Soul'd Out

Track Listings

1. 634-5789 (Soulsville, U.S.A.)

2. Here I Am

3. Dark End of the Street

4. 99 1/2

5. I Was Made to Love Her

6. When a Man Loves a Woman

7. Groove Me

8. Two Steps from the Blues

9. Mustang Sally

10. I Thank You

11. I Found a Love

Soul'd Out,John Cowan,Sugarhill [Country],Pop,R&B,Rock,Soul

Soul'd Out

Tracks:

634-5789
Here I Am
The Dark End Of The Street
99 1/2
I Was Made To Love Her
When A Man Loves A Woman
Groove Me
Two Steps From The Blues
Mustang Sally
I Thank You
I Found A Love

Customer Reviews:

R&B PAVAROTTI........1999-05-12

a voice like no other, jc is the coolest thing since power steering. as gymnastic as any vocalist you'll hear in THIS lifetime, i'd willingly listen to his renditions of 'three blind mice,' and 'the hokey pokey.' not having this record is like calling down a plague. don't tempt fate. buy one and have your friends buy one. otherwise all the flowers will die.

You've got to hear it to believe it!.......1999-04-29

John Cowan is singer that you can't be told about. You have to hear him to believe him. Everytime I turn a friend onto this guy they are hooked! Buy the CD and then look for him your area. You will not only be entertained but literally blown away!

Awesome!.......1999-03-04

John Cowan has the greatest voice I have ever heard. I have seen him perform live dozens of times and he is unbelievable. You can feel his voice, it's that powerful! There really are no other words to describe it. Get this CD you will love it! You will never hear anyone..ANYONE.. that can sing better than John Cowan. A must have.

John Cowan can do no wrong, groove me all night long........1999-02-12

John Cowan is one of the most versatile voices to come along in years. Whether it is blues, soul, rock, country, or bluegrass he can sing them all wonderfully. One of Nashville's best kept secrets!

Average customer rating:

Old Fashioned Sincerity
One of the worst recordings ever made
Pete's Dad

Handel's Messiah

Manufacturer: Golden Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

4-for-3 Classical | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music
ASIN: B00013ND8M
Release Date: 2004-02-10

Tracks:

Overture
Comfort Ye My People
Ev'ry Valley Shall Be Exalted
And the Glory of the Lord
Thus Saith the Lord of Hosts
But Who May Abide the Day of His Coming?
And He Shall Purify the Sons of Levi
Behold a Virgin Shall Conceive
O Thou That Tellest Good Tidings to Zion
For Behold, Darkness Shall Cover the Earth
People That Walked in Darkness
For Unto Us a Child Is Born
Pastorale Symphony
There Were Shepherds Abiding in the Field
Glory to God in the Highest
Rejoice Greatly, O Daughter of Zion
Then Shall the Eyes of the Blind Be Open'd
He Shall Feed His Flock Like a Shepherd
His Yoke Is Easy, His Burden Is Light
Behold the Lamb of God

Tracks:

He Was Despised and Rejected of Men
Surely, He Hath Borne Our Griefs
And With His Stripes We Are Healed
All We Like Sheep Have Gone Astray
All They That See Him, Laugh Him to Scorn
He Trusted in God That He Would Deliver Him
Thy Rebuke Hath Broken His Heart
Behold, And See If There Be Any Sorrow
He Was Cut Off Out of the Land of the Living
But Thou Didst Not Leave His Soul in Hell
Lift Up Your Heads, O Ye Gates
How Beautiful Are the Feet of Them
Why Do the Nations So Furiously Rage
Let Us Break Their Bonds Asunder
He That Dwelleth in Heaven
Thou Shalt Break Them With a Rod of Iron
Hallelujah - London Philharmonic Chorus
I Know That My Redeemer Liveth
Since by Man Came Death - For as in Adam, Even So in Christ
Behold, I Tell You a Mystery
Trumpet Shall Sound
Worthy Is the Lamb That Was Slain
Amen

Customer Reviews:

Old Fashioned Sincerity.......2006-12-30

This is not the best recording of Messiah but it is by no means a disaster. Susskind was an able conductor with a valid view of this great piece. The recording from the 1950s is more than adequate (there is some roughness in the treble but it is full and clear - though some edits are very obvious indeed). The orchestra is excellent and the choir sing well. The soloists - all of them - are superb, among the very best in any version of Messiah! Susskind's tempos are slow by modern standards but there is good rhythmical bounce and a genuine sense of the greatness of the piece. If you can adjust to the broad tempos and the big scale conception then you will discover important aspects of this masterpiece in this performance - and the set costs next to nothing!

