music: Earl Of Derby, His Galliard
  5. Lute Music: A Coy Toy
  6. Lute Music: Fortune My Foe
  7. Lute Music: [Almain]
  8. Lute Music: Mr. Knight's Galliard
  9. Lute Music: Sir John Souch His Galliard
  10. Lute Music: Tarletone's Riserrectione
  11. Lute Music: The Lady Rich, Her Galliard
  12. Consort Music: Lachrimae Pavan
  13. Consort Music: Can She Excuse Galliard
  14. Consort Music: Captain Piper's Pavan And Galliard
  15. Consort Music: The Frog Galliard
  16. Consort Music: Round Battell Galliard
  17. Consort Music: Fortune My Foe
  18. Consort Music: Dowland's First Galliard
  19. Consort Music: Katherine Darcie's Galliard
  20. Consort Music: Tarleton's Jigge
  21. Consort Music: Almain a 2
  22. Consort Music: Mistress Nichols Almain a 2
  23. Fullsack And Hildebrandt: Auserlesener Paduanen und Galliarden: Susanna Fair (Galliard)
  24. Haussmann: Rest von polnischen und andern Tanzen: Mistress Nichols Alman a 5
  25. Opusculum: Mr. John Langton Pavan And Galliard
  26. Opusculum: La mia Barbara Pavan and Galliard
  27. Opusculum: Lachrimae Antiquae Novae Pavan and Galliard

Tracks:

  1. Consort Music: Mistress NIchols Almain
  2. Consort Music: Volta a 4 ('Ioh. Douland')
  3. Consort Music: Were Every Thought an Eye
  4. Consort Music: Lady If You So Spite Me
  5. Consort Music: Pavan a 4
  6. A Musicall Banquet: I. My Heavy Sprite (Anthony Holborne)
  7. A Musicall Banquet: II. Change Thy Mind Since She Doth Change (Richard Martin)
  8. A Musicall Banquet: III. O Eyes, Leave Off Your Weeping (Robert Hales)
  9. A Musicall Banquet: IV. Go, My Flock, Go Get You Hence (Anon.)
  10. A Musicall Banquet: V. O Dear Life, When Shall It Be? (Anon.)
  11. A Musicall Banquet: VI. To Plead My Faith (Daniel Bacheler)
  12. A Musicall Banquet: VII. In A Grove Most Rich Of Shade (Guillaume Tessier)
  13. A Musicall Banquet: VIII. Far From Triumphing Court
  14. A Musicall Banquet: IX. Lady, If You So Spite Me
  15. A Musicall Banquet: X. In Darkness Let Me Dwell
  16. A Musicall Banquet: XI. Si le parler et le silence (Pierre Guedron)
  17. A Musicall Banquet: XII. Ce penser qui sans fin tirannise ma vie (Pierre Guedron)
  18. A Musicall Banquet: XIII. Vous que le Bonheur rappelle (Pierre Guedron)
  19. A Musicall Banquet: XIV. Passava Amor su arco desarmado (Anon. Spanish)
  20. A Musicall Banquet: XV. Sta notte mi sognava (Anon. Italian)
  21. A Musicall Banquet: XVI. Vuestros ojos tienen d'Amor (Anon. Spanish)
  22. A Musicall Banquet: XVII. Se di farmi morire (Domenico Maria Megli)
  23. A Musicall Banquet: XVIII. Dovro dunque morire? (Giulio Caccini)
  24. A Musicall Banquet: XIX. Amarilli mia bella (Giulio Caccini)
  25. A Musicall Banquet: XX. O bella piu (Anon, Italian)

Customer Reviews:

5 out of 5 stars The greatest songs ever?.......2007-07-26

I heard 'clear or cloudy', from this recording, on the radio recently and had to purchase it. It is strange but it is the sort of song that makes life prior to listening to it different from life after. I find it sad that so many people haven't heard it. There are also many other wonderful works in this collection. Given you get twelve well recorded CDs with top quality performances, this has to be one of the bargains of the age.

Please buy it.

5 out of 5 stars A musical treasure-box.......2006-09-10

Both the music and this actual product are masterpieces. John Dowland's collected works here - covering 12 compact discs - exhibit the depth and power of this composer, a composer who many now regard as suffering from clinical depression. I doubt that the issue of the diagnosis of Dowland's depression can ever be settled, however, it is certainly obvious from his music, so completely on display here, that he was a man with very dark depths and corners in his mind. Dowland's various manifestations and "takes" on his own tune, "Flow my tears"/"Lachrimae" are here. This tune has haunted me ever since I first heard it when I was a child. It seems to sum up Dowland's feelings - at least Dowland seems to have thought so.

The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).

This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.

I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.

5 out of 5 stars a beautiful journey into melancholy.......2001-06-15

I'm amazed at how many people tend to associate John Dowland's music with a tragic sense of drama. While no doubt this is art highly based on sadness, the "tragic" sense of it is more a legacy from the Romantic period. During the Renaissance, however, sadness was undestood as a very aesthetic way of approaching life. That is also the reason why Shakespeare's tragedies appear more sophisticated than his comedies.

Dowland, a contemporary of Shakespeare, discovered that meditating on a sad theme is, at the same time, a way of discovering a special beauty that we tend to avoid (maybe because of the "tragic" heritage of the Romantics). So, in the end, meditating on sadness is an uplifting experience! This box set is a journey into melancholy that includes songs, chamber music, pieces for lute, some rare sacred music and -as a highlight- Dowland's beautiful collection of seven pieces for viola which he called "Lachrimae" (Tears).
Horowitz Live and Unedited [includes Bonus DVD]
Average customer rating: 5 out of 5 stars
  • A historical legacy!
  • Masterpieces played by the great Horowitz
  • Insert Here Any Superlative You Can Think Of
  • WHAT IS GOING ON?
  • Just the Facts...
 Horowitz Live and Unedited [includes Bonus DVD]

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. The Magic of Horowitz
  2. Horowitz in Moscow
  3. Horowitz: The Last Recording
  4. Horowitz in Moscow
  5. Horowitz Encores

ASIN: B0000CF314
Release Date: 2003-09-30

Tracks:

  1. Organ Toccata, Adagio And Fugue In C Major, BWV 564 I. - J.S. Bach
  2. Organ Toccata, Adagio And Fugue In C Major, BWV 564 II. - J.S. Bach
  3. Organ Toccata, Adagio And Fugue In C Major, BWV 564 III. - J.S. Bach
  4. Fantasy In C Major, Op.17 (I)
  5. Fantasy In C Major, Op.17 (II)
  6. Fantasy In C Major, Op.17 (III)
  7. Piano Sonata No. 9 In F Major, Op. 68 'Black Mass' - Scriabin
  8. Poeme In F-Sharp Major, Op. 32, No. 1 - Scriabin

Tracks:

  1. Mazurka In C-Sharp Minor, Op. 30, No.4 - Chopin
  2. Etude No. 8 In F Major, Op. 10 - Chopin
  3. Ballade in G Minor, Op. 23, No.1 - Chopin
  4. Serenade For The Doll No.3 - DeBussy
  5. Etude In C-Sharp Minor, Op.2, No.1 - Scriabin
  6. Etude No. 11 In A-Flat Major, Op.72 - Moszkowski
  7. Traumerei
  8. Kinderszenen, Op. 15 (1)
  9. Kinderszenen, Op. 15 (2)
  10. Kinderszenen, Op. 15 (3)
  11. Kinderszenen, Op. 15 (4)
  12. Kinderszenen, Op. 15 (5)
  13. Kinderszenen, Op. 15 (6)
  14. Kinderszenen, Op. 15 (7)
  15. Kinderszenen, Op. 15 (8)
  16. Kinderszenen, Op. 15 (9)
  17. Kinderszenen, Op. 15 (10)
  18. Kinderszenen, Op. 15 (11)
  19. Kinderszenen, Op. 15 (12)
  20. Kinderszenen, Op. 15 (13)

Customer Reviews:

5 out of 5 stars A historical legacy!.......2006-03-28

Despite I am not a Horowitz admirer, it 's worthy to underline and emphasize the colossal pianism and thunderous fingering around every one of its different performances.

