805 [Explicit Lyrics]

Track Listings

1. Intro - 805

2. Why You Trippin' - 805, Madogg, Mr. Happs

3. Below Zero

4. Spark a Leno When We Ride

5. Keep It Bangin'

6. Jail Bait

7. Swervin'

8. Sureno Down - 805, Mr. Happs

9. Do What You Gotta Do

10. Summertime in the 80's

11. Party in My Town - 805, Madogg, Mr. Happs, Nicola Stilo

12. Up in Smoke

13. Throwin' It Up

805,Pocos Pero Locos,Familia Records,Hardcore Rap,Latin Rap,Pop,Rap,Rap & Hip-Hop

805 [Explicit Lyrics]

Tracks:

A Musical Offering, BWV1079: Ricercare a 3
A Musical Offering, BWV1079: Ricercare a 6
Four Duettos, BWV802 - 805: Duet No 1 In E Minor
Four Duettos, BWV802 - 805: Duet No 2 In F Major
Four Duettos, BWV802 - 805: Duet No 3 In G Major
Four Duettos, BWV802 - 805: Duet No 4 In A Minor
The Art Of The Fugue, BWV1080: Contrapunctus 1
The Art Of The Fugue, BWV1080: Contrapunctus 2
The Art Of The Fugue, BWV1080: Contrapunctus 3
The Art Of The Fugue, BWV1080: Contrapunctus 4
The Art Of The Fugue, BWV1080: Canon in Hypodiapason (Canon alla Ottava)
The Art Of The Fugue, BWV1080: Contrapunctus 5
The Art Of The Fugue, BWV1080: Contrapunctus 6 (per Diminutionem) in Stylo Francese
The Art Of The Fugue, BWV1080: Contrapunctus 7 per Augmentationem et Diminutionem
The Art Of The Fugue, BWV1080: Canon alla Duodecima in Contrapunto alla Quinta

Tracks:

The Art Of The Fugue: Contrapunctus 8
The Art Of The Fugue: Contrapunctus 9 alla Duodecima
The Art Of The Fugue: Contrapunctus 10 alla Decima
The Art Of The Fugue: Contrapunctus 11
The Art Of The Fugue: Canon (in Hypodiatessaron) per Augmentationem in Contrario Motu
The Art Of The Fugue: Canon alla Decima (Contrapunto alla Terza)
The Art Of The Fugue: Contrapunctus 13 (Rectus)
The Art Of The Fugue: Contrapunctus 13 (Inversus)
The Art Of The Fugue: Contrapunctus 12 (Rectus)
The Art Of The Fugue: Contrapunctus 12 (Inversus)
The Art Of The Fugue: Contrapunctus 14

Customer Reviews:

Extraordinary and beautiful rendering of Bach's great fugal opus.......2007-07-11

As an obssesed fan of Glenn Gould, I would not have found my way to buying this album had I not realized that Gould had not recorded it on piano but only did some extracts on an organ, of all things. I have played through these fuges before and found them uninterested compared to the lovely themes that permeate the entire Well Tempered Clavier books 1 and 2. I read a few reviews of people who had bought this cd and on the strength of their passionate and positive appraisal, I bought it. Good that I did.

Her playing is first class, impeccable with a sure sense of dynamic, rythmic and colorful phrasing that entertain and enchant from the beginning to the end. This is a woman who had lived with these pieces, played them and contemplated their meaning. I have always said that a mere technician can reproduce sounds on a piano, often in a very accurate way but if there is no soul, if there is no artistic merit in the interpretation, then it is like listening to a robot playing the instrument. A gifted artist rises to the occassion and is motivated and inspired by the material at hand. The results here are worth a lifetime of repeated listening. If my memory is correct, there are so little, if any, indications in Bach's edition of how fast or loud or soft to play these pieces. That ommission allows an opportunity for the great artist to interpret with creativity. We are not disappointed here. The intuition of this artist led her to imbue this work with such beauty, allowing the work to reveal it's own inner realities on sublime levels. This is supposed to be Bach's crowning achievement and in most ways closes the Baroque era. A very rich accomplishment both for Bach, who died writing the last notes and for Tatiana Nikolayeva a recording that places her at the highest levels of musical accomplishments.

Excellent Exposition of the art of the fugue.......2007-07-10

The clarity of the notes and the even balance of the melody and harmony made this familiar piece of music sound new and exciting

A great master plays one of the monuments of the Baroque.......2006-04-21

When I first saw this recordings in a music store I never realized what was waiting for me inside the jewel case. Two or three years had to go before I got one. Since then this is one of my favourites. Nikolayeva was a master in all the meaning of the word and although I am a purist (would have liked a Harpsichord instead of a Piano) her interpretation is magnificent, moving and executed with the precision required for a Brain surgery. Do not miss this set, it is without a question one of the very best AoF ever recorded. You will only need to hear how this great Russian Master played the first three notes of the Ricercare a 3, BWV1079, to know what I mean.

Absolutely stunning.......2005-11-29

This is far and out the greatest interpretation ever (on piano) of this monumental work - absolutely perfect, under any aspect. If you are a classical music fan it would be a crime to give it a miss.

Best of the best.......2005-05-08

I own about a dozen performances of The Art of Fugue (ranging from solo piano and organ over string quartet to Hermann Scherchen's orchestral arrangement). This is hands down my favorite (Scherchen's a distant second). Glenn Gould's might have been equally good if he had ever recorded the whole set for piano. (He recorded a partial set for organ, and piano recordings of a few individual fugues were released posthumously.)
While Bach never specified instruments for TAoF, the voice leading is too keyboard-friendly to be coincidental. It is not a "flashy" work but --- despite that --- extremely demanding on a keyboard player in that exceptional articulation skills are required to clearly bring out the four voices.
The purist may be annoyed at the fact that a piano (rather than a harpsichord) is used at all, and that (obviously) modern A=440 tuning is used. If you are one of these, you may wish to consider Davitt Moroney's harpsichord recording instead.
Unlike Moroney and organist Helmut Walcha, Ms. Nikolayeva does not attempt to "complete" the final unfinished fugue: her playing tapers off on the last notes in the manuscript.
The playing is not only crisp and technically perfect but beautiful at all times, and the recording very clean.
Bonuses are the four Duets (which work surprisingly well on the piano) and the two Ricercars from The Musical Offering. (The Ricercar a 3, incredibly, is actually rooted in an improvisation session by Bach on an early Silbermann fortepiano at the palace of Frederick II in Potsdam.)

Bach: French Overture, Italian Concerto, etc

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COLLEGE DAYS
Angela Hewitt at her finest
Solid, balanced and refined Bach from Angela Hewitt.
Outstanding CD of great music

Bach: French Overture, Italian Concerto, etc

Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000542GU
Release Date: 2001-01-09

Amazon.com

Angela Hewitt follows her outstanding Bach recordings, including the Goldberg Variations and the Well-Tempered Clavier, with another sterling disc, highlighted by a gleaming rendition of the French Overture, whose half-hour zips by like the wind. Its opening is played with rhetorical grandeur and the dance-based movements pulsate with life. Her Italian Concerto is effervescent, as Hewitt's alert rhythmic sense and precise articulation give this atypical work just the bounce it needs. She characterizes the narrative of the Capriccio on the Departure of His Beloved Brother beautifully, bringing out the emotions suffusing the departure scene and rendering the posthorn imitations with flair. Throughout, Bach's contrapuntal lines are clarified without didactic underlining. Add realistic sound and Hewitt's own informative notes and this disc is a winner. --Dan Davis

Customer Reviews:

COLLEGE DAYS.......2007-07-05

During my college days, I tried to learn, on the modern piano, some of the compositions contained in this compilation (i.e. French Overture, 4 Duets for keyboard, Italian concerto, Capriccio sopra la lotananza del suo fratello dilettissimo) as played by Angela Hewitt. Since that time, I've tried to be a so-called "purist" trying to only listen to J S Bach's keyboard works on the instrument that all indications are they were supposed to be written for (i.e. harpsichord, organ, clavichord, etc.). Therefore, until the purchase of this recording, my recording collection contained no transcription of Bach's keyboard works for the modern piano. After hearing so much about Angela Hewitt, I wanted to hear her play and I am so very glad that I relented. Angela plays Bach on the modern piano with clean articulation and most of all she plays dear Johann beautifully. I particularly enjoyed the French Overture in B minor (aka Partita in B minor)--I was reminded of many hours of my hard work trying to learn that composition. Angela does not sound labored in the least; she plays that work most beautifully with a keen sense of rhythm. I also loved the Capriccio sopra la lotananza del suo fratello dilettissimo written by Bach when his brother departed. I had never heard that work; nevertheless, Angela Hewitt plays it wonderfully.

All in all, I truly love this recording and it is most delightful to hear Bach on the modern piano again as played so magnificently by Angela Hewit.

Angela Hewitt at her finest.......2005-06-27

If you are newer to Bach's abundent solo keyboard music - or Angela Hewitt - then this CD is an excellent place to start. It features the popular "French Overture" and contains some of the more lyrical and "accessible" music Bach wrote for the keyboard. There is a delightful mix of Bach compositions here capturing the diverse musical styles from Italy, France, Germany and Spain. Bach shows himself to be a true "non-politico" as well as the master composer by skillfully combining these styles (namely from France and Italy) to produce works of great appeal and mastery - but in a style that is uniquely "Bach."