One of the worst recordings ever made.......2006-05-10

This is only my second one star review. And I am rather generous with stars. But this recording is just horrible, especially considering that all of the participants are legendary musicians. First of all, this is extremely old fashioned Handel. The textures are way too heavy for music of the baroque. But worst of all, the performance just sits there like mud on your tires that won't come off. Yes, the price is very low, but whatever you do, do not buy this recording.

Pete's Dad.......2005-12-11

I have had a CD of the London Philharmonic version of the Messiah conducted by Fredrick Jackson for several years and enjoyed listening to it. However, the quality of the recording leaves something to be desired.

Average customer rating:

Alive
Soul'd Out
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

Japan | Far East & Asia | International | Styles | Music

General | International | Styles | Music

International | Imports | Stores | Music
ASIN: B000E6GBS0
Release Date: 2006-03-20

Tracks:

Deep Space (Intro)
Alive
Tokyo
Pop N' Top
Dressing Room (Interlude)
Catwalk
Japanese Title
Japanese Title
Shuffle Dayz
A Spacious Floor
Sick
Fire Rhymer
Japanese Title
Morning (Outro)

Average customer rating:

"We Can't Be Stopped" it's not (2.5/5)
Classic!!
willie d is the best . i want this cd.
Amazon is the only place you can get this CD.

I'm Goin' Out Lika Soldier
Willie D.
Manufacturer: Virgin Records Us
ProductGroup: Music
Binding: Audio CD

General | Soul | R&B | Styles | Music

Gangsta & Hardcore | Rap & Hip-Hop | Styles | Music

General | Rap & Hip-Hop | Styles | Music

Southern Rap | Rap & Hip-Hop | Styles | Music

Pop Rap | Rap & Hip-Hop | Styles | Music
ASIN: B000000W82
Release Date: 1995-04-25

Tracks:

Profile Of A Criminal
I'm Goin' Out Lika Soldier
Pass Da Piote'
Die
Clean Up Man
U Ain't No Ganksta
Trenchcoats-N-Ganksta Hats
Rodney K.
Campaign 92'
Go Back 2 School
U Still A Aggin
Little Hooker
Yo P My D
Backstage
What's Up Aggin
My Alibi

Customer Reviews:

"We Can't Be Stopped" it's not (2.5/5).......2007-01-30

After the national success of Geto Boys' excellent 1991 LP "We Can't Be Stopped," member Willie D soon left the group and released his second solo album, "I'm Goin' Out Lika Soldier," within a year. It's pretty evident that Willie was trying to capitalize on the success of that album, because many elements of that album are also present here. The bare bones production, yelling chants for hooks, and delivering lyrics that are extremely controversial. But the problem is that none of the material on this album is even close in quality or effectiveness as the music on "We Can't Be Stopped." Where all of that album comes across as heartfelt and relevant, "I'm Goin' Out Lika Soldier" is rarely so. I believe Willie D to be an excellent MC, and I have always loved his Geto Boys work and really love him because he's so multi-dimensional. But on this release, he is actually quite one dimensional. Every song here is an angry, crazy effort to come across as wild and controversial. I really like Willie when he's crazy like that, but I also like the songs where he digs deeper and shows a little social consciousness, and there's not really any of that here. You sort of get the feeling that he's trying to be controversial simply for the sake of it. The production actually sounds quite dated for a 1992 release, mostly lacking the southern-fried simple genius of "We Can't Be Stopped." There are certainly a handful of good songs on "I'm Goin' Out Lika Soldier," a few that capture the fist-pumping rebelliousness of the best Geto Boys songs, but the lack of original subject matter and repetitiveness make it an album that would be okay to pass on.

After the intro, the album begins with the title track, which may well be the best on the album. It's one of the few that really recaptures the charismatic anger of the early Geto Boys group albums, and Willie's delivery and rhymes are quite effective. "Pass the Piote" is actually quite good as well, drawing in the listener with a good hook chant and opening rap. Things begin to slow down on "Die," a lethargically slow and predictable threatening song that isn't original. "Clean Up Man" has a terrible chorus and is poorly executed. "U Ain't No Ganksta" shows decent production and delivery, but Willie's rhymes feel very familiar. "Trenchcoats-N-Gangsta Hats" is a highlight on the album, a rallying cry for the mobster attire of the old days. "F... Rodney King" was obviously this album's most controversial song, a song condemning the social leader as an Uncle Tom and a softie. This song is pretty effective, but I think it could be better, and the outro that depicts Rodney being murdered on the street is a little distasteful. "Go Back 2 School" is a pretty good but forgettable song telling kids to get an education. "U Still a N..." is an odd and awkward mix of reggae and rap. "Little Hooker" condemns a certain woman, and the awful "Yo P My D" is just painful. The album ends with the just-decent "What's Up N..." and one of the better songs, "My Alibi."