The special distinction around this album is the fresh inspiration and notable musicality emanated in this Recital, that deserves to be catalogued as a cult recording among the impressive and even excellent live recordings in the Sixties.

A bravura performance and a genuine expression make of this album a very special recommendation.

5 out of 5 stars Masterpieces played by the great Horowitz.......2004-12-12

This Carnegie Hall return recital is one of the greatest recordings by Horowitz. With a huge audience, Horowitz did not disappoint. He plays the Bach/Busoni as only he can play; it is eternally beautiful. Schumann has some mistakes, but those mistakes make the playing even more fascinating. The Scriabin is also excellent.

I am confident in saying that Horowitz's mazurka here is the best recording of op. 30 no. 4. Horowitz takes his time and does not rush the tempo, which is soooo easy to do with this piece. The etude is played awesomely, but the real treat is the Ballade no. 1. Horowitz played this piece all his life and played it very different many times, but this ballade is the best, most musical he ever played, mistakes and all.

The encores are also a treat, and the complete Kinderszenen bonus is another reason to buy this cd. The bonus dvd contains Liszt's Au Bord D'une Source, Chopin's Black key etude, and Moszkowski's etude in f major, op. 72, no.6.

This cd is my favorite, and I have a lot...

5 out of 5 stars Insert Here Any Superlative You Can Think Of.......2004-06-10

For those of you who don't enjoy reading long drawn-out reviews: This is the best CD set I could possibly imagine buying before I bought it. After I bought it, I wept twice in the first listening of just the second disc. The Chopin recordings on this disc are simply legendary, definitive, and indescribably beautiful.

Horowitz out-did even himself at this concert. Sure, wow, wrong notes, even in the first couple measures. Who cares. You had better not. I noticed two exposed wrong notes in my first listen of this disc. It is by far the best CD set I own.

Toccata, Adagio and Fugue in C Major: Sure, wrong note. Grand. I'm not too large a fan of this piece, but, regardless, if you like Bach, you like Horowitz for this recording.

Fantasy in C Major: True to its title, this performance was indeed fantastic. Horowitz is acclaimed most for his different tones on the piano. Let me tell you, that is for a reason.

Scriaban: I, personally, do not like Scriaban. An acquired taste. If you do like him, however, you will by all means enjoy these two recordings of the Black Mass Sonata and the Poeme in F-sharp Major.

The Chopin: The Mazurka is the greatest mazurka recording I have ever heard, period. The Etude is technically flawless and musically flawless. The Ballade. One of my favorite pieces of all time. This is my favorite recording, simply. It is quite, quite unbelievable. I wept. Every theme Chopin includes, Horowitz includes with care. This piece is one that takes a long long long time to figure out. Musically, it is one of the hardest. Horowitz seems to finally understand it after having played it for almost forty years undoubtedly. I have heard roughly 10 or 12 recordings of this piece, and Horowitz's trumps all.

The encores: Debussy, Scriaban, Moszkowski are all wonderful in their own right, but Traumerei is practically Horowitz's child. People in the audience were weeping when they heard this piece. I went in with the intention of not weeping, and failed miserably. It is the singly most beautiful performance I have ever heard.

Buy this set. You will absolutely not regret it.

5 out of 5 stars WHAT IS GOING ON?.......2003-12-27

WHAT IS WRONG WITH YOU PEOPLE? WHY CANT YOU JUST LEAVE THE POOR MAN ALONE? I AM A PIANO STUDENT WHO JUST FINISHED A CONCERT SERIES OUTSIDE OF MY OWN COUNTRY AND I HAVE JUST READ SOME OF THE OTHER REIEWS ABOUT HOROWITZ HERE AND I AM FRANKLY DIGUSTED.
ARE WRONG NOTES ALL YOU PEOPLE LISTEN TO?
HOROWITZ WAS BRILLIANT, YES, BUT HE WAS ALSO HUMAN LIKE ALL OF US. I MAKE MY FAIR SHARE OF WRONG NOTES AND WOULD HATE TO THINK THAT THEY WOULD BE THE ONLY THING THAT AN AUDIENCE WOULD REMEMBER AFTER A CONCERT. WRONG NOTES ARE A PART OF LIFE AND SOMETIMES ITS MORE IMPORTANT TO TAKE RISKS, EVEN IF IT RESULTS IN FAILIURE. ITS WHAT BREATHES LIFE INTO A PERSONS PLAYING, KNOWING THAT ONE SPLIT NOTE OR TWO IS NOT THE END OF THE WORLD. GIVEN THE CHOICE BETWEEN BEING MORE MUSICAL OR MORE TECHNICAL, I WOULD RATHER BE A MUSICIAN AND NOT A ROBOT.
IN HOROWITZ'S PLAYING, THERE ARE MORE IMPORTANT THINGS TO LISTEN TO. SO NEXT TIME YOU SWITCH ON ONE OF HIS RECORDINGS, WHY NOT TRY TO FORGET EVERYTHING YOU HAVE HAD BRAINWASHED INTO YOU ABOUT PERFECTION AND JUST LISTEN WITH YOUR HEART INSTEAD OF YOUR HEAD.

HOROWITZ WOULD HAVE BEEN THE FIRST PERSON TO TELL YOU THAT A PERFECT TECHNIQUE IS A COMPLETE MYTH. EVERYONE MAKES MISTAKES, WE CANT BE PERFECT FOR YOU ALL THE TIME, SO JUST GIVE US A BREAK.

5 out of 5 stars Just the Facts..........2003-11-29

This is not a review per se. My review is elsewhere on this page. But I wanted to follow-up and correct a few errors, which have been circulated in regard to this recording.

First, the corrections used on the original version of Horowitz at Carnegie Hall were not made at a "patch session at Carnegie a few days" after the concert. Columbia's engineers had already recorded Horowitz's rehearsals and used that material for the editing.

Second, the editing in the album was neither as extensive as some have suggested, nor as insignificant as the anonymous reviewer from Baltimore states.

Here is a (mostly) complete list of the patches on the original album, which have been removed from this new edition:

Bach-Busoni: Preludio: Measures 2-12 and parts of the coda (Horowitz, by the way, does not play the ossias at bars 8, 10, and 12); Intermezzo: Small patches at bars 7 and 11; Fugue: Several edits between bars 97 and 110, and again in the coda.

Schumann Fantasy: 1st Movement: patches at 7:32 and 10:21; 2nd Movement: small patches at 2:44 and 4:32, and a series of patches in the coda 6:58-7:39; 3rd Movement: No edits.

Scriabin: Sonata No 9: No Edits. Poem in F-sharp: Patch from 2:16-2:26

Chopin: Mazurka: Small edit at 2:02; Etude: Patched sections from 1:27-1:33 and 2:15-2:20; Ballade: Small edits at 2:04 and 4:52, at least four patches in the coda.

None of the encores were edited.

Patched or not, the 1965 return concert contains some stunning piano playing. Can anyone imagine the pressure Horowitz was under on that day? To prove you have not just retained your original greatness, but have deepened and become even greater cannot have been easy. The new, unedited version of the concert is not a revelation, but serves as a reminder of Horowitz's all too human frailty.
Horowitz Plays Mussorgsky, Scriabin, Prokofiev, and others
Average customer rating: 4 out of 5 stars
  • Horowitz Review
  • No better place to hear musical genius!
  • Incredible performance, scratchy sound.
  • I undoubtedly declare that Horowitz is the best.
  • Horowitz is amazing as usual, BUT...
 Horowitz Plays Mussorgsky, Scriabin, Prokofiev, and others

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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  1. Horowitz Encores
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ASIN: B000003F1S
Release Date: 1992-03-10

Tracks:

  1. Promenade
  2. The Gnome
  3. Promenade
  4. The Old Castle
  5. Promenade
  6. Tuleries
  7. Bydlo
  8. Promenade
  9. Ballet of the Unhatched Chicks
  10. Samuel Goldenberg & Schmuyle
  11. Limoges-The Market
  12. Catacombs
  13. Con Mortuis In Lingua Mortua
  14. The Hut on Fowl's Legs
  15. The Great Gate at Kiev
  16. Etude Op.2 No.1 in C-Sharp Minor
  17. Prelude, Op. 11, No. 5 in D
  18. Prelude, Op. 22 No. 1 in G-Sharp Minor
  19. Danse Excentrique
  20. Sonata No. 9 , Op. 68: Sonata No. 9 , Op. 68 - Black Mass
  21. Dumka, Op. 59
  22. Variations On A Theme From 'Carmen'
  23. Sonata no. 7, Op. 83: III: Sonata no. 7, Op. 83: III. Precipitato
  24. Humoresque, Op. 10, No. 5
  25. Barcarolle, Op. 10, No. 3
  26. Serenade To The Doll, No. 3, Children's Corner
  27. The Stars And Stripes Forever

Amazon.com essential recording

Horowitz's Pictures is one of his most controversial recordings. In true Romantic tradition, he made changes in Mussorgsky's much-maligned score. Ignore those strict constructionists who hold that the composer's word is law, and you'll revel in the sheer high spirits and unabashed virtuosity of this electrifying performance. Few make this piece as exciting as Horowitz. The fillers offer his inimitable versions of various Russian favorites along with his not-to-be-missed transcriptions of Carmen highlights and a Sousa Stars and Stripes Forever as you've never heard it. --Dan Davis

Customer Reviews:

1 out of 5 stars Horowitz Review.......2007-01-10

This recording was made in 1947 and the recording quality reflects that. It sounds like the CD was made from a scratchy record with no clean up.

I have heard better Horowitz performances. This one is very mechanical, without much color or feeling.

5 out of 5 stars No better place to hear musical genius!.......2005-08-22

Horowitz' arrangement of Stars and Stripes Forever is possibly the most incredible piece I have ever heard (and I don't even like that song very much.) If you have never heard it in its entirety, you have really been missing something. The first half is really good but the second half is mind-blowing. Horowitz was a genius!!!

The other works on the disc are great too but I prefer more recent recordings such as Evgeny Kissin's Pictures at an Exhibition. Of course it's not that Evgeny plays it better than Vladimir but the recording quality has much improved since 1947.

Whatever you do, don't miss Stars and Stripes Forever. You will never forget it.

5 out of 5 stars Incredible performance, scratchy sound........2000-12-17

A very good CD, but some of the titles are also on the Encores CD, and all the titles except the Rachmaninoff (recorded in 1979) are in mono. Besides the Rachmaninoff, the recording dates range from 1928 (whew!) to 1956. That said, this is Horowitz! It's great! I'd pay the money for the Prokofiev and Danse Excentrique alone. I just want to warn you that this is not the crystal-clear CD sound we're used to.

5 out of 5 stars I undoubtedly declare that Horowitz is the best........2000-12-03

You may know that Horowitz is a TOP pianist. But there is a one more. This recording is the most suitable recording that shows the differences beteween Horowitz and other pianists. In other words, this recording represents the genuine playstyle of Horowitz. One of the conspicuous specialty of Horowitz is ffff. The Grate Gate At Kiev (Pictures at an Exhibition) needs exteremly strong finger power.(Self-confidence of piano touch) Also to "Prokofiev sonata No.7","The Stars and Stripes Forever", the same can be told. I want to say, It`s needless to say who is the second, at least in these pieces. ( the gap between 1st and 2nd is too wide )(And, I`m not saying abut all the pieces of Horowitz. I`m only telling you about the pieces in this record.) I have an absolute pitch, and can compose a little.So believe me. Have a nice day!

P.S. To music lover who want`s to listen awesome 'Carmen Vars.' : Horowitz recorded 'carmen vars' not only once. (because it revised several times.) Carmen.V. in this CD is different from "Horowitz Encore". After buing this record, listen carefully the samples (in Horowitz Encore). They are not the same. (Both has it`s tastes.)

5 out of 5 stars Horowitz is amazing as usual, BUT..........1998-09-27

Horowitz is amazing as we have all come to expect, but at the time that Mussorgsky's PICTURES AT AN EXHIBITION was recorded, recording techiniques had not been perfected as they have today. The rest of the CD is outstanding. If you are a Horowitz fan, I highly recommend this recording.
Scriabin: The Piano Sonatas
Average customer rating: 4 out of 5 stars
  • An absolute bargin
  • Uneven, but solid overall
  • Only if you have insomnia
  • Engineer's fault- 80% Ashkenazy's - 20%
  • Five-star Scriabin set
 Scriabin: The Piano Sonatas

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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  5. Complete Piano Works of Scriabin

ASIN: B0000041LG
Release Date: 1997-08-26

Tracks:

  1. Piano Sonata No. 1 in F minor, op. 6: Allegro con fuoco
  2. Piano Sonata No. 1 in F minor, op. 6: [Adagio]
  3. Piano Sonata No. 1 in F minor, op. 6: Presto
  4. Piano Sonata No. 1 in F minor, op. 6: Funebre
  5. Piano Sonata No. 2 in G sharp minor, op. 19 'Sonata-fantasy': Andant
  6. Piano Sonata No. 2 in G sharp minor, op. 19 'Sonata-fantasy': Presto
  7. Piano Sonata No. 3 in F sharp minor, op. 23: Drammatico
  8. Piano Sonata No. 3 in F sharp minor, op. 23: Allegretto
  9. Piano Sonata No. 3 in F sharp minor, op. 23: Andante
  10. Piano Sonata No. 3 in F sharp minor, op. 23: Presto con fuoco
  11. Piano Sonata No. 4 in F sharp major, op. 30: Andante
  12. Piano Sonata No. 4 in F sharp major, op. 30: Prestissimo volando
  13. Quatre Morceaux, op. 56
  14. Deux Danses, op. 72
  15. Deux Poemes, op. 32

