Dream World

Track Listings

1. (You're Living In) A Dream World

2. Nite Moods

3. I Don't Have You

4. Escape from Planet Earth

5. Take a Little Time (To Know Me)

6. Day by Day (Every Minute of the Hour)

7. Heaven Must Have Sent You

8. How Can I Pretend

9. Love You Gave to Me

10. Running Away (From Love)

Dream World,The Continental IV,Collectables,Pop,R&B,Soul

Dream World

Tracks:

I Am What I Am (from "La Cage aux Folles")
Anthem (from "Chess")
On The Street Where You Live (from "My Fair Lady")
What Kind of Fool (from "Stop The World I Want to Get Off")
Some People (from "Gypsy")
I'll Be Seeing You (from "Right This Way")
Gold (from "Camille Claudel")
Don't Rain On My Parade (from "Funny Girl")
The Impossible Dream (from "Man of La Mancha")
A New Life (from "Jekyll & Hyde")
Edelweiss (from "The Sound of Music")
Unusual Way (from "Nine")
Man of La Mancha (from "Man of La Mancha")

Amazon.com

The people who felt betrayed when Linda Eder covered several pop songs on 2002's Gold will be relieved that her follow-up, Broadway My Way, is a return to the Great White Way. As if to prove that she isn't limited to either the songs of Frank Wildhorn or ballads, Eder tackles some well-known show tunes. The ballads tend to be overwrought, so it's best to look for the uptempo numbers. The singer's take on "Some People" is technically fine but so va-va-voom showbiz that it lacks the deranged edge that makes the song so compellingly dramatic. Things work a lot better on "I Am What I Am": while Eder doesn't take it to the top (or rather over the top), this is as close as she gets to Mermanizing a number. Elsewhere, "Don't Rain on My Parade" (immortalized by Streisand) and "Man of La Mancha" are appropriately brassy and triumphant, with Eder roaring her way through both songs. Fans of both Eder and Wildhorn should note that the singer reprises her Svengali's "Gold," the title track from her previous album, and an excerpt from his long-in-the-works Camille Claudel. --Elisabeth Vincentelli

Album Description

On the eagerly awaited Broadway My Way, Atlantic recording artist and acclaimed Broadway sensation Linda Eder performs classics including 'On the Street Where You Live' (from My Fair Lady), 'Edelweiss' (from The Sound of Music), 'Don't Rain On My Parade' (from Funny Girl) and 10 other great broadway songs performed in a whole new voice. 2003.

Customer Reviews:

Linda Eder - Great Voice.......2007-07-06

This lady has one great voice. She can certainly sell a song. My only reservation about her is that she's a bit cocky. I think she could use some humility.

Not a voice.......an instrument.......2007-02-17

Unbelievable breath control, phrasing, and style. My 10 yr. old Granddaughter who heretofore has listened and loved the usual rap
and hip-hop, heard me playing this disc and begged me to buy her
one........and I did, and she plays it all the time, and to her
friends. Linda Eder exceeds the Streisand mystique by far.

the best female singer of the great american standards........2006-07-24

i am turning 60 years old this year. i went to my 1st.broadway
musical in 1960. over the years i have had the honor to see
almost all of the giants of american song, garland, streisand,
patti lupone, lena horne, betty buckley, barbaracook etc. in
"broadway, my way" linda eder cements her place as the best of the best. from an anthem like "i am what i am" to the lovely
"on the street where you live" captures you body and soul.
i loved this album, and don't ever miss a chance to see her live. JOHN POWER

The powerful and beautiful voice of Linda Elder.......2006-02-23

A great selection of songs. Tremendous amount of energy in Linda's voice. I just love it.

Linda Eder shines with her Broadway album.......2006-02-18

Wow! Linda Eder has an outstanding voice. She sells Broadway in the styles of Judy Garland and Barbra Streisand. After hearing this you will want more.

Average customer rating:

It's good
Revolutionary times
Black Dove
makes me want to dance
Enjoy!

Frida

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Frida
Border (La Linea)
La Sandunga
Una Sangre (One Blood)
La Llorona

ASIN: B00006LLNV
Release Date: 2002-10-22

Tracks:

Benediction and Dream
The Floating Bed
El Conejo
Paloma Negra
Self-Portrait with Hair Down
Alcoba Azul
Carabina 30/30
Solo Tu
El Gusto
The Journey
El Antifaz
The Suicide of Dorothy Hale
La Cavalera
La Bruja
Portrait of Lude
La Llorona
Estrella Oscura
Still Life
Viva La Vida
The Departure
Coyoacan and Variations
La Llorona
Burning Bed
Burn It Blue

Amazon.com

She was famous as both artist and model, infamous as political revolutionary and social libertine, and Frida Kahlo's controversial life couldn't help but seem the stuff of great musical theater. Her story is brought to the screen by director Julie Taymor, whose musical compatriot here is also her husband; Elliot Goldenthal, student of both Copland and Corigliani, shrewdly sublimates his modernism in service of the rich, evocative music and songs of Mexico and Central America. Utilizing performers that range from the contemporary (Lila Downs) to the folk-classic (Costa Rican legend Chavela Vargas; Brazilian star Caetano Veloso) and traditional (Los Cojolites, El Poder Del Norte, Trio Huasteca, Caimanes de Tanquin, and others), Goldenthal generously displays the true breadth of Mexican folk music, while seamlessly infusing it with the minimalist corners of his own underscore and some winning songwriting of his own. The result is one of 2002's most compelling soundtracks. The enhanced CD features include musical film excerpts, as well as a video conversation between Goldenthal and star Salma Hayek and text interviews with the composer and director Taymor. --Jerry McCulley

Customer Reviews:

It's good.......2007-07-22

But I don't think it's all it's hyped up to be on the other reviews, but, I do like it to the point of keeping it. It's the perfect 4star rating.

Revolutionary times.......2007-05-14

I absolutely love this soundtrack! Everytime I listen to it, I feel as though I am in Mexico during the revolution and Frida's life. Everyone should choose their own life soundtrack and this one allows us to see into Frida's life more clearly.

Black Dove.......2007-05-13

Fell into the movie trying to avoid study and hang out with a jilted housemate. If I'm honest, Salma Hayek was the main draw. Wafer thin.
However, I was enraptured by the story of Frida and the amazing performance (no wonder she was oscar nominated).
I bought the soundtrack the next morning. It really got to me.This is a great soundtrack and, yes, it does help if you have seen the movie but not necessary. I loved the latin passion (highs and lows). Chervala Vargas as Elliot Goldenthal describes in the slieve was once Frida's lover. I loved her Paloma Negra. So powerful.
There is something for everyone in this long soundtrack.
Do as i have: watch the movie and buy the soundtrack. Worth the time and money.

makes me want to dance .......2007-05-07

I really enjoyed the CD, the musical selection is great and it seems very authentic.

Enjoy!.......2006-12-30

I purchased this CD after seeing the movie. The music is enjoyable to listen to and passionate as I would think Frida was. I purchased this CD a second time to give to a female Hispanic artist who identifies with the trials and tribulations of Frida. This artist now paints while listening to this CD. Her artwork not only has improved but has become popular. I defiantly recommend its purchase.

Score: XOX - 20th Anniversary World Tour Live with the Octavarium Orchestra

Average customer rating:

I have GOT to see these guys live someday...
VERY DISAPPOINTED
Blown away
A fantastic live recording
10 stars!

Score: XOX - 20th Anniversary World Tour Live with the Octavarium Orchestra
Dream Theater
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

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Dream Theater - Score: 20th Anniversary World Tour Live with the Octavarium Orchestra
Systematic Chaos
Six Degrees of Inner Turbulence
Snakes & Arrows
Gigantour

ASIN: B000G7PMD2
Release Date: 2006-08-29

Tracks:

The Root Of All Evil [Disc 1]
I Walk Beside You [Disc 1]
Another Won [Disc 1]
Afterlife [Disc 1]
Under A Glass Moon [Disc 1]
Innocence Faded [Disc 1]
Raise The Knife [Disc 1]
The Spirit Carries On [Disc 1]

Tracks:

Six Degrees Of Inner Turbulence: [Disc 2]
I. Overture [Disc 2]
II. About To Crash [Disc 2]
III. War Inside My Head [Disc 2]
IV. The Test That Stumped Them All [Disc 2]
V. Goodnight Kiss [Disc 2]
VI. Solitary Shell [Disc 2]
VII. About To Crash (reprise) [Disc 2]
VIII. Losing Time/Grand Finale [Disc 2]
Vacant [Disc 2]
The Answer Lies Within [Disc 2]
Sacrificed Sons [Disc 2]

Tracks:

Octavarium: [Disc 3]
Intro [Disc 3]
I. Someone Like Him [Disc 3]
II. Medicate Me [Disc 3]
III. Full Circle [Disc 3]
IV. Intervals [Disc 3]
V. Razor's Edge [Disc 3]
Encore: [Disc 3]
Metropolis [Disc 3]

Album Description

This album marks the grand finale of the 20th Anniversary World Tour Live with the Octavarium Orchestra--a tour celebrating the 20th anniversary of the members of Dream Theater meeting at Berklee School of Music. The recording was captured live at Radio City Music Hall on April 1st, 2006.

Customer Reviews:

I have GOT to see these guys live someday..........2007-07-24

Okay, I'll start with the bad stuff. It sounds like one of the violinists in the orchestra is out of tune. And John Petrucci's backing vocals are simply awful; I've yet to hear a live DT recording where he stayed on key. OTOH, I can live with that because it's one of those little things that markes this album as a live recording. The backing vocals aren't coming from a tape, they're coming from actual humans.

But overall, this is a great set. The live Dream Theater is every bit as tight as the same band in the studio. The second and third discs, with the backing of the orchestra, sound great as well, although "Metropolis Pt. 1" sounds a little cluttered in spots. While I could complain that a few of my favorite tracks are not in this set, I won't; how many live versions of "Pull Me Under" or "A Change of Seasons" do they really need to record? ;)

This is definitely a great set, and one of the best live albums I've heard in years.

VERY DISAPPOINTED.......2007-05-26

3 DISC SET..1 DECENT CD..2 CRAPPY CD'S..THEY COULD HAVE @ SHOULD HAVE BEEN ALOT BETTER !!!!!!!!!!!!

Blown away.......2007-04-29

This is the first Dream Theater record I ever heard and I couldn't believe how blown away I was with it. I popped the first CD in the car and listened to the first 2 songs and couldn't believe the quality of music so I went back and listened to the first 2 songs again. The same thing happened after I listened to 'Afterlife' (track 4) -- I went back to the beginning and listened to the first 4 songs again. It took about a week before I even got to the second CD.

The second CD is the 41 epic tune, 'six degrees of inner turbulence. A song about, well, the inner turbulence of life. There is a spot around the 15 minute mark where I find it too dissonant, and there is an instrument in the orchestra that is flat, but this is a very weak criticism for a absolute work of art including the fantastic 'solitary shell' and powerful climax.

The find the 3rd CD ok but not anywhere near the first 2. Octivarium takes too long to get going and 'Metropolis' starts out so promising but the wonderful keyboard riff that kicks off the song is drowned out in the dissonance.

The keys are great, the guitar playing is great, the percussion is great and the vocals are out of this world outstanding.

One of the top 3 live albums off all time on my list along with Iron Maiden's "Live after Death" and Rush's "All the Worlds a Stage."

A fantastic live recording.......2007-04-06

Simply put, this may be the best collaboration between a heavy metal rock band with an orchestra that has ever been recorded. Separation of sound is very difficult to achieve when you are dealing with high volume but here the engineers manage to pull it off exceedingly well. If you don't know about this group by now then this is as good an introduction as you will find. If you are a fan then you will appreciate the excitement that the live audience adds to the band's performances even if you know most of the songs by heart. If you can't appreciate how incredibly good these musicians are then you have my condolences.

10 stars!.......2007-04-03

Awsome, great set list. Performance Flawless!

The whole group do a great job (like always) and the orchestra does fantastic following the whole six degrees album (side 2) and octivarium and metropolis and more! They do their classics great! Buy this, and if you dont know about Dream Theater... Your world will change, proceed to buy all their albums :)

Best of the Millennium: Top 40 Classical Hits

Average customer rating:

Waste of money
Great Music Compilation
If you like classical music don't buy this CD.
A must for anyone wanting the staples of classical music
A great compilation

Best of the Millennium: Top 40 Classical Hits

Manufacturer: Utv Records
ProductGroup: Music
Binding: Audio CD

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The Most Relaxing Classical Album in the World...Ever!
Classical Music for People Who Hate Classical Music
25 Classical Favorites
The Most Relaxing Classical Music in the Universe
The Most Relaxing Classical Album In the World Ever, Volume II

ASIN: B00004GOZA
Release Date: 2000-02-08

Tracks:

Adagio In G Minor
Jesu, Joy OF Man's Desiring
Moonlight Sonata - Adagio sostenuto
March Of The Toreadors (Carmen)
Celebrated Minuet
Polovtsian Dance No. 1 (Prince Igor)
Cradle Song
'Minute' Waltz
Suite Bergamasque: Clair de Lune
Largo
Pomp And Circumstance March No. 1
Rhapsody In Blue - Andante And Finale
Peer Gynt Suite: Morning
Messiah: Hallelujah Chorus
Liebestraum
Cavalleria Rusticana: Intermezzo
A Midsummer Night's Dream: Wedding March
'Masterpiece Theater' Theme: Rondau (First Symphonic Suite)
The Great Gate Of Kiev

Tracks:

Eine klein Nachtmusik - Allegro: Eine kleine Nachtmusik - Allegro
Orpheus In The Underworld: Cancan
Carmina Burana - O Fortuna
Canon In D
Lietenant Kije Suite - Troika
Turandot: Nessun dorma
Rhapsody On A Theme Of Paganini - 18th Variation: Rhapsody On A Theme Of Paganini- 18th Variation
Bolero - Conclusion
The Tale Of Czar Sultan: Flight Of The Bumblebee
William Tell Overture - Finale
Carnival Of The Animals: The Swan
Gymnopedie No. 3
Ave Maria
Blue Danube Waltz
Thus Spake Zarathustra - Sunrise
Firebird Suite - Finale
1812 Overture - Finale: 1812 Overtune - Finale
Fantasia On 'Greensleeves'
Anvil Chorus (II Trovatore)
The Four Seasons - Largo From 'Winter'
Die Walkure: Ride Of The Valkyries

Amazon.com

For those who want the most remembered passages of classical music's best-loved works, here's a package for you. On this bargain priced double-CD, you'll find music from 40 different classical composers; for the most part, the recordings excerpted here are some of the very best. Of course, you only get one Bach sampling (Jesu, Joy of Man's Desiring, played by the Orpheus Chamber Orchestra) and one Mozart (A Little Night Music conducted by Herbert von Karajan), but this is still a nice collection--perhaps the starting point for a budding collection of classical music. This set's downfall? Unfortunately, though the liner notes discuss the evolution of classical music chronologically, the tracks are programmed in alphabetical order by composer's last name. This makes for some startling transitions! Emil Gilels's reflective performance of the Adagio from Beethoven's "Moonlight" sonata is followed by the crashing cymbals and bombast of Carmen's "March of the Toreadors," a recipe for a heart attack if there ever was one. Still, there's something here for everyone and the liner notes even explain what movies this music can be found in. A nice touch. --Jason Verlinde

Customer Reviews:

Waste of money.......2006-01-12

Watch out for the volume leveling mentioned in another review. Surely the compliers could have come up with a better sort order than by composer. The change in tempo/volume between pieces makes it impossible to enjoy. My two CD's ended up in the trash.

Ken

Great Music Compilation.......2005-08-15

This is a great CD full of many songs that you will recognize and enjoy. If you are someone who likes classical music but doesn't necessarily know which songs or which composers you like, then this CD is for you. You will likely recognize many of the songs as the classical songs you would have picked out to be your favorites.

If you like classical music don't buy this CD........2005-03-11

Most of the tracks were chopped down to 3-4 minutes so some of the best parts of the compositions are missing. I don't know what I was thinking trying to buy 40 classical songs on two CD's. If you really want to enjoy the music you would do better to purchase a CD with fewer, but better quality tracks.

A must for anyone wanting the staples of classical music.......2005-02-23

In my years of experience teaching Fine Arts to high school students, I know that the majority, if not all, of the music included on this album is commonly used in collge music appreciation courses. This is an excellent sample of truly all the "greatest hits" of classical music. My students enjoy listening to the music and have later told me when take their required music apreciation courses in college that they "already know it all" because of this CD! The recordings are clear, the selections are passionate, and the listener will gain a familiarity with all of the most commonly heard classical music used in tv commercials, movies, etc.
I recommend this album, along with the boxed set, "Age of the Classics" for anyone who is interested in becoming familiar with the most famous staples of classical music.

A great compilation.......2005-02-09

This cd somes up some of the greatest pieces of instrumental (and is some cases choral) music ever written. It is a great starter for a beginning classical music lover or a quick and easy all-in-one for those of us who study classical music for a living. I highly recommend this cd to anyone who wants to love or already does love classical music.

Average customer rating:

No where near as good as the first
Another Editorial Review
Stunning and extraordinary compilation, a must have!
AWESOME!
Wonderful

Pure Moods, Vol. II
Various Artists , Adiemus lll , Clannad , Craig Armstrong , Dave Koz , Delerium , Dream Academy , Loreena McKennitt , Massive Attack , and Various Others
Manufacturer: Virgin Records Us
ProductGroup: Music
Binding: Audio CD

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Pure Moods, Vol. I
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Pure Moods: Celestial Celebration
Celtic Moods: A Celtic Companion to Pure Moods

ASIN: B00000DMH7
Release Date: 1998-11-17

Tracks:

The Mummers' Dance - Loreena McKennitt
Montezuma
The Cradlesong
Nightingale - Yanni
Life In A Northern Town - Dream Academy
Zarabanda (Saraband) - Adiemus lll
Euphoria (Firefly) - Delerium
Weatherstorm - Craig Armstrong
Teardrop (Edit) - Massive Attack
Theme From Harry's Game - Clannad
Chariots Of Fire
Breezin'
Emily - Dave Koz
2 The Night - Ottmar Liebert
Beyond The Invisible
The Mystic's Dream - Loreena McKennitt

Amazon.com

For listeners with a sincere interest in the broad variety of music loosely aligned under the New Age banner, Pure Moods II will strike your ears as something less than a high-concept showcase for the genre and more as a mulligan stew of easy-listening favorites. This is not necessarily a bad thing; yet a recording marketed to the general public as a comprehensive, current, state-of-the-art overview of atmospheric music shouldn't include such ill-fitting oddities as George Benson's "Breezin'," a lite-funk relic from 1976, or "Emily" from jazz saxophonist Dave Koz. Happily, the 77-minute, 16-track sampler offers far more items of interest than irritation. It reaches back to 1983 to remind us of an ahead-of-its-time display of Celtic mysticism from Clannad ("Theme from Harry's Game"), and it both opens and closes with superb selections from one of the genre's most admired artists, Loreena McKennitt--very appropriate since, one could argue, discussions on the future of New Age should both begin and end with McKennitt's name. Despite its few warts, Pure Moods II is a good listen overall. --Terry Wood

Customer Reviews:

No where near as good as the first.......2007-06-14

I loved the first CD, so got the 2nd one. Quite dissapointed. I thought a handful of the songs on 2 were good, such as Firefly, but overall it just seems like they threw together a bunch of songs to sell a copy of a popular CD.

Another Editorial Review.......2006-11-06

"Pure Moods was such an unexpected success that it launched a number of spinoffs and, eventually (and perhaps somewhat inevitably), Pure Moods II. Although it isn't quite as consistent as its predecessor -- George Benson's 'Breezin`' feels out of place among among these atmospheric cuts, but not nearly as much as Massive Attack's menacing 'Teardrop' -- but fans of the first will still find it to quite enjoyable, especially since it features Vangelis' 'Chariots of Fire,' Loreena McKennitt's 'Mummer's Dance' and Dream Academy's 'Life in a Northern Town,' three major oversights from the first Pure Moods. ~ Stephen Thomas Erlewine, All Music Guide"

Stunning and extraordinary compilation, a must have!.......2006-09-11

What a marvelous collection of mesmerizing music this is. I have been listening to this album all week, as I can't get it out of my head. Pure Moods are one my favorite collections as they bring awareness of similar music that goes together so well. The beauty of this album is the mix of music that evokes a certain mood, while not sounding all too similar.

Starting off with Loreena McKennitt's "The Mummers Dance" a hypnotic song from the first note that sounds like time travel from ancient Byzantium to the mystic Celtic seas followed by Montezuma, one of my favorite Cusco pieces. Cusco is a duet of two German keyboard players Michael Holm and Kristian Schultze who make their enigmatic music sound very original and South American. The music is not traditional; it's a mix of outer space, new age and pan flutes. Very interesting and incredibly likable.

"Nightingale" by Yanni is just incredible, every time I have it on I almost forget I am listening to music, I simply feel it and I am always amazed at how gorgeous it sounds and whenever I hear this song it feel like the first time I am hearing it as it stuns me.

Another favorite of mine, Adiemus makes an appearance, the interesting figment is that
the language is made up by Karl Jenkins, the sounds are not meant to distract the listener from the music. It is a mix of classical and world music with great freedom of movement and is the kind of music they use in breathtaking movie soundtracks.

Delerium's "Euphoria" almost sounds like a Madonna song, is lovely and spirited with a breath of enigma. There is also "The Weather Storm" by Craig Armstrong, another strong musical piece that does sound like an actual storm of music.

"Teardrop" by Massive Attack sounds like song everything knows they heard somewhere but they don't know what it is. My favorite part is the base beat, it sounds like the human heart.

The rest of the performers from Lovely and church like Clannad which make me feel like I am in an ancient monastery listening to the monks, to "Chariots of Fire" a classic from Vangelis to wonderful and earthy "Breezing" that sounds like the first day of spring to Enigma, to me the empress of New Age. This collection is stellar and each song is a 5 star to me.

This cd makes me happy; it's relaxing, lovely, and addictive and provides great inspiration when I need it to concentrate while I work on my art. Each song has been carefully hand picked to hit the listener with a magnitude of emotion and I cannot recommend it enough to anyone who needs to sit back and be transported. The songs feel like caresses of ancient wind on the face and make me feel like I have been meditating for hours. Pure Moods is an excellent cd to pick up by someone who needs an introduction to new Age and relaxing music. So far this has been my favorite disc, but they are all lovely.

- Kasia S.

AWESOME!.......2006-09-06

If you are looking for meditation or tranquility from daily stress I recommend not only this CD, but the entire collection. I have all the Pure Moods collection and keep buying more New Age music. I feel I've invested my money in good music. I listen to pretty much anything from soft music, Rock, Salsa, Calypso to Dance-Techno music, but when I don't feel like listening to loud music, I listen to these CD collection, specially on a Sunday to reconnect with relaxation to start another heavy woking week. Also, if you like gospel, I'm sure you'll love these even though is not quite gospel music. You just reconnect yourself spiritually in this material world.

Wonderful.......2006-05-31

I bought this based on the cover, I was at a flea market and loved the purple and intersting artwork. Now I have lost the cover but know where the cd is at all times, only 4 songs are songs I could live without (11-14) the rest are wonderful, amazing and truly a joy to listen to. I will be checking out the samples of the other pure moods, to see which one I will make my own, next. A great way to relax after a stress filled day, or start the day listening on the drive to work.

Average customer rating:

5 stars!
Their commercial breakthrough, but not their best
Dead Can Dance - Labyrinth look-over
Superb!
Multi-culturalism and Cross-culturalism

Into the Labyrinth
Dead Can Dance
Manufacturer: Wea International
ProductGroup: Music
Binding: Audio CD

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Tracks:

Yulunga (Spirit Dance)
The Ubiquitous Mr Lovegrove
The Wind That Shakes The Barley
The Carnival Is Over
Ariadne
Saldek
Towards The Within
Tell Me About The Forest (You Once Called Home)
The Spider's Stratagem
Emmeleia
How Fortunate The Man With None

Amazon.com

Their goth-sounding name and dour visual image aside, the prolific duo of Brendan Perry and Lisa Gerrard produce wildly eclectic but utterly unique music. Their painstakingly crafted albums encompass numerous arcane genres, from European classical music to ancient Celtic and Middle Eastern folk styles, often employing authentic antique instruments to achieve their ambitious, emotive soundscapes. The 1993 effort Into the Labyrinth found Dead Can Dance mixing their medieval leanings with more exotic Eastern influences on "Saldek" and "Yulunga," while exploring Celtic balladry on the traditional "The Wind That Shakes the Barley" and theatrical songcraft in their interpretation of Bertolt Brecht's "How Fortunate Is the Man with None." --Scott Schinder

Album Description

Out of print in the U.S.! Import pressing of this classic 1993 album from one of the 4AD label's most popular and influential bands. At the core of Dead Can Dance is guitarist Brendan Perry and vocalist Lisa Gerard, who created a body of work that remains invigorating and uniquely their own. Into The Labyrinth was the first DCD album to gain a major label release in the U.S and features the Alternative radio hit 'The Ubiquitous Mr. Lovegrove'. This was also the first album that Perry and Gerrard completed on their own without the aid of guest musicians. 11 tracks. 4AD.

Customer Reviews:

5 stars!.......2007-05-22

This is a great CD...go get it if you are into Dead Can Dance! This is their greatest album.

Their commercial breakthrough, but not their best.......2007-04-15

After an absence of three years which saw the release of a best of collection, Dead Can Dance achieved their commercial and U.S. breakthrough as well as yet another stylistic shift with this, their sixth studio album. Unlike previous albums which featured backing musicians, this one saw the DCD duo of Brendan Perry and Lisa Gerrard handling all the instruments and vocals themselves in their new private studio. While this mostly works, occasionally the synthesizers sound a bit thin and one wishes they had employed musicians playing actual instruments for certain passages.

Stylistically, DCD moved on from the medieval arrangements of their previous album, Aion, towards more middle eastern influences alternating with dreamy pop sounds. This album also marks an increasing estrangement of the duo's individual musical styles. Lisa's dramatic opener, Yulunga, sets the tone with her chilling multi-octave wordless singing over building percussion, followed by what was to become one of the unlikelier alternative radio hits, Brendan's The Ubiquitous Mr. Lovegrove, a bitter rebuke to an unfaithful lover delivered over a crisp background of tablas and period bagpipes. Lisa then startles longtime fans by delivering the next track, the Wind That Shakes the Barley, an actual traditional song with lyrics (as opposed to her usual wordless glossolalia). Brendan's song of dreamy nostalgia, The Carnival Is Over, was another minor hit thanks to its being featured as the theme of MTV's Real World, and is as close as the group had come so far to mainstream pop. Less successful is his third original song on the album, Tell Me About The Forest, which lyrically strays into preachiness and musically provides little interest. His closing piece on the album is an arrangement of Berthold Brecht's How Fortunate The Man Who Has None, which achieves a kind of gloomy dignity musically but strains to sustain interest throughout its full nine minute length.

The rest of the album is heavier on middle eastern and eastern European influences. Lisa's Ariadne is a brief but lovely piece featuring multitracked vocals over organ, while her even briefer Saldek sounds like it came straight from a National Geographic special on traditional Bulgarian music. The title track is a meandering and ultimately not very interesting set of passages of middle eastern styled singing and drumming with synthesizer; the similar Spider's Strategem features the same musical elements but actually comes together as a more interesting and compelling whole. The medieval a capella choral piece Emmeleia sounds like an outtake from Aion.

This album marked a watershed in several ways for the group, and for many fans was their initial introduction to DCD and hence defined their sense of the duo's musical identity, but I can't give it more than three stars. Though it features some terrific songs, much of it sounds like filler, and the stripped production pales in comparison to their best earlier work. To get a sense of what this duo is really capable of, find a copy of Within the Realm of a Dying Sun, Spleen and Ideal, The Serpent's Egg, or Aion.

Dead Can Dance - Labyrinth look-over.......2007-04-03

Jim morrison did not die - he sings with these guys

Superb!.......2006-10-22

Dead Can Dance "Into the Labyrinth." Beautiful, ethereal, trancendental, hypnotic, an absolutely classic!

Multi-culturalism and Cross-culturalism.......2006-10-15

The work of Dead Can Dance, Brendan Perry and Lisa Gerrard, might be best described as cross-cultural. Some songs sound like Celtic songs from the middle ages while others sound like Islamic chants from the desert countries. On "Into the Labyrinth", I found that The Ubiquitous Mr. Lovegrove; The Wind That Shakes the Barley; The Carnival is Over; Tell Me about the Forest; Ariadne; and HOw Fortunate the Man with None were my favorite 6 selections. Perry's voice has a dreamy quality that is hard to describe, kind of like Dean Martin does Lebanon. I certainly like the multicultural blending of musical traditions that Dead Can Dance offers.

Average customer rating:

The best album yet in my eyes
A mediocre end to a great group
A Monument of Music
Spiritchaser Digital Bongo
Worst DCD album

Spiritchaser
Dead Can Dance
Manufacturer: 4ad / Wea
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Into the Labyrinth
Talking Timbuktu
Aion
Serpent's Egg
Toward the Within

ASIN: B000002N74
Release Date: 1996-06-25

Tracks:

Nierika
Song of the Stars
Indus
Song of the Dispossessed
Dedicace Outo
Snake and the Moon
Song of the Nile
Devorzhum

Amazon.com

Listening to Dead Can Dance is a transcendental experience. Enriched with dedications to the living Gaia, their creations subsist in natural and other worldly realms. Initially crafting songs which augmented their Australian roots with Gothic and Renaissance traditions, the group have since grown to encompass a hybrid of global sounds. On Spiritchaser the enchanted souls of founding members Brendan Perry and Lisa Gerrard shine in this, their most ethereal LP to date. Whereas earlier endeavors succumbed to genres grounded in eras of the past and non-Western present, it's immediately apparent that this album has loftier aspirations. Hypnotically threaded with traditional and electronic instruments, the exorcism of each song touches upon the universal essence beyond. While Gerrard's heavenly vocals are used primarily for instrumental effect, Perry's fertile lyricism both compliments her efforts and expresses the spiritual associations related to the album's title and meaning. Intrinsically delivered with shamanistic connectivity, the sensations ritualize the modern mortal. --Lucas Hilbert

Album Description

Out of print in the U.S.! Import pressing of this 1996 album, the final release from one of the 4AD label's most popular and influential bands. At the core of Dead Can Dance is guitarist Brendan Perry and vocalist Lisa Gerard, who created a body of work that remains invigorating and uniquely their own. Eight tracks. 4AD.

Customer Reviews:

The best album yet in my eyes.......2007-07-05

This is by far in my opinion the best album DCD has put out. I heard that it's out of print, but I could be wrong. If so I wouldn't waste time not buying it. I think anyone who likes DCD would be extremely satisfied with this piece of work. The sound is similar to the other albums, but much more more dynamic, dark, etheric sounding, yet calmer at the same time. Great for those who are really into trance music!

A mediocre end to a great group.......2007-04-15

Spiritchaser is Dead Can Dance's seventh and last studio album, and sees them forging deeper into realms of ethnic music. Unfortunately, this is also their least successful album musically, and is a bad place for anyone unfamiliar with the group to start their explorations.

One criticism leveled at recent prior albums by the group was that the duo of Brendan Perry and Lisa Gerrard appeared to be getting more and more disconnected from one another musically, with albums featuring a succession of "his" and "her" songs. The two appear to be attempting to rectify that failing throughout this album, with more integrated vocals and more of a group feel throughout. There is a greater emphasis on percussion and drumming, as well as the reintroduction of some electric guitar, mostly unheard on the duo's albums since their second album some 11 years earlier.

Alas, most of the percussion is uninspired, and although several songs begin with promise, almost all outstay their welcome: the opening track, Nierika, ultimately becomes repetitive and boring, the exciting opening four minutes of Song of the Stars (featuring Brendan reading an Iroquois invocation over drones and native drumming), gives way to an interminable six more minutes of guitar noodling and chanting, the initially catchy The Snake and The Moon devolves into repetitive vocal refrains, and even the addition of gamelan to the instrumentation of the eight minute long Song of the Nile can't save it from tedium. Worst of all is Brendan's cringe-inducing stab at Caribbean music in Song of the Dispossessed; one keeps waiting for him to burst out in a chorus of "Day-O!"