In the opening piece, Hewitt does great justice to Bach's tribute to the Italian concerto style with a convincing "dialog" between lighter solo episodes (tutti) and the fuller passages imitating orchestral effect (ritornello) - all on one keyboar of course. This piece is most famous for the Adagio which Hewitt infuses with much heart and soul by her delicate, thoughtful melodic lines that never approach over sentimentality. The main event of this CD must certainly be the monumental "French Overture" (aka: Partita in B minor) - a grand conception lasting some 30 minutes repleat with numerous movements of French courtly dance influence and rich in imaginative and decorative keyboard effects. Miss Hewitt wonderfully articulates these effervescent rhythms with supreme confidence and masterful result. Her ornamentations are always tasteful, seamlessly integrated and truly enthralling to hear. In the off-beat rhythms of the gigue, her semiquavers bounce off the page with great poise and the crispness of fresh-pressed linen. And she shows her masterful pianism to its fullest in the curious final "echo" movement, bringing an brilliant, orchestral quality to it.

Hiding in the shadows of these two main events are four charming little "duets." These are no mere "fillers" but delightfully catchy, two-part inventions that Hewitt plays to full effect. Rounding out the program is a most unique "program music" piece by Bach thought written around the story of his older brother's departure ("Capriccio on departure of his brother"). In it, Angela Hewitt communicates both its nostalgic sentiments with her gentle, poinant phrasing and dynamics along with the piece's festive celebratory ending with her effective creation of trumpet and horn effects. In this unique composition, Hewitt succeeds to create a wonderful range of emotive effects in one piece.

Indeed, her carefree yet tight-on-the-rails style truly seems to bring out the best of Bach's keyboard treasures - transforming them into music of great vitality and charm. Her approach to Bach is one of artistry, nuance and good taste (not unlike Schiff) but without the "directness" or the "rough edges" that can be found in other performer's approaches (Gould and Gulda, respectfully). The many great Bach performers through the last decades have given us many "pallates of color" to experience, and Hewitt's colors are most notably beauty of tone, a poetic flavor, and graceful fluidity of line at its heart. It is no wonder that Angela Hewitt has been heralded as "the premier Bach pianist of this generation." Just about any recording of Bach's keyboard music by Angela Hewitt is a safe bet for being among the top choices available, and this CD is certainly no exception. It received the highest marks from both Gramaphone and Penguin Guides while ClassicsToday gave it a perfect 10/10 for Artisty/Sound Quality. In all her Bach recordings from Hyperion, the sound quality of this recording is among the fullest and most realistically recorded (where some other recordings like her Couperin, WTC or French Suites are done with a touch more "spaciousness" but still with clarity). Also a highlight are the scholarly and detailed notes delineating the nuances of the various "dance" types that Bach encorporated into his compositions. In all, an emmensely satisfying recording from a top Bach pianist of our time. Highly recommended.

Solid, balanced and refined Bach from Angela Hewitt........2002-04-23

After enjoying her performance of the final quarter of the WTC on the "BBC" 2000 Bach DVD, I decided to have a closer look at Hewitt's development since her debut DG recording of Bach works, that she made after winning the sacrilegious Gould Bach competition in 1985.
That debut cd contained among other works the Italian Concerto, the B flat Capriccio and the Duets. After winning this competition she told in an interview that Sviatoslav Richter was her greatest example when it came to playing Bach, a preference that showed in her first recording.

This rerecording of some of the Bach works shows both plusses and minuses. Overall there is more emphasis on the musical structures and a relinquishing of "low-level" romanticisms. I think the Italian Concerto clearly benefited from this approach. There is a good sense of the architecture and excellent use of the piano to the benefit of the piece.

Based on the thematic background of the piece, I have always been very fond of Hewitt's DG rendition of the B flat Capriccio. While this current version is probably more "historically correct", I do miss the slightly melodramatic tong-in-cheek twist of her earlier recording.

The E major Capriccio is a work that you normally only encounter in "complete" sets and gets a royal treatment here. The final bars could have benefited from a little more virtuosic abandon, but this is a matter of nit picking.

Both Hewitt's previous recording on DG and Schepkin's version on Ongaku are excellent renditions of the Four Duets. I really miss some of the necessary drama in this new version. Take the G major for example. While the opening is perfect, she does too little in exploring the dramatic potential of Bach's masterful modulations.

Finally, the French Ouverture. This work and the 6th Partita are my favorite Bach suites. Both of them have a harmonic language that sets them apart from their counterparts. For different tastes there are two standard performances. There is Sviatoslav Richter and there is Gould, with in my opinion one of the best Bach performances on record. Comparing Hewitt's version with the ones by these two dudes leaves one with a distinct "Bach Lite" aftertaste.

The Ouverture is a work in which the mature Bach for once wrote a suite along the line of his contemporaries to show mankind what true knowledge of harmony and counterpart could do with this form. Whereas the work is founded on techniques that he had explored as early as his keyboard Toccatas and later in his Partitas, Bach infused them here with a unique harmonic language that turns this piece in a musical equivalent of one of Rembrandt's chiaroscuro pieces. Just pull out the score and see for yourself how much drama Johann Sebastian could squeeze into a simple Passepied.

Hewitt's approach is balanced and clean, but simply too clinical for this piece. Moreover, the "Concerto Grosso style" fugal section of the opening section lacks the type of coloring, that she normally excels in. The same is true for many of the other danses, especially the Sarabande.

For all who like there Bach, balanced, musical, and free of manierisms this generous well recorded cd comes with the highest recommendations. Hewitt is a top notch Bach performer who has the goods, knows her stuff and never falls to Schiffian levels of triviality, Gavrilovian Narcissism, or gets lost like Mr. Murray. Yet, especially in the Ouverture her perspective is a little too cool to bring out all the drama of the piece.

Outstanding CD of great music.......2001-02-09

This CD is as wonderful as all the other installments in Angel Hewitt's Bach series on Hyperion. Her playing is always clear, but always enjoyable and never hard to listen to. The CD is 79 minutes and nicely presented, with good notes. This CD is a must for anyone who likes Bach's keyboard music, even if you prefer the harpsichord. I have many recordings of Bach which I enjoy, including Schiff, Gould, and Tureck. But I find myself returning to Hewitt most often. Her recordings of the Well-Tempered Clavier and the Goldberg variations are my desert-island discs. The new version of the Penguin Guide awarded the Rosette to both volumes of her WTC (replacing Schiff), and the award is richly deserved.

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J.S. Bach: Harpsichord Works

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Binding: Audio CD

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Bach Organ Works - Helmut Walcha
Glorious
Religious experience.
A real bargain at under $100
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Bach: The Organ Works (Box Set)

Manufacturer: Deutsche Grammophon
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ASIN: B00004SAAX
Release Date: 2001-10-09

Customer Reviews:

Bach Organ Works - Helmut Walcha.......2007-01-05

I never thought I would like Bach's organ works as they can be dense and daunting. However, if you can get onto Bach's wavelength, he can transport you to an electric cosmos of beauty and enlightenment. I was given a collection of Bach organ LPs by Helmut Walcha some time ago. My friend said that Germans regard Walcha as the premier interpreter of this music. He certainly knows how to play the organ and this music soars in his hands. This music is more varied than most people imagine. Some is extremely simple and delicate while some crushes your brain! I have always loved Archive recordings and these did not disappoint!

Glorious.......2006-07-01

Helmut Walcha was named my TIME as "the" Bach interpreter for organ. I think that is true more than ever today with all the influences of the French Romantic school, the slam-dunk American style and the avant garde crowd. The recording has a German sound, quintessentially Teutonic in both style and approach. While Bach sounds different and even magnificient on an Aristide Cavaillé-Coll organ it does not sound authentic - or as we perceive authenticity.

The fact that the artist is blind(!) means that unlike other folks who can use the music as aids, he must rely on his phenomenal memory. This is truly the stuff of genius. The sonatas are brilliant and I have never heard a better B Minor Prelude & Fugue. I only with that his stupendous "Kunst der Fuge" could have been transferred from record to CD.

Religious experience........2006-03-04

This set of many Bach's Organ works by Helmut Walcha is, in my opinion, the greatest recording of these immortal treasures. There are almost all of Bach's Preludes and Fugues for organ, as well as many fantasias, miscallenous works and his chorals for this instrument. Walcha plays with utmost respect to the original scores, his playing is clear and powerful. Many other organists have allowed themselves quite a bit of experiment with these pieces (likes of Ton Koopman are over the top), but in the end, i've always came back to Walcha's renditions. If you want to treat yourself with some of the greatest music ever written, then get this rare set! Bach's organ music can be challenging at first, especially the fugues, and many of my friends have complained that they hear nothing else than noise in these pieces. I suppose you have to have listened this kind of music for quite some time, before you can wholly appreciate these unique pieces. But once you have, you find a world full of riches and wonder, world which only Bach can bring you. And this is a world i wouldn't change for any riches in the world.

A real bargain at under $100.......2005-12-20

It is hard to express in words what an incredible achievement this is. The immense feats of memory alone, demanding far greater efforts than sighted performers face, command our respect. So does the consistent quality of Walcha's playing.

