No Man's Land
Editorial Reviews
Amazon.com
One thing is certain about Souls of Mischief, the razor- sharp quartet at the center of Oakland's Hieroglyphics crew (which includes Del the Funky Homosapien, Extra Prolific, and Casual): These people live and die for hip-hop. But the question on No Man's Land, the follow-up to an excellent debut, 93 'Til Infinity, is whether Souls of Mischief have sold their mischievous souls to the devil for a crack at a larger piece of the rap pie. Though they've long been favorites of rap purists, multiplatinum status has eluded the group for any number of reasons--sadly among them the antigangster, college-level rhymes of members A-Plus, Opio, Phesto, and Tajai. A quick listen to No Man's Land's tougher stance and gunshot sound effects, however, would cause anyone to guess the Hiero crew had compromised their just peace for a little chart action.
A closer inspection of the new album, though, will put at ease those who see Souls of Mischief as defenders of an unadulterated, showmanlike rhyme tradition. Even the group's slightly hardened attitude can't nullify the fact that Souls of Mischief's brand of old school hip-hop formalism resides far outside current rap fashions. In the face of today's smooth R&B flavors, No Man's Land comes without a single melodic hook. Tracks like "Rock It Like That" and "Ya Don't Stop" are as retro as their titles imply: Beats and spare jazz loops serve as shells for the raw exchanges of the verse and intricate interplay of the chorus. Even more than on their debut, Souls of Mischief focus less on what they're saying than on how they say it--the lyrics, therefore, are liable to be branded superficial. Ask the four Souls, though, and they'll tell you to leave the message to the preachers--in rap, it's all about the flow. --Roni Sarig
No Man's Land,Souls of Mischief,Jive,Pop,Rap,Rap & Hip-Hop,Soul/Reggae/Rhythm & Blues
No Man's Land
Average customer rating:
- A great introduction to the art of Placido Domingo
- This is really the best.
- If you like Placido at all, you must have this CD.
- Rare And Great Domingo Classics
- A real Bobby Dazzler
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Very Best of
Placido Domingo
Manufacturer: EMI Classics
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- Placido Domingo: A Love Until The End Of Time
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ASIN: B000083GOJ
Release Date: 2003-04-22 |
Tracks:
- Ill Mio Tesoro
- Un'aura Amorosa
- Dies Bildnis Ist Bezaubernd Schon
- La Ci Darem La Mano
- Vani Sono I Lamenti...Svegliatevi Nel Core
- Pays Merveilleux...O Paradis
- Quel Trouble Inconnu Me Penetre...Salut ! Demeure Chaste Et Pure (Faust, Act III)
- Ah! Tout Est Bien Fini... O Souverain, O Juge, O Pere (Le Cid, Act III)
- None But The Lonley Heart
- Lensky's Aria
- Donna, Non Vidi Mai (Manon Lescauy Act, II)
- Ah, Manon, Mi Tradisce
- Dammi I Colori...Recondita Armonia
- E Lucevan Le Stelle (Tosca, Act III)
- Ch'ella Mi Creda (La Fanciulla Del West, Act III)
- Dai Campi, Dai Prati (Mefistofele, Act I)
- Virgini Muse...Quando Al Soave Anelito
- O Sink Hernieder, Nacht Der Liebe
- Was Am Besten Er Kann...Hoho! Hohei!
Tracks:
- Se Quel Guerrier Io Fossi!...Celeste Aida
- Su, Profetessa...Di Tu Se Fedele
- Forse La Soglia Attinse...Ma Se M'e Forza Perderti
- O Tu Che In Seno Agli Angeli
- Su, Cacciator...Fontainebleau!...
- Niun Mi Tema
- Ach, Wie So Herrlich Zu Schau'n
- Sckenkt Man Sich Rosen In Tirol
- Gern Hab'ich Die Frau'n Gekusst
- O Vaterland...Da Geh'ich Zu Maxim
- Dein Ist Mein Ganzes Herz
- Mi Aldea
- Cancion Del Sembrador
- No Puede Ser
- Serenata
- Copillas De Belen
- Coplas Del Pastor Enamorado
- En Aranjues Con Tu Amor
- Jealousy Tango
- La Golondina
Amazon.com
Placido Domingo is a phenomenon, and every aspect of his artistry is on display in this 2-CD compilation, which includes arias from his signature roles in Italian, French, German, and Russian operas, and songs from Viennese and Spanish operettas. The original recordings range from the early 1970s to the present and show that though over the years his bright golden voice has taken on a darker, more burnished glow, it has retained the melting lyricism, the heroic ring, the thrilling top notes, and the focused intensity that make it instantly recognizable. (Comparing the Verdi arias included here with their counterparts of later vintage in the all-Verdi set The Tenor Arias bears this out.) The program demonstrates his stylistic and expressive versatility and his ability to instantly establish character and mood, from Lenski's sorrow (in Eugene Onegin), Cavaradossi's heart-rending despair (in Tosca), Otello's shattering agony, to Tristan's passion, Siegfried's exuberance, Faust's ardor (first in French by Gounod, then in Italian by Boito). In three Mozart arias, Domingo spins endless, perfectly shaped phrases with incredible breath control, then adds an oddity: the famous duet between Zerlina and Don Giovanni, a role he has not performed. Five Viennese operetta songs, one of which he also conducts, are delightful; there is a smile of pleasure in his voice, but not a hint of kitsch. By contrast, Tchaikovsky's "None but the Lonely Heart" is spoiled by an orchestration that is pure Hollywood. In the final Spanish group, he is on home ground and incomparable. This is a glorious record, a must for all lovers of great singing. --Edith Eisler
Customer Reviews:
A great introduction to the art of Placido Domingo.......2007-07-04
Placido Domingo, of course, is one of the finest tenors of the latter part of the 20th century. This 2 CD set well captures his talent, showing the range of his singing. We hear cuts from Puccini and Verdi to Tchaikovsky and Wagner to Strauss and Handel. And even a traditional Spanish sung and some operetta thrown in for good measure!
