Shine On [Original recording remastered]

Track Listings
1. You Gave Me Love
2. Where Did We Go Wrong?
3. Getaway
4. Will Love Grow
5. Love Is What You Need
6. Shine On
7. Lovers Everywhere
8. Lady Love
9. Don't Cha Know

Shine On,L.T.D.,A&M,Funk,Pop,Popular Music,R&B,Urban

Shine On [Original recording remastered]

Shine On [Original recording remastered]
Shine On
Average customer rating: 4 out of 5 stars
  • Second Album Shine On is a Charm by JET
  • 70's revisited
  • More Cowbell
  • Solid as rock
  • A little Beatles, a little Supergrass, a little Stones.
 Shine On
Jet
Manufacturer: Atlantic / Wea
ProductGroup: Music
Binding: Audio CD

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  1. Sam's Town
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ASIN: B000H30BCM
Release Date: 2006-10-03

Tracks:

  1. L'esprit D'escalier
  2. Holiday
  3. Put Your Money Where Your Mouth Is
  4. Bring It On Back
  5. That's All Lies
  6. Hey Kids
  7. Kings Horses
  8. Shine On
  9. Come On Come On
  10. Stand Up
  11. Rip It Up
  12. Skin And Bones
  13. Shiny Magazine
  14. Eleanor
  15. All You Have To Do

Amazon.com

On their second full-length recording, Australian retro-rockers Jet show they've got more tricks up their sleeve (they can, like, write songs and stuff!)--not to mention a bigger and better record collection--than most of their garage rock peers. Shine On displays swaggering but intelligent boogie rock à la Humble Pie, an ability to tear the roof off like their countrymen AC/DC, and Americana-thieving swagger rock that brings to mind the Rolling Stones. They do this rather unpretentiously; they are not pretending that anything they're doing is revolutionary or "new" in the slightest. The song titles themselves all have a ring of deja vu to them: "Bring It on Back," "Shine On, "Rip It Up," "Stand Up." Heard it all before? You bet. The thing is, every once in a while a rock band plugs into the Platonic ideal of rock & roll and actually gets it all totally right. Jet does this, and it makes them sound almost as original and exciting as the people they're stealing from. --Mike McGonigal

Album Description

Shine On not only fills a void for hungry rock fans but sets the bar for what today's rock bands can aspire to be. Jet flawlessly brings together classic rock influences with a modern rock edge.

Customer Reviews:

5 out of 5 stars Second Album Shine On is a Charm by JET.......2007-07-17

This album is a great second album, really surpassing their first album, Get Born, in consistency. Yes, it is retro, it is fashionable, it is likeable and really, quite lovable. This album ROCKS and will quickly become a timeless classic album of rock ages. You can feel all the influences of the Beatles, Stones, and all those great bands from the 60's-70's. And yet, quite current and refreshing from this young Aussie Band. An album you will not tire of listening to. Really.

3 out of 5 stars 70's revisited.......2007-06-20

Jet remains the most successful 70's revivalist bands (Wolfmother is another up-and-comer) with bluesy guitars playing over huge, bombastic drums.

I didn't find this as immediately enjoyable as the debut, but it's not bad.

1 out of 5 stars More Cowbell.......2007-04-23

Power chords, a backbeat so strong white boys can dance.
All that is missing is the cowbell.

3 out of 5 stars Solid as rock.......2007-04-06

If you liked Get Born, its near impossible not to like Shine On. Jet doesn't take to many risks on this cd and keeps if safe, sticking to their retro rock style. This album is a little softer than their debut, and the soft ones shine bright, Shine On and Kings Horses are brilliant. Overall Shine On is pretty solid, but it feels as though it's missing something, some sort of progression or evolution maybe? But then again it just wouldn't be Jet.
Key tracks: Stand Up, Rip It Up, Holiday, Put Your Money Where Your Mouth Is, Kings Horses, Come On Come On, and Shine On

5 out of 5 stars A little Beatles, a little Supergrass, a little Stones........2007-03-24

What a great album from a some first-rate songwriters. My son turned me on to this group and I've got them going round and round and round in my car, my computer, the home stereo, the iPod.
Shine
Average customer rating: 4.5 out of 5 stars
  • turned off!
  • Bond Shines Another Day
  • A Good Band
  • Shine On!
  • Does it come with a scratch and sniff?
 Shine
Bond
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006JID4
Release Date: 2002-10-15

Tracks:

  1. Allegretto
  2. Shine
  3. Fuego
  4. Strange Paradise
  5. Speed
  6. Big Love Adagio
  7. Kashmir
  8. Gypsy Rhapsody
  9. Libertango
  10. Sahara
  11. Ride
  12. Space
  13. Bond on Bond (James Bond Theme)

Album Description

The classical-pop act's sophomore album. 13 tracks. Decca. 2002.

Album Details

Asian Version featuring a Bonus Vidoe CD with the MTV Videos for "Fuego", and "Shine", and Footage of the Making of "Shine".

Customer Reviews:

1 out of 5 stars turned off!.......2007-01-15

Bought this CD after reading the rave reviews. Not what I look for in music. This group seems to be more about sex appeal than music. More about production than real music--one can barely notice that there is a string quartet playing. Could only stand to listen to this once-could find nothing of interest. One heck of a photo shoot, though. SOmeone must have had a field day with that. This CD seems to be more for the sake of some sexy pictures than its music. A real turn-off.

5 out of 5 stars Bond Shines Another Day.......2006-06-11

Fans only had to wait two years for Bond to punch out another Classical/Pop/Dance album. The finished product is some of the string quartet's best work. With the return of violins, a viola, and a cello, these instruments provided the basis of Bond's Classical music sound. But to acheive the full sound of Bond, the electronic instrumention for Pop/Dance music returned as well. This time around, Bond dove further into the Classical genre and arranged pieces to match their own sound. With a name like Bond, the string quartet also performed their version of a James Bond Theme entitled "Bond On Bond", and it landed them a spot to the score and soundtrack for the film The World Is Not Enough. With the release of this remarkable record, it was clear that Bond and their new form of Classical music would not diminish.

Stand out tracks include:
"Allegretto"
"Shine"
"Fuego"
"Speed"
"Gypsy Rhapsady"
"Bond On Bond"

5 out of 5 stars A Good Band.......2006-01-05

It is a good party music. All are very talented individuals. Everyone has their own taste of music, and Bond is mine.

5 out of 5 stars Shine On!.......2005-06-02

This is the album that I really liked. Although I downloaded it, I also play this one nonstop. I love the whole CD, and that's rare for me!

The album is liked so much in my house that my mother and father take it from me--and I recently had to make copies of the CD so they can play their own!

"Shine" is a great addition to your collection if you love Bond, no doubt about it.

