Mo Drama

Track Listings
1. Yes Indeed
2. F**K Friends
3. Watch 'Em
4. Don't Talk About It
5. Madness
6. We Are One/Definition of Love
7. Block Bleeder
8. Do Watcha Gotta Do
9. Drama as Uzual
10. Rush the Floor
11. Po-Mama
12. Hustlin 4 Nothin
13. All Around the World
14. 4 of the Realest
15. Why?
16. N**GG@ What's Happenin?
17. Take It to the Streets (Insane)

Mo Drama,Black Menace,Menace Entertainment,Hardcore Rap,Hip-Hop,Pop,Rap & Hip-Hop

Mo Drama

Mo Drama
The World of Robin and Marion: Songs and Motets from the Time of Adam de la Halle
Average customer rating: 5 out of 5 stars
  • Le creuset du déchant produit l'ébauche de l'opéra profane
  • That's where and when the profane opera started
  • At the root of the profane secular opera
 The World of Robin and Marion: Songs and Motets from the Time of Adam de la Halle

Manufacturer: Analekta
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Early Music | Historical Periods | Classical | Styles | Music
Vocal & SongVocal & Song | Early Music | Historical Periods | Classical | Styles | Music | Requiems
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Similar Items:
  1. Richard Coeur de Lion (Richard the Lionheart): Troubadours & Trouvères in the Courts of Eleanor of Aquitaine, Richard the Lionheart, Marie de Champagne & Geoffroy, Duke of Brittany - Alla Francesca
  2. Halle: Le Jeu de Robin et Marion
  3. Music of the Gothic Era
  4. Polyphonic Aquitaine of th 12th Century
  5. Adam de la Halle: Le jeu de Robin et Marion

ASIN: B0002VYES6
Release Date: 2007-04-05

Tracks:

  1. Mout Me Fut Grief/Robin M'aime/Portare
  2. Robins M'aime/Je Me Repairoie/He Robins Se Tu M'aimes
  3. Lie Maus Amourous Me Tient/Dieus Par Quoi/Portare
  4. Vous Perdez Vos Paine Sire Aubert/Ne Sai Que Je Die/Johanne
  5. Bergeronnete Sui/Trairi Deluriau
  6. He Robechon
  7. Au Douz Tans/Biau Dous Amis/Manere
  8. Vous L'ores Bien Dire/Saltarello
  9. Bergeronnete/Robin Par L'ame Ten Pere
  10. He Marotele Alons Au Bois/En La Praerie/Aptatur/Li Maus D'amer
  11. L'Autre Jour/Au Tens Pascour/In Seculum
  12. Par Un Matinet/Les Un Bosket/Portare
  13. En Mai Quant Rosier/L'autre Jour/He Resveille Toi Robin
  14. Encontre Le Tans De Pascour/Quant Fuellent/In Odorem
  15. Quant Florist La Violete/El Mois De Mai/Et Gaudebit
  16. En Non Diu/Quant Voi La Rose Espanie/Eius Oriente
  17. Avoec Telle Compaignie/Quiconque Rira/Parodie (After Quant Voi Le Fleur/Et Tenuerunt)
  18. Je Voi Douleur Avenir/Fauvel Nous A Fait Present/Autant M'est Sie Poise/Emi Emi Marotele N'ocies/Emi Emim Marotele Sage/Portare
  19. Quant Froidure Trait A Fin/Domino Quoniam/Ronde: Le Sentelle
  20. J'ai Encore Un Tel Paste
  21. Audigier Dist Raimberge/Quant Voi Le Douz Tans Venir/En Mai Quant Rose/Immolatus
  22. Venes Apres Moi/Nota Domino Quoniam
  23. Mout Me Fut Grief/Robin M'aime/Portare/L'autre jour Par Un Matinet/Hier Matinet/Ite Missa Est

Album Description

Anonymus invites you to witness Robin and Marion's love, in the best musical tradition of the Middle Ages. A program with a rural accent that brings alive through poetry and music this lively and marvellously naïve romance by Adam de la Halle, the great troubadour from Arras.

