In The Name of Jesus
Track Listings
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1. Because He Lives
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2. Remind Me, Dear Lord
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3. Peace in the Midst of the Storm
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4. Precious Lord, Take My Hand
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5. How Many Times
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6. His Eye is on the Sparrow
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7. God's Amazing Grace
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8. Use Me Lord
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9. I Go to the Rock
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10. I won't Complain
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11. I Know Who Holds the Future
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12. My LIfe is in His Hands
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Editorial Reviews
Product Description
The Gospel Music Ministry of Nan E. Turner
In The Name of Jesus,Nan E. Turner
In The Name of Jesus
Average customer rating:
- "Lord, How Come Me Here"
- WOW!
- uhm......yeah right!!
- scadalise my name
- Broadway takes on the spiritual ...
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Spirituals in Concert
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Amazing Grace: Jessye Norman
- The Essential Leontyne Price: Spirituals, Hymns & Sacred Songs
- Kathleen Battle · Wynton Marsalis ~ Baroque Duet / Anthony Newman · Orch St. Luke's · Nelson
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ASIN: B000001GDC
Release Date: 1991-03-08 |
Tracks:
- In That Great Getting Up Morning
- Sinner, Please Don't Let This Harvest Pass
- Over My Head/ Lil' David
- Oh, What A Beautiful City
- Lord, How Come Me Here
- I Believe I'll Go Back Home-Lordy, Won't You Help Me
- Ride On, King Jesus
- Swing Low, Sweet Chariot-Ride Up In The Chariot
- You Can Tell The World
- Scandalize My Name
- Great Day
- Oh, Glory
- Calvary-They Crucified My Lord
- Talk About A Child
- Gospel Train
- My God Is So High
- There Is A Balm In Gilead
- He's Got The Whole World In His Hand
Customer Reviews:
"Lord, How Come Me Here".......2007-06-18
I must add, to the praises above, that Kathleen Battle's "Lord, How Come Me Here" is the best "quick" explanation of the long-lasting effects of slavery that I can think of. The line, "They sold my children away," says it all.
And the VERY funny "Scandelize My Name" is also worth the price of the total album!
Alinde O'Malley
WOW!.......2007-03-22
You know, after owning both the CD and VHS of this performance, and having been coached by Sylvia Olden Lee herself, it is no wonder why spiritual mean so much to me. And these two ladies bare their souls and bring these masterpieces to life! WOW!!!
uhm......yeah right!!.......2006-06-21
Clearly you are mistaken. I don't know who that guy is-the person below recommended-but there is NO COMPARISON to JESSYE NORMAN AND KATHLEEN BATTLE!!!! Jessye Norman herself has *30* HONARY DOCTRATES from places like Harvard, Juliard, Yale, Cambridge....I mean HELLO!!!! That guy had no where near the ease, the musicality or even the breath support as these two veterans show!! It is a beautiful CD though it came out in 1991 and I HIGHLY recommend it.
scadalise my name.......2004-10-29
this isn't that good specially after hearing William Warfeild sing it. You can find him at www.wlym.com
Broadway takes on the spiritual ..........2004-01-29
... takes it on and puts it on the canvas by the end of the first round.
I'm going to be the dissenting voice here: thank goodness I signed this disk out of the public library 'cause I'm sure not going to listen to it twice.
There is nothing wrong with the performances. Jessye Norman and Kathleen Battle sing beautifully, and there's no problem with the pick-up orchestra under James Levine.
The problem, and it's huge, is the conception of the show and the musical arrangements. To make the video marketable, I suppose, the producers decided that the concert had to be big: big names, big arrangements, big effects. So we have eighteen spirituals given the musical theatre treatment, with a philharmonic chorus providing chain-gang sound effects, big brass, and big percussion -- including a chinese gong. A chinese gong in a spiritual??? Spare me! Almost every track turns out sounding like either a curtain-raiser or a big, end-of-act production number with cute and predictable modulations between some of the stanzas and the sort of curly-cue orchestral ornamentation typical of Broadway shows.
And you know what? It all kills the spirituals stone dead. The spiritual is one of those musical forms where less is more and very little is best of all. That's how they started, after all. That's how and why they worked for their original audiences, and that's why they were powerful enough to make the transition from folk song to art song. If you want to hear Battle sing spirituals that are irresistible, listen to the set on her Salzburg recital CD, also with Levine (ASIN B00000E31B). There, the music speaks for itself and speaks with a strength and a beauty that the tracks on this disk never approach.
Average customer rating:
- Absolutely the BEST !
- Great for bringing a child into this world
- CD like new
- The Sweetest Music
- This is my new all-time-favorite CD!
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Consider the Lilies
Anonymous , Mack Wilberg , American Anonymous , Janice Kapp Perry , Malcolm Archer , Stephen Harrison Paulus , John Longhurst , Carl J. Jr. Nygard , Crawford Gates , Roger Hoffman , Clay Christiansen , Richard L. Elliott , and Mormon Tabernacle Choir
Manufacturer: Mormon Tabernacle
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ASIN: B00008VGLL
Release Date: 2003-05-06 |
Tracks:
- For the Beauty of the Earth
- O Holy Jesus
- Morning Has Broken
- As the Bridegroom to His Chosen
- I Sing the Mighty Power of God
- He Shall Freed His Flock
- My Shepherd Will Supply My Need
- Lord Bless You and Keep You
- I'm Trying to Be Like Jesus
- Rejoice the Lord Is King!
- Jesu, The Very Thought Is Sweet
- Pilgrim's Hymn
- I Believe in Christ
- God So Loved the World
- This Is the Christ
- For I Am Called Thy Name
- Consider the Lillies
Customer Reviews:
Absolutely the BEST !.......2006-05-31
Our church choir sang a few of these songs which I loved, so I decided to order it. It is a very sweet, gentle, inspiring collection of music. Many times when you get a CD, you are fortunate to find 2-4 on there that you really like enough to play regularly. But on this one, every song is wonderful. This music is so spiritually uplifting and peaceful that you will want to play it regularly. Some if may bring some tears it is so beautiful. John Rutter has a way with this type of music. You will probably want to be giving some of these cd's away to those you love.
Great for bringing a child into this world.......2005-12-22
I had this CD on while in labor with my last child. We had a wonderful homebirth and what better then to have the spirit in our home with this music as we welcomed a brand new baby. It helped me relax and helped the birth be peaceful, calm, and spiritual.
CD like new.......2005-10-02
This CD was advertised as "like new" and it was -- in fact, it was still in the plastic wrapper. I couldn't have found a better deal or quicker service. Everything was great!
The Sweetest Music.......2004-06-07
I love this CD. My family and I listened to it over and over and over again, during the last few weeks of my mother's life. It has been a comfort to me in time of sorrow. Now it brings tears every time I listen to it. This music is like loving arms around me. It touches my soul. I've given so many away, I should have bought a case of them.
This is my new all-time-favorite CD!.......2004-04-22
I bought this CD because I had heard "My Shepherd Will Supply My Need" once and loved it. But it's just one of the many beautiful songs on this CD. I'm at a loss to describe what joy this music brings to me each time I listen to it. I carry it from house to car and back again so I can enjoy it wherever I am. I've given away several "Consider the Lilies" CD's to friends and relatives, something I've never done before. Anyone who is facing a serious challenge in life will be uplifted and comforted by this ethereal music.
Average customer rating:
- The Price Club
- A living legend
- not your daddy's old timey spiritual
- Immaculate Vocals of Leontyne Price
- Great Gospel Stuff
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The Essential Leontyne Price: Spirituals, Hymns & Sacred Songs
Manufacturer: RCA
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ASIN: B000003FWE
Release Date: 1997-01-14 |
Tracks:
- Ev'ry Time I Feel The Spirit - Various Artists
- Let Us Break Bread Together On Our Knees - Various Artists
- His Name So Sweet - Various Artists
- 'Roun' About The Mountain - Various Artists
- Swing Low , Sweet Chariot - Various Artists
- Sit Down, Servant - Various Artists
- Were You There - Various Artists
- He's Got The Whole World In His Hands - Various Artists
- Deep River - Various Artists
- Honor! Honor! - Various Artists
- My Soul's Been Anchored In De Lord - Various Artists
- On Ma Journey - Various Artists
- A City Called Heaven - Various Artists
- Ride On, King Jesus - Various Artists
- I Wish I Knew How It Would Feel To Be Free - Various Artists
- Sinner, Please Don't Let This Harvest Pass - Various Artists
- Sweet Little Jesus Boy - Various Artists
- There Is A Balm In Gilead - Various Artists
- Let Us Cheer The Weary Traveler - Various Artists
- Ev'ry Time I Feel The Spirit - Various Artists
- My Way Is Cloudy - Various Artists
- Nobody Knows The Touble I've Seen - Various Artists
- I Couldn't Hear Nobody Pray - Various Artists
Tracks:
- Holy, Holy, Holy - Leontyne Price
- Lead, Kindly Light - Leontyne Price
- Blessed Assurance - Leontyne Price
- Ave Maria - Leontyne Price
- What A Friend We Have In Jesus - Leontyne Price
- Amazing Grace - Leontyne Price
- The Lord's Prayer - Leontyne Price
- Pass Me Not, O Gentle Savior - Leontyne Price
- The Church's One Foundation - Leontyne Price
- Bless This House - Leontyne Price
- I Need Thee Every Hour - Leontyne Price
- Schlesische Volkslieder: Fairest Lord Jesus - Leontyne Price
- I Wonder As I Wander - Leontyne Price
- Ave Maria - Leontyne Price
- Porgy And Bess: Summertime - Leontyne Price
- America The Beautiful - Leontyne Price
- Lift Ev'ry Voice And Sing - Leontyne Price
- A Mighty Fortress Is Our God - Leontyne Price
- Battle Hymn Of The Republic - Leontyne Price
Customer Reviews:
The Price Club.......2005-04-28
"I am here," said Leontyne Price when interviewed as she opened the new Metropolitan Opera with Samuel Barber's underrated ANTONY AND CLEOPATRA, "and you will know that I am the best and will hear me. The color of my skin or the kink of my hair or the spread of my mouth has nothing to do with what you are listening to." Back in the 1960s Price was one of the greatest divas in all of opera, and it wasn't just her voice but her magnificent stage presence, combined with her social activism. All of the above come into play in this collection of secular songs and ditties, some of them traditional plantation chanties and others, art songs and a scattering of pop music. And some of them, like Gershwin's "Summertime," cross the ever-permeable boundaries between Broadway and classical. These recordings were made at different times in Price's career, and her voice, while always angelic, has different shadings and reaches a different range of timbre in each separate recording date, but there is no question that, as time goes by, she is able to impart a richness of life experience noticeably absent from some of her earlier work.
"Ave Maria" sounds heavenly no matter which way you slice it, and as for "I Wonder As I Wander," it brings tears to your eyes. If you have a heart that's beating you will be moved by this rendition. "Ein feste Burg" is pretty strong, but Price seems more comfortable with the traditional spirituals, though perhaps it is the slightly off-kilter sounds of the Ambrosian Singers (what a name) who back her up on many of these tracks, that detract slightly from the experience. Compare "Lead Kindly Light" for a clear sense of what constitutes authority vs. what is a wee bit overproduced. If you had this compilation, and perhaps one of Leontyne Price's Christmas albums, you could attain nirvana any time you wanted to, just flip a switch and close your eyes, let her lift you up on wings of song.
A living legend.......2005-03-10
Leontyne Price (still alive) and already passing into immortality amongst vocal artists, both classical and popular. Leontyne Price stands at the pinnacle of her classical art, but those who only know her work in La Forza del destino or the Verdi Requiem are in for a heart rending treat with this album where Leontyne Price goes home to her roots in Mississippi and gives an unabashed account of the classic spirituals she sang as a young woman. Like John Mc Cormacks rendering of Irish songs there is a personal longing and devotion expressed here that reveals a side of the artist not known in the bulk of their "classical" repetoire. A sense of going home like Citizen Kane's rosebud, or as Dorothy Gale observes at the end of the Wizard of Oz "everything I could ever have wanted was right in my own backyard "
not your daddy's old timey spiritual.......2004-06-23
Agreed this is a good cd for a beautiful voice, but this is not, repeat not, for someone who wants to hear that old-timey religious fervor that you think of when you've been to a Black Baptist hand-clapping, standing, swaying, and singing service.
Immaculate Vocals of Leontyne Price.......2003-12-31
IMMACULATE, SUPERB vocal range and style! There's no other words that can complement Miss Leontyne Price's vocal arrangements. Miss Price's voice is strong, and shrills very nicely to the instruments played on many songs listed on this double CD which is a joy to treasure; every song listed are songs I was raised to hearing and singing. Miss Price is the reason why many of these songs remain in popularity and presently used. Miss Leontyne Price has been incredible in many of her past performances. This is my fourth CD of Miss Price and I am glad to own this particular CD forever and ever. Many thanks to the executors who found this remarkable album and upgraded it to a CD format! **Angi**
Great Gospel Stuff.......2001-04-12
This is a great CD. The only problem I have with it is that on some of the selections there is a boy's choir screaming in the background, and this takes away (a bit) from her performance. That said, her best selections are those that are either unaccompanied or those where her voice is not buried. Songs that strike me are - His Name So Sweet, He's Got The Whole World, Were You There, I Wonder as I Wander, Lift Every Voice and Sing, and my all time favourite Summertime. Enough said.
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100 Hymns & Songs of Inspiration
Manufacturer: Castle Music UK
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ASIN: B00008GEKT
Release Date: 2003-04-14 |
Tracks:
- Love Divine All Loves Excelling - Choir Of Gloucester Cathedral
- Father Hear the Prayer We Offer - Choir Of Gloucester Cathedral
- Now Thank We All Our God - Choir Of Gloucester Cathedral
- This Day, The First of Days - Choir Of Gloucester Cathedral
- Stars of the Morning So Gloriously Bright - Choir Of Gloucester Cathedral
- God Save the Queen - Choir Of Gloucester Cathedral
- Day of Resurrection - Choir Of Gloucester Cathedral
- God Rest You Merry Gentlemen - Choir Of Gloucester Cathedral
- Of the Father's Heart Begotten - Choir Of Gloucester Cathedral
- O Come All Ye Faithful - Choir Of Gloucester Cathedral
- Awake My Soul and With the Sun - Choir Of Norwich Cathedral
- Thine Arm O Lord in Days of Old - Choir Of Norwich Cathedral
- All People That on Earth Do Dwell - Choir Of Norwich Cathedral
- Good Christian Men Rejoice and Sing - Choir Of Norwich Cathedral
- There Is a Green Hill - Choir Of Norwich Cathedral
- Lord of Beauty - Choir Of Sheffield Cathedral
- Rejoice Today With One Accord - Choir Of Sheffield Cathedral
- New Every Morning - Choir Of Sheffield Cathedral
- Lead Us Heavenly Father Lead Us - Choir Of Sheffield Cathedral
- O God Our Help in Ages Past - Choir Of Sheffield Cathedral
Tracks:
- Morning Has Broken - Choir Of Marlborough College Chapel
- Happy Are They - Choir Of Marlborough College Chapel
- In Christ There Is No East or West - Choir Of Marlborough College Chapel
- Silent Night - Choir Of Marlborough College Chapel
- Be Thou My Guardian - Choir Of Marlborough College Chapel
- Ye Servants of the Lord - Choir Of Marlborough College Chapel
- At the Name of Jesus Every Knee Shall Bow - Choir Of Marlborough College Chapel
- To Thee O Lord Our Hearts We Raise - Choir Of Marlborough College Chapel
- Behold the Great Creator Makes - Choir Of Marlborough College Chapel
- Rejoice the Lord Is King - Choir Of Marlborough College Chapel
- Creator of the Stars of Night - Ely Cathedral Choir
- He Comes With Clouds Descending - Ely Cathedral Choir
- O Little Town of Bethlehem - Ely Cathedral Choir
- Alleluya Alleyluya Alleyluya - Ely Cathedral Choir
- This Is the Day the Lord Hath Made - Ely Cathedral Choir
- How Sweet the Name of Jesus Sounds - Ely Cathedral Choir
- Lord Thy Word Abideth - Ely Cathedral Choir
- Jesus Lord We Look to Thee - Ely Cathedral Choir
- O Lord Our God Arise - Ely Cathedral Choir
- Lord of All Hopefulness - Ely Cathedral Choir
Tracks:
- Soldiers of Christ Arise - Choir Of Wakefield Cathedral
- Lift Up Your Hearts - Choir Of Wakefield Cathedral
- Holy Father, Cheer Our Way - Choir Of Wakefield Cathedral
- Maker of the Sun - Choir Of Wakefield Cathedral
- O King Most High - Choir Of Wakefield Cathedral
- O Praise Our Great and Glorious Lord - Choir Of Wakefield Cathedral
- Forgive Our Sins as We Forgive - Choir Of Wakefield Cathedral
- We Love the Place O God - Choir Of Wakefield Cathedral
- Let Us With a Gladsome Mind - Choir Of Wakefield Cathedral
- Give Rest O Christ - Choir Of Wakefield Cathedral
- Come Holy Ghost Our Hearts Inspire - Choir Of Truro Cathedral
- O Thou in All Thy Might So Far - Choir Of Truro Cathedral
- O Christ, Who Art the Light and Day - Choir Of Truro Cathedral
- O God Thy Soldiers' Crown and Guard - Choir Of Truro Cathedral
- Strife Is O'er the Battle Done - Choir Of Truro Cathedral
- O Christ Our Hope, Our Hearts' Desire - Choir Of Truro Cathedral
- Jesus Shall Reign - Choir Of Truro Cathedral
- God of Love My Shepherd Is - Choir Of Truro Cathedral
- O Jesu Saviour of Mankind - Choir Of Truro Cathedral
- Immortal Invisible God Only Wise - Choir Of Truro Cathedral
Tracks:
- Ride on Ride on in Majesty - Choir Of All Saints - Margaret Street, London
- All Glory Laud and Honour - Choir Of All Saints - Margaret Street, London
- Come Rejoicing - Choir Of All Saints - Margaret Street, London
- God Is Love and Where True Love Is - Choir Of All Saints - Margaret Street, London
- Magnificat: The Great Advent Antiphons - Choir Of All Saints - Margaret Street, London
- Come, Christ's Beloved - Choir Of All Saints - Margaret Street, London
- Children of the Hebrews (Palm Procession) - Choir Of All Saints - Margaret Street, London
- Veneration of the Cross/The Reproaches (Veneratum and Reproaches) - Choir Of All Saints - Margaret Street, London
- Once in Royal David's City - Choir Of Keble College
- God Be in My Head - Choir Of Keble College
- O Thou Who Camest from Above - Choir Of Keble College
- Judge Eternal Throned in Splendour - Choir Of St Edmunsbury Cathedral
- Christ the Lord Is Risen Again - Choir Of St Edmunsbury Cathedral
- For All the Saints - Choir Of St Edmunsbury Cathedral
- Thy Hand O God Has Guided - Choir Of St Edmunsbury Cathedral
- Christ the Dawn of Our Salvation - Choir Of Eastbourne College Chapel
- I Was Glad - Choir Of Eastbourne College Chapel
- Dear Lord and Father of Mankind - Choir Of Eastbourne College Chapel
- Locus Iste - Choir Of Eastbourne College Chapel
- Praise My Soul the King of Heaven - Choir Of Eastbourne College Chapel
Tracks:
- Stand Up! Stand Up for Jesus! - The Choir of the Abbey School, Tewkesbury
- While Shepherds Watched Their Flocks - The Choir of the Abbey School, Tewkesbury
- O Worship the King - The Choir of the Abbey School, Tewkesbury
- O Heavenly Word of God on High - Choir Of The Collegiate Church Of St Mary
- Praise to the Lord, The Almighty - Choir Of The Collegiate Church Of St Mary
- Jesus Christ Is Risen Today - The Choir of York Minister
- First Nowell - The Choir of York Minister
- Abide with Me - The Choir of York Minister
- Breathe on Me Breath of God - Choir Of Keble College
- Rock of Ages - Choir Of Keble College
- On This Day, The First of Days - Choir Of Keble College
- Jesu Sweet and Mary - Choir Of Eastbourne College Chapel
- O Quam Gloriosum - Choir Of Eastbourne College Chapel
- Ye Holy Angels Bright - Choir Of Eastbourne College Chapel
- O for a Closer Walk With God - Choir Of Eastbourne College Chapel
- Prayer of St Patrick - Choir Of Eastbourne College Chapel
- Lord's Prayer - Choir Of Eastbourne College Chapel
- Blessed Be the God and Father - Choir Of Eastbourne College Chapel
- Day Thou Gavest Lord Is Ended - Choir Of Eastbourne College Chapel
- Jerusalem (And Did Those Feet in Ancient Times) - Choir Of Eastbourne College Chapel
Album Description
Full Title - 100 Hymns & Songs Of Inspiration. UK box-set featuring 100 tracks performed by Britain's finest Cathedral Choirs including, Gloucester Cathedral, Norwich Cathedral, Sheffield Cathedral, & many more. Five standard jewel cases housed in a slipbox. Castle Pulse. 2003.