Tracks:

  1. Piano Sonate No. 5, op. 53
  2. Piano Sonate No. 6, op. 62
  3. Piano Sonate No. 7, op. 64
  4. Piano Sonate No. 8, op. 66
  5. Piano Sonate No. 9, op. 68
  6. Piano Sonate No. 10, op. 70
  7. Quatre Morceaux, op. 51

Customer Reviews:

5 out of 5 stars An absolute bargin.......2007-04-14

These CDs have become one of my favorite recordings. Whether Ashkenazy is playing Rachmaninoff Preludes or Chopin, for my money, he consistently produces a direct, sensitive and non-pretentious approach to the music and the composer. What I like about his interpretation of the Scriabin Sonatas is that he plays Scriabin like a true modernist. No wonder Bill Evans, the late, great, jazz pianist, practiced Scriabin at home between club dates--the sonatas are filled with modern, lyrical beauty.

4 out of 5 stars Uneven, but solid overall.......2006-04-11

I have the following complete sets: Laredo, Taub, Ashkenazy, Hamelin, Mikhailov, Szidon, Ponti, and Ogdon. I have two discs of Glemser and Horowitz, and one disc of: Sofronitsky, Pletnev, Kocyan, Bogdonov, Florentino, Coombs, Trpceski, and Richter.

Here is my list of suggested performances of the sonatas, taken from those I've heard. They are ranked from left to right:

G#m posthumous: Hamelin. Solid and very clean, but a bit dry.

Ebm posthumous: Glemser. The performance is solid, but doesn't seem ideal.

No. 1: Kocyan, then Ashkenazy, then Taub. Kocyan tells a story. Ashkenazy is passionate. Taub is darker.

No. 2: Kocyan, then Glemser or Sofronitsky, then Ashkenazy. Kocyan's fluidity takes it, but Sofronitsky is artistic. Glemser's first movement is beautiful.

No. 3: Laredo or Horowitz. Then Glemser or Taub. Then Ashkenazy or Sofronitsky.

No. 4: Taub or Sofronitsky. The latter has more artistry, the former a more coherent and appropriate tone.

No. 5: Horowitz or Taub. The former has electric genius, the latter has wonderful refinement. Hamelin's is excellent (his best Scriabin performance). I've heard that Richter's is great, but I don't have it.

No. 6: Richter (genius but bad sound quality), then Taub. Hamelin's is athletic and precise, although not mysterious.

No. 7: Glemser, then Laredo. The former brings out all the complexity with precision, the latter is sharp and clear. I have not heard Richter's.

No. 8: Ashkenazy. Then Szidon or Laredo. I've read that Sofronitsky's is good, but I don't have it.

No. 9: Sofronitsky, then Horowitz (all versions), then Glemser, then Szidon and Taub.

No. 10: Horowitz or Taub. Same contrast of styles between the pianists as the fifth sonata. Like the fifth, this is Taub's other brilliant performance.

Other pieces:

Fantasy in B minor: Glemser
Vers la flamme: Sofronitsky or Horowitz, then Laredo.
Piano concerto: Ugorski/Boulez, then Ashkenazy/Maazel. Both are excellent, but I give the edge to Ugorski.
Poem of Ecstasy: Maazel
Prometheus: Ashkenazy/Maazel

This set is solid in general and has the best performance of the eighth sonata (and nearly the best performance of the first) though the 7th and 10th sonatas are particularly problematic. I think the edge goes to Taub for a complete set, although one would do well to supplement it with other recordings. Avoid Ogdon and Ponti. Mikhailov plays well, but none of his sonatas rise toward the top.

I have to totally disagree with the reviewer who said Ashkenazy's performance of the 2nd Prokofiev concerto is bad. To me, the first movement is one of the very best performances I've heard.

2 out of 5 stars Only if you have insomnia.......2006-04-03

Ashkenazy ruins everything he touches. As in the case of his recording of Prokofiev's Second Piano Concerto, these perfomances are soooo sloooooow - totally tired and lifeless. But Scriabin's sonatas are anything but boring! I much prefer Micheal Ponti's VOX CDs. (Yes, the sound on them is horrible, but the performances are awesome!)

3 out of 5 stars Engineer's fault- 80% Ashkenazy's - 20%.......2005-04-26

First of all, I would like to say I am a great Ashkenazy fan; I greatly enjoy his performances of Chopin, Rachmaninoff, Beethoven, and , actually, almost of all composers with the exception of Scriabin.

Now this CD, though it's priced relatively low, I wouldn't recommend it heartily. The sound of the piano is consistenly unbearably bangy in the lower register, too dry, too cold. And this kind of sound is fatal especially when one wants to enjoy the subtle, mystical music of Scriabin.

However, to make matters worse, Ashkenazy here doensn't give the most convincing performances either. The second movement of second sonata lacks general shaping (perhaps, this can also be credited to the dry sound of the recordings) And I greatly dislike his second movement of the fourth, in which he starts at a quasi-presto tempo but near the end slows down painfully.

However, with the fifth sonata, Ashkenazy delivers a brillant performance, one that I would easily rank over Richter's. Unfortunately though, the brilliant performance is greatly marred again by the horrible strident sound. What was the engineer thinking?

The late sonatas are well-performed, though not quite intense as the widely-acclaimed performances by Richter.

In conclusion, I almost feel pity for Ashkenazy that these not-so-great-but-still-well-performed recordings were exacerbated by some atrocious engineering. However, I still believe Ashkenazy is better at his usual repertoire, as he, an almost cold-heartedly incisive performer (especially as he got older), fairs better with likes of Beethoven.

5 out of 5 stars Five-star Scriabin set.......2005-04-26

Scriabin is one of those composers who you love or hate. The eagerness with which he takes simple ideas, the interval of a fourth for example, and uses them to write not only entire pieces, but entire groups of pieces, is reminiscient of Beethoven and Brahms - but his harmonic concepts grow out of late works by Liszt, such as the Mephisto Waltzes, and from Wagner's masterful brand of chromaticism and contrapuntal expertise. (The "Tristan Chord" appears a lot in Scriabin.) His professed love of Chopin inspired him to write in Chopinesque forms, though his obsession with certain harmonies prevented his music from having the same level of freedom and creativity.

Ashkenazy's readings of this music suffer a little bit from the usual tinny Decca sound. He has a nice, full tone, and he is capable of polishing each note to an almost disturbing degree, but Decca has simply never been very good at recording the piano. His technique is also enormous, and the unflinching difficulties of this music seem to pose no problem to him.