This is a wonderful introduction to his artistry, and shows that he can sing well across a variety of styles and eras. Let's sample some cuts:
"Il mio Tesoro" (from Mozart's Don Giovanni) is a difficult aria to sing well. And Domingo is up to the challenge. He displays a smooth and rich voice. His is one of those distinctive tenor voices, like Tucker's or Pavarotti's, that is quickly recognizable. This is, as noted, a challenging piece and Domingo handles it well, showing off considerable vocal agility in the process.
From the same opera, "La ci darem la mano," a sweet duet with, in this instance, soprano Susan Graham. This seductive work is sung well by both parties and is a ravishing version.
From Puccini's "Tosca," "Recondita armonia." At the close, his voice rises above orchestra and chorus. Overall, well and richly sung.
And now for something very different. . . The "Forging Scene" from Siegfried. One may not think of Domingo as a heldentenor, but he does a serviceable job here. His voice sometimes appears a bit light, but, overall, he does estimable work. He catches Siegfried's spirit as he forges the shattered remains of his father's sword, "Nothung." When he sings the name of his sword at the close, with the leitmotif ringing out from the orchestra, it is an affecting moment.
Then, "Celeste Aida" (from Verdi's opera). A stentorian voice well deployed to meet the challenges of this wonderful aria. Some tenors scoop as they move from those lower to the higher notes; Domingo's voice is well controlled here. The final high note is well hit.
Strauss (Junior's) "Ach, wie so herrlich zu schau'n" is a romp! A fun piece and well sung by Domingo. He demonstrates, as before, excellent vocal agility.
Lehar's "O Vaterland" is also fun. It is a sprightly tune sprightly sung.
Finally, he ends the second CD with a traditional Spanish tune--"La Golondrina." He does not overpower this work with operatic technique. He sings it well and affectingly.
So, all in all, if one wants a good introduction to Placido Domingo's vocal oeuvre, this is a very strong starting point.
This is really the best........2007-05-16
I have many of Mr. Domingo's recordings but I really love this one. He seems to get better with age. Some of the songs are on some of my other recordings but they seem new and fresh on this CD. I really think this is the best of Placido Domingo.
If you like Placido at all, you must have this CD........2005-04-06
Placido Domingo has been around for so long, it is easy to take this great artist for granted. I totally agree with the previous reviews of this album; I can also say that I had the opportunity to hear him live in concert on April 2, 2005 in Biloxi, Mississippi, and his voice is still stunning. His opening aria that night was the prayer from El Cid, "O Souverain," which he dedicated to the memory of Pope John Paul II. This piece is the 8th selection on CD 1, and is from a 1997 live recording. His thrilling finish blew me away when I listened to it the first time, and and the crowd on the recording reacts the same way the Mississippi audience did when we heard him. That aria alone is worth the price of this CD set.
Rare And Great Domingo Classics.......2005-03-08
EMI's "The Very Best Of" series is a wonderful way for the opera lover/novice or even connoisseur in training to get acquainted with the great singers of opera in the 20th century. It is possible that in a few years, the great singers of today (from the 90's up to now and further into the future) will grace the album covers of The Very Best Of...The Very Best Of Renee Fleming, The Very Best Of Salvatore Licitra, etc. This is not exactly the best of Domingo. It is more of a collection of rare and wonderfully expressive arias from operas that range all over the map- Mozart, Verdi, Puccini, Wagner, Meyerbeer, Gounod, Massenet. Now, here's the reason why so many people adore Domingo, myself included - Domingo is a Renaissance Opera Tenor. He has sung almost every tenor role in the opera universe. Even if he is, to some, the "tenor who sang with Pavoratti in the three tenors" he proves he's the strongest of the bunch, the most dedicated, the most prolific and most artistic. Domingo has a beautiful voice, with secure high register and dark, masculine middle chest voice and exciting dramatic electricity! He's sung more than 50 operas, in addition operetta and Spanish Zarzuela (the Spanish equivalent to musicals or operetta which is where he got started and his parents sung in Zarzuela) and he has also recorded Spanish mainstream love songs for Latin audiences. A winner of Grammies, an actor in movies about operas that he starred in (Tosca, La Traviata, Otello) and the most active tenor on tv broadcasts, he is just incredible and powerful.