Over the years I've heard this album described as slept-on, and it's true that it didn't get the right promotion or attention for a Geto Boys project, but as far as I'm concerned for an album to be slept on it actually has to be a great album. The truth is that "I'm Goin' Out Lika Soldier" is a weak effort from a great MC, an album of standard and predictable 1992 gangsta fare without anything to really set it apart. It might be a cliché, but I'd say to stick with the classics in this case, as "We Can't Be Stopped" and fellow Geto Boy Scarface's classic album "The Diary" are far superior efforts to this, and as this is now out of print paying $50+ would simply be outrageous. This isn't one of those lost gems of the Rap-a-Lot/Geto Boys catalog. For those looking for a Willie D solo album, I might suggest his 1994 effort "Play Witcha Mama," an album far superior to this one.

Classic!!.......2005-07-04

I still have the original cd that I got in '92! This album brings back alot of memories of my crazy and wild days! I'm from the Philly area, and I think me and my boys were the only ones around that knew about Willie D and the Geto Boys. My favorite songs on the album would be "Trenchcoats & Gangster hats" and "My Alibi" But over all definatly a sentimental favorite from my teenage days! Great album from Beginning to end Willie D never pulls any punches! He's a wild dude!

willie d is the best . i want this cd........1999-08-05

his music is great i have listened to his music ever since hes been singing. ive bought this cd and controversy but ive lost them i would like o get them again.

Amazon is the only place you can get this CD........1999-04-03

Willies style of rapping is far different than any one elses he mixes up somany different tunes and lyrics. I mean one minute he'l be singing in a rasta tune and talkin about passin the Paeody, and the next he'l be singin in a porno kind of beat talkin about stealin some guy's girl. But as for the cd it is as good as they get.

Average customer rating:

Dupré: Works for Organ, Vol. 9

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Classical | Styles | Music

4-for-3 Classical | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music
Similar Items:

Dupré: Works for Organ, Vol. 7
Dupré: Works for Organ, Vol. 13
Dupré: Works for Organ, Vol. 3
Marcel Dupré: Works for Organ, Vol. 5
Dupré: Organ Works Vol.10

ASIN: B000038I7V
Release Date: 2000-02-22

Tracks:

Son in a, Op.60: Allegro Marcato - Clyde Beavers/Bruce Neswick
Son in a, Op.60: Allegro Moderato - Clyde Beavers/Bruce Neswick
Son in a, Op.60: Allegro Ma Non Troppo - Clyde Beavers/Bruce Neswick
Trio, Op.55: I. (Withoug Movt Indication) - Timothy Durbin/Clyde Beavers/Bruce Neswick
Trio, Op.55: II. Lento - Timothy Durbin/Clyde Beavers/Bruce Neswick
Trio, Op.55: III. (Energico-Largo-Presto) - Timothy Durbin/Clyde Beavers/Bruce Neswick
Qt, Op.52: Prld - Timothy Durbin/Jennifer Rende/Clyde Beavers/Bruce Neswick
Qt, Op.52: Scherzando - Timothy Durbin/Jennifer Rende/Clyde Beavers/Bruce Neswick
Qt, Op.52: Larghetto - Timothy Durbin/Jennifer Rende/Clyde Beavers/Bruce Neswick
Qt, Op.52: Rondo - Timothy Durbin/Jennifer Rende/Clyde Beavers/Bruce Neswick
Chorales, Op.28, Nos.31-33, 48-54 & 57: 31. Lord God Now Open Wide Thy Heaven
Chorales, Op.28, Nos.31-33, 48-54 & 57: 32. Lord Jesus Christ, Turn To Us
Chorales, Op.28, Nos.31-33, 48-54 & 57: 33. My Soul Longeth To Depart In Peace
Chorales, Op.28, Nos.31-33, 48-54 & 57: 48. Descend, O Jesus, From Heaven To Earth
Chorales, Op.28, Nos.31-33, 48-54 & 57: 49. Kyrie, God The Everlasting Father
Chorales, Op.28, Nos.31-33, 48-54 & 57: 50. Kyrie, Christ The Comforter Of The World
Chorales, Op.28, Nos.31-33, 48-54 & 57: 51. Kyrie, God The Holy Ghost
Chorales, Op.28, Nos.31-33, 48-54 & 57: 52. Beloved Jesus, Here We Stand
Chorales, Op.28, Nos.31-33, 48-54 & 57: 53. Praise The Lord Almighty
Chorales, Op.28, Nos.31-33, 48-54 & 57: 54. Praise God, All Ye Christians
Chorales, Op.28, Nos.31-33, 48-54 & 57: 57. Now Thank We All Our God
Regina Coeli, Op.64
Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 58. Rejoice Now, Beloved Christians
Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 59. Come Now, Saviour Of The Heathen
Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 60. O Gracious God
Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 63. The Child Was Born In Bethlehem
Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 64. Deck Thyself, O Beloved Soul
Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 68. Out Of High Heaven Have I Come
Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 69. From Heaven Come Angels
Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 70. I Will Never Part From God
Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 71. Before Thy Throne I Will Appear
Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 72. Awake! Hear The Call Of Watchmen
Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 73. He That Suffereth God To Guide Him
Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 74. How Bright Shineth The Day-Star
Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 75. We Christians
Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 76. We Thank Thee, Lord Jesus, For Thy Redemptive Death
Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 77. We All Believe In One God
Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 78. We All Believe In One God
Chorales, Op.38, Nos.58-60, 63, 64 & 68-79: 79. Whither Shall I Flee?