Typically for Ashkenazy, this is a thoroughly professional effort with appropriate speed, mood, and color throughout. Hardly anyone can top him in terms of pure accuracy and faithfulness. If it wasn't for the fact that some of the great virtuosos on record, notably Richter, have played many of these sonatas with enormous zest and fire while attaining the same level of accuracy, this would be the best available CD; as it is, no complete set can match it, so it remains a strong recommendation.
Purcell: Songs & Airs / Argenta, North, Boothby, Nicholson, Toll
Average customer rating: 5 out of 5 stars
  • Nice Collection
  • PERFECT!
  • Great singing and excellent value for money
  • More than two hours of beautiful 17th century 'ayres'
 Purcell: Songs & Airs / Argenta, North, Boothby, Nicholson, Toll
Henry Purcell , Nancy Argenta , and Nigel North
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B000059LOH
Release Date: 2001-06-05

Tracks:

  1. O Solitude - Nancy Argenta/Nigel North
  2. Ah! How Sweet It Is To Love - Nancy Argenta/Richard Boothby/Paul Nicholson
  3. Not All My Torments - Nancy Argenta/Nigel North/Paul Nicholson
  4. Stripp'd Of Their Green - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
  5. Tell Me, Some Pitying Angel - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
  6. If Music Be The Food Of Love - Nancy Argenta/Richard Boothby/Paul Nicholson
  7. Hark! Hark! The Echoing Air - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
  8. The Fatal Hour Comes On Apace - Nancy Argenta/Nigel North
  9. Incassum, Lesbia - Nancy Argenta/Nigel North/Paul Nicholson
  10. Sweeter Than Roses - Nancy Argenta/Nigel North/Richard Boothby
  11. Cupid, The Slyest Rogue Alive - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
  12. From Silent Shades - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
  13. Dear Pretty Youth - Nancy Argenta/Nigel North/Richard Boothby
  14. From Rosy Bow'rs - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
  15. Now That The Sun Hath Veil'd His Light - Nancy Argenta/Paul Nicholson
  16. Beneath A Poplar's Shadow - Nancy Argenta/Nigel North/Richard Boothby
  17. I Attempt From Love's Sickness To Fly - Nancy Argenta/Paul Nicholson
  18. Let Us Dance - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
  19. Fairest Isle - Nancy Argenta/Nigel North
  20. O Solitude - Nancy Argenta/Richard Boothby

Tracks:

  1. Nymphs And Shepherds - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Trevor Jones/Richard Boothby/Nigel North/John Toll
  2. Amidst The Shades And Cool Refreshing Streams - Nancy Argenta/Nigel North
  3. Love In Their Little Veins Inspires - Nancy Argenta/Rachel Becket/Marion Scott/Richard Boothby/Nigel North
  4. Fly Swift, Ye Hours - Nancy Argenta/Richard Boothby/Nigel North/John Toll
  5. They Tell Us That Your Mighty Powers - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Trevor Jones/Richard Boothby/Nigel North/John Toll
  6. The Plaint: O Let Me Weep - Nancy Argenta/Pauline Nobes/Richard Boothby/Nigel North/John Toll
  7. In The Black, Dismal Dungeon Of Despair - Nancy Argenta/Nigel North/John Toll
  8. See, Even Night Herself Is Here - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Trevor Jones
  9. Why Should Men Quarrel? - Nancy Argenta/Rachel Becket/Marion Scott/Richard Boothby/John Toll
  10. Seek Not To Know - Nancy Argenta/Paul Goodwin/Sophia McKenna/Richard Boothby/Nigel North/John Toll
  11. Retir'd From Mortals' Sight - Nancy Argenta/Nigel North
  12. To Arms, Heoric Prince - Nancy Argenta/Mark Bennett/Richard Boothby/Nigel North/John Toll
  13. O Lead Me To Some Peaceful Gloom - Nancy Argenta/Richard Boothby/Nigel North/John Toll
  14. Halcyon Days - Nancy Argenta/Paul Goodwin/Pauline Nobes/Richard Boothby/Nigel North/John Toll
  15. Bid The Virtues - Nancy Argenta/Paul Goodwin/Richard Boothby/Nigel North/John Toll
  16. Lord, What Is Man? (A Divine Hymn) - Nancy Argenta/Richard Boothby/Nigel North/John Toll
  17. Music For A While - Nancy Argenta/John Toll
  18. If Music Be The Food Of Love (1st Setting) - Nancy Argenta/Richard Boothby/John Toll
  19. Sawney Is A Bonny Lad (A Scotch Song) - Nancy Argenta/Nigel North
  20. When I Have Often Heard Young Maids Complaining - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Richard Boothby/Nigel North/John Toll
  21. Ah! Cruel, Bloody Fate - Nancy Argenta/Nigel North/John Toll
  22. Thy Hand, Belinda... When I Am Laid In Earth - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Trevor Jones/Richard Boothby/Nigel North

Customer Reviews:

4 out of 5 stars Nice Collection.......2007-03-05

I have many collections of Purcell's Music. This collection stands up to them at half the price. Solid buy.

5 out of 5 stars PERFECT!.......2006-10-26

There is only a word with which I can describe this set of discs: perfect!
The only flaw there is, is not related to the singing or playing: no text enclosed.

5 out of 5 stars Great singing and excellent value for money.......2004-09-19

This is probably one of the best anthologies of Purcell songs around, and not just because it's two-for-one pricing means it contains twice as much music (CD1:74'24" & CD2: 77'41")! Nancy Argenta has an irrepressible sense of style and crystal clear diction. But unlike Emma Kirby, whose vocal purity can become tiresome, these renditions radiate warmth. She is also, I have found, more consistently involving than any one of the singers in Hyperion's three disc survey of Complete Secular Songs (recently reissued as a single set). One marvels at how she judiciously balances restraint and emotional forthrightness. The accompaniments (archlute, viola da gamba, harpsichord, and organ) are well judged and blend with the voice, all helped by an excellently defined recording acoustic. This is an absolute winner at any price!

5 out of 5 stars More than two hours of beautiful 17th century 'ayres'.......2001-08-02

Two CDs, totaling more than 150 minutes of sparsely-arranged (never more than 3-5 instruments at a time), sweetly-sung, 350 year old 'ayres' (a typically English form of secular music). Nancy Argenta's soprano voice is lovely, silvery indeed as her name implies. The instruments are a discreet but friendly accompaniment to her solo voice. Perhaps the instruments are a little too discreet -- there are times when I wish they were a touch more prominent. But that is a very, very minor complaint. A beautiful collection, and quite well worth the money.
Scriabin: Piano Sonatas, Vol. 1
Average customer rating: 5 out of 5 stars
  • Finally, a great performance of the 7th sonata
  • Virtuouso Performance
  • No mud, plenty of feeling, but...a few quibbles
  • I am limited to 5 stars
  • Another Naxos bargain
 Scriabin: Piano Sonatas, Vol. 1

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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  1. Scriabin: Piano Sonatas, Vol. 2
  2. Scriabin: Études (Complete)
  3. Scriabin: Preludes, Vol. 2
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ASIN: B00000145B
Release Date: 1996-05-21

Tracks:

  1. Sonata No. 2 In G Sharp Minor, Op. 19: Andante
  2. Sonata No. 2 In G Sharp Minor, Op. 19: Presto
  3. Sonata No. 5, Op. 53
  4. Sonata No. 6, Op. 62
  5. Sonata No. 7, Op. 64 (White Mass)
  6. Sonata No. 9, Op. 68 (Black Mass)
  7. Fantasy In B Minor, Op. 28

Customer Reviews:

5 out of 5 stars Finally, a great performance of the 7th sonata.......2006-04-08

Despite producing some truly great performances of other sonatas, pianists routinely butcher the 7th. I won't name names. Glemser, though, has the technical skill and musical sensibility necessary to play the piece well, a piece that probably it up near the top of the "most difficult piano sonatas" list. Horowitz didn't play it. Neither did Sofronitsky.

