No One Can Do It Better [Explicit Lyrics]

Editorial Reviews
Amazon.com
Long before Snoop Dogg, Eminem, or Xzibit came into the picture, Dr. Dre had already found the perfect MC in the D.O.C., a Texas transplant to Los Angeles. Before he tragically lost his vocal chords in an auto accident, the D.O.C. was easily one of the fiercest lyricists that the West Coast had ever witnessed--a combination of Ice Cube's scowling aggressiveness but balanced with a sophistication that would have rivaled KRS-One at his best. With a ragga-tinged flow, he could drop lyrical bombs with fury on "It's Funky Enough" or sublimely style for "The Formula." Dre supported the D.O.C. with a bevy of funk-laden tracks that were pre-Chronic, meaning that the feel was rough and rugged vs. wet and sticky. Had his voice survived, there's little doubt that the D.O.C. would have become one of Cali's greatest MCs ever. All the supporting evidence is on this album. --Oliver Wang

No One Can Do It Better,The D.O.C.,East/West Records,G-Funk,Gangsta Rap,Hardcore Rap,Pop,Rap,Rap & Hip-Hop,West Coast Rap

No One Can Do It Better [Explicit Lyrics]

Tracks:

It's Funky Enough
Mind Blowin'
Lend Me An Ear
Comm. Blues
Let The Bass Go
Beautiful But Deadly
The D.O.C. & The Doctor
No One Can Do It Better
Whrilwind Pyramind
Comm. 2
The Formula
Portrait Of A Master Piece
The Grand Finale

Amazon.com

Long before Snoop Dogg, Eminem, or Xzibit came into the picture, Dr. Dre had already found the perfect MC in the D.O.C., a Texas transplant to Los Angeles. Before he tragically lost his vocal chords in an auto accident, the D.O.C. was easily one of the fiercest lyricists that the West Coast had ever witnessed--a combination of Ice Cube's scowling aggressiveness but balanced with a sophistication that would have rivaled KRS-One at his best. With a ragga-tinged flow, he could drop lyrical bombs with fury on "It's Funky Enough" or sublimely style for "The Formula." Dre supported the D.O.C. with a bevy of funk-laden tracks that were pre-Chronic, meaning that the feel was rough and rugged vs. wet and sticky. Had his voice survived, there's little doubt that the D.O.C. would have become one of Cali's greatest MCs ever. All the supporting evidence is on this album. --Oliver Wang

Customer Reviews:

Hot.......2007-07-09

The Doc was hip hops up and commer until his accident that damaged his vocal cords...

No one did it better..........2007-05-30

To say that this guy would have been one the Greatest MC'S OF ALL TIME is an understatement! As it is the D.O.C. is finding his way back into the cd players of the younger kids out there looking for REAL RAP. Exploding lyrics, a brash tone in his voice with a hint of reggae made the DOC one of the most original MC's of our time. I compare the game to him ...that's a hell of a compliment to the GAME. Don't get it twisted though, this guy was one of a kind and "No one can do it better", #8 and the title track of this rap masterpiece is so true. "It's funky enough" hit the radio and the video hit "pump it up"...he was the real deal winning a rap contest in Texas and the services of Dr.Dre ,who is a West Coast Genius, made this album untouchable. There a bit of comedy with a few sketches between tracks but this is no joke. The formula was also a hit with it's smooth mellow approach easy to appreciate his lyrics on. The cuts that i still love today also include "Lend me an ear","Whirlwind Pyramid" are straight up lyrical BOMBS! Fierce lyrics straight to the throat!...to cap this masterpiece off listen to a very raw Ice Cube( "My medly is deadly as a pin in a hand grinade") leading off the "Grand Finale" which also include the late Eazy E, MC Ren, and of course a splash of Dre is the one cut you can't overlook. I turned my 14 year old son on to the D.O.C. and he's now his favorite rapper. All the young bucks out there...pay homage to one of the greatest of all time...our one hit wonder of a MASTER PIECE! I met him in the mall in Thousand Oaks, Ca and I was able to pay respects and offer condolinces on his accident that took his voice away from us...This is a 5 star masterpiece!!!!!

The 1st West Coast Classic.......2007-05-26

Before Ice Cube, Dr. Dre, and Snoop were droppin classics on the left coast, D.O.C. did it first. While the production was top notch, the lyrics were a perfect compliment and left you wanting more. The CD title speaks for itself cause whether he was rapping fast, slow, smooth, or rugged he could do it all. If you don't have it, then you got to get it cause i been blessed ever since i got the tape 18 years ago.

Classic West Coast/Southern Rap Debut!.......2007-05-10

Dallas, Texas native Tracy Curry started his rap career in a group called the Fila Fresh Crew. A chance acquaintance by a group member with Los Angeles, California's Dr. Dre' led the group into the auspices of Eazy-E's Ruthless Records. After recording a handful of 12" singles, the group soon broke up, but Curry, a.k.a. "The D.O.C." stayed with the Ruthless camp, writing lyrics for several songs on Eazy E's solo debut, "Eazy Duz It" and becoming a peripheral member of N.W.A. Though his presence was limited on "Straight Outta Compton", soon the hip-hop world would know his name in major way on the Ruthless/Atlantic release, "No One Can Do it Better."

The album is produced in its entirety by Dr. Dre, and combines street-ready breakbeats with Dre's preference for Soul and Funk samples (keen listeners will note that on several songs there is not an outright sample but rather a live studio reinterpretation of key riffs).

The debut single is here, "It's Funky Enough", as is "The D.O.C. and the Doctor", "Mind Blowin'" and the guitar-rocker "Beautiful but Deadly". The best song is the mellow "The Formula", which samples Marvin Gaye's "Makes Me Wanna Holler" (even better is the extended remix). Also of note is "The Grand Finale", a posse cut featuring Dr. Dre', Eazy-E, MC Ren and Ice Cube (and DJ Yella on drums), which would be the final recording of all the N.W.A. members before the death of Eazy-E in 1995. The album would sell over 1 million copies.

Lyrically, D.O.C. had a cadence that was clear and articulate that couldn't be automatically pegged by New York purists as Southern or West Coast. He also generally avoided profanity and his thematic content wasn't entrenched in gang life & violent boasts. Tragically, a car accident permanently damaged D.O.C.'s voice, so this is really his defining artistic statement.

Despite being in-print for many years now, this album truly deserves a deluxe re-release. Remixes, 12-inch/EP cuts and music videos could be included.

One of the first great West Coast lyricists................2006-11-15

Dre and his first solo protoge delivered this classic back in 89.

Classic Joints:
Grand Finale (One of the greatest posse cuts ever. Ice Cube kills it.)
The Formula
Whirlwind Pyramid
It's gettin funky
Let the Bass Go
The whole joint!

DRG 25th Anniversary Show Stopping Performances

Average customer rating:

Great compilation
A disappointment

DRG 25th Anniversary Show Stopping Performances

Manufacturer: Drg
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005Q6IN
Release Date: 2001-10-23

Tracks:

A Day In Hollywood A Night In Ukraine: Just Go To The Movies - Priscilla Lopez/David Garrison/Frank Lazarus/Stephen James/Peggy Hewett/Kate Draper
Babes In Arms: I Wish I Were In Love Again - Christopher Fitzgerald Jessica Stone
Pal Joey: Bewitched, Bothered And Bewildered - Patti LuPone
Gentlemen Prefer Blondes: Diamonds Are A Girl's Best Friend - KT Sullivan
Nunsense: I Just Want To Be A Star - Christine Anderson
Louisiana Purchase: Wild About You - Debbie Gravitte & New York Voices
Oil City Symphony: Beaver Ball At The Bug Club - Mike Craver/Mark Hardwick/Debra Monk/Mary Murfitt
Falsettoland: The Baseball Game - Michael Rupert/Chip Zien/Faith Prince/Janet Metz/Heather MacRae/Stephen Bogardus
Very Good Eddie: Isn't It Great To Be Married? - Virginia Seidel/Spring Fairbank/Charles Repole/Nicholas Wyman
The Fantasticks: A Perfect Time To Be In Love - Harvey Schmidt
Call Me Madam: You're Just In Love - Tyne Daly/Lewis Cleale
Taking My Turn: Fine For The Shape I'm In - Margaret Whiting/Marnie Nixon/Cissy Houston
A Party With Betty Comden & Adolph Green: The French Lesson - Betty Comdon/Adolph Green
The Madwoman Of Central Park: Better - Phyllis Newman
Greenwillow: Never Will I Marry - Anthony Perkins
Song Of Singapore: I Can't Remember - Loretta Swit & Company
Tintypes: Elite Syncopation/I'm Goin' To Live Anyhow, 'Til I Die - Lynne Thigpen
I Love My Wife: Someone Wonderful I Missed - Joanna Gleason/Ilene Graff
The Good Companions: The Pleasure Of Your Company - Malcolm Rennie/Christopher Gable
Forbidden Broadway 20th Anniversary: Liza One-Note - Christine Pedi
Meet Me In St. Louis: The Trolley Song - Donna Kane & Ensemble

Tracks:

4 Guys Named Jose...And Una Mujer Named Maria!: Feel It - Philip Anthony/Henry Gainza/Allen Hidalgo/Ricardo Puente
Fame - The Musical: There She Goes!/Fame - Natasha Rennalls & Ensemble
Do Re Mi: What's New At The Zoo? - Heather Headley/The Animal Girls
High Society: Once Upon A Time/True Love - Melissa Errico/Daniel McDonald
Tenderloin: Artificial Flowers - Patrick Wilson
State Fair: Driving At Night/Our State Fair - Company
Kiss Me, Kate: Were Thine That Special Face - Brian Stokes Mitchell
Black And Blue: Black And Blue - Linda Hopkins/Ruth Brown/Carrie Smith
The Green Bird: O Foolish Heart - Company
Out Of This World: From This Moment On - Marin Mazzie/Gregg Edelman
The Boys From Syracuse: This Can't Be Love - Davis Gaines/Sarah Berry
Snoopy!!!: Poor Sweet Baby - Pamela Myers
SeesawNobody Does It Like Me - Michele Lee
March Of The Falsettos: I Never Wanted To Love You - Michael Rupert/Stephen Bogardus/Alison Fraser/Chip Zien/James Kushner
Lunch: Perfectly Alone - Carol Burnett
3hree: Foolish Dreamin'/Something Beautiful/Real Enough To Change My Mind - Jessica Molaskey/Will Gartshore/Rachel Ulanet
Lucky In The Rain: Love Me As If There Were No Tomorrow - Barbara Cook
Godspell: All Good Gifts - Sal Sabella & Company
The Act: Walking Papers - Liza Minnelli & Company

Customer Reviews:

Great compilation.......2002-05-10

I don't actually own this particular compilation, however, since I own nearly every recording represented on these discs...I think I'm qualified to comment. This is a wonderful representation of the high quality of work that DRG Records does.
The previous review is way off the mark. This is definitely not a waste of time or money. This is 25 years of preserving Broadway shows, Off-Broadway shows, studio recordings (mostly from the city center concerts), etc. So what if they "aren't as good as the original", DRG is preserving many recordings and artists that other mainstream labels don't or won't. You have wonderful recordings from Brian Stokes Mitchell, Nathan Lane, Debbie Gravitte, Tyne Daly, Anthony Perkins, Joanna Gleason, Marin Mazzie, Carol Burnett, Heather Headley, Patti LuPone, Barbara Cook, etc., and many of these are from Original Cast Recordings just as they appeared on Broadway. This is an excellent sampler of the work going on at DRG. No...I'm not an employee...just an avid listener and collector of theatre recordings.

A disappointment.......2001-12-15

There's a reason you've probably never heard of most of the songs and shows on this album, not to mention most of the artists. This is a second-rate collection of second-rate numbers performed by mostly second-rate artists. In the case of the shows that were revivals, the performances on the original cast recordings were better. Don't waste your money.

Puccini - Madam Butterfly / Cheryl Barker, PO, Yves Abel [in English]

Average customer rating:

A touching English Butterfly

Puccini - Madam Butterfly / Cheryl Barker, PO, Yves Abel [in English]
Giacomo Puccini , Yves Abel , Cheryl Barker , Paul Charles Clarke , and Simon Birchall
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

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Tchaikovsky - Eugene Onegin / Te Kanawa · Hampson · Rosenshein · Gedda · Sir Charles Mackerras [in English]

ASIN: B00005QF3K
Release Date: 2001-11-20

Tracks:

Act I: Introduction - Cheryl Barker
Act I: 'So The Walls And The Ceiling...' - Ann Taylor/Stuart Kale
Act I: 'I Think Your Honour's Smiling' - Jean Rigby/Ann Taylor/Stuart Kale
Act I: 'It Can't Be Much Further Now!' - Gregory Yurisich/Stuart Kale/Ann Taylor
Act I: The Whole World Over - Ann Taylor/Gregory Yurisich
Act I: 'Fate Can't Crush Him' - Ann Taylor/Gregory Yurisich
Act I: 'Is The Bride Very Pretty?' - Gregory Yurisich/Stuart Kale/Ann Taylor
Act I: 'True Love Or Fancy' - Ann Taylor/Gregory Yurisich
Act I: 'See Them! They're Climbing The Summit Of The Hill!' - Gregory Yurisich/Cheryl Barker/Gregory Yurisich
Act I: 'We Are Honoured' - Cheryl Barker/Ann Taylor/Gregory Yurisich/Stuart Kale
Act I: 'The Imperial Commissioner' - Stuart Kale/Ann Taylor/Cheryl Barker/Simon Birchall
Act I: 'Oh, Indeed, My Friend, You're Lucky!' - Gregory Yurisich/Cheryl Barker
Act I: 'Come, My Beloved' - Ann Taylor/Cheryl Barker/Stuart Kale
Act I: 'My Fate I Have To Follow' - Cheryl Barker
Act I: 'Silence! Silence!' - Stuart Kale/Roland Wood/Cheryl Barker
Act I: 'Congratulations' - Roland Wood/Ann Taylor/Gregory Yurisich/Frances Brett/Clive Bayley/Stuart Kale
Act I: 'Dearest, My Dearest, Weep No More' - Roland Wood/Ann Taylor/Jean Rigby
Act I: 'Evening Is Falling...' - Roland Wood/Ann Taylor/Jean Rigby
Act I: 'Child, From Whose Eyes The Witchery Is Shining' - Ann Taylor/Cheryl Barker
Act I: 'Ah, Love Me A Little' - Cheryl Barker/Ann Taylor
Act II Part I: 'Izaghi Izanami' - Jean Rigby/Cheryl Barker
Act II Part I: 'One Fine Day' - Cheryl Barker

Tracks:

Act II Part I: 'Come, Let's Enter' - Stuart Kale/Gregory Yurisich/Cheryl Barker
Act II Part I: 'Yamadori, And Has your Unrequited Love Not Yet Released You? - Cheryl Barker/D'Arcy Bleiker/Gregory Yurisich/Stuart Kale
Act II Part I: 'Now, At Last!' - Gregory Yurisich/Cheryl Barker
Act II Part I: 'Just Two Things I Could Do' - Cheryl Barker/Gregory Yurisich
Act II Part I: 'This Child! This Child, Then!' - Cheryl Barker/Gregory Yurisich
Act II Part I: 'Do You Know, My Darling' - Cheryl Barker
Act II Part I: 'I Must Be Going' - Gregory Yurisich/Cheryl Barker/Jean Rigby
Act II Part I: 'Ah! Ah!' - Stuart Kale/Jean Rigby/Cheryl Barker
Act II Part I: 'Look, It's A Man-of-war!' - Jean Rigby/Cheryl Barker
Act II Part I: Flower Duet: 'Shake The Cherry Tree' - Cheryl Barker/Jean Rigby
Act II Part I: Humming Chorus - Geoffrey Mitchell Choir
Act II Part 2: Prelude - Jean Rigby/Cheryl Barker
Act II Part 2: Daybreak Over Nagasaki - Jean Rigby/Cheryl Barker
Act II Part 2: 'It's Morning' - Jean Rigby/Cheryl Barker
Act II Part 2: 'Who Is It?...' - Jean Rigby/Ann Taylor/Gregory Yurisich
Act II Part 2: 'I Know For Such Misfortune There Is No Consolation' - Gregory Yurisich/Jean Rigby/Ann Taylor
Act II Part 2: 'Farewell, Oh Happy Home!' - Ann Taylor/Gregory Yurisich
Act II Part 2: 'Then Will You Tell Her?' - Ann Taylor/Jean Rigby
Act II Part 2: 'Suzuki, Where Are You?' - Cheryl Barker/Jean Rigby
Act II Part 2: 'You, Suzuki, You're Always So Faithful' - Cheryl Barker/Jean Rigby
Act II Part 2: 'Viper! I Want You To Answer' - Cheryl Barker/Jean Rigby/Gregory Yurisich/Ann Taylor
Act II Part 2: 'Your Little Fluttering Heart Is Beating' - Jean Rigby/Cheryl Barker
Act II Part 2: 'Death With Honour Is Better Than Life With Dishonour' - Cheryl Barker

Amazon.com

This performance, the only one available in English, is problematic. Best is Yves Abel's leadership of the orchestra, which sounds wonderful, imbuing Puccini's lush score with just the right exoticism and emphasis. But aside from Gregory Yurisch's fine Sharpless, the singers don't please. Paul Charles Clarke as Pinkerton is lacking stylistically and vocally, and as Butterfly, Cheryl Barker sounds under strain and never pretty. While she has the power and feeling for the big second-act climax (the sighting of the ship), she never for a moment sounds fragile or girlish, not even in the all-important early scenes. English or not, this set isn't in the running. Stick with Callas or Scotto in Italian, and follow the libretto. --Robert Levine

Customer Reviews:

A touching English Butterfly.......2002-03-27

Anyone familiar with Cheryl Barker's Butterfly will be interested in hearing this recording. I have heard her in the role twice - in Auckland and London - and her voice has filled out as the years have gone on. She hasn't a large italianate soprano; the sound is too slender somehow. Yet there is the paradox - it has great carrying power and a decent cutting edge to make itself heard above the orchestral climaxes. What really impresses is the sense of vulnerability and moral strength she imparts, making sense of the big moments of the secong act. The sound in Act one is gorgeous (and a super D flat in theentrance aria) and she differentiates impressively between the child-bride and the embittered woman of the two acts.

She is surrounded by a mixed supporting cast. Jean Rigby is maternal, warm and affecting as Suzuki. Gregory Yurisich makes Sharpless' dilemma more understandable than usual, rather than being completely ineffectual. Paul Charles Clarke perhaps illustrates Pinkerton's arrogance with a degree of vocal swagger, but the sound is rough-hewn and unlovely save for some moments in the love duet. Stuart Kale's Goro is suitable ingratiating and oily.

Abel's conducting is the other chief draw of this set. That he has experience of the score in the theatre means that his pacing is really superb, and the lush orchestration is given its due, the potent intermezzo during the overnight vigil sounding suitably ominous.

This won't replace the classic Butterfly recordings, but in the absendce of any new ones recently, and for acceptable diction in an English version, it is certainly worth the (not very high) price. Recommended.

No One Can Do It Better
Average customer rating:

Hot

No one did it better...

The 1st West Coast Classic

Classic West Coast/Southern Rap Debut!

One of the first great West Coast lyricists.........

No One Can Do It Better
The D.O.C.
Manufacturer: Atlantic / Wea
ProductGroup: Music
Binding: Audio CD

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