Bach's almost mathematical absorbtion with fugue lies at the centre of his genius. He was an organist first and foremost, an organist all his life. Like Bach, Walcha is an obsessive controller who uses music to shape his world. He treats each piece as a treasure to be cherished and burnished, and this makes him the greatest Bach organist since Schweitzer. We are told that Bach would travel miles to hear great organists perform, and Helmut Walcha is just such an organist as those.

The magnificent instrument used here is celestial in tone. To those for whom Bach fugues conjure up images of Christopher Lee playing Dracula, or dull Sundays in church, here is one of the great achievements of Western civilization, a glittering pinnacle of Baroque art, performed by a great modern spirit, in one handy box. You can't have Michaelangelo ceilings in your home, or Bernini bronzes in your living room, but by golly, you can put this on your stereo.

Heavenly music.......2005-02-23

I'm not a big organ music fan- maybe it's because it reminds this atheist too much of church! But the music here by Bach, and especially the playing by Walcha are just fantastic. I was dubious that I could find interest in 11 CDs of organ music, but I'm enthralled by every minute of each disc. A wonderful bargain!

The Complete 1950s Bach Recordings on Archiv

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Complete set CD review of Bach
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Fugues | Forms & Genres | Classical | Styles | Music

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ASIN: B000005ECW
Release Date: 1994-10-04

Tracks:

Prld & Fuge in e, BWV 548: Praludium
Prld & Fuge in e, BWV 548: Fuge
Choral: An Wasserflussen Babylon..., BWV 653
Choral: Von Gott will ich nicht lassen..., BWV 658
Choral: Schmucke dich, o liebe Seele..., BWV 654
Prld & Fuge in b, BWV 544: Praludium
Prld & Fuge in b, BWV 544: Fuge
Drei Chorale: Allein Gott in der Hoh' sei Ehr'...: Cantus firmus im Sopran, BWV 662
Drei Chorale: Allein Gott in der Hoh' sei Ehr'...: Cantus firmus im Tenor, BWV 663
Drei Chorale: Allein Gott in der Hoh' sei Ehr'...: Trio, BWV 664

Tracks:

Toccata (Dorisch) & Fuge in d, BWV 538: Toccata
Toccata (Dorisch) & Fuge in d, BWV 538: Fuge
Orgelbuchlein, BWV 618: O Lamm Gottes unschuldig
Orgelbuchlein, BWV 619: Christe, du Lamm Gottes
Orgelbuchlein, BWV 620: Christus, der uns selig macht
Orgelbuchlein, BWV 621: Da Jesus an dem Kreuze stund
Orgelbuchlein, BWV 622: O Mensch, bewein' dein' Sunde gro
Orgelbuchlein, BWV 623: Wir danken dir, Herr Jesu Christ
Orgelbuchlein, BWV 624: Hilf Gott, damir's gelinge
Prld & Fuge in g, BWV 535: Prld
Prld & Fuge in g, BWV 535: Fuge
Orgelbuchlein, BWV 625: Christ lag in Todesbanden
Orgelbuchlein, BWV 626: Jesus Christus, unser Heiland
Orgelbuchlein, BWV 627: Christ ist erstanden (3 vers)
Orgelbuchlein, BWV 628: Erstanden ist der heil'ge Christ
Orgelbuchlein, BWV 629: Erschienen ist der herrliche Tag
Orgelbuchlein, BWV 630: Heut' triumphiret Gottes Sohn
Toccata & Fuge in C, BWV 566: Toccata
Toccata & Fuge in C, BWV 566: Fuge
Orgelbuchlein, BWV 631: Komm, Gott Schopfer, heilieger Geist
Orgelbuchlein, BWV 632: Herr Jesu Christ, dich zu uns wend

Tracks:

Prld & Fuge in C, BWV 545: Prld
Prld & Fuge in C, BWV 545: Fuge
Fuge in G, BWV 577
Prld & Fuge in d, BWV 539: Prld
Prld & Fuge in d, BWV 539: Fuge
Choral: Wo soll ich fliehen hin, BWV 694
Partita sopra: O Gott, du frommer Gott, BWV 767
Choral: Wir Christenleut hab'n jetzund Freud, BWV 710
Alla Breve in D, BWV 589
Canzona in d, BWV 588
Fuge in c, BWV 575
Fuga sopra il Magnificat: Meine Seele erhebet den Herren, BWV 733
Kleines harmonisches Labyrinth (Introitus, Centrum, Exitus), BWV 591
Prld & Fuge in a, BWV 551: Prld
Prld & Fuge in a, BWV 551: Fuge

Tracks:

Prld & Fuge in e, BWV 533: Prld
Prld & Fuge in e, BWV 533: Fuge
Chorale: Nun freut euch, lieben Christen g'mein, BWV 734
Chorale: Liebster Jesu, wir sind hier, BWV 730
Chorale: Liebster Jesu, wir sind hier, BWV 731
Chorale: In dulci jubilo, BWV 729
Chorale: Herzlich tut mich verlangen, BWV 727
Prld & Fuge in C, BWV 531: Prld
Prld & Fuge in C, BWV 531: Fuge
Chorale: Herr Jesu Christ, dich zu uns wend, BWV726
Chorale: Allein Gott in der Hoh'sei Ehr' (Bicinium), BWV 711
Chorale: Allein Gott in der Hoh'sei Ehr', BWV 715
Chorale: Fuga super Allein Gott in der Hoh' sei Ehr', BWV 716
Chorale: Allein Gott in der Hoh' sei Ehr' (manualiter), BWV 717
Chorale: Christ lag in Todesbanden, BWV 718
Chorale: Ach Gott und Herr (per canonem), BWV 714
Fantasia con imitazione in b, BWV 563
Chorale: Gelobet seist du, Jesu Christ, BWV 722
Chorale: Gottes Sohn ist kommen, BWV 724
Chorale: Jesus, meine Zuversicht, BWV 728
Chorale: Lobt Gott, ihr Christen, allzugleich, BWV 732
Chorale: Vater unser im Himmelreich, BWV 737
Chorale: Vom Himmel hoch, da komm'ich her, BWV 738
Chorale: Wie schon leuchter der Morgenstern, BWV 739
Chorale: Wir glauben all' an einen Gott, BWV 765
Chorale: Herr Gott, dich loben wir, BWV 725

Tracks:

Prld & Fuge in c: Prld
Prld & Fuge in c: Fuge
Chorale: Herr Jesu Christ, dich zu uns wend, BWV 709
Chorale: Liebster Jesu, wir sind hier, BWV 706 (1+2)
Chorale: Erbarm' dich mein, o Herre Gott, BWV 721
Chorale: Wer nur den lieben Gott la walten, BWV 690
Chorale: Wer nur den lieben Gott la walten, BWV 691
Chorale: Christ lag in Todesbanden, BWV 695
Prld & Fuge in c: Prld
Prld & Fuge in c: Fuge
Partita: sopra Christ, der du bist der helle Tag, BWV 766
Sieben Fughetten Fur Die Weinachtszeit: Christum wir sollen loben schon, BWV 696
Sieben Fughetten Fur Die Weinachtszeit: Gelobet seist du, Jesu Christ, BWV 697
Sieben Fughetten Fur Die Weinachtszeit: Herr Christ, der ein'ge Gottes Sohn, BWV 698
Sieben Fughetten Fur Die Weinachtszeit: Nun komm'der Heiden Heiland, BWV 699
Sieben Fughetten Fur Die Weinachtszeit: Von Himmel hoch da komm' ich her, BWV 701
Sieben Fughetten Fur Die Weinachtszeit: Gottes Sohn ist kommen, BWV 703
Sieben Fughetten Fur Die Weinachtszeit: Lob sei dem allmachtigen Gott, BWV 704
Choral: Vom Himmel hoch da komm' ich her, BWV 700
Fuge in b uber ein Theme von Corelli, BWV 579
Fantasia: Jesu, meine Freude, BWV 713
Choral: In dich hab' ich gehoffet, Herr, BWV 712

Tracks:

Prld & Fuge in C, BWV 547: Prld
Prld & Fuge in C, BWV 547: Fuge
Canonic Vars: Vom Himmel hoch, da komm' ich her, BWV 769
Clavier Ubung Dritter Teil: Prld in E flat, BWV 552
Chorale: Kyrie, Gott Vater in Ewigkeit, BWV 669
Chorale: Christe, aller Welt Trost, BWV 670
Chorale: Kyrie, Gott heilinger Geist, BWV 671
Chorale: Kyrie, gott Vater in Ewigkeit (manualiter), BWV 672
Chorale: Christe, aller Welt Trost (manualiter), BWV 673
Chorale: Kyrie, Gott heiliger Geist (manualiter), BWV 674
Chorale: Allein Gott in der Hoh' sei Ehr', BWV 675
Chorale: Allein Gott in der Hoh' sei Ehr', BWV 676
Chorale: Allein Gott in der Hoh' sei Ehr' (Fughetta), BWV 677
Chorale: Dies sind die heil'gen zehn Gebot, BWV 678
Chorale: Dies sind die heil'gen zehn Gebot (Fughetta), BWV 679

Tracks:

Chorale: Wir glauben all' an einen Gott, BWV 680
Chorale: Wir glauben all' an einen Gott (Fughetta) (manualiter), BWV 681
Chorale: Vater unser im Himmelreich, BWV 682
Chorale: Vater unser im Himmelreich (manualiter), BMV 683
Chorale: Christ, unser Herr, zum Jordan kam, BWV 684
Chorale: Christ, unser Herr, zum Jordan kam (manualiter), BWV 685
Chorale: Aus tiefer Not schrei' ich zu dir, BWV 686
Chorale: Aus tiefer Not schrei' ich zu dir (manualiter), BWV 687
Chorale: Jesu Christus, unser Heiland, BWV 688
Chorale: Jesu Christus, unser Heiland (Fuga) (manualiter), BWV 689
Vier Duette: Duetto I, BWV 802
Vier Duette: Duetto II, BWV 803
Vier Duette: Duetto III, BWV 804
Vier Duette: Duetto IV, BWV 805
Fuge in E flat, BWV 552
Chorale: Herr Jesu Christ, dich zu uns wend' (Trio), BWV 655
Chorale: Vor Deinen Thron tret' ich, BWV 668

Tracks:

Prld & Fuge in c, BWV 546: Prld
Prld & Fuge in c, BWV 546: Fuge
Orgelbuchlein: Chorale: Liebster Jesu, wir sind hier, BWV 633
Orgelbuchlein: Chorale: Liebster Jesu, wir sind hier, BWV 634
Orgelbuchlein: Chorale: Dies sind die heil' gen zehn Gebott, BWV 635
Orgelbuchlein: Chorale: Vater unser im Himmelreich, BWV 636
Orgelbuchlein: Chorale: Durch Adam's Fall ist ganz verderbt, BWV 637
Orgelbuchlein: Chorale: Es ist das Heil uns kommen her, BWV 638
Orgelbuchlein: Chorale: Ich ruf' zu dir, Herr Jesu Christ, BWV 639
Orgelbuchlein: Chorale: Ich dich hab'ich gehoffet, Herr, BWV 640
Orgelbuchlein: Chorale: Wenn wir in hochsten Noten sein, BWV 641
Orgelbuchlein: Chorale: Wer nur den lieben Gott la walten, BWV 642
Orgelbuchlein: Chorale: Alle Menschen mussen sterben, BWV 643
Orgelbuchlein: Chorale: Ach wie nichtig, ach, wir fluchtig, BWV 644
Partita Sopra: Sei gregrut, Jesu gutig, BWV 768
Prld & Fuge in f, BWV 534: Prld
Prld & Fuge in f, BWV 534: Fuge
Fant in C, BWV 570

Tracks:

Piece d'Orgue in G, BWV 572: Tres vitement-Gravement-Lentement
Orgelbuchlein: Chorale: Nun komm' der Heiden Heiland, BWV 599
Orgelbuchlein: Chorale: Gottes Sohn ist kommen, BWV 600
Orgelbuchlein: Chorale: Herr Christ, der ein' ge Gottes Sohn, BWV 601
Orgelbuchlein: Chorale: Lob sei dem allmachtigen Gott, BWV 602
Orgelbuchlein: Chorale: Puer natus in Bethlehem, BWV 603
Orgelbuchlein: Chorale: Gelobt seist du, Jesu Christ, BWV 604
Orgelbuchlein: Chorale: Der Tag, der ist so freudenreich, BWV 605
Orgelbuchlein: Chorale: Vom Himmel hoch da komm' ich her, BWV 606
Orgelbuchlein: Chorale: Vom Himmel kam der Engel Schar, BWV 607
Orgelbuchlein: Chorale: In dulci jubilo, BWV 608
Orgelbuchlein: Chorale: Lobt Gott, ihr Christen, allzugleich, BWV 609
Orgelbuchlein: Chorale: Jesu, meine Freude, BWV 610
Orgelbuchlein: Chorale: Christum wir sollen loben schon, BWV 611
Orgelbuchlein: Chorale: Wir Christenleut, BWV 612
Orgelbuchlein: Chorale: Helft mir, Gootes Gute preisen, BWV 613
Orgelbuchlein: Chorale: Das alte Jahr vergangen ist, BWV 614
Orgelbuchlein: Chorale: In dir ist Freude, BWV 615
Orgelbuchlein: Chorale: Mir Fried' und Freud' ich fahr' dahin, BWV 616
Orgelbuchlein: Chorale: Herr Gott, nun schleuden Himmel auf, BWV 617
Fant in c, BWV 562
Choral: Wir glauben all' an einen Gott, Vater, BWV 740
Fant: Super Valet will ich dir geben, BWV 735
Choral: Valet will ich dir geben, BWV 736
Fuge uber ein Thema von Giovanni Legrenzi in c, BWV 574

Tracks:

Prld & Fuge, BWV 532: Prld
Prld & Fuge, BWV 532: Fuge
Trio in d, BWV 656
Orgelchorale aus Achtzehn Chorale: O Lamm Gottes, unschuldig, BWV 656
Orgelchorale aus Achtzehn Chorale: Nun komm, der Heiden Heiland, BWV 659
Orgelchorale aus Achtzehn Chorale: Trio super 'Nun komm, der Heiden Heiland, BWV 660
Orgelchorale aus Achtzehn Chorale: Nun komm, der Heiden Heiland' in organo pleno, BWV 661
Orgelchorale aus Achtzehn Chorale: Fantasia super Komm, heiliger Geist, BWV 651
Orgelchorale aus Achtzehn Chorale: Komm, heiliger Geist, BWV 652
Orgelchorale aus Achtzehn Chorale: Nun danket alle Gott, BWV 657
Orgelchorale aus Achtzehn Chorale: Jesus Christus, unser Heiland, BWV 665
Orgelchorale aus Achtzehn Chorale: Jesus Christus, unser Heiland, BWV 666
Orgelchorale aus Achtzehn Chorale: Komm, Gott Schopfer, BWV 667

Tracks:

Konzert in a, BWV 593: Allegro
Konzert in a, BWV 593: Adagio
Konzert in a, BWV 593: Allegro
Konzert in d, BWV 596: (Allegro)-Grave-Fuga
Konzert in d, BWV 596: Largo
Konzert in d, BWV 596: Finale
Konzert in C, BWV 594: (Allegro)
Konzert in C, BWV 594: Rezitativ Adagio
Konzert in C, BWV 594: Allegro
Konzert in G, BWV 592: (Allegro)
Konzert in G, BWV 592: Grave (Adagio)
Konzert in G, BWV 592: Presto (assai)
Konzert in C, BWV 595: (Allegro)
Aria in F, BWV 587
Prld & Fuge in A, BWV 536: Prld
Prld & Fuge in A, BWV 536: Fuge
Choral: An Wasserflussen Babylon, BWV 653b
Prld & Fuge in G, BWV 550: Prld
Prld & Fuge in G, BWV 550: Fuge
Trio in g, BWV 584

Tracks:

Toccata in d, BWV 565
Toccate & Fuge in F, BWV 540: Toccata
Toccate & Fuge in F, BWV 540: Fuge
Prld (Fant) & Fuge in g, BWV 542: Prld
Prld (Fant) & Fuge in g, BWV 542: Fuge
Pastorella, BWV 590: 1
Pastorella, BWV 590: 2
Pastorella, BWV 590: 3
Pastorella, BWV 590: 4
Prld & Fuge in a, BWV 543: Prld
Prld & Fuge in a, BWV 543: Fuge
Toccata in C, BWV 564: Toccata
Toccata in C, BWV 564: Adagio
Toccata in C, BWV 564: Fuge

Tracks:

Son I in E flat, BWV 525: Allegro moderato
Son I in E flat, BWV 525: Adagio
Son I in E flat, BWV 525: Allegro
Son II in c, BWV 526: Vivace
Son II in c, BWV 526: Largo
Son II in c, BWV 526: Allegro
Son III in d, BWV 527: Andante
Son III in d, BWV 527: Adagio e dolce
Son III in d, BWV 527: Vivace
Son IV in e, BWV 528: Adagio
Son IV in e, BWV 528: Andante
Son IV in e, BWV 528: Un poco allegro
Son V in C, BWV 529: Allegro
Son V in C, BWV 529: Largo
Son V in C, BWV 529: Allegro
Son VI in G, BWV 530: Vivace
Son VI in G, BWV 530: Lento
Son VI in G, BWV 530: Allegro

Tracks:

Passacaglia E Tema Fugatum in c, BWV 582
Sechs Chorale von Verschiedener Art (Schubler-Chorale), BWV 645: Wachet auf, ruft uns die Stimme
Sechs Chorale von Verschiedener Art (Schubler-Chorale), BWV 646: Wo soll ich fliehen hin
Sechs Chorale von Verschiedener Art (Schubler-Chorale), BWV 647: Wer nur den lieben Gott la...
Sechs Chorale von Verschiedener Art (Schubler-Chorale), BWV 648: Meine Seele erhebet den Herren
Sechs Chorale von Verschiedener Art (Schubler-Chorale), BWV 649: Ach, bleib' bei uns
Sechs Chorale von Verschiedener Art (Schubler-Chorale), BWV 650: Kommst du nun, Jesu...
Fuge in g, BWV 578
Prld & Fuge in g, BWV 541: Prld
Prld & Fuge in g, BWV 541: Fuge
Choral: Ein' feste Burg ist unser Gott, BWV 720
Prld in G, BWV 568
Adagio, BWV 1027: Adagio
Adagio, BWV 1027: Allegro moderato (trio) (1027a)
Ricercare a 6 (aus Das musikalische Opfer), BWV 1079-5
Prld in a, BWV 569

Amazon.com

Marie-Claire Alain is not only one of the greatest organists alive today, but she stands directly in a what is undoubtedly the world's greatest tradition of organ playing. It was France that first rediscovered and cultivated Bach's organ music, and which in turn stimulated the great works of Franck, Widor, Vierne, and their school. Alain has recorded Bach's complete organ music no less than three times, here on historical organs of Bach's own time. Each disc is planned as a recital that showcases both the music and the instrument. Her performances are simply the last word in style, musicianship, and virtuosity. Magnificent. --David Hurwitz

Customer Reviews:

Complete set CD review of Bach.......2007-05-12

I discovered Bach organ music 40 years ago. I love Bach, everything he wrote. I have 4 complete sets of Bach organ recordings. Marie Claire-Alan is my favorite organist of everyone I have heard. I met Marie and her husband in person after a performance she gave in Chicago. I have 2 complete sets of Bach organ played by Marie. One is on records and the other the new CD set. She is a little older now when she recorded the CD's. The albums have a more youthful sound to them, a little more energy and different registration selection on the organs. I love Marie in her youthful recordings more than these. I love the albums so much I will digitize them and listen to them over the new CD collection. I play the albums on my Linn turntable through McIntosh equipment.