The fantasy in B minor is prettier than Hamelin's, too. The first movement of the 2nd sonata is played superbly. The sound quality of the recording is top-notch. My choices for the 5th sonata are Robert Taub and Vladimir Horowitz with Hamelin as runner-up. For the 6th, I love Richter's but hate the sound quality, and Taub's has more character than Glemser's. The 9th is owned by Sofronitsky and Horowitz, but Glemser does a fine job.

This is in my top 5 "best Scriabin CDs" list.

5 out of 5 stars Virtuouso Performance.......2006-02-27

I've listened to many recordings of Scriabin music and this one ranks up there with the best. Glemser's interpretations are lyrical, technically excellent and exciting. His playing of Sonatas #2 and #5 especially are unforgettable. Add to this the superior sound of the piano (is it a Steinway?), audio engineering and price, this is a must-buy for all Scriabin lovers.

4 out of 5 stars No mud, plenty of feeling, but...a few quibbles.......2004-04-18

I do like Bernd Glemser's interpretation of these wonderful sonatas by Russian composer Scriabin. Scriabin is more impressionistic, melodic but also improvisational, and it takes a clear mind to convey what often sounds like broken thought, incomplete sentences in a real musical conversation with oneself. Glemser shows his clarity of thought almost throughout.

Glemser should be lauded for recording the rarely-played and simply GORGEOUS Fantasie, included on this CD. So it's with a heavy heart that I have to quibble with parts of his interpretation. In the hunt for clarity in this massive work that can sometimes get lost in towering sonorities and twisting passages of broken rhythm, Glemser takes a sudden tack into the staccato in the middle of the Fantasie, almost, it seems, getting lost amongst the notes and trying to climb out of a morass. It was rather jarring. Even though he soars at the Fortissimo return of the major theme near the end, it's not enough to sway me to his way of interpretation. Otherwise, an estimable CD and certainly a worthy interpretation of the works of this difficult but splendid music.

5 out of 5 stars I am limited to 5 stars.......2004-04-17

If you love Scriabin, get this recording (and also No 2 with the balance of the sonatas). Glemser has it all: absolute control (his balance between right and left hands is astounding), musicianship of the highest order and technique to match (actually to throw away) but which he does not abuse. He uses exactly what is needed to project this wonderful music in all its magic and mysterious beauty. He understands this music like no other.. This is very difficult music to play easily muddled by a lesser pianist (never mind hitting the notes), but you will no detect any straining in the playing. Forget Sofronitski. Ruth Laredo at her peak might have given competition. The sound is rich and detailed and cannot be faulted. The CD notes do not give credit to the superb instrument, which sounds like a Hamburg Steinway.

5 out of 5 stars Another Naxos bargain.......2001-10-17

I agree with the previous reviewer, these are great performances of great pieces, for a laughable price. All the earlier works, Sonata no. 2, no. 5 (his most frequently recorded), plus the Fantasy in B, display Scriabin's usual refined brilliance, and some Chopin influences in the Fantasy's case. The Sonata 2 must surely be as close to a perfect romatic sonata as any composer has come, with the moonlight in the first movement and the turbulent sea in the second. Sonata 5 evokes some of the same moods as the 2nd with further integration of Scriabin's unique harmonic language. As for the later sonatas, 6, 7, and 9, they seem well written but are a little too heavily steeped in Scriabin's "mystic chord" harmonies for my preference, they may be an acquired taste. However, they are still worth listening to, with the almost jazz-like qualities of the 7th. At any rate, the performances are all very good. You can escape to another world with this CD!
Canadian Bagpipes American Brass
Average customer rating: 4 out of 5 stars
  • Canadian Bagpipes American Brass
  • Not a Great CD
 Canadian Bagpipes American Brass
Various Artists
Manufacturer: Altissimo Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006RY82
Release Date: 2002-10-29

Tracks:

  1. Olympic Fanfare
  2. All The Blue Bonnets Are Over The Border
  3. The Marines' Hymn
  4. Pipe Major Sam Scott and Donald Maclean Of Lewis
  5. Chariots of Fire
  6. William's Lullaby
  7. Glengarry Pipe Band, Lass O' Fyvie
  8. The Gairloch And Loch Duich
  9. Galician Jig
  10. Killiecrankie And Battle of Waterloo
  11. Amazing Grace
  12. Battle Of The Somme And Vimy
  13. Dead March From "Saul"
  14. Flowers Of The Forest And Mingulay Boat Song
  15. Green Hills of Tyrol
  16. Going Home For the "New World Symphony"
  17. Bugle Calls To The Colors and Retreat
  18. Bugle Calls To The Colors and Retreat
  19. Highland Cradle Song
  20. The Star Spangled Banner

Album Description

Together on the same CD! The Canadian Scottish Regiment (Princess Mary's) Pipes & Drums and The Third Marine Aircraft Wing Band of The United States Marine Corps.

Customer Reviews:

5 out of 5 stars Canadian Bagpipes American Brass.......2003-11-11

I recently ordered and have just received the above mentioned album.
THANK YOU........
I ordered it just to have a copy of "Amazing Grace" on bagpipes, but after listening to the album, I am completely blown away. It is perhaps the greatest piece of music I now own. Depending on the song, I can get lifted up, mellowed out, or layed back, again THANK YOU, for having this album. I'm a very satisfied customer.

3 out of 5 stars Not a Great CD.......2003-11-07

This CD was originally longer with more titles. It seems the Altissimo! people after they acquired it from the Canadian Scottish cut out several titles and reduced the overall quality of the CD. Because of this and various other technical factors I would not recommend this CD at this inflated price.
Vivaldi: Violin Concertos, Concertos for 2 Violins, Concertos for Violin & Cello, Concertos for Violin & Organ, Yehudi Menuhin
Average customer rating: Not rated
    		Vivaldi: Violin Concertos, Concertos for 2 Violins, Concertos for Violin & Cello, Concertos for Violin & Organ, Yehudi Menuhin
    Hiel Black , David Bell , Antonin Vivaldi , Yehudi Menuhin , Jerzy Maksymiuk , and Polish Chamber Orchestra
    Manufacturer: EMI Classics
    ProductGroup: Music
    Binding: Audio CD

    All Works by VivaldiAll Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
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    ASIN: B0000CE7H2
    Release Date: 2004-06-01

    Tracks:

    1. I. Allegro
    2. II. Largo
    3. III. Allegro
    4. I. Allegro
    5. II. Largo
    6. III. Presto
    7. I. Allegro
    8. II. Largo
    9. III. Allegro
    10. I. Allegro
    11. II. Largo
    12. III. Allegro
    13. I. Allegro
    14. II. Largo
    15. III. Allegro
    16. I. Allegro
    17. II. Largo
    18. III. Allegro
    19. I. Allegro
    20. II. Larghetto
    21. III. Allegro

    Tracks:

    1. I. Allegro
    2. II. Largo
    3. III. Allegro
    4. I. Allegro
    5. II. Largo
    6. III. Allegro
    7. I. Allegro
    8. II. Andante
    9. III. Allegro Molto
    10. I. Allegro
    11. II. Andante
    12. III. Allegro
    13. I. Allegro
    14. II. Largo
    15. III. Allegro
    16. I. Allegro
    17. II. Lento
    18. III. Allegro
    19. I. Allegro
    20. II. Grave
    21. III. Allegro
    Horowitz: The Historic Return Carnegie Hall 1965; The 1966 Concerts
    Average customer rating: 5 out of 5 stars
    • How Live is Live?
    • A gigantic recording
    • Beautiful piano playing
    • A MONUMENT
    • One of the great piano recordings of all time
    		 Horowitz: The Historic Return Carnegie Hall 1965; The 1966 Concerts

    Manufacturer: Sony
    ProductGroup: Music
    Binding: Audio CD

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    4. Liszt: Sonata, Ballades and Polonaises
    5. Holst: The Planets; Grainger: The Warriors

    ASIN: B00000290C
    Release Date: 1994-06-14

    Tracks:

    1. Toccata, Adagio And Fugue In C Major, BWV 564: I. Preludio, quasi improvvisando. Tempo moderato
    2. Toccata, Adagio And Fugue In C Major, BWV 564: II. Intermezzo. Adagio
    3. Toccata, Adagio And Fugue In C Major, BWV 564: III. Fuga. Moderamente sherzando, un poco umoristico
    4. Fantasie In C Major, Op.17: I. Durchaus phantastisch und ....
    5. Fantasie In C Major, Op.17: II. Mag. Durchaus energisch
    6. Fantasie In C Major, Op.17: III Langsam getragen. Durchweg leise zu halten
    7. Piano Sonata No. 9, Op. 68 'Black Mass': Moderato quasi andante - Molto meno vivo - A llegro - Piu vivo - Allegro...
    8. Poeme In F Sharp Major, Op. 32 No. 1: Andante cantibile

    Tracks:

    1. Mazurka In C Sharp Minor, Op. 30. No. 4: Allegretto
    2. Etude In F major, Op. 10 No. 8: Allegro
    3. Ballade No. 1 In G Minor, Op. 23: Largo - Moderato - Menno mosso - Presto con fuoco
    4. Serenade For The Doll: Andante
    5. Etude In C Sharp Minor, Op. 2 No. 1: Andante
    6. Etude In A Flat Major, Op. 72 No. 11: Presto e con leggierezza
    7. Traumerei
    8. Sonata No. 11 In A Major, K. 331: I. Tema. Andante grazioso e variazioni
    9. Sonata No. 11 In A Major, K. 331: II. Menuetto - Trio
    10. Sonata No. 11 In A Major, K. 331: III. (Rondo) alla Turca. Allegretto
    11. Polonaise - Fantaisie In A Flat Major, Op. 61: Allegro maestoso

    Tracks:

    1. Mazurka In B minor, Op. 33 No. 4: Mesto
    2. Nocturne In E Minor, Op. 72 No. 1: Andante
    3. Sonata No. 10, Op. 70: Moderato - Allegro - Puissant, radieux - Allegro - Piu vivo - Presto - Moderato
    4. Sonata In F Major, Hob. XVI : 23: I. Allegro
    5. Sonata In F Major, Hob. XVI : 23: II. Adagio
    6. Sonata In F Major, Hob. XVI : 23: III. Finale
    7. Blumenstuck In D Flat Major, Op. 19: Leise bewegt
    8. L'ISLE JOYEUSE: Quasi una cadenza - Tempo. Modere et tres souple
    9. Vallee d'Obermann: Lento assai - Piu lento - Un poco piu di moto ma sempre lento - Presto - Lento

    Amazon.com essential recording

    Sony's series documenting Horowitz's mature career offers many indispensable items, including "live" (with studio touchups) recordings of his mid-1960s return to the concert stage after a prolonged hiatus. The Bach-Busoni is a dazzling opener, followed by a titanic Schumann Fantasy in C amply illustrating Horowitz's total identification with the composer. The performance abounds with tightly controlled nervous energy, precise articulation, and gorgeously shaded timbres. A crisp Haydn Sonata, a marvelously shaded Scriabin, a poetic Schumann Traumerei, and more are all indispensable. Not to be missed: the pregnant pauses and crackling tension of the Chopin G-minor Ballade. --Dan Davis

    Customer Reviews:

    5 out of 5 stars How Live is Live?.......2003-11-29

    This is not a review per se. My review is posted under the "Live and Unedited" version of the 1965 concert. But I wanted to correct a few errors which have been circulated in regard to this recording.

    First, the corrections used on the original version of "Horowitz at Carnegie Hall" were not made at a "patch session at Carnegie a few days" after the concert. Columbia's engineers had already recorded Horowitz's rehearsals and used that material for the editing.

    Second, the editing in the album was neither as extensive as some have suggested, nor as insignificant as others state.

    Here is a (mostly) complete list of the patches on the original album, which have been removed from "Live and Unedited":

    Bach-Busoni: Preludio: Measures 2-12 and parts of the coda (Horowitz, by the way, does not play the ossias at bars 8, 10, and 12); Intermezzo: Small patches at bars 7 and 11; Fugue: Several edits between bars 97 and 110, and again in the coda.

    Schumann Fantasy: 1st Movement: patches at 7:32 and 10:21; 2nd Movement: small patches at 2:44 and 4:32, and a series of patches in the coda 6:58-7:39; 3rd Movement: No edits.

    Scriabin: Sonata No 9: No Edits. Poem in F-sharp: Patch from 2:16-2:26

    Chopin: Mazurka: Small edit at 2:02; Etude: Patched sections from 1:27-1:33 and 2:15-2:20; Ballade: Small edits at 2:04 and 4:52, at least four patches in the coda.

    None of the encores were edited.

    It should be pointed out that the editing of supposedly "live" recordings is more commonplace than the recording industry will admit. Although not generally aknowledged, Arthur Rubinstein's 1961 Carnegie Hall Highlights album was patched, and most live recordings today are actually compilations from several performances.

    Whether you choose this patched version, or "Live and Unedited" the 1965 return concert contains some stunning piano playing. Can anyone imagine the pressure Horowitz was under on that day? To prove you have not just retained your original greatness, but have deepened and become even greater cannot have been easy. The new, unedited version of the concert is not a revelation, but serves as a reminder of Horowitz's all too human frailty.

    5 out of 5 stars A gigantic recording.......2001-02-21

    There's an interesting debate going on in the reviews below about Horowitz's technical and musical ability in general. Do yourself a favor and read through these reviews. It'll show you that Horowitz's ability to engender strong positions and fairly heated exchanges continues undiminished, more than eleven years after his death. What this proves, of course, is his uniquely important position in 20th century piano playing. No other classical pianist was as influential, no one's style was copied as much, no one was as frequently and thoroughly misunderstood (mere technician, mere dazzler, mere showman). What you have to understand in listening to these recordings is that he was a complete professional, totally devoted to his craft to the exclusion of just about any other interests in his life - a tremendously one-sided person. But within the art of piano playing he reigned supreme. His oddly introverted, unmoveable, purely efficiency-oriented appearance during performance (he never moved anythying but his hands - no facial contortions, no head shakes, no swaying body, and even his hands were super-efficient) contrasted oddly with the extreme extrovertedness of his playing. He knew so much more about the sound possibilities of the instrument than anyone else that listening to him was downright frightening for other pianists. I remember a well-known pianist during intermission at a Horowitz recital in Hamburg in 1986 laughing and crying at the same time, shaking his head and saying over and over again, "it's impossible. That was impossible. That can't be done" (he was talking about Horowitz's rendition of a Schubert-Liszt transacription).

