Lose It [CD-single] [Import]

Track Listings

1. Explicit Version

2. Extended Version

3. Instrumental Version

Editorial Reviews
Product Description
First Single from Elliott's Album 'the Cookbook'.

Lose It,Missy Elliott,Wea International,5"CD Singles,Hip-Hop,Pop,Pop-Rap,Rap,Rap & Hip-Hop,United States of America,Urban

Tracks:

Overture
Night Of The Stars
Gotta Have Me Go With You
Norman At Home
Pasion Oriental
The Man That Got Away
Cheatin' On Me
'I'm Quitting The Band...'
The Man That Got Away (Instrumental Version)
Esther In The Boarding House
Oliver Niles Studio
Esther's Awful Makeup
First Day In The Studio
Born In A Trunk (Medley)
Easy Come, Easy Go
Here's What I'm Here For
The Honeymoon
It's A New World
Someone At Last
Lose That Long Face
Norman Overhears The Conversation
It's A New World (Alternate Take)
The Last Swim
Finale - End Credits
When My Sugar Walks Down The Street
The Trinidad Coconut Oil Shampoo Commercial

Customer Reviews:

Forgive the cheesy title, but a star is re-born once again........2007-07-09

In 1954, Judy Garland gave the most acclaimed performance of her career as a musical movie star in George Cukor's musical remake of the 1937 straight-up drama A Star Is Born. After its premiere, the film was heavily edited and would not be seen in its near complete form again for nearly thirty years. Judy was nominated for an Academy Award for her performance, but lost to Grace Kelly, to the chagrin of many Garland fans to this day, as well as many celebrities of the day. (Groucho Mark famously called it the biggest robbery since Brinks.)

In all that mess, the soundtrack was released by Columbia on vinyl record in mono and has since never been out of print and was a best-seller for years. In 1988, Columbia took the musical numbers and the overture directly from the film's stereo soundtrack (As, sadly, stereo soundtrack masters no longer existed.) and released those onto CD. The sound quality was somewhat horrendous, but digital audio was still in its infancy and not much else could be done.

In 2004, for the film's 50th anniversary, Columbia, Legacy, and Sony Music Soundtrax released this incredible new expanded remastered CD reissue of the film's soundtrack. This is the most complete soundtrack you can find and it's definitely worth upgrading from your 1988 CD release.

This CD contains not only all of the songs, including an extended intro to The Man That Got Away which was shortened in the film as well as the complete intro to Gotta Have Me Go With You, but also contains a near complete release of the instrumental score, which includes whole tracks and parts of tracks that were not used in the film, as well as an alternate vocal take of It's A New World, the deleted When My Sugar Walks Down The Street segment from Born In A Trunk, and a static-y complete version of The Trinidad Coconut Oil Shampoo Commercial, which was taken from a worn acetate playback disc - the only complete recording in existence.

The soundtrack is taken from a mixing and matching of several elements, such as acetate playback discs, the original Columbia mono soundtrack album masters, and the film's 4-track stereo soundtrack, among others. This means that the soundtrack goes back and forth from being stereo and mono. However, this does not detract from my listening experience any, and frankly, I can't tell much of a difference. One interesting note is that Gotta Have Me Go With You uses both the film's soundtrack and the mono soundtrack album masters to create a faithful listening experience, from the mono instrumental intro to the song itself, which except for a short portion, is taken from the film's 4-channel soundtrack. (The mono portion of the vocal part was used to edit out some plot-related screams that were present in the 1988 release. This method of retaining the aural integrity of Gotta Have Me Go With You was also used when it was included on the Rhino Records compilation Judy Garland In Hollywood: Her Greatest Movie Hits.)

Despite the fact that this soundtrack is taken from several different surviving elements and sadly not from a single set of elements, as Warner Bros. didn't have the foresight to save everything like MGM and Disney did, this is an excellent presentation of this landmark soundtrack. The sound quality for the most part is excellent, and the liner notes are also wonderful. Garland historian John Fricke writes a small essay on the production of the film and an annotated guide to the soundtrack, which gives a synopsis of the plot and also indicates where the tracks from the CD appear in the film. Producer Didier C. Deutsch also writes a small essay on the creation of this CD release, giving notes on the elements and some specific tracks.