Customer Reviews:
The picture.......2006-12-11
I haven't purchased the CD but the picture of the inside of a church on the cover is not of a British church, like one would assume since it says its a recording of British choirs. This picture is of Notre Dame Basilica in Montreal, Quebec, Canada. Just thought i'd let you know. I'll be honest; I'm one to judge things by it's cover and if the company took such care to choose a 'British' church for their British choir CD, I'm willing to bet the music is equally well selected... I'm being sarcastic. But I gave the product 5 stars because I didn't want to hurt its ratings just because i'm cynical. But check out the church if you're ever in Montreal, it's truly beautiful... here I'm not being sarcastic.
Average customer rating:
- An opera that deserves consideration by a major company
- Soaring majesty!
- a favorite opera with an old and inconsistent performance
|
Robert Ward: The Crucible
Manufacturer: Albany Records
ProductGroup: Music
Binding: Audio CD
General
| Symphonies
| Classical
| Styles
| Music
General
| Classical
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| Music
General
| Opera & Vocal
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Modern & 20th Century
| Historical Periods
| Opera & Vocal
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English
| Languages
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Operettas
| Opera & Vocal
| Styles
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Similar Items:
- Floyd: Of Mice and Men
- Zwilich: Symphony No. 1 / Celebration / Prologue & Variations
- Dominick Argento: From the Diary of Virginia Woolf
- Melinda Wagner: Concerto for Flute, Strings, and Percussion; Poul Ruders: Concerto in Pieces (Purcell Variations)
- X: The Life and Times of Malcolm X
ASIN: B0000049L5
Release Date: 2006-10-24 |
Tracks:
- Act l: Beginning - Gloria Wynder/Joyce Ebert/Patricia Brooks/Naomi Farr/Paul Ukena/Maurice Stern
- Act l: 'Gently, Sirs, Gently' - Eunice Alberts/Paul Ukena/Chester Ludgin/Maurice Stern/Spiro Malas/Joyce Ebert
- Act l: 'Jesus, My Consolation' - Eunice Alberts/Paul Ukena/Chester Ludgin/Maurice Stern/Joyce Ebert/Patricia Brooks
- Act l: 'For Much In the World' - Joyce Ebert.John Macurdy/Naomi Farr/Eunice Alberts/Patricia Brooks/Gloria Wynder/Spiro Malas...
- Act l: 'Oh, How Many Times Mr. Parris' - Gloria Wynder/Naomi Farr/John Macurdy
- Act l: 'Jesus, My Consolation' - Gloria Wynder/Naomi Farr/John Macurdy/Patricia Brooks
- Act II: Beginning - Frances Bible/Chester Ludgin
- Act II: 'I've Forgotten Abigail' - Chester Ludgin/Frances Bible
- Act II: 'But, Oh, The Dreams' - Frances Bible/Chester Ludgin/Nancy Foster
- Act II: 'For Sarah Good Confessed' - Nancy Foster/Chester Ludgin/Frances Bible/John Macurdy/Richard Krause
- Act II: 'You Will Go To That Court' - Chester Ludgin/Nancy Foster
Tracks:
- Act III: Beginning - Patricia Brooks/Chester Ludgin
- Act III: In The Courtroom - Richard Krause
- Act III: 'Open Thou, My Lips, O Lord' - Jack DeLon/Richard Krause/Paul Ukena/Maurice Stern/Joyce Ebert
- Act III: 'These Girls Never Saw A Spirit' - Chester Ludgin/Joyce Ebert/Paul Ukena/Nancy Foster/Patricia Brooks/Jack DeLon/New York City Opr...
- Act III: 'No, No, It Is A Natural Lie To Tell' - John Macurdy/Jack DeLon/Patricia Brooks/Nancy Foster
- Act IV: Beginning - Gloria Wynder//Richard Krause/Patricia Brooks
- Act IV: 'But Sir, You Stir Rebellion' - John Macurdy/Jack DeLon/Joyce Ebert/Frances Bible
- Act IV: 'What Word Of The Children - Chester Ludgin/Frances Bible/John Macurdy/Joyce Ebert/Paul Ukena/Jack DeLon/Eunice Alberts
- Act IV: 'God Does Not Need My Name' - Chester Ludgin/Jack DeLon/Joyce Ebert/John MacurdyEurnice Alberts/Frances Bible.
Customer Reviews:
An opera that deserves consideration by a major company.......2003-10-04
I became familiar with this recording of the "The Crucible" back in the 60's when it was available on the old CRI label. It was an exciting piece then and it remains one now. It has been a puzzle to me why such an opera has not been taken up and presented regularly by major companies. The music is appealing--and frequently more than that; the drama is potent and never fails to captivate; it offers wonderful opportunites to a cast of singing actors. So what's the problem?! Granted some of the liberties taken with the Arthur Miller text render certain moments dramatically unclear and the Gershwinesque strains that accompany the slave Tituba's character are certainly a mistake. Still, the work as a whole is an exciting one. Hightlights abound, with the whole of the last act being especially moving.
This is still the only recording available and, overall, it is excellent. The leads perfectly embody the roles of John and Elizabeth Proctor, while the balance of the cast, a few vocal duds notwithstanding, competently fill in the many character roles.
The CD sound is very good and far superior to my old vinyl disks.
If you've never heard "The Crucible," give this recording a chance. It is well worth your time.
Soaring majesty!.......2001-12-19
This performance is a gem. Just the soaring majesty of Frances Bible is well worth the experience. What a sadly underrated artist. The final duet with Bible and Ludgin is a lesson in passionate, searing drama and full-out singing.
a favorite opera with an old and inconsistent performance.......1999-03-23
I had the privilege of being part of a cast of this opera at Indiana University of Pennsylvania in the late 70's, directed by the avuncular Herbert Wildeboor (since deceased). I've always loved the 7/8 hymn at the end of the first act. However, this performance is very uneven, including generally unfortunate singing by female leads, and bad acting (at least) by the person singing Reverend Parris. Reverend Hale and John Proctor are consistently good. And the orchestra parts, very demanding, are well handled. It astounds me that there is no new recording in all these years. I've since seen it done in Pittsburgh and know it's being done somewhere on the West Coast. While Mr. Ward's music is considered cliche by some, I prefer it much to, for example, Moore's Ballad of Baby Doe. Perhaps my affection for it is due to having the opportunity to perform it.
Average customer rating:
- Historically important choral music, wonderfully performed!
|
Witness: What a Mighty God - Spirituals and Gospels for Chorus
James Bohn , Michael Jorgenson , Steve Burger , Gordon Johnson , Jay Young , Michael Abels , Dale Adelmann , Harry T. (Henry) Burleigh , Brazeal W. Dennard , Adolphus Hailstork , Jester Hairston , Jack Halloran , Robert A. Harris , Moses Hogan , Sanford Moore , Robert Scholz , Richard Smallwood , William Henry Smith , Andre Thomas , Philip Brunelle , Sigrid Johnson , Joe Pulice , Robert Commodore , Charles Kemper , Yolanda Williams , Brian Link , Vocal Essence , and VocalEssence Ensemble Singers
Manufacturer: Clarion
ProductGroup: Music
Binding: Audio CD
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical
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Gospel
| Christian & Gospel
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General
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Classical
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Similar Items:
- Negro Spirituals - Derek Lee Ragin, Moses Hogan, Moses Hogan
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- Give Me Jesus | Spirituals by Barbara Hendricks and The Moses Hogan Singers
ASIN: B0001FVEPE
Release Date: 2004-02-10 |
Tracks:
- Witness: Jack Halloran
- Hush! Somebodys CallinMy Name: Arranged by Brazeal W. Dennard
- Death Is Gonna Lay His Cold Icy Hands on Me: Arranged by Andrhomas
- Walk Together, Children: Arranged by William Henry Smith
- Were You There?: Arranged by Robert Scholz
- Elijah Rock: Arranged by Moses Hogan
- This Train: Arranged by Sanford Moore
- Jesus, Lover of My Soul: Music by J.S. Bach; text by Charles Wesley, Arranged by Richard Smallwood
- My Lord,What a Mornin : Arranged by Harry T. Burleigh
- Go Down, Moses : Arranged by Robert A. Harris
- In Dat Great GittinUp Mornin: Arranged by Jester Hairston
- Crucifixion: Adolphus Hailstork
- Go Where I Send Thee:Arranged by Andrhomas
- Swing Low, Sweet Chariot: Arranged by Dale Adelmann
- Go,Tell It on the Mountain: Arranged by Sanford Moore
- What a Mighty God : Arranged by Michael Abels
Album Description
Stirring spirituals and rousing gospel melodies sung by the superb voices of VocalEssence conducted by the renowned conductor Philip Brunelle, joined by vocal jazz ensemble Moore by Four.
Customer Reviews:
Historically important choral music, wonderfully performed!.......2004-05-25
For over 10 years, The VocalEssence Ensemble Singers and Chorus (conducted by Philip Brunelle) has presented an enduring series of concerts showcasing the talents of trailblazing African American composers. Now this wealth of music is available outside the concert hall through a series of recordings called WITNESS.
WHAT A MIGHTY GOD presents 20th Century choral arrangements of music from the African American spiritual tradition rooted in spirituals and gospels, including Harry T. Burleigh's "My Lord, What a Mornin'" (1929), "Walk Together Children" (William Henry Smith, 1937) and more contemporary composers like Sanford Moore's "Go Tell It On The Mountain" (1993.)
There are excellent notes about the genre, however, in light of the historical significance of this music I'm surprised and disappointed to find no biographical information about the composers, not even birth and/or death dates, with this CD. I feel this is a crucial component in an "outreach" project like this, especially since most of these composers are not well known. Still I highly recommend it for the music alone.
The other three CDs are available as single titles, or in the boxed set THE WITNESS COLLECTION which includes:
WHAT A MIGHTY GOD: Spirituals and Gospels for Chorus
DANCE LIKE THE WIND: Music of Today's Black Composers
GOT THE SAINT LOUIS BLUES: Classical Music in the Jazz Age
SKYWARD MY PEOPLE ROSE: Music of William Grant Still
Average customer rating:
- Harnoncourt
- As Close as I can Imagine for Authentic Bach
- Recording's Greatest Achievement
- recommended
- Teldec Set Still Holds Up After 30 Years
|
Bach: Sacred Cantatas
Manufacturer: Teldec
ProductGroup: Music
Binding: Audio CD
All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
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General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
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General
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
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General
| Classical
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Cantatas
| Classical (c.1770-1830)
| Historical Periods
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General
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Oratorios
| Opera & Vocal
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Cantatas
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ASIN: B000000SKY
Release Date: 1994-12-20 |
Tracks:
- Discs 1 - 6: Cantatas BWV 1 - 19
- Discs 7 - 12: Cantatas BWV 20 - 36
- Discs 13 - 18: Cantatas BWV 37 - 60
- Discs 19 - 24: Cantatas BWV 61 - 78
- Discs 25 - 30: Cantatas BWV 79 - 99
- Discs 31 - 36: Cantatas BWV 100 - 117
- Discs 37 - 42: Cantatas BWV 119 - 137
- Discs 43 - 48: Cantatas BWV 138 - 162
- Discs 49 - 54: Cantatas BWV 163 - 182
- Discs 55 - 60: Cantatas BWV 183 - 199
- Ach Gott, Vom Himmel Sieh Darein, BWV 2, BC A98, Aria: Durchs Feuer Wird Das Silber Rein - Kurt Equiluz
- Ach Gott, Vom Himmel Sieh Darein, BWV 2, BC A98, Chor: Das Wollst Du, Gott, Bewahren Rein - Wiener Sangerknaben/Hans Gillesberger
- Ach Gott, Wie Manches Herzeleid, BWV 3, BC A33, Chor: Ach Gott, Wie Manches Herzeleid - Wiener Sangerknaben/Hans Gillesberger
- Ach Gott, Wie Manches Herzeleid, BWV 3, BC A33, Recitativo: Wie Schwerlich Lasst Sich Fleisch Und... - Soloist Of The Wiener Sangerknaben/Kurt Equiluz/Max Van Egmond/Paul Esswood/Wiener Sangerknaben...