    Anyway, his mastery of the instrument far beyond all other humans' capacity has persistently clouded people's perception of Horowitz and made an assessment of his artistic merits much more difficult. Undoubtedly he had clear limitations as an artist (Beethoven, for example, was just not part of his artistc world). But we have to keep in mind that, unlike practically all classical musicians today, who are trained to be universalists and to assemble a vast variety of styles, Horowitz came out of a strong and idiosyncratic musical tradition - that of Scriabin and Rachmaninov. That tradition was his world, his artistic home, and he always explored other musical traditions from the vantage point of his particular musical identity. In all of this he proved extremely flexible (playing, for example, Scarlatti, Clementi and Czerny to great critical acclaim), but since he never aspired to neutrality and objectivity (like, for example, Pollini or Arrau), it always was obvious when he played music that didn't fit with who he was.

    So the debate about Horowitz's musical merits that goes on in the reviews below is as old as his career. What's curious, though, is that a couple of reviewers believe to have found TECHNICAL shortcomings in his playing. That is new in Horowitz criticism. All his career he reigned as the supreme master of piano technique, acknowledged as such first and foremost by most famous pianists (Rubinstein, Argerich, Pollini, Perahia, and many others have rhapsodized - or expressed their jealousy - about Horowitz's technique publicly and at length). When speed and power decreased due to old age, he transferred his technical accomplishments to polyphony, to shadings, colors, multi-layered pianissimi unimagined before or after. In the present recordings from the mid-60s, there was no noticeable decrease in speed and power yet, but his development toward more sophisticated sound effects was well underway. In other words, the questioning of Horowitz's technical abilities in some of the reviews below is utter and complete nonsense. I can only surmise that the authors of these reviews are people raised on the bland, impersonal mechanical functioning displayed by so many contemporary pianists that Horowitz's edginess, his constantly going to extremes (of speed, of clarity, of softness, of bel canto, etc.) irritates them somehow. One thing Horowitz was never after was a polished surface. If you want pleasant, comforting stuff that you can play happily in the background while doing the dishes, Horowitz is not the artist for you. He demands total concentration. But he'll reward that concentration tenfold. Even if you don't agree or don't like what he does in a particular piece, you'll learn a ton about music listening to him. He's a very musically opinionated guy, and some of his work may irritate you a great deal, but he will never, ever bore you.

    4 out of 5 stars Beautiful piano playing.......2000-11-17

    I am writing in to disagree a bit with the previous reviewer who dismissed this recording and Horowitz's playing in general. I would agree that this is not Horowitz's greatest recital. It may be better remembered for its historical significance than as a representative sampling of Horowitz's art. For me, much of the repertoire in this recital could be called "ill-chosen." The pieces such as the Schumann Fantasie, the opening Bach piece, and Chopin's g minor Ballade do not really show Horowitz at his best -- and not just because they're "big" pieces that "require interpretation." Aside from the Chopin Ballade, these are not pieces that one would typically hear at a Horowitz recital, and I do wish that he had not insisted on repeatedly performing and recording the g minor Ballade. I agree that his bombastic, episodic approach never worked with that piece. I tend to favor the pieces on this album that were recorded in the 1966 recitals, including the Chopin Polonaise-Fantasie dismissed by the previous reviewer. Yes, the ending is too bombastic, but there is so much beautiful, gorgeous piano playing in this performance. The way Horowitz could layer the sound and produce such a beautiful, expressive, vocal melodic line can perhaps be fully appreciated only by real connoisseurs of piano playing. Horowitz was not just a pianist for the "masses." He was also a pianist for connoisseurs.

    Is it possible to acknowledge the shortcomings in Horowitz's technique and interpretive ability pointed out by the previous reviewer and to still be a great fan and admirer of his playing? Yes, it is. I know that many listeners who hear the shortcomings in Horowitz's playing feel that Horowitz's admirers must lack discrimination, and I think that in some cases this is true. In fact, I sometimes think that critical reaction to Horowitz can be roughly divided into three categories:

    The first category would be for unconditional admirers of Horowitz who feel that he could do no wrong. I would say that this represents the least perceptive evaluation of Horowitz's playing.

    The second category would be for people who are aware of the shortcomings in Horowitz's technique and musicality and who feel justified in dismissing Horowitz because of these shortcomings. I think that this view represents a somewhat more perceptive evaluation of Horowitz, and I think that the previoius reviewer would fall into this category.

    The third category would be for people who are aware of the shortcomings in Horowitz's technique and musicality and who still feel that he was one of the greatest pianists in history. In my opinion, this is the most perceptive evaluation of Horowitz's playing.

    I, too have listened to all of Horowitz's recordings, and have come to a different conclusion about his playing than the previous reviewer. For me, this recording is certainly worth having, mostly for the 1966 recordings.

    5 out of 5 stars A MONUMENT.......2000-05-19

    One of the best recordings to discover the Horowitz legend. As far as technique is concerned, the Carnegie Hall performances don't reflect all the artist's talents, but Horowitz's magic sonority and the unique atmosphere make it exceptional. My favourite pieces: Bach-Busoni's intermezzo and Chopin's G major ballade.

    5 out of 5 stars One of the great piano recordings of all time.......1999-12-09

    In May 1965, Vladimir Horowitz, the greatest pianist of all time, ended a 13-year retirement and returned to Carnegie Hall. The audience contained many of the world's most famous musicians, and playing up to its frenzied expectations seemed impossible. Horowitz begins, tense to the breaking point. For a few seconds, his hands are out of control, and he hits more wrong notes than right ones. Then things settle a bit, and he starts to translate his tension into pure musical energy. In that first piece, the Bach-Busoni, Horowitz seems almost superhuman with his orchestral sound, his sharp rhythm, his alternatingly hard-edged attack and meltingly lyrical lines, his supreme intelligence. It must have been immensely frustrating for the pianists in the audience to be so rudely confronted with such hopeless pianistic superiority. The Bach is followed by a highly idiosyncratic Schumann Fantasy, where Horowitz shows a grasp of the work's structure and an analytic penetration of Schumann's neo-Bachian polyphony undreamt of by any interpreter before or after. The recital continues with musical and pianistic jaw-droppers. I single out the Chopin and Moszkovski Etudes, where the audience's incredulity at Horowitz's feats dissolves in laughter at the end of the pieces, the tenderness and intimacy of Debussy's Serenade for a Doll, and the truly moving Schumann Traeumerei. The remainder of this CD collection contains 1966 live recordings, many of which are as fascinating as the '65 concert. Particularly noteworthy are the Haydn Sonata for its dry wit, Chopin's Polonaise-Fantasie for the almost infinite range of expressions and emotions Horowitz creates, and Liszt's Vallee D'Obermann, which inspires Horowitz to the most atmospheric, most evocative music-making I have ever heard on a recording. In sum, if I knew I would lose my hearing in a few hours, I would spend them listening to these recordings.

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