All Hail the Queen

Editorial Reviews
Amazon.com
Latifah was the first major woman rapper to build a career on positivity, and this debut is proud, funny, and self-assured. Latifah knows she's the best so she doesn't have to tear down anyone else to prove it. Neatly produced (with simple, dance-friendly beats, mostly by loop-master DJ Mark the 45 King) and stylistically varied (including a couple of expert forays into dancehall reggae), it collects her early singles along with a bunch of convincing pronouncements of her royalty. Where she shines most, though, is on a couple of duets: "Mama Gave Birth to the Soul Children," with De La Soul clowning around under her tutelage, and "Ladies First," with Monie Love deftly trading verses with her. --Douglas Wolk

Product Description
1989 debut album from the hip hop/film star features guest appearances from De La Soul & Monie Love. 15 tracks. Tommy Boy.

All Hail the Queen,Queen Latifah,Tommy Boy,Golden Age,Hip-Hop,House,Pop,Rap,Rap & Hip-Hop


All Hail the Queen

All Hail the Queen
Essential Purcell
Average customer rating: 5 out of 5 stars
  • Mad about Baroque
  • The beauty of the songs brings tears to my eyes
  • Brilliant
  • Be Welcome then, great Sirs (and Mesdames).
  • Brilliant Purcell Disc
Essential Purcell
Henry Purcell , New College Choir Oxford , King's Consort , Robert King , Roy Goodman , Charles Daniels , John Mark Ainsley , James Bowman , Peter Buckoke , Jane Coe , Rogers Covey-Crump , Gillian Fisher , Michael George , Miles Golding , Jane Norman , Barbara Bonney , Mark Caudle , William Carter , King's Consort Choir , Helen Gough , Paul Nicholson , Angela East , Barry Guy , Tessa Bonner , Jerome Finnis , Rupert Bawden , Lucy Howard , Richard Campbell , Susan Addison , James O'Donnell , and Stephen Saunders
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Purcell: Odes for St. Cecilia's Day - Music for Queen Mary / Taverner Consort
  2. Purcell: The Fairy Queen
  3. Purcell: Songs & Airs / Argenta, North, Boothby, Nicholson, Toll
  4. Purcell: Dido and Aeneas / James, Lewis, Baker, Herincx
  5. Purcell: Full Anthems & Organ Music

ASIN: B000002ZDU
Release Date: 1995-04-10

Tracks:

  1. Complete Odes And Welcome Songs Vol. 5: Welcome, Welcome Glorious Morn. Symphony And Opening Chorus
  2. Complete Odes And Welcome Songs Vol. 3: Be Welcome Then, Great Sir
  3. Complete Secular Solo Songs Vol.1: Oh, Fair Cedaria
  4. The Choir Of The King's Consort: Hear My Prayer, O Lord
  5. Great Baroque Arias: When I Am Laid In Earth ('Dido's Lament')
  6. Complete Anthems And Services Vol.1: Let Mine Eyes Run Down With Tears (Part 1)
  7. Complete Odes And Welcome Songs Vol.4: The Sparrow And The Gentle Dove
  8. Complete Secular Solo Songs Vol.1: If Music Be The Food Of Love (First Setting)
  9. Complete Anthems And Services Vol.5: Rejoice In The Lord Always ('The Bell Anthem')
  10. Complete Anthems And Services Vol.3: Hosanna To The Highest
  11. Complete Anthems And Services Vol.7: Thou Knowest, Lord, The Secrets Of Our Hearts
  12. Mr. Henry Purcell's Most Admirable Composures: Fairest Isle, All Isles Excelling
  13. Complete Odes And Welcome Songs Vol.6: Mark, How Readily Each Pliant String
  14. Complete Odes And Welcome Songs Vol.8: Sound The Trumpet
  15. Complete Secular Solo Songs Vol.3: She Loves And She Confesses Too
  16. Complete Odes And Welcome Songs Vol.8: O How Blest Is The Isle
  17. Complete Anthems And Services Vol.3: Remember Not, Lord, Our Offences
  18. Complete Anthems And Services Vol. 11: An Evening Hymn
  19. Complete Church Music Vol.2: Vouchsafe, O Lord, To Keep Us This Day
  20. Complete Odes And Welcome Songs Vol.2: With Rapture Of Delight... Hail Bright Cecilia

Amazon.com essential recording

The "Essential" Purcell? Well, you could get a bunch of critics to argue about that for a few days, but in the meantime, here is a sampler of highlights from the King's Consort's three admirable Purcell series: the Complete Odes and Welcome Songs, Complete Anthems and Services, and Complete Secular Solo Songs. There are, of course, some of Purcell's most-performed pieces (which probably are "essential"): Dido's Lament from Dido and Aeneas, "Sound the trumpet" from Come, ye sons of Art, Rejoice in the Lord alway (the "Bell Anthem," named for the string figure at the opening that sounds like pealing bells), the gently patriotic "Fairest isle, all isles excelling" (sung by a miscast James Bowman), and a selection from the funeral music for Queen Mary. There are also some delightful surprises--particularly among the little-known secular songs and church music. The plaintive "O fair Cedaria" gets a lovely performance by Barbara Bonney (a singer not usually associated with Purcell); tenor Rogers Covey-Crump (possibly the ideal high tenor for Purcell) sings the enchanting "If music be the food of love"; the church anthems "Let mine eyes run down with tears" and "Remember not, O Lord, our offences" have some startling harmonies as daring as any Monteverdi ever wrote. If you're unfamiliar with Purcell, this reasonably priced disc is a good place to start exploring without a big initial investment. --Matthew Westphal

Customer Reviews:

5 out of 5 stars Mad about Baroque.......2007-02-12

This is a terrific CD. The music is breathtaking. Just buy IT !!!!!

5 out of 5 stars The beauty of the songs brings tears to my eyes.......2002-08-21

Absolutely beautiful baroque music! The arrangament, singing and instrumentation is superb. It is too bad that Henry Purcell is not as widely known as Bach, because he should be recognized equally well."The Sparrow and the Gentle dove" is alone worth the price of the album! I can not stop playing it!

5 out of 5 stars Brilliant.......2001-10-31

Like in his renditions of Handel's oratorios, Robert King manages to bring a freshness and strenght to Purcell's music that I had seldom heard before. This CD also features some of the best performers of early music in the world. My favourite tracks are Oh, Fair Cedaria, sung by the multi-talented Barbara Bonney; Dido's Lament from Dido and Aeneas, sung by Gillian Fisher; She Loves and she Confesses too, sung by the wonderful Susan Gritton; and Welcome, Welcome Glorious Morn, sung by Rogers Covey-Crump. The only track I didn't find absolutely wonderful is Fairest Isle, sung here by James Bowman. Don't get me wrong, I generally love Mr Bowman, I think that his performance in Mr Purcell's Most Admirable Composures (also conducted by Robert King) makes it another essential Purcell recording; but I find that Fairest Isle was much better done elsewhere, particularly by Christopher Hogwood and Barbara Bonney.

These songs aren't only beautiful, they're also poignant, sweet and unpretentious. I think that it will be very clear to anyone who listens to this recording that Mr Purcell was one of the finest composers that ever lived.

5 out of 5 stars Be Welcome then, great Sirs (and Mesdames)........2001-10-20

If anyone has benefitted from the reversion in the last three or so decades to period instruments and historical reconstruction, it is Henry Purcell. Before, he was merely great, the peerless word-setter in the English language, a virtuoso of boundless range, a professional composer whose offical commissions were always imbued with personality and invention. But period instrumentation has added to this a greater depth, an other-worldly texture of sound. With his intricate, multi-part vocal writing, his preference for low, rumbling instruments such as the bass viol and the strange and remarkable theorbo, as well as his often sombre and low-key subject matter and treatment, Purcell creates a round, glowing, humming sound as pregnantly full as dub reggae.

This has an extraordinary effect on the listener. Whereas Bach, with his mathematical abstractions, sounds universal and timeless, Purcell's music takes the listener back 300 years, back to different ways of thinking about, feeling about and addressing things we still think etc. about today - death, love, friendship. The emotion is timeless, but the music's beauty is alien, THEIRS, hence its preciousness.

A lot of intelligence has gone into the unity of this compilation, beginning with two Welcomes (to the dawn and to the listener, in this case a King), and ending with thoughts of evening, death and a Baroque 'Thank you for the music'. These are bright, fanfare-like works, but the predominant mood is slow, ruminative, quiet. The selection covers the wide range of Purcell's oeuvre, from opera and funeral marches to secular songs and odes, and includes his most famous vocal works - Dido's Lament from Dido and Aeneas, sung by Gillian Fisher, and never more evocative of pagan loss and death; the massive 'Bell Anthem', with its ingenious opening symphony and joyful antiphon; and a miraculously serene 'Evening Hymn', Dido's opposite, death indicating hope, the treble voice swirling over the heavy ground bass like the soul released from the inert body.

it might seem quixotic to choose highlights from an exemplary collection of highlights, but the entry of the strings washing over the serene repetition of 'Be Welcome then, great Sir' always makes my heart stop still, while the musical picture of 'Bold Honour', the 'noisy Nothing, stalking shade', blocking the poet's amorous intentions in 'She loves and confesses too', adds a chilling hint of life's transience to a bouyantly bawdy song.

5 out of 5 stars Brilliant Purcell Disc .......2000-11-30

With this album director and Purcell expert Robert King provides the listener with an excellent introduction to the composer's vocal works. The pieces presented here were taken from Mr. King's recordings of 'The Complete Odes and Welcome Songs', 'The Complete Anthems and Services', 'The Complete Secular Solo Songs' and diverse anthology discs. King, his wonderful soloists and musicians do the brilliance of Purcell's music fully justice. Whether he was commissioned by royalty, the church or theatre, Purcell shone in all areas. This disc certainly demonstrates the variety and originality of his craft, not to speak of his uncanny ability of setting words to music.

An outstanding Purcell offering. With a beautiful perfomance by Barbara Bonney of 'Oh, fair Cedaria'. Susan Gritton is equally captivating in 'She loves and she confesses too'. Gillian Fisher's rendition of the famous 'Dido's Lament' is haunting and poignant. Further an intelligent and brilliant 'Hosanna to the highest' by Michael George. James Bowman and Michael Chance sparkle in the countertenor duet 'Sound the trumpet' (from 'Come Ye sons of Art away'). And I should not forget to mention the joyous, luminous performance of the beautiful 'Bell Anthem'. To name but a few favourites, only James Bowman's 'Fairest Isle' was a disappointment.

Those who are familiar with Purcell's music will get an excellent disc with some of his most beloved works. If you are new to Purcell, this is, as already said a great introduction. Which might be the incentive to further explorations of Purcell.

by stardustraven
Purcell: Odes for St. Cecilia's Day - Music for Queen Mary / Taverner Consort
Average customer rating: 4 out of 5 stars
  • Unrivalled recording......uncommon brilliance.
  • a voice teacher and early music fan
  • Excellent
  • No Bargain
  • Awesome! A high tenor paradise
Purcell: Odes for St. Cecilia's Day - Music for Queen Mary / Taverner Consort
Henry Purcell , Emma Kirkby , Charles Daniels , David Thomas , John Mark Ainsley , Michael Chance , Choir & Players Taverner Consort , Roger Covey-Crump , Michael George , Simon Grant , Paul Elliott , and Kevin Smith
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Purcell, HenryPurcell, Henry | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Purcell, Henry | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Sacred & Religious | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
OdesOdes | Vocal Non-Opera | Opera & Vocal | Styles | Music
Kirkby, EmmaKirkby, Emma | Divas | Opera & Vocal | Styles | Music
Similar Items:
  1. Essential Purcell
  2. Purcell: The Fairy Queen
  3. Purcell: Songs & Airs / Argenta, North, Boothby, Nicholson, Toll
  4. Handel: Messiah, Israel In Egypt - Andrew Parrott/Taverner Choir & Players (4 CD's)
  5. Gabrieli · Monteverdi · Vivaldi - Venetian Church Music / Taverner Consort, Choir & Players · Andrew Parrott

ASIN: B00000J2Q8
Release Date: 1999-06-08

Tracks:

  1. Music For Queen Mary: Symphony
  2. Music For Queen Mary: Welcome To All The Pleasures
  3. Music For Queen Mary: Here The Deities Approve - While Joys Celestial
  4. Music For Queen Mary: Then Lift Up Your Voices
  5. Music For Queen Mary: Beauty, Thou Scene of Love
  6. Music For Queen Mary: In A Consort Of Voices
  7. Music For Queen Mary: Man That Is Born Of A Woman
  8. Music For Queen Mary: In The Midst Of Life
  9. Music For Queen Mary: Thou Knowest, Lord
  10. Music For Queen Mary: Symphony (Adagio - Allegro) - Adagio
  11. Music For Queen Mary: Come Ye Sons Of Art
  12. Music For Queen Mary: Sound The Trumpet
  13. Music For Queen Mary: Come Ye Sons Of Art
  14. Music For Queen Mary: Strike The Viol
  15. Music For Queen Mary: The Day That Such A Blessing Gave
  16. Music For Queen Mary: Bid The Virtues
  17. Music For Queen Mary: These Are The Sacred Charms
  18. Music For Queen Mary: See, Nature, Rejoicing
  19. Music For Queen Mary: March
  20. Music For Queen Mary: Thou Knowest, Lord
  21. Music For Queen Mary: Canzona

Tracks:

  1. Odes For St. Cecilia's Day: Symphony (Introduction) - Canzona & Adagio - Allegro - Grave - Allegro
  2. Odes For St. Cecilia's Day: Hail! Bright Cecilia
  3. Odes For St. Cecilia's Day: Hark! Hark! Each Tree
  4. Odes For St. Cecilia's Day: 'Tis Nature's Voice
  5. Odes For St. Cecilia's Day: Soul Of The World
  6. Odes For St. Cecilia's Day: Thou Tun'st This World Below
  7. Odes For St. Cecilia's Day: With That Sublime Celestial Lay
  8. Odes For St. Cecilia's Day: Voluntary - In D Minor - Wonderous Machine!
  9. Odes For St. Cecilia's Day: The Airy Violin
  10. Odes For St. Cecilia's Day: In Vain The An'rous Flute
  11. Odes For St. Cecilia's Day: The Fife And All The Harmony Of War
  12. Odes For St. Cecilia's Day: Let These Amongst Themselves Contest
  13. Odes For St. Cecilia's Day: Hail! Bright Cecilia
  14. Odes For St. Cecilia's Day: With Rapture Of Delight - Hail! Bright Cecilia

Amazon.com essential recording

Andrew Parrott and his Taverner Consort, Choir, and Players have made some of the finest Purcell recordings to have appeared since the period-instrument revival began; unfortunately, most of those discs had been out of print for years. Happily, Virgin has reissued some of Parrott's best work on this reasonably priced two-for-one release. The performances aren't just exemplary, they're something of a landmark: in them Parrott pioneered the now-standard practice of using high tenors rather than falsettists on some of Purcell's low-lying "countertenor" parts. (One example is "Sound the trumpet," a duet for "high" and "low" countertenors from Purcell's ode Come, ye sons of art, sung by falsettist Timothy Wilson and high tenor John Mark Ainsley.) Excellent performances of the Funeral Sentences and Funeral Music for Queen Mary are here as well, but the centerpiece of this set is Hail, bright Cecilia!, the longest and most colorful of Purcell's odes in praise of the patron saint of music. There is some serious competition here--Paul McCreesh and Philippe Herreweghe have made superb recordings of this work--but Parrott edges them out. For example, alone among the ode's conductors on record, Parrott interpolates an organ solo amidst all of the text's praise of the organ (an instrument St. Cecilia was thought to have invented); he also provides appealing variety by using 12 different soloists (as Purcell did at the premiere). Those soloists are an impressive lot--they include Emma Kirkby, David Thomas, Paul Elliott and Charles Daniels (gently enchanting in the tenor duet "In vain the am'rous Flute"), and the Hilliard Ensemble's Rogers Covey-Crump, who gives an extraordinary rendition of the famous and fearsomely difficult air "'Tis Nature's Voice." --Matthew Westphal

Customer Reviews:

5 out of 5 stars Unrivalled recording......uncommon brilliance........2006-11-24

The mind boggles when listening to Purcell. Certainly his was a genius that could vie with any great contrapuntist. It is sad that he had to go so early in his life. But then I guess we wouldn't have seen the rise and rise of Handel.

Having said that, this recording is a marvellous one, one of uncommon brilliance I might add. It does not represent a summary of his work and style, even if restricted to just his vocal music, such was the originality and fertility of his invention. But it is revealing of the enormity of his command of music. Why this composer isn't as well-known as Mozart or Bach, or yes even Handel, I will never know.

I assure all that the quality of these recordings is unrivalled. Careful attention is paid to detail, and a first-rate line up of soloists ensures a world-class performance. I give this recording 5 stars out of five, for a stunning example of excellence and high standards.

3 out of 5 stars a voice teacher and early music fan.......2006-07-29

This is a 2 CD package which involves 2 different recording dates and recording groups. Disc l: Odes "Welcome to all the Pleasures"-"Funeral Sentences"-"Come Ye sons of Art"-"Funeral Music for Queen Mary". The singers on this disc are:Emily Evera(soprano),Timothy Wilson (countertenor),John Mark Ainsley(tenor),Charles Daniels (tenor) and David Thomas (bass). It was recorded in 1988, Disc 2: ode "Hail Bright Cecelia" with singers Emma Kirkby (soprano),Michael Chance , Kevin Smith (countertenors),Paul Elliot, Neil Jenkins, Andrew King (tenors)and Michael George, Richard Wistreich (basses).This disc was recorded in 1985.Contrary to Westphal's opinion, I do not like tenors to be given solos that should be sung by countertenors; the quality of the tenor voice is not light enough for these tunes. Also Disc 1 has it over disc 2 in quality because the singers are better balanced as to skill than on Disc 2; this is most unfortunate because the better soprano (Kirkby) and the better countertenor (Chance)are on Disc 2. I absolutely do not like the sound of Kevin Smith's voice; it is "edgy" and lacks warmth. In fact, it detracts from whatever he sings on the Disc. There are a lot better recordings of these odes by other conductors; try them if you have no recordings of these at all.

5 out of 5 stars Excellent.......2005-12-01

This is an excellent set of performances of these Purcell gems. The soloists, choir, and instrumentalists are all first rate. The infrequently performed funeral and birthday music for Queen Mary is a real treat. Recommended strongly.

1 out of 5 stars No Bargain.......2004-01-23

I agree with the Editorial Review and the comments posted with this release. These are superb recordings of Purcell's great works. But there is a big problem with this package. This is a Virgin Veritas x2 pack. The original recordings have been bundled up in a space saving jewel case and sold at half the price of the originals. Unfortunately, this comes at cost to the potential buyer. Gone is the original artwork, gone are the original notes by Richard Luckett and Eric Van Tassel, and most seriously, gone are the lyrics of these great works. Unless you already own versions of these works that have the lyrics, this is not the place to start. I strongly urge you to acquire these wonderful works in their original editions from Virgin: Hail! Bright Cecilia on disc #45160 and Come ye sons of art on disc #45159 (for some reason, Amazon has these listed under the label EMI). This release is no bargain.

5 out of 5 stars Awesome! A high tenor paradise.......1999-07-22

What a wonderful recording! The lineup of soloists is simply stunning. There are many of them: practically a different person for each air. This achieves admirable variety, and each voice is a pleasure to hear. I'm a big fan of hautes-contre, so I was really happy to discover that they get to sing most of the "alto" airs on this set. The highlight of this recording is my all time favorite Purcell air 'Tis Nature's Voice, stunningly sung here by Rogers Covey-Crump. I think I've heard just about every 'Tis Nature's Voice ever recorded (except for Rene Jacobs, who I wouldn't really want to hear), and Covey-Crump undeniably gets the most out of it. But my favorite remains Mark Padmore on the Herreweghe recording of Hail! Bright Cecilia. Herreweghe uses fewer soloists (Padmore sings all tenor and half of all countertenor parts), and slower tempi that, in my view, help the singers' intonation. But all in all, the choice ends up being a matter of taste. There is no rational basis to prefer one of these two recordings over the other: both are wonderful.
All Hail the Queen
Average customer rating: 4.5 out of 5 stars
  • Pre-Grammy Greatness From The Queen of Royal Badness
  • 4.5 STARS............THE KID KNOWS NOT OF WHAT HE SPEAKS!!!!
  • The Queen Has Spoken!!!!
  • Underrated hiphop, almost a classic..........
  • All Hail
All Hail the Queen
Queen Latifah
Manufacturer: Tommy Boy
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Dance & DJ | Styles | Music
HouseHouse | Dance & DJ | Styles | Music
East CoastEast Coast | Rap & Hip-Hop | Styles | Music
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Old SchoolOld School | Rap & Hip-Hop | Styles | Music
Pop RapPop Rap | Rap & Hip-Hop | Styles | Music
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  1. Nature of a Sista
  2. Black Reign
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  4. The World's Greatest Entertainer
  5. Eyes on This

ASIN: B000000HHH
Release Date: 1989-11-01

Tracks:

  1. Dance For Me
  2. Mama Gave Birth To The Soul Children
  3. Come Into My House
  4. Latifah's Law
  5. Wrath Of My Madness
  6. The Pros
  7. Ladies First
  8. A King And Queen Creation
  9. Queen Of Royal Badness
  10. Evil That Men Do
  11. Princess Of The Posse
  12. Inside Out
  13. Dance 4 Me (Ultimatum Remix)
  14. Wrath Of My Madness (Soulshock Remix)
  15. Princess Of The Posse (DJ Mark The 45 King Remix)

Amazon.com

Latifah was the first major woman rapper to build a career on positivity, and this debut is proud, funny, and self-assured. Latifah knows she's the best so she doesn't have to tear down anyone else to prove it. Neatly produced (with simple, dance-friendly beats, mostly by loop-master DJ Mark the 45 King) and stylistically varied (including a couple of expert forays into dancehall reggae), it collects her early singles along with a bunch of convincing pronouncements of her royalty. Where she shines most, though, is on a couple of duets: "Mama Gave Birth to the Soul Children," with De La Soul clowning around under her tutelage, and "Ladies First," with Monie Love deftly trading verses with her. --Douglas Wolk

Album Description

1989 debut album from the hip hop/film star features guest appearances from De La Soul & Monie Love. 15 tracks. Tommy Boy.

Customer Reviews:

4 out of 5 stars Pre-Grammy Greatness From The Queen of Royal Badness.......2007-03-25

In a masculine dominated genre, not many ladies of hip hop were representing especially back in 1988-1989. Salt-N-Peppa, Sweet Tee, MC Lyte, and Roxanne Shante were a few very successful female artists. When Queen Latifah came onto the scene, she was unlike anything coming out at the time. Her mix of dancehall reggae, R and B, Jazz, House, and rappin' ability became unwordly to 1988 ears. Male or female, she may be the most versatile emcee to do it. "All Hail The Queen" is her shining moment which redefined emceeing as we know it.

The opening song "Dance For Me" is a great example of her versatility blending jazz with upbeat swing over a melodic 45 King production. When the single dropped in 1989, it got many heads buzzing. It wasn't no one hit wonder fluke because "All Hail The Queen" is packed with hit material. "Mama Gave the Soul children" proved that the Queen could even step out of her comfort zone and hang with De La Souls quirky swagger. The beat sounds as if Prince Paul sampled an old Walt Disney record. To this day dancehalls swarm when "Come Into My House" plays and it somehow never feels dated despite the fact that house songs seems a thing from the past. The slow burning "The Pro's" is an underground club banger which finds Daddy-O tapping into his reggae roots.

The Queen of Royal Badness proves why she deserves the limelight on songs like "Wrath of My Madness". Her commanding delivery is assertive and her braggadocio seems sincere and brazen at the same time. However, no other song on "All Hail The Queen" captures Queen Latifah's breakout moment better than on "Ladies First". It is considered the first feminist hip hop anthem. Monie Love and the Queen sound as one mind on this record trading righteous rhymes over a funky saxaphone melody. It even got props in the Source magazine as the 55th greatest hip hop song ever made. The album ends with two amazing reggae influenced songs in the loopy bassline of "Princess of the Posse" and the laid back jazz of "Inside Out". Without question, they were excellent choices for singles.

Back in 1989, Queen Latifah was truly bringing down the house. She never really had another record that came close to her brilliance displayed on wax here. While receiving grammys and acting awards, it is shameful that her new found fanbase has overlooked this being her best work in her collection. This is truly an excellent record that is not to be missed.

5 out of 5 stars 4.5 STARS............THE KID KNOWS NOT OF WHAT HE SPEAKS!!!!.......2007-03-08

this album is not the best i have ever heard, but it does bump. i love THE PROS with daddy-o. i love the rawness of it. i also dig WRATH OF MY MADNESS the other raw, aggressive joints on here. that kid who dissed latifah needs to listen to his 50 cent and just forget about this because this is HIP HOP!!!! kid, this is not for you. this is for true HIP HOP HEADZ and those younguns with open minds. if this applies to you, then you will really dig this as i do........perhaps more.

5 out of 5 stars The Queen Has Spoken!!!!.......2007-02-22

I totally agree, this album is off the chain. Ja Rule and 50 cent wish they could be in a class of their own like the Queen...she totally rocks and while these other want-a-be and wish-they-could-be rappers will come and go...the Queen will live on forever because she has multiple talents and is the real deal. Most rappers today don't know what real music and lyrics are...if they did they wouldn't disrespect women, society and life in general but would bring positive messages to their raps like the Queen...all I can say is go ahead Queen and keep doing your thing:):)

4 out of 5 stars Underrated hiphop, almost a classic.................2006-11-01

Latifah had all the qualities of a great female MC (flow, beats and them juggs). My personal favorite joint from her.

Top Tracks:
The Pros
King and Queen Creation
Come to Me
Ladies First
Latifah's Law
Inside Out

5 out of 5 stars All Hail.......2006-02-22

Queen Latifah Knows...this album was spectacular...it is uplifting and has good beats and anybody who has the nerve to even say a fool like 50 cent or a no talent joke like ja rule is anything better than her has nerve because she is history..she is what 50 and Ja bite off of...she is what they can't live up to...so know your history before you praise the present...but queen, you gotta represent!!
Henry Purcell: Odes and Anthems
Average customer rating: 3 out of 5 stars
  • Dated but fascinating
Henry Purcell: Odes and Anthems

Manufacturer: Vanguard Classics
ProductGroup: Music
Binding: Audio CD

Purcell, HenryPurcell, Henry | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Purcell, Henry | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
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AnthemsAnthems | Vocal Non-Opera | Opera & Vocal | Styles | Music
OdesOdes | Vocal Non-Opera | Opera & Vocal | Styles | Music
Similar Items:
  1. The Last King of Scotland (Widescreen Edition)

ASIN: B0001Z4992
Release Date: 2004-06-08

Customer Reviews:

3 out of 5 stars Dated but fascinating.......2005-05-09

When I first heard this recording of Purcell's "Come Ye Sons of Art" over the radio some 25 years ago, I was struck dumb with amazement. A man could sing like this? Since then, the skills of countertenors have improved markedly, and revisiting this performance was a bit of a let down. That said, it is a fascinating bit of musical history, a decent performance that gives us a look at the dawn of the modern countertenor phenomenon. Sir Michael Tippett conducts the Ode on St. Cecelia's day, and for circa 1960 these are good recordings, well conducted. Alfred Deller's place in musical history is secure.
Purcell · Dieupart - Suites for recorder / La Simphonie du Marais · Hugo Reyne
Average customer rating: 3.5 out of 5 stars
  • nice sound
  • Wonderful tuning
  • out of tune recorders
Purcell · Dieupart - Suites for recorder / La Simphonie du Marais · Hugo Reyne
Henry Purcell , Charles Dieupart , Hugo Reyne , La Simphonie du Marais , Jérôme Hantaï , and Pascal Monteilhet, Alain Viau Pierre Hamon Pierre Hantaï
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

QuartetsQuartets | Chamber Music | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
Purcell, HenryPurcell, Henry | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
SuitesSuites | Forms & Genres | Classical | Styles | Music
Incidental MusicIncidental Music | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
GroundsGrounds | Variations | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Purcell, Henry | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
ViolinViolin | Strings | Instruments | Classical | Styles | Music
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OdesOdes | Vocal Non-Opera | Opera & Vocal | Styles | Music
GeneralGeneral | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
ASIN: B00005A9NY
Release Date: 2001-10-09

Tracks:

  1. Prld, Z.N773
  2. Son, Z.780: Adagio - (Canzona)
  3. Son, Z.780: Largo - Vivace
  4. Dioclesian, Z.627/16: Two In One Upon A Ground
  5. Celebrate This Festival, Z.321/12: Return, Fond Muse
  6. Ste in G, Z.770: Ov
  7. Ste in G, Z.770: Air
  8. Ste in G, Z.770: Borry
  9. Ste in G, Z.770: Minuet
  10. Ste in G, Z.770: Jigg
  11. Chacony, Z.730
  12. A Choice Collection Of Lessons, Z.660-62: Ste in G: Prld, Z.660/1
  13. A Choice Collection Of Lessons, Z.660-62: Ste in G: Almand, Z.660/2
  14. A Choice Collection Of Lessons, Z.660-62: Ste in G: Courant, Z.662/3
  15. A Choice Collection Of Lessons, Z.660-62: Ste in G: Saraband, Z.661/4
  16. A Choice Collection Of Lessons, Z.660-62: Ste in G: (Minuet), Z.660/4
  17. The Fairy Queen, Z.629/10: Prld
  18. Three Parts Upon A Ground, Z.731
  19. Hail! Bright Cecilia, Z.328/10: In Vain The Am'rous Fl
  20. Welcome To All The Pleasures, Z.T682; Z.339/3: A New Ground
  21. Sym in g (How Pleasant Is This Flowery Plain, Z.543)
  22. Sym in g (Soft Notes And Gently Raised, Z.510)
  23. Sym in g: (Saraband) (Hark, Damon, Hark, Z.541)
  24. Sym in g: King Arthur, Z.628/17: (Rigadoon)
  25. Pavan Of Four Parts, Z.752
  26. Ground, Z.D221
  27. Funerall March & Canzona, Z.860

Tracks:

  1. Ste No.1 in A: Ov
  2. Ste No.1 in A: Allemande
  3. Ste No.1 in A: Courante
  4. Ste No.1 in A: Sarabande
  5. Ste No.1 in A: Gavotte
  6. Ste No.1 in A: Menuet
  7. Ste No.1 in A: Gigue
  8. Ste No.2 in D: Ov
  9. Ste No.2 in D: Allemande
  10. Ste No.2 in D: Courante
  11. Ste No.2 in D: Sarabande
  12. Ste No.2 in D: Gavotte
  13. Ste No.2 in D: Passepied
  14. Ste No.2 in D: Gigue
  15. Ste No.3 in b: Ov
  16. Ste No.3 in b: Allemande
  17. Ste No.3 in b: Courante
  18. Ste No.3 in b: Sarabande
  19. Ste No.3 in b: Gavotte
  20. Ste No.3 in b: Menuet Serieux
  21. Ste No.3 in b: Gigue
  22. Ste No.4 in e: Ov
  23. Ste No.4 in e: Allemande
  24. Ste No.4 in e: Courante
  25. Ste No.4 in e: Sarabande
  26. Ste No.4 in e: Gavotte
  27. Ste No.4 in e: Menuet
  28. Ste No.4 in e: Gigue
  29. Ste No.5 in F: Ov
  30. Ste No.5 in F: Allemande
  31. Ste No.5 in F: Courante
  32. Ste No.5 in F: Sarabande
  33. Ste No.5 in F: Gavotte
  34. Ste No.5 in F: Menuet En Rondeau
  35. Ste No.5 in F: Gigue
  36. Ste No.6 in f: Ov
  37. Ste No.6 in f: Allemande
  38. Ste No.6 in f: Courante
  39. Ste No.6 in f: Sarabande
  40. Ste No.6 in f: Gavotte
  41. Ste No.6 in f: Menuet
  42. Ste No.6 in f: Gigue

Customer Reviews:

3 out of 5 stars nice sound.......2002-10-14

this recording the purcell's wunderfull music sounds nice, but not more. h. reyne is a fine player but his intonation is not perfect even his sound is good but everytime on the same level. other recorder players like steger or marq are much better.

5 out of 5 stars Wonderful tuning.......2002-09-05

This is very good recording of very interesting music, not easy music anyway, at least if we talk about Dieupart, the Frenchman living in London. His style is pure orthodox French, always following the suite schema, including very amazing overtures, beautiful allemandes and some polyphonical giges. This suites are so well conceived that gain recognizance from Bach at the time. Is the kind of music to listen again and again and enjoy more and more as one gets into the stile. The playing of Hugo Reyne is expressive, absolutely in style, helped by warm tone and (well, I have to point it out) absolutely in tune. In the passpied of suite N2 he gives us an example of perfect French articulation, according with Hotetterre principles. To tell the truth I didn't enjoy the use of violin in Suite 3, which IMHO calls for a more introspective approach without artificial "ritornellos". Remarkable is the research work, leading them to the design and construction of a b' flat fourth used for the first time here (I remember the W.V. Hawe version with a b'' flat soprano fourth flute, sure best suited for a live concert not a cd, and of course all the "arrangements" for standard soprano).
The Purcell cd is the only "modern" recording (after 1980) in authentic old recorders. In fact it is so rare for a recorder player to have the opportunity to play at least once in his/her life an old instrument, and here we have a whole baroque consort (the legendary chester Bressan, the equivalent of Stradivarius) playing together, allowing us to appreciate the magnificent way their "voices" blend. The English recorder music is a whole universe partially unknown, and extremely rich, going from renaissance to high baroque. From the provincial taste, brought back to the city with the restoration, to the eclectic 1700 London musical scene, featuring many of the best musicians around the world working together.
The players in this cd are among the best and most renowned in the world, from the new and very interesting French school of recorder playing, focusing in color and expressivities. Is interesting to note here how close their style relate to Franz Bruggen. By the way there was a controversy about him been out of tune 30 years ago... Some day may be we can start a controversy about the piano been out of tune, or how awfully out of tune is a tempered major third, or about how can you be in tune and make vibrato all the time (is the way I feel after only 5 yrs of not listening romantic music)... not now, not here.
Enjoy the cd is really worth buying.

3 out of 5 stars out of tune recorders.......2002-04-07

Simply put, this is a highly mediocre recording. The music itself is perfectly nice - several of the Purcell works are quite memorable, and overall these are a fine representative sample of his chamber music, as well as that of the lesser known Dieupart. But this is weak recorder playing. They are frequently extremely out of tune - and I'm perfectly aware that baroque intonation can be quite different from modern intonation and that the recorder has even greater leeway with regard to this than many other instruments, but this is just plain out of tune - and their tone is husky and not always pleasant. The miking is too close as well. Skip this one.
The Complete Odes and Welcome Songs of Henry Purcell / King's Consort
Average customer rating: 3.5 out of 5 stars
  • Infinite Felicity - Not
  • Important Purcell Project
  • valuable and enjoyable
The Complete Odes and Welcome Songs of Henry Purcell / King's Consort
Henry Purcell , Robert King , John Mark Ainsley , James Bowman , Tessa Bonner , Michael Chance , Charles Daniels , Gillian Fisher , Nicholas Brady , New College Choir Oxford , Rogers Covey-Crump , Michael George , and Robert Evans
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

Purcell, HenryPurcell, Henry | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Purcell, Henry | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
OdesOdes | Vocal Non-Opera | Opera & Vocal | Styles | Music
ClassicalClassical | Box Sets | Stores | Music
ClassicalClassical | Imports | Stores | Music
Similar Items:
  1. Sacred Music Complete
  2. Complete Secular Songs (3cd)
  3. Peter Lieberson: Neruda Songs

ASIN: B000002ZFU
Release Date: 1993-09-01

Tracks:

  1. Arise, My Muse: Sym - The King's Consort/Robert King
  2. Arise, My Muse: Arise, My Muse, And To Thy Tuneful Lyre - Charles Daniels
  3. Arise, My Muse: Ritornello: Ye Sons Of Music Raise Your Voices High: - Gillian Fisher/Tessa Bonner/James Bowman/Michael Chance/Charles Daniels/John Mark Ainsley...
  4. Arise, My Muse: Then Sound Your Instrs And Charm The Earth - John Mark Ainsley/Michael George
  5. Arise, My Muse: See How The Glitt'ring Ruler Of The Day, - Charles Daniels
  6. Arise, My Muse: Ritornello: Hail, Gracious Gloriana, Hail; - Michael Chance/James Bowman
  7. Arise, My Muse: And Since The Time's Distress To Wars' Alarm - Michael George
  8. Arise, My Muse: To Quell His Country's Foes - James Bowman/John Mark Ainsley/Michael George
  9. Arise, My Muse: But Ah, I See Eusebia Drown'd In Tears; - Michael Chance
  10. Arise, My Muse: But Glory Cries 'Go On, - Michael George
  11. Welcome To All The Pleasures: Sym - The King's Consort/Robert King
  12. Welcome To All The Pleasures: Ritornello: Welcome To All The Pleasures That Delight - James Bowman/John Mark Ainsley/Michael George
  13. Welcome To All The Pleasures: Ritornello: Here The Deities Approve - James Bowman
  14. Welcome To All The Pleasures: Ritornello: While Joys Celestial Their Bright Souls Invade - Gillian Fisher/Tessa Bonner/Michael George
  15. Welcome To All The Pleasures: Then Lift Up Your Voices, Those Organs Of Nature, - Michael Chance/Charles Daniels/Michael George
  16. Welcome To All The Pleasures: Ritornello: Beauty, Thou Scene Of Love, - John Mark Ainsley
  17. Welcome To All The Pleasures: In A Consort Of Voices While Instrs Play - John Mark Ainsley
  18. Now Does The Glorious Day Appear: Sym - The King's Consort/Robert King
  19. Now Does The Glorious Day Appear: Ritornello: Now Does The Glorious Day Appear, - Gillian Fisher/Tessa Bonner/James Bowman/Michael Chance/Charles Daniels/John Mark Ainsley...
  20. Now Does The Glorious Day Appear: Not Any One Such Joy Could Bring, - John Mark Ainsley/Michael George
  21. Now Does The Glorious Day Appear: Ritornello: This Does Our Fertile Isle With Glory Crown, - John Mark Ainsley
  22. Now Does The Glorious Day Appear: Ritornello: Now Does The Glorious Day Appear, - Gillian Fisher/Tessa Bonner/James Bowman/Michael Chance/Charles Daniels/John Mark Ainsley...
  23. Now Does The Glorious Day Appear: It Was A Work Of Full As Great A Weight, - Michael George
  24. Now Does The Glorious Day Appear: Ritornello: By Beauteous Softness Mixed With Majesty, - James Bowman
  25. Now Does The Glorious Day Appear: Her Hero Too, Whose Conduct And Whose Arms - Michael George/Charles Pott
  26. Now Does The Glorious Day Appear: Our Dear Religion, With Our Law's Defence, - Gillian Fisher/James Bowman/Charles Daniels
  27. Now Does The Glorious Day Appear: Ritornello: No More Shall We The Great Eliza Boast, - John Mark Ainsley
  28. Now Does The Glorious Day Appear: Now, Now, With One United Voice - Gillian Fisher/Tessa Bonner/James Bowman/Michael Chance/Charles Daniels/John Mark Ainsley...

Tracks:

  1. Hail! Bright Cecilia: Sym - The King's Consort/Robert King
  2. Hail! Bright Cecilia: Hail! Bright Cecilia - Gillian Fisher/James Bowman/John Mark Ainsley/Michael George...
  3. Hail! Bright Cecilia: Hark, Each Tree - James Bowman/Michael George
  4. Hail! Bright Cecilia: 'Tis Nature's Voice - James Bowman
  5. Hail! Bright Cecilia: Soul Of The World - Chor Of New College, Oxford/Edward Higginbottom
  6. Hail! Bright Cecilia: Thou Tun'st This World - Gillian Fisher/Chor of New College, Oxford/Edward Higginbottom
  7. Hail! Bright Cecilia: With That Sublime Celestial Lay - James Bowman/James Mark Ainsley/Simon Keenlyside
  8. Hail! Bright Cecilia: Wond'rous Machine - Michael George
  9. Hail! Bright Cecilia: The Airy Violin - Rogers Covey-Crump
  10. Hail! Bright Cecilia: In Vain The Am'rous Flute - James Bowman/John Mark Ainsley
  11. Hail! Bright Cecilia: The Fife And All The Harmony Of War - James Mark Ainsley
  12. Hail! Bright Cecilia: Let These Among Themselves Contest - Simon Keenlyside/Michael George
  13. Hail! Bright Cecilia: Hail! Bright Cecilia - James Bowman/Rogers Covey-Crump/James Mark Ainsley/Michael George...
  14. Who Can From Joy Refrain?: Ov - The King's Consort/Robert King
  15. Who Can From Joy Refrain?: Who Can From Joy Refrain? - James Bowman/Gillian Fisher/Tessa Bonner/Rogers Covey-Crump/James Mark Ainsley...
  16. Who Can From Joy Refrain?: A Prince Of Glorious Race - Rogers Covey-Crump
  17. Who Can From Joy Refrain?: The Father Brave - Michael George
  18. Who Can From Joy Refrain?: The Graces In His Mother Shine - Tessa Bonner
  19. Who Can From Joy Refrain?: Sound The Trumpet - John Mark Ainsley
  20. Who Can From Joy Refrain?: Chacone- If Now He Burns With Noble Flame-Then Thames Shall Be Queen... - Gillian Fisher/Tessa Bonner/Chor of New College, Oxford/Edward Higginbottom

Tracks:

  1. Fly, Bold Rebellion: Sym - The King's Consort/Robert King
  2. Fly, Bold Rebellion: Fly, Bold Rebellion, Make Haste And Be Gone! - Michael George
  3. Fly, Bold Rebellion: Rivers From Their Channels Turned - Rogers Covey-Crump
  4. Fly, Bold Rebellion: If Then We've Found The Want Of His Rays, - Michael George/Rufus Muller
  5. Fly, Bold Rebellion: But Heaven Has Now Dispelled Those Fears - Gillian Fisher/Tessa Bonner/Rufus Muller
  6. Fly, Bold Rebellion: Come Then, Change Your Notes, Disloyal Crowd - James Bowman/Rufus Muller/ Michael George
  7. Fly, Bold Rebellion: Be Welcome Then, Great Sir, To Constant Vows - James Bowman
  8. Fly, Bold Rebellion: Welcome To All Those Wishes Fulfilled - Gillian Fisher/Tessa Bonner/James Bowman/Jonathan Kenny/Rogers Covey-Crump/Rufus Muller...
  9. Sound The Trumpet, Beat The Drum: Sym - The King's Consort/Robert King
  10. Sound The Trumpet, Beat The Drum: Sound The Trumpet, Beat The Drum, - Rogers Covey-Crump/Michael George
  11. Sound The Trumpet, Beat The Drum: Crown The Year And Crown The Day - Rogers Covey-Crump
  12. Sound The Trumpet, Beat The Drum: Let Caesar And Urania Live, - James Bowman/Rogers Covey-Crump
  13. Sound The Trumpet, Beat The Drum: What Greater Bliss Can Fate Bestow, - Rufus Muller/Michael George
  14. Sound The Trumpet, Beat The Drum: Chaconne - The King's Consort/Robert King
  15. Sound The Trumpet, Beat The Drum: While Caesar Like The Morning Star - Michael George
  16. Sound The Trumpet, Beat The Drum: To Urania And Caesar Delights Without Measure, - James Bowman/Rufus Muller/Michael George
  17. Celebrate This Festival: Sym - The King's Consort/Robert King
  18. Celebrate This Festival: Celebrate This Festival, - Gillian Fisher/Tessa Bonner/James Bowman/Rufus Muller/Michael George
  19. Celebrate This Festival: Britain Now Thy Cares Beguile, - Gillian Fisher/Tessa Bonner
  20. Celebrate This Festival: 'Tis Sacred, Bid The Trumpet Cease, - Gillian Fisher/Crispian Steele-Perkins
  21. Celebrate This Festival: Let Sullen Discord Smile, - Tessa Bonner
  22. Celebrate This Festival: Crown The Altar, Deck The Shrine, - James Bowman
  23. Celebrate This Festival: Expected Spring At Last Is Come, - Michael George
  24. Celebrate This Festival: April, Who Till Now Has Mourned, - James Bowman
  25. Celebrate This Festival: Departing Thus You'll Hear Him Say: - Rogers Covey-Crump
  26. Celebrate This Festival: Happy Realm Beyond Expressing, - James Bowman/Rufus Muller/Michael George
  27. Celebrate This Festival: While, For A Righteous Cause He Arms, - Michael George/Crispian Steele-Perkins
  28. Celebrate This Festival: Return, Fond Muse, The Thoughts Of War - Rogers Covey-Crump/Gillian Fisher/Tessa Bonner/James Bowman/Jonathan Kenny/Rufus Muller...
  29. Celebrate This Festival: Kindly Treat Maria's Day, - Tessa Bonner

Tracks:

  1. Ye Tuneful Muses: Sym - The King's Consort/Robert King
  2. Ye Tuneful Muses: Ye Tuneful Muses, Raise Your Heads, - Charles Pott/Michael George
  3. Ye Tuneful Muses: Be Lively Then And Gay, All Signs Of Sorrow Chase Away, Be Cheerful As The... - Rogers Covey-Crump
  4. Ye Tuneful Muses: In His Just Praise Your Noblest Songs Let Fall, And Let 'Em Be... - Michael George
  5. Ye Tuneful Muses: From The Rattling Of Drums And The Trumpet's Loud Sounds... - Charles Daniels
  6. Ye Tuneful Muses: To Music's Softer But Yet Kind And Pleasing Melody,... - James Bowman/Rogers Covey-Crump/Michael George
  7. Ye Tuneful Muses: With Him He Brings The Partner Of His Throne, That Brighter... - James Bowman
  8. Ye Tuneful Muses: Happy in A Mutual Love May They Each Other Long Possess,... - Gillian Fisher/Tessa Bonner
  9. Ye Tuneful Muses: Whilst in Music And Verse Out Duty We Show, And Though We Can... - Rogers Covey-Crump
  10. Celestial Music Did The Gods Inspire: Sym - The King's Consort/Robert King
  11. Celestial Music Did The Gods Inspire: Celestial Music Did The Gods Inspire When At... - Michael George
  12. Celestial Music Did The Gods Inspire: Her Chaming Strains Expel Tormenting Care And... - James Bowman
  13. Celestial Music Did The Gods Inspire: Thus Virgil's Genius Lov'd The Country Best... - Gillian Fisher
  14. Celestial Music Did The Gods Inspire: Whilst Music Did Improve Anphion's Song,... - Rogers Covey-Crump/Michael George
  15. Celestial Music Did The Gods Inspire: When Orpheus Sang All Nature Did Rejoice,... - James Bowman
  16. Celestial Music Did The Gods Inspire: Let Phyllis By Her Voice But Charm The Air,... - James Bowman/Charles Daniels/Michael George
  17. From Hardy Chimes: Sym - The King's Consort/Robert King
  18. From Hardy Chimes: From Hardy Climes And DAngerous Toils Of War, Where You For... - Michael George
  19. From Hardy Chimes: As Fame, Great Sir, Before You Ran And Told Her Story Ere You Came... - Rogers Covey-Crump/Gillian Fisher/Tessa Bonner
  20. From Hardy Chimes: Wake Then, My Muse, Wake Instruments And Voice To Celebrate... - Michael George
  21. From Hardy Chimes: The Sparrow And The Gentle Dove (Sacrivices Fit For Love) Roses... - Charles Daniels
  22. From Hardy Chimes: So All The Boons Indulgent Heav'n Design'd To Show'r On Those... - James Bowman/Rogers Cove-Crump/Michael George
  23. From Hardy Chimes: Hence Without Scheme Or Figure To Descry Events To Come From... - Tessa Bonner

Tracks:

  1. Ode For The Birthday Of Queen Mary, Z338: Welcome, Welcome, Glorious Morn: Sym - The King's Consort/Robert King
  2. Ode For The Birthday Of Queen Mary, Z338: Welcome, Welcome, Glorious Morn: Welcome, Welcome... - Rogers Covey-Crump/Gillian Fisher/Evelyn Tubb/James Bowman/Nigel Short/John Mark Ainsley...
  3. Ode For The Birthday Of Queen Mary, Z338: Welcome, Welcome, Glorious Morn: At Thy Return The... - Rogers Covey-Crump/Michael George/Nigel Short/John Mark Ainsley/Evelyn Tubb/Charles Pott...
  4. Ode For The Birthday Of Queen Mary, Z338: Welcome, Welcome, Glorious Morn: Welcome As When Three... - James Bowman/Michael George
  5. Ode For The Birthday Of Queen Mary, Z338: Welcome, Welcome, Glorious Morn: The Mighty Goddess Of... - John Mark Ainsley
  6. Ode For The Birthday Of Queen Mary, Z338: Welcome, Welcome, Glorious Morn: Full Of Wonder And... - James Bowman/Rogers Covey-Crump/Michael George/Gillian Fisher/Evelyn Tubb/Nigel Short...
  7. Ode For The Birthday Of Queen Mary, Z338: Welcome, Welcome, Glorious Morn: And Lo! A Sacred Fury... - John Mark Ainsley/Gillian Fisher/Evelyn Tubb/James Bowman/Nigel Short/Rogers Covey-Crump...
  8. Ode For The Birthday Of Queen Mary, Z338: Welcome, Welcome, Glorious Morn: My Pray'rs Are Heard... - Gillian Fisher/Evelyn Tubb/James Bowman/Nigel Short/Rogers Covey-Crump/John Mark Ainsley...
  9. Ode For The Birthday Of Queen Mary, Z338: Welcome, Welcome, Glorious Morn: He To The Field By... - Charles Pott/Michael George
  10. Ode For The Birthday Of Queen Mary, Z338: Welcome, Welcome, Glorious Morn: Whilst Undisturb'd His... - Rogers Covey-Crump
  11. Ode For The Birthday Of Queen Mary, Z338: Welcome, Welcome, Glorious Morn: Sound, All Ye Spheres... - John Mark Ainsley/Gillian Fisher/Evelyn Tubb/James Bowman/Nigel Short/Rogers Covey-Crump...
  12. Ode For The Centenary Of Trinity College Dublin, Z327: Great Parent, Hail To Thee: [Sym] - The King's Consort/Robert King
  13. Ode For The Centenary Of Trinity College Dublin, Z327: Great Parent, Hail To Thee: Great Parent... - James Bowman/John Mark Ainsley/Michael George/Gillian Fisher/Evelyn Tubb/Nigel Short...
  14. Ode For The Centenary Of Trinity College Dublin, Z327: Great Parent, Hail To Thee: Another... - James Bowman
  15. Ode For The Centenary Of Trinity College Dublin, Z327: Great Parent, Hail To Thee: After War's... - John Mark Ainsley/Rogers Covey-Crump
  16. Ode For The Centenary Of Trinity College Dublin, Z327: Great Parent, Hail To Thee: Awful Matron... - Michael George
  17. Ode For The Centenary Of Trinity College Dublin, Z327: Great Parent, Hail To Thee: She Was The... - John Mark Ainsley/Gillian Fisher/Evelyn Tubb/James Bowman/Nigel Short/Rogers Covey-Crump...
  18. Ode For The Centenary Of Trinity College Dublin, Z327: Great Parent, Hail To Thee: Succeeding... - Rogers Covey-Crump/Michael George/Gillian Fisher/Evelyn Tubb/James Bowman/Nigel Short...
  19. Ode For The Centenary Of Trinity College Dublin, Z327: Great Parent, Hail To Thee: But Chiefly... - Gillian Fisher/Evelyn Tubb/James Bowman/Nigel Short/Rogers Covey-Crump/John Mark Ainsley...
  20. Ode For The Centenary Of Trinity College Dublin, Z327: Great Parent, Hail To Thee: Thy Royal... - Gillian Fisher
  21. Ode For The Centenary Of Trinity College Dublin, Z327: Great Parent, Hail To Thee: With Themes... - Gillian Fisher/Evelyn Tubb/James Bowman/Nigel Short/Rogers Covey-Crump/John Mark Ainsley...
  22. Welcome Song For King Charles II, Z337: The Summer's Absence Unconcerned We Bear: Sym - The King's Consort/Robert King
  23. Welcome Song For King Charles II, Z337: The Summer's Absence Unconcerned We Bear: The... - Michael George/James Bowman/John Mark Ainsley/Gillian Fisher/Evelyn Tubb/Nigel Short...
  24. Welcome Song For King Charles II, Z337: The Summer's Absence Unconcerned We Bear: And... - James Bowman/Gillian Fisher/Evelyn Tubb/Nigel Short/Rogers Covey-Crump/John Mark Ainsley...
  25. Welcome Song For King Charles II, Z337: The Summer's Absence Unconcerned We Bear: Ah! Had... - Michael George/Gillian Fisher/Evelyn Tubb/James Bowman/Nigle Short/Rogers Covey-Crump...
  26. Welcome Song For King Charles II, Z337: The Summer's Absence Unconcerned We Bear: Happy... - James Bowman/Rogers Covey-Crump/Michael George
  27. Welcome Song For King Charles II, Z337: The Summer's Absence Unconcerned We Bear: So Happily... - John Mark Ainsley
  28. Welcome Song For King Charles II, Z337: The Summer's Absence Unconcerned We Bear: These Had... - James Bowman
  29. Welcome Song For King Charles II, Z337: The Summer's Absence Unconcerned We Bear: But These... - John Mark Ainsley/Gillian Fisher/Evelyn Tubb/James Bowman/Nigel Short/Rogers Covey-Crump...

Tracks:

  1. Ode For Queen Mary's Birthday, Z331: Love's Goddess Sure Was Blind: Sym - The King's Consort/Robert King
  2. Ode For Queen Mary's Birthday, Z331: Love's Goddess Sure Was Blind: Love's Goddess Sure Was Blind... - James Bowman
  3. Ode For Queen Mary's Birthday, Z331: Love's Goddess Sure Was Blind: Those Eyes, That Form, That... - Michael George
  4. Ode For Queen Mary's Birthday, Z331: Love's Goddess Sure Was Blind: Sweetness Of Nature And True... - James Bowman/Michael George
  5. Ode For Queen Mary's Birthday, Z331: Love's Goddess Sure Was Blind: Long May She Reign Over This... - Gillian Fisher/Mary Seers/James Bowman/Nigel Short/Mark Padmore/Andrew Tusa/Michael George...
  6. Ode For Queen Mary's Birthday, Z331: Love's Goddess Sure Was Blind: May Her Blest Example Chase - Gillian Fisher
  7. Ode For Queen Mary's Birthday, Z331: Love's Goddess Sure Was Blind: Many Such Days May She Behold, - James Bowman/Mark Padmore
  8. Ode For Queen Mary's Birthday, Z331: Love's Goddess Sure Was Blind: May She To Heaven Late Return - Gillian Fisher/Mary Seers/James Bowman/Nigel Short/Mark Padmore/Andrew Tusa/Michael George...
  9. Ode For St. Cecilia's Day, Z334: Raise, Raise The Voice: Sym - The King's Consort/Robert King
  10. Ode For St. Cecilia's Day, Z334: Raise, Raise The Voice: Raise, Raise The Voice, All Instruments... - Michael George/Gillian Fisher/Mary Seers/James Bowman/Nigel Short/Mark Padmore/Andrew Tusa...
  11. Ode For St. Cecilia's Day, Z334: Raise, Raise The Voice: The God Himself Says He'll Be Present Here, - Mary Seers/Andrew Tusa/Michael George/Gillian Fisher/James Bowman/Nigel Short/Mark Padmore...
  12. Ode For St. Cecilia's Day, Z334: Raise, Raise The Voice: Mark How Readily Each Pliant String - Gillian Fisher/Mary Seers/James Bowman/Nigel Short/Mark Padmore/Andrew Tusa/Michael George...
  13. Ode For St. Cecilia's Day, Z329: Laudate Ceciliam: Sym. Praise Ye Cecilia, With Voices And Organ - James Bowman/Mark Padmore/Michael George
  14. Ode For St. Cecilia's Day, Z329: Laudate Ceciliam: O Sing A New Psalm - James Bowman/Mark Padmore/Michael George
  15. Ode For St. Cecilia's Day, Z329: Laudate Ceciliam: Sym - The King's Consort/Robert King
  16. Ode For St. Cecilia's Day, Z329: Laudate Ceciliam: Sing, Ye Martyrs, Say To The Virgin - James Bowman/Mark Padmore/Michael George
  17. Welcome Song For Charles II, Z326: From Those Serene And Rapturous Joys: [Sym] - The King's Consort/Robert King
  18. Welcome Song For Charles II, Z326: From Those Serene And Rapturous Joys: From Those Serene And... - James Bowman
  19. Welcome Song For Charles II, Z326: From Those Serene And Rapturous Joys: Behold Th' Indulgent... - Michael George/Gillian Fisher/Mary Seers/James Bowman/Nigel Short/Mark Padmore/Andrew Tusa...
  20. Welcome Song For Charles II, Z326: From Those Serene And Rapturous Joys: Not With An helmet Or A... - Gillian Fisher/Mary Seers
  21. Welcome Song For Charles II, Z326: From Those Serene And Rapturous Joys: Welcome As Soft... - Michael George/Gillian Fisher/Mary Seers/James Bowman/Nigel Short/Mark Padmore/Andrew Tusa...
  22. Welcome Song For Charles II, Z326: From Those Serene And Rapturous Joys: Welcome, More Welcome... - Mark Padmore
  23. Welcome Song For Charles II, Z326: From Those Serene And Rapturous Joys: Nor Does The Sun More... - Andrew Tusa/Michael George
  24. Welcome Song For Charles II, Z326: From Those Serene And Rapturous Joys: With Trumpets And Shouts... - Andrew Tusa/Gillian Fisher/Mary Seers/James Bowman/Nigel Short/Mark Padmore/Michael George...

Tracks:

  1. The Yorkshire Feast Song, Z333: Of Old, When Heroes Thought It Base: Sym - The King's Consort/Robert King
  2. The Yorkshire Feast Song, Z333: Of Old, When Heroes Thought It Base: Of Old, When Heroes Thought... - Michael George/Rogers Covey-Crump
  3. The Yorkshire Feast Song, Z333: Of Old, When Heroes Thought It Base: The Bashful Thames, For... - Charles Daniels/Gillian Fisher/Susan Hamilton/James Bowman/Nigel Short/Rogers Covey-Crump...
  4. The Yorkshire Feast Song, Z333: Of Old, When Heroes Thought It Base: The Pale And The Purple... - James Bowman
  5. The Yorkshire Feast Song, Z333: Of Old, When Heroes Thought It Base: And In Each Track Of Glory... - Charles Daniels/Michael George
  6. The Yorkshire Feast Song, Z333: Of Old, When Heroes Thought It Base: Sym - The King's Consort/Robert King
  7. The Yorkshire Feast Song, Z333: Of Old, When Heroes Thought It Base: And Now When The Renown'd... - Charles Daniels/Rogers Covey-Crump
  8. The Yorkshire Feast Song, Z333: Of Old, When Heroes Thought It Base: They Did No Storms, Nor... - Robert Evans/Michael George
  9. The Yorkshire Feast Song, Z333: Of Old, When Heroes Thought It Base: So When The Glitt'ring Queen... - Charles Daniels
  10. The Yorkshire Feast Song, Z333: Of Old, When Heroes Thought It Base: Let Music Join - Gillian Fisher/Susan Hamilton/James Bowman/Nigel Short/Rogers Covey-Crump/Charles Daniels...
  11. The Yorkshire Feast Song, Z333: Of Old, When Heroes Thought It Base: Sound Trumpets, Sound! Beat... - Charles Daniels
  12. The Yorkshire Feast Song, Z333: Of Old, When Heroes Thought It Base: Sound All To Him - Michael George
  13. Welcome Song For Charles II, Z336: Swifter, Isis, Swifter Flow: Sym. Swifter, Isis, Swifter Flow, - Rogers Covey-Crump/Gillian Fisher/Susan Hamilton/James Bowman/Nigel Short/Charles Daniels...
  14. Welcome Song For Charles II, Z336: Swifter, Isis, Swifter Flow: Land Him Safely On Her Shore, - Michael George
  15. Welcome Song For Charles II, Z336: Swifter, Isis, Swifter Flow: Hark, Hark! Just Now My Listening... - Charles Daniels
  16. Welcome Song For Charles II, Z336: Swifter, Isis, Swifter Flow: Welcome, Dread Sir, To Town - James Bowman/Rogers Covey-Crump/Michael George/Gillian Fisher/Susan Hamilton/Nigel Short...
  17. Welcome Song For Charles II, Z336: Swifter, Isis, Swifter Flow: But With So Great Devotion Meet - Michael George/Charles Daniels/Gillian Fisher/Susan Hamilton/James Bowman/Nigel Short...
  18. Welcome Song For Charles II, Z336: Swifter, Isis, Swifter Flow: The King Whose Presence Like The... - Gillian Fisher/James Bowman
  19. Welcome Song For Charles II, Z336: Swifter, Isis, Swifter Flow: Then Since, Sir, From You All Our... - Gillian Fisher/Susan Hamilton/James Bowman/Nigel Short/Rogers Covey-Crump/Charles Daniels...
  20. Welcome Song For The Duke Of York, Z341: What, What Shall Be Done In Behalf Of The Man?: Sym - The King's Consort/Robert King
  21. Welcome Song For The Duke Of York, Z341: What, What Shall Be Done In Behalf Of The Man?: What... - Michael George/James Bowman/Charles Daniels/Gillian Fisher/Susan Hamilton/Nigel Short...
  22. Welcome Song For The Duke Of York, Z341: What, What Shall Be Done In Behalf Of The Man?: All The... - Rogers Covey-Crump/Gillian Fisher/Susan Hamilton/James Bowman/Nigel Short/Charles Daniels...
  23. Welcome Song For The Duke Of York, Z341: What, What Shall Be Done In Behalf Of The Man?: Mighty... - Michael George/Gillian Fisher/Susan Hamilton/James Bowman/Nigel Short/Rogers Covey-Crump...
  24. Welcome Song For The Duke Of York, Z341. What, What Shall Be Done In Behalf Of The Man?: May All... - Gillian Fisher/Susan Hamilton/James Bowman/Nigel Short/Rogers Covey-Crump/Charles Daniels...

Tracks:

  1. Ode For The Birthday Of Queen Mary, Z323: Come Ye Sons Of Art, Away: Sym. Largo-Allegro-Adagio - The King's Consort/Robert King
  2. Ode For The Birthday Of Queen Mary, Z323: Come Ye Sons Of Art, Away: Come Ye Sons Of Art, Away - Michael Chance/Chor Of New College, Oxford/Edward Higginbottom
  3. Ode For The Birthday Of Queen Mary, Z323: Come Ye Sons Of Art, Away: Sound The Trumpet, 'Til Around - Michael Chance/James Bowman/Chor Of New College, Oxford/Edward Higginbottom
  4. Ode For The Birthday Of Queen Mary, Z323: Come Ye Sons Of Art, Away: Strike The Viol, Touch The Lute - James Bowman
  5. Ode For The Birthday Of Queen Mary, Z323: Come Ye Sons Of Art, Away: The Day That Such A Blessing... - Michael George/Chor Of New College, Oxford/Edward Higginbottom
  6. Ode For The Birthday Of Queen Mary, Z323: Come Ye Sons Of Art, Away: Bid The Virtues, Bid The Graces - Gilian Fisher/Paul Goodwin
  7. Ode For The Birthday Of Queen Mary, Z323: Come Ye Sons Of Art, Away: These Are The Sacred Charms... - Michael George
  8. Ode For The Birthday Of Queen Mary, Z323: Come Ye Sons Of Art, Away: See Nature, Rejoicing, Has... - Gillian Fisher/Michael George/Chor Of New College, Oxford/Edward Higginbottom
  9. Welcome Song For Charles II, Z340: Welcome, Viceregent Of The Mighty King: Sym. Welcome... - Chor Of New College, Oxford/Edward Higginbottom
  10. Welcome Song For Charles II, Z340: Welcome, Viceregent Of The Mighty King: Ah! Mighty Sir, If You... - James Bowman/Michael George
  11. Welcome Song For Charles II, Z340: Welcome, Viceregent Of The Mighty King: But Your Blest... - Chor Of New College, Oxford/Edward Higginbottom
  12. Welcome Song For Charles II, Z340: Welcome, Viceregent Of The Mighty King: Your Influous Approach... - John Mark Ainsley/Chor Of New College, Oxford/Edward Higginbottom
  13. Welcome Song For Charles II, Z340: Welcome, Viceregent Of The Mighty King: When The Summer, In... - Gillian Fisher/Tessa Bonner
  14. Welcome Song For Charles II, Z340: Welcome, Viceregent Of The Mighty King: All Loyalty And Honour Be - Chor Of New College, Oxford/Edward Higginbottom
  15. Welcome Song For Charles II, Z340: Welcome, Viceregent Of The Mighty King: Music The Food Of Love - Mark Padmore/Chor Of New College, Oxford/Edward Higginbottom
  16. Welcome Song For King James, Z343: Why, Why Are All The Muses Mute?: Why, Why Are All The Muses... - Mark Padmore/Chor Of New College, Oxford/Edward Higginbottom
  17. Welcome Song For King James, Z343: Why, Why Are All The Muses Mute?: When Should Each Soul... - John Mark Ainsley/Chor Of New College, Oxford/Edward Higginbottom
  18. Welcome Song For King James, Z343: Why, Why Are All The Muses Mute?: Britian, Thou Now Art Great... - James Bowman
  19. Welcome Song For King James, Z343: Why, Why Are All The Muses Mute?: Look Up, And To Our Isle... - Michael Chance/John Mark Ainsley/Michael George/Chor Of New College, Oxford/Edward Higginbottom
  20. Welcome Song For King James, Z343: Why, Why Are All The Muses Mute?: Accurs'd Rebellion Reared... - Michael George/Gillian Fisher/Tessa Bonner
  21. Welcome Song For King James, Z343: Why, Why Are All The Muses Mute?: Caesar For Milder Virtues... - Mark Padmore/Michael George
  22. Welcome Song For King James, Z343: Why, Why Are All The Muses Mute?: The Many-Headed Beast Is... - John Mark Ainsley/Chor Of New College, Oxford/Edward Higginbottom
  23. Welcome Song For King James, Z343: Why, Why Are All The Muses Mute?: In The Equal Balance Laid - Robert Evans/Michael George
  24. Welcome Song For King James, Z343: Why, Why Are All The Muses Mute?: O How Blest Is The Isle To... - Mark Padmore/Chor Of New College, Oxford/Edward Higginbottom

Customer Reviews:

1 out of 5 stars Infinite Felicity - Not.......2006-02-05

One of the greatest disappointments I have ever had in my life was listening to the recordings of Purcell's music that were made in the 1990s by Robert "Everything He Touches Turns To Dross" King. The physical impact of the recordings was comparable to a strand of wet spaghetti and it takes real talent in a conductor to make James Bowman sound so ordinary so much of the time. Particular scorn must be reserved for the casting of Michael George. (What is the difference between Michael George and George Michael ? Answer: George Michael has a voice that is pleasing to listen to.) Michael George has a tolerable light baritone provided the dynamic never gets above mezzo-forte and provided the coloratura never gets out of first gear. (It can be heard to good effect on Hyperion's recordings of Bruckner's and Faure's Requiems.) However, John Gosling, Purcell's miraculous basso profundo of the seventeenth century, he most emphatically is *not*. If David Thomas (the only man for the job) was unavailable then the recordings should not have been attempted.

The problem is that these dreadful recordings have Hyperion's imprimature and so this divine music will probably have to endure a purgatorial wait of at least a generation for a new complete recording.

I'm sorry to see that King has finished with Vivaldi's sacred music. This is a pity, because the amount of damage he can do in this field is limited; let's face it people, once you've got the Four Seasons and the Glorias you've got everything.

A new project for King is clearly required along the same lines. May I suggest a complete recording of the Telemann cantatas ? Then we can all sleep peacefully in our beds until the time comes to sleep peacefully in our graves.

5 out of 5 stars Important Purcell Project.......2001-06-12

It was by this project that I made the acquaintance of Henry Purcell and his music. He just knocked me flat. How I love the elegance, gaiety and wistfulness (to name but a few characteristics) of his music. For this first Purcellian project (started in the mid eighties), director Robert King assembled a truly crack team of Early music soloists and musicians, he also provided extensive commentary in the booklet and wrote a biography on Purcell. This venture entailed the recording of the Complete Odes and Welcome Songs (composed for Royalty and festive occassions).

Only in the famous Hail Bright Cecilia and Come Ye sons of art away, the Choir of New College, Oxford lends it's support otherwise the soloists themselves perform the choral parts. Which certainly contributes to the intimacy of the recording. Robert King is certainly right in saying that the texts of these pieces aren't great poetry, but the music is divine (the usual flatttering of kings and nobles)! King and his team deliver an outstanding and important contribution to the Purcell discography.

My favourites among the soloists were: Gillian Fisher, James Bowman, Michael Chance, Michael George, Charles Daniels, Rogers Covey-Crump and John Mark Ainsley. Charles Daniels pulls this project indeed spendidly off with his solo Arise my muse. I loved the exquisite countertenor duets like Hail gracious Gloriana or Sound the trumpet and always Michael George's bass parts. But that's just a selection of the riches presented here. Afterwards Robert King went on to record the complete secular solo- and sacred music of Purcell.

5 out of 5 stars valuable and enjoyable.......2000-01-12

This set will delight any lover of Purcell. Ideally, you will want all 8 CD's; but if you must pick and choose, get at least Vols 1, 2 & 8 (these contain, between them, Welcome to all the pleasures, Hail Bright Cecilia and Come ye sons of art). Volume 1, entitled Royal and Ceremonial Odes, was probably recorded before King knew for sure that his idea of producing the complete chamber vocal works of Purcell would be commercially viable. Hence, the separate title and no mention of the volumes still to come. But by the time the second volume was made, the future of the project was already mapped out. The purpose of the project was to record all 24 surviving odes and welcome songs of Purcell. (This project was later followed by a similar undertaking: an 11-CD set of all surviving Purcell's anthems and services - of those, get at least vols 3 & 9). By the time King was entrusted with this massive and ambitious project, he was still in his twenties. But King knew what he was doing. His assumption of the project was backed by years of research. He even prepared his own performing editions of the works he intended to record, and furnished sleeve notes for each of the CD's in his Purcell series (Later, he also wrote a book about the composer). King's notes are insightful, although his choice of vocabulary is somewhat peculiar and repetitive. The musical results are wonderful, by all accounts. I am especially pleased that King was able to assemble such an outstanding cast of singers. For me, the highlights of the series include: Arise my muse from vol 1 (an alto solo sung by Charles Daniels); Bowman's 'Tis Nature's Voice from vol 2 (although my all time favorite version of this air is on the Herreweghe); alto-high tenor duet Let Caesar and Urania live from vol 3 (you should hear Bowman and Covey-Crump blend in this one!); The sparrow and the gentle dove from vol 4 (Charles Daniels); alto-high tenor duet Sweetness of nature from vol 6 (Bowman and Padmore); an ornate tenor duet And now when the renowned Nassau from vol 7 (Daniels and Covey-Crump); and the glorious high tenor solo O how blest is the isle from vol 8 (Padmore).
All Hail the Queen
Average customer rating: 5 out of 5 stars
  • My Personal Favorite Latifah Joint...............
All Hail the Queen
Queen Latifah
Manufacturer: Collector's Choice
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Dance & DJ | Styles | Music
HouseHouse | Dance & DJ | Styles | Music
GeneralGeneral | Rap & Hip-Hop | Styles | Music
Pop RapPop Rap | Rap & Hip-Hop | Styles | Music
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  1. Nature of a Sista
  2. It Takes a Nation of Millions to Hold Us Back
  3. 20th Century Masters - The Millennium Collection: The Best of Queen Latifah
  4. Yo! Bum Rush the Show

ASIN: B000IAZNAO
Release Date: 2007-01-30

Tracks:

  1. Dance For Me
  2. Mama Gave Birth To The Soul Children
  3. Come Into My House
  4. Latifah's Law
  5. Wrath Of My Madness
  6. The Pros
  7. Ladies First
  8. A King And Queen Creation
  9. Queen Of Royal Badness
  10. Evil That Men Do
  11. Princess Of The Posse
  12. Inside Out

Customer Reviews:

5 out of 5 stars My Personal Favorite Latifah Joint......................2007-05-26

Latifah had all the qualities of a great female MC (flow, beats and them juggs). My personal favorite joint from her.

Top Tracks:
The Pros
King and Queen Creation (La & 45 King Rips)
Come to Me
Ladies First
Latifah's Law (Sick Barney Miller beat)
Inside Out
A Celebration of Christmas: Carols Through the Ages
Average customer rating: Not rated
    A Celebration of Christmas: Carols Through the Ages

    Manufacturer: Vanguard Classics
    ProductGroup: Music
    Binding: Audio CD

    All Works by J.S. BachAll Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by HandelAll Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by Michael PraetoriusAll Works by Michael Praetorius | Praetorius, Michael | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by StoltzerAll Works by Stoltzer | Stoltzer, Thomas | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
    Vaughan Williams, RalphVaughan Williams, Ralph | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by MendelssohnAll Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
    GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
    GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
    GeneralGeneral | Early Music | Historical Periods | Classical | Styles | Music
    GeneralGeneral | Vaughan Williams, Ralph | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
    General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
    Sacred & ReligiousSacred & Religious | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music
    GeneralGeneral | Sacred & Religious | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    GeneralGeneral | Chamber Music | Classical | Styles | Music
    GeneralGeneral | Opera & Vocal | Styles | Music
    MassesMasses | Vocal Non-Opera | Opera & Vocal | Styles | Music
    MotetsMotets | Vocal Non-Opera | Opera & Vocal | Styles | Music
    NoelsNoels | Vocal Non-Opera | Opera & Vocal | Styles | Music
    OratoriosOratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music
    PartsongsPartsongs | Vocal Non-Opera | Opera & Vocal | Styles | Music
    GeneralGeneral | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
    Renaissance (c.1450-1600)Renaissance (c.1450-1600) | Historical Periods | Opera & Vocal | Styles | Music
    Holiday MusicHoliday Music | Compilations | Miscellaneous | Styles | Music
    General ChristmasGeneral Christmas | Holiday | Miscellaneous | Styles | Music
    Opera & VocalOpera & Vocal | Holiday | Miscellaneous | Styles | Music
    General ChristmasGeneral Christmas | Holiday Music | Special Features | Music
    Opera & VocalOpera & Vocal | Holiday Music | Special Features | Music
    ASIN: B0000023F9
    Release Date: 1994-01-04

    Tracks:

    1. Patapan
    2. We Three Kings Of Orient Are
    3. I Saw Three Ships Come Sailing
    4. The Coventry Carol
    5. It Came Upon The Midnight Clear
    6. Good King Wenceslas
    7. Once In Royal David's City
    8. Rocking
    9. The First Nowell
    10. God Rest Ye Merry Gentleman
    11. Wither's Rocking Hymn
    12. Silent Night
    13. Wassail Song
    14. Dormi Jesu!
    15. Boar's Head Carol
    16. Past Three O'Clock
    17. Lullay My Liking
    18. Adam Lay Ybounden
    19. Herrick's Carol
    20. Angelus Ad Virginem
    21. The Holly And The Ivy
    22. O Little One Sweet
    23. Songs Of The Nuns Of Chester
    24. Winter-Rose
    25. In Dulce Jubilo

    Tracks:

    1. Deck The Halls
    2. Hark! The Herald Angels Sing
    3. Lute-Book Lullaby
    4. Ye Shepherds
    5. Joy To The World
    6. Down In Yon Forest
    7. People, Look East
    8. Blessed Be The Maid Marie
    9. Sir Christmas
    10. Lo, How A Rose E'er Blooming
    11. O Come, All Ye Faithful
    12. The Twelve Days Of Christmas
    13. Here We Come A-Wassailing
    14. All My Heart
    15. Joseph Dearest (Song Of The Crib)
    16. I Saw Three Ships
    17. How Far Is It To Bethlehem?
    18. The Birds
    19. The Old Year Now (Greensleeves)
    20. A Merry Christmas

    Tracks:

    1. Gymel Of Guilelmus Monachus
    2. Anon.: Nowell, Nowell: Tidings True
    3. Roy Henry: Sanctus
    4. Anon: Blessed Be Thou, Heavenly Queen
    5. Anon: Qui Natus Est
    6. Anon: Carol With Burden
    7. Anon: Nova, Nova
    8. Anon: Angelus Ad Virginem
    9. Anon: Hail Mary, Full Of Grace
    10. In Die Nativitas
    11. Anon: There Is No Rose Of Such Virtue
    12. Kyrie
    13. Quid Petis O Fili
    14. Anon: I Saw
    15. Anon: Nowell, Nowell: Out Of Your Sleep
    16. Fauxbourden Of Guilelmus Monachus
    17. Quam Pulcra Es

    Tracks:

    1. Anon: De Nativitate Domini
    2. Ave Maria
    3. Decet Huius Cunctis Horis
    4. In Nativitate Domini
    5. O Regina, Lux Divina
    6. Hodie Christus Natus Est
    7. Nesciens Mater
    8. Et In Terra Pax
    9. Crist And Saint Marie
    10. Sancta Maria
    11. O Maria Virgo
    12. Gloria
    13. Puer Natus
    14. Foeno Iacere
    15. Maria Zart
    16. Beata Progenies
    17. Alleluya Psallat
    Purcell: Airs & Duets
    Average customer rating: Not rated
      Purcell: Airs & Duets

      Manufacturer: Lyrichord Discs Inc.
      ProductGroup: Music
      Binding: Audio CD

      DuetsDuets | Chamber Music | Classical | Styles | Music
      GeneralGeneral | Chamber Music | Classical | Styles | Music
      All Works by BiberAll Works by Biber | Biber, Heinrich Ignaz | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
      Byrd, WilliamByrd, William | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by DowlandAll Works by Dowland | Dowland, John | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by MonteverdiAll Works by Monteverdi | Monteverdi, Claudio | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
      Purcell, HenryPurcell, Henry | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
      Telemann, Georg PhilippTelemann, Georg Philipp | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
      Incidental MusicIncidental Music | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
      GeneralGeneral | Purcell, Henry | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
      GeneralGeneral | Telemann, Georg Philipp | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
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      Sacred & ReligiousSacred & Religious | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music
      GeneralGeneral | Classical | Styles | Music
      GeneralGeneral | Opera & Vocal | Styles | Music
      Baroque (c.1600-1750)Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music
      Renaissance (c.1450-1600)Renaissance (c.1450-1600) | Historical Periods | Opera & Vocal | Styles | Music
      ItalianItalian | Languages | Opera & Vocal | Styles | Music
      MadrigalsMadrigals | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
      GeneralGeneral | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
      MassesMasses | Vocal Non-Opera | Opera & Vocal | Styles | Music
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      ASIN: B0000022BJ
      Release Date: 1996-09-24

      Tracks:

      1. Let the Fifes and the Clarions - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
      2. Hark! The Ech'ing Air - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
      3. Beauty, thou Scene of Love - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
      4. In Vain the Am'rous Flute - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
      5. Saccharissa's Grown Old - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
      6. Sound the Trumpet - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
      7. Lord, What Is Man? - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
      8. Sweetness of Nature - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
      9. Be Welcome, Then, Great Sir - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
      10. Lovely Albina's Come Ashore - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
      11. One Charming Night - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
      12. Here Let My Life - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
      13. Many, Many Such Days - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
      14. If Music Be the Food of Love - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
      15. Me, O Ye Gods - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...
      16. Hail, Gracious Glorianna, Hail! - Jeffrey Dooley/Howard Crook/Louise Shulman/Daniel Reed/Mary Springfels/David Carp/Dennis Godburn...

      Tracks:

      1. Las Cantigas de Santa Maria: Cantigas 36 - Russel Oberlin/Joseph Iadone
      2. The Two Three Voice Masses: Kyrie - Schola Discantus
      3. Istanpitta! Vol.I: Saltarello & Trotto - NY's ensemble for Early Music
      4. Missa de Sancta Anna & Lamentations: Sanctus - Schola Discantus
      5. The Art of the Lute: Credo in Unum Deum - Joseph Iadone
      6. French Sacred Music: Kyrie - Schola Discantus
      7. Lute Songs: Weep you no more... - Russell Oberlin/Joseph Iadone
      8. Music of William Byrd: Who made thee... - New York Consort fo the Viols
      9. Music for Voice and Viol: What pleasure... - In Nomine Players
      10. Orfeo: Toccata - ARTEK
      11. Orfeo: La ciate i monti - ARTEK
      12. Orfeo: Rosa del Ciel - ARTEK
      13. Orfeo: Ritornello-Vi Ricorda - ARTEK
      14. Music from Renaissance & Baroque: Volta - Minstrelsy!
      15. Airs & Duets: Hark! the Ech'ing Air - Jeffrey Dooley
      16. Mensa Sonora: Ciacona - La Follia Salzburg
      17. Flute Duets: Moderato - Tom Moore/Kimberly Reighly
      Serenade - Heddle Nash (tenor) sings opera arias (in English) and popular songs
      Average customer rating: Not rated
        Serenade - Heddle Nash (tenor) sings opera arias (in English) and popular songs

        Manufacturer: Asv Living Era
        ProductGroup: Music
        Binding: Audio CD

        Delius, FrederickDelius, Frederick | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by DonizettiAll Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by GounodAll Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by HandelAll Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
        GeneralGeneral | Lehár, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by MacDowellAll Works by MacDowell | MacDowell, Edward | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by MassenetAll Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by Wolfgang Amadeus MozartAll Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by OffenbachAll Works by Offenbach | Offenbach, Jacques | ( O ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by RossiniAll Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
        GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
        GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
        Chamber MusicChamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
        General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
        Vocal & SongVocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
        Chamber MusicChamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
        Vocal & SongVocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
        GeneralGeneral | Classical | Styles | Music
        London Philharmonic OrchestraLondon Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music
        RomancesRomances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music
        Romantic (c.1820-1910)Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music
        GeneralGeneral | Arias | Opera & Vocal | Styles | Music
        GeneralGeneral | Opera & Vocal | Styles | Music
        EnglishEnglish | Languages | Opera & Vocal | Styles | Music
        FrenchFrench | Languages | Opera & Vocal | Styles | Music
        GermanGerman | Languages | Opera & Vocal | Styles | Music
        ItalianItalian | Languages | Opera & Vocal | Styles | Music
        OperettasOperettas | Opera & Vocal | Styles | Music
        OratoriosOratorios | Opera & Vocal | Styles | Music
        Folk SongsFolk Songs | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
        GeneralGeneral | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
        OratoriosOratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music
        GeneralGeneral | Folk | Styles | Music
        GeneralGeneral | Easy Listening | Pop | Styles | Music
        ASIN: B00003E455
        Release Date: 2000-01-11

        Tracks:

        1. The Fair Maid Of Perth: Ser
        2. The Barber Of Seville: Dawn W. Her Rosy Mantle
        3. Don Giovanni: Dalla Sua Pace
        4. The Bohemian Girl: When Other Lips
        5. Frederica: O Maiden, My Maiden
        6. Lily Of Killarny: Eily Mavourneen
        7. The Bloom Is On The Rye
        8. My Sweetheart When A Boy
        9. La Belle Helene: The Shepherd's Song
        10. Annie Laurie
        11. Two Eyes Of Grey
        12. To A Wild Rose/Diaphenia
        13. To The Queen Of My Heart/Love's Philosophy
        14. To Mary
        15. Cosi Fan Tutte: Un' Aura Amorosa
        16. The Pearl Fishers: In Memory I Lie Beneath The Palms
        17. Faust: All Hail, Thou Dwelling
        18. L'Elisir D'Amore: Down Her Pale Cheek
        19. Diaphenia/The Sweet O' The Year
        20. Judas Maccabaeus: How Vain Is Man
        21. Manon: Dream Song

        Soul Music:

        1. Austin Powers in Goldmember [Soundtrack]
        2. Balance & Options [Explicit Lyrics]
        3. Black Dialogue
        4. Blue Scholars
        5. Body Head Bangerz, Vol. 1 [Explicit Lyrics]
        6. Bringing Down The House [Soundtrack]
        7. Checkmate [Explicit Lyrics]
        8. Critical Beatdown [Original recording remastered]
        9. Da Derrty Versions: The Reinvention [Explicit Lyrics]
        10. Daiquiri Factory Cocaine Raps, Vol. 2 [Explicit Lyrics]

        Soul Music

        soul music

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        Chopin: Music for Piano [Box set]

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        Best of Big Band 1947

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