1 out of 5 stars Does it come with a scratch and sniff?.......2005-04-15

Read my review of Lara St. John's "Re: Bach" album and substitute "Bond" where it says "Lara St. John."
Operatica: Shine
Average customer rating: 4 out of 5 stars
  • Oh dear...they've taken their eye off the ball
  • Stunningly beautiful music
  • Better then R&B
  • Very good, yet not comparable to Diva Dance
  • Opera Today
 Operatica: Shine

Manufacturer: E-Magine Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B000060OXN
Release Date: 2002-05-21

Tracks:

  1. Solvejg's Song
  2. Mon Amour
  3. Shine
  4. Kokab
  5. Standing On The Edge Of The World
  6. Lost In Someone Else's Dream
  7. Khodoya
  8. Je Crois Entendre Encore
  9. Passepied
  10. Under The Desert Sky
  11. Kokab (Extended Grooveshaman Remix) (bonus track)

Customer Reviews:

3 out of 5 stars Oh dear...they've taken their eye off the ball.......2007-01-08

This is not much like their first album (which was a mostly clever, sometimes ham-handed combination of operatic arias and modern electronic instrumentation).

But Shine is pretty much the same ethno-electronica that was pervasive throughout the 90s. Think Deep Forest, Anubian Nights, Enigma, B-Tribe, and even Sting's "Desert Rose". Yawnnnnnnnnnnnn.

Their first album was good mostly because of its orginality (operatic arias are definitely a challenge), but any old fool can slap a "cool" Middle Eastern chant over a modern beat.

What bugs me about both albums is that they don't maintain that singularly operatic quality--it seems to be a sonic delicacy reserved only for a few tracks.

So, with a very few exceptions, this album is a bit contrived.

5 out of 5 stars Stunningly beautiful music.......2004-11-29

I would describe this music as a mellow and unusal mix of music where Enya meets Maria Callas, and I am a fan of both, so that's a good thing. It is so good that Billboard Music called it the best classical crossover of the year!

I would call this music techno opera scene from the future with beautiful opera singing, just to give you an idea of what this music is like! Also, the singer from the Fifth Element soundtrack, Inva Mula sings the song "Mon Amour".
Also singing on this cd is a singer named Shakila. She sings on "Kokab" and "Khodoya". These three are my favorite tracks. Though the cd in whole is a joy to listen to.

We'll say that "Operatica-Shine" succesfully bridged the Middle East to Europe via southern Spain.

So if you're a nu music dj, pick up this cd, so you can really spin an eclectc mix of music - Savannah Skye aka DJ Dakini-NYC...

4 out of 5 stars Better then R&B.......2004-04-16

My wife and I are always looking for new music to cuddle up to, while either watching the sunset, or getting a little heated. I think this album is a great replacement for Barry White, or some other R&B that people often equate with mood music.

These sounds will actually get your heart pounding and blood pumping without forcing you to constantly skip over songs that just get too rowdy.

4 out of 5 stars Very good, yet not comparable to Diva Dance.......2004-03-12

Let me start out by saying that i love this cd. i bought it thinking that it would be like the song Diva Dance from the Fifth Element. It is most certainly one of my favorite cd's but it is nothing like the Diva Dance song. All of the tracks are much slower, focusing more on the opera part, as opposed to the techno/pop. i would still give this cd a splendid 4 out of 5 stars, but i would just like to get across the point that it doesn't have the type of songs that are advertised. thanks.

5 out of 5 stars Opera Today.......2003-08-24

I just bought Operatica:Shine. It is my favorite CD, I strongly recomend it to enyone who enjoys opera! If you like "THE DIVA DANCE" in The Fifth Element you will love this CD!
Broadway - The American Musical (PBS Series)
Average customer rating: 5 out of 5 stars
  • Fabulous for any Broadway-lover
  • Top Shelf
  • TERRIFIC CD'S
  • Great Collection of Broadways greatest Songs
  • Great Compilation!
 Broadway - The American Musical (PBS Series)

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B00064ADMK
Release Date: 2004-10-19

Tracks:

  1. Give My Regards To Broadway- Joel Grey
  2. Swanee- Al Jolson
  3. When The Moon Shines On The Moonshine- Bert Williams
  4. A Pretty Girl Is Like A Melody- John Steel
  5. My Man- Fanny Brice
  6. Fascinating Rhythm- Fred Astaire, Adele Astaire
  7. If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
  8. Someone To Watch Over Me- Gertrude Lawrence
  9. Bill- 78 rpm Version Helen Morgan
  10. Ol' Man River- Paul Robeson
  11. Ain't Misbehavin'- Louis Armstrong & His Orchestra
  12. Ten Cents A Dance- Ruth Etting
  13. Body And Soul- Libby Holman
  14. Brother, Can You Spare A Dime- Bing Crosby
  15. Night And Day- Fred Astaire
  16. Heat Wave- Ethel Waters
  17. Smoke Gets in Your Eyes- Tamara
  18. You're The Top- Ethel Merman
  19. Summertime- Anne Brown
  20. September Song- Walter Huston
  21. My Heart Belongs To Daddy- Mary Martin
  22. It Never Entered My Mind- Shirley Ross
  23. Bewitched, Bothered, Bewildered- Vivienne Segal
  24. Oh, How I Hate To Get Up In The Morning- Irving Berlin
  25. Oh, What a Beautiful Mornin'- Alfred Drake

Tracks:

  1. New York, New York- Cris Alexander,Adolph Green,John Reardon
  2. If I Loved You- John Raitt,Jan Clayton
  3. Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
  4. There's No Business Like Show Business- Ensemble
  5. How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
  6. Once In Love With Amy- Ray Bolger
  7. Wunderbar- Alfred Drake,Patricia Morison
  8. Some Enchanted Evening- Ezio Pinza
  9. Lost In The Stars- Todd Duncan
  10. Diamonds Are A Girl's Best Friend- Carol Channing
  11. Luck Be A Lady- Robert Alda,Guys
  12. Getting To Know You- Gertrude Lawrence
  13. Who Cares?- Jack Carson,Betty Oakes
  14. Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
  15. Ballad Of Mack The Knife- Gerald Price
  16. Hey There- from "The Pajama Game" John Raitt
  17. Whatever Lola Wants- Gwen Verdon
  18. I Could Have Danced All Night- Julie Andrews
  19. Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
  20. The Party's Over- Judy Holliday
  21. Glitter And Be Gay- Barbara Cook
  22. Tonight- Larry Kert, Carol Lawrence

Tracks:

  1. Seventy-Six Trombones- Robert Preston
  2. I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
  3. Everything's Coming Up Roses- Ethel Merman
  4. My Favorite Things- from "The Sound Of Music" Mary Martin
  5. Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
  6. Try To Remember- Jerry Orbach
  7. Camelot- from "Camelot" Richard Burton
  8. Love Makes The World Go 'Round- Anna Maria Alberghetti
  9. I Believe In You- Robert Morse And Co.
  10. The Sweetest Sounds- Diahann Carroll,Richard Kiley
  11. Comedy Tonight- Zero Mostel
  12. What Kind Of Fool Am I?- Anthony Newley
  13. As Long As He Needs Me- Georgia Brown
  14. Hello, Dolly!- Carol Channing,Cast
  15. People- Barbra Streisand
  16. Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
  17. If I Were A Rich Man- Zero Mostel
  18. Night Song- Sammy Davis, Jr.
  19. The Impossible Dream- Richard Kiley
  20. If My Friends Could See Me Now- Gwen Verdon
  21. Open a New Window- from Mame Voice

Tracks:

  1. Willkommen- from "Cabaret" Joel Grey
  2. Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
  3. I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
  4. The Ladies Who Lunch- from "Company" Elaine Stritch
  5. Tea For Two- Roger Rathburn,Susan Watson
  6. I'm Still Here- Yvonne De Carlo
  7. I Don't Know How To Love Him- Yvonne Elliman
  8. We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
  9. Corner Of The Sky- John Rubinstein
  10. Send In The Clowns- Glynis Johns
  11. Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
  12. One- from "A Chorus Line" Cast
  13. All That Jazz- Chita Rivera,Ensemble
  14. Tomorrow- Andrea Mcardle
  15. Don't Cry For Me Argentina- Patti Lupone
  16. Come Follow The Band
  17. Lullaby Of Broadway- Jerry Orbach
  18. And I'm Telling You I'm Not Going- Jennifer Holliday
  19. The Bells Of St. Sebastian- Raul Julia

Tracks:

  1. Memory- Betty Buckley
  2. I Am What I Am- George Hearn
  3. Move On- Bernadette Peters,Mandy Patinkin
  4. Do You Hear The People Sing?- Michael Maguire,Cast
  5. The Music Of The Night- Michael Crawford
  6. You're Nothing Without Me- James Naughton,Gregg Edelman
  7. The American Dream- Jonathan Pryce,Cast
  8. Doctor Jazz- Gregory Hines,Company
  9. With One Look- Glenn Close
  10. On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
  11. Le Jazz Hot- Julie Andrews,Ensemble
  12. Seasons Of Love-
  13. Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
  14. I Wanna Be A Producer- Matthew Broderick,Ensemble
  15. Dancing Queen- Louise Plowright,Jenny Galloway
  16. Good Morning Baltimore- Marissa Jaret Winokur
  17. Movin' Out- Michael Cavanaugh,Band
  18. I Go To Rio- Hugh Jackman,Company
  19. Defying Gravity- Kristin Chenoweth,Idina Menzel

Customer Reviews:

5 out of 5 stars Fabulous for any Broadway-lover.......2007-01-30

Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.

5 out of 5 stars Top Shelf.......2007-01-04

This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.

5 out of 5 stars TERRIFIC CD'S.......2006-03-23

THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.

5 out of 5 stars Great Collection of Broadways greatest Songs .......2005-06-14

This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway

5 out of 5 stars Great Compilation!.......2005-01-17

If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway
Remixed
Average customer rating: 4.5 out of 5 stars
  • Groovy Classics
  • Remixed
  • Exciting!
  • Remixed not recommended for "re-listening".
  • Good remixes
 Remixed
Bond (string quartet) , Grant / Bond Crichton Stuart / Black , Trevor / Bond Crichton Stuart / Gray , Michelle de / Vries, Marius de Crichton Stuart / Vries , Magnus Fiennes , Tonci Huljic , Gil Nevo Yoad / Brown , Orion , Pussy Galore , Mark Wright Andy / Jolley , Brian Gascoigne , Julian Kershaw , Z. Vracevic , Millennia Strings , Clem Clempson , Estaban Antonio , London Session Orchestra , Royal Philharmonic Orchestra , Kuljit Balma , Luis Jardim , Phil Todd , Craig Pruess , Gareth Cousins , Anita Kelsey , and Shashi Pandit
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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The Decca Records StoreThe Decca Records Store | Specialty Stores | Music
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ASIN: B0000C3ICL
Release Date: 2003-09-16

Tracks:

  1. Viva - Orion Mix
  2. Victory - Sharp Boys Wild Strings Edit
  3. Wintersun - Bobby D'Ambrosio Mix
  4. Speed - Crash Club Mix - Radio Edit
  5. Fuego - Caliente Mix
  6. Homecoming
  7. Atlanta
  8. Shine - Dubshakra Mix
  9. Time
  10. Duel - Hectic Mix
  11. Bond On Bond - Hectic Mix
  12. Jingle Bell Rock - Pussy Galore Mix

Customer Reviews:

5 out of 5 stars Groovy Classics.......2007-01-09

A great way to introduce the classics to the person who is too hip to listen to Mozart!

4 out of 5 stars Remixed.......2006-06-01

Hmmmm....what can I say? Remixed is the 3rd album Bond has released, consisting of remixes of old favorites and several new tracks. For those of you who don't know, Bond is a rock string Quartet made up by 4 young women. Similar in style old Vanessa Mae.

The Album starts with an exciting opening, of Viva! (Orion Mix). This is made up from a remake of Antonio Vivaldi's Allegro from Winter (The Four Seasons). Its an enjoyable piece, very simple, but the drums and the occasional shouting of "VIVA!" makes it a great song.

The second track is a remix of one of Bond's more famous piece. Victory was a huge success, but the remix wasn't so in my opinion. The 'Sharp Boys Wild Strings Edit' was a strange one. It didn't contain much of the original. After a tedious drum beat and strange sounds for about 1 minute and 10 seconds, a short clip of strings come on the original melody. For the next minute more drums, then more repeating of the melody heard in the middle.

Third track was a remix of Wintersun. Wintersun (Bobby D'Ambrosio Mix) was basically the same, but a bit more of a disco style.

Again, with Speed (Crash Club Mix). Sam thing, but a lot more of the disco sounds. I actually found myself enjoying it more than the original! It really sounds like some one is...driving a car or something.

Fuego's remix (Caliete Mix) I also enjoyed more than the original. It has a longer introduction, and more music to back up the strings. It also has a very fast sita (sp?) solo in the middle, making it sound very Spanish!

Homecoming, Atlanta and Time are new tracks. Not my most favorites, but they are very calm, remind me of Asia. Except for Time which sort of gives you the feeling that all the clocks are moving at the same time. Bond also uses Clock sounds in the middle for effect.

Shine (Dubsharka Mix) is by FAR the best song on the album. Its a fantastic dance track, with a fantastic solo and playing in the song. Its a Bollywood styled song, making you think of India. I was a little disappointed however, since this song was released on their earlier album (Shine, 2002). Although I love it, they should have put the Indian Summer Mix on instead, which cant be found anywhere except on Atlanta/Time

Duel and Bond on Bond (Both 'Hectic Mixes') I just couldn't stand. They were absolutely ridiculous. Just having the tracks played twice as fast. If I wanted to do that, I could have gone into Media player and pressed Fast Forward x2.

The Last song is Jingle Bell Rock (Pussy Galore Mix). Its an interesting one, just jazzing up the original Jingle Bell Rock.

Overall, this album is great for something like a party, for its mainly disco music. Not the best Bond Album, but very good anyway.

However, If you are a big bond fan, I would suggest you get the Import (Includes 2 videos of Victory and Fuego) or the Japanese Edition (Includes and Extra mix of Viva!, original Jingle Bell Rock, Duel Indonesian Mix and Innocent)

Hope you enjoy this CD!

4 out of 5 stars Exciting!.......2004-09-07

I got Bond's debut album a couple years ago.  Although not as exciting as Vanessa-Mae's album "Storm," it was better than Vanessa-Mae's debut crossover album "The Violin Player" and approximately equal to her third album, "Subject To Change."  The Bond debut had a lot of energy, but to me it was begging for a little stronger beat.

So when I found a Bond remix album late last summer, I grabbed it!  How cool can that be--a Bond remix album!  Whoo-hoo!!!

When I got it home and listened to it, I was a bit disappointed because it wasn't quite remixed enough.  I wanted the mixes to be hotter, and the bass and drums more pronounced.  But under-remixed is far preferable to over-remixed, which is a problem with Vanessa-Mae's song "Storm."  This is my favorite Vanessa-Mae song; the four-minute album length is not nearly long enough for me, so when I learned there was an 8-minute remix, I just had to have it!  I had to buy this Vanessa Mae CD single from a store in England (via Amazon's used CD vendors) since I could not find it stateside.  And I was very disappointed:  The remixer had so vastly remixed it that not only did it lose all its energy, it wasn't even recognizable!  So between over-remixing and under-remixing, I prefer under-remixing, thus I am happy enough with the remixes on this Bond album.  But they could have done better, I think.

Although I was a little disappointed that the mixes not being spruced up quite enough,  it does not mean I do not like this album.  Au contraire! I love this album! It is an album full of energy, life, vitality! It is an album that I nearly always play very LOUD! It as an album that I play when I'm wound up, feelin' good!!! Nearly every song is fast, and the beat never stops!

The album opens with "Viva!", a song that is also found on their DVD, which I bought around the same time I got this album. What a perfect song to start this album with! A sample of a group of females shouting 'VIVA!" plays from time to time throughout, adding to the energetic playing of the strings. On the DVD, this song is backed with video footage from their concert at the Royal Albert Hall in England; in the video, when the shouts "VIVA!" are heard, fireworks shoot out from the balconies and the stage at the theater--so exciting!

The next song is the remix of their first radio hit, "Victory," which starts out with a hot Latin beat and Spanish guitars. "Victory" and another track, "Fuego," feature frenetic string playing. The best song on the CD for dancing--and my second favorite song on the album--is "Duel." This has a driving bass line and percussion beat, an upfront electronic synthesizer riff, and a beautiful ethereal female nonverbal vocal accoutrement, with tubular bells even added toward the end. Spine-tingling! Wonderful!

Although "Duel" and my favorite song "Viva!" rule supreme in the degree of spine-tingling awesomeness, they're not the only ones to bring such a pleasurable reaction to me. "Wintersun" is played with deep heartfelt emotion; "Atlanta" also is full of emotion. I like "Speed" and "Time" because of their European technopop sound, especially "Time," which has a nice melodic, minor key electronic keyboard riff. "Shine" has a bit of a Spanish or Italian flair, another of many romantic flavors of this album.

There are only two songs on the album that I don't care for. One I absolutely don't like is "Jingle Bell Rock," but that's because I hate the song, not because I don't like their version of the song. If I am forced to listen to that song, I would likely choose their version. The other one I like okay, but it doesn't do for me what the rest of the songs on the album do: "Bond on Bond." This is a track of them doing the James Bond theme. A cool idea, and it works, but again, doesn't float my boat. Fortunately, these two songs are at the end of the album, so I can just end the album at the third to the last song, which is also my second favorite song, "Duel"!

Most of the DVD's music comes from their first album, while this remix CD has the best of their first two albums. I now have their third studio album, "Classified," which I like better than their first album (I don't have their second), but no surprise to me, this remix album of theirs is clearly my favorite. "Storm" by Vanessa Mae is my favorite secular album of all time, all genres combined, so naturally in the genre of classical crossover it is my favorite. Bond's "Remix" is my second favorite classical crossover album. It reaches down and touches the heartstrings of my musical soul and stirs them up to make a fabulous and emotional listening experience for me!

3 out of 5 stars Remixed not recommended for "re-listening"........2004-07-27

Bond has impressed critics with their somewhat controversial performances of classical-crossovers. From using trance beats to the sounds of African drums... there is no limit to how much and what they can do to enhance classical music that they play.

With Bond Remixed however; it is quite a drag to put it simply. The album is a total re-mix album, so think of it as a compilation of single re-mixes put together. But also, there are three original tracks by Bond: Homecoming, Atlanta, and Time. All three of these tracks rely a lot on synth sounds and trance beats. Which get boring after listening to all these re-mixes, but keeping in mind that it is a RE-MIX album after all... so although the originality of Bond's previous albums: Born and Shine are not there, it is because they are re-mixed.

One of my personal favorite tracks is Viva [Orion Mix], which for those who have the Bond Live at Royal Albert Hall DVD all should know (For those who do not know, it is an extra video on the DVD, a live performance of Viva). Though I would have to say it takes repetition of classical music to its red line. Another great track to listen to is Jingle Bell Rock [Pussy Galore Mix]. Great example of good trance, combined with classical sounds. Bobby D'Ambrosio's mix of Winter, originally named Wintersun, is interesting enough by creating a new intro into the song. The rest of the song is shorter with a different beat.

The rest of the tracks seemed to use the original songs, but just add a different beat, more bass, and more synth. It puts the name of "re-mix" to a shame. Besides Speed [Crash Club Mix] which adds more excitement to the song as it is called Speed, the listener is better off listening to the originals. The prime example of horrible remixing is Duel [Hectic Mix] and Bond on Bond [Hectic Mix] (It's funny how both of these songs were badly mixed by the same person). In Duel, Hectic makes the song more faster-paced and adds a synth sound to the beat, which has a deeper bass. The song relatively stays the same. As goes the same for the Bond on Bond mix, where there is only a different, harder dance beat added to the original song. Also, Shine [Dubshakra Mix], doesn't even sound different. After listening carefully, you will notice the very subtle addition of more tambourines. But it sounds exactly the same; I listened back and forth from the "mix" to the original on the "Shine" album, and could not really tell.

If you want re-mixed Bond songs, this is terrible album to try to find some. Re-mixes are supposed to be a variation of the original song, almost as if the mix was a whole new song. But these "re-mixes" are sad to listen to. I am ashamed for whoever compiled this horrible playlist of tracks. Also, the original tracks by Bond are not what Bond is noted for, as if they were rushed to do these tracks.

A lot of artists do a "filler" album. Bond may have used a re-mix album to give themselves a year off, either for time off recording, or to make more time to record their 4th album, "Classified". Most likely it was to give the girls some well-deserved time off after releasing "Born" and "Shine".

Any fan of Bond will most likely find this album oddly dissatisfying, leaving a caustic taste in the mouth, and a penetrating headache. I would not recommend this album, unless you are a die-hard fan. But please, if you are a first-time listener to Bond, listen to "Born" or "Shine".

*There is two videos that can be played on your computer however; a video of Fuego and Victory, are fun to watch. But they are from their other albums, Victory from "Born" and Fuego from "Shine".

4 out of 5 stars Good remixes.......2004-06-19

I generally stay away from remix albums simply because it's tough to improve on an original. However, I'm a huge fan of techno music and these remixes are heavier fixed with the sound of the dancefloor than the original tracks are. As you can tell by some of the reviews, some people love this, and some hate it. I think the ones that hated this CD are not fans of modern dance music and miss the whole point of dance CDs to begin with, so you can't judge anything by what they say.
This is a great dance CD, period. For the more consertive use of dance beats, see any of Bonds other releases, but this one is definately for the club fans out there. Another killer dance CD I want to suggest is Mr.Deviant's "Techno Obsession" which mixes power rock with killer dance beats to create some very original dance music. Both CDs are great!
The Ultimate Gilbert & Sullivan Collection
Average customer rating: 3.5 out of 5 stars
  • Well worth the price
  • Not Exactly "The Ultimate" Collection...
  • Where's the chicks?!?!
  • Not quite the ultimate....
  • Great Music - Questionable Selection
 The Ultimate Gilbert & Sullivan Collection
Arthur Sullivan , Isidore Godfrey , Royston Nash , New Symphony Orchestra of London , Royal Philharmonic Orchestra , Colin Wright , Donald Adams , George Cook , Gillian Knight , Jean Hindmarsh , Jeffrey Skitch , John Ayldon , John Reed , Joyce Wright , Kenneth Sandford , Lyndsie Holland , Owen Brannigan , Pauline Wales , Peggy Ann Jones , Thomas Round , Valerie Masterson , and D'Oyly Carte Opera Company
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

All Works by SullivanAll Works by Sullivan | Sullivan, Arthur | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
Brannigan, OwenBrannigan, Owen | ( B ) | Featured Performers, A-Z | Classical | Styles | Music
London Philharmonic OrchestraLondon Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
OperettasOperettas | Opera & Vocal | Styles | Music
The Decca Records StoreThe Decca Records Store | Specialty Stores | Music
Similar Items:
  1. The Best of Gilbert & Sullivan
  2. Gilbert & Sullivan - Highlights from The Mikado, The Pirates of Penzance, H.M.S. Pinafore, The Yeomen of the Guard, Trial of Jury
  3. Topsy-Turvy - The Music of Gilbert & Sullivan: From the Original Motion Picture Soundtrack
  4. Topsy-Turvy
  5. The Complete Annotated Gilbert & Sullivan

ASIN: B000007OU0
Release Date: 1998-06-09

Tracks:

  1. H.M.S. Pinafore: We Shall Sail The Ocean Blue
  2. H.M.S. Pinafore: I'm Called Little Buttercup
  3. H.M.S. Pinafore: My Galant Crew, Good Morning
  4. H.M.S. Pinafore: I'm The Monarch Of The Sea
  5. H.M.S. Pinafore: When I Was A Lad
  6. H.M.S. Pinafore: Nevermind The Why And Wherefore
  7. H.M.S. Pinafore: Kind Captain, I've Important Information
  8. H.M.S. Pinafore: Carefully On Tip - Toe Stealing
  9. H.M.S. Pinafore: For He Is An Englishman
  10. The Pirates Of Penzance: I Am The Very Model Of A Modern Major - General
  11. The Pirates Of Penzance: When A Felon's Not Engaged In His Employment
  12. The Pirates Of Penzance: With Cat Like Tread
  13. The Sorcerer: My Name Is John Wellinton Wells
  14. The Gondoliers: Take A Pair Of Sparkling Eyes
  15. Patience: If You're Anxious To Shine
  16. The Mikado: If You Want To Know Who We Are
  17. The Mikado: A Wand'ring Minstrel I
  18. The Mikado: Behold The Lord High Executioner
  19. The Mikado: As Someday It May Happen
  20. The Mikado: Three Little Maids From School Are We
  21. The Mikado: The Sun Whose Rays Are All Ablaze
  22. The Mikado: Here's A How - De - Do!
  23. The Mikado: From Ev'ry Kind Of Man Obedience I Expect
  24. The Mikado: A More Humane Mikado Never Did In Japan Exist
  25. The Mikado: The Criminal Cried As He Dropp'd Him Down
  26. The Mikado: The Flowers That Bloom In The Spring, Tra La
  27. The Mikado: On A Tree By A River A Little Tom Tit
  28. The Mikado: There Is Beauty In The Bellow Of The Blast
  29. The Mikado: For He's Gone And Married Yum-Yum

Customer Reviews:

4 out of 5 stars Well worth the price.......2006-04-13

I love this CD. No, despite its name it is not the "ultimate" collection, as scarcely could be expected from a single CD. It is heavy on Mikado, as others have stated. It leaves out things I would have included and includes things I would have left out. But the performances are wonderful, traditional and all you expect from G&S. Considering the low price, it is well worth including in your G&S collection ... as PART of your collection. After the disappointment of the godawful Opera World video series (Don't buy it!) this CD is a joy and a relief.

3 out of 5 stars Not Exactly "The Ultimate" Collection..........2004-12-23

It seems that a collection of Gilbert & Sullivan music that has the name "The Ultimate Collection" in its title would boast a wide range of music, but I found the selection disappointing. Half of the tracks are songs from The Mikado, and the other half is divided between five... yes, FIVE other operettas. This means that the representation from each operetta is awfully scant. I would have liked to see less Mikado and more of everything else, and perhaps some highlights from the more obscure operettas (Princess Ida and The Sorcerer, namely).

In addition, while most of the music is very well performed, some of the vocalists either go a bit overboard or, at the very opposite end, seem to lack expression. For example, this Nanki-Poo (in The Mikado) seems to be overly occupied with vibrato. Katisha's voice is annoying, and The Mikado's low voice often seems to lack feeling and humor. The other idiosyncracies, like the very frightening evil laughing during "A More Humane Mikado" and hissing during "Three Little Maids" really bug me.

Then again, I'm new to Gilbert and Sullivan, and was introduced to the music through the Topsy Turvy soundtrack, which has a noticeably less operatic style, and hardly includes "stage noise"... so perhaps all this is the norm. Do listen to the tracks for yourself, though, before you purchase the CD. Personally, I find that the Topsy Turvy soundtrack, while considerably less ecompassing, is much lighthearted and easier listening.

2 out of 5 stars Where's the chicks?!?!.......2003-05-15

It wouldn't be G&S if not for the ladies - so where are they? How could they leave out Mabel's aria - or Josephine's!? The only female aria included on this disc comes from Mikado, which is the least exciting (if G&S could be un-exciting) of the three! Everything else on the recording is great, but I am still quite disappointed.

5 out of 5 stars Not quite the ultimate...........2002-03-25

This is a great collection, but unfortunately it doesn't have songs from all the works of G&S. Most notably, there is nothing from the "Yeoman of the Guard". I still reccommed it however as John Reed is wonderful!!

4 out of 5 stars Great Music - Questionable Selection.......2002-02-05

It's an ongoing challenge to find a recording of Gilbert and Sullivan that combines premium musicality and great theatrical performance. This recording is a true gem on both fronts. My only complaint is that for a "Best of" collection, this compilation is Mikado-heavy and scarcely touches on highlights from other masterpieces, particularly The Pirates of Penzance. This would be my favorite G&S CD of all time, of only it included tracks like "When the Foeman Bares his Steel," "Poor Wand'ring One," and "Dry the Glist'ning Tear," but then again, I guess there's no real consensus as to which are Gilbert and Sullivan's best works, and there are too many to fit on one CD.
Shine on Brightly
Average customer rating: 4 out of 5 stars
  • In the beginning . . .
  • In Held Twas In I
  • So Brightly Insane
  • One of my favorite groups of the 60s....
  • A strong successor to Sgt. Pepper, though not so humorous
 Shine on Brightly
Procol Harum
Manufacturer: Repertoire
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Alternative Rock | Styles | Music
BritainBritain | British Isles | Europe | International | Styles | Music
GeneralGeneral | Rock | Styles | Music
Progressive RockProgressive Rock | Progressive | Rock | Styles | Music
Psychedelic RockPsychedelic Rock | Classic Rock | Styles | Music
GeneralGeneral | Classic Rock | Styles | Music
Pop RockPop Rock | Pop | Styles | Music
Classic RockClassic Rock | Rock | Indie Music | Stores | Music
ProgressiveProgressive | Rock | Indie Music | Stores | Music
Classic RockClassic Rock | Imports | Stores | Music
RockRock | Imports | Stores | Music
Similar Items:
  1. Broken Barricades
  2. A Whiter Shade of Pale
  3. Home
  4. A Salty Dog
  5. Grand Hotel

ASIN: B000006ZOV
Release Date: 1997-06-30

Tracks:

  1. Quite Rightly So
  2. Shine on Brightly
  3. Skip Softly (My Moonbeams)
  4. Wish Me Well
  5. Rambling On
  6. Magdalene (My Regal Zonophone)
  7. In Held Twas in I: Glimpses of Nirvana/'Twas Teatime at the Circus
  8. In the Wee Small Hours of Sixpence [*]
  9. Tuo Diamante [*]
  10. Homburg [Stereo Version][*]

Album Description

Reissued 1968 album. Digi Pack. 'Quite Rightly So' is the opening cut on Procol's 1968 offering which has the band exploring all the facets of its unique style and sound, so firmly established in the wake of its original chart hits. Here are the resounding themes, the soulful vocals and swelling organ chords backed by a firm and steady beat, all matched by Keith Reid's lyrical imagery.

Album Details

Tracks: Quite Rightly So/ Shine on Brightly/ Skip Softly (My Moonbeams)/ Wish Me Well/ Rambling On/ Magdalene (My Regal Zonophone).

Customer Reviews:

1 out of 5 stars In the beginning . . ........2007-05-06


there was Procol Harum, the "inventors" of Crock Rock -- pretentiousness for the "classical" music aspirant without the necessary effort.

From this point, those who couldn't compete with such as The Beatles in the field of creativity opted instead for being consciously "different," thereby trumping the merely excessively self-indulgent rockers.

It wouldn't be long before rock 'n roll, the democratic alternative to white-only MOR, and classist "classical" music, renamed "rock" by its second generation, would splinter and devolve into numerous "alternative to rock" "rock" musics, each ahistorically claiming to be the True One.

There is nothing in the history of "rock" more retrogressive than crock rock mysteriously labelled instead "Progressive Rock" (or, if one is "hip," "Prog Rock"). Anyone for "Rage Rock"?

Kill the phony beast before it pollutes the minds of future generations.

4 out of 5 stars In Held Twas In I.......2005-10-03

Procol Harum's second album found lyricist Keith Reid developing a song cycle around a specific theme, in this case insanity. Reid and Procol Harum would continue this pattern of themed albums through their next series of recorings.

Shine on Brightly begins quite well with the classic title track and "Quite Rightly So" before stumbling just a bit on the rest of the old side one. "Wish Me Well" sounds like they were attampting to ape the American west-coast sound of the time, but Moby Grape or the Dead they were not meant to be. "Rambling On" (NOT the Led Zep song!) features some excellent distorted guitar lines from Robin Trower that sound kind of like something Phil Manzanera would do years later.

Things pick up again on "Magdalene" before the band gets to the mammoth "In Held Twas In I" which is to my knowledge the first-ever sidelong symphonic prog epic. Things start out a bit rough with some sub-Moody Blues poetry but once it finally gets going during the "In The Autumn of My Madness" section, sung by Matthew Fisher, it turns into a real treat. Robin Trower's heavy guitar lines star on "Look to Your Soul" along with Gary Brookers soulful singing before the powerful "Grand Finale" wraps things up in style. It may take a while to get going, and little if any attempt was made to tie the segments together musically, but this piece provided the blueprint for every "Suppers Ready" and "Close to the Edge" that followed, while still being an entertaining piece of art in it's own right.

The four stars is completely subjective to the high quality of this band's work. Shine On Brightly is excellent and entertaining, and a five star CD by anyone else, but I have to reserve five stars for the next two albums, "A Salty Dog" and "Home" which found the band matching the song cycle themes with more cohesive music and produced a couple of classic masterpieces.

5 out of 5 stars So Brightly Insane.......2004-11-15

Procol Harum's remarkable self-titled debut album clearly revealed a deep baroque influence, but it did so in more than just a musical sense. I think there are many P H listeners who are familiar with the word baroque as a term describing a certain style of European music, but do not know that the term also applies, among other things, to a style of European literature and that, in fact, out of all the forms of baroque art emerges a vision of reality that can itself be termed baroque. It is this larger sense of the term that really applies more meaningfully to P H.
This baroque vision can be described both in terms of form and content. In form, it is generally very precise and multi-layered and multi-currented so that it tends toward a certain expansiveness and these different layers and currents elaborately and dynamically relate to each other, but in a peculiar way that gives a paradoxical self-enclosing feeling in spite of its expansiveness. It is precise, but seems haunted. This latter quality is taken up and developed by its content. In content, that is, in terms of its ideas and images, it is intense and ambiguous. It is emotionally powerful and intellectually stimulating, but it is virtually impossible to pinpoint what it is all exactly about. All of this very well applies to that fabulous first P H album.
With SHINE ON BRIGHTLY it appears on the surface that P H decided to present a more definite "theme" of content than on the first album. But it is easy to be mislead by this appearance with a resulting lack of proper appreciation for this great album.
SOB presents the subject-idea of spiritual life and struggle in a modern setting through obvious and traditional Buddhist and Christian terms and the overall extended musical structure itself seems to imply along with this that there is a definite laid out program being presented here. In other words, we might suspect that we are being preached to by way of a somewhat pretentious "concept album". But a close look at the content, that is, the ideas and images and way in which the music supports these reveals an ambiguity no less intense than that of the first album. What SOB actually presents us with that the first album lacked, is a sort of great wall of definite traditional spiritual-religious content against which is very artistically and intensely projected a darkly flaming ambiguity that represents the pleasurable-painful, heavenly- nightmarish, reality-unreality of the actual human condition. To demonstrate what I mean, I will look at the title song which is the heart of this album, the dark-fire core from which all the rest radiates. It is no accident that it is the Title Song.
First of all, before looking at its content, I want to state my view that this song is musically a genuine step forward in P H's modern-baroque style. It is a direct extension of the style presented on the first album but with a new subtle depth and range. The music is structurally divided into three repeating sections: 1) the refrain with its two guitar notes shrilly echoed at the octave. 2) the beginning of the beautiful chord progression proper filled out by the piano's steady chords at every half beat. 3) then the stunning sudden dropping out of the steady piano and its change to a purely percussive parallelling of B J Wilson's wonderful dynamic accenting of this part of the song. And with this dropping out of the piano there is the focus on Matthew Fisher's glorious, eerie, finely slithering ascending and descending organ lines extending fully through and defining the now hollow chords in the most moving and suggestive way. This is modern-baroque discovering new mysterious, ominous, carnival places in itself.
Content: His Prussian blue electric clock's alarm bell will not stop ringing. It is an electric clock, a modern clock, it is a modern alarm that can not be turned off and he can see no end to this alarm. He turns and searches for an answer by an older, even ancient, way, through the old venerated spiritual traditions symbolized by candle light, but the search is in vain for "some long road that goes nowhere, some signpost that is not there."
Suddenly he is plunged in a nightmare vision where the chandelier wildly swings over a scene where he finds that he himself, this lost and searching soul, is, impossibly, the Christ Child and the Three Wise Kings are bringing him gifts. But these wise men are not wise at all, but rather full of desire and envy and carry darkly telling gifts such as "fat old Buddhas carved in gold." The Kings are not what they appear to be, but then how could he himself possibly be the Holy Child? And yet...
He is his ordinary self again watching the huge and eerie Ferris wheel (so awesomely described by Matthew's organ) in a place where confusion reigns supreme. His eunuch friend tells him that he must simply "soldier on." His tongue and words fail him. All Truth is right before him and yet nothing is before him but darkness. And his befuddled brain, quite insane, Shines On Brightly.
The moral? Create the best art you can and soldier on.
I'll see you at Home.

4 out of 5 stars One of my favorite groups of the 60s...........2003-12-07

Procol Harum was (were?) nicknamed "The Madmen of Rock", and they lived up to the name completely! They were like the Honoré De Balzacs of the genre, (the lead singer, Gary Brooker, even LOOKED like Balzac!) putting out an odd mixture of bluesy, organ and piano-driven, classically informed rock with lyrics and wizard guitar licks that had few, if any, equals. Since Procol's inception, Genesis is about the only group that even came close to sounding like them. NOBODY threw off the same rich aesthetic vibe they did.

This album, "Shine on Brightly", is probably where the group established their "madmen" reputation, putting you in mind of William Blake and Hieronymus Bosch as if these painters were musicians, with songs like "Skip Softly (My Moonbeams)" and the title song. The masterpiece on this album, (VERY William Blake-ish!) is the nearly 18 minute long "In Held Twas In I", an epic composition with passages like: "In The Autumn of My Madness" and "Twas Teatime At The Circus", capturing the full-on "Ship Of Fools" feel that they'll probably take with them into rock & roll heaven! (Or hell, where they belong!) The piece ends with "Look To Your Soul", a passage that snatches hope from self-induced despair.

Other tunes include "Wish Me Well", a precursor to their "Juicy John Pink" on "Salty Dog" with its ultra-bluesy guitar riff and Screamin' Jay Hawkins singing style; "Magdalene, My Regal Zononphone", a typical Procol number with gentle, classically influenced music framing very introspective lyrics; "Ramblin' On", a song that sounds like it should have been on their first album along with "Christmas Camel" and "She Wandered Through The Garden Fence".

For some odd reason, I've always liked Procol Harum. They didn't sound like anyone else, (until their pale imitations, Genesis, came along,) and nobody had the intelligent lyrical mode they had, with its study of faux madness and voluptuary indulgence. It was if Orson Welles had decided to become a rock auteur!

For all intents and purposes, this album, indeed, was the true bridge between their first album and "Salty Dog", with elements of both being quite obvious in it. One could do a LOT worse than discovering this group of non-conformist individuals who laid a lot of groundwork for the branch of music known as "art rock".

5 out of 5 stars A strong successor to Sgt. Pepper, though not so humorous.......2003-05-07

The early Association ("Along Comes Mary" and "Pandora's Golden Heebie Jeebies") and the Left Banke ("Walk Away Renee", "Pretty Ballerina) started the baroque-rock ball rolling. Procol Harum picked it up and ran hard with it for their first two albums. This, their second, followed close on the heels of the Beatles' 'Sgt. Pepper' and was both influenced by it, and carried parts of its ideation to greater heights/depths.

The first song, the up-tempo "Quite Rightly So" combines baroque compositional rigor with stellar organ solos to rival even "A Whiter Shade of Pale". Its lyrics eschewed the earlier song's surrealism in favor of a more soul-searching text, on a smaller, less mystical scale than George Harrison's "Within You Without You" from 'Pepper'.

The title cut, "Shine On Brightly", follows with a serious return to the surreal, the lyrics upping the intensity via meandering metaphors winding around the listener like the coils of a brazen serpent. There is pathetic humor and/or irony in the psychological allegory that unfolds here. Glorious organ solos continue, intensified by Robin Trower's searing guitar licks, which inject purgatorial eloquence and strident power.

With "Skip Softly My Moonbeams", music and lyrics become more hellish - carrying us over the brink into serious spiritual/psychological crisis. Sounds of a brutish and clownish nature enhance a sense of desperation not heard since "A Christmas Camel" on the first album. There only the lyrics told the complete story - the music was impassioned, but not so expressionistic like here - with 'percussively' sinister licks from Trower's guitar, Fisher's organ, and even the backup singer(s).

On "Wish Me Well", the bottom falls out - we enter the underworld. The music becomes a kind of psychedelicized blues-rock.

The mood lightens with "Rambling On", though its humor remains self-effacing. The singer ruminates on the state of being trapped between worlds - it's like being lost inside a bad tarot reading (or dreaming of it). The combination of a slow vaudevillian sound punctuated by the churchy organ solo is hardened by the rock underpinnings of drums and guitars. The clown's ready to be hung out to dry.

"Magdalene, My Regal Zonophone" - a glimmer of light, or hope, or warmth in the heart - which turns out to be calm before the storm. A gorgeously moving piano accompaniment [in waltz time with warm bass guitar tones and snare drum] plays underneath, recapitulating hopes expressed by the opening song; but added to this new openness is apprehension. As the song winds down and fades toward oblivion, in the distance someone comically/pathetically intones through a megaphone "Magdalene, my regal zonophone" a number of times, in rhythm with the band.

"In Held Twas I" Spoken soliloquy to ominous simulations of Tibetan chanting, rollicking circus music, huge choral textures, tender piano nocturnes, and powerfully endowed guitar solos all play their respective roles in this sublimely conceived conjuration. The whole builds its immense architecture in word and sound, mood and motive, sometimes in quiet serenity, other times as if thunderously through the eye of the hurricane - all these motifs work together to symbolize the possibility of spiritual rebirth and redemption obtained through eclectic rather than narrow, dogmatic means.

Don't miss this! It's one of the most amazing spiritual documents in any media from the late 60's.
Shine On
Average customer rating: 4.5 out of 5 stars
  • Shining Bright
  • Bluegrass gospel
  • "Shine On" lifts us up & aligns our hearts with God
 Shine On
Ralph Stanley
Manufacturer: Rebel Records
ProductGroup: Music
Binding: Audio CD

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  5. Ralph Stanley

ASIN: B0009KQOHE
Release Date: 2005-06-07

Tracks:

  1. King Of All Kings
  2. The Roses Will Bloom
  3. The Old Church Yard
  4. This Little Light Of Mine
  5. My Main Trial Is Yet To Come
  6. Sing Songs About Jesus
  7. Palms Of Victory
  8. On A High, High Mountain
  9. The Lowest Valley
  10. Swing Low, Sweet Chariot
  11. I'll Fly Away
  12. Shine On
  13. Why Should We Start And Fear To Die
  14. Let Your Light Shine Out

Amazon.com

Spiritual songs have long provided the musical bedrock for bluegrass patriarch Ralph Stanley, from the heavenly strains of the Stanley Brothers' "Angel Band" through the a cappella chill of "O Death." This collection of sacred material shows the expressive range and soulful depth of Stanley's keening tenor, with his Clinch Mountain Boys providing gospel harmonies and spare instrumental backing. Some of the highlights are all voice--Stanley's stately solo rendition of the traditional "The Old Church Yard," the four-part harmonies of "Sing Songs About Jesus"--while "On a High, High Mountain" features Stanley backed only by the fiddle and vocal harmony of John Rigsby. Producer Ralph Stanley II takes the lead vocal on "My Main Trial Is Yet to Come," a convict's lament as he faces the electric chair. The elder Stanley's unvarnished vocals strip familiar fare such as "This Little Light of Mine," "I'll Fly Away," and "Swing Low, Sweet Chariot" to their spiritual essence, with a tune from Dolly Parton giving the album a more contemporary title track. --Don McLeese

Album Description

Shine On is classic Stanley. At the age of 78, the multiple Grammy winner and Grand Ole Opry star continues to create soul-inspiring recordings that transcend format. The incredible singing that has been the hallmark of his sound is front and center here. In recent years, Stanley has taken an increasing share of the lead vocals on his recordings. In this collection, he sings lead on 12 of the 14 tracks. His band, the Clinch Mountain Boys, adds immeasurable brightness and energy to the album.

Stanley has always been drawn to the joy and hope of sacred music. Some of the very first recordings that he made with his brother Carter, back in 1947, were songs they had gleaned from old hymnbooks. In 1971, he became the first bluegrass performer to record gospel songs a cappella. This stark, unadorned style was customary in the Primitive Baptist church he attended as a boy. He also incorporated into his concerts and recordings the old church practice of "lining out" songs—in which a leader says a line of the lyrics and then the congregation sings it until the song is completed.

Shine On is more than the title of Ralph Stanley's sparkling new album. It's his credo as well. You can hear it in the fusion of high spirits and ancient wisdom he brings to his singing. There is no other voice like it in the world. The songs he illuminates in Shine On embrace both the old and the recent, the somber and the sprightly. It is the aural equivalent of a sturdy Appalachian quilt.

Customer Reviews:

4 out of 5 stars Shining Bright.......2005-10-14

Ralph Stanley and his powerful and inspiring band do a great job as always with "Shine On." One of the strong aspects of this album is the versatility of the arrangement styles and harmony styles. I love the old time gospel style of four part harmonies which are showcased well with "Sing Songs about Jesus", and "Swing Low, Sweet Chariot." Also of course I love the featuring of different lead singers that is always a strong focus of bluegrass music. Ralph II does and excellent job with "My Main Trial is Yet to Come." Ralph II is one, if not the best lead singers in bluegrass music today. He is just as good as the best that Ralph has had over the years.

I have seen this band several times live and I must admit Ralph needs to feature John Rigsby more on lead in albums because of his unique sound. Rigsby is an excellent versatile musician who can just about play and sing anything. His lead singing on "The Lowest Valley" is really beautiful and breathtaking. Of course the song like the rest of the album has a powerful transforming message.

Ralph Stanley is of course an enchanting and brilliant artist. Nobody can copy his unique sound and eerie vocals. He is definitely a prophet in the musical sense. Other great songs featured on this album is the upbeat inspirational classic "This Little Light of Mine," Dolly Parton's well written "Shine On," and "Palms of Victory." I like the thematic emphasis of the light of Christ as well in this album. What's so amazing is Ralph has even better albums than this one. He definitely knows how to deliver the message of salvation and the love of our Lord in a simple and soul-stirring manner. Simply great songs from the master of artists.

5 out of 5 stars Bluegrass gospel.......2005-08-24

This is an outstanding project by one of the few remaining pioneers in American music. This is a must for any bluegrass fan or traditional gospel music fan.

4 out of 5 stars "Shine On" lifts us up & aligns our hearts with God.......2005-06-08

Playing Time - 40:04 -- After listening to a number of new acoustic and country releases, I always come back to queue up and appreciate some good old-time mountain music. Ralph Stanley's `Shine On" is a bluegrass gospel album that makes us not only treasure musical roots but also to revel in the glory of God. Of course, Ralph Stanley likes to sing gospel. He believes in it, and a lot of others do too. Ralph once said, "We were raised in the churches. We were raised to sing gospel and respect gospel music. I'm not necessarily trying to convert people with it, but it would tickle me if I knew I did. And which, I have got letters and so forth from people that said it had, you know, and I feel good that they do."

Singing and playing in a lonesome style full of feeling, Ralph Stanley and the Clinch Mountain Boys (John Rigsby, Ralph Stanley II, Steve Sparkman, James Alan Shelton, Jack Cooke) choose material from the traditional canon as well as from contemporary songwriters like Dolly Parton who penned the title cut. Nathan Stanley picks the mandolin on two cuts, Albert Brumley's "I'll Fly Away" and Bill Crawford's "King of All Kings." The elder Stanley sings "The Old Church Yard" solo without any accompaniment. The Clinch Mountain Boys' a cappella quartet is featured on "Sing Songs About Jesus," while "Why Should We Start and Fear to Die" has John Rigsby along with Junior, Marsha and Amber Davis singing harmonies to Ralph's lead vocal. An a cappella trio with hand claps on the chorus is the rendition chosen for "Swing Low, Swing Chariot," a song that Ralph sung at Bill Monroe's funeral. The song, "On a High, High Mountain" is given a lean arrangement of only Rigsby's fiddles to Ralph's recitation. Only guitar and bass accompany Pearlie Mullin's "The Lowest Valley," lead vocals sung by John Rigsby on the verses.

Many of the songs on "Shine On" have happy, upbeat and joyous themes. This gospel recording has been long awaited. On February 25, 2007, Ralph Stanley will be 80 years old. Although his voice is a bit gravelly or husky in spots on this album, some of that rustic character actually enhances his charm. There is no better message than the message of Jesus Christ. Ralph Stanley and the Clinch Mountain Boys thank God for His guidance. The music on "Shine On" lifts us up, aligns our hearts with God, and will lead others to Him. (Joe Ross, staff writer, Bluegrass Now)
Rutter: Requiem
Average customer rating: 5 out of 5 stars
  • Simply the best copy of Rutter's Requiem!
  • Requiem
  • Absolutely Beautiful
  • A glorious piece
  • Rutter brought me into the 20th century with this recