Lovely [CD-single] [Enhanced] [Import]

Track Listings

1. Lovely (Feat. Miss Jade)

2. Ugly (Remix Ft Miss Jade)

3. Chlorine

4. Lovely (Directors Cut Video)

Editorial Reviews
Product Description
Taken from his 2000 release Dark Days, Bright Nights, the radio edit version is backed with 'Ugly' (feat. Miss Jade), 'No Chlorine' & Director's Cut CD-Rom video.

Lovely,Bubba Sparxxx,Polygram Int'l,Dirty South,Pop,Rap,Rock

Lovely [CD-single] [Enhanced] [Import]

Tracks:

It's De-Lovely - Robbie Williams
Let's Do It (Let's Fall In Love) - Alanis Morissette
Begin The Beguine - Sheryl Crow
Let's Misbehave - Elvis Costello
Be A Clown - Kevin Kline, Peter Polycarpou and Chorus
Night And Day - John Barrowman and Kevin Kline
True Love - Ashley Judd and Tayler Hamilton
What Is This Thing Called Love? - Lemar
I Love You - Mick Hucknall
Just One Of Those Things - Diana Krall
Anything Goes - Caroline O'Connor and Chorus
Experiment - Kevin Kline
Love For Sale - Vivian Green
So In Love - Lara Fabian and Mario Frangoulis
Ev'ry Time We Say Goodbye - Natalie Cole
Blow, Gabriel, Blow - Jonathan Pryce, Kevin Kline, Cast and Chorus
In the Still Of The Night - Kevin Kline and Ashley Judd
You're The Top - Cole Porter

Amazon.com

At first glance, the approach picked for De-Lovely will be familiar to those who already own Red Hot + Blue: A Tribute to Cole Porter. On both albums, contemporary pop stars cover classics by Porter. But many of the interpretations on Red Hot + Blue were modernized, whereas the approach on De-Lovely is more traditional---it's the soundtrack to a biopic about Porter, after all, so a classic (though not quite period) sound prevails. What's surprising is how well many of the singers handle the songs without the crutch of a contemporary pop retooling. Who would have thought that Alanis Morissette had such a natural affinity for "Let's Do It (Let's Fall in Love)," for instance? She fares equally well in her screen cameo, whereas Diana Krall sounds superb on "Just One of Those Things" but looks horribly uncomfortable in the film. Other good surprises include Robbie Williams's "It's De-Lovely" and Kevin Kline as Porter, coming across as a more tuneful Rex Harrison. Elvis Costello, meanwhile, confirms he's a better songwriter than singer, and as Linda Porter, Ashley Judd is hesitant at best. In a nice touch, a recording of Cole Porter himself performing "You're the Top" provides the album's coda. --Elisabeth Vincentelli

Customer Reviews:

Magic Moments.......2007-05-14

Since this CD came in the mail, I've played it over and over. Very fine updates to some of the best music ever written. Sweet.

A CD for lovers.......2007-03-23

If you have seen the movie you will love this upbeat and romantic collection of tunes.

A great Valentine Day gift or perfect for "You're the One" days!

De-Lovely is De-Lightful.......2007-02-19

Cole Porter was and is the finest American composer and lyricist we've ever had. His music is timeless; and while his lyrics are contemporary to the period written, they're often just as appropriate now. More often than not, any film you watch will have a snippet of a Cole Porter tune and even rappers "borrow" his lyrics. Every tune on this CD is performed beautifully, though not necessarily the way it was originally composed. Some lyrics have been changed to fit our current time--apparently. Vivian Green's superb rendition of Love for Sale is sweetly enjoyable and vastly superior to earlier versions.

fabulous.......2006-11-10

the music is wonderful. i can listen to it on repeat all day and never get tired of it.

De-Lovely is truly De-Lightful.......2006-11-10

Modern artists singing Cole Porter - a true gem. The movie was great, the soundtrack even better.

It's De Lovely - The Authentic Cole Porter Collection

Average customer rating:

Simply . . . DeLovely
Anything they could do, Cole Porter could do better...
Disappointing, not delovely, collection
It's De Lovely-The Authentic Cole Porter Collection
Absolutely

It's De Lovely - The Authentic Cole Porter Collection
Cole Porter
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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The Very Best of Cole Porter
De-Lovely
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ASIN: B000294SIE
Release Date: 2004-06-22

Tracks:

Anything Goes - Cole Porter
You're The Top - Cole Porter
Begin The Beguine - Artie Shaw And His Orchestra
From This Moment On - Lena Horne
You Do Something To Me - Sonny Rollins
It's Delovely - Shorty Rogers And His Giants
Night And Day - Frank Sinatra
Let's Misbehave - Irving Aaronson And His Commanders
Don't Fence Me In - Roy Rogers
You'd Be So Nice To Come Home To - Dinah Shore
I Love Paris - Coleman Hawkins
Easy To Love - Ray Noble & His Orchestra
Just One Of Those Things - Lena Horne
What Is This Thing Called Love - Leo Reisman And His Orchestra
I've Got You Under My Skin - Paul Desmond
I Get A Kick Out Of You - Tommy Dorsey And His Orchestra
Night And Day - Leo Reisman And His Orchestra
You Do Something To Me - Rosemary Clooney
Night And Day - Esquivel and His Orchestra

Customer Reviews:

Simply . . . DeLovely.......2007-05-13

The biggest surprrise: each song is by the original artist! The CD label even bears the old RCA Victor Trade Mark . . . and THAT goes back quite a ways! But all the arrangements and artists are wonderful to hear from
Cole Porter, himself, to Sinatra, Lena Horne, Rosemary Clooney, and others, all singing the "old favorites" as done originally by themselves! And . . . there's Artie Shaw, Tommy Dorsey and other favorites of those bygone days. If you saw the Movie "It's Delovely" and liked it, then you'll LOVE this CD: "IT;S DeLovely: The Authentic Dole Porter Collection."

Anything they could do, Cole Porter could do better..........2007-05-02

Cole Porter remains one of the brightest stars of the 20th century and this CD shows us why. You get a whopping 19 tracks on just one CD and the variety of these numbers reinforces the belief that Porter's music could be found in just about any genre of music.

The CD opens with two classic Porter numbers entitled "Anything Goes" and "You're The Top." Although these songs are well performed with terrific musical arrangements they are actually reconstructions of what these tunes would have sounded like if Porter were recording them today. They let us hear what Porter probably would have sounded like were he recording today using older equipment; but please make a note that this "reenactment" of Cole Porter singing to his own music may not work for some people.

Other gems on this CD include "Let's Misbehave" performed by Irving Anderson and His Commanders; the great Lena Horne singing so sweetly her renditions of "Just One Of Those Things" and "From This Moment On" and the incomparable Frank Sinatra crooning "Night And Day."

"I Love Paris" gets the royal treatment by Coleman Hawkins who plays that tenor saxophone to perfection! Manny Albam and His Orchestra provide the rest of the flawless musical arrangement for this instrumental track. In addition, fans of Cole Porter music will surely love Tommy Dorsey and His Orchestra performing "I Get A Kick Out Of You." Moreover, one of the three bonus tracks features Fred Astaire singing "Night And Day" very well. Another bonus track features Rosemary Clooney delivering a powerful rendition of "You Do Something To Me" while Perez Prado and His Orchestra bat out a winning Latin style musical arrangement. Great!

The liner notes include an essay about Cole Porter and his career in the arts by Will Friedwald; and you see portions of Porter's recording contract with RCA Victor as part of the art work. You get all the song credits and there are very nice black and white pictures of Cole Porter himself, too.

Overall, Cole Porter fans will consider this CD a "must-have" for their collections. People who enjoy classic pop vocals will enjoy this CD as well.

Disappointing, not delovely, collection.......2006-10-04

Perhaps I should have read the print on the back more closely when I bought this on a whim. I should've known what to expect from Sonny Rollins or what they meant by "period performances" (i.e,. performances in the style of a period, but not necessarily from the period). So I got what was coming to me.

Nonetheless, I still feel cheated. This collection isn't what it appears to be, from the front cover, to the back blurbs, to the liner notes. It's a very uneven hodge podge of various recordings of Porter songs by a pretty wide assortment of artists. For too many tracks, these aren't "authentic" interpretations reflective of the period Porter and wrote and lived in, but typical "jazz standard" types of interpretations more reflective of the performing artist's own period. And don't be fooled (like I was) by seeing Cole Porter's name listed as the recording artist for two tracks - yes, those are his vocals, but the backing band is a contemporary band who've re-recorded the band section in a "period performance" style. It makes for a "cleaner" sound overall, but any one with a discerning ear will likely find the sonic incongruency between the '34 recording of Porter's voice and the '04 recording of the band too irksome.

And that's just one of several problems with this CD. It's not that these are bad performances - they're not. It's just that as a collection, they're not reflective of what the CD packages tries to tell you they are. For example, Sonny Rollins' hard bop era rendition of one of Porter's most beloved songs, "It's Delovely," is solid as anything Rollins did at the time. But it's hard bop, not swing, and it's instrumental, not vocal. So you get Rollins' wicked sax noodling, but not Porter's charming and witty lyrics. For a *Porter* collection, that's a considerable disappointment, and especially so, seeing the liner notes themselves set you up for that: "[Porter's] comic opuses like "It's Delovely" and "Let's Do it" exploit the lyricist's idea to tell topical jokes in rhyming patterns and exaggerated language, but at the same time they're wholly dependent on Porter the melodist to propel them with a catchy rhythmic motif." [liner notes, pg. 4] Well, it's would great to have to chance to hear that, but you won't with this CD. Not only is Rollins' "It's Delovely" instrumental, the other song they offer us as a choice example of Porter's comical lyricisms isn't even on this CD.

The other thing that boggles my mind is that there's no clear logic to how they selected these particular tracks. Some of the vocal tracks are very short, and don't give you a chance to ingest their Porterness. For example, Horne's "From This Moment On" and Clooney's "You Do Something to Me" both clock in under 2 minutes (compare that to Rollins' lyricless track that nearly 7 minutes long). I fear the tacks on here are so more because these were the ones the CD compliers' were able to get rights for, more than being ideal representations of Porters' songs.

I'll give it 2 stars because the preformances aren't bad in and of themselves, but regrettably, if you're looking for that one CD that'll scratch that distinctly Porter itch, I doubt this will be the one. It certainly isn't for me.

It's De Lovely-The Authentic Cole Porter Collection.......2005-08-20

I got chills when I heard this cd for the first time and the thrills did not stop until the last number. It had been years since I had experienced the old masters playing authentic music rather than the many remakes and retakes we have today. Does anyone today use brushes on a snare---fantastic sound. And hearing Lena Horne in her prime--an extra bonus.

What a musical treat this is!!!

Absolutely.......2004-12-29

I've always liked Cole Porter's songs, so of course I've heard them performed by many different singers. But what made this album for me was the recording of Porter himself singing "Anything Goes." Of course he doesn't have the voice of a Sinatra or a Mel Torme, but if you want to hear the definitive version of a song, you go to the composer himself, and this one is terrific. Porter sings with an urbane, knowing sophistication the others can't match, and in his own words--"God knows, anything goes," not the sanitized versions later singers used. It's fabulous, and the CD is worth the price for that track alone. But the rest of it's pretty easy on the ears too. Performances range from early jazz sounds to splashy big band arrangements to savvy vocals framed by swingy riffs. I like it better every time I listen to it. This is a worthy tribute to a great songwriter, and taken together with "The Very Best of Cole Porter" would be a great introduction to a suave, stylish kind of music that's sorely needed today, in this world of women singers groaning like cats in heat and men pumping out lyrics about bitches and hos. Let it roll--Cole's still tops.

Average customer rating:

Fabulous
Andre Rieu "Fiesta"
Fiesta
Not the best versions available
This is a great album!

Fiesta
André Rieu , Johann Strauss Orchestra , Georges Bizet , Gioachino Rossini , Mikis Theodorakis , Pascual Marquina , Vincent Youmans , Leo Ferré , E. Ramirez , Filippo Marchetti , Emmerich Kalman , Jacob Gade , P. Shott , Gerhard Winkler , Louis Louiguy , Glanzberg , Vincent Scotto , Luigi Denza , Scottish Traditional , Friedrich Schroder , and Anonymous
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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Release Date: 2000-01-01

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Clavelitos
Espana Cani
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Tea For Two
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Funiculi Funicula
Auld Lang Syne

Customer Reviews:

Fabulous.......2005-10-23

This DVD is spectacular. Andre Rieu is absolutely fascinating to listen to and the costumes of the orchestra as gorgeous. Well worth every penny.

Andre Rieu "Fiesta".......2005-09-20

This CD is absolutely fantastic. There is no musician quite like Andre Rieu. His music does indeed lift the spirit.

Fiesta.......2005-09-12

The music lifts my spirits! It is fun and lighthearted. I sincerely recommend this CD by Andre Rieu.

Not the best versions available.......2002-02-12

First of all, why call this recording
"Fiesta"? only for the first four latin-american
works? because the rest of the cd is of
German music.I you want a real "Fiesta"
disc, I recomendation is that disc
of Keith Lockhart, is much more fun and
much more in a fiesta spirit than this one.

This is a great album!.......2002-01-02

I highly recommend this album. Andre Rieu is a great violinist. If you buy this album you will not be dissappointed. I'd give it ten stars if I could.

Moody Blues: Lovely to See You: Live from the Greek

Average customer rating:

A Top Notch Performance
EXCELENT LIVE CD
good but not the same with ray thomas
Somewhat cheesy but very entertaining and enjoyable
Far from their best

Moody Blues: Lovely to See You: Live from the Greek
The Moody Blues
Manufacturer: Image Entertainment
ProductGroup: Music
Binding: Audio CD

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Moody Blues: Lovely to See You (2005)
Classic Moody Blues
Moody Blues - Live at Montreux 1991
December
The Moody Blues - A Night at Red Rocks with the Colorado Symphony Orchestra

ASIN: B000BDGVU4
Release Date: 2005-11-15

Tracks:

Lovely To See You
Tuesday Afternoon
Lean On Me
The Actor
Steppin In A Slide Zone
The Voice
Talking Out Of Turn
I Know Youre Out There Somewhere
The Story In Your Eyes
Forever Autumn
Your Wildest Dreams
Isnt Life Strange
The Other Side Of Life
December Snow
Higher & Higher
Are You Sitting Comfortably?
Just A Singer (In A Rock & Roll Band)
Nights In White Satin
Question
Ride My See-Saw

Description

Recorded Live in June 2005 - Track Listing: Lovely to See You - Tuesday Afternoon - Lean on Me - The Actor - Slide Zone - The Voice - Talking Out of Turn - I Know You're Out There Somewhere - Story in Your Eyes - Wildest Dreams - Isn't Life Strange - The

Customer Reviews:

A Top Notch Performance.......2007-07-31

All I can say is get this one. A great place to see a concert & The Moodies were in fine form at this show. Also get the CD's of this show. Simply a very fine concert DVD. Search "Judemac Forever" on msn, google or Yahoo

EXCELENT LIVE CD.......2007-05-07

I SAW THEM PERFORM THIS CONCERT & THEY WERE BRILLIANT IT WAS THIER FIRST CONCERT WITHOUT RAY THOMAS THE ORCHESTRA & THEY SOUNDED FANTASTIC IF YOURE A MOODY BLUES FAN OR NOT THIS CD & DVD IS WORTH BUYING.

good but not the same with ray thomas.......2007-05-02

this dvd was a lengthy concert with many songs played, particularly when compared with live at prince albert hall, but i thought the musical arrangement was lacking. The quality of the music was not clear enough, and without the benefit of a whole orchestra behind them, this dvd lacked pizazz i thought. Also, I thought the singers voices were a bit horse, and they seemed a little like they were going through the motions at times. Norda Mullen the new floutist to substitute for retired bandmember ray thomas gave it her all, but all the band members were in casual wear but she was wearing this evening gown which just seemed so out of place as she jumped around on the stage with the flute or tamborine in a strapless black gown with high heels. Just didnt fit in. but it didnt impact the quality of the music she was responsible for.

Somewhat cheesy but very entertaining and enjoyable.......2007-02-04

I have been a Moody Blues fan since forever, and have seen them in concert a number of times over the years. When I saw this, my first reaction was "what? yet another live album"? The twist this time is that this is just the band, sans symphony orchestra, and thus the first live album of just the band since 1969's "Moody Blues Live + 5".

"Lovely To See You" (2 CDs, 20 tracks, 105 min.) is in essence a greatest hits live album, and that of course is what the fans want. All the classics are here. CD1 (9 tracks, 43 min.) is not bad, with tracks like "Tuesday Afternoon", "The Voice" and "I Know You're Out There Somewhere". But CD2 (11 tracks, 61 min.) is so much stronger, starting off with a cover of Jeff Lynne's "Forever Autumn" (from the "War of the Worlds" album), a rocking "Your Wildest Dreams", "Higher and Higher" (with drummer Graeme Edge singing lead vocals on his own composition), and then of course the last 4 songs, which define what the Moody Blues have become: "I'm Just a Singer (In a Rock & Roll Band)", "Nights in White Satin", "Question" and the closer "Ride my See-Saw". Just irresistible.

One of the reviewers here complains about the sound quality on this album and that the Moody Blues sound like a "garage band". Has that person listened to the same album as I have? The sound is lush and pristine throughout the album. Does the band break new ground with this release? Of course not, but that isn't the point. This album may be a bit cheesy, but who cares. It is entertaining and enjoyable from start to finish.

Far from their best.......2007-01-16

The Moody Blues are one of the best bands to grace the charts in ---well, forever,but this cd doesn't showcase that quality. The sound is awful! There are times when the drums jarringly drown out the vocals. I didn't think it possible for the Moodies to sound like a garage band, but there are moments on this cd when that is the case. Pass on this one and go for Anthology instead.It is a far superior cd.

Average customer rating:

So much fun!
BYE BYE BIRDIE
Bye Bye Birdie soundtrack
Love the movie...but the soundtrack?
Bye Bye Birdie was a good Buy Buy

Bye Bye Birdie (1963 Film Soundtrack)

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000AQRZS
Release Date: 2003-09-09

Tracks:

Bye Bye Birdie - Ann-Margret
Opening Credits - Columbia Studio Orchestra, Johnny Green
Telephone Hour
How Lovely to Be a Woman - Ann-Margret
We Love You Conrad [Film Version][#][*]
Honestly Sincere - Jesse Pearson
Hymn for a Sunday Evening - Ann-Margret, Mary La Roche, Paul Lynde, Bryan Russell
One Boy - Ann-Margret, Janet Leigh, Bobby Rydell
Put On a Happy Face - Janet Leigh, Dick Van Dyke
Kids - Paul Lynde, Bryan Russell, Maureen Stapleton, Dick Van Dyke
One Last Kiss [Gym Rehearsal Outtake][#][*] - Jesse Pearson
Lot of Livin' to Do - Ann-Margret, Jesse Pearson, Bobby Rydell
Sultans' Ballet [Film Version][#][*] - Columbia Studio Orchestra, Johnny Green
One Last Kiss - Jesse Pearson
Rosie - Ann-Margret, Janet Leigh, Bobby Rydell, Dick Van Dyke
Bye Bye Birdie (Reprise) - Ann-Margret, Janet Leigh, Bobby Rydell, Dick Van Dyke

Customer Reviews:

So much fun!.......2007-06-13

This is still such a classic and so much fun!

BYE BYE BIRDIE.......2007-03-03

I always enjoyed the film version of "Birdie" as well as the soundtrack and now this reissue includes "The Sultans Ballet" where Janet Leigh bites off more than she can chew when she invites a group of Sultans(Shriners) to dance. There are a couple of minor inclusions including "We Love You Conrad" and the rehearsal of "One Last Kiss" My only question is why didnt they use the complete version of "A Lot of Livin To Do" Even with the additional tracks the CD clocks in at 46 minutes so space wasn't a problem. It's quite understandable why the Russian Ballet was not included since it would be out of place on an otherwise perky and bright score.

While "Bye Bye Birdie" may not be one of the best scores it is zesty and cheerful to listen to on a gloomy day and as one of the numbers suggests it helps you to "Put On A Happy Face"

Bye Bye Birdie soundtrack.......2006-07-01

The product itself is excellent, but: 1) it took about three weeks to arrive; and 2) we didn't realize the film cut out and added so music. What we needed was a soundtrack for the stage production.

Love the movie...but the soundtrack?.......2006-05-04

I am a huge fan of the movie and the soundtrack is also amazing...the only thing I'm uspet about is that "One Last Kiss" on the cd is TOTALLY different!

Bye Bye Birdie was a good Buy Buy.......2005-08-02

Solid cast recording brings back the light-hearted msuicals of the 50s and 60s. Used as the primer for an upcoming stage version of the show, we listened frequently, and haven't tired yet.

Average customer rating:

WAY OFF THE MARK
LUXURIANT: yielding abundantly, characterized by abundant growth
Very displeasing!
Bravo Amel Larrieux
missing something

Lovely Standards
Amel Larrieux
Manufacturer: Bliss Life
ProductGroup: Music
Binding: Audio CD

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ASIN: B000O75EZA
Release Date: 2007-05-22

Tracks:

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If I Were A Bell
You're My Thrill
If I Loved You
I Like the Sunrise
Shadow of Your Smile
Try Your Wings
Lucky to be Me
Wild is the Wind

Customer Reviews:

WAY OFF THE MARK.......2007-07-15

Not sure what she was thinking but singing jazz should not be in this ladies songbook. Terrible readings of some great standards....Amel needs to listen and study the greats before she ever tries her hand at jazz again.

A souful singer she maybe but certainly is not a jazz singer.

LUXURIANT: yielding abundantly, characterized by abundant growth .......2007-07-07

One word that can describe this compilation, is 'substantial'. Such substance and richness is not often tasted, in an industry where the finest taste - is often spoiled.

I am apalled to see that some cannot comprehend Amel's artistry. Amel is not one of these 'accessible' artists that you have come to expect. Often we are so used to second-rate garbage, that we truly do not know how to ascertain quality.

I am so glad to see that once again this magnificent vocalist BLAZES trails rather than follows them. I could have sworn that I heard the echoes of the Beatnick era of the 60s - whistling through my speakers. A blahzay, and plaintive Amel Larrieux - chanelling John Coltrane with her slender (slight) vocals. Black turtleneck sweaters and bongos, berets and dark glasses. Billowing cigarette smoke swirling around "You're my Thrill". Such ecstacy, and the pleasure was surely mine.

Where would Nina Simone be without a her spirited antagonists, clawing at each eclectic release. Where would the inimitable Shirley Horn be without the stumbling blocks and pitfalls of industry distaste (slow and boring?); or even the great Gloria Lynne (who never recieved her due).

Let us look at this program. Each piece - intentionally uncommon. Each treatment - intentionally unique. Amel does not know how to follow the crowd. Amel is in another realm altogether. Amel is the living embodiment of soul and jazz; the diaspora of world music; the collective understanding of love and loss, pain and pleasure. She represents all that is good that there is. Amel is the Lynn Collins of this era. You will know and remember this album in 10 years. It's too fresh right now.

Albums are not meant to reflect the past - they are meant to illustrate a higher level of futuristic consciousness and creative ability within the artist. Amel is just not meant for 'everybody'. If you cant LOVE her all the way - don't love her AT ALL my brothers and sisters. I'm hurt to see that people can turn-coat like this and sell Amel out!. But just as they say with the stock-market; BUY when the market is down. This album is a CLASSIC, too bad that some people can't see it yet.

Bengali
djbengali@aol.com

Very displeasing!.......2007-06-25

I have enjoyed all of Amel Larriuex's albums until this one. I don't even know how to describe it, it's just blah...that pretty much sums it up. It's terrible. If you are used to her other great albums don't buy this one.

Bravo Amel Larrieux.......2007-06-17

The Best album from the fine team of Amel and Laru Larrieux! Amel's vocals are quietly soothing, innocent & smooth as she floats with the lyrics!

missing something.......2007-06-15

Amel is a great vocalist and I have all of her albums going back to when she was with groove theory. Lovely standards is an attempt of amel to do a full jazz cd. The cd is ok at best. A lot of the tracks sound the same and I don't really care for the way she delivers the vocals on some songs. I gave the album three stars because amel has a beautiful voice, I just don't care for the way the lyrics are delivered. If it weren't for her melodic voice i would've rated the album lower. Younger than springtime is a good song that has some good vocals and actually the track sounds slightly different than the majority of the album. This album can be relaxing but is caught somewhere between candle lit dinner music and elevator music. My final thoughts are, if you missed this album it won't be a big loss.

Bryn Terfel - Something Wonderful (Bryn Terfel sings Rodgers & Hammerstein)

Average customer rating:

I have just been introduced.
Great Music + Terrific Lyrics +Decent Singing = Very Nice CD
A new meaning of throat singing.
Superb matchmaking in Terfel's R&H recital
Broadway or Opera... This CD is indeed ýSomething Wonderfulý

Bryn Terfel - Something Wonderful (Bryn Terfel sings Rodgers & Hammerstein)
Bryn Terfel , English Northern Philharmonia , Paul Daniel , Opera North Chorus , Richard Rodgers , and Oscar Hammerstein II
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Bryn Terfel - Simple Gifts
Bryn Terfel Sings Favorites
Renee and Bryn: Under the Stars
Bryn Terfel - We'll Keep a Welcome

ASIN: B000001GRP
Release Date: 1996-09-10

Tracks:

OKLAHOMA: Oh, What A Beautiful Mornin'
State Fair: It Might As Well Be Spring
South Pacific: Some Enchanted Evening
OKLAHOMA: The Surrey With The Fringe On Top
South Pacific: Bali Ha'i
Carousel: June Is Bustin' Out All Over
The King And I: Something Wonderful
Allegro: So Far
Allegro: A Fellow Needs A Girl
The King And I: I Have Dreamed
Allegro: What A Lovely Day For A Wedding
Me And Juliet: No Other Love
The Sound Of Music: Edelweiss
Carousel: If I Loved You
South Pacific: There Is Nothin' Like A Dame
South Pacific: Younger Than Springtime
Allegro: Come Home
South Pacific: This Nearly Was Mine
Carousel: Soliloquy
Carousel: You'll Never Walk Alone

Amazon.com

In the opening song of "Something Wonderful," Welsh bass-baritone Bryn Terfel sings, "All the sounds of the Earth are like music." They most definitely are when Terfel surrounds them with his resonant baritone. Every phrase of Rodgers and Hammerstein's music is imbued with uncommon sensitivity, impeccable phrasing, and dazzling beauty. Terfel's rich and meaty voice shares a plate with delicate pianissimos, unabashed sentimentality, and swaggering forthrightness. He successfully tackles songs originally written for women. In "It Might as Well Be Spring," he transforms dippy into dapper. And he turns "Bali Hai" into a foreboding, demanding, and seductive call; the listener must helplessly succumb to the world of his sensitive manliness. His interpretations of the old standards--"If I Loved You," "Soliloquy," "This Nearly Was Mine," "Some Enchanted Evening"--are stellar. Despite the temporary lulls caused by the second-class songs from "Allegro," Terfel does a first-class job of bringing them to life. Undoubtedly one of the best crossover records of all time. --Barbara Eisner Bayer

Amazon.com

Customer Reviews:

I have just been introduced........2007-01-22

I came across the CD by sheer accident and am I glad I did. Wonderful music. Thanks for the music Bryn.

Great Music + Terrific Lyrics +Decent Singing = Very Nice CD.......2005-01-27

While not an expert on technical singing I really, really like this CD. I think Terfel's voice is pretty decent & he sings both male/female lead R & H songs for a total of twenty cuts. One cut I really enjoyed , but had never heard before was the song "So Far"
from R & H's "Allegro" with those Richard Roger's hooks & terrific Oscar Hammerstein lyrics. Felt that the orchestra on this session made a good move using the original orchestrations for a classic R & H feel. I concur with the reviewer regarding the miking of Terfel's voice in this session which seems too low forcing the listener to turn up the volumne.

A new meaning of throat singing........2004-06-11

I cannot believe that the critics of today can rave about such an inferior singer as Byrn Terfel. He sings so badly, I can't believe he has had the career he's had. I don't care how many roles he's sung, he hasn't any vocal technique at all. If anyone would care to hear great singing, buy the; "Thomas L. Thomas" Voice of Firestone video and listen to a great Welsh singer. This is a great artist and vocal technician. Try; "John Charles Thomas," "Lawrence Tibbett," or "Nelson Eddy." Bryn Terfel couldn't carry their music cases!

Superb matchmaking in Terfel's R&H recital.......2004-03-09

You might think that it is a very superflous mismatch for an opera singer to try his vocal cords on the Broadway songs of Rodgers & Hammerstein. However, in this R&H offering by Bryn Terfel, he proves that it is a perfect match between singer and repertoire for a classical crossover record of this pedigree. Terfel communicates the essence of each of the 20 songs to the listener, and allows them to sound fresh and new. And it helps that he has been a R&H fan for many years with the music already close to his heart. He is given superb backing from the well-conducted Opera North forces an warm, natural recording.

From the first phrase of Terfel's uplifting opening version of "Oh, what a beautiful morning" from Oklahoma!, we listeners intuitively know that this is not going to be your superflous run-of-the-mill classical crossover offering of R&H songs. Terfel uses his big voice to great effect in Billy Bigelow's two songs from Carousel, "If I loved you" and the pivotal "Soliloquy" that builds up to a devastating climax. When he does this for Emile's two big solos in South Pacific, "Some Enchanted Evening" and "This Nearly Was Mine," he also makes them sound fresh and intuitively conveys their essence. He also thrills us even when his voice is soft and tender, such as on Lietunant Cable's "Younger than Springtime" and especially on Captain von Trapp's "Edelweiss" from The Sound of Music.

Besides the obvious highlights in this R&H offering, Terfel unearths some new delights. He does this by trying his vocal cords on songs that were originally intended for women, most notably in Nettie's two big numbers in Carousel, "June is busting out all over" and "You'll never walk alone", which he pulls off convincingly in a straight-laced and serious manner without sounding cliched. (In the booklet, "You'll never walk alone" was stated as being sung by the Chorus, but then in the show, it is sung by Nettie.) He is also wistful on "It might as well be Spring" from State Fair, and philosophical on Lady Thiang's "Something Wondreful" from The King and I. He also evokes a dreamlike quality on Bloody Mary's "Bali Ha'i" in South Pacific. The other unusual thing that Terfel does is include some unknown songs and treat them ravishingly. Four of them are from Allegro, highlighted by a charming "So Far," a reflective "A Fellow needs a girl" and a powerful "Come Home", and he also sings "No Other Love" from Me and Juliet as ravishingly as "I Have Dreamed."

If I have any quibbles, there are only two minor ones. Terfel's R&H offering runs for 74 minutes, and still has six minutes of empty space on a CD. I'm sure that Terfel could have given thought to the Mother Abbess's "Climb Every Mountain" from The Sound of Music, which I consider a more universal and less-cliched song than "You'll never walk alone" from Carousel. It would have suited his full-throated, big-voiced characteristic very well. Also, this offering of R&H seems to be lopsided to emphasise more of the first part of R&H. Sixteen tracks cover R&H from Oklahoma to South Pacific, with four tracks that cover their second half from The King and I to The Sound of Music. As such I would have liked to hear him sing a more balanced repertoire of R&H songs with equal emphasis to both halves of their collaboration. Perhaps he might record a Volume 2 with songs from the latter part of their collaboration in the near future. But with 74 delightful minutes of Terfel's R&H offering, how could anybody complain about the quality of this recital, especially with a lavish booklet complete with copious notes by R&H expert Ethan Mordden and full lyrics.

Overall, though, I'm very sure that this R&H offering is both a highlight of Terfel's discography, and can ably recommended with his recording of Schubert songs to anybody who wants to get to know his work well. It can also be recommended to Rodgers & Hammerstein fans old and new.

By the way, I also recommend the Rodgers & Hammerstein Songbook for Orchestra, with another superlative Telarc offering by the Cincinnati Pops Orchestra and Erich Kunzel. This recital is just as outstanding as Terfel's R&H offering. And, there is a wealth of cast recordings that new R&H fans will want to snap up, so this Terfel disc will be an ideal stepping-stone for them.

Broadway or Opera... This CD is indeed ýSomething Wonderfulý.......2003-07-25

It becomes clearer with every disk Bryn releases... he turns whatever he touches into gold! This CD is indeed `Something Wonderful'. From the first listen I was in love with this disk and can't get enough.

To begin, Rodgers and Hammerstein couldn't be more appropriately sung. From a time before electric amplification the sweeping melodies of Richard Rodgers were intended to be sung as Bryn illustrates. As I say every time, his diction is impeccable, his musicianship is unsurpassed, and his enthusiasm is wonderful. As for Oscar Hammerstein, I'm sure he doesn't mind a little foreign accent... because every word is clear and understandable.

To compare the accent of Terfel to Pavarotti and Carreras is simply misguided. Although Pavarotti and Carreras are top-notch for what they do, neither pursues `Broadway' music seriously. Their ventures into the medium are limited to Gala concerts and the occasional snippet on a CD... not on stage depicting a role, but simply to sing a beautiful song. Mr. Terfel, on the other hand, researches the roles, coaches them, and is constantly pursued to perform them. His accent is one of slight vowel or consonant differences, which do not detract from the beautiful music. The music is well done and the story clear. Lets not nitpick diction or the French will have our hides for Les Miserables!

For the music, the recording quality is great. One reviewer mentioned poor sound quality and I do believe that person may have a bad disk or player... on my end the sound is full and robust; Bryn's voice dominates the sound. The orchestrations are full and lush. When dealing with modern houses and theatres the orchestra pits are usually quite small, and consequently the ensembles themselves. CDs like this one allow for fully orchestrated music to be heard, with a large symphony of musicians. The numbers that utilize chorus, which sings very well, are well balanced.

Tracks:

English Madrigals: A Little Pretty Bonny Lass
English Madrigals: Weep No More, Thou Sorry Boy
English Madrigals: Shoot False Love
English Madrigals: Now Is The Month Of Maying
English Madrigals: Four Arms, Two Necks, One Wreathing
English Madrigals: Hark, All Ye Lovely Saints Above
English Madrigals: Since Robin Hood
English Madrigals: Though Philomela Lost Her Love
English Madrigals: O Wretched Man
English Madrigals: Weep, O Mine Eyes
English Madrigals: The Nightingale, The Organ Of Delight
English Madrigals: Come, Sirrah Jack, Ho!
English Madrigals: Cruel, Behold My Heavy Ending
English Madrigals: Fair Phyllis I Saw Sitting All Alone
English Madrigals: Sing We And Chant It
English Madrigals: On A Fair Morning
English Madrigals: Oft Have I Vowed
English Madrigals: Is Love A Boy?
English Madrigals: Say, Love, If Ever Thou Didst Find
English Madrigals: All At Once Well Met
English Madrigals: Construe My Meaning
English Madrigals: Lord! When I Think
English Madrigals: Cruel, Wilt Thou Persever
English Madrigals: Fine Knacks For Ladies
English Madrigals: Strike It Up, Tabor
English Madrigals: I Love, Alas I Love Thee
English Madrigals: Farwell, Dear Love
English Madrigals: See, See The Shepherd's Queen
English Madrigals: Have I Found Her
English Madrigals: Lady Your Words Do Spite Me
English Madrigals: Were I A King
English Madrigals: Come Again
English Madrigals: Tan Ta Ra, Cries Mars
English Madrigals: Why Should I Love?
English Madrigals: This Sweet And Merry Month Of May

Customer Reviews:

Very pleased.......2007-06-10

I wasn't sure what to expect when I bought this CD. True, I could have listened on line before buying but that would have taken the fun out of the purchase. Besides, I really didn't care for the CD the first couple of times I listened but now I really love it. It's not something to listen to all the time but given the right circumstances e.g. a small gathering of friends, it's perfect. If I'd listened to online, I wouldn't have purchased it.

Sumptuous and mellow.......2002-11-28

The six men of the King's Singers present sweet and light-hearted madrigals of such English composers as Morley, Weelkes, Dowland, Wilbye and Byrd. The thirty five selections include "Now is the Month of Maying", "Though Philomela Lost Her Love", "Sing We and Chant It," the celebration of tobacco entitled "Come, Sirrah Jack, Ho!" and a host of other fa-la-la-la-la venues interspersed with wistful laments. I love the rich, sonorous sound of a male vocal ensemble, with countertenors, tenor, baritones and bass, and these six singers do a great job. Occasional instrumental accompaniments by lute and tabor are included, but this group doesn't really need it--I could listen to them for hours all by themselves. Also quite enjoyable, as well as educational, is their earlier release, "The King's Singers' Madrigal History Tour: Italy, England, France, Spain and Germany". For a more risque' take on the vocal music of Renaissance England, you might get a kick out of "The Art of the Bawdy Song" by the Baltimore Consort with the Merry Companions.

One of the Best Collections of English Madrigals.......2002-03-27

Any fan of the King's Singers will regret not having this album in their collection.

This album offers a veritable feast of the choicest English madrigals found on any comparable album. From the obligatory "Now is the Month of Maying" and "Fair Phyllis" to the more obscure "Tan ta ra, cries Mars," there is certainly enough on this album to bring a smile to lovers of Renaissance music - and a spark of recognition to anyone who sang traditional madrigals in high school or university. For serious students of early music, this album comes very highly recommended.

Among the more sonorous offerings on this album, Jones' "Farewell, Dear Love" and Dowland's "Come Again," cannot be ignored. Nor can Bennet's immortal "Weep O mine eyes" be matched more musically than here by the King's Singers.

This album has been played again and again for almost 6 years as both serious listening and background working music. And it has yet to lose its delight.

A Delightful Collection of English Madrigal.......2000-08-16

With 35 tracts to enjoy you're sure to find a couple of favorites. I gave this CD 4 of 5 stars compared to 5 stars for the King's Singers World Madrigal Tour CD. If you prefer all your songs in English, this will be your 5 star CD. Tract 32 "Come again" is my favorite due to the surperb tenor lead and melodic development. Compared to many polyphonic early music styles (1300s-1485), this era (1500-1610) provides many memorable melodies.

A wide variety.......2000-04-28

This is an excellent sampling of English madrigals. This presentation, given by an older roster of the Singers, is a nice introduction to the world of the madrigal, and English madrigals in particular.

Working Classical: Orchestral and Chamber Music by Paul McCartney

Average customer rating:

nice string music
Perfect Format to Present Paul's Genius
This is NOT classical music
one of my favoirte cds
Is it possible to wear out a CD?

Working Classical: Orchestral and Chamber Music by Paul McCartney

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

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Singer-Songwriters | Pop | Styles | Music

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Standing Stone
Paul McCartney: Ecce Cor Meum
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Paul McCartney: Ecce Cor Meum
Thrillington

ASIN: B00001ZSXH
Release Date: 1999-10-19

Tracks:

Junk
A Leaf
Haymakers
Midwife
Spiral
Warm And Beautiful
My Love
Maybe I'm Amazed
Calico Skies
Golden Earth Girl
Somedays
Tuesday
She's My Baby
The Lovely Linda

Amazon.com

Working Classical might just be the perfect outlet for the composing skills of Sir Paul McCartney. Here, the former Beatles (and, let's not forget, Wings) member scales things down from his previous classical-music endeavors--the overweight works Liverpool Oratorio and Standing Stone. In the hands of the Loma Mar Quartet chamber group and the London Symphony Orchestra, McCartney's shorter compositions sound all the more intimate (and effective). Album opener "Junk" is a simple waltz dating from the composer's days with the Fab Four, performed here by the Quartet with short-but-sweet results. "A Leaf" is another waltz motif, this one performed with a full orchestra. McCartney pop favorites "Warm and Beautiful," "Somedays," "She's My Baby," and "The Lovely Linda" all get chamber-music treatments that bring out their compositional beauty. And, while influences seem to range from Janácek to Morricone, there's no doubting that McCartney knows how to write a convincing ditty--pop or otherwise. --Jason Verlinde

Customer Reviews:

nice string music.......2007-07-13

Wow, these are nice arrangements. Very good to put on the CD player late at night and relaxing with. Very good.
Macca continues to amaze. As Ringo said in reference to "Let it Be...Naked":"(Paul) ,You were right all along."
I think when the history is written many years from now, it'll be seen that while John Lennon was the heart of the Beatles,Paul McCartney was their musical brain. I feel Mac will stand tall with other notable composers from the Western musical tradition.
AS soon as the classical snobs make themselves admit it.
Melodically,Mac can't be beat.
W/out Mac,there would've not been the Beatles as we know them today.
This CD is well worth buying.

Perfect Format to Present Paul's Genius.......2006-11-20

Confused recent reviews have argued about whether this is classical or MUZAK. Whatever you want to call the form, the music itself is brilliant and inspired. We would not give two shakes about these tunes that are in some cases thirty-six years old if they had no draw to our hearts and no merit. This album would have been released and forgotten and that definitely has not happened.

I have just listened to the broadcast of Paul's most recent classical work Ecce Cor Meum from Carnegie Hall in New York (Nov. 14, 2006) and prior to the main piece, the soprano Kate Royal and another vocalist sang these songs accompanied by the same quartet that appears on Working Classical. It was essentially a live version of this album with vocals and it was brilliant as is the original Working Classical CD. My Love, Warm and Beautiful, Calico Skies and Junk come off as extraordinarily brillant as they do on this recording. These songs, whether in this form or closer to their original form, will live forever and no amount of "orchestration" can kill them.

The same reviewer wrote: "it is a sign of the decline of serious culture that so many people actually believe that this MUZAK is classical music". How pompous some classical music fans are that they cannot conceive of any important music being written in modern times. Another reviewer wrote: "an orchestrated pop song is still a pop song". Perhaps, but that is not a fatal critcism that would obviate the joy these melodies give and emotions they hold. On the contrary, this is not elevator music. Elevator music is not compelling, its not memorble and its not written by a genius named Paul McCartney.

If you were to take a sonata by a well-known classical composer and play it among 'elevator music' with an overblown song like "Feelings", for example, would that turn it into elevator music? The discerning among us know the difference. An orchestrated pop song is not just MUZAK. That is just simple-minded. This idea comes from John Lennon's song "How Do You Sleep?" during which he idenifies Paul's music as MUZAK. John later denounced and rejected the sentiments of that song.

It turns out Paul is the coolest Beatle because he is the least affected, the least afraid to worry about what people would think about his doing something like this recording. He is not worried about the posturing associated with the tough guy rock and roll image. He is first and foremost an artist and musician--one of rare quality and talent.

This is NOT classical music.......2006-11-07

It is a sign of the decline of serious culture that so many people actually believe that this MUZAK is classical music. As another reviewer wrote: an orchestrated pop song is still a pop song. It's so funny: in the 1960s, kids used to laugh at their parents for being so square for listening to 'elevator music'(i.e., orchestrated pop songs) and not being cool and listening the Beatles...and now those kids are adults and they are listening to...elevator music written by one of the Fab Four!!

one of my favoirte cds.......2006-08-05

sir paul writes such beautiful melodies. found this in the library and just loved it. it is such a peaceful pleasure to listen to. you will find some familiar tunes and other new ones. i find it moving and lovely.

Is it possible to wear out a CD?.......2006-03-26

I first heard the song "Tuesday" on my "wake-up" radio station. I was amazed and thrilled when I found Paul McCartney as the truly gifted composer, proven by this glorious work. Some of the tracks are reminiscent of old Beatles songs.
His music possesses a gentle whimsy and include orchestral or chamber versions of some of his recognizable songs such as "Junk," "My Love" and "Maybe I'm Amazed."
I'd read all the reviews and have included a snippet from one which I am happy to share... this just says it all...

Gerald R Steele
"An extension of an event, begun in the sixties, called, "The Beatles", Paul McCartney has confirmed the importance of the original Phenomena. Some of us realized that from "I Want to Hold Your Hand" a culmination of music, from Bach, Mozart, Beethoven, Gershwin, and Vaughn-Williams, was emerging.
One can only hope for more. This tribute to Linda may begin something that will reference a "pop-culture" that included "The Beatles" as the beginning to music that truly responds to "the inner-ear" of, at least, three generations. This is the stuff that lives for thousands of years." Thank you Gerald. Imagine, touching the hearts of THREE generations?

My own love for this album is enhanced by my friendships as I compare my feelings, during listening, to them. A dear friend, Linda, rides her mechanical steed every morning and I think of her as I listen to "The Lovely Linda". I can see her in the morning dawn, peddling along and enjoying the morning and life. "Calico Skies" is reminiscent of all my Mitford pals! So dignified and serene! I'll probably wear out this CD from playing it so much.

Menuhin & Grappelli Play Berlin, Kern, Porter & Rodgers & Hart

Average customer rating:

A really Fine Romance
A Musical Treat

Menuhin & Grappelli Play Berlin, Kern, Porter & Rodgers & Hart

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

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Jazz in Paris: Oscar Peterson-Stephanie Grapelli Quartet, Vol. 1

ASIN: B000002SDR
Release Date: 1990-10-25

Tracks:

Cheek To Cheek
Isn't This A Lovely Day?
The Piccolino
Change Partners
Top Hat
I've Got My Love To Keep Me Warm
Heat Wave
The Way You Look Tonight
Pick Yourself Up
A Fine Romance
All The Things You Are
Why Do I Love You?
I Get A Kick Out Of You
Night And Day
Looking At You
Just One Of Those Things
My Funny Valentine
Thou Swell
The Lady Is A Tramp
Blue Room

Customer Reviews:

A really Fine Romance.......2007-07-05

It doesn't get any better than these two playing these guys! Some of it was recorded at Abbey Road Studios. Use your imagination... It's all just swell.

A Musical Treat.......2006-01-08

"The true mission of the violin is to imitate the accents of the human voice, a noble mission that has earned for the violin the glory of being called the king of instruments." ~ Charles-Auguste De Bériot ~

Yehudi Menuhin and Stéphane Grapelli together had made some of the most beautiful music ever-recorded. And I believe that this is one of the many successful albums they recorded together. In this recording, both violinists have showed their excellent musicianship and interpretative eloquence as well, making it one of my most cherished CDs from my collection.

These are the main ingredients of a perfectly-made CD for your listening pleasure: mix violins, piano, bass and drums together, combine two terrific violinists, season with the best melodies in the 20s, 30s and 40s from Irving Berlin, Jerome Kern, Cole Porter and Rodgers & Hart. Add the musical talents of Nelson Riddle, Max Harris, Martin Taylor, Eddie Tripp, Alan Clare and the rest of the studio musicians. Now all you have to do is to sit back, relax and savor these stunning melodies coming from your CD player. Listen to it in full-volume and fill your music room with the sheer beauty of these classics.

One of my favorite musical instruments is violin. With its four strings, it gives a whole wide range of musical versatility and I simply love the fascinating sound it produces.

My personal highlights are the best tunes from Jerome Kern - "The Way You Look Tonight" (Nelson Riddle arranged this particular track and conducted the Woodwind and Brass section), "A Fine Romance," "Pick Yourself Up," "Why Do I Love You?" and "All The Things You Are."

My choices from Irving Berlin's gems are - "Isn't It A Lovely Day?" featuring the great artistry of Nelson Riddle in arranging and conducting, "Cheek To Cheek" and "I've Got My Love To Keep Me Warm."

The Cole Porter repertoire represented his musical sophistication in "Night And Day," "I Get A Kick Out Of You" and "Just One Of Those Things."

The choice cuts from the talented and creative team of Richard Rodgers and Lorenz Hart are "My Funny Valentine" and "Thou Swell."

Listening to this CD is so delectable and equivalent to having my favorite dessert - be it Tiramisu, New York Cheesecake, Black Forest Cake, Chocolate Soufflé, Créme Brulee, Chocolate Mousse or Chocolate-Coated Strawberries! ;)

A musical treat.

Soul Music:

Soul Music

soul music

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