The Definitive Collection of Bach .......2005-09-25

Marie-Claire Alain has recorded Bach's complete organ music 3 times, this set being the second time. She plays quite differently now, but these are some of the best interpretations. Each cd fearures a different organ dating from Bach's time, and all of the booklets are filled with pictures, history, and even the stop registrations for each of the pieces are given. Quite alot of research! If those of you who are new to Bach's organ works, I would recommend starting on a smaller scale, as some of these works can be quite intense to listen to. At any rate, this possibly may go down as one of the famous recordings of the century.

Monumental Artistry.......2003-03-08

Although I am partial to the Romantic Organ, particularly in the vein of Widor, Vierne and Rheinberger, it all begins with Bach. And in this case, one could say that it all begins with Marie-Claire Alain and her wonderful interpretations. Alain seems to understand that Bach was above all else a religious composer. Many "complete" works of Bach play short shrift with the liturgical works whereas these are some of the most satisfying of the group.

The sound is pure sonority, almost perfect, and the technical prowess is just awesome. Out of the millions of notes played, I never heard a miscue or slight jiggle. Still, keyboard wizardry is only part of the story. The registration is a work of art in itself. Alain understand the difference between the Baroque and the Modern, the French and the German and the old and the new. Just as she is a "natural" for Widor or Vierne, she also seems to have entered the Bach mind on some of these.

This is a fabulous collection worthy of any serious student of classical music. Nowhere can one derive such satisfaction that listenting to Bach played by Ms. Alain.

A Happy Sacrifice.......2001-06-30

I gladly sacrificed two of the four speakers in my car to this wonderful, wonderful treasure. What more can I say?

Bach on the Organ.......2001-06-23

What? Just 2 reviews?? I've had this set for close to 4 years. Where do I start..... To tell the story of Bach and the organ, I must start at the beginning. I harbor no pretext of being an authority at all, in fact I really didn't know Bach till a few years ago.

One day, I chanced to buy a CD with an assortment of classical music. I did that once every so often, since classical CD's are so cheap. I slipped it into my car not knowing at all what I'd just stumbled on. The second piece on this CD was music of an order I had not yet before encountered. To boot, I had just installed a new subwoofer in the car. Then this organ piece comes on.

My friends. From that moment, I was a different person. It didn't hit me as hard initially, but I couldn't let go of this stupendous work of such magnificence. For days on end, I would play this one piece of organ music. Treasuring it as a jewel. I couldn't get over how grand, how utterly wonderful this work was, from every single note to it's entire whole. I've always enjoyed music, but this was something else. It made me feel miniscule. How could anyone.... I'm a financial consultant, and gosh did this make me feel worthless. Alright, I'll let you know which it was --Toccata and Fugue in D Minor (Dorian) for the organ. Not even one of Bach's major pieces. This was Miklos Spanyi on organ who did this. Marie-Claire does a good job on this set, but I had heard it first on the other recording, and you know it's never as good as the first time.

Brethren, this wasn't the end. After a few weeks of listening to this, I kid you not, I would break down like a child when I played it. Sobbing and crying. Weeping uncontrollably. I'm a grown man, but it happened. I could not understand. I could not remember breaking down this way, so violently, since I was young boy. I am not a sop at all, one of those guys with a soft feminine side........no, no, no. This is what Bach can do to you.

I was listening to angels. I could see them. No way I'll write my full name here in case this gets out. If I listened to it in the car, I would have to stop when Bach's counterpoints started their agonizing attacks of sheer splendor. I would stop the car on the side of the road, racked in sobs. I stopped listening to it in the morning going to work because my eyes would be red when I got into the office. In oblivion, driving home one night I did get a speeding ticket.

I would be convulsing in anguish. As the Toccata builds to its end, Bach brings your pitiful soul through a wavy staircase lined with golden crescendos that don't seem to end. He then takes your wretched spirit, once strong, but piteous in the face of such perfection, and places it on the doorstep of the Fugue. At this grand entrance on the cadence, at this very point I would invariably be out of control, bawling like a babe.

It was then I needed to see who this Bach was. Then I see a complete set of Bach Organ Works by a renowned organist. I was trembling when I got the set. It's about 3 years now, and I have since learned how to control myself. I am sorry I talk about Bach's organ and his effect on me, but please, I was just describing one gem. This is the collection. Buy it and be immersed in wonder.

There is good literature that goes with the set. If you are looking for sentiment and give up a little bit of quality, you'll notice some difference. The recordings are excellent, but the idea of this grand project was to have it on a baroque organ, sounding like it would back then.

They do mention the need for the organist to have to coax and cajole the instrument, unlike the modern electronic machines. The recordings are on a restored organ, which at first made me a little disappointed, but after a while you realize it presents the organist's talent quite a bit more. I also love hearing the slight sounds of the stops in the background - just that added sense of needing to be on earth before reaching glory.

Tracks:

Fantasia C, BWV.570
Chorale Vars (Partite Diverse): Sei Gegrusset, Jesu Gutig, BWV.768
Fugue On A Theme C, BWV.574
Chorale: Wir Christenleut', BWV.710
Trio Son No.4 e, BWV.528: I: Adagio
Trio Son No.4 e, BWV.528: II: Vivace
Trio Son No.4 e, BWV.528: III: Andante
Trio Son No.4 e, BWV.528: IV: Un Poco Allegro
Chorale: O Lamm Gottes, Unschuldig
Chorale: Christ Lag In Todesbanden, BWV.718
Kleines Harmonisches Labyrinth, BWV.591: Introitus - Centrum - Exitus (Andante)
Chorale: Allein Gott In Der Hoh', Sei Ehr', BWV. 711
Toccata, Adagio And Fugue in C, BWV.564: I: Toccata
Toccata, Adagio And Fugue in C, BWV.564: II: Adagio
Toccata, Adagio And Fugue in C, BWV.564: III: Fugue

Tracks:

Prld And Fugue in E, BWV.566: Prld
Prld And Fugue in E, BWV.566: Fugue
Prld And Fugue in E, BWV.566: Chorale Vars (Partite Diverse): O Gott, Du Frommer Gott, BWV.767
Prld And Fugue in E, BWV.566: Fantasia in C, BWV.573
Prld And Fugue in E, BWV.566: Fugue in G, BWV. 577
Prld And Fugue in E, BWV.566: Chorale: Ein' Feste Burg Ist Unser Gott, BWV.720
Prld And Fugue in E, BWV.566: Chorale: Allein Gott In Der Hoh', Sei Ehr', BWV.717
Prld And Fugue in E, BWV.566: Chorale: Christ Lag in Todesbanden, BWV.695
Prld And Fugue in E, BWV.566: Fugue in c, BWV.575
Prld And Fugue in E, BWV.566: Chorale: Wie Schon Leucht' Uns Der Morgenstern, BWV.739
Prld And Fugue in E, BWV.566: Chorale: Vater Unser Im Himmeireich, BWV.737
Prld And Fugue in E, BWV.566: Chorale: Wir Glauben All' An Einen Gott Vater, BWV.740
Prld And Fugue in E, BWV.566: Chorale Var (Partite Diverse): Christ, Der Du Bist Der Helle Tag....