Amazon is offering this soundtrack at an excellent price, and I have to say, it's a bargain for a soundtrack of this caliber and sound quality. Any Garland fan or movie soundtrack fan should have this in their collection.

A Star Is Born Soundtrack Review.......2007-01-10

A really excellent soundtrack to go with an excellent movie. This is some of Judy Garland's best material in both music and acting. The power of her voice on "The Man That Got Away" is amazing. "Born In A Trunk", "It's A New World", "Someone At Last" and "Lose That Long Face" are other recommended tracks. This is a MUST HAVE for all you Judy Garland fans.

Judy at her peak!.......2006-05-30

Judy Garland's finest film work was "A Star Is Born." Because she and her husband, Sid Luft, were also the producers, it was the most intensely involving production she had ever undertaken. The laser focus of her brilliant talent was never before realized on film to this degree. Also, she had gained tremendous personal confidence due to the unprecedented audience response to the concerts she had done between her MGM films and ASIB. The love with which the live audience embraced her, brought new heights to her acting as well.
The production values of the film were top of the line and it shows on this fine CD. It's a chance to experience Judy's talent on a more intimate basis without the visuals.
A must-have for every serious Garland collector.

a "Star" shines like never before..........2005-04-27

This reissued remaster of A STAR IS BORN is a must-own for fans of the movie, and in particular those who were somewhat dissatified by the previous CD edition (CK 44389). That edition was great for offering us most of the main numbers in stereo/mono mix but was marred by poor analogue distortion and other remastering problems (though this was the best that could have been done at the time). This new edition (CK 65965) presents the entire score, including background and incidental sections as well as the cut material, in a sparkling new package.

The big bonus for getting this latest edition is for Garland's complete rendition of "The Trinidad Coconut Oil Shampoo Commercial" (without the dialogue of James Mason). This has been taken from a rare acetate master, so while the sound quality is not the best, having the number complete without interrupting dialogue is a more than ample compensation. You will notice too that "Lose That Long Face" has been newly mastered from a better stereo source (cutting out the thunder-crashes that were heard on the first CD master, and Garland's singing no longer has those violent analogue fluctuations during the introduction). "Gotta Have Me Go with You" is now presented without the screams and noises, in a new master from the mono soundtrack.

"When My Baby Walks Down the Street", a section cut from the "Born in a Trunk" sequence, has been added as a bonus track. This sparkling-new STAR IS BORN reissue is a great tribute to what is most definitely Judy Garland's greatest hour on film.

Musical perfection of the highest magnitude!!!.......2005-02-25

Was there ever a more perfect voice than the one possessed by Judy Garland? Powerful yet gentle. Dynamic yet restrained. Bone-chilling yet soothing. She had the pipes!

And her instrument was showcased at its best in the music from her triumphant "A Star is Born".

This expanded version is a bona-fide treasure with the highlight being Garland's earth-shattering "The Man That Got Away," presented with vocals and several instrumental versions. Along with "Somewhere Over the Rainbow," "Have Yourself a Merry Little Christmas," and "The Trolley Song", "The Man That Got Away" is an essential for Garland fans, as well as those that know a good song when they hear it.

The fifteen-minute medley that was featured in the film as the "introduction" of "Vicki" to the public is another outstanding track, featuring "Born in a Trunk", "Suwanee," and "My Melancholy Baby," all exquisitely performed by the legendary talent.

Clocking in at just under eighty minutes, the soundtrack to the classic film is, indeed, in a class by itself, and deserving of repeated listening, maintaining its "freshness" after more than five decades.

You Gotta Walk It Like You Talk It ... Or You'll Lose That Beat

Average customer rating:

You Gotta Walk It Like You Talk It ... Or You'll Lose That Beat
Walter Becker , and Donald Fagen
Manufacturer: El Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B000FJHW6G
Release Date: 2006-06-26

Tracks:

Dog Eat Dog
Red Giant/Green Dwarf
You Gotta Walk It Like You Talk It
If It Rains
Flotsam & Jetsam
Roll Back the Meaning
War & Peace
You Gotta Walk It Like You Talk It (Reprise)

Album Details

Re-issue of Steely Dan's Greatest Rarity, the "You've Got to Walk it Like You Talk It" Film Soundtrack by Donald Fagen and Walter Becker Recorded in 1971.