Amazon.com

Marcel Dupré is an important historical as well as musical figure, his compositional freedom linking the golden age of Widor and Vierne with the radical rethinking that Messiaen saw through in his great organ cycles. Never doing things by halves, Naxos has reached Volume 9 of the complete organ works--mainly chamber pieces involving organ. Most substantial is the "Trio for Violin, Cello, and Organ," in one sense a throwback to the Baroque line of trio sonatas, but with a harmonic richness that indicates a late-19th-century inheritance--thoughtful, undemonstrative music, persuasively realized by Bruce Neswick and colleagues. The "Quartet" adds a viola to the lineup, but a delightful scherzando apart is a lesser affair, while the "Sonata for Cello and Organ" is a modest but interesting work (at least for the way Dupré makes a telling contrast between the sonorities of the two instruments). Again, perceptive playing from Neswick, whose Indiana organ has a clear, bright sound that makes the generous selection of Chorales interesting for the listener as well as the player. At the price, a worthwhile collection of some unusual repertoire. --Richard Whitehouse

Average customer rating:

An AntiWar Masterpiece
Visceral power & beauty coupled with stunning performances!!
One of the best and most easily grasped of modern operas

Tippett: King Priam

Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music
ASIN: B000000AXV
Release Date: 1995-11-14

Tracks:

King Priam: Prelude
King Priam: Hecuba: What Is It, Nurse?
King Priam: Priam: Old Man Of Troy, You're Welcome
King Priam: Hecuba: Then Am I No Longer Mother To This Child
King Priam: Priam: A Father And A King
King Priam: Priam: The Queen Is Right
King Priam: First Interlude - Nurse, Old Man: Thus Shall A Story Begin
King Priam: 1st Huntsman: The Bull Is Away Over There
King Priam: Paris: They Have Taken My Bull
King Priam: Hector: Father, He's A Shepherd Boy
King Priam: Priam: So I'd Hoped It Might Be
King Priam: Second Interlude - Nurse, Young Guard, Old Man: Ah, But Life, Life Is A Bitter Charade
King Priam: Helen, Paris: Ah, Ah ...
King Priam: Hermes: Divine Go-between, That's Who I Am
King Priam: Paris: Lady Athene, If I Honor You ...
King Priam: Paris: Lady Hera, If I Honor You ...
King Priam: Paris: Aphrodite, If I Honor You ...
King Priam: Hector: So You've Given Up Fighting!
King Priam: Priam: So Trojans Honor Menelaus ...
King Priam: First Interlude - Old Man: Hermes, Hermes, With The Winged Feet Come Quick!
King Priam: Achilles: O Rich-soiled Land
King Priam: Achilles: Why Are You Weeping, Patroclus?
King Priam: Second Interlude - Old Man: O, O, What A Threat To Troy
King Priam: Hermes: A Hero In Achilles Armour ...
King Priam: Hector: All Trojans, All Fought Bravely

Tracks:

King Priam: Serving Woman: Lady Andromache, Should We Not Light The Fire?
King Priam: Hecuba: Daughter Andromache, You Must Go Out ...
King Priam: Andromache: Did You Hear?
King Priam: Helen: Let Her Rave
King Priam: Hecuba: O That My Ears Should Hear Impiety So Gross!
King Priam: Andromache: Now You Shall Go
King Priam: First Interlude - Serving Women: No ... No ... No ... We Have It From The Runner
King Priam: Priam: What Is Happening?
King Priam: Young Guard: A Crime
King Priam: Nurse: The Soul Will Answer From Where The Pain Is Quickest
King Priam: Second Interlude
King Priam: Achilles: Priam! Here! What Is This?
King Priam: Priam: I Clasp Your Knees, Achilles
King Priam: Achilles: Old Man, I Am Touched
King Priam: Third Interlude -
King Priam: Paris: Where Is My Father, Where Is Priam?
King Priam: Chorus: Ah, Ah! Ah, Ah!
King Priam: Chorus: Ah, Ha, Ha, Ha
King Priam: Chorus: Ah, Ah!

Customer Reviews:

An AntiWar Masterpiece.......2002-08-26

Tippett and Britten were composers who, though very different in temperment and style, had many interests in common. One of the overiding concerns with both composers was the moral response to war and it's horrors. For Britten, the War Requiem and Owen Wingrave are his very clear moral response to war. Tippet, in his fashion is much more psychological in this work, which must rank as one of Tippett's best and most powerful operatic statements.

King Priam is a dramatic tour de force. Based on the Illiad as seen through the eyes of the Trojans, the work is a meditation on the inevitability of fate in mass movements like war. Priam, though illdisposed to the war, is unable to stop or control it as it takes both of his sons, his kingdom and then finally his own life. He emerges as a figure of moral power and grandeur, but ultimately as impotent and tragic. This libretto is one of Tippett's best and most clear statements.

Musically, Priam is a powerhouse, inaugurating Tippett's second major style. Priam is constructed in a mosaic style. Small chamber groups of instruments with defined musical content are assigned to characters. As the work develops, these small groups combine and recombine in a shifting maze of patterns that seems to endlessly reinvent itself. The music starts out as largely tonal, but the tonality breaks down as Fate takes over and dooms the Trojans. The work is never serial, but it takes an almost Bergian view of tonality, sometimes more and sometimes less tonal as the dramatic situation warrants. The vocal lines are mostly declaimed, but with moments of lyricism that are unfogettable, such as Priam's first aria, A Father and a King, or the beautiful scene between Priam and Achilles in the third act. And Achilles war cry at the end of act two is bone chilling!

This is a great performance of this piece. Many of the singers originated the roles and sing them with power and authority. Phillip Langridge is terrific as Paris. Robert Tear is a marvelous Achilles. David Aetherton conducts this difficult score with precision and a fine ear for balances.

This is a profound opera by a major 20th century composer. If you like Britten, you should own this as well. It is increasingly looking like Tippett's masterpiece.

Visceral power & beauty coupled with stunning performances!!.......2001-06-13

I bought this on a whim, having heard only the slightest bit of Tippett's orchestral music and none of his operas. I expected the music to be "difficult," and the performances stilted, but I was oh so wrong! Yes, this is definitely late 20th century music -- often dissonant and atonal, but it is utterly beautiful, emotionally moving music. I'm a huge fan of Britten's operas, and judge all modern opera composers by his standards, and (pardon my gushing) Sir Michael is more than up to the challenge. First of all, he takes on the daunting task of adapting the Iliad into a opera libretto and manages to compress the drama beautifully into 3 acts that tell the story imaginatively, comprehensively and in a wholly theatrical manner. Second, he uses the music to heighten the sense of character by giving each persona a unique style of vocal line and orchestration (yes, this is what all composers do, or try to do, but Tippett succeeds in a way few others do). Several of the characters are accompanied by solo instruments (bravura parts of concerto-like difficulty performed brilliantly) -- Achilles by solo guitar, Helen by solo cello, King Priam by violin, etc. Three characters form a sort of Greek chorus who comment on the action and bring a sense of questioning morality to the whole.