Along with the beginning of Song of the Stars, two tracks save this album from wretchedness: the middle eastern flavored song Indus, which at over nine minutes is a bit long, but Lisa's vivid singing carries the listener along, and the absolutely gorgeous closing track by Lisa, Devorzhum. This wordless song has been used in at least two movies, and it's easy to see why. Lisa's singing is at its sweetest and most achingly beautiful here, and drifts atop a layer of drones and gentle guitar strings. By itself this song almost justifies the purchase of the album.

An instrumental outtake from the Spiritchaser recording sessions, Sambatiki, was released as part of the 1996 concert tour souvenir book, and also appears on the DCD box set. It features the same drumming, twangy electric guitar and ethnic instrumentation as much of the rest of the album, but somehow works better than most tracks that unfortunately made it on to the final release.

For those just beginning to explore Dead Can Dance, move on now and come back to this album later if you know you love the group and have to have everything they ever produced. A better starting point for beginners would be the live album Toward the Within, the early collection A Passage In Time, which features their pre-1990 work, or the career spanning two disc retrospective, Wake, though this last has some rather odd choices in the track listing.

A Monument of Music.......2006-08-18

Their last one - and one of the best, for sure. This duo has single-handedly created a genre of its own which they inhabit almost by themselves. And at the last moment they gave as yet a new direction, more into tribal and latin spheres. Nevertheless, this IS Dead Can Dance: Their mood, their melodies, their voices are ever present. Listen to it more than once, more than twice - and you will find them. From "Within the Realm of a Dying Sun" to "Aion" to "Into the Labyrinth" to "Spiritchaser" they have conquered the world and will forever stay with us.

Spiritchaser Digital Bongo.......2006-08-16

It seemed like it took a long time for this one to come out. I don't think this is their BEST album but there are a few winners. The production is crispy and digital like Labarynth but that can make them come off a little dry as on this one. A change in focus to African, Native American, Latin and Aboriginal ideas is cool in pricipal as Dead Can Dance was always revered for moving on with their awesome journey. I do agree with the reviewer that says that maybe some actual Africans or Latins to listen to might be better. Perhaps. This is an overall hot-weather sounding album but very digital in it's quality. I think their handeling of Native American and Aboriginal concepts goes over well as does Perry's lyrics and Gerrard's "stairway to the spheres". This probably would have been a transitional record as Spleen and Ideal bridged them from a spooky murky post punk experimental band to their most well known period. This would have bridged the more technological production and drum heavy period with whatever came next. But...this was supposed to be the last one. No more Dead Can Dance. But..then..in 2005 they go on a huge world tour and release live albums that turn out to be half full of new songs...this time..almost political (if you can believe that) with the great Joy Division influced post-punk lyrical classism that not so many can pull off. I do hope they play some more together and that this Spiritchaser is NOT the actual last official studio record by this amazing band. It may be said that perhaps a lesser record by this band is far far better than the best material of so so many. This is one of their more pychedelic offerings though. Strange though...you may notice their studio records are never very long in duration.

Worst DCD album.......2006-03-13

If you are new to Dead Can Dance, please do yourself a favor and don't buy this album, which is by far the worst album they have ever recorded. It shows DCD's lack of new ideas and reworking of tired ones. You should start with _Within the Realm Of A Dying Sun_ or _The Serpents Egg_ instead.

Average customer rating:

wallpaper
simply beautiful, so just enjoy it
Sloppy renditions and amateurish
Great songs reinvented, with a twist
Praise for Beyond Imagination

Beyond Imagination
Opera Babes
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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The Opera Band
Renaissance (Eng)
Defined
Summer
Etterna

ASIN: B00007MB2F
Release Date: 2003-01-14

Tracks:

One Fine Day (Un Bel Di From Madame Butterfly)
Sempre Ricordo (Piano Concerto in A minor)
There's A Place (From The New World Symphony)
Beyond Imagination (From A Midsummer Nights Dream)
O Fortuna (From Carmina Burana)
Lakm2O (Flower Duet)
Ebben?..Ne Andro Lontano (from La Wally)
You Live On In My Heart (Cinema Paradiso)
Chanson Boh (From Carmen)
Remember Me
Stranger In Paradise (From Kismet)
Ode II Joy (From Symphony No. 9)
1001 Nights (From The Nutcracker Suite)
Barcarolle (From The Tales Of Hoffman)
LakmVibeTribe Mix)
Ave Maria
Vittoria! (Aida 2002)

Amazon.com

Plucked from a wet afternoon of busking Bizet and Puccini to passersby on the Piazza in Covent Garden in the spring of 2001, soprano Rebecca Knight and mezzo Karen England soon found themselves singing in slightly larger venues: the FA Cup and Champions League soccer finals. That the management company doing the plucking had recently performed a similar Cinderella crossover act for Russell Watson offered portent, and indeed the Babes--the moniker began as a joke--were soon on their way to this recording debut. The marketing shtick and its soccer connections may offend purists, but it's the football hooligans that the Babes are trying to win over here; can Borodin soothe the savage Manchester United fan? Their classically trained voices mesh gloriously, with England's warm mezzo showing particular character in her solo turns.

The repertoire choices here cover material that may already be familiar to fans of Charlotte Church (i.e., Delibes "Flower Duet") and other crossover acts, but they do include some pleasant surprises, like Offenbach's Barcarolle from The Tales of Hoffmann and "You Live On in My Heart," a reworking of Ennio Morricone's enchanting Cinema Paradiso theme with lyrics by Knight. But in a rush toward the musical middle of the road, it's the productions themselves that sometimes overwhelm the Babes with bathos ("Ave Maria"), hollow thunder ("Aida 2002"), and electro club kitsch (the 'Vibe Tribe' mix of "Flower Duet"). Former Art of Noise mainstay Anne Dudley's tastefully restrained coloring of Tchaikovsky's "1001 Nights" is one of the notable exceptions. They're babes, they sing opera--with fair promise--for the masses, and if they turn one in a hundred from football hooliganism to a well-mannered appreciation of Grieg and Dvorák, won't it all have been worth it? --Jerry McCulley

Customer Reviews:

wallpaper.......2007-07-12

overorchestrated, overproduced aural wallpaper...that said, still, these women have wonderful voices and are worth hearing. They are oversold,too...Opera Babes! Indeed. Folks who like Enya will like this.

simply beautiful, so just enjoy it.......2007-06-11

my daughter has taught me to love opera. this immediately captured me. the Babes' voices blend so beautifully. I love it! who cares about Puccini, Classic Opera, blah, blah, woof, woof. I love this album

Sloppy renditions and amateurish.......2007-05-15

I heard one of the selections on Sirius and liked it so I bought the CD. Upon hearing the entire CD I was disappointed that the only selection I liked was the one that prompted me to buy the product. The voices are nice but they are simply adding voice to opera masterpieces that do not fit. They are certainly not of the caliber of Sarah Brightman or Charlotte Church and don't look for that. Their sound is mellow, dim and without the emotion that does an inservice to the opera pieces they sing. I found the CD lackluster and in all honestly very "amateurish".

Great songs reinvented, with a twist.......2006-09-30

Expanding upon the recent interest in Gregorian chant fusion as well as rich-voiced solo vocalists such as Josh Groban, operatic soprano Rebecca Knight and mezzo soprano Karen England offer full-vibratoed, somewhat modernized interpretations of favorite classical themes. Backed by chorus, orchestras, keyboards and drums, they draw from such diversely satisfying works as Puccini's opera "Madame Butterfly," Grieg's "Piano Concerto in a minor," Dvorak's "New World Symphony," Mendelssohn's "Midsummer Night's Dream," Orff's "Carmina Burana," Delibe's "Lakme," Beethoven's "Ode to Joy," Tchaikovsky's "Nutcracker Suite," Offenbach's "The Tales of Hoffman," Schubert's "Ave Maria," and Verdi's "Aida." Some of the arrangements are fairly traditional, while others are noticeably enhanced. The emphasis tends to be on pretty pieces with sweet melodies, though a few are more intense in nature (#1, 4, 5, 15 and 17). A couple of pop songs, still sung in operatic style, are thrown in for good measure, although they don't have the same appeal and mystique as the old favorites. All of the selections feature both vocalists together, singing in lovely, close harmony. The arrangers of this elegantly hip music include Jon Cohen, Noely, Frank Gallagher, Deni Lew and Anne Dudley, with multi-language lyrics (for the adaptations of instrumental works) by Rebecca Knight and others. I have to admit that I occasionally found myself longing for the modern additions to be more consistently interesting and distinctive--in other words, equaling the artistry of the classics that they're accompanying. Track #1, which really shines, is a well-done example. Alternately, perhaps the source songs might have been better off left in their pure, original styles rather than watered down with schmaltzy, predictable underpinnings that don't add much to the music. But like Enigma did for medieval chant, the Opera Babes are endeavoring to bring some wonderful, time-tested music to a wider audience, fusing it with modern idioms in way that is artistic and generally appealing. For more opera fusion, compare the work of Amici Forever (a group of five singers, both male and female), and the oddly packaged but similar-in-concept album "Coco de Mer" by Adam Plack.

Praise for Beyond Imagination.......2006-02-26

What I really enjoyed about this album was its distinctive sound and arrangement of the material. I enjoy classically performed opera and was surprised how much I like the Opera Babes' versions. Of course, the wonderful voices added immensely to the high quality of this product.

Average customer rating:

Oh dear...they've taken their eye off the ball
Stunningly beautiful music
Better then R&B
Very good, yet not comparable to Diva Dance
Opera Today

Operatica: Shine

Manufacturer: E-Magine Records
ProductGroup: Music
Binding: Audio CD

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O: Operatica, Vol. 1
The Fifth Element: Original Motion Picture Soundtrack
Myth of Red
Etterna
Trance Opera: The Complete Masterworks - Classic Meets Pop

ASIN: B000060OXN
Release Date: 2002-05-21

Tracks:

Solvejg's Song
Mon Amour
Shine
Kokab
Standing On The Edge Of The World
Lost In Someone Else's Dream
Khodoya
Je Crois Entendre Encore
Passepied
Under The Desert Sky
Kokab (Extended Grooveshaman Remix) (bonus track)

Customer Reviews:

Oh dear...they've taken their eye off the ball.......2007-01-08

This is not much like their first album (which was a mostly clever, sometimes ham-handed combination of operatic arias and modern electronic instrumentation).

But Shine is pretty much the same ethno-electronica that was pervasive throughout the 90s. Think Deep Forest, Anubian Nights, Enigma, B-Tribe, and even Sting's "Desert Rose". Yawnnnnnnnnnnnn.

Their first album was good mostly because of its orginality (operatic arias are definitely a challenge), but any old fool can slap a "cool" Middle Eastern chant over a modern beat.

What bugs me about both albums is that they don't maintain that singularly operatic quality--it seems to be a sonic delicacy reserved only for a few tracks.

So, with a very few exceptions, this album is a bit contrived.

Stunningly beautiful music.......2004-11-29

I would describe this music as a mellow and unusal mix of music where Enya meets Maria Callas, and I am a fan of both, so that's a good thing. It is so good that Billboard Music called it the best classical crossover of the year!

I would call this music techno opera scene from the future with beautiful opera singing, just to give you an idea of what this music is like! Also, the singer from the Fifth Element soundtrack, Inva Mula sings the song "Mon Amour".
Also singing on this cd is a singer named Shakila. She sings on "Kokab" and "Khodoya". These three are my favorite tracks. Though the cd in whole is a joy to listen to.

We'll say that "Operatica-Shine" succesfully bridged the Middle East to Europe via southern Spain.

So if you're a nu music dj, pick up this cd, so you can really spin an eclectc mix of music - Savannah Skye aka DJ Dakini-NYC...

Better then R&B.......2004-04-16

My wife and I are always looking for new music to cuddle up to, while either watching the sunset, or getting a little heated. I think this album is a great replacement for Barry White, or some other R&B that people often equate with mood music.

These sounds will actually get your heart pounding and blood pumping without forcing you to constantly skip over songs that just get too rowdy.

Very good, yet not comparable to Diva Dance.......2004-03-12

Let me start out by saying that i love this cd. i bought it thinking that it would be like the song Diva Dance from the Fifth Element. It is most certainly one of my favorite cd's but it is nothing like the Diva Dance song. All of the tracks are much slower, focusing more on the opera part, as opposed to the techno/pop. i would still give this cd a splendid 4 out of 5 stars, but i would just like to get across the point that it doesn't have the type of songs that are advertised. thanks.

Opera Today.......2003-08-24

I just bought Operatica:Shine. It is my favorite CD, I strongly recomend it to enyone who enjoys opera! If you like "THE DIVA DANCE" in The Fifth Element you will love this CD!

Average customer rating:

Spiritual History of Celtic Ireland
Dark
Immortal Memory...Forgettable Melodies
haunting yet empty
Ethereal beauty

Immortal Memory
Lisa Gerrard , and Patrick Cassidy
Manufacturer: 4ad / Ada
ProductGroup: Music
Binding: Audio CD

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Similar Items:

The Mirror Pool
A Thousand Roads
Duality
Silver Tree
Aion

ASIN: B0000D1C6T
Release Date: 2004-01-20

Tracks:

The Song Of Amergin
Maranatha (Come Lord)
Amergin's Invocation
Elegy
Sailing To Byzantium
Abwoon (Our Father)
Immortal Memory
Paradise Lost
I Asked For Love
Psallit In Aure Dei

Album Description

Emotional, ethereal, and evocative, "Immortal Memory" is a timeless album of extraordinary transcendence. Gerrard, formerly of Dead Can Dance, won a Golden Globe and was nominated for an Academy Award for the "Gladiator" score. She's also scored or contributed to "Heat", "Whalerider", "Ali", "The Insider", "Mission Impossible 2", "Black Hawk Down", and more. Patrick Cassidy is widely recognized as Ireland's most important classical composer and has released three acclaimed albums. He also wrote music for "Broken Harvest", the aria for the opera scene in "Hannibal", and he was specially commissioned to commemorate the 50th anniversary of the Irish Famine with his work, "Famine Remembrance", premiered at St. Patrick's Cathedral, NY and narrated by Angelica Huston.

Album Description

2004 album from the ethereal Lisa Gerrard & award winning Irish composer Patrick Cassidy who is known for his traditional and mythological orchestral music. Ten tracks. 4AD.

Customer Reviews:

Spiritual History of Celtic Ireland.......2007-06-24

This is one of those CD's that keeps you guessing about its meaning. Lisa Gerrard of Dead Can Dance, 2 solo CD's, & several movie theme CD's joins forces with Patrick Cassidy to create an antithetical sound scape of what in my interpretation maybe about the history of Celtic Spirituality on the island of Ireland.

The 1st song "The Song of Amergin" is about Amergin, a Celtic leader who according to legend is the 1st to set foot on Ireland to battle the "god's" for possession of the land.

The 2nd song "Maranatha" (Come Lord) maybe about Saint Patrick bringing Christianity to the Ireland or maybe the cry of the land to free itself from the ancient pagan gods.

The 3rd song "Amergin's Invocation" makes the final cleansing of the land which the 4th song "Elegy" mourns the death of the pagan gods.

The 5th song "Sailing to Byzantium" is the 1st form of Christianity to come to the Celtics. Historically the Celtic Christian church was semi-independent from Rome & took on a more Eastern Byzantine to almost Coptic Christian Mysticism that expressed the love of God & nature.

The 6th song is the most interesting on the CD; "Abwoon" is Aramaic for "Our Father" that Lisa Gerrard sings with a deep alto using the Aramaic language that Jesus used for his "How to Pray" prayer when he was on the Earth.

The 7th song "Immortal Memory" maybe about the universality of ancient Christianity or how God remembers all things? Or maybe this being the theme song is an overview of the rest of the songs?

The 8th song "Paradise Lost" maybe about the overtaking of the Celtic Church to conform to Roman Catholic doctrine & practice by Bishop Augustine 600 A.D. (not Saint Augustine of Hippo 400 A.D.) or about how modern Ireland has forgotten its true spiritual roots.

The 9th song "I Asked For Love" is plainly about getting the opposite from prayer until one just asks for God where he or she may receive freely.

The 10th song "Psallit In Aure Dei" is Patrick Cassidy main score from the words of Thomas of Celano, who was a disciple of & wrote a biography about Saint Francis of Assisi.

Try to come up with your own interpretation of this intriguing CD.

Well produced to bring out Lisa Gerrard's most unique singing style, but not as original as her 2 solo CD's "The Mirror Pool" & "Duality". Reading a few reviews below I agree that at times the music from this CD sounds like "Gorecki's 3rd Symphony" or something like Arvo Part to John Travener but it is done in good taste. Therefore a "4" is given for lack of originality.

Dark.......2007-03-17

Paradise Lost is darker than Hell itself; my stomach churns and writhes in knots every time I hear it. I love it.

Amazing album, haunting, and worth every penny for Paradise Lost alone. There are a few tracks that aren't very memorable, but all in all this is a five-star album.

Immortal Memory...Forgettable Melodies.......2006-05-10

Although these compositions are characterised by pleasing tonalities recorded in richly reverberant ambiance, they are altogether lacking with regard to melodic development or musical substance. There is nothing memorable about "Immortal Memory." Emotionally flat, this disc is positively dreary. This CD contains 57 minutes of excessively introspective, monotonous music that inspires nearly as much emotion as contemplating drying cement. An antidepressant medication may be necessary after listening. A disappointing addition to my musical library.

haunting yet empty.......2005-10-19

It is hard not to reference or compare Lisa Gerard's solo efforts to Dead Can Dance catalogue. I guess I was expecting something that would continue DCD tradition. The first thing that struck me was that the dead could really dance to the DCD music but they appear to be haunted and sorry ghosts in "Immortal Memory". The music is truly mournful. There is nothing wrong with mournful and haunting program for a dics, but I found those emotions falling little flat in Lisa Gerard's production. Her music sounds very ambitious but never achieves the drama and "goose bumps" effect of Gorecki's III Symphony (Symphony of Sorrow Songs) or Avro Part's "Fratres". Maybe this comparison is not fair, after all the latter two are classical music's contemporary masters, but I get an impression that Lisa Gerard's aim was equally serious. Maybe she set her goals too high.

Ethereal beauty.......2005-07-29

This album is perfect for drifting off to sleep, or for a relaxing meditation session. The music is very much like a soundtrack (similar in feel to Gerrard's "Whale Rider" soundtrack work). The music is orchestral and ethereal with Gerrard's haunting vocals. She has one of the most distinctive voices in modern music and her voice is in top form here.

So why 4 stars as opposed to 5? It is almost too mellow. I really prefer the greater diversity of sounds on her previous solo efforts. This album is great in certain scenarios and a wonderful album to relax too, but somehow it leaves me wanting just a little more. All in all, though it really is lovely and the perfect way to wind down and relax in swirls of beauty in today's crazy fast-paced world.

Soul Music:

Soul Music

soul music

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Greatest Hits [Import]

Entre Nous Between Us Ci Sunu Blir

Eternity [CD-single] [Import]

Here's Tom With the Weather [Import]

Debussy - Pelléas et Mélisande / M. Ewing · Le Roux · van Dam · Courtis · Ludwig · Wiener Phil. · Abbado

Doldinger in Sud Amerika [Import] [Original recording remastered]

Distrito

Dame Vida...Always

LIFE LIKE THIS CD

Nancy Wilson - Greatest Hits [Sony]