He is a great force in opera.
Even in his old age, he does'nt seem to be slowing down or call it quits. Recent performances (2000-2005) include Eugene Onegin, the lead in Queen of Spades, Rasputin in Debra Dratell's Nicolas and Alexandra, Idomeneo and his next role Parsifal. He is the singular tenor who mastered every repertoire- Mozart (Don Ottavio, Tamino...unfortunately Domingo as Don Giovanni is a miscast because he is too noble and romantic and GOOD to be a bad guy)..to Puccini heros (Mario Cavaradossi in Tosca, Dick Johnson in Fanciualla Del West, Rodolfo in Boheme, Pinkerton in Madame Butterfly, Calaf in Turandot) Verdi heroes (Radames in Aida, Don Carlos, Stiffelio, etc) to the French repertoire...Gounod (Faust, Romeo) Meyerbeer heroes, Massenet hero (Des Grieux, Le Cid) and Saint Saens (Samson) the list goes on and on. When this man dies, an era will die with him. His legend will live on because he will leave behind dozens of albums, movies and memories......
A real Bobby Dazzler.......2004-02-19
Fans of Mr. Domingo would be lucky to find a selection of music that more profoundly explores and exhibits the diversity of his vocal ability and interpretation than is offered on these two discs. Delicious displays of Mozart, ringing renditions of the most challenging high Italian roles, powerfully rounded accounts of some of the heavy German/Russian repetoir, and some noticably nostalgic songs from the light Spannish tradition provide an impressive catalogue of the great man's rich, focussed, technically impecable and singularly beguiling vocal talent. Those who are yet to form an opinion on any particular genre of the operatic spectrum would do well to start here, so eclectic is this album. Also, you might be reassured to know that, should you become an admirer of P.D.'s talent as a result of listening to this compilation, (it is difficult to resist), you will have no trouble finding other recordings by him. A record-breaker with more than 110 roles to his repetoir (40 is a respected total for an opera singer), he is the most recorded tenor in history, leaving more than 80 complete accounts to date of operas in the Italian, French, German and Russian traditions.
Average customer rating:
- Robeson on wax
- The voice, the sound quality and the interpretation
- A Voice from the 40s, often dated, often moving
- Robeson at his best
- some of the greatest songs of the last century
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Songs of Free Men/ A Paul Robeson Recital
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ASIN: B0000029YJ
Release Date: 1997-12-09 |
Tracks:
- Balm in Gilead
- Chassidic Chant
- Quiet Flows The Don: From Border To Border
- Quiet Flows The Don: Oh, How Proud Our Quiet Don
- Elijah, Op. 70: The Lord God Of Abraham
- The Purest Kind Of Guy
- Joe Hill
- The Peat-Bog Soldiers
- The Four Insurgent Generals
- Native Land
- Song Of The Plains
- Cradle Song
- Within Four Walls
- By An' By
- Sometimes I Feel Like A Motherless Child
- John Henry
- Water Boy
- My Curly Headed Baby
- Mah Lindy Lou
- Wagon Wheels
- The House I Live In
- Showboat: I Still Suits Me
- Sylvia
- Showboat: Ol' Man River
- Porgy And Bess: It Ain't Necessarily So
Amazon.com
There was nothing like the Robeson sound, ever. To describe his deep, rich, perfectly equalized instrument is futile. Go instead to "Balm in Gilead," the opening track, and see if you can listen to the last pianissimo phrase without falling to pieces. Robeson was at his best when the music was slow and the words contained spiritual or social messages. Faster, lighter fare like Kern's "I Still Suits Me" or Gershwin's "It Ain't Necessarily So" find the serious-minded singer out of his element, lacking irony and swing. "Old Man River," though, gets a simple, dignified treatment. It's Songs of Free Men, though, that will just keep Robeson's artistry rolling along, especially in Sony's astonishing transfers. --Jed Distler
Customer Reviews:
Robeson on wax.......2007-06-19
I found this album in a thrift store last week, for a couple of dollars. It's the original pressing on four 78 RPM records, in a gatefold format. It's in pristine condition. I really bought it for the incredible cover art, although I hope to be able to listen to it in this format at some point.
The voice, the sound quality and the interpretation.......2004-09-24
Put this on your stereo and if it is good enough the depth and richness of Robeson's voice will make your fillings rattle and your chest rumble. The power of his voice is awesome. This CD is superbly recorded with no audible noise at normal listening levels.