- Ach Gott, Wie Manches Herzeleid, BWV 3, BC A33, Aria: Empfind Ich Hollenangst Und Pein - Max Van Egmond
- Ach Gott, Wie Manches Herzeleid, BWV 3, BC A33, Recitativo: Es Mag Mir Leib Und Beist Verschmachten - Kurt Equiluz
- Ach Gott, Wie Manches Herzeleid, BWV 3, BC A33, Aria: Wenn Sorgen Auf Mich Dringen - Soloist Of The Wiener Sangerknaben/Paul Esswood
- Ach Gott, Wie Manches Herzeleid, BWV 3, BC A33, Chor: Erhalt Mein Herz Im Glauben Rein - Wiener Sangerknaben/Hans Gillesberger
Tracks:
- Christ Lag In Todes Banden, BWV 4, BC A54b: Sinf - Concentus Musicus Wien/Nikolaus Harnoncourt
- Christ Lag In Todes Banden, BWV 4, BC A54b, Chor, Versus I: Christ Lag In Todes Banden - Wiener Sangerknaben/Hans Gillesberger
- Christ Lag In Todes Banden, BWV 4, BC A54b, Duetto, Versus II: Den To Niemand Zwingen Kunnt - Soloist Of The Wiener Sangerknaben/Paul Esswood
- Christ Lag In Todes Banden, BWV 4, BC A54b, Aria, Versus III: Jesus Christus, Gottes Sohn - Kurt Equiluz
- Christ Lag In Todes Banden, BWV 4, BC A54b, Chor, Versus IV: Es War Ein Wunderlicher Krieg - Wiener Sangerknaben/Hans Gillesberger
- Christ Lag In Todes Banden, BWV 4, BC A54b, Aria, Versus V: Hier Ist Das Rechte Osterlamm - Max Van Egmond
- Christ Lag In Todes Banden, BWV 4, BC A54b, Duetto, Versus VI: So Feiern Wir Das Hohe Fest - Soloist Of The Wiener Sangerknaben/Kurt Equiluz
- Christ Lag In Todes Banden, BWV 4, BC A54b, Chor, Versus VII, Chor: Wir Essen Und Leben Wohl - Wiener Sangerknaben/Hans Gillesberger
- Wo Soll Ich Fliehen Hin, BWV 5, BC A145, Chor: Wo Soll Ich Fliehen Hin - Wiener Sangerknaben/Hans Gillesberger
- Wo Soll Ich Fliehen Hin, BWV 5, BC A145, Recitativo: Der Sunden Wust Hat Mich Nicht Nur Befleckt - Max Van Egmond
- Wo Soll Ich Fliehen Hin, BWV 5, BC A145, Aria: Ergiesse Dich Reichlich - Kurt Equiluz
- Wo Soll Ich Fliehen Hin, BWV 5, BC A145, Recitativo: Mein Treuer Heiland Trostet Mich - Paul Esswood
- Wo Soll Ich Fliehen Hin, BWV 5, BC A145, Aria: Verstumme, Hollenheer - Max Van Egmond
- Wo Soll Ich Fliehen Hin, BWV 5, BC A145, Recitativo: Ich Bin Ja Nur Das Kleinste Teil Der Welt - Soloist Of The Wiener Sangerknaben
- Wo Soll Ich Fliehen Hin, BWV 5, BC A145, Chor: Fuhr Auch Mein Herz Und Sinn - Wiener Sangerknaben/Hans Gillesberger
- Bleib Bei Uns, Denn Es Will Abend Werden, BWV 6, BC A57, Chor: Bleib Bei Uns, Denn Es Will Abend ... - Wiener Sangerknaben/Hans Gillesberger
- Bleib Bei Uns, Denn Es Will Abend Werden, BWV 6, BC A57, Aria: Hochgelobter Gottessohn - Paul Esswood
- Bleib Bei Uns, Denn Es Will Abend Werden, BWV 6, BC A57, Chor: Auch Bleib Bei Uns, Herr Jesu Christ - Soloist Of The Wiener Sangerknaben
- Bleib Bei Uns, Denn Es Will Abend Werden, BWV 6, BC A57, Recitativo: Es Hat Die Dunkelheit An ... - Max Van Egmond
- Bleib Bei Uns, Denn Es Will Abend Werden, BWV 6, BC A57, Aria: Jesu, Lass Uns Auf Dich Sehen - Kurt Equiluz
- Bleib Bei Uns, Denn Es Will Abend Werden, BWV 6, BC A57, Chor: Beweis Dein Macht, Herr Jesu Christ - Wiener Sangerknaben/Hans Gillesberger
Tracks:
- Christ Unser Herr Zum Jordan Kam, BWV 7, BC A177, Chor: Christ Unser Herr Zum Jordan Kam - King's College Chor Cambridge/David Willcocks
- Christ Unser Herr Zum Jordan Kam, BWV 7, BC A177, Aria: Merkt Und Hort, Ihr Menschenkinder - Max Van Egmond
- Christ Unser Herr Zum Jordan Kam, BWV 7, BC A177, Recitativo: Dies Hat Gott Klar Mit Worten - Kurt Equiluz
- Christ Unser Herr Zum Jordan Kam, BWV 7, BC A177, Aria: Des Vaters Stimme Liess Sich Horen - Kurt Equiluz
- Christ Unser Herr Zum Jordan Kam, BWV 7, BC A177, Recitativo: Als Jesus Dort Nach Seinen Leiden - Max Van Egmond
- Christ Unser Herr Zum Jordan Kam, BWV 7, BC A177, Aria: Menschen, Glaubt Doch Dieser Gnade - Paul Esswood
- Christ Unser Herr Zum Jordan Kam, BWV 7, BC A177, Chor: Das Aug Allein Das Wasser Sieht - King's College Chor Cambridge/David Willcocks
- Liebster Gott, Wenn Werd Ich Sterben, BWV 8, BC A137a, Chor: Liebster Gott, Wenn Werd Ich Sterben? - King's College Chor Cambridge/David Willcocks
- Liebster Gott, Wenn Werd Ich Sterben, BWV 8, BC A137a, Aria: Was Willst Du Dich Mein Geist... - Kurt Equiluz
- Liebster Gott, Wenn Werd Ich Sterben, BWV 8, BC A137a, Recitativo: Zwar Fuhlt Mein Schwaches Herz - Paul Esswood
- Liebster Gott, Wenn Werd Ich Sterben, BWV 8, BC A137a, Aria: Doch Weichet, Ihr Tollen... - Max Van Egmond
- Liebster Gott, Wenn Werd Ich Sterben, BWV 8, BC A137a, Recitativo: Behalte Nur, O Welt, Das Meine! - Soloist Of The Regensburger Domspatzen
- Liebster Gott, Wenn Werd Ich Sterben, BWV 8, BC A137a, Chor: Herrscher Uber Tod Und Leben - King's College Chor Cambridge/David Willcocks
- Es Ist Das Heil Uns Kommen Her, BWV 9, BC A107, Chor: Es Ist Das Heil Uns Kommen Her - King's College Chor Cambridge/David Willcocks
- Es Ist Das Heil Uns Kommen Her, BWV 9, BC A107, Recitativo: Gott Gab Uns Ein Gesetz - Max Van Egmond
- Es Ist Das Heil Uns Kommen Her, BWV 9, BC A107, Aria: Wir Waren Schon Zu Tef Gesunken - Kurt Equiluz
- Es Ist Das Heil Uns Kommen Her, BWV 9, BC A107, Recitativo: Doch Musste Das Gesetz Erfullet Werden - Max Van Egmond
- Es Ist Das Heil Uns Kommen Her, BWV 9, BC A107, Aria: Herr, Du Siehst Statt Guter Werke - Soloist Of The Regensburger Domspatzen/Paul Esswood
- Es Ist Das Heil Uns Kommen Her, BWV 9, BC A107, Recitativo: Wenn Wir Die Sund Aus Dem Gestz Erkennen - Max Van Egmond
- Es Ist Das Heil Uns Kommen Her, BWV 9, BC A107, Chor: Ob Sichs Anliess, Als Wollt Er Nicht - King's College Chor Cambridge/David Willcocks
Tracks:
- Meine Seel Erhebt Den Herren, BWV 10, BC A175, Chor: Meine Seel Erhebt Den Herren - King's College Chor Cambridge/David Willcocks
- Meine Seel Erhebt Den Herren, BWV 10, BC A175, Aria: Herr, Der Du Stark Und Machtig Bist. - Soloist Of The Regensburger Domspatzen
- Meine Seel Erhebt Den Herren, BWV 10, BC A175, Recitativo: Des Hochsten Gut Und Treu - Kurt Equiluz
- Meine Seel Erhebt Den Herren, BWV 10, BC A175, Aria: Gewaltige Stosst Gott Vom Stuhl - Max Van Egmond
- Meine Seel Erhebt Den Herren, BWV 10, BC A175, Duetto: Er Denket Der Barmherzigkeit - Paul Esswood/Kurt Equiluz
- Meine Seel Erhebt Den Herren, BWV 10, BC A175, Recitativo: Was Gott Den Vatern Alter Zeiten - Kurt Equiluz
- Meine Seel Erhebt Den Herren, BWV 10, BC A175, Chor: Lob Und Preis Sei Gott Dem Vater - King's College Chor Cambridge/David Willcocks
- Lobet Gott In Seinen Reichen, BWV 11, BC D9, Chor: Lobet Gott In Seinen Reichen - Wiener Sangerknaben/Hans Gillesberger
- Lobet Gott In Seinen Reichen, BWV 11, BC D9, Recitativo: Der Herr Jesus Hub Seine Hande Auf - Kurt Equiluz
- Lobet Gott In Seinen Reichen, BWV 11, BC D9, Recitativo: Ach, Jesu, Ist Dein Abschied Schon So Nah? - Max Van Egmond
- Lobet Gott In Seinen Reichen, BWV 11, BC D9, Aria: Ach, Bleibe Doch, Mein Liebstes Leben - Paul Esswood
- Lobet Gott In Seinen Reichen, BWV 11, BC D9, Recitativo: Und Ward Auf Gehoben Zusehends - Kurt Equiluz
- Lobet Gott In Seinen Reichen, BWV 11, BC D9, Chor: Nun Lieget Alles Unter Dir - Wiener Sangerknaben/Hans Gillesberger
- Lobet Gott In Seinen Reichen, BWV 11, BC D9, Recitativo: Und Da Sie Ihm Nachsahen - Kurt Equiluz/Max Van Egmond
- Lobet Gott In Seinen Reichen, BWV 11, BC D9, Recitativo: Ach Ja! So Komme Bald Zuruck - Paul Esswood
- Lobet Gott In Seinen Reichen, BWV 11, BC D9, Recitativo: Sie Aber Beteten Ihn An - Kurt Equiluz
- Lobet Gott In Seinen Reichen, BWV 11, BC D9, Aria: Jesu, Deine Gnadenblicke - Soloist Of The Wiener Sangerknaben
- Lobet Gott In Seinen Reichen, BWV 11, BC D9, Chor: Wann Soll Es Doch Geschehen - Wiener Sangerknaben/Hans Gillesberger
- Weinen, Klagen, Sorgen, Zagen, BWV 12, BC A68: Sinf - Leonhardt-Consort/Gustav Leonhardt
- Weinen, Klagen, Sorgen, Zagen, BWV 12, BC A68, Chor: Weinen, Klagen, Sorgen, Zagen - Tolzer Knabenchor/Gerhard Schmidt-Gaden/King's College Chor Cambridge/David Willcocks
- Weinen, Klagen, Sorgen, Zagen, BWV 12, BC A68, Arioso: Wir Mussen Durch Viel Trubsal - Paul Esswood
- Weinen, Klagen, Sorgen, Zagen, BWV 12, BC A68, Aria: Kreuz Und Krone Sind Verbunden - Paul Esswood
- Weinen, Klagen, Sorgen, Zagen, BWV 12, BC A68, Aria: Ich Folge Christo Nach - Max Van Egmond
- Weinen, Klagen, Sorgen, Zagen, BWV 12, BC A68, Aria: Sei Getreu, Alle Pein - Kurt Equiluz
- Weinen, Klagen, Sorgen, Zagen, BWV 12, BC A68, Chor: Was Gott Tut, Das Ish Wohlgetan - Tolzer Knabenchor/Gerhard Schmidt-Gaden/King's College Chor Cambridge/David Willcocks
Tracks:
- Meine Seufzer, Meine Tranen, BWV 13, BC A34, Aria: Meine Seufzer, Meine Tranen - Kurt Equiluz
- Meine Seufzer, Meine Tranen, BWV 13, BC A34, Rectiativo: Mein Liebster Gott Lasst Mich Annoch - Paul Esswood
- Meine Seufzer, Meine Tranen, BWV 13, BC A34, Chor: Der Gott Der Mir Hat Versprochen - Paul Esswood
- Meine Seufzer, Meine Tranen, BWV 13, BC A34, Recitativo: Mein Kummer Nimmt Zu - Walter Gampert
- Meine Seufzer, Meine Tranen, BWV 13, BC A34, Aria: Achzen Und Erbarmlich Weinen - Max Van Egmond
- Meine Seufzer, Meine Tranen, BWV 13, BC A34, Chor: So Sei Nun, Seele, Deine - Tolzer Knabenchor/Gerhard Schmidt-Gaden/King's College Chor Cambridge/David Willcocks
- War Gott Nicht Mit Uns Diese Zeit, BWV 14, BC A40, Chor: War Gott Nicht Mit Uns Diese Zeit - Tolzer Knabenchor/Gerhard Schmidt-Gaden/King's College Chor Cambridge/David Willcocks
- War Gott Nicht Mit Uns Diese Zeit, BWV 14, BC A40, Aria: Unsre Starke Heisst Zu Schwach - Peter Hinterreiter
- War Gott Nicht Mit Uns Diese Zeit, BWV 14, BC A40, Recitativo: Ja, Hatt es Gott Nur Zugegeben - Marius Van Altena
- War Gott Nicht Mit Uns Diese Zeit, BWV 14, BC A40, Aria: Gott, Bei Deinem Starken Schutzen - Max Van Egmond
- War Gott Nicht Mit Uns Diese Zeit, BWV 14, BC A40, Chor: Gott Lob Und Dank, Der Nicht Zugab - Tolzer Knabenchor/Gerhard Schmidt-Gaden/King's College Chor Cambridge/David Willcocks
- Herr Gott, Dich Loben Wir, BWV 16, BC A23, Chor: Herr Gott, Dich Loben Wir - Tolzer Knabenchor/Gerhard Schmidt-Gaden/King's College Chor Cambridge/David Willcocks
- Herr Gott, Dich Loben Wir, BWV 16, BC A23, Recitativo: So Stimmen Wir Bei Dieser Frohen Zeit - Max Van Egmond
- Herr Gott, Dich Loben Wir, BWV 16, BC A23, Chor & Aria: Lasst Uns Jauchzen, Lasst Uns Freuen - Max Van Egmond/Tolzer Knabenchor/Gerhard Schmidt-Gaden/King's College Chor Cambridge/ ...
- Herr Gott, Dich Loben Wir, BWV 16, BC A23, Recitativo: Ach Treuer Hort - Paul Esswood
- Herr Gott, Dich Loben Wir, BWV 16, BC A23, Aria: Geliebter Jesu, Du Allein - Marius Van Altena
- Herr Gott, Dich Loben Wir, BWV 16, BC A23, Chor: All Solch Dein Gut Wir Preisen - Tolzer Knabenchor/Gerhard Schmidt-Gaden/King's College Chor Cambridge/David Willcocks
Tracks:
- Wer Dank Opfert, Der Preiset Mich, BWV 17, BC A131, Chor: Wer Dank Opfert, Der Preiset Mich - Wiener Sangerknaben/Hans Gillesberger
- Wer Dank Opfert, Der Preiset Mich, BWV 17, BC A131, Recitativo: Es Muss Die Ganze Welt - Paul Esswood
- Wer Dank Opfert, Der Preiset Mich, BWV 17, BC A131, Aria: Herr, Deine Gute - Soloist Of The Wiener Sangerknaben
- Wer Dank Opfert, Der Preiset Mich, BWV 17, BC A131, Recitativo: Einer Aber Unter Ihnen - Kurt Equiluz
- Wer Dank Opfert, Der Preiset Mich, BWV 17, BC A131, Aria: Welch Ubermass Der Gute - Kurt Equiluz
- Wer Dank Opfert, Der Preiset Mich, BWV 17, BC A131, Recitativo: Sieh Meinen Willen An - Max Van Egmond
- Wer Dank Opfert, Der Preiset Mich, BWV 17, BC A131, Chor: Wir Sich Ein Vatr Erbarmet - Wiener Sangerknaben/Hans Gillesberger
- Gleichwie Der Regen Und Schnee Vom Himmel Fallt, BWV 18, BC A44a: Sinf - Concentus Musicus Wien/Nikolaus Harnoncourt
- Gleichwie Der Regen Und Schnee Vom Himmel Fallt, BWV 18, BC A44a, Recitativo: Gleichwie Der ... - Max Van Egmond
- Gleichwie Der Regen Und Schnee Vom Himmel Fallt, BWV 18, BC A44a, Recitativo: Mein Gott, Hier Wird.. - Soloist Of The Wiener Sangerknaben/Kurt Equiluz/Max Van Egmond/Wiener Sangerknaben/Hans Gillesberger
- Gleichwie Der Regen Und Schnee Vom Himmel Fallt, BWV 18, BC A44a, Aria: Mein Seelenschatz Ist ... - Soloist Of The Wiener Sangerknaben
- Gleichwie Der Regen Und Schnee Vom Himmel Fallt, BWV 18, BC A44a, Chor: Ich Bitt, O Herr, Aus ... - Wiener Sangerknaben/Hans Gillesberger
- Es Erhub Sich Ein Streit, BWV 19, BC A180, Chor: Es Erhub Sich Ein Streit - Wiener Sangerknaben/Hans Gillesberger
- Es Erhub Sich Ein Streit, BWV 19, BC A180, Recitativo: Gottlob! Der Drache Liegt - Max Van Egmond
- Es Erhub Sich Ein Streit, BWV 19, BC A180, Aria: Gott Schickt Uns Mahanaim Zu - Soloist Of The Wiener Sangerknaben
- Es Erhub Sich Ein Streit, BWV 19, BC A180, Recitativo: Was Ist Der Schnode Mensch - Kurt Equiluz
- Es Erhub Sich Ein Streit, BWV 19, BC A180, Aria: Bleibt, Ihr Engel - Kurt Equiluz
- Es Erhub Sich Ein Streit, BWV 19, BC A180, Recitativo: Lasst Uns Das Angescht - Soloist Of The Wiener Sangerknaben
- Es Erhub Sich Ein Streit, BWV 19, BC A180, Chor: Lass Dein Engel Mit Mir Fahren - Wiener Sangerknaben/Hans Gillesberger
Tracks:
- O Ewigkeit, Du Donnerwort, BWV 20, BC A95, Prima Parte, Chor: O Ewigkeit, Du Donnerwort - Wiener Sangerknaben/Hans Gillesberger
- O Ewigkeit, Du Donnerwort, BWV 20, BC A95, Prima Parte, Recitativo... - Kurt Equiluz
- O Ewigkeit, Du Donnerwort, BWV 20, BC A95, Prima Parte, Aria: Ewigkeit, Du Machst Mir Bange - Kurt Equiluz
- O Ewigkeit, Du Donnerwort, BWV 20, BC A95, Prima Parte, Recitativo: Gesetzt... - Max Van Egmond
- O Ewigkeit, Du Donnerwort, BWV 20, BC A95, Prima Parte, Aria: Gott Ist Gerecht - Max Van Egmond
- O Ewigkeit, Du Donnerwort, BWV 20, BC A95, Prima Parte, Aria: O Mensch, Errette Deine Seele - Paul Esswood
- O Ewigkeit, Du Donnerwort, BWV 20, BC A95, Prima Parte, Chor: Solang Ein Gott Im Himmel Lebt - Wiener Sangerknaben/Hans Gillesberger
- O Ewigkeit, Du Donnerwort, BWV 20, BC A95, Seconda Parte, Aria: Wacht Auf, Wacht Auf... - Max Van Egmond
- O Ewigkeit, Du Donnerwort, BWV 20, BC A95, Seconda Parte, Recitativo: Verlass, O Mensch... - Paul Esswood
- O Ewigkeit, Du Donnerwort, BWV 20, BC A95, Seconda Parte, Aria: O Menschenkind... - Paul Esswood/Kurt Equiluz
- O Ewigkeit, Du Donnerwort, BWV 20, BC A95, Seconda Parte, Chor: O Ewigkeit, Du Donnerwort - Wiener Sangerknaben/Hans Gillesberger
- Ich Hatte Viel Bekummernis, BWV 21, BC A99c, Prima Parte: Sinf - Concentus Musicus Wien/Nikolaus Harnoncourt
- Ich Hatte Viel Bekummernis, BWV 21, BC A99c, Prima Parte, Chor: Ich Hatte Viel Bekummernis - Wiener Sangerknaben/Hans Gillesberger
- Ich Hatte Viel Bekummernis, BWV 21, BC A99c, Prima Parte, Aria: Seufzer, Tranen, Kummer, Not - Soloist Of The Wiener Sangerknaben
- Ich Hatte Viel Bekummernis, BWV 21, BC A99c, Prima Parte, Recitativo: Wie Hast Du Dich, Mein Gott - Kurt Equiluz
- Ich Hatte Viel Bekummernis, BWV 21, BC A99c, Prima Parte, Aria: Bache Von Gesalznen Zahren - Kurt Equiluz
- Ich Hatte Viel Bekummernis, BWV 21, BC A99c, Prima Parte, Chor: Was Betrubst Du Dich, Meine Seele - Wiener Sangerknaben/Hans Gillesberger/Kurt Equiluz/Walker Wyatt/Paul Esswood...
- Ich Hatte Viel Bekummernis, BWV 21, BC A99c, Seconda Parte, Recitativo: Ach Jesu, Meine Ruh - Walker Wyatt/Soloist Of The Wiener Sangerknaben
- Ich Hatte Viel Bekummernis, BWV 21, BC A99c, Seconda Parte, Duetto: Komm, Mein Jesu - Walker Wyatt/Soloist Of The Wiener Sangerknaben
- Ich Hatte Viel Bekummernis, BWV 21, BC A99c, Seconda Parte, Coro: Sei Nun Wieder Zufrieden - Wiener Sangerknaben/Hans Gillesberger/Kurt Equiluz/Walker Wyatt/Paul Esswood...
- Ich Hatte Viel Bekummernis, BWV 21, BC A99c, Seconda Parte, Aria: Erfreue Dich, Seele - Kurt Equiluz
- Ich Hatte Viel Bekummernis, BWV 21, BC A99c, Seconda Parte, Coro: Das Lamm, Das Erwurget Ist - Wiener Sangerknaben/Hans Gillesberger/Kurt Equiluz/Walker Wyatt/Paul Esswood...
Tracks:
- Jesus Nahm Zu Sich Die Zwolfe, BWV 22, BC A48, Aria,Chor: Jesus Nahm Zu Sich Die Zwolfe - Kurt Equiluz/Max Van Egmond
- Jesus Nahm Zu Sich Die Zwolfe, BWV 22, BC A48, Aria: Mein Jesu, Ziehe Mich Nach Dir - Paul Esswood
- Jesus Nahm Zu Sich Die Zwolfe, BWV 22, BC A48, Recitativo: Mein Jesu, Ziehe Mich - Max Van Egmond
- Jesus Nahm Zu Sich Die Zwolfe, BWV 22, BC A48, Aria: Mein Alles In Allem - Kurt Equiluz
- Jesus Nahm Zu Sich Die Zwolfe, BWV 22, BC A48, Chor: Ertot Uns Durch Dein Gute - Tolzer Knabenchor/Gerhard Schmidt-Gaden/Kings College Chor Cambridge
- Du Wahrer Gott Und Davids Sohn, BWV 23, BC A47c, Aria: Du Wahrer Gott Und Davids Sohn - Paul Esswood/Walter Gampert
- Du Wahrer Gott Und Davids Sohn, BWV 23, BC A47c, Recitativo: Ach, Gehe Nicht Voruber - Marius Van Altena
- Du Wahrer Gott Und Davids Sohn, BWV 23, BC A47c, Chor: Aller Augen Warten, Herr - Tolzer Knabenchor/Gerhard Schmidt-Gaden/Kings College Chor Cambridge
- Du Wahrer Gott Und Davids Sohn, BWV 23, BC A47c, Chor: Christe, Du Lamm Gottes - Tolzer Knabenchor/Gerhard Schmidt-Gaden/Kings College Chor Cambridge
- Ein Ungefarbt Gemute, BWV 24, BC A102, Aria: Ein Ungefarbt Gemute - Paul Esswood
- Ein Ungefarbt Gemute, BWV 24, BC A102, Recitativo: Die Redlichkeit Ist Eine Von Den Gottesgaben - Kurt Equiluz
- Ein Ungefarbt Gemute, BWV 24, BC A102, Chor: Alles Nun, Das Ihr Wollet - Wiener Sangerknaben/Hans Gillesberger
- Ein Ungefarbt Gemute, BWV 24, BC A102, Recitativo: Die Heuchelei Ist Eine Brut - Max Van Egmond
- Ein Ungefarbt Gemute, BWV 24, BC A102, Aria: Treu Und Wahrheit Sei Der Grund - Kurt Equiluz
- Ein Ungefarbt Gemute, BWV 24, BC A102, Chor: O Gott, Du Frommer Gott - Wiener Sangerknaben/Hans Gillesberger
- Es Ist Nichts Gesundes An Meinem Leibe, BWV 25, BC A129, Chor... - Wiener Sangerknaben/Hans Gillesberger
- Es Ist Nichts Gesundes An Meinem Leibe, BWV 25, BC A129, Recitativo... - Kurt Equiluz
- Es Ist Nichts Gesundes An Meinem Leibe, BWV 25, BC A129, Aria: Ach, Wo Hol Ich Armer Rat - Max Van Egmond
- Es Ist Nichts Gesundes An Meinem Leibe, BWV 25, BC A129, Recitativo: O Jesu, Lieber Meister - Soloist Of The Wiener Sangerknaben
- Es Ist Nichts Gesundes An Meinem Leibe, BWV 25, BC A129, Aria: Offne Meinen Schlechten Liedern - Soloist Of The Wiener Sangerknaben
- Es Ist Nichts Gesundes An Meinem Leibe, BWV 25, BC A129, Chor: Ich Will Alle Meine Tage - Wiener Sangerknaben/Hans Gillesberger
Tracks:
- Ach Wie Fluchtig, Ach Wie Nichtig, BWV 26, BC A162, Chor: Ach Wie Fluchtig, Ach Wie Nichtig - Wiener Sangerknaben/Hans Gillesberger
- Ach Wie Fluchtig, Ach Wie Nichtig, BWV 26, BC A162, Aria: So Schnell Ein Rauschend Wasser Schiesst - Kurt Equiluz
- Ach Wie Fluchtig, Ach Wie Nichtig, BWV 26, BC A162, Recitativo: Die Freude Wird Zur Traurigkeit - Paul Esswood
- Ach Wie Fluchtig, Ach Wie Nichtig, BWV 26, BC A162, Aria: An Irdische Schatze Das Herze Zu Hangen - Siegmund Nimsgern
- Ach Wie Fluchtig, Ach Wie Nichtig, BWV 26, BC A162, Recitativo: Die Hochste Herrlichkeit Und Pracht - Soloist Of The Wiener Sangerknaben
- Ach Wie Fluchtig, Ach Wie Nichtig, BWV 26, BC A162, Chor: Ach Wie Fluchtig, Ach Wie Nichtig - Wiener Sangerknaben/Hans Gillesberger
- Wer Weiss, Wie Nahe Mir Mein Ende! BWV 27, BC A138, Chor: Wer Weiss, Wie Nahe Mir Mein Ende! - Wiener Sangerknaben/Hans Gillesberger
- Wer Weiss, Wie Nahe Mir Mein Ende! BWV 27, BC A138, Recitativo: Mein Leben Hat Kein Ander Ziel - Kurt Equiluz
- Wer Weiss, Wie Nahe Mir Mein Ende! BWV 27, BC A138, Aria: Willkommen! Will Ich Sagen - Paul Esswood/Soloist Of The Wiener Sangerknaben
- Wer Weiss, Wie Nahe Mir Mein Ende! BWV 27, BC A138, Recitativo: Ach, Wer Doch Schon Im Himmel War! - Soloist Of The Wiener Sangerknaben
- Wer Weiss, Wie Nahe Mir Mein Ende! BWV 27, BC A138, Aria: Gute Nacht, Du Weltgetummel! - Siegmund Nimsgern
- Wer Weiss, Wie Nahe Mir Mein Ende! BWV 27, BC A138, Chor: Welt Ade! Ich Bin Dein Mude - Wiener Sangerknaben/Hans Gillesberger
- Gottlob! Nun Geht Das Jahr Zu Ende, Bwv 28, BC A20, Aria: Gottlob! Nun Geht Das Jahr Zu Ende - Soloist Of The Wiener Sangerknaben
- Gottlob! Nun Geht Das Jahr Zu Ende, Bwv 28, BC A20, Chor: Nun Lob, Mein Seel, Den Herren - Wiener Sangerknaben/Hans Gillesberger
- Gottlob! Nun Geht Das Jahr Zu Ende, Bwv 28, BC A20, Recitativo - Arioso: So Sprict Der Herr - Siegmund Nimsgern
- Gottlob! Nun Geht Das Jahr Zu Ende, Bwv 28, BC A20, Recitativo: Gott Ist Ein Quell... - Kurt Equiluz
- Gottlob! Nun Geht Das Jahr Zu Ende, Bwv 28, BC A20, Aria: Gott Hat Uns Im Heurigen Jahr Gesegnet - Kurt Equiluz/Paul Esswood
- Gottlob! Nun Geht Das Jahr Zu Ende, Bwv 28, BC A20, Chor: All Solch Dein Gut Wir Preisen - Wiener Sangerknaben/Hans Gillesberger
- Wir Danken Dir, Gott, Wir Danken Dir, BWV 29, BC B8: Sinf - Concentus Musicus Wien/Nikolaus Harnoncourt
- Wir Danken Dir, Gott, Wir Danken Dir, BWV 29, BC B8, Chor: Wir Danken Dir Gott, Wir Danken Dir - Wiener Sangerknaben/Hans Gillesberger
- Wir Danken Dir, Gott, Wir Danken Dir, BWV 29, BC B8, Aria: Halleluja, Stark Und Macht - Kurt Equiluz
- Wir Danken Dir, Gott, Wir Danken Dir, BWV 29, BC B8, Recitativo: Gottlob! Es Geht Uns Wohl! - Max Van Egmond
- Wir Danken Dir, Gott, Wir Danken Dir, BWV 29, BC B8, Aria: Gedenk An Uns Mit Deiner Liebe - Soloist Of The Wiener Sangerknaben
- Wir Danken Dir, Gott, Wir Danken Dir, BWV 29, BC B8, Recitativo: Vergiss Es Ferner Nicht - Paul Esswood/Wiener Sangerknaben/Hans Gillesberger
- Wir Danken Dir, Gott, Wir Danken Dir, BWV 29, BC B8, Aria: Halleluja, Stark Und Macht - Paul Esswood
- Wir Danken Dir, Gott, Wir Danken Dir, BWV 29, BC B8, Chor: Sei Lob Und Preis Mit Ehren - Concentus Musicus Wien/Nikolaus Harnoncourt
Tracks:
- Freue Dich, Erloste Schar, BWV 30, BC A178, Prima Parte, Coro: Freue Dich, Erloste Schar - Wiener Sangerknaben/Hans Gillesberger
- Freue Dich, Erloste Schar, BWV 30, BC A178, Prima Parte, Recitativo: Wir Haben Rast - Max Van Egmond
- Freue Dich, Erloste Schar, BWV 30, BC A178, Prima Parte, Aria: Gelobet Sei Gott, Gelobet Sein Name - Max Van Egmond
- Freue Dich, Erloste Schar, BWV 30, BC A178, Prima Parte, Recitativo: Der Herold Kommt - Paul Esswood
- Freue Dich, Erloste Schar, BWV 30, BC A178, Prima Parte, Aria: Kommt, Ihr Angefochtnen Sunder - Paul Esswood
- Freue Dich, Erloste Schar, BWV 30, BC A178, Prima Parte, Chor: Eine Stimme Lasst Sich Horen - Wiener Sangerknaben/Hans Gillesberger
- Freue Dich, Erloste Schar, BWV 30, BC A178, Seconda Parte, Recitativo: So Bist Du Denn, Mein Heil... - Max Van Egmond
- Freue Dich, Erloste Schar, BWV 30, BC A178, Seconda Parte, Aria: Ich Will Nun Hassen - Max Van Egmond
- Freue Dich, Erloste Schar, BWV 30, BC A178, Seconda Parte, Recitativo... - Soloist Of The Wiener Sangerknaben
- Freue Dich, Erloste Schar, BWV 30, BC A178, Seconda Parte, Aria: Eilt, Ihr Stunden, Kommt Herbei - Soloist Of The Wiener Sangerknaben
- Freue Dich, Erloste Schar, BWV 30, BC A178, Seconda Parte, Recitativo: Geduld, Der Angenehme Tag - Kurt Equiluz
- Freue Dich, Erloste Schar, BWV 30, BC A178, Seconda Parte, Chor: Freue Dich, Geheilgte Schar - Wiener Sangerknaben/Hans Gillesberger
- Der Himmel Lacht! Die Erde Jubilieret, BWV 31, BC A55b: Son - Concentus Musicus Wien/Nikolaus Harnoncourt
- Der Himmel Lacht! Die Erde Jubilieret, BWV 31, BC A55b, Chor: Der Himmel Lacht! Die Erde Jubilieret - Wiener Sangerknaben/Hans Gillesberger/Soloists Of The Wiener Sangerknaben
- Der Himmel Lacht! Die Erde Jubilieret, BWV 31, BC A55b, Recitativo: Erwunschter Tag! Sei, Seele ... - Siegmund Nimsgern
- Der Himmel Lacht! Die Erde Jubilieret, BWV 31, BC A55b, Aria: Furst Des Lebens, Starker Streiter - Siegmund Nimsgern
- Der Himmel Lacht! Die Erde Jubilieret, BWV 31, BC A55b, Recitativo: So Stehe Dann... - Kurt Equiluz
- Der Himmel Lacht! Die Erde Jubilieret, BWV 31, BC A55b, Aria: Adam Muss In Uns Verwesen - Kurt Equiluz
- Der Himmel Lacht! Die Erde Jubilieret, BWV 31, BC A55b, Recitativo: Weil Denn Das Hauupt Sein Glied - Soloist Of The Wiener Sangerknaben
- Der Himmel Lacht! Die Erde Jubilieret, BWV 31, BC A55b, Aria: Letzte Stunde, Brich Herein - Soloist Of The Wiener Sangerknaben
- Der Himmel Lacht! Die Erde Jubilieret, BWV 31, BC A55b, Chor: So Fahr Ich Hin Zu Jesu Christ - Wiener Sangerknaben/Hans Gillesberger
Tracks:
- Leibster Jesu, Mein Verlangen, BWV 32, BC A31, Aria: Leibster Jesu, Mein Verlangen - Walter Gampert
- Leibster Jesu, Mein Verlangen, BWV 32, BC A31, Recitativo: Was Ists, Dass Du Mich Gesuchet? - Max Van Egmond
- Leibster Jesu, Mein Verlangen, BWV 32, BC A31, Aria: Hier, In Meines Vaters Statte - Max Van Egmond
- Leibster Jesu, Mein Verlangen, BWV 32, BC A31, Recitativo: Ach! Heiliger Und Grosser Gott - Max Van Egmond/Walter Gampert
- Leibster Jesu, Mein Verlangen, BWV 32, BC A31, Aria: Nun Verschwinden Alle Plagen - Max Van Egmond/Walter Gampert
- Leibster Jesu, Mein Verlangen, BWV 32, BC A31, Chor: Mein Gott, Offne Mir Die Pforten - Knabenchor Hannover/Heinz Henning
- Allein Zu Dir, Herr Jesu Christ, BWV 33, BC A127, Chor: Allein Zu Dir, Herr Jesu Christ - Knabenchor Hannover/Heinz Henning
- Allein Zu Dir, Herr Jesu Christ, BWV 33, BC A127, Recitativo: Mein Gott Und Richter - Max Van Egmond
- Allein Zu Dir, Herr Jesu Christ, BWV 33, BC A127, Aria: Wie Furchtsam Wankten Meine Schritte - Rene Jacobs
- Allein Zu Dir, Herr Jesu Christ, BWV 33, BC A127, Recitativo: Mein Gott, Verwirf Mich Nicht - Marius Van Altena
- Allein Zu Dir, Herr Jesu Christ, BWV 33, BC A127, Aria: Gott, Der Du Die Liebe Heisst - Marius Van Altena/Max Van Egmond
- Allein Zu Dir, Herr Jesu Christ, BWV 33, BC A127, Ehr Sei Gott In Dem Hochsten Thron - Knabenchor Hannover/Heinz Henning
- O Ewiges Feuer, O Ursprung Der Liebe, BWV 34, BC A84, Chor: O Ewiges Feuer, O Ursprung Der Liebe - Wiener Sangerknaben/Hans Gillesberger
- O Ewiges Feuer, O Ursprung Der Liebe, BWV 34, BC A84, Recitativo: Herr!... - Kurt Equiluz
- O Ewiges Feuer, O Ursprung Der Liebe, BWV 34, BC A84, Aria: Wohl Euch, Ihr Auserwahlten Seelen - Paul Esswood
- O Ewiges Feuer, O Ursprung Der Liebe, BWV 34, BC A84, Recitativo... - Siegmund Nimsgern
- O Ewiges Feuer, O Ursprung Der Liebe, BWV 34, BC A84, Chor: Friede Uber Israel!... - Wiener Sangerknaben/Hans Gillesberger
Tracks:
- Geist Und Seele Wird Verwirret, BWV 35, BC A125: Prima Parte: Sinf - Concentus Musicus Wien/Nikolaus Harnoncourt
- Geist Und Seele Wird Verwirret, BWV 35, BC A125, Prima Parte: Aria: Geist Und Seele Wird Verwirret - Paul Esswood
- Geist Und Seele Wird Verwirret, BWV 35, BC A125, Prima Parte: Recitativo: Ich Wundre Mich... - Paul Esswood
- Geist Und Seele Wird Verwirret, BWV 35, BC A125, Prima Parte: Aria: Gott Hat Alles Wohlgemacht - Paul Esswood
- Geist Und Seele Wird Verwirret, BWV 35, BC A125: Seconda Parte: Sinf - Concentus Musicus Wien/Nikolaus Harnoncourt
- Geist Und Seele Wird Verwirret, BWV 35, BC A125, Seconda Parte: Recitativo: Ach, Starker Gott... - Paul Esswood
- Geist Und Seele Wird Verwirret, BWV 35, BC A125, Seconda Parte: Aria: Ich Wunsche Mir... - Paul Esswood
- Schwingt Freudig Euch Empor, BWV 36, BC A36, Prima Parte: Chor: Schwingt Freudig Euch Empor - Wiener Sangerknaben/Hans Gillesberger
- Schwingt Freudig Euch Empor, BWV 36, BC A36, Prima Parte: Chor: Nun Komm, Der Heiden Heiland - Paul Esswood/Soloist Of The Wiener Sangerknaben
- Schwingt Freudig Euch Empor, BWV 36, BC A36, Prima Parte: Aria... - Kurt Equiluz
- Schwingt Freudig Euch Empor, BWV 36, BC A36, Prima Parte: Chor: Zwingt Die Saiten In Cythara - Wiener Sangerknaben/Hans Gillesberger
- Schwingt Freudig Euch Empor, BWV 36, BC A36, Seconda Parte: Aria: Willkommen, Werter Schatz - Ruud Van Der Meer
- Schwingt Freudig Euch Empor, BWV 36, BC A36, Seconda Parte: Chor: Der Du Bist Dem Vater Gleich - Kurt Equiluz
- Schwingt Freudig Euch Empor, BWV 36, BC A36, Seconda Parte: Aria: Auch Mit Gedampften... - Soloist Of The Wiener Sangerknaben
- Schwingt Freudig Euch Empor, BWV 36, BC A36, Seconda Parte: Chor: Lob Sei Gott, Dem Vater, G'ton - Wiener Sangerknaben/Hans Gillesberger
Tracks:
- Wer Da Glaubet Und Getauft Wird BWV 37, BC A.75: Wer Da Glaubet Und Getauft Wird - Wiener Sangerknaben/Hans Gillesberger
- Wer Da Glaubet Und Getauft Wird BWV 37, BC A.75: Aria: Der Glaube Ist Das Pfand Der Liebe - Kurt Equiluz
- Wer Da Glaubet Und Getauft Wird BWV 37, BC A.75: Choral: Herr Gott Vater, Mein Starker Held - Soloist Of The Wiener Sangerknaben/Paul Esswood
- Wer Da Glaubet Und Getauft Wird BWV 37, BC A.75: Recitativo: Ihr Sterblichen, Verlanget Ihr Mit Mir - Ruud Van Der Meer
- Wer Da Glaubet Und Getauft Wird BWV 37, BC A.75: Aria: Der Glaube Schafft Der Seele Flugel - Ruud Van Der Meer
- Wer Da Glaubet Und Getauft Wird BWV 37, BC A.75: Choral: Den Glauben Mir Verleihe - Wiener Sangerknaben/Hans Gillesberger
- Aus Tiefer Not Schrie Ich Zu Dir BWV 38, BC A.152: Coro: Aus Tiefer Not Schrie Ich Zu Dir - Wiener Sangerknaben/Hans Gillesberger
- Aus Tiefer Not Schrie Ich Zu Dir BWV 38, BC A.152: Recitativo: In Jesu Gnade Wird Allein - Paul Esswood
- Aus Tiefer Not Schrie Ich Zu Dir BWV 38, BC A.152: Aria: Ich Hore Mitten In Dem Leiden - Kurt Equiluz
- Aus Tiefer Not Schrie Ich Zu Dir BWV 38, BC A.152: Recitativo: Ach! Dass Mein Glaube Noch So Schwach - Soloist Of The Wiener Sangerknaben
- Aus Tiefer Not Schrie Ich Zu Dir BWV 38, BC A.152: Aria: Wenn Meine Trubsal Als Mit Ketten - Soloist Of The Wiener Sangerknaben/Paul Esswood/Ruud Van Der Meer
- Aus Tiefer Not Schrie Ich Zu Dir BWV 38, BC A.152: Choral: Ob Bei Uns Ist Der Sunden Viel - Wiener Sangerknaben/Hans Gillesberger
- Brich Dem Hungrigen Dein Brot BWV 39, BC A.96: Coro: Brich Dem Hungrigen Dein Brot - Knabenchor Hannover/Heinz Hennig
- Brich Dem Hungrigen Dein Brot BWV 39, BC A.96: Recitativo: Der Reiche Gott Wirft Seinen Uberfluss - Max Van Egmond
- Brich Dem Hungrigen Dein Brot BWV 39, BC A.96: Aria: Seinem Schopfer Noch Auf Erden - Rene Jacobs
- Brich Dem Hungrigen Dein Brot BWV 39, BC A.96: Second Part: Aria: Wohlzutun Und Mitzuteilen - Max Van Egmond
- Brich Dem Hungrigen Dein Brot BWV 39, BC A.96: Second Part: Aria: Hochster, Was Ich Habe - Soloist Of The Knabenchor Hannover
- Brich Dem Hungrigen Dein Brot BWV 39, BC A.96: Second Part: Recitativo: Wie Soll Ich Dir, O Herr - Rene Jacobs
- Brich Dem Hungrigen Dein Brot BWV 39, BC A.96: Second Part: Choral: Selig Sind, Die Aus Erbarmen - Knabenchor Hannover/Heinz Hennig
- Darzu Ist Erschienen Der Sohn Gottes BWV 40, BC A.12: Coro: Darzu Ist Ist Erschienen Der Sohn Gottes - Knabenchor Hannover/Heinz Hennig
- Darzu Ist Erschienen Der Sohn Gottes BWV 40, BC A.12: Recitativo: Das Wort Ward Fleisch - Marius Van Altena
- Darzu Ist Erschienen Der Sohn Gottes BWV 40, BC A.12: Choral: Die Sund Macht Leid - Knabenchor Hannover/Heinz Hennig
- Darzu Ist Erschienen Der Sohn Gottes BWV 40, BC A.12: Aria: Hollische Schlange, Wird Dir Nicht Bange - Max Van Egmond
- Darzu Ist Erschienen Der Sohn Gottes BWV 40, BC A.12: Recitativo: Die Schlange, So Im Paradies - Rene Jacobs
- Darzu Ist Erschienen Der Sohn Gottes BWV 40, BC A.12: Choral: Schuttle Deinen Kopf Und Sprich - Knabenchor Hannover/Heinz Hennig
- Darzu Ist Erschienen Der Sohn Gottes BWV 40, BC A.12: Aria: Christenkinder, Freuet Euch - Marius Van Altena
- Darzu Ist Erschienen Der Sohn Gottes BWV 40, BC A.12: Choral: Jesu, Nimm Dich Deiner Glieder - Knabenchor Hannover/Heinz Hennig
Tracks:
- Jesu, Nun Sei Gepreiset BWV 41, BC A.22: Coro: Jesu, Nun Sei Gepreiset - Wiener Sangerknaben/Hans Gillesberger
- Jesu, Nun Sei Gepreiset BWV 41, BC A.22: Aria: Lass Uns, O Hochster Gott, Das Jahr Vollbringen - Soloist Of The Wiener Sangerknaben
- Jesu, Nun Sei Gepreiset BWV 41, BC A.22: Recitativo: Ach! Deine Hand, Dein Segen Muss Allein - Paul Esswood
- Jesu, Nun Sei Gepreiset BWV 41, BC A.22: Aria: Woferne Du Den Edlen Frieden - Kurt Equiluz
- Jesu, Nun Sei Gepreiset BWV 41, BC A.22: Recitativo: Doch Weil Der Feind Bei Tag Und Nacht - Ruud Van Der Meer
- Jesu, Nun Sei Gepreiset BWV 41, BC A.22: Choral: Dein Ist Allein Die Ehre - Wiener Sangerknaben/Hans Gillesberger
- Am Abend Aber Desselbigen Sabbats BWV 42, BC A.63: Sinf - Concentus Musicus Wien/Nikolaus Harnoncourt
- Am Abend Aber Desselbigen Sabbats BWV 42, BC A.63: Recitativo: Am Abend Aber Desselbigen Sabbats - Kurt Equiluz
- Am Abend Aber Desselbigen Sabbats BWV 42, BC A.63: Aria: Wo Zwei Und Drei Versammlet Sind - Paul Esswood
- Am Abend Aber Desselbigen Sabbats BWV 42, BC A.63: Aria: Verzage Nicht, O Hauflein Klein - Soloist Of The Wiener Sangerknaben
- Am Abend Aber Desselbigen Sabbats BWV 42, BC A.63: Recitativo: Man Kann Hiervon Ein Schon... - Ruud Van Der Meer
- Am Abend Aber Desselbigen Sabbats BWV 42, BC A.63: Aria: Jesus Ist Ein Schild Der Seinen - Ruud Van Der Meer
- Am Abend Aber Desselbigen Sabbats BWV 42, BC A.63: Choral: Verleih Uns Frieden Gnadiglich - Wiener Sangerknaben/Hans Gillesberger
- Gott Fahret Auf Mit Jauchzen BWV 43, BC A.77: First Part: Coro: Gott Fahret Auf Mit Jauchzen - Wiener Sangerknaben/Hans Gillesberger
- Gott Fahret Auf Mit Jauchzen BWV 43, BC A.77: First Part: Recitativo: Es Will Der Hochste... - Kurt Equiluz
- Gott Fahret Auf Mit Jauchzen BWV 43, BC A.77: First Part: Aria: Ja Tausendmal Tausend Begleiten... - Kurt Equiluz
- Gott Fahret Auf Mit Jauchzen BWV 43, BC A.77: First Part: Recitativo: Und Der Herr... - Peter Jelosits
- Gott Fahret Auf Mit Jauchzen BWV 43, BC A.77: First Part: Aria: Mein Jesus Hat Nunmehr - Peter Jelosits
- Gott Fahret Auf Mit Jauchzen BWV 43, BC A.77: Second Part: Recitativo: Es Kommt Der Helden Held - Ruud Van Der Meer
- Gott Fahret Auf Mit Jauchzen BWV 43, BC A.77: Second Part: Aria: Er Ists, Der Ganz Allein - Ruud Van Der Meer
- Gott Fahret Auf Mit Jauchzen BWV 43, BC A.77: Second Part: Recitativo: Der Vater Hat Ihm Ja - Paul Esswood
- Gott Fahret Auf Mit Jauchzen BWV 43, BC A.77: Second Part: Aria: Ich Sehe Schon Im Geist - Paul Esswood
- Gott Fahret Auf Mit Jauchzen BWV 43, BC A.77: Second Part: Recitativo: Er Will Mir Neben Sich - Peter Jelosits
- Gott Fahret Auf Mit Jauchzen BWV 43, BC A.77: Second Part: Choral: Du Lebensfurst, Herr Jesu Christ - Wiener Sangerknaben/Hans Gillesberger
Tracks:
- Sie Werden Euch In Den Bann Tun BWV 44, BC A.78: Aria: Sie Werden Euch In Den Bann Tun - Kurt Equiluz/Ruud Van Der Meer
- Sie Werden Euch In Den Bann Tun BWV 44, BC A.78: Coro: Es Kommt Aber Die Zeit - Wiener Sangerknaben/Hans Gillesberger
- Sie Werden Euch In Den Bann Tun BWV 44, BC A.78: Aria: Christen Mussen Auf Der Erden - Paul Esswood
- Sie Werden Euch In Den Bann Tun BWV 44, BC A.78: Choral: Ach Gott, Wie Manches Herzeleid - Kurt Equiluz
- Sie Werden Euch In Den Bann Tun BWV 44, BC A.78: Recitativo: Es Sucht Der Antichrist - Ruud Van Der Meer
- Sie Werden Euch In Den Bann Tun BWV 44, BC A.78: Aria: Es Ist Und Bleibt Der Christen Trost - Peter Jelosits
- Sie Werden Euch In Den Bann Tun BWV 44, BC A.78: Choral: So Sei Nun, Seele, Deine - Wiener Sangerknaben/Hans Gillesberger
- Es Ist Dir Gesagt, Mensch, Was Gut Ist BWV 45, BC A.113: First Part: Coro: Es Ist Dir Gesagt... - Knabenchor Hannover/Heinz Hennig
- Es Ist Dir Gesagt, Mensch, Was Gut Ist BWV 45, BC A.113: First Part: Recitativo: Der Hochste... - Kurt Equiluz
- Es Ist Dir Gesagt, Mensch, Was Gut Ist BWV 45, BC A.113: First Part: Aria: Weiss Ich Gottes Rechte - Kurt Equiluz
- Es Ist Dir Gesagt, Mensch, Was Gut Ist BWV 45, BC A.113: Second Part: Arioso: Es Werden Viele... - Hanns-Friedrich Kunz
- Es Ist Dir Gesagt, Mensch, Was Gut Ist BWV 45, BC A.113: Second Part: Aria: Werr Gott Bekentt... - Rene Jacobs
- Es Ist Dir Gesagt, Mensch, Was Gut Ist BWV 45, BC A.113: Second Part: Recitativo: So Wird Denn Herz. - Rene Jacobs
- Es Ist Dir Gesagt, Mensch, Was Gut Ist BWV 45, BC A.113: Second Part: Chor: Gib... - Knabenchor Hannover/Heinz Hennig
- Schauet Doch Und Sehet, Ob Irgend Ein Schmerz Sei BWV 46, BC A.117: Chor: Schauet Doch Und Sehet... - Knabenchor Hannover/Heinz Hennig
- Schauet Doch Und Sehet, Ob Irgend Ein Schmerz Sei BWV 46, BC A.117: Recitativo: So Klage Du... - Kurt Equiluz
- Schauet Doch Und Sehet, Ob Irgend Ein Schmerz Sei BWV 46, BC A.117: Aria: Dein Wetter Zog Sich... - Hanns-Friedrich Kunz
- Schauet Doch Und Sehet, Ob Irgend Ein Schmerz Sei BWV 46, BC A.117: Recitativo: Doch Bildet Euch... - Rene Jacobs
- Schauet Doch Und Sehet, Ob Irgend Ein Schmerz Sei BWV 46, BC A.117: Aria: Doch Jesus Will Auch... - Rene Jacobs
- Schauet Doch Und Sehet, Ob Irgend Ein Schmerz Sei BWV 46, BC A.117: Chor: O Grosser Gott Der Treu - Knabenchor Hannover/Heinz Hennig
- Wer Sich Selbst Erhohet, Der Soll Erniedriget Werden BWV 47, BC A.141: Chor: Wer Sich Selbst Erhohet - Wiener Sangerknaben/Hans Gillesberger
- Wer Sich Selbst Erhohet, Der Soll Erniedriget Werden BWV 47, BC A.141: Aria: Wer Ein Wahrer Christ.. - Peter Jelosits
- Wer Sich Selbst Erhohet, Der Soll Erniedriget Werden BWV 47, BC A.141: Recitativo: Der Mensch Ist Ko - Ruud Van Der Meer
- Wer Sich Selbst Erhohet, Der Soll Erniedriget Werden BWV 47, BC A.141: Aria: Jesu Beuge Doch Mein... - Ruud Van Der Meer
- Wer Sich Selbst Erhohet, Der Soll Erniedriget Werden BWV 47, BC A.141: Chor: Der Zeitlichen Ehr... - Wiener Sangerknaben/Hans Gillesberger
Tracks:
- Ich Elender Mensch, Wer Wird Mich Erlosen BWV 48, BC A.144: Coro: Ich Elender Mensch... - Wiener Sangerknaben/Hans Gillesberger
- Ich Elender Mensch, Wer Wird Mich Erlosen BWV 48, BC A.144: Recitativo: O Schmerz, O Elend... - Paul Esswood
- Ich Elender Mensch, Wer Wird Mich Erlosen BWV 48, BC A.144: Choral: Solls Ja So Sein - Wiener Sangerknaben/Hans Gillesberger
- Ich Elender Mensch, Wer Wird Mich Erlosen BWV 48, BC A.144: Aria: Ach Lege Das Sodom... - Paul Esswood
- Ich Elender Mensch, Wer Wird Mich Erlosen BWV 48, BC A.144: Recitativo: Hier Aber Tut Des Heilands.. - Kurt Equiluz
- Ich Elender Mensch, Wer Wird Mich Erlosen BWV 48, BC A.144: Aria: Vergibt Mir Jesus Meine Sunden - Kurt Equiluz
- Ich Elender Mensch, Wer Wird Mich Erlosen BWV 48, BC A.144: Choral: Herr Jesu Christ, Einiger Trost - Wiener Sangerknaben/Hans Gillesberger
- Ich Geh Und Suche Mit Verlangen BWV 49, BC A.150: Sinf - Concentus Musicus Wien/Nikolaus Harnoncourt
- Ich Geh Und Suche Mit Verlangen BWV 49, BC A.150: Aria: Ich Geh Und Suche Mit Verlangen - Ruud Van Der Meer
- Ich Geh Und Suche Mit Verlangen BWV 49, BC A.150: Recitativo: Mein Mahl Ist Zubereit - Ruud Van Der Meer
- Ich Geh Und Suche Mit Verlangen BWV 49, BC A.150: Aria: Ich Bin Herrlich, Ich Bin Schon - Peter Jelosits
- Ich Geh Und Suche Mit Verlangen BWV 49, BC A.150: Recitativo: Mein Glaube Hat Mich Selbst... - Peter Jelosits/Ruud Van Der Meer
- Ich Geh Und Suche Mit Verlangen BWV 49, BC A.150: Aria: Dich Hab Ich Je Und Je Geliebet - Peter Jelosits/Ruud Van Der Meer
- Nun Ist Das Heil Und Die Kraft BWV 50, BC A.194: Coro: Nun Ist Das Heil Und Die Kraft - Wiener Sangerknaben/Hans Gillesberger
- Jauchzet Gott In Allen Landen BWV 51, BC A.134: Aria: Jauchzet Gott In Allen Landen - Marianne Kweksilber
- Jauchzet Gott In Allen Landen BWV 51, BC A.134: Recitativo: Wer Beten Zu Dem Tempel An - Marianne Kweksilber
- Jauchzet Gott In Allen Landen BWV 51, BC A.134: Aria: Hochster, Mache Deine Gute - Marianne Kweksilber
- Jauchzet Gott In Allen Landen BWV 51, BC A.134: Chor: Sei Lob Und Preis Mit Ehren - Marianne Kweksilber
- Jauchzet Gott In Allen Landen BWV 51, BC A.134: Aria: Alleluja - Marianne Kweksilber
Tracks:
- Falsche Welt, Dir Trau Ich Nicht BWV 52, BC A.160: Sinf - Leonhardt-Consort/Gustav Leonhardt
- Falsche Welt, Dir Trau Ich Nicht BWV 52, BC A.160: Recitativo: Falsche Welt, Dir Trau Ich Nicht - Seppi Kronwitter
- Falsche Welt, Dir Trau Ich Nicht BWV 52, BC A.160: Aria: Immerhin, Immerhin, Wenn Ich Gleich... - Seppi Kronwitter
- Falsche Welt, Dir Trau Ich Nicht BWV 52, BC A.160: Recitativo: Gott Ist Getreu! - Seppi Kronwitter
- Falsche Welt, Dir Trau Ich Nicht BWV 52, BC A.160: Aria: Ich Halt Es Mit Dem Lieben Gott - Seppi Kronwitter
- Falsche Welt, Dir Trau Ich Nicht BWV 52, BC A.160: Choral: In Dich Hab Ich Gehoffet, Herr - Knabenchor Hannover/Heinz Hennig
- Widerstehe Doch Der Sunde BWV 54, BC A.51: Aria: Widerstehe Doch Der Sunde - Paul Esswood
- Widerstehe Doch Der Sunde BWV 54, BC A.51: Recitativo: Die Art Verruchter Sunden - Paul Esswood
- Widerstehe Doch Der Sunde BWV 54, BC A.51: Aria: Wer Sunde Tut, Der Ist Vom Teufel - Paul Esswood
- Ich Armer Mensch, Ich Sundenknecht BWV 55, BC A.157: Aria: Ich Armer Mensch, Ich Sundenknecht - Kurt Equiluz
- Ich Armer Mensch, Ich Sundenknecht BWV 55, BC A.157: Recitativo: Ich Habe Wider Gott Gehandelt - Kurt Equiluz
- Ich Armer Mensch, Ich Sundenknecht BWV 55, BC A.157: Aria: Erbame Dich, Lass Die Tranen Dich... - Kurt Equiluz
- Ich Armer Mensch, Ich Sundenknecht BWV 55, BC A.157: Recitativo: Erbarme Dich! Jedoch Nun - Kurt Equiluz
- Ich Armer Mensch, Ich Sundenknecht BWV 55, BC A.157: Choral: Bin Ich Gleich Von Dir Gewichen - Knabenchor Hannover/Heinz Hennig
- Ich Will Den Kreuzstab Gerne Tragen BWV 56, BC A.146: Aria: Ich Will Den Kreuzstab Gerne Tragen - Michael Schopper
- Ich Will Den Kreuzstab Gerne Tragen BWV 56, BC A.146: Recitativo: Mein Wandel Auf Der Welt - Michael Schopper
- Ich Will Den Kreuzstab Gerne Tragen BWV 56, BC A.146: Aria: Endlich, Wird Mein Joch - Michael Schopper
- Ich Will Den Kreuzstab Gerne Tragen BWV 56, BC A.146: Recitativo: Ich Stehe Fertig Und Bereit - Michael Schopper
- Ich Will Den Kreuzstab Gerne Tragen BWV 56, BC A.146: Choral: Komm, O Tod, Du Schlafes Bruder - Knabenchor Hannover/Heinz Hennig
Tracks:
- Selig Ist Der Mann BWV 57, BC A.14: Aria: Selig Ist Der Mann - Ruud Van Der Meer
- Selig Ist Der Mann BWV 57, BC A.14: Recitativo: Ach! Dieser Susse Trost - Peter Jelosits
- Selig Ist Der Mann BWV 57, BC A.14: Aria: Ich Wunschte Mor Den Tod - Peter Jelosits
- Selig Ist Der Mann BWV 57, BC A.14: Recitativo: Ich Reiche Dir Die Hand - Peter Jelosits/Ruud Van Der Meer
- Selig Ist Der Mann BWV 57, BC A.14: Aria : Ja, Ja, Ich Kann Die Feinde Schlagen - Ruud Van Der Meer
- Selig Ist Der Mann BWV 57, BC A.14: Recitativo: In Meiner Schoss Liegt Ruh Und Leben - Peter Jelosits/Ruud Van Der Meer
- Selig Ist Der Mann BWV 57, BC A.14: Aria: Ich Ende Behende Mein Irdisches Leben - Peter Jelosits
- Selig Ist Der Mann BWV 57, BC A.14: Choral: Richte Dich, Liebste, Nach Meinem Gefallen - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Ach Gott, Wie Manches Herzeleid BWV 58, BC A.26b: Aria: Ach Gott, Wie Manches Herzeleid... - Peter Jelosits/Ruud Van Der Meer
- Ach Gott, Wie Manches Herzeleid BWV 58, BC A.26b: Recitativo: Verfolgt Dich Gleich Die Arge Welt - Ruud Van Der Meer
- Ach Gott, Wie Manches Herzeleid BWV 58, BC A.26b: Aria: Ich Bin Vernugt In Meinem Leiden - Peter Jelosits
- Ach Gott, Wie Manches Herzeleid BWV 58, BC A.26b: Recitativo: Kann Es Die Welt Nicht Lassen - Peter Jelosits
- Ach Gott, Wie Manches Herzeleid BWV 58, BC A.26b: Aria: Ich Hab Fur Mir Ein Schwere Reis... - Peter Jelosits/Ruud Van Der Meer
- Wer Mich Liebet, Der Wird Mein Wort Halten BWV 59, BC A.82: Duetto: Wer Mich Liebet - Peter Jelosits/Ruud Van Der Meer
- Wer Mich Liebet, Der Wird Mein Wort Halten BWV 59, BC A.82: Recitativo: O, Was Sind Das Vor Ehren - Peter Jelosits
- Wer Mich Liebet, Der Wird Mein Wort Halten BWV 59, BC A.82: Chor: Komm, Heiliger Geist, Herre Gott - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Wer Mich Liebet, Der Wird Mein Wort Halten BWV 59, BC A.82: Aria: Die Welt Mit Allen Konigreichen - Ruud Van Der Meer
- Wer Mich Liebet, Der Wird Mein Wort Halten BWV 59, BC A.82: Chor: Du Heilige Brunst - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- O Ewigkeit, Du Donnerwort BWV 60, BC A.161: Aria: O Ewigkeit, Du Donnerwort - Herr... - Kurt Equiluz
- O Ewigkeit, Du Donnerwort BWV 60, BC A.161: Recitativo: O Schwerer Gang Zum Letzten Kampf - Kurt Equiluz/Paul Esswood
- O Ewigkeit, Du Donnerwort BWV 60, BC A.161: Aria: Mein Letztes Lager Will Mich Schrecken - Kurt Equiluz/Paul Esswood
- O Ewigkeit, Du Donnerwort BWV 60, BC A.161: Recitativo: Der Tod Bleibt Doch Der Menschlichen... - Paul Esswood/Ruud Van Der Meer
- O Ewigkeit, Du Donnerwort BWV 60, BC A.161: Choral: Es Ist Genung, Herr, Wenn Es Dir Gefallt - Tolzer Knabenchor/Gerhard Schmidt-Gaden
Tracks:
- Nun Komm, Der Heiden Heiland, BWV 61, BC A1, Ov: Nun Komm, Der Heiden Heiland - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Nun Komm, Der Heiden Heiland, BWV 61, BC A1, Recitativo: Der Heiland Ist Gekommen - Kurt Equiluz
- Nun Komm, Der Heiden Heiland, BWV 61, BC A1, Aria: Komm, Jesu, Komm Zu Deiner Kirche - Kurt Equiluz
- Nun Komm, Der Heiden Heiland, BWV 61, BC A1, Recitativo: Siehe, Ich Stehe Vor Der Tur - Ruud Van Der Meer
- Nun Komm, Der Heiden Heiland, BWV 61, BC A1, Aria: Offne Dich, Mein Ganzes Herze - Seppi Kronwitter
- Nun Komm, Der Heiden Heiland, BWV 61, BC A1, Chor: Amen, Amen! Komm Du Schone Freudenkrone - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Nun Komm, Der Heiden Heiland, BWV 62, BC A2, Chor: Nun Komm, Der Heiden Heiland - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Nun Komm, Der Heiden Heiland, BWV 62, BC A2, Aria: Bewundert, O Menschen, Dies Grosse Geheimnis - Kurt Equiluz
- Nun Komm, Der Heiden Heiland, BWV 62, BC A2, Recitative: So Geht Aus Gottes Herrlichkeit - Ruud Van Der Meer
- Nun Komm, Der Heiden Heiland, BWV 62, BC A2, Aria: Streite, Siege, Starker Held - Ruud Van Der Meer
- Nun Komm, Der Heiden Heiland, BWV 62, BC A2, Recitativo: Wir Ehren Diese Herrlichkeit - Peter Jelosits/Paul Esswood
- Nun Komm, Der Heiden Heiland, BWV 62, BC A2, Chor: Lob Sei Gott, Dem Vater, Ton - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Christen, Atzet Diesen Tag, BWV 63, BC A8, Chor: Christen, Atzet Diesen Tag - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Christen, Atzet Diesen Tag, BWV 63, BC A8, Recitativo: O Selger Tag! O Ungemeines Heute - Paul Esswood
- Christen, Atzet Diesen Tag, BWV 63, BC A8, Duetto: Gott, Du Hast Es Wohl Gefuget - Peter Jelosits/Ruud Van Der Meer
- Christen, Atzet Diesen Tag, BWV 63, BC A8, Recitativo: So Kegret Sich Non Heut Das Bange Leid - Kurt Equiluz
- Christen, Atzet Diesen Tag, BWV 63, BC A8, Duetto: Ruft Und Fleht Den Himmel An - Paul Esswood/Kurt Equiluz
- Christen, Atzet Diesen Tag, BWV 63, BC A8, Recitativo: Verdoppelt Euch Demnach - Ruud Van Der Meer
- Christen, Atzet Diesen Tag, BWV 63, BC A8, Chor: Hochster, Schau In Gnaden An - Tolzer Knabenchor/Gerhard Schmidt-Gaden
Tracks:
- Sehet, Welch Eine Liebe Hat Uns Der Vater Erzeiget, BWV 64, BC A15, Chor: Sehet, Welch Eine Liebe... - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Sehet, Welch Eine Liebe Hat Uns Der Vater Erzeiget, BWV 64, BC A15, Chor: Das Hat Er Alles Uns Getan - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Sehet, Welch Eine Liebe Hat Uns Der Vater Erzeiget, BWV 64, BC A15, Recitativo: Geh, Welt! Behalte.. - Paul Esswood
- Sehet, Welch Eine Liebe Hat Uns Der Vater Erzeiget, BWV 64, BC A15, Chor: Was Frag Ich Nach Der... - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Sehet, Welch Eine Liebe Hat Uns Der Vater Erzeiget, BWV 64, BC A15, Aria: Was Die Welt In Sich Halt - Peter Jelosits
- Sehet, Welch Eine Liebe Hat Uns Der Vater Erzeiget, BWV 64, BC A15, Recitativo: Der Himmel Bleibet.. - Ruud Van Der Meer
- Sehet, Welch Eine Liebe Hat Uns Der Vater Erzeiget, BWV 64, BC A15, Aria: Von Der Welt Verlang Ich.. - Paul Esswood
- Sehet, Welch Eine Liebe Hat Uns Der Vater Erzeiget, BWV 64, BC A15, Chor: Gute Nacht, O Wesen - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Sie Werden Aus Saba Alle Kommen, BWV 65, BC A27, Chor: Sie Werden Aus Saba Alle Kommen - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Sie Werden Aus Saba Alle Kommen, BWV 65, BC A27, Chor: Die Kon'ge Aus Saba Damen Dar - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Sie Werden Aus Saba Alle Kommen, BWV 65, BC A27, Recitativo: Was Dort Jesaias Vorhergesehn - Ruud Van Der Meer
- Sie Werden Aus Saba Alle Kommen, BWV 65, BC A27, Aria: Gold Aus Ophir Ist Zu Schlecht - Ruud Van Der Meer
- Sie Werden Aus Saba Alle Kommen, BWV 65, BC A27, Recitativo: Verschmahe Nicht, Du Meiner Seelen... - Kurt Equiluz
- Sie Werden Aus Saba Alle Kommen, BWV 65, BC A27, Aria: Nimm Mich Dir Zu Eigen Hin - Kurt Equiluz
- Sie Werden Aus Saba Alle Kommen, BWV 65, BC A27, Chor: Ei Nun, Mein Gott, So Fall Ich Dir - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Erfreut Euch, Ihr Herzen, BWV 66, BC A56, Chor: Erfreut Euch, Ihr Herzen - Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe
- Erfreut Euch, Ihr Herzen, BWV 66, BC A56, Recitativo: Es Bricht Das Grab Und Damit Unsre Not - Ruud Van Der Meer
- Erfreut Euch, Ihr Herzen, BWV 66, BC A56, Aria: Lasset Dem Hochsten Ein Danklied Erschallen - Ruud Van Der Meer
- Erfreut Euch, Ihr Herzen, BWV 66, BC A56, Recitativo: Bei Jesu Leben Freudig Sein - Paul Esswood/Kurt Equiluz
- Erfreut Euch, Ihr Herzen, BWV 66, BC A56, Duetto: Ich Furchte Zwar (Nicht) Des Grabes Finsternissen - Paul Esswood/Kurt Equiluz
- Erfreut Euch, Ihr Herzen, BWV 66, BC A56, Chor: Alleluja! Alleluja! Alleluja! - Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe
Tracks:
- Halt Im Gedachtnis Jesum Christ, BWV 67, BC A62, Chor: Halt Im Gedachtnis Jesum Christ - Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe
- Halt Im Gedachtnis Jesum Christ, BWV 67, BC A62, Aria: Mein Jesus Ist Erstanden - Kurt Equiluz
- Halt Im Gedachtnis Jesum Christ, BWV 67, BC A62, Recitativo: Mein Jesu, Heissest Du Des Todes Gift - Paul Esswood
- Halt Im Gedachtnis Jesum Christ, BWV 67, BC A62, Chor: Erschienen Ist Der Herrlich Tag - Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe
- Halt Im Gedachtnis Jesum Christ, BWV 67, BC A62, Recitativo: Doch Scheinet Fast, Dass Mich Der... - Paul Esswood
- Halt Im Gedachtnis Jesum Christ, BWV 67, BC A62, Aria: Friede Sei Mit Euch - Max Van Egmond/Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe
- Halt Im Gedachtnis Jesum Christ, BWV 67, BC A62, Chor: Du Friedefurst, Herr Jesu Christ - Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe
- Also Hat Gott Die Welt Geliebt, BWV 68, BC A86, Chor: Also Hat Gott Die Welt Geliebt - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Also Hat Gott Die Welt Geliebt, BWV 68, BC A86, Aria: Mein Glaubiges Herze - Peter Jelosits
- Also Hat Gott Die Welt Geliebt, BWV 68, BC A86, Recitativo: Ich Bin Mit Petro Nicht Vermessen - Ruud Van Der Meer
- Also Hat Gott Die Welt Geliebt, BWV 68, BC A86, Aria: Du Bist Geborer Mir Zugute - Ruud Van Der Meer
- Also Hat Gott Die Welt Geliebt, BWV 68, BC A86, Chor: Wer An Ihn Glaubet - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Lobe Den Herrn, Meine Seele, BWV 69, B10, Recitativo: Wie Gross Ist Gottes Gute Doch - Wilhelm Wiedl
- Lobe Den Herrn, Meine Seele, BWV 69, B10, Aria: Mein Seele, Auf, Erzahle - Paul Esswood
- Lobe Den Herrn, Meine Seele, BWV 69, B10, Recitativo: Der Herr Hat Grosse Ding An Uns Getan - Kurt Equiluz
- Lobe Den Herrn, Meine Seele, BWV 69, B10, Chor: Es Danke, Gott, Und Lobe Dich - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Lobe Den Herrn, Meine Seele, BWV 69a, BC A123, Chor: Lobe Den Herrn, Meine Seele - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Lobe Den Herrn, Meine Seele, BWV 69a, BC A123, Recitativo: Ach, Dass Ich Tausend Zungen Hatte - Wilhelm Wiedl
- Lobe Den Herrn, Meine Seele, BWV 69a, BC A123, Aria: Meine Seele, Auf, Erzahle - Kurt Equiluz
- Lobe Den Herrn, Meine Seele, BWV 69a, BC A123, Recitativo: Gedenk Ich Nur Zuruck - Paul Esswood
- Lobe Den Herrn, Meine Seele, BWV 69a, BC A123, Aria: Mein Erloser Und Erhalter - Ruud Van Der Meer
- Lobe Den Herrn, Meine Seele, BWV 69a, BC A123, Chor: Was Gott Tut, Das Ist Wohlgetan - Tolzer Knabenchor/Gerhard Schmidt-Gaden
Tracks:
- Wachet! Betet! Betet! Wachet! BWV 70, BC A165, Chor: Wachet! Betet! Betet! Wachet! - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Wachet! Betet! Betet! Wachet! BWV 70, BC A165, Recitativo: Erschrecket, Ihr Verstockten Sunder - Ruud Van Der Meer
- Wachet! Betet! Betet! Wachet! BWV 70, BC A165, Aria: Wenn Kommt Der Tag - Paul Esswood
- Wachet! Betet! Betet! Wachet! BWV 70, BC A165, Recitativo: Auch Bei Dem Himmlischen Verlangen - Kurt Equiluz
- Wachet! Betet! Betet! Wachet! BWV 70, BC A165, Aria: Lasst Der Spotter Zungen Schmahen - Wilhelm Wiedl
- Wachet! Betet! Betet! Wachet! BWV 70, BC A165, Recitativo: Jedoch Bei Dem Unartigen Geschlechte - Kurt Equiluz
- Wachet! Betet! Betet! Wachet! BWV 70, BC A165, Chor: Freu Dich Sehr, O Meine Seele - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Wachet! Betet! Betet! Wachet! BWV 70, BC A165, Aria: Hebt Euer Haupt Empor - Kurt Equiluz
- Wachet! Betet! Betet! Wachet! BWV 70, BC A165, Recitativo: Ach, Soll Nicht Dieser Grosse Tag - Ruud Van Der Meer
- Wachet! Betet! Betet! Wachet! BWV 70, BC A165, Aria: Seligster Erquickungstag - Ruud Van Der Meer
- Wachet! Betet! Betet! Wachet! BWV 70, BC A165, Chor: Nicht Nach Welt, Nach Himmel Nicht - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Gott Ist Mein Konig, BWV 71, BC B1, Chor: Gott Ist Mein Konig - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Gott Ist Mein Konig, BWV 71, BC B1, Aria: Ich Bin Nun Achtzig Jahr-Soll Ich Auf Dieser Welt - Wilhelm Wiedl
- Gott Ist Mein Konig, BWV 71, BC B1, Chor: Dein Alter Sei Wie Deine Jugend - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Gott Ist Mein Konig, BWV 71, BC B1, Arioso: Tag Und Nacht Ist Dein - Lieuwe Visser
- Gott Ist Mein Konig, BWV 71, BC B1, Aria: Durch Machtige Kraft - Paul Esswood
- Gott Ist Mein Konig, BWV 71, BC B1, Chor: Du Wollest Dem Feinde Nicht Geben - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Gott Ist Mein Konig, BWV 71, BC B1, Chor: Das Neue Regiment - Wilhelm Wiedl/Paul Esswood/Kurt Equiluz/Lieuwe Visser/Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Alles Nur Nach Gottes Willen, BWV 72, BC A37, Chor: Alles Nur Nach Gottes Willen - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Alles Nur Nach Gottes Willen, BWV 72, BC A37, Recitativo: O Selger Christ - Paul Esswood
- Alles Nur Nach Gottes Willen, BWV 72, BC A37, Aria: Mit Allem, Was Ich Hab Und Bin - Paul Esswood
- Alles Nur Nach Gottes Willen, BWV 72, BC A37, Recitativo: So Glaube Nun! - Ruud Van Der Meer
- Alles Nur Nach Gottes Willen, BWV 72, BC A37, Aria: Mein Jesus Will Es Tun - Wilhelm Wiedl
- Alles Nur Nach Gottes Willen, BWV 72, BC A37, Chor: Was Mein Gott Will, Das Gescheh Allzeit - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Herr, Wie Du Willt, So Schicks Mit Mir, BWV 73, BC A35, Chor: Herr, Wie Du Willt, So Schicks Mit Mir - Jorg Erler/Max Van Egmond/Kurt Equiluz/Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/...
- Herr, Wie Du Willt, So Schicks Mit Mir, BWV 73, BC A35, Aria: Ach, Senke Doch Den Geist Der Freuden - Kurt Equiluz
- Herr, Wie Du Willt, So Schicks Mit Mir, BWV 73, BC A35, Recitativo: Ach, Unser Wille Bleibt Verkehrt - Max Van Egmond
- Herr, Wie Du Willt, So Schicks Mit Mir, BWV 73, BC A35, Aria: Herr, So Du Willt - Max Van Egmond
- Herr, Wie Du Willt, So Schicks Mit Mir, BWV 73, BC A35, Chor: Das Ist Des Vaters Wille - Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe
Tracks:
- Wer Mich Liebet, Der Wird Mein Wort Halten, BWV 74, BC A83, Chor: Wer Mich Liebet, Der Wird Mein... - Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe
- Wer Mich Liebet, Der Wird Mein Wort Halten, BWV 74, BC A83, Aria: Komm, Komm, Mein Herze Steht ... - Jorg Erler
- Wer Mich Liebet, Der Wird Mein Wort Halten, BWV 74, BC A83, Recitativo: Die Wohnung Ist Bereit - Paul Esswood
- Wer Mich Liebet, Der Wird Mein Wort Halten, BWV 74, BC A83, Aria: Ich Gehe Hin Und Komme Wieder ... - Max Van Egmond
- Wer Mich Liebet, Der Wird Mein Wort Halten, BWV 74, BC A83, Aria: Kommt, Eilet, Stimmet Sait Und ... - Kurt Equiluz
- Wer Mich Liebet, Der Wird Mein Wort Halten, BWV 74, BC A83, Recitativo: Es Ist Nichts ... - Max Van Egmond
- Wer Mich Liebet, Der Wird Mein Wort Halten, BWV 74, BC A83, Aria: Nichts Kann Mich Erretten - Paul Esswood
- Wer Mich Liebet, Der Wird Mein Wort Halten, BWV 74, BC A83, Chor: Kein Menschenkind Hier Auf Der Erd - Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe
- Die Elenden Sollen Essen, BWV 75, BC A94, Chor: Die Elenden Sollen Essen - Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe
- Die Elenden Sollen Essen, BWV 75, BC A94, Recitativo: Was Hilft Des Purpurs Majestat - Max Van Egmond
- Die Elenden Sollen Essen, BWV 75, BC A94, Aria: Mein Jesus Soll Mein Alles Sein - Adalbert Kraus
- Die Elenden Sollen Essen, BWV 75, BC A94, Recitativo: Gott Sturzet Und Erhohet - Adalbert Kraus
- Die Elenden Sollen Essen, BWV 75, BC A94, Aria: Ich Nehme Mein Leiden Mit Freuden Auf Mich - Markus Klein
- Die Elenden Sollen Essen, BWV 75, BC A94, Recitativo: Indes Schenkt Gott Ein Gut Gewissen - Markus Klein
- Die Elenden Sollen Essen, BWV 75, BC A94, Chor: Was Gott Tut, Das Ist Wohl Getan - Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe
- Die Elenden Sollen Essen, BWV 75, BC A94: Sinf - Leonhardt-Consort/Gustav Leonhardt
- Die Elenden Sollen Essen, BWV 75, BC A94, Recitativo: Nur Eines Drankt Ein Christliches Gemute - Paul Esswood
- Die Elenden Sollen Essen, BWV 75, BC A94, Aria: Jesus Macht Mich Geistlich Reich - Paul Esswood
- Die Elenden Sollen Essen, BWV 75, BC A94, Recitativo: Wer Nur In Jesu Bleibt - Max Van Egmond
- Die Elenden Sollen Essen, BWV 75, BC A94, Aria: Mein Herze Glaubt Und Liebt - Max Van Egmond
- Die Elenden Sollen Essen, BWV 75, BC A94, Recitativo: O Armut, Der Kein Reichtum Gleicht! - Adalbert Kraus
- Die Elenden Sollen Essen, BWV 75, BC A94, Chor: Was Gott Tut, Das Ist Wohlgetan - Knabenchor Hannover/Heinz Hennig/Coll Vox, Gent/Philippe Herreweghe
Tracks:
- Die Himmel Erzahlen Die Ehre Gottes, BWV 76, BC A 97, Chor: Die Himmel Erzahlen Die Ehre Gottes - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Die Himmel Erzahlen Die Ehre Gottes, BWV 76, BC A 97, Recitativo: So Lasst Sich Gott Nicht ... - Kurt Equiluz
- Die Himmel Erzahlen Die Ehre Gottes, BWV 76, BC A 97, Aria: Hort, Ihr Volker - Wilhelm Wiedl
- Die Himmel Erzahlen Die Ehre Gottes, BWV 76, BC A 97, Recitativo: Wer Aber Hort - Ruud Van Der Meer
- Die Himmel Erzahlen Die Ehre Gottes, BWV 76, BC A 97, Aria: Fahr Hin, Abgottische Zunft! - Ruud Van Der Meer
- Die Himmel Erzahlen Die Ehre Gottes, BWV 76, BC A 97, Recitativo: Du Hast Uns, Herr, Von Allen ... - Paul Esswood
- Die Himmel Erzahlen Die Ehre Gottes, BWV 76, BC A 97, Chor: Es Woll Uns Gott Genadig Sein - Tolzer Knabenchor/Gerhard Schmidt-Gaden
- Die Himmel Erzahlen Die Ehre Gottes, BWV 76, BC A 97: Sinf - Concentus Musicus Wien/Nikolaus Harnoncourt
Amazon.com
There are certain musical monuments to Western civilization that no music lover should be without, at least in part. These include Haydn's symphonies and string quartets, Mozart's piano concertos, Handel's oratorios, Beethoven's string quartets and piano sonatas, Scarlatti's keyboard sonatas, and this, perhaps the biggest monument of all, the Bach sacred cantatas. About 200 of them survive and at least 100 are lost. All of them consist of a series of arias, choruses, and hymns based on sacred texts. Bach had to compose a new one every week for several years, and what makes the music so amazing is not only its quantity, but its sheer quality. There is literally no such thing as "bad" Bach, and this series of performances not only stands as one of the great achievements in the history of recording, it introduced many listeners to the fascinating sound of "authentic instruments." Is this set too much of a good thing? Nah! --David Hurwitz
Customer Reviews:
Harnoncourt.......2005-09-24
The big CD collection of Harnoncourt is really to recommend to everybody who is interested in.
It is a wonderful collection, with alle the works of Bach.The whole Box is amazing and every song is fantastic.
It also looks very good wehn you put it into the shelf.
The price is really justified in accord to the number of CD and the quality you get.
As Close as I can Imagine for Authentic Bach.......2005-08-02
If you like your Bach with a heavy Bernstein beat, operatic sopranos, and a huge concert hall sound, or in contrast if you would like to hear Bach as his parishoners did, then these recordings are probably not for you. If you want excellent recordings of the Bach Cantatas using period instruments and boys' voices, to include the occasional flaw, then this discounted, but still pricy set is for you. Here, for the first time, anyone can explore and study the marvels of Bach's Jahrgaenge close to the way it was meant to be heard.
When one considers that Bach had to produce a new cantata each week, and that the performers were local musicians, then one should not expect a perfect performance. When one recalls that the Cantata merely served to reinforce the message of the week according to the church calendar, one should not expect consistently brilliant music. To this, add the fact that the parishioners would have much preferred someone not so old fashioned as Bach to produce their church music. Set up so perfectly for failure, Bach produced some of the most perfect music ever written. Here, bad Bach does not exist.
The use of boys' voices is brilliant. A boy soprano simply does not sound like a woman. A good boy soprano's voice is clear and pure, without the extreme tremolo found in "trained women sopranos." The result is Bach at its purest.
In the mid to late 1950's, preforming Bach on original instruments became an interesting experiment. One group attempting this was the Bach Aria Group, directed by Frank Brief, who performed at the Town Hall in New York City. Over a two year span, Mr. Brief decided that it might be interesting to use a boy's choir instead of a women's choir once each year. He chose the Columbus Boychoir (now called the American Boychoir) of which I was a member for those two occasions. From the critical reviews, the results were very well accepted. Mr. Brief, however, did not go the full way. Instead of using boy soprano soloists, he called on women sopranos such as Beverly Sills. While they gave outstanding performances, it was not "original Bach." But when we asked why didn't he use a boy soprano, Mr. Brief responded that boys' voices could not be sufficiently trained to do Bach justice.
These recordings belie this judgement. Bach did know what he was doing! Highly recommended.
Recording's Greatest Achievement.......2003-04-14
Had this set not been made, then the history of performance practice in the last quarter of the 20th century and beyond would have proceeded very differently. Had this set not been made we would not have many of the current leading figures in the field of early music performance, nearly all of whom were in some way connected with the performance revolution which found its most profound expression in these recordings. For it was during the 14 or so years of this recording project (between 1971 and 1985) that three of the greatest musicians of our time, Gustav Leonhardt, Nikolaus Harnoncourt and Frans Bruggen forever altered the public's perception of the surviving remnants of Bach's fabled, but rarely heard, "Jahrgaenge", or yearly cycles of church cantatas. For this reason alone, this recording is of profound importance.
Leonhardt, with his consort in Amsterdam, and Harnoncourt, with his Concentus Musicus of Vienna shared the task of recording, with an unmatched team of vocal and instrumental soloists, Bach's roughly 200 surviving "concerti sacri", perhaps a further hundred being lost to us. It was a repertoire more honoured in the history books than experienced in performance. This enterprise changed that state of affairs for ever.
The arguments which are now sometimes made (chiefly by those who are unaware of the extraordinary and revolutionary step which these performances represented), decrying the slightly "raw" (I prefer "vocal") sound of original instruments, or the occasional shakiness of a boy soprano soloist, miss the point of this enterprise, which was to present the music in a new way using Bach's own contemporary resources. Leonhardt and Harnoncourt are the first to insist that using "historical instruments" makes sense because those are simply the best tools for the job. Re-constituting something old has never been their aim. Rather, their idea was to break free of the mindless tradition of performance which took no account of the sounds that Bach actually had in his head when he created his "well-regulated" music for the churches of Saxony. And how does this work in practice? We are left to marvel at an extraordinary level of accomplishment on the part of nearly everyone associated with this project, vocally and instrumentally.
Gustav Leonhardt was well aware (and hopeful) that subsequent generations would likely improve upon aspects of performance which still remained to be sorted out. But, as he said, it was a start. Indeed, when he and Harnoncourt were jointly awarded the Erasmus prize in the Netherlands in 1980, he remarked, with singular modesty and self-awareness: "It was not done well, but it is remarkable that it was done at all". This tells us more about Leonhardt's famous humility, than it does about the standards of these performances, which are usually (with few exceptions) very high indeed. In many instances they will never be surpassed. What we have here is a glimpse of one of music's "golden" ages captured forever on disc. What the listener will marvel at is the extraordinary assuredness of technique and style which is evident in every one of these cantata performances.
The solo vocal contributions of Kurt Equiluz, Max van Egmond, Paul Esswood, Marjanne Kweksilber (BWV 51) are simply without equal, and the current generation of fine Bach singers would be the first to concede their enormous debt to the participants in this great enterprise (their teachers, in many cases). The choirs should also be singled out for attention: Wiener Sangerknaben, Tolzer Knabenchor, Hannover Knabenchor, Choir of Kings College, Cambridge as well as directors Heinz Hennig, Gerhard Schmidt-Gaden, Philippe Herreweghe, David Willcocks and Hans Gillesberger. So Europe's finest were all involved in this.
The instrumental soloists: Frans Bruggen, Walter van Hauwe, Kees Boeke, Anner Bylsma, Jurg Schaftlein, Lucy van Dael, Sigiswald, Wieland and Bart Kuijken, Ton Koopman, Bob van Asperen, Lidewij Schiefes, Alice Harnoncourt, Herbert and Herwig Tachezi, Erich Hobarth, Friedemann Immer - to list only the more familiar names - have created a whole world of intelligent and vital performance which has transformed musical thought in our time. No-one in any area of musical performance has remained untouched by the ideas which are so forcefully presented here (even those who'd be the last to admit it). The fundamental idea of treating each period's music as a vital and representative product of its time is one which now extends to music of all periods, signaling the fulfilment of one of Leonhardt's and Harnoncourt's chief aims: to eliminate the artificial distinction between mainstream and "early" music, and, instead, to treat all music with proper respect for its origins and context.
What this recording continues to offer the listener is the experience of hearing the music for the first time, which the technical polish of subsequent surveys cannot quite match. For the young person wishing to learn about music, there is no better starting point than investing in this set, now available at a fraction of its original cost (unfortunately, minus the scores, which were one of the hallmarks of this series in its first incarnation on LP.
It seems pointless to list highlights, but one might start with the following: BWV 1, 6, 8, 11, 13, 19, 23, 29 and so on. The list is endless. Better still, buy the set and begin a life-time's voyage of discovery instead. Bach, Leonhardt and Harnoncourt: you can't do better than that. Oh, and we should also acknowledge the contribution of the founder recording producer for this project, Wolf Erichson (even though he didn't stay with Teldec to the end of it). Without him, the revolution in informed and intelligent music performance on recordings would never have happened.
recommended.......2002-12-07
This complete set of Bach sacred cantatas is not only a bargain price, but it contains some of the most profound interpretations these pieces ever had. Recorded during the 1970s on period instruments, with some of most prodiguous singers (Equiluz, Esswood) and an outstanding orchestral support, this is the best integral collection of cantatas there is. In order to restore the forgotten sence of baroque music, instrumentation is reduced to a minimum, the continuo is supported with antique instruments such as the basoon, tenors have been thoughtfully selected as NON-operatic. Another reconstructionist aspect was the use of boy choirs, which in later recordings Harnoncourt gave up. Boy choirs are not only authentical, but have the advantage of pitch purity. While in some arias (such as the extraordinary duet "lobe den herren" - BWV 137) this seems an excellent choice, in most it fails in more or less apparent manner.
While Herreweghe's or Gardiner's new interpretations are CERTAINLY better in both orchestral and vocal support, they all are greatly in debt of Harnoncourt/Leonhard, for it's always simple to improve something ALREADY existing instead of breaking new grounds (as this stellar 1970's recording did). Not to be forgotten is the fact newer version bring a sence of lightness which pleases anyone's ears, but it's manytimes inappropriate for the content of the music.
Teldec Set Still Holds Up After 30 Years.......2001-04-11
This set of almost 200 cantatas is, without a doubt, a milestone in recording history, and that alone makes it valuable. There are now at least two other competing sets on the market (Helmuth Rilling's complete set--on modern instruments, alas!--and Ton Koopman's period performance set still in the works), but this one, warts and all, still captivates and draws the listener into the world of Bach's cantatas like no other.
I would argue that no one can really claim to know Bach without knowing both his organ works and his cantatas. After all, this is the music that occupied him for most of his professional life. Most of these cantatas were written as part of his duties at Leipzig, and while in the hands of any lesser composer that might have meant uninspired music cranked out week by week out of necessity, Bach rarely, if ever, had an off day. Each cantata is a little world unto itself, a place you can retreat to for 20 minutes and either reflect on their spiritual message (which, be warned, is sometimes grim indeed), or just lose yourself in the beauty and grace of the melodic lines.
Harnoncourt and Leonhardt choose to keep these performances intimate; this is not the Bach of the concert hall; these are direct, personal expressions that work well in the private space of one's living room. Some of the playing sounds a bit shaky by today's standards--apparently some of the soloists were still discovering how to play period instruments that had not been heard in centuries--and the boy soloists seem to strain at their parts sometimes, especially in the earlier recordings, but that only adds to the charm: I much prefer the uncertain readings to letter-perfect performances offered by others. The performances actually draw the listener's attention away from the playing itself, forcing attention on the music and the text, which is entirely consistent with the nature of these pieces.
For those who don't want to spend the 500+ dollars all at once, Teldec also offers these in six-CD sets at a great budget price. They're worth every penny. My only disappointment is that the CD package doesn't include the scores, as the old Telefunken vinyl sets did. But that's perfectly understandable. This set reminds us why Harnoncourt and Leonhardt were once at the forefront of the period-instrument movement. Let's hope that Teldec keeps these recordings in print for a long, long time.
Average customer rating:
- spirituals lite
- Elijah Rock
- Pretenders
- It's a wow!
- Soulful and moving
|
Go Down, Moses
Chicago a cappella , and artistic director Jonathan Miller
Manufacturer: The Orchard
ProductGroup: Music
Binding: Audio CD
General
| Christian & Gospel
| Styles
| Music
Gospel
| Christian & Gospel
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Vocal Pop
| Pop
| Styles
| Music
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ASIN: B00005B8QB
Release Date: 2001-04-17 |
Tracks:
- I couldn't hear nobody pray (arr. William Henry Smith)
- Run to Jesus (Fisk Jubilee Singers collection)
- Elijah Rock (arr. Moses Hogan)
- Steal Away (arr. Joseph Jennings)
- Go Down, Moses (arr. Peter Saltzman)
- Hush! Somebody's callin' my name (arr. Brazeal Dennard)
- In dat great gittin' up mornin' (arr. Jester Hairston)
- Go, preach my Gospel (ed. William Dargan)
- Hold on (ed. Jackson)
- Hold on (arr. Jester Hairston)
- Fix me, Jesus (arr. Hall Johnson)
- Walk toggeder childron (ed. Nathaniel Dett)
- Roll, Jordan, Roll (arr. Nashville Bluegrass Band)
- We shall walk thro the Valley (Fisk Jubilee Singers collection)
- Oh, Freedom (arr. Hall Johnson)
- Go Down, Moses (Fisk Jubilee Singers collection)
Customer Reviews:
spirituals lite.......2007-06-05
Yes, they can sing. But can they sing spirituals? Yes. But do I want to hear them sing spirituals? NO. White people singing spirituals is boring and tired.
Elijah Rock.......2007-02-03
If you like sacred acapella, you're bound to like "Go Down, Moses," performed by Chicago Acapella. This group does such a fantastic job of achieving a clean, beautiful blended sound. And frankly, I don't care if they are mostly white or if their performance is not "authentic." It sounds heavenly, and that's all that matters as far as I'm concerned.
My favorite track on this CD is "Elijah Rock." Although the composer is listed as "anonymous," the arrangement performed is actually that of the late Moses Hogan. I have yet to come across a recorded performance of Hogan's "Elijah Rock" that does as much justice to the piece as Chicago Acapella's. Their sound, blend, dynamics, pitch, rhythm- everything you need in a choral performance- is spot on here. All of the other recordings of "Elijah Rock" I've listened to do 1 of 2 things (if not both) very quickly- rush the tempo or go flat. Chicago Acapella does neither. In addition, the sound editing and engineering are as good as one could expect. By the way, this is available on iTunes for $9.99, with individual songs for sale. I only bought 2 songs on this CD: "Roll Jordan" and "Elijah Rock." Not that the other songs are bad, they're all well-performed, but these 2, especially "Elijah Rock," are the ones that I can listen to over and over again and never get tired of.
Pretenders.......2003-11-27
You wont find a picture of the singers for this cd on the cover. I was miffed when I found out they are mostly all white. You couldn't tell from the name of the group, or the politically correct use of the term African American instead of negro. I was just hoping for the kind of nuance you hear in African American church choirs. This choir mimics the Negro spiritual ok, but you can't help but wonder how much better it would be if they used actual African American singers and direction. The real thing is always better than the pretender. Nevertheless the voices are proffessional so I did get something out of it.
It's a wow!.......2001-11-17
We've all heard "Go down Moses"...at least we think we have. This NEW version brings NEW beauty to an ancient favorite. The arrangement is superb. The voices are superb. The effect is superb. An amazing and moving experience.
If you've never heard Chicago a cappella, this would be a wonderful first exposure to a group so musical, so diverse, so entertaining that you'll wish to revisit it often.
Soulful and moving.......2001-08-07
What great ensemble! Whether you love spirituals or not, this recording is sure to impress you with the amazing vocals. Each performer brings out their own personality, but also blends into a unified whole. And the arrangements are a lot of fun!
Average customer rating:
- The Best Gospel Album by a Classical Singer!
|
Ride on, King Jesus!
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD
All Works by Still
| Still, William Grant
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
General
| Folk
| Styles
| Music
Traditional Folk
| Folk
| Styles
| Music
General
| Christian & Gospel
| Styles
| Music
Gospel
| Christian & Gospel
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Folk Songs
| Songs & Lieder
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
ASIN: B000A9QLAO
Release Date: 2005-08-16 |
Tracks:
- Ride On, King Jesus!
- I Am Seeking For A City
- Give Me Jesus
- He's Got The Whole World In His Hands
- Honor, Honor
- I've Been 'Buked
- On Ma Journey Now
- Roun' About De Mountain
- Joshua Fit Da Battle Of Jericho
- In Bright Mansions Above
- The Lord's Prayer
- I Love The Name
- I'm Gonter Tell God All O' My Troubles
- Sit Down, Servant
- Sweet Little Jesus Boy
- Lit'l Boy
- Plenty Good Room
- De Gospel Train
- Witness
- Hold On!
- Here's One
- His Name So Sweet
- Ride On, Jesus
Customer Reviews:
The Best Gospel Album by a Classical Singer!.......2005-11-07
I am SO happy that this has finally been re-released onto CD! I have known this album for the last 10 years, as a friend of ours gave us a copy, first on cassette tape, which we wore out, and then on CD. I have played it for just about anyone who will sit still long enough to listen, and I count it among my favorite recordings of all time! I have other classical gospel recordings by some of Ms. Quivar's colleagues, and while I also enjoy them, they simply are not in the same league as this recording!
Florence Quivar is, quite simply, perfect in this recording. She has the perfect mix of classical and traditional gospel technique, and performs every song on this album with an astonishing range of colors, ability and with so much feeling that I am moved every time I listen. I am a classical singer myself, and this album is a true inspiration to me. It is a document of what singing really can be about, a magical fusion of sound, word, emotion and soul! I can recommend this for both the classical and the gospel enthusiast, but know many people, who really are neither, who just recognize and respond to the powerful, emotional, fantastic singing in this album!
Average customer rating:
- Wonderful recording
- Bright and sparkling!
- why to get this disc (in rhyme)
- A Christmas Favorite
- Excellent performances and unique music
|
Bright Day Star: Music for the Yuletide Seasons
Manufacturer: Dorian Recordings
ProductGroup: Music
Binding: Audio CD
Baroque Dance Suites
| Ballets & Dances
| Classical
| Styles
| Music
| Allemandes
| Courantes
| Gigue
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All Works by Michael Praetorius
| Praetorius, Michael
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Preludes
| Forms & Genres
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
Baltimore Consort
| ( B )
| Featured Performers, A-Z
| Classical
| Styles
| Music
General
| Sacred & Religious
| Classical
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General
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General
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Traditional Folk
| Folk
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General
| International
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Noels
| Vocal Non-Opera
| Opera & Vocal
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| Music
General Christmas
| Holiday
| Miscellaneous
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Classical Instrumental
| Holiday
| Miscellaneous
| Styles
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General Christmas
| Holiday Music
| Special Features
| Music
Classical Instrumental
| Holiday Music
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ASIN: B000001QAB
Release Date: 1994-10-04 |
Tracks:
- Ding Dong Merrily
- The Old Year Now Away Is Fled
- Christmas Day in da Mornin'
- The Cherry Tree Carol
- Wir singen dir, Immanuel
- The Wren Song
- A Wassail Tune
- Tomorrow Shall Be My Dancing Day
- Carol 'Een Kindeken is ons geboren'
- The Bellman's Carol
- A Christmas Jig
- Es ist ein' Ros' entsprugen
- In dulci Jubilo
- Rorate coeli desuper
- Drive the Cold Winter Away
- Remember, O Thou Man
- Quem pastores laudavere
- Christmas Is My Name
- In dir ist Freude
- Hey for Christmas!
Customer Reviews:
Wonderful recording.......2004-11-18
This might be my favorite holiday album. It's one of the first I pull out in November and doesn't get put away until February.
Bright and sparkling!.......2002-11-29
A perfect way to celebrate the Christmas spirit any time of year with some truly "old" favorites, performed with spirit and heart by the Baltimore Consort. Period selections imbued here with the consort's singular sound and creative improvisations include "Ding Dong Merrily on High", "The Old Year Now Away is Fled", "The Cherry Tree Carol", "Tomorrow Shall Be My Dancing Day", "Es ist ein Ros", "In Dulci Jubilo", and many more that may charm you for the first time. The Baltimore Consort is: Mary Anne Ballard, viols and rebec; Mark Cudek, cittern, guitar, viols and bandora; Custer LaRue, soprano soloist; Larry Lipkis, viol, recorder and gemshorn; Ronn McFarlane, lutes; and Chris Norman, wooden flutes and pennywhistle; with Webb Wiggins on organ.
why to get this disc (in rhyme).......2001-11-24
'Twas the day after Thanksgiving, and all through the house, Christmas spirit was stirring and starting to rouse feelings of joy and expectation in the hearts of the people who were there. Beautiful music and Custer LaRue's singing filled the air.
Wonderful songs, written by people long dead, caused pictures to form and stories to dance through each listening head. Stories of a virgin bearing a child, stories of the little Savior's entrance into this world...meek and mild.
Each song is sung with such haunting beauty and care. The Consort's playing could not be more wonderfully fair. Each song is a masterpiece--"The Cherry Tree Carol," "In dulci jubilo," and "Quem pastores laudavere." Each song's focus is on the true meaning of Christmas--no appearance made by St. Nick--but with singing like this, in your head they are sure to stick.
More beautifully than snowflakes this music drifts down. In sheer loveliness, "Christmas Is My Name" deserves the crown. Oh but each tune is strong--like "Ding Dong Merrily" and "The Wren Song." Most come in at under three minutes each, none is overlong. Each is stunning...how can the listener go wrong? How they twinkle...they are most merry. One even makes mention of Cherries.
(...)
I highly recommend this disc.
A Christmas Favorite.......2000-12-09
Had enough of animated snowmen and over-sweetened carol arrangements? Here's a hugely enjoyable recording of songs and dances done with flair by the Baltimore Consort. There are a few familiar tunes, such as the lilting arrangement of "Ding, Dong Merrily On High" and a beautiful solo flute version of "Lo, How a Rose 'Er Blooming." But most the songs are off the beaten track, and are therefore fresh and new despite their antiquity. Custer LaRue brings feeling and energy into the songs. This has become the most played Christmas CD in our household.
Excellent performances and unique music.......1999-12-13
This is my favorite Christmas CD, and it is very different from everything else we hear this time of year.
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