Sondheim At The Movies: Songs From The Screen (Studio Cast Re-recordings)

Average customer rating:

What can you lose?
Pleasant overall, with some invaluable rarities

Sondheim At The Movies: Songs From The Screen (Studio Cast Re-recordings)

Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

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Saturday Night (2000 Off-Broadway Revival Cast)
Marry Me A Little (1981 Original Off-Broadway Cast)
Bounce (2003 Original Cast)
Sunday in the Park With George (2006 London Revival Cast)
The Frogs / Evening Primrose (2001 Studio Cast)

ASIN: B000001512
Release Date: 1997-09-09

Tracks:

Back In Business - Alet Oury, Julie Alderfer, Farah Alvin, Heidi Godt, Kelli Shrewsbury, Gretchen Weiss
Dawn - Jolie Jenkins, Bryan Batt, Danny Burstein, James Hindman
The Glamorous Life - Cassidy Ladden
What Can You Lose? - Guy Haines
More - Jennifer Simard
Stavisky Suite One - Orchestra
Sand - Christiane Noll
It Takes All Kinds - Bryan Batt, Danny Burnstein, Robert Randle, Jim Ryan, Kevin Pariseau, Alec Timerman
Little Dream - Susan Egan
Stavisky Suite Two - Orchestra
Sooner Or Later - Jane Krakowski
Stavisky Suite Three - Orchestra
If You Can Find Me, I'm Here - Gary Beach
I Remember - Liz Callaway
When - Liz Callaway, Gary Beach
Take Me To The World - Liz Callaway, Gary Beach
Goodbye For Now - Orchestra

Amazon.com

The premier stage composer of his time, Stephen Sondheim has also contributed a substantial body of work to the big and small screens, explored in this 65-minute collection by the Varèse Sarabande stable of artists. The best known is Warren Beatty's 1990 live-action cartoon Dick Tracy, which won Sondheim an Oscar for "Sooner or Later" (covered here by Ally McBeal's Jane Krakowski). This CD includes "Back in Business" as well as the three songs also released on Madonna's movie tie-in album. Other rarities include "Dawn" and "Sand" from the unproduced film project Living Out Loud, the revised version of "The Glamorous Life" written for the 1978 feature film, and "It Takes All Kinds" from The Bird Cage. Orchestral selections include three suites taken from the film score of Stavisky and the gorgeous ballad "Goodbye for Now" from Reds. The major piece here is five songs written for the 1967 television drama Evening Primrose and covered by golden-voiced Liz Callaway and Gary Beach. The recording may not have the star power of an earlier recording by Mandy Patinkin and Bernadette Peters, but it's simply and effectively performed here. --David Horiuchi

Customer Reviews:

What can you lose?.......2000-01-29

Sondheim's little-known work for the big and small screen get presented in this enjoyable compilation. Fans of Sondheim's stage work might be extremely surprised to find the master trying his hand at several pop-flavored tunes. Gary Beach and Liz Callaway do a magnificent job with the four songs from "Evening Primrose" (and is my preference over Mandy Patinkin's over-hysterical rendition with Bernadette Peters), with particular beauty found in the stunning duet "When?"

Sondheim even tries the cheesy disco thing, with "It Takes All Kinds", cut from "The Birdcage". A more thrilling piece of ear candy has never been heard. Although the movie version of "Glamorous Life" can be heard on one or two other compilations and the movie soundtrack, this is one of the best.

I wish the album was truly comprehensive (tracks which have gotten more exposure, such as "Sooner or Later" "Can That Boy Foxtrot" and "Water Under the Bridge" are omitted), but the gems it contains more than compensates. An important album in any Sondheim fan's collection

Pleasant overall, with some invaluable rarities.......1999-05-07

The best moments from this umpteenth collection of music by Broadway supercomposer Stephen Sondheim are the (remarkably dissimilar) selections from 1990's "Dick Tracy" and the obscure 1960's TV musical "Evening Primrose," some of which have never before been recorded. Other items are less memorable, including some regrettable disco/80's pop pastiches from "Singing Out Loud" and "The Birdcage." The selections from "A Little Night Music" and "Stavisky" received sharper performances in the original soundtrack recordings ("The Glamorous Life" can be found appended to the newly remastered Sony/Columbia recording of "Night Music"s original cast; the complete soundtrack to "Stavisky" is available packaged with the must-have 1985 concert recording of "Follies."). This CD should be invaluable to avid Sondheim collectors for the "Primrose" numbers, dynamically sung by Gary Beach and Liz Callaway. Those less fanatic will probably find this a pleasant and workmanlike, but not particularly outstanding recording.

Average customer rating:

Unsung Sondheim
Valuable only if you don't have any of these songs elsewhere

Unsung Sondheim
Various Artists
Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

General | Musicals | Broadway & Vocalists | Styles | Music

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Marry Me A Little (1981 Original Off-Broadway Cast)
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Company (2006 Broadway Revival Cast)
Grey Gardens - A New Musical (2006 Original Broadway Cast)

ASIN: B000067CMJ
Release Date: 2002-06-04

Tracks:

Saturday Night - Stan Chandler
Love's A Bond - Walter Wilson
All For You - Davis Caines
In The Movies - Marilyn Cooper
What Can You Lose? - Judy Kuhn
Incidental Music From 'Invitation To A March' - Dave Rodgers
That Old Piano Roll - Lynnette Perry
They Asked Me Why I Believe In You - Rebecca Luker
No, Mary Ann - Jason Crade
Truly Content - Judy Kaye
Water Under The Bridge - Debbie Cravitte
Incidental Music From 'The Enclave' - Bjorn Messaget
There's Always A Women - Kaye Ballard
The Two Of You - Crista Moore
Multitudes Of Amys - Michael Rupert
Goodbye For Now - Liz Callaway

Customer Reviews:

Unsung Sondheim.......2007-05-20

What a collection of unsung Sondheim tunes. At times I wondered why these songs had been dropped from shows. Well sung by the various artists.

Valuable only if you don't have any of these songs elsewhere.......2006-10-07

In the early 90's this was a fascinating CD, as it gave listeners a chance to hear many of Sondheim's "lost treasures" which might otherwise be gone forever. (The man does not do "trunk songs" which can be dropped into other shows.) Time, however, has not been kind to this collection. The first four tracks from "Saturday Night" have some bouncy charm (I never realized before how naughty the lyrics for "Love's a Bond" are), but with the glorious complete cast album released a few years ago with David Campbell in the lead, they've now been rendered redundant. (And "In The Movies," though boasting endearing vocals, suffers with all of its context and intercutting songs gone.) "What Can You Lose" can't measure up to Madonna and Mandy Patinkin's sensitive performance on her "I'm Breathless" album (and that would hardly qualify as "unsung"). "That Old Piano Roll" is fun but slight, and "Truly Content" mines the same lyrical phrase over and over till the fun wanes, despite Judy Kaye's winning vocals. "Water Under the Bridge" is one of the weakest songs Sondeheim's probably ever done, and deserves obscurity. Other, better songs here with often exquisite renditions are nonetheless available on other discs, and thus again hardly qualify as "unsung": "I Believe In You," a sweet and lovely song, is on Bernadette Peters' second "Sondheim Etc." CD (though Rebecca Luker's warm, enchanting rendition here is nothing to sneeze at), Mandy Patinkin frantically covered "Multitudes of Amys" on "Experiment," Madeline Kahn and Peters jousted with "There's Always a Woman" on the "Anyone Can Whistle" cast album from the mid-90's (props to Kaye Ballard's biting performance here though), Streisand covered "Goodbye for Now" on "The Movie Album" (and gave it a poignancy and depth it probably doesn't really deserve for such a drab little song). What's left? A cheerful, seemingly menage-a-trois ditty called "The Two of You" (which, bizarrely, was apparently written for "Kukla, Fran and Ollie"). A just plain wonderful "No, Mary Anne," which combines an impassioned performance, hard-bitten realism and sweeping romanticism into something quintessentially Sondheim. (The liner notes indicate that Sondheim expected this to be a parody of a big hit song, "like 'Hello Dolly!'" Those who know anything about Sondheim--and the yawning chasm between his style and Jerry Herman's--may find their heads exploding at that one.) Two endless instrumental pieces from "The Enclave" and "Invitation to a March" (tracks #6 and #12) that are mostly remarkable for how uninteresting they are. The liner notes are outstanding and offer lots of intriguing perspective (listening to "Multitudes of Amys," and you just might wish that "Company" had ended as it was orginally intended to). If you don't have CDs by Peters, Madonna, Streisand, et all, this is a great introduction; otherwise, bump it way down the priority list.

Average customer rating:

Emily Dickinson Songs

Manufacturer: Capstone
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

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ASIN: B0000UJLVO
Release Date: 2003-11-25

Average customer rating:

Harmonious, Tender Soundtrack
Million Dollar Baby - soundtrack
An incredible story of courage, determination and love
Eastwood's score hits it where it counts
If the movie OR the music didn't touch you--yer dead in the ring!

Million Dollar Baby

Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

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Music for the Movies of Clint Eastwood
Crash

ASIN: B0007O38FI
Release Date: 2005-03-01

Tracks:

Blue Morgan (Opening Titles)
It's Nice Viewing
Boxing Baby
Boxing Montage
Pick Up Money
Nice Working With You
The Letters
Blue Diner
Deep In Thought
Driving
Blue Bear
Frankie Horrified
They're Amateurs
May Have To Lose It
Maggie's Plea
Frankie's Dilemma
Frankie's Decision
Lethal Dose
Frankie's Office
Blue Morgan (End Credits)

Amazon.com

Clint Eastwood's gritty boxing drama was the big winner at the 2005 Academy Awards, garnering Oscars for Best Film, Best Director (Eastwood), Best Actress (Hillary Swank) and Best Supporting Actor (Morgan Freeman). As it did for 2003's Mystic River, Eastwood's life-long love of music and budding confidence as a composer has led him again to score the film himself. Anchored by elegiac figures for solo acoustic guitar and piano, it often shares River's spacious, subtle introspection. But it's also occasionally seasoned with welcome dollops of jazz and blues, the byproduct of a longstanding love affair with American roots music that also yielded his Charlie Parker biopic Bird and the insightful, Eastwood-produced Thelonius Monk documentary, Straight No Chaser. If its haunting, gently yearning string arrangements lack the bombast and overwrought melodicism that fuel so many Hollywood vehicles, Eastwood's musical sensibility here echoes his contemporary evolution as an actor and director: Surprisingly modern, with an emotionally tender, less-as-more ethos that's light years removed from his action film roots. --Jerry McCulley

Customer Reviews:

Harmonious, Tender Soundtrack.......2007-01-22

This soundtrack is worth the buy! From first watching the film, I knew I had to have the music that accompanied it. The guitars gives soothing strains that calms the spirit, and the piano keys gives a satisfying blend of eloquence and rapture. I particularly enjoyed the recurring theme in "Blue Morgan," "Deep in Thought," and "Driving" (I still remember from this track the scene when Maggie said, "I ain't got nobody but you Frankie"). And "Frankie's Office" adds a touch of electric keyboarding that basically did it for me in pulling this whole album in full circle. I collect movie score soundtracks and I am very much pleased to add this to my collection!

Million Dollar Baby - soundtrack.......2007-01-10

The simple, haunting melody of the recurring theme (It's Nice Viewing) reveals another facet of whom we know best as Dirty Harry - composer.
If you enjoyed the movie, having the soundtrack is a must.

An incredible story of courage, determination and love.......2006-04-24

Incredible performances by Clint and Hillary Swank.

Eastwood's score hits it where it counts.......2005-10-30

The score to Clint Eastwood's 'Million Dollar Baby' is perhaps the most beautiful film music I have ever heard.

The sound, most notably in the solo Guitar and Piano sections carries a simple, but thoroughly elegant, characteristic, and haunting melody that speaks right to the center of what this film is all about--pain, love, soul-searching, and finding hope, to name a few.

The music to this film also shows Eastwood's devotion and love of the story, and the music and the visual element click together in a way that few movies and scores match. The bittersweet, haunting refrain of the Piano and the equally bittersweet, hauting melody that is taken up, elaborated, and somewhat varied by the full orchestra serves as a beautiful foil and metaphore to echo the lighting of the film itself, and some of the sets, like the dismal, bare, dark set of the hospital late in the film.

The subtle variations that are present throughout make it even more wonderful, too. There are a couple Blues numbers in here too, which are no less wonderful than the rest, but do provide some lighter material as well.

The simplicity of it shines through especially brightly, as well. Most of the music is either the solo Piano or the Guitar, as I have mentioned above, but both show all the emotion without needing the backing of a large ensemble, though in this case, the orchestral sections do not steal the wonderful simplicity of the solo instruments.

This music has by far the most soul of any score I've heard, and I strongly reccommend you get it. Your money will be well spent. I had a lump in my throat from the first track to the last. Bravo, Clint!!

If the movie OR the music didn't touch you--yer dead in the ring!.......2005-08-25

I say this to point out that there are no great films without great music, not just behind the story, but within it..and all wrapped up around it. By not overdoing the arrangements, Eastwood has finely crafted a deep and stirring ambience to accompany, enlighten, and balance the heavy emotion of the characters.
My Vote: Bravo!

Average customer rating:

This is not a Tom Russell CD.

Let's Lose It
Barrence Whitfield & the Savages
Manufacturer: Stony Plain Music
ProductGroup: Music
Binding: Audio CD

General | Blues | Styles | Music

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Ow! Ow! Ow!
Live Emulsified

ASIN: B000001CVS
Release Date: 1995-12-26

Tracks:

Method To My Madness
I Smell A Rat
Under My Nose
Dust On my Needle
Girl Gunslinger
Let's Lose It
Calling All Beasts
For A Good time
My Mumblin' Baby
Signs Of A Struggle
Loneliness Ain't No Crime
Wake Up

Customer Reviews:

This is not a Tom Russell CD........2000-07-29

While Tom has done two wonderful collections with Barrence, please be aware that this cd is a Barrence Whitfield and the Savages CD.....without the involvement of Tom Russell.

Average customer rating:

Lose It
Missy Elliott
Manufacturer: Wea International
ProductGroup: Music
Binding: Audio CD

General | R&B | Styles | Music

General | Rap & Hip-Hop | Styles | Music

Pop Rap | Rap & Hip-Hop | Styles | Music

Rap & Hip-Hop | Imports | Stores | Music
ASIN: B0009PEYPS
Release Date: 2005-08-02

Tracks:

Lose Control [Explicit Version]
Lose Control [Extended Version]
Lose Control [Instrumental Version]

Album Details

First Single from Elliott's Album 'the Cookbook'.

Average customer rating:

Lose It Tonight
Commander Cody Band
Manufacturer: Compose Records
ProductGroup: Music
Binding: Audio CD

Western Swing | Country | Styles | Music

General | Rock | Styles | Music

Country Rock | Rock | Styles | Music

Live at Gilley's
Texas Roadhouse Favorites
Lost in the Ozone
Tales from the Ozone
Live from Deep in the Heart of Texas

ASIN: B000003LH0
Release Date: 1995-12-12

Tracks:

Lose It Tonight
Two Triple Cheese, Side Order of Fries
Either He's Wrong
All Tore Up
Get Yer Love
Go to Hell
Sea Wolf
Working Girls
Jukebox Jury
Who's Got the Rock
Roll the Dice
Buddy's Caf

Average customer rating:

Just Lose It Pt.1
Eminem
Manufacturer: Universal/Interscope
ProductGroup: Music
Binding: Audio CD

Gangsta & Hardcore | Rap & Hip-Hop | Styles | Music

General | Rap & Hip-Hop | Styles | Music

4-for-3 Rap & Hip-Hop | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music
ASIN: B00069I4VW
Release Date: 2004-11-08

Tracks:

Explicit Version
Acapella Version
Instrumental Version
Director's Cut Video

Album Description

Taken from Eminem's fourth album Encore. Includes 4-non album tracks - 'Just Lose It' (Explicit Version, Acapella Version, Instrumental Version & Director's Cut Video). Interscope. 2004.

Soul Music:

Soul Music

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