A Voice from the 40s, often dated, often moving.......2002-09-01
"Red diaper babies" have greeted this disc with nostalgic joy, and it captures a time and an aesthetic and a political belief with precision. Anyone interested in the emotional life of the pro-Soviet left of the 1940s should buy this disc. It's something like Henry Wallace set to music. There is much more to Robeson than that, however, and Sony has given us Robeson whole: there are songs by American masters of the musical, there are labor songs, religious songs, as well as the kind of faux-folk songs which the butcher supreme Josef Stalin encouraged and which were not taken seriously inside the USSR (except at gunpoint!!) but which were taken up by dupes around the world. This is Robeson at his least savory - willing propagandist for a vile mass murderer. Songs such as "Native Land" (fittingly, Robeson is referring to the Soviet Union) and the Red Army song are the equivalent of the "Horst Wessel Song", anthems of murder, and it is difficult to listen to the worst of them without retching. On the other hand, Robeson's commitment to American folk culture was real. "Balm in Gilead" is deeply beautiful; "John Henry" is heroic; "By an' By" is both resigned yet hopeful. "Joe Hill" captures an era in labor history. Anyone interested in American popular song should hear these. Turning to Broadway, his "Old Man River" is very fine, though Robeson changed the lyrics for political reasons and Leonard Warren has done the song better. I disagree with the editorial reviewer: "I Still Suits Me" is wonderfully playful and shows Robeson using his gorgeously rich voice to tease and poke fun. However, Marc Blitzstein's "Purest Kind of a Guy" is beyond saving - another example of Robeson recording an unworthy song by a political fellow-traveller. Ugh. But for every miss there are two hits. Robeson performs Mendelssohn's Elijah with nobility, and sings his favorite song, "Water Boy", with joyous pride: "There ain't no hammer that's on these mountains that rings like mine, boys, that rings like mine."
No one need have any fears about the mono sound quality. The orchestra in the second half of the program is at times a little dwarfed by Robeson's voice, but it generally sounds clean and colorful, and the great artist's voice rings like no other.
Robeson at his best.......2000-05-12
It's hard to believe that most of these recordings pre-date the advent of magnetic tape: the CD transfer is superlative. The songs and performance are beyond reproach. Notable is the imaginative packaging in miniature 'record album' format, complete with the original cover art, and a replica of the original Columbia record label applied to the CD.
In response to a previous question: Robeson's performance of Danny Boy (Londonderry Air) can be found on the Vanguard LP entitled "Robeson" (VRS-9037).
some of the greatest songs of the last century.......2000-05-05
In the 1940s, before rabid McCarthyism and racism had taken its toll on him, Robeson made these wonderful recordings of spirituals, classics and pop tunes. Accompanied by the solo piano of the incomparable Lawrence Brown, or by an orchestra, the songs ring out with pride, dignity, skill and unmatched integrity. The shameful treatment that Robeson was subject to from American authorities certainly seem grotesquely absurd to a modern listener. The wonderful version of "The House I Live In" included on this cd should forever kill off any suspicion that Robeson did not love his country deeply. This album ought to be heard by millions of people, world wide. Robeson's voice is nothing less than a glorious high point in 20th century music, and it's hard to think of any recording capturing it to greater advantage.
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- Aaron Copland
- Best Collection of Aaron Copland
- The finest version of Appalachian Spring -- bar none!
- Outstanding Collection of Copland Music
- Breathtaking, beautiful and aweinspiring!
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Aaron Copland: Greatest Hits
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ASIN: B000003F5S
Release Date: 1991-09-06 |
Tracks:
- Fanfare For The Common Man
- Appalachian Spring
- The Tender Land: Party Scene
- The Tender Land: Finale: The Promise of Living
- Billy the Kid -- Ballet Suite
- Rodeo: Hoedown
Customer Reviews:
Aaron Copland.......2007-05-13
It's okay but I dont listen to it much. I have other things I would rather listen to like Chris Isaak Lawrence Welk Bee Gees etc
Best Collection of Aaron Copland.......2005-12-21
Aaron Copland is for me one of three of America's greatest composers of the 20th Century. Bernard Herrmann and Jerome Moross are the other two. Aaron Copland would have been 100 years old on November 14, 2000. In reflection I turn back to my first Copland album, "Copland's Greatest Hits." I was familiar as most people are with "Hoe Down" and that was the springboard for me. What attracted me was that distinctive "American" sound and "American" quality of the piece. This "American" sound is very present in Jerome Moross' score for the epic Western film, "The Big Country." One can also find similar influences in Bernard Herrmann's score for "The Kentuckian" and very much like Copland, Herrmann researched and interpolated regional folk songs and integrated them into his own unique style. Because I always liked film scores and also very much liked Copland's "Hoe Down" I always thought there had to be some connection with the musical approach. When I got this album and listened to "Appalachian Spring" for the first time I knew that I had discovered pure "Americana" and I have found that sound replicated in so many films. If you listen to the scores for "The Natural" or "Field of Dreams" or even recently to "Saving Private Ryan" this sound is present. This is a tribute to Copland and American music. Copland reinvented American music by giving it his unique structure. Copland's music is so simply melodic yet richly textured that it has an inherent sophistication that defines our nation. This is my favorite Copland album. That may be sentimental, but it helped me try to define a sound that I personally found moving and uplifting. I highly recommend this album of collected recordings. The recording of "Appalachian Spring" on this CD performed by the New York Philharmonic and conducted by Leonard Bernstein is my favorite recording of this piece to date.
The finest version of Appalachian Spring -- bar none!.......2001-12-09
I marvel at this CD every time I listen to it. This CD features Aaron Copland conducting the Boston Symphony in a performance of his own Appalachian Spring. There are many poignant hesitations and nuances in this performance. There is good reason why this piece has become synonymous with Americana -- listen to it, close your eyes and just let the images unfold.
This CD also contains Eugene Ormandy conducting the Philadelphia Philharmonic in the Billy the Kid Ballet Suite. It is a spectacular performance as well.
Outstanding Collection of Copland Music.......1999-11-09
Every cut on this CD is very good. My personal favorites are "Appalacian Spring", and the "The Tender Land - Finale: The Promise of Living." I would recommend this CD to anyone who is a fan of Classical Music.
Breathtaking, beautiful and aweinspiring!.......1999-07-12
This is no doubt one of the most beautiful classical CD's I have ever listened to. Copland was and is an extremely gifted composer.
Average customer rating:
- not to great
- Not so bad, 100 tunes for 4$
- You get what you pay for.
- Now I know why there were no song samples to listen to ...
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100 Favorite Patriotic Songs
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ASIN: B0000A1HT8
Release Date: 2003-08-12 |
Tracks:
- America the Beautiful
- All Quiet on the Potomac Tonight
- Ballad of the Green Berets
- On Top of Old Smokey
- Coyote Warrior
- Semper Fidelis
- Breeze from Alabama
- Onward Christian Soldiers
- Come Where My Love Lies Dreaming
- Patriot
- Sweet Betsy from Pike
- Marines' Hymn
- America Is
- When Johnny Comes Marchin' Home
- Happy the Soldier
- American Trilogy
- Home Sweet Home
- Washington Post March
- Enraptured I Gaze
- Jeannie With the Light Brown Hair
- Yellow Rose of Texas
- Over There
- Simple Gifts
- Liberty Bell
- Star Spangled Banner
Tracks:
- God Bless the USA
- Yankee Doodle Dandy
- Katy Cruel
- I Vow to Thee My Country
- King Cotton
- Beautiful Dreamer
- America
- American Patrol
- Mine Eyes Have Seen the Beauty
- Mohican Dream
- Red, White and Blue
- Some Folks
- Liberty Song
- Pomp and Circumstance
- Hail to the Chief
- Bennington Rifles
- Peace on the Battlefield
- I've Been Working on the Railroad
- Under the Double Eagle
- Red River Valley
- My Country 'Tis of Thee
- Camptown Races
- Wild Blue Yonder
- Hands Across the Sea
- Fanfare for the Common Man
Tracks:
- Stars and Stripes Forever
- Living in America
- Home on the Range
- Old Colony Times
- Clementine
- Invincible Eagle
- Ring Ring de Banjo
- Yankee Doodle
- Largo from "The New World"
- To a Wild Rose
- Hail Columbia
- Alexander's Ragtime Band
- Gettysburg
- Carry Me Back to Old Virginny
- Capitan
- Prairie Daughter
- Little Brown Jug
- Marching Through Georgia
- Entertainer
- Steamboat Around the Bend
- Revolutionary Tea
- Cassions Keep Rollin' Along
- Johnny Has Gone for a Soldier
- Amazing Grace
- Grand Old Flag
Tracks:
- God Bless America
- National Emblem
- Soldier, Soldier Won't You Marry Me
- Anchors Away
- Oh, Susannah
- Tramp, Tramp, Tramp
- Toast
- Dixie
- St. Louis Blues
- Appalachian Spring
- Bonnie Blue Flag
- Old Hundreth
- Swanee River
- Battle Cry of Freedom
- U. S Field Artillery
- Sidewalks of New York
- Chester
- Auld Lang Syne
- Kingdom Come
- My Old Kentucky Home
- Hail to the Spirit of Liberty
- Battle Hymn of the Republic
- Shenandoah
- Abraham's Daughter
- This Land Is Your Land
Customer Reviews:
not to great.......2007-04-04
We were disappointed with this CD, but for the price I guess we can't expect much. I didn't care for the new style presentation of the songs. I like a more traditional rendering.
Not so bad, 100 tunes for 4$.......2005-06-22
I red the comments of two other people who have bought this 4 CD BOX SET and it is not really so bad. I will even add that there are some excellent tunes. However, I must agree with the fact that few tunes seem to have been recorded 40 or 50 years ago, mainly when you hear the scratches of an old turntable but it is just 2 or 3 tunes. Furthermore, if you do not know American music, it is a good BOX SET to buy if you consider that you received 4 CD for 4$ including 100 tunes. On these 4 CD, I have heard some orchestration that I have never heard before and I consider that they are different but interesting. Any way, after hearing these 100 tunes, you will say to yourself that you like this tune, this other tune, this other tune and so on and you will be able to buy a more expensive CD with the tunes that you like. However, I have bought many CDs in the last few weeks and as you know, there are always some tunes that you like and some tunes that you do not like on every CD that you will buy. So, don't buy it at 25$ but at 4 or 5$ dollars, it is a very good choice for 100 tunes.
You get what you pay for........2004-07-04
You get what you pay for. The singers put their own spin on the singing of each song. If you didn't hear the words you would not recognize some of them. Even some of the music sounds like a bad recording of music played on a turntable. Definitely not worth the price.
Now I know why there were no song samples to listen to ..........2004-07-04
I wish this review had been here when I was thinking of purchasing it. I guess you get what you pay for. If you are thinking of buying this, you are better off recording your own CDs (or at least buying one that you can listen to a sampling of the songs). This album includes songs that were mere recordings of the songs playing on an old record player. It's almost so unbelievable that it is funny.
Average customer rating:
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Handel: The Masterworks (Box Set)
Manufacturer: Brilliant Classics
ProductGroup: Music
Binding: Audio CD
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ASIN: B00062FLI8
Release Date: 2004-11-30 |
Average customer rating:
- No Man's Land Is Where They Ended Up Sometimes (3.5 Stars)
- so fresh
- SOM proves they are FRESHDOPEDOPE
- Revisting Souls of Mischief "DEUX". . . .
- Not nearly as bad as I thought...
|
No Man's Land
Souls of Mischief
Manufacturer: Jive
ProductGroup: Music
Binding: Audio CD
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- 93 'Til Infinity
- Fear Itself
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ASIN: B000000526
Release Date: 1995-10-10 |
Tracks:
- So You Wanna Be A...
- No Man's Land
- Rock It Like That
- Secret Service
- Fresh Dope Dope
- Where The F*** You At?
- '94 Via Satellite
- Do You Want It?
- Come Anew
- Bumps**t
- Ya Don't Stop
- Yeah It Was You
- Hotel, Motel
- Fa Sho Fo Real
- Dirty D's Theme (Hoe Or Die)
- Times Ain't Fair
Amazon.com
One thing is certain about Souls of Mischief, the razor- sharp quartet at the center of Oakland's Hieroglyphics crew (which includes Del the Funky Homosapien, Extra Prolific, and Casual): These people live and die for hip-hop. But the question on No Man's Land, the follow-up to an excellent debut, 93 'Til Infinity, is whether Souls of Mischief have sold their mischievous souls to the devil for a crack at a larger piece of the rap pie. Though they've long been favorites of rap purists, multiplatinum status has eluded the group for any number of reasons--sadly among them the antigangster, college-level rhymes of members A-Plus, Opio, Phesto, and Tajai. A quick listen to No Man's Land's tougher stance and gunshot sound effects, however, would cause anyone to guess the Hiero crew had compromised their just peace for a little chart action.
A closer inspection of the new album, though, will put at ease those who see Souls of Mischief as defenders of an unadulterated, showmanlike rhyme tradition. Even the group's slightly hardened attitude can't nullify the fact that Souls of Mischief's brand of old school hip-hop formalism resides far outside current rap fashions. In the face of today's smooth R&B flavors, No Man's Land comes without a single melodic hook. Tracks like "Rock It Like That" and "Ya Don't Stop" are as retro as their titles imply: Beats and spare jazz loops serve as shells for the raw exchanges of the verse and intricate interplay of the chorus. Even more than on their debut, Souls of Mischief focus less on what they're saying than on how they say it--the lyrics, therefore, are liable to be branded superficial. Ask the four Souls, though, and they'll tell you to leave the message to the preachers--in rap, it's all about the flow. --Roni Sarig
Customer Reviews:
No Man's Land Is Where They Ended Up Sometimes (3.5 Stars).......2006-07-02
It seems like a lot of reviewers think that the Hieroglyphics can do no wrong on some tracks, by trying to judge this on it's own merit or saying it's better than '93 Till Infinity. I myself decided to listen to this album, and beg to differ with the reviews here.
No Man's Land is a nice album is a "freshdopedope" album most of the time. For the most part, the production is like most 90's Hiero albums, funky jazzy loops. Also for the majority, S.O.M. members stay on track with their rhymes. The track "No Man's Land" and "Freshdopedope" are some prime examples of the excellence that they come on the album.
Some Hiero members come to join the Soul's on some tracks. Del Tha Funkee Homosapien makes a notable appearance on the track "'94 Via Satellite", and Pep Love rhymes on a track by himself on "Yeah It Was You".
Unfortunately this album flaws in some ways. Tracks like "Where The F*** You At?" and "Rock It Like That" are easily forgetable. Also, the production saves a lot of tracks from being medicore. With the production that sounds a little deeper than their first album, it comes off quite well that a lot of listeners don't hear some of the lyrics that Soul's say. Also I think that the skits were pointless in some ways.
Overall, production would play a huge part of this album. Otherwise it would be medicore at some points. Lyrically
S.O.M. are decent on some tracks and good on others. What I think is that one member, say Phesto would shine and Opio would come off weak on something like "Fa Sho Fo Real" but then Opio would go strong and Phesto get weak on "Times Ain't Fair". Many tracks, there is this type of consistancy (along with Tajai and A+ in the mix). Other than that, this album is decent for the most parts. Many Hiero fans didn't like this album, but I think that it has it's strong points and some weak points. Give it a listen and check it out and judge for yourself. I recommend this to many Hiero fans, if they don't own this already.
Lyrics: B-
Production: B+
Musical Vibes: B
Overall: B-
Favorite Tracks: Freshdopedope, '94 Via Satellite, Fa Sho Fo Real, Times Ain't Fair, Do You Want It?, Secret Service
Also, the track "Cab Fare" was a demo for this album that was cut when it was released. It may be on a Hiero Oldies album.
so fresh.......2005-12-28
i like it more than 93' til infinity. Everybody wants it only one crew got it...
SOM proves they are FRESHDOPEDOPE.......2003-11-21
People and critics too often tend to judge sophomore albums in comparison to their first releases. This is simply an unfair and ignorant approach. Each album should be judged for what it is...an album, reflecting the artist(s) at that time.
Cast in the shadow of a groundbreaking debut LP; No Man's Land, Souls of Mischief's (A-Plus, Opio, Phesto & Tajai) sophomore LP is everything a follow-up album should be. It's creative, lyrically brilliant and the beats are incredible. Most importantly, SOM didn't try to fashion "No Man's Land" after the much celebrated "93 'til Infinity." 2 years later ('95), SOM has matured and marinated in supreme success of their debut, and they've shown that they've improved themselves.
The vibe of this album as a whole is much darker and serious than "93", while SOM still manages to stun everyone with their creativity and talent. They get even more props on the fact that they've managed to do it a second time. Every track is sick, and if you don't feel it at first, it grows on you in no time.
As an entire album, it's not as good as "93", but this LP does contain my three favorite Souls tracks ever:
"Ya Don't Stop" (track #11), amazing beat and rediculous rhyming. This track is "No Man's Land"'s "93 'til Infinity" (single) equivalent.
"Freshdopedope" (#5), one of the best dark beats I've ever heard. The dirty rhymes over the beat is hypnotic.
"Time's Ain't Fair" (#16), my favorite SOM track. A feel good track...just listen.
Production is kept in the family, with A-Plus and Opio taking most of the credit. Other producers include, Del, Jay-Biz, Toure, Casual & Snupe of Extra Prolific. Guest Appearances by Del, Pep Love and Snupe.
Bottom Line: Mad props to SOM, they've done it again. If you've heard bad things - don't believe the ignorant, this album is amazing. 4.5 stars. Peace.
Revisting Souls of Mischief "DEUX". . . ........2003-04-13
"if you didn't list this as your favorite you simply didn't listen CLOSELY"
tajai - 8) do you want it. after revisting this cd 8 years after its release I truely understand the genius and lyricism behind it. this cd suffers the same as nas' - it was written and das efx's straight up sewaside. these albums all followed CLASSIC material the same as No Man's Land following 93' Til Infinity and therefore were written off as being subpar albums. After relistening with a maturer mind and amongst the crisis of quality product in Hiphop I truely appreciate what this album contributed to the movement. . . .ADD this album to your collection "its a no brainer". i'm afraid if we don't archive these albums in our collection our youth/children won't know what (art) real Hiphop and mc'ing is - ...
Not nearly as bad as I thought..........2002-12-12
After hearing everybody completely bury this CD, I was expecting an abomination. But I was surprised. It's definitely no '93 'til Infinity - the beats and rhymes aren't as nice. And A-Plus has taken a downhill dive. He was my favourite on '93 'til, but now his rhymes are really weak. Phesto's improved and is now clearly the best lyricist, but I don't like his new style. He has some odd enunciation habits that vex me. But yeah... It's a solid CD. Expect another '93 'til and you're bound to be disappointed. I've only ever known Tribe and OutKast to actually improve on a classic debut. A word of warning though- Don't listen to track 2 - 'No Man's Land'. The jazzy saxophone loop is one of the most addictive I've ever heard. I can't get it out of my head.
Average customer rating:
- Arguably "The Best" English "Merry Widow "
|
Léhar: The Land of Smiles; The Merry Widow; The Count of Luxembourg (Highlights)
Manufacturer: Class. for Pleas. Us
ProductGroup: Music
Binding: Audio CD
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- The Merry Widow
ASIN: B00009KHY2
Release Date: 2003-09-02 |
Customer Reviews:
Arguably "The Best" English "Merry Widow ".......2006-09-12
This is the "Merry Widow" with English translation by Christopher Hassel sung by June Bronhill. I loved this rendition ever since I first heard it in about 1960. What's to love? First the translation is the best I've heard. The language doesn't sound "stilted" as some others. And, you can understand almost every word sung. Plus, the famous song, "Vilja" has some wording that moves me every time I hear it: The soprano sings, "Love me and I'll DIE for you!" with the word "die" somewhat emphasized. I don't know, there's just something "powerful" about someone saying they'd "die" for love! AND, at the end of "Vilja" the chorus and soprano raise to a crescendo hitting a high note together. In many renditions the chorus is heard but not the soprano on the final high note. In THIS version, the soprano, June Bronhill, can be heard rising to the final high note with an incressing crescendo and fortissimo louder than the chorus and holding the final high note---which gives a very thrilling effect as she holds that final note, I assure you!
The "problem" is that this June Bronhill, Reid, and Hassel version is hard to find on CD. For example, this CD is made in Holland and "there is one left" so it says on Amazon. But, if you can find it, I think it would be very much worth a listen. Then, after hearing it, if you think there's a "better" Merry Widow, please let ME know! Thanks. Email:boland7214@aol.
Average customer rating:
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This Is My Country
Manufacturer: RCA
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ASIN: B000003FEX
Release Date: 1993-07-13 |
Tracks:
- Fanfare For The Common Man
- Grand Canyon Suite: On The Trail
- America The Beautiful
- The Battle Hymn Of The Republic
- Shenandoah
- America
- Variations on 'America'
- Rodeo: Hoedown
- St. Louis Blues March
- Yankee Doodle
- Dixie
- Strike Up The Band
- American Salute ('When Johnny Comes Marching Home')
- Medley
- Semper Fidelis
- The Stars And Stripes Forever
- The Star - Spangled Banner
- God Bless America
Customer Reviews:
Average.......1999-05-03
This CD is only average as a whole. It's selection of music includes most of the great traditionally American anthems and songs, but totally ignores others. The music was mostly too loud to my ears also, and I did not like the modernist renditions of some of them. "America The Beautiful" in particular was far too heavy handed and operatic to be enjoyable. Also, just so you know -- there are a total of 18 songs on this CD; I don't know why Amazon only lists 5.
Average customer rating:
|
The Greatest Brass Collection
Manufacturer: Intersound Records
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ASIN: B00004SG4N
Release Date: 2000-04-18 |
Average customer rating:
|
Marilyn Horne - Divas in Songs (A 60th Birthday Celebration) with Caballé, Donath, Fleming, Swenson, von Stade, Levine, Ramey, Bjarnason
Benjamin Britten , Franz Schubert , Aaron Copland , Gustav Mahler , Enrique Granados , Richard Strauss , Johannes Brahms , Arnold Schoenberg , Johann II Strauss , Stephen Foster , Joaquin Turina , Franz Lehar , John Kander , Johann Paul Aegidius Martini , Richard Rodgers , Jerome Kern , William Bolcom , Sergey Rachmaninov , Marilyn Horne , Montserrat Caballé , Warren Jones , Martin Katz , Frederica von Stade , Reneé Fleming , Manuel Burgueras , Helen Donath , Klaus Donath , Fritz Lohner , Olafur Bjarnason , Oscar II Hammerstein , James Levine , and Samuel Ramey
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
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ASIN: B000003FOY
Release Date: 1994-09-13 |
Tracks:
- Let The Florid Music Praise - Renee Fleming
- Der Musensohn - Frederica Von Stade
- Vocalise - Ruth Ann Swenson
- Lob Des Hohen Verstands - Marilyn Horne
- Quejas, O La Maya Y El Ruisenor - Montserrat Caballe
- Zueignung - Helen Donath
- Von Ewiger Liebe - Marilyn Horne
- Standchen - Renee Fleming
- Arie Aus Dem - Frederica Von Stade
- Voci Di Primavera - Ruth Ann Swenson
- If You've Only Got A Moustache - Marilyn Horne
- Cantares - Montserrat Caballe
- Vilja-Lied - Helen Donath
- A Letter From Sullivan Ballou - Renee Fleming
- Plaisir D'amour - Marilyn Horne
- Dein Ist Mein Ganzes Herz - Olafur Bjarnason
- Oh, What A Beautiful Mornin' - Helen Donath
- Ol' Man River - Samuel Ramey
- Amor - Frederica Von Stade
- At The River - Marilyn Horne
- Finale - Marilyn Horne/Montserrat Caballe/Helen Donath/Renee Fleming/Ruth Ann Swenson/Frederica Von Stade...
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