All of the solo singers are astutely cast and sing with amazing power. Standouts (difficult to single out any of them, they're all so brilliant): Phillip Langridge is first-rate as Paris, Priam's second son -- he sings with enormous power and pathos at the same time. Felicity Palmer is velvety sex personified as Helen. Norman Bailey as Priam has a raw edginess to his sound, which lends such a sense of reality to a man pushed to the edge by fate and his warring sons. The London Philharmonia gives a virtuoso performance, led sensitively and intelligently by David Atherton. The digital sound is crystal clear and beautifully engineered: the sound couldn't be better live at the Met! Take a chance on this one, and enter into an operatic world you will never forget.

One of the best and most easily grasped of modern operas.......1999-02-27

Contemporary opera was never the same after King Priam, a suitable irony given that the Opera is perhaps the most easily grasped by the listening public of the 5 Tippett Operas. Even so, the "crisis of King Prian" stylistically and emotionally is the germ-seed for the eccentrism yet to come in "The Knot Garden", "The Ice Break", and "New Year". Tippett's theme is the futility of choice and the nature of the impact of choice on humanity in the micro-sphere of the individual and the macro-sphere of the community and history. Tippett's unusual yet perfectly conceived recasting of the Iliad from the Trojan persepctive does more than summarize plot, but pauses to comment on the universal human potential implicit therein. A must-buy for Tippett fans and for anyone who likes opera, Greek Mythology, classical music, or a good story.

Customer Reviews:

great, great!!!.......2006-12-05

This is the way ,I think, Purcell should sound. No pomp and surcomstance but only great music.

ALL THE MUSIC YOU EVER NEED!!.......2003-05-23

This boxed set is by far one of the best purchases I have ever made. As a Purcell freak, this hits every button I have. The cast of characters include the inequitable Robert King, New College Choir, Bowman, and a host of other venerable persons. Likewise the attention to period performance of these works makes it an essential addition to the library of any serious anglophile/Musicologist etc. Now if only the Britten Realizations of all Purcell's songs could be recorded alongside the originals! You will Love this set!

Average customer rating:

Single Collection
Soul'd Out
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

Japan | Far East & Asia | International | Styles | Music

General | International | Styles | Music

International | Imports | Stores | Music
ASIN: B000K2UDJQ
Release Date: 2007-01-08

Tracks:

Japanese Tittle
Flyte Tyme
Dream Drive
Shut Out
Love, Peace & Soul
1,000,000 Monsters Attack
Magenta Magenta
Blues
To All The Dreamers
Japanese Tittle
Alive
Tokyo - Urb Communication-
Catwalk
Starlight Destiny

Average customer rating:

HOTNESS
free sol rocks!
CD= ok, Live= AMAZING

11:11
Free Sol
Manufacturer: Memphis Records
ProductGroup: Music
Binding: Audio CD

General | Rock | Styles | Music

Pop Rock | Pop | Styles | Music
ASIN: B00049QITO
Release Date: 2004-10-19

Tracks:

No Need To Lie
Possibility
Loc'd Out
Crazy
All Night
U Damn Right
I Don't Give A Damn
Bullshit Till Paradise
Mr. President
To Keep From Crying
Take That
Help Me
No Need To Lie (Club Mix)

Customer Reviews:

HOTNESS.......2005-02-08

This album is truly making waves...it is a definite must for those who love music and are tired of hearing the same old thang. I just went to one of their live shows last weekend and it was incredible! If you can believe it, it was better than the album itself. Free Sol's band is just magic!!! I would suggest that people buy this album and go out and see their shows. You will not be disappointed!!!!!!!

free sol rocks!.......2005-01-17

This cd has a lot of good music on it, even if you don't like the lyrics, you'll probably like the music. I was also at that New Orleans show and I agree that these guys are really great! They have mad energy and were really down to earth. I think it would be awesome if these guys were more popular. It would be great if they did a project with musiq or raphael saadiq!

CD= ok, Live= AMAZING.......2004-12-12

ok, Now since i am the first person to even probably take a look at this cd on this website...thats a bad sign. Free Sol's 11:11 as a cd, overall is decent...nothing super special or intriguing. Lyrics are sometimes childish (i.e. To keep from crying ima roll up the fattest blunt you've ever seen....wow,deep)...the instrumentals are a mix between the roots and other soul superstars like musiq, eryka badu, and jill scott. BUT and this is a HUGE but, I just saw them Live at a small club in New Orleans and they were AMAZING...honestley, better than the black eyed peas in terms of energy, lyrics....and they played like 6 new songs, (album coming out in 2 months according to the guitarist) and it is going to be HOT, if this group does anything on Cd like they do live, they r gunna Blow Up....so go see thier shows... and buy the CD cuz they are pretty hot....

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