Tracks:

Prld And Fugue in a, BWV.551: Prld
Prld And Fugue in a, BWV.551: Fugue
Orgel-Buchlein Nos.1-7, BWV 599-605: 1. Chorale: Nun Komm' Der Heiden Heiland
Orgel-Buchlein Nos.1-7, BWV 599-605: 2. Chorale: Gott, Durch Deine Gute
Orgel-Buchlein Nos.1-7, BWV 599-605: 3. Chorale: Herr Christ, Der Ein'ge Gottes-Sohn
Orgel-Buchlein Nos.1-7, BWV 599-605: 4. Chorale: Lob Sei Dem Allmachtigen Gott
Orgel-Buchlein Nos.1-7, BWV 599-605: 5. Chorale: Puer Natus In Bethlehem
Orgel-Buchlein Nos.1-7, BWV 599-605: 6. Chorale: Gelobet Seist Du, Jesu Christ
Orgel-Buchlein Nos.1-7, BWV 599-605: 7. Chorale: Der Tag, Der Ist So Freudenreich
Aria in F, BWV.587
Orgel-Buchlein Nos.8-10, BWV.606-608: 8. Chorale: Vom Himmel Hoch, Der Komm' Ich Her
Orgel-Buchlein Nos.8-10, BWV.606-608: 9. Chorale: Vom Himmel Kam Der Engel Schar
Orgel-Buchlein Nos.8-10, BWV.606-608: 10. Chorale: In Dulci Jubilo
Pastorale in F, BWV.590
Orgel-Buchlein Nos.11-12, BWV.609-610: 11. Chorale: Lobt Gott, Ihr Christen Allzugleich
Orgel-Buchlein Nos.11-12, BWV.609-610: 12. Chorale: Jesu, Meine Freude
Prld And Fugue in c, BWV.549: Prld
Prld And Fugue in c, BWV.549: Fugue
Orgel-Buchlein Nos.13-14, BWV.611-612: 13. Chorale: Christum Wir Sollen Loben Schon
Orgel-Buchlein Nos.13-14, BWV.611-612: 14. Chorale: Wir Christenleut'
Prld And Fugue in b, BWV.544: Prld
Prld And Fugue in b, BWV.544: Fugue
Orgel-Buchlein Nos.15-19, BWV.613-617: 15. Chorale: Helft Mir Gottes Gute Preisen
Orgel-Buchlein Nos.15-19, BWV.613-617: 16. Chorale: Das Alte Jahr Vergangen Ist
Orgel-Buchlein Nos.15-19, BWV.613-617: 17. Chorale: In Dir Ist Freude
Orgel-Buchlein Nos.15-19, BWV.613-617: 18. Chorale: Mit Fried' Und Freud' Ich Fahr Dahin
Orgel-Buchlein Nos.15-19, BWV.613-617: 19. Chorale: Herr Gott, Nun Schleuss Den Himmel Auf
Fantasia Con Imitazione in b, BWV.563

Tracks:

Prld And Fugue in e, BWV.533: Prld
Prld And Fugue in e, BWV.533: Fugue
Orgel-Buchlein Nos.20-24, BWV.618-622: 20. Chorale: O Lamm Gottes, Unschuldig
Orgel-Buchlein Nos.20-24, BWV.618-622: 21. Chorale: Christe, Du Lamm Gottes
Orgel-Buchlein Nos.20-24, BWV.618-622: 22. Chorale: Christus, Der Uns Selig Macht
Orgel-Buchlein Nos.20-24, BWV.618-622: 23. Chorale: Da Jesus An Dem Kreuze Stund
Orgel-Buchlein Nos.20-24, BWV.618-622: 24. Chorale: O Mensch, Bewein' Dein' Sunde Gross
Fantasia And Fugue in c, BWV.562: Fantasia
Fantasia And Fugue in c, BWV.562: Fugue (Fragment)
Prld And Fugue in f, BWV.534: Prld
Prld And Fugue in f, BWV.534: Fugue
Orgel-Buchlein Nos.25-26, BWV.623-624: 25. Chorale: Wir Danken Dir, Herr Jesu Christ
Orgel-Buchlein Nos.25-26, BWV.623-624: 26. Chorale: Hilf Gott, Dass Mir's Gelinge
Trio in c, BWV.585
Orgel-Buchlein Nos.25-26, BWV.625-627: 27. Chorale: Christ Lag In Todesbanden
Orgel-Buchlein Nos.25-26, BWV.625-627: 28. Chorale: Jesus Christus, Unser Heiland
Orgel-Buchlein Nos.25-26, BWV.625-627: 29. Chorale: Christ Ist Erstanden
Prld And Fugue in C, BWV.531: Prld
Prld And Fugue in C, BWV.531: Fugue
Orgel-Buchlein Nos.30-32, BWV.628-630: 30. Chorale: Erstanden Ist Der Heil'ge Christ
Orgel-Buchlein Nos.30-32, BWV.628-630: 31. Chorale: Erschienen Ist Der Herrliche Tag
Orgel-Buchlein Nos.30-32, BWV.628-630: 32. Chorale: Heut' Triumphieret Gottes Sohn
Trio in d, BWV.583
Orgel-Buchlein Nos.33-34 & 36, BWV.631-632 & BWV.634: 33. Chorale: Komm, Gott Schopfer..
Orgel-Buchlein Nos.33-34 & 36, BWV.631-632 & BWV.634: 34. Chorale: Herr Jesu Christ,...
Orgel-Buchlein Nos.33-34 & 36, BWV.631-632 & BWV.634: 36. Chorale: Liebster Jesu, Wir Sind Hier

Tracks:

Prld And Fugue in c, BWV.546: Prld
Prld And Fugue in c, BWV.546: Fugue
Orgel-Buchlein Nos.37-39, BWV.635-637: 37. Chorale: Dies Sind Die Heil'gen Zehn Gebot'
Orgel-Buchlein Nos.37-39, BWV.635-637: 38. Chorale: Vater Unser Im Himmelreich
Orgel-Buchlein Nos.37-39, BWV.635-637: 39. Chorale: Durch Adams Fall Ist Ganz Verderbt
Trio in G, BWV.586
Orgel-Buchlein Nos.40-42, BWV.638-640: 40. Chorale: Es Ist Das Heil Uns Kommen Her
Orgel-Buchlein Nos.40-42, BWV.638-640: 41. Chorale: Ich Ruf' Zu Dir, Herr Jesu Christ
Orgel-Buchlein Nos.40-42, BWV.638-640: 42. Chorale: In Dich Hab' Ich Gehoffet, Herr
Pedal-Exercitium, BWV.598
Fuge in g, BWV.578
Orgel-Buchlein Nos.43-46, BWV.641-644: 43. Chorale: Wenn Wir in Hochsten Nothen Sein
Orgel-Buchlein Nos.43-46, BWV.641-644: 44. Wer Nur Den Lieben Gott Lasst Walten
Orgel-Buchlein Nos.43-46, BWV.641-644: 45. Chorale: Alle Menschen Mussen Sterben
Orgel-Buchlein Nos.43-46, BWV.641-644: 46. Chorale: Ach Wie Nichtig, Ach Wie Fluchtig
Trio in g, BWV.584
Orgel-Buchlein No.35, BWV.633: 35. Chorale: Liebster Jesu, Wir Sind Hier
Chorale: Gott, Durch Dein Gute, BWV.724
Chorale: Gottes Sohn Ist Kommen, BWV.703
Chorale: Herr Christ, Der Ein'ge Gottes Sohn, BWV.698
Trio Son No.3 in d, BWV.527: I: Andante
Trio Son No.3 in d, BWV.527: II: Adagio E Dolce
Trio Son No.3 in d, BWV.527: III: Vivace
Fantasia And Fugue in g, BWV.542: Fantasia
Fantasia And Fugue in g, BWV.542: Fugue

Tracks:

Con in a, BWV.596: I: Grave - Fuga
Con in a, BWV.596: II: Largo
Con in a, BWV.596: Finale
Con in a, BWV.593: I: (Unknown)
Con in a, BWV.593: II: Adagio
Con in a, BWV.593: III: Allegro
Con in C, BWV, 595
Chorale: Liebster Jesu, Wir Sind Hier, BWV.731
Chorale: Liebster Jesu, Wir Sind Hier, BWV.730
Con in C, BWV.592: I: (Unknown)
Con in C, BWV.592: Grave
Con in C, BWV.592: Presto
Con in C, BWV.594: I: (Unknown)
Con in C, BWV.594: II: Rezitativ: Adagio
Con in C, BWV.594: III: Allegro
Chorale: Nun Freut Euch, Lieben Christen G'mein, BWV.734

Tracks:

Toccata And Fugue in d, BWV. 734: Toccata
Toccata And Fugue in d, BWV. 734: Fugue
Trio Son No.6 in G, BWV.530: I: Vivace
Trio Son No.6 in G, BWV.530: II: Lento
Trio Son No.6 in G, BWV.530: III: Allegro
Alla Breve in D, BWV.589
Fantasia in G, BWV.572
Chorale: Herr Gott, Dich Loben Wir, BWV.725
Chorale: Herr Jesu Christ, Dich Zu Uns Wend, BWV.709
Chorale: Herr Jesu Christ, Dich Zu Uns Wend, BWV.726
Prld And Fugue in G, BWV.541: Prld
Prld And Fugue in G, BWV.541: Fugue

Tracks:

Fantasia Super Komm, Heiliger Geist, Herre Gott, BWV.651
Chorale: Komm, Heiliger Geist, Herre Gott, BWV.652
Toccata And Fugue in d, BWV.538: Toccata
Toccata And Fugue in d, BWV.538: Fugue
Prld And Fugue in D, BWV.532: Prld
Prld And Fugue in D, BWV.532: Fugue
Trio Son No.5 in C, BWV.529: I: Allegro
Trio Son No.5 in C, BWV.529: II: Largo
Trio Son No.5 in C, BWV.529: III: Allegro
Chorale: Komm, Gott Schopfer, Heiliger Geist, BWV.667
Prld And Fugue in G, BWV.550: Prld
Prld And Fugue in G, BWV.550: Fuge
Chorale: Jesus Christus, Unser Heiland, BWV.665
Chorale: Jesus Christus, Unser Heiland, BWV.666
Prld in a, BWV.569

Tracks:

Toccata And Fugue in F, BWV.540: Toccata
Toccata And Fugue in F, BWV.540: Fugue
Chorale: Nun Komm, Der Heiden Heiland, BWV.659
Chorale: Nun Komm, Der Heiden Heiland, BWV.660
Chorale: Nun Komm, Der Heiden Heiland, BWV.661
Prld And Fugue in a, BWV.543: Prld
Prld And Fugue in a, BWV.543: Fugue
Trio Super Herr Jesu Christ, Dich Zu Uns Wend, BWV.655
Fugue On A Theme in b, BWV.579
Chorale: An Wasserflussen Babylon, BWV.653b
Fantasia And Fugue in c, BWV.537: Fantasia
Fantasia And Fugue in c, BWV.537: Fugue
Chorale: O Lamm Gottes, Unschuldig, BWV.656
Canzona in d, BWV.588
Chorale: Vor Deinen Thron Tret'ich, BWV.668

Tracks:

Prld And Fugue in C, BWV.547: Prld
Prld And Fugue in C, BWV.547: Fugue
Chorale: Von Gott Will Ich Nicht Lassen, BWV.658
Prld And Fugue in A, BWV.536: Prld
Prld And Fugue in A, BWV.536: Fugue
Chorale: Allein Gott in Der Hoh' Sei Ehr', BWV.662
Chorale: Allein Gott in Der Hoh' Sei Ehr', BWV.663
Chorale: Allein Gott in Der Hoh' Sei Ehr', BWV.664
Trio Son No.1 in Eflat, BWV.525: I: (Unknown)
Trio Son No.1 in Eflat, BWV.525: II: Adagio
Trio Son No.1 in Eflat, BWV.525: III: Allegro
Chorale: Schmucke Dich, O Liebe Seele, BWV. 654

Tracks:

Passacaglia And Fugue in c, BWV.582
Fantasia Super Jesu, Meine Freude, BWV.713
Prld And Fugue in d, BWV.539: Prld
Prld And Fugue in d, BWV.539: Fugue
Chorale Vars: Vom Himmel Hoch, Da Komm' Ich Her, BWV.769
Prld And Fugue in g, BWV.535: Prld
Prld And Fugue in g, BWV.535: Fugue
Chrale: An Wasserflussen Babylon, BWV.653
Prld And Fugue in C, BWV.545: Prld
Prld And Fugue in C, BWV.545: Fugue
Chorale: Nun Danket Alle Gott, BWV.657

Tracks:

Prld: Eflat, BWV.552/1
1. Chorale: Kyrie, Gott Vater in Ewigkeit, BWV.669
2. Chorale: Christe, Aller Welt Trost, BWV.670
3. Chorale: Kyrie, Gott Heiliger Geist, BWV.671
8. Chorale: Allein Gott in Der Hoh' Sei Ehr', BWV.676
10. Chorale: Dies Sind Die Sind Die Heil'gen Zehn Gebot', BWV.678
12. Chorale: Wir Glauben All' An Einen Gott, BWV.680
14. Chorale: Vater Unser Im Himmelreich, BWV.682
16. Chorale: Christ, Unser Herr, Zum Jordan Kam, BWV.684
18. Chorale: Aus Tiefer Not Schrei Ich Zu Dir, BWV.686
20. Chorale: Jesus Christus, Unser Heiland, BWV.688
Fugue: Eflat, BWV.552/2
Duetto No.1: e, BWV.802
Duetto No.2: F, BWV.803
Duetto No.3: G, BWV.804
Duetto No.4: a, BWV.805

Tracks:

7. Chorale: Allein Gott in Der Hoh' Sei Ehr', BWV.675
4. Chorale: Kyrie, Gott Vater in Ewigkeit, BWV.672
5. Chorale: Christe, Aller Welt Trost, BWV.673
6. Chorale: Kyrie, Gott Heiliger Geist, BWV.674
9. Fughetta Super Allein Gott in Der Hoh' Sei Ehr', BWV.677
11. Fughetta Super Dies Sind Die Heil'gen Zehn Gebot', BWV.679
13. Fughetta Super Wir Glauben All' An Einen Gott, BWV.681
15. Chorale: Vater Unser Im Himmelreich, BWV.683
17. Chorale: Christ, Unser Herr, Zum Jordan Kam, BWV.685
19. Chorale: Aus Tiefer Not Schrei Ich Zu Dir, BWV.687
21. Fuga Super Jesus Christus, Unser Heiland, BWV.689
Prld And Fugue in e, BWV.548: Prld
Prld And Fugue in e, BWV.548: Fugue
Chorale: Wachet Auf, Ruft Uns Die Stimme, BWV.645
Chorale: Wo Soll Ich Fliehen Hin, BWV.646
Chorale: Wer Nur Den Lieben Gott Lasst Walten, BWV.647
Chorale: Meine Seele Erhebet Den Herren, BWV.648
Chorale: Ach, Blieb' Bei Uns Herr Jesu Christ, BWV.649
Chorale: Kommst Du Nun, Jesu, Vom Himmel, BWV.650
Trio Son No.2 c, BWV.526: I: Vivace
Trio Son No.2 c, BWV.526: II: Largo
Trio Son No.2 c, BWV.526: III: Allegro

Tracks:

Fuga Sopra Il Magnificat, BWV.733
Chorale: Nun Komm' Der Heiden Heiland, BWV.699
Chorale: Lob Sei Dem Allmacht'gen Gott, BWV.704
Chorale: Vom Himmel Hoch, Da Komm' Ich Her, BWV.738
Chorale: Allein Gott in Der Hoh' Sei Ehr', BWV. 715
Chorale: Gelobet Seist Du, Jesu Christ, BWV.722
Chorale: Vom Himmel Hoch, Da Komm' Ich Her, BWV.700
Chorale: Christum Wir Sollen Loben Schon, BWV.696
Chorlae: Lobt Gott, Ihr Christen, Allzugleich, BWV.732
Chorale: In Dulci Jubilo, BWV.729
Chorale: Gelobet Seist Du, Jesu Christ, BWV.697
Chorale: Vom Himmel Hoch, Da Komm' Ich Her, BWV.701
Prld in G, BWV.568
Fantasia Super Valet Will Ich Dir Geben, BWV.735
Chorale: Ach Gott, Vom Himmel Sieh' Darein, BWV.741
Chorale: Ach Gott Und Herr, BWV.714
Chorale: In Dich Hab' Ich Gehoffet, Herr, BWV.712
Chorale: Erbarm' Dich Mein, O Herre Christ, BWV.721
Chorale: Herzlich Tut Mich Verlangen, BWV.727
Chorale: Wo Soll Ich Fliehen Hin, BWV.728
Chorale: Jesus, Meine Zuversicht, BWV.728
Chorale: Wer Nu Den Lieben Gott Lasst Walten, BWV.691
Chorale: Wer Nur Den Lieben Gott Lasst Walten, BWV.690
Chorale: Liebster Jesu, Wir Sind Hier, BWV.706
Chorale: Valet Will Ich Dir Geben, BWV.736

Tracks:

1. Chorale: Der Tag, Der Ist So Freudenreich, BWV.719
2. Chorale: Wir Christenleut', BWV.1090
3. Chorale: Das Alte Jahr Vergangen Ist, BWV.1091
4. Chorale: Her Gott, Nun Schleuss Den Himmel Auf, BWV.1092
5. Chorale: Herzliebster Jesu, Was Hast Du Verbrochen, BWV.1093
6. Chorale: O Jesu, Wie Ist Dein Gestalt, BWV.1094
7. Chorale: O Lamm Gottes, Unschuldig, BWV.1095
8. Chorale: Christe, Der Du Bist Tag Und Licht, BWV.1096
9. Chorale: Ehre Sei Dir, Christe, Der Du Leidest Not, BWV.1097
10. Chorale: Wir Glauben All in Einen Gott, BWV.1098
11. Chorale: Aus Tiefer Not Schrei Ich Zu Dir, BWV.1099
12. Chorale: Allein Zu Dir, Herr Jesu Christ, BWv.1100
13. Chorale: Ach Gott Und Herr, BWV.714
14. Chorale: Ach Herr, Mich Armen Sunder, BWV.742
15. Chorale: Durch Adams Fall Ist Ganz Verderbt, BWV. 1101
16. Chorale: Du Friedefurst, Herr Jesu, BWV.1102
17. Chorale: Erhalt Uns, Herr, Bei Deinem Wort, BWV.1103
18. Chorale: Vater Unser Im Himmelreich, BWV.737
19. Chorale: Wenn Dich Ungluck Tut Greifen An, BWV.1104
20. Chorale: Jesu, Meine Freude, BWV.1105
21. Chorale: Gott Ist Mein Heil, Mein Hilf Und Trost, BWV.1106
22. Chorale: Jesus, Meines Lebens Leben, BWV.1107
23. Chorale: Als Jesus Christ in Der Nacht, BWV.1108
24. Chorale: Ach Gott, Zu Dich Erbarmen, BWV.1109
25. Chorale: O Herre Gott, Dein Gottlich Wort, BWV.1110

Tracks:

26. Chorale: Nun Lasst Uns Den Leib Begraben, BWV.1111
27. Chorale: Christus, Der Ist Mein Leben, BWV.1112
28. Chorale: Ich Hab' Mein Sach Gott Heimgestellt, BWV.1113
29. Chorale: Herr Jesu Christ, Du Hochstes Gut, BWV.1114
30. Chorale: Herzlich Lieb Hab' Ich Dich, O Herr, BWV.1115
31. Chorale: Was Gott Tut, Das Ist Wohlgetan, BWV.1116
32. Chorale: Alle Menschen Mussen Sterben, BWV.1117
33. Chorale: Mach's Mit Mir Gott, Nach Deiner Gut
34. Chorale: Werde Munter Mein Gemute, BWV.1118
35. Chorale: Wie Nach Einer Wasserquelle, BWV.1119
36. Chorale: Christe, Der Du Bist Der Helle Tag, BWV.1120
37. Chorale: Ich Ruf' Zu Dir, Herr Jesu Christ, BWV.639
38. Chorale: Herr Christ Der Ein'ge Gottes-Sohn, BWV.601
Prld And Fugue in C, BWV.553
Prld And Fugue in d, BWV.554
Prld And Fugue in e, BWV.555
Prld And Fugue in F, BWV.556
Prld And Fugue in G, BWV.557
Prld And Fugue in g, BWV.558
Prld And Fugue in a, BWV.559
Prld And Fugue in Bflat, BWV.560

Customer Reviews:

Bach for professional listeners.......2006-01-30

What I found amazing about this boxset is the opportunity to enjoy Bach in complete form. From my point of view Passacaglia performed by Werner Jacob is a five star performance. Also BWV 593 and BWV 596 push up and show up no limits for the listener. This 16 CDs aggregate the perfect union between the artist, instrument, listener and Bach. And at the end of the day I can say that organ works can still be ... trendy. Enjoy!

Bach Organ Works on original organs.......2004-10-24

121 organ tracks or works on 16 CDs has to be spaced out in about six days. The music is so restful I found myself dowsing. The price for a new set through Amazon was right. Bach organ hymns made Luther.

Average customer rating:

A Major Document of an Incredible Oeuvre...

Schubert: Lieder

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Deutsche Grammophon: Music | Specialty Stores | Music
Similar Items:

Schubert: The Piano Sonatas
The Schubert Song Companion
Schubert: Schwanengesang; 4 Lieder
Schubert: The String Quartets
Arturo Benedetti Michelangeli plays Mozart, Chopin, Brahms, etc. (Box) [Germany]

ASIN: B000AYQCIK
Release Date: 2005-12-13

Customer Reviews:

A Major Document of an Incredible Oeuvre..........2007-03-12

.
Of over 600 songs, Fischer-Dieskau and Gerald Moore realized over three-quarters: these are those. Gerald Moore was of course as important to this project as Fischer-Dieskau.

DGG's sound is excellent.

This set is a remarkable document of art.
.

Bach: French Overture & Italian Concerto, BWV 831, 971, etc (Edition Bachakademie Vol 108) /Koroliov (piano)

Average customer rating:

essential to any keyboard library

Bach: French Overture & Italian Concerto, BWV 831, 971, etc (Edition Bachakademie Vol 108) /Koroliov (piano)

Manufacturer: Hanssler Classics
ProductGroup: Music
Binding: Audio CD

Fantasies | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music
Similar Items:

Bach: Goldberg Variations BWV 988 (Edition Bachakademie Vol 112) /Koroliov (piano)
Bach: Inventions & Sinfonias, BWV 772-801
Joseph Haydn: Piano Sonatas
Bach: Goldberg Variations
Bach: Well-Tempered Clavier

ASIN: B00004TKFB
Release Date: 2000-06-27

Tracks:

Fantasie
Fuge
Ouverture
Courante
Gavotte I
Gavotte II
Passepied I
Passepied II
Sarabande
Bourree I
Bourree II
Gigue
Echo
(Ohne Bezeichnung)
Andante
Presto
Duetto I In E Minor
Duetto II In F Major
Duetto III In G Major
Duetto IV In A Minor
Fantasie
Fuge

Customer Reviews:

essential to any keyboard library.......2005-11-26

Evegeni Koroliov is an awesome Bach player whose output includes The Art of Fugue, Goldberg Variations, Inventions & Sinfonias, & the WTC. Hopefully he will eventually record the English & French Suites as well as the Partitas. This disc, unlike some of the others, is readily available & also a great introduction to Koroliov's approach to Bach. His treatments have unbelievable rhythmic drive & color - nothing dry or monochromatic here; and the recorded sound is gorgeous. Five stars is not enough....

The Hyperion Schubert Edition 35 - Schubert, 1822-1825 / Dawson, McGreevy, Langridge, Hampson, Koningsberger, Maltman, Davies, G. Johnson

Average customer rating:

Too much contemplation

The Hyperion Schubert Edition 35 - Schubert, 1822-1825 / Dawson, McGreevy, Langridge, Hampson, Koningsberger, Maltman, Davies, G. Johnson
Franz Schubert , Graham Johnson , Lynne Dawson , Geraldine McGreevy , Catherine Denley , Lorna Anderson , Stephen Layton , Maarten Koningsberger , Philip Langridge , Thomas Hampson , Neal Davies , John Mark Ainsley , Michael George , Jamie MacDougall , Daniel Norman , London Schubert Chorale , Christopher Maltman , and Ian Bostridge
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Classical | Imports | Stores | Music
Similar Items:

The Hyperion Schubert Edition 36 ~ An 1827 Schubertiad / Banse, Finley, Schade, Dawson, G. Johnson
The Hyperion Schubert Edition 32 - An 1816 Shubertiad / Dawson, Schäfer, Ainsley, Langridge, et al
The Hyperion Schubert Edition 34 / 1817 - 1821
The Hyperion Schubert Edition 33 - The Young Schubert / McLaughlin, Murray, Wyn-Rogers, Langridge, D. Norman, A. Thompson, Koningsberger, Varcoe; Graham Johnson
The Hyperion Schubert Edition 26 - An 1826 Schubertiad / Schäfer, Ainsley, Jackson

ASIN: B00004RITE
Release Date: 2000-05-09

Tracks:

Gott In Der Natur, D757 - Patricia Rozario/Lorna Anderson/Catherine Denley/Catherine Wyn-Rogers
Schwestergruss, D762 - Geraldine McGreevy
Der Zurnende Barde, D785 - Maarten Koningsberger
Pilgerweise, D789 - Lynne Dawson
Greisengesang, D778 - Philip Langridge
Lachen Und Weinen, D777 - Geraldine McGreevy
Greisengesang, D778 - Neal Davies
Du Bist Die Ruh, D776 - Lynne Dawson
Die Wallfahrt, D778A - Maarten Koningsberger
Gondelfahrer, D809 - John Mark Ainsley/Jaime MacDougall/Simon Keenlyside/Michael George
Der Sieg, D805 - Neal Davies
Gebet (Du Urquell Aller Gute), D815 - Patricia Rozario/Catherine Wyn-Rogers/Jamie MacDougall/Michael George
Lied Eines Kriegers, D822 - Neal Davies/Toby Spence/Daniel Norman/Christopher Maltman/Stephan Loges
Totengrabers Heimwehe, D842 - Christopher Maltman
Bootgesang, D835 - The London Schubert Chorale/Stephen Layton
Coronach, D836 - Patricia Rozario/Lorna Anderson/Catherine Wyn-Rogers
Lied Des Gefangenen Jagers, D843 - Thomas Hampson
Der Tanz, D826 - Patricia Rozario/Catherine Denley/Ian Bostridge/Michael George

Amazon.com

Written at a time in Schubert's life marked by personal and professional misfortune as well as by devastating ill health, many of these songs--volume 35, with which Hyperion's magnificent complete edition of Schubert lieder approaches its conclusion--are somber, despondent, mournful, and despairing, which makes the few sunny, serene ones all the more poignant. There are several settings for groups of male, female, or mixed voices and several dramatic ballads. One, called "Prayer," is almost an opera, composed in a single day during a visit to the estate of the Esterhazy family, all of whom sang well. Most of the songs are unfamiliar, but nonetheless beguilingly beautiful. Evoking mood, atmosphere, and almost visible images with all the melodic and harmonic magic of vintage late Schubert, they often turn literary dross into musical gold. The English singers' German diction is admirable, but the singing varies; Thomas Hampson and Neal Davies stand out. The ensembles are excellent and include such luminaries as Simon Keenlyside, Ian Bostridge, and John Mark Ainsley; why they sing no solos is a mystery. Pianist Graham Johnson, the series' guiding spirit, is splendid. His copious, detailed program notes are informative and fascinating, musically and historically. --Edith Eisler

Customer Reviews:

Too much contemplation.......2000-08-21

This is a good performance indeed, but I aspire a more spontaneous one. Lieder here are all pearls, they are numbered D7xx or D8xx. And everyone who had listened enough Schubert will automatically knew that almost every lieder numbered D7xx or D8xx was a masterpiece. But alas, lieder here are performed with too much contemplation, so it sounds a bit artificial. In my opinion, even Schubert was in his most serious, his lieder always shone with sparkles, they were naturally brought out from the heart, not the brain. The "Lachen und Weinen","Du bist the Ruh" here all sounds very calculated. Graham Johnson is still on his high level, excellent piano and brochure.

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