Customer Reviews:

5 out of 5 stars Le creuset du déchant produit l'ébauche de l'opéra profane.......2005-01-09

Loin de tout ce que tous les livres classiques peuvent dire, la polyphonie pas plus que l'opéra n'ont commencé au 16ème siècle italien. Le plus ancien opéra biblique est du 13ème siècle français (Ludus Danielis). Et voilà que l'Ensemble Anonymus vient de sortir pour notre plus grand plaisir le Robin et Marion d'Adam de La Halle, lui aussi du 13ème siècle. C'est l'un des ancêtres de ce que l'on appellera plus tard l'opéra. Et en plus cette œuvre est géniale. Le choix des instruments est excellent et certains sont plus lointains qu'européen, remontant jusqu'à la Perse iranienne. Le jeu en est clair, délicat, dansant et vif, expressif et même imagé. Le style de musique qu'ils nous offrent est très populaire pour l'époque, avec cependant des intermèdes musicaux d'une autre source qui ont plus de poids, de grandeur, d'ampleur. Les voix opposent le couple ténor-soprano au couple mezzosoprano-baryton, et cela sur une base dramatique : les premiers sont les héros, les seconds sont les trouble-fête. Le chant est la vraie grande révolution d'Adam de La Halle. Les artistes chantent, pour l'essentiel, en vieux français, avec une prononciation parfaite. On voit bien leur origines québecoises qui aident : de telles prononciations seraient beaucoup plus difficiles en France vu que nous avons perdu les dialectes anciens. La partition mêle des solos, de vrais duos en alternance, des duos où les voix s'allient et se superposent. Adam de La Halle importe ainsi dans une pièce profane dont la musique est populaire et non grégorienne ce qui est en train de naître en France particulièrement, et ailleurs aussi partiellement, à savoir la polyphonie et c'est un plaisir de découvrir que certaines formes qui deviendront des classiques des siècles futurs sont déjà là en germe dans cette partition. Adam de La Halle avait étudié le déchant, première aventure polyphonique dans le cadre grégorien. Il le transfère ici dans le cadre profane avec le meilleur effet. L'histoire est simple mais bien ancrée dans son temps. Elle est aussi complète et donc bien une sorte de livret d'opéra. Robin et Marion s'aiment d'un amour tendre, mais le chevalier Aubert intervient et vole la belle, par des moyens pas très honnêtes : la force, les cadeaux qui semblent de luxe à cette bergère, et des mots doux qui ne sont qu'autant de pièges. Le tout se finira, après un petit épisode beaucoup plus courtois emprunté à Gervais de Bus et son Roman de Fauvel, sur une solution ambiguë, cette brave Marion n'arrivant pas à prendre une décision entre son bel amour Robin qui joue si bien de la cornemuse ou du flageolet, et son tout nouveau amoureux chevalier qui brille de tous les feux de sa cuirasse et de ses victoires au tournoi. Entre les deux bien sûr son cœur balance. On se demande pourquoi ces œuvres du patrimoine français qui révèlent que nous avons eu une période florissante dans les arts bien avant la Renaissance, doivent être découvertes et mises en avant par des Anglais comme pour le Ludus Danielis ou des Québecois comme ici. Que font donc les Français qui se gargarisent de la défense de leur langue et qui ne s'intéressent même pas à leur patrimoine culturel un peu ancien, raison de plus très ancien ? Heureusement que nous avons des étrangers, francophones ou non, cousins distants ou pas cousins du tout, pour faire notre travail.

Dr Jacques COULARDEAU
Université Paris Dauphine

5 out of 5 stars That's where and when the profane opera started.......2005-01-09

This recording is amazing. It is probably one of the ancestors of the secular opera, just like Ludus Danielis was the ancestor of the biblical opera, but both three centuries before the « official » birthdate of the genre, here the 13th century. What's more both works are French and not Italian as the legend wants it to be : opera was born in Italy during the Renaissance, they say. Another mystery is why these very fine and rich works are discovered and recorded not by French musicians and artists but by English and here French Canadian musicians and artists. What are the French doing ? Don't they go to their libraries and archives and check on those scores, and I could probably say scores of scores, that are sleeping in the boxes ? Apparently not. They blabber a lot about English menacing their French language with barbaric technical words, but they do not defend their own cultural heritage. Bizarre, isn't it ? But this recording reveals many things about this old century and this ancient composer. The instruments are authentic, even if at times a little bit exotic, Turkish or Irani. But they are light, brilliant, délicate, expressive and definitely lively. The score opposes the couple tenor-soprano of the two main characters to the couple mezzosoprano-barytone of the disturbing intruders. This is dramatically good. The singing is innovative. It uses solos, real duets with alternating voices or with superimposed voices, and many other forms, including of course the motet. Some singing forms that will become classical in a few centuries are already present here and quite lively and alive. Adam de La halle had learn the beginning of polyphony with the gregorian dechant and here he transposes it from the sacred field to the profane secular domain with the best results because it serves very well that music which is perfectly popular. The end of the tale, after an episode that is very courtly and borrowed from Gervais du Bus and his Roman de Fauvel, is ambiguous with Marion fluttering between her love for Robin who plays the bagpipe and the plain pipe so well, and her sudden love for the knight Aubert who conquered her with a little bit of force, a little bit of fine language, the promise of beautiful presents and the metallic shine of his armour and helmet and tournament weapons. Her heart is swinging and swaying between the two and the music is doing just the same, and yet announcing a future that must be in existence somewhere in some archives and has not yet been discovered, except the music, thanks to Paul McCreesh who never recorded it, of Pope Clement VI in Avignon whose favorite composer was the mathematician Vitry. But what is the French Ministry of Culture doing or thinking since they cannot bring all these gems out of oblivion ? The Minister should have a few pennies left at the bottom of a drawer somewhere to help this adventure ?

Dr Jacques COULARDEAU

5 out of 5 stars At the root of the profane secular opera.......2005-01-09

This recording is amazing. It is probably one of the ancestors of the secular opera, just like Ludus Danielis was the ancestor of the biblical opera, but both three centuries before the « official » birthdate of the genre, here the 13th century. What's more both works are French and not Italian as the legend wants it to be : opera was born in Italy during the Renaissance, they say. Another mystery is why these very fine and rich works are discovered and recorded not by French musicians and artists but by English and here French Canadian musicians and artists. What are the French doing ? Don't they go to their libraries and archives and check on those scores, and I could probably say scores of scores, that are sleeping in the boxes ? Apparently not. They blabber a lot about English menacing their French language with barbaric technical words, but they do not defend their own cultural heritage. Bizarre, isn't it ? But this recording reveals many things about this old century and this ancient composer. The instruments are authentic, even if at times a little bit exotic, Turkish or Irani. But they are light, brilliant, délicate, expressive and definitely lively. The score opposes the couple tenor-soprano of the two main characters to the couple mezzosoprano-barytone of the disturbing intruders. This is dramatically good. The singing is innovative. It uses solos, real duets with alternating voices or with superimposed voices, and many other forms, including of course the motet. Some singing forms that will become classical in a few centuries are already present here and quite lively and alive. Adam de La halle had learn the beginning of polyphony with the gregorian dechant and here he transposes it from the sacred field to the profane secular domain with the best results because it serves very well that music which is perfectly popular. The end of the tale, after an episode that is very courtly and borrowed from Gervais du Bus and his Roman de Fauvel, is ambiguous with Marion fluttering between her love for Robin who plays the bagpipe and the plain pipe so well, and her sudden love for the knight Aubert who conquered her with a little bit of force, a little bit of fine language, the promise of beautiful presents and the metallic shine of his armour and helmet and tournament weapons. Her heart is swinging and swaying between the two and the music is doing just the same, and yet announcing a future that must be in existence somewhere in some archives and has not yet been discovered, except the music, thanks to Paul McCreesh who never recorded it, of Pope Clement VI in Avignon whose favorite composer was the mathematician Vitry. But what is the French Ministry of Culture doing or thinking since they cannot bring all these gems out of oblivion ? The Minister should have a few pennies left at the bottom of a drawer somewhere to help this adventure ?

Dr Jacques COULARDEAU
The Best of José Carreras
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    2. Fenesta Che Lucive
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    14. Mattinata
    15. Ave Maria
    16. Tonight
    17. Tu Che A Dio Spiegasti L'ali

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    2. 'A Vucchella
    3. Di Rigori Armato Il Seno (Der Rosenkavalier)
    4. Forse La Soglia Attinse - ma Se M'e Forza Perderti
    5. Parlami D'amore, Mariu
    6. Vesti La Giubba (I Pagliacci)
    7. As Time Goes By
    8. Oh, Fede Negar Potessi - Quando Le Sere Al Placido (Luisa Miller)
    9. Panis Angelicus
    10. 'O Sole Mio
    11. E La Silita Storia (L' Arlesiana)
    12. Be My Love
    13. Dein Ist Mein Ganzes Herz (Das Land Des Lachelns)
    14. Because
    15. Donna Non Vidi Mai (Manon Lescaut)
    16. You Belong To My Heart
    17. Di Quella Pira
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      Mo Drama
      Average customer rating: 4.5 out of 5 stars
      • i need info
      • black menace huh!
      • ONE OF THE BEST "BLACK MENACE" CD's
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      Manufacturer: Menace Entertainment
      ProductGroup: Music
      Binding: Audio CD

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      Tracks:

      1. Yes Indeed
      2. F**K Friends
      3. Watch 'Em
      4. Don't Talk About It
      5. Madness
      6. We Are One/Definition of Love
      7. Block Bleeder
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      Customer Reviews:

      5 out of 5 stars i need info.......2005-10-13

      can anybody tell me if this is the cd with rated x on it if not can u tell me if u know which one it is

      3 out of 5 stars black menace huh!.......2001-10-04

      This is not a typical black menace album. J Dawg his lost the energy he use to project and Threat just doesn't shine. The music is lacking and needs a lot of work. These boys need to go back to Precise or call Mannie to bail them out.

      5 out of 5 stars ONE OF THE BEST "BLACK MENACE" CD's.......2001-09-25

      If you don't know "BLACK MENACE" let me tell you a lil. bit about em' their from New Orleans and been rapping back in 1985 and on. They also rapped on "MYSTIKAL" cd "MIND OF MISTIKAL" on the track "Out The Boot Camp Clicc" and they also came up wit "FIEND,GHETTO TWIINZ,G-SLIMM,INSANE,G-QUIKK,ICE MIKE,TIM SMOOTH,PRECISE,SPORTY-T,PARTNERS-N-CRIME and of course"MYSTIKAL"...Tight Rhyms & Beats not that punk imitation stuff. these guys are REAL ORIGINATORS and TREND SETTERS I could go on but i don't wana sound like a HO who's Jockin'..GET THIS CD...PeAcE
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        2. Il Barbiere Di Siviglia: Ecco Ridente In Cielo
        3. Il Barbiere Di Siviglia: Se Il Mio Nome
        4. Il Barbiere Di Siviglia: All'idea Di Quel Metallo - Fernando De Lucia/Antonio Pini-Corsi
        5. Il Barbiere Di Siviglia: Numero Quindici - Fernando De Lucia/Antonio Pini-Corsi
        6. Il Barbiere Di Siviglia: Finora In Questa Camera - Fernando De Lucia/Maria Resemba/Nina Sabatano/Giorgio Schottler
        7. Il Barbiere Di Siviglia: Colla Febbre... Buona Sera - Fernando De Lucia/Maria Resemba/Francesco Novelli/Giorgio Schottler/Stefano Valentino
        8. Il Barbiere Di Siviglia: Ah! Qual Colpo - Fernando De Lucia/Antonio Pini-Corsi/Josefinal Huguet
        9. La Sonnambula: Perdona, O Mia Diletta...Prendi, L'anel Ti Dono - Fernando De Lucia/Olga Perugino
        10. La Sonnambula: Son Geloso - Fernando De Lucia/Maria Galvany
        11. La Sonnambula: Ah! Perche Non Posso Odiarti
        12. L'Elisir D'amore: Una Parola, O Adina - Fernando De Lucia/Angela De Angelis
        13. L'Elisir D'amore: Ecco Il Magico Liquore...Obbligato, Obbligato - Fernando De Lucia/Ernesto Badini
        14. L'Elisir D'amore: Una Furtiva Lagrima
        15. Les Huguenots: Ah! Quel Spectacle..Plus Blanche
        16. La Favorite: Un Ange, Une Femme Inconnue
        17. La Favorite: Ange Si Pur
        18. Luisa Miller: Quando Le Sere Al Placido

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        1. Lobengrin: Nun Sei Bedankt
        2. Lobengrin: Mein Held, Mein Retter..Nie Sollst Du Mich Befragen - Fernando De Lucia/Josefina Huguet
        3. Lobengrin: Das Susse Lied Verhallt - Fernando De Lucia/Josefina Huguet
        4. Lobengrin: Artmest Du Nicht
        5. Lobengrin: In Fernem Land
        6. Lobengrin: Kommit Er Dann Heim
        7. Rigoletto: Questa O Quella
        8. Rigoletto: E Il Sol Dell'anima - Fernando De Lucia/Josefina Huguet
        9. Rigoletto: Ella Mi Fu Rapita
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        11. La Traviata: Ah, Si, Da Un Anno...Un Di Felice, Eterea
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        22. Romeo Et Juliette: Ah! Leve-Toi Soleil

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        10. Pagliacci: O Colombina
        11. Pagliacci: No! Pagliaccio Non Son
        12. Manon Lescaut: Tra Voi Belle
        13. La Boheme: Che Gelida Manina
        14. La Boheme: O Soave Fanciulla - Fernando De Lucia/Angela De Angelis
        15. La Boheme: Quest'e Mimi
        16. Fedora: Amor Ti Vieta
        17. Fedora: Mia Madre, La Mia Vecchia Madre
        18. Fedora: Vedi, Io Piango
        19. Iris: Apri La Tua Finestra
        20. Tosca: Recondita Armonia
        21. Tosca: E Lucevan Le Stelle
        22. Tosca: Tu?..Di Tua Man L'uccidesti...O Dolci Mani
        23. Adriana Lecouvreur: L'anima Ho Stanca
        Mo Drama
        Average customer rating: 5 out of 5 stars
        • Great Album......Ahead of It's Time
        • oklahoma rap!
        • Straight out of Oklahoma
        		Mo Drama
        Playya 1000
        Manufacturer: Small Town
        ProductGroup: Music
        Binding: Audio CD

        Gangsta & HardcoreGangsta & Hardcore | Rap & Hip-Hop | Styles | Music
        GeneralGeneral | Rap & Hip-Hop | Styles | Music
        Similar Items:
        1. Blame It on Society
        2. Fully Automatic
        3. Hated by Many
        4. Ghetto's Child

        ASIN: B00008FRFL
        Release Date: 1994-11-17

        Tracks:

        1. Drama (Intro)
        2. Pound
        3. Creep Wit' Me
        4. Sunday Afternoon - D'Kster, Playya 1000
        5. Feel Me
        6. Special
        7. T-U-L-S-A
        8. Mo' Drama
        9. Lay Back
        10. Watchin' U
        11. 2 Snaps
        12. 4-The-Nigga-N-U
        13. Sunday Afternoon [Radio Edit] - D'Kster, Playya 1000
        14. Creep (Outro) - D'Kster, Playya 1000

        Customer Reviews:

        5 out of 5 stars Great Album......Ahead of It's Time.......2006-02-17

        This album is a must buy for any real rap lover out there. Every single song is tight.....this is one album that i bump from beginning to end without having to skip a single track. What was most surprising to me was that it came out in '94 but when i listen to it it doesn't sound that old at all. I never even heard of Playya 1000 or The D'kster until i stumbled across a his name on some website and i decided to look him up on amazon.com and i read the reviews and decided to give it a listen and let me tell you this is good stuff. My favorite tracks are Sunday Afternoon and Special. If you like this album then you might also like Khayree's Blackalation or even Wicked Budday Baby by 3-2, who i must say kinda sounds real similar to Playya 1000.

        5 out of 5 stars oklahoma rap!.......2005-11-18

        this is a tight,very rare cd.i have 2 UNOPENED 4SALE as well as other rare out of print cds and tapes.low prices.huge selection.EMAIL.

        5 out of 5 stars Straight out of Oklahoma .......2005-11-02

        Oklahoma has a good history in hip-hop. If anybody knows how I can contact Playya 1000, hit me up at (...)
        Drama CD
        Average customer rating: Not rated
          		Drama CD

          ProductGroup: Music
          Binding: Audio CD

          JapanJapan | Far East & Asia | International | Styles | Music
          InternationalInternational | Imports | Stores | Music
          ASIN: B000MTFDRE
          Release Date: 2007-03-27
          Mo' Drama: Collector's Edition
          Average customer rating: Not rated
            		Mo' Drama: Collector's Edition
            Playya 1000 , and D'kster
            Manufacturer: Small Town Records
            ProductGroup: Music
            Binding: Audio CD
            ASIN: B000N678XI

            Product Description

            Rare Collector's Edition version of Playya-1000's "Mo'Drama" w/ 5 bonus tracks for a total of 19 songs. Released in 1994 by Small Town Recordings. Track Listings: 1. Drama (Intro) 2. Pound 3. Creep Wit' Me 4. Sunday Afternoon - D'Kster, Playya 1000 5. Feel Me 6. Special 7. T-U-L-S-A 8. Mo' Drama 9. Lay Back 10. Watchin' U 11. 2 Snaps 12. 4-The-Nigga-N-U 13. Sunday Afternoon [Radio Edit] - D'Kster, Playya 1000 14. Creep (Outro) - D'Kster, Playya 1000 BONUS TRACKS: 15. Hold Your Own Part 1 16. Day in the Life 17. Hold Your Own Part 2 18. The Layback (Instrumental) 19. Creep Wit Me (Instrumental)
            Ghetto Dreams
            Average customer rating: Not rated
              		Ghetto Dreams

              ProductGroup: Music
              Binding: Audio CD

              GeneralGeneral | Rap & Hip-Hop | Styles | Music
              ASIN: B000GBECD4
              Release Date: 2005-06-07

              Soul Music:

              1. Mo Thugs Family Scriptures [Clean]
              2. Mr. Predictor
              3. Na-Palm [Explicit Lyrics]
              4. Nature's Finest: Naughty By Nature's Greatest Hits [Explicit Lyrics]
              5. Night Life [Explicit Lyrics] [CD-single]
              6. Okayplayer: True Notes, Vol. 1 [Explicit Lyrics]
              7. Overheated [Explicit Lyrics]
              8. Pimp to Eat
              9. Playaz Nite [Explicit Lyrics]
              10. Q.D. III Soundlab

              Soul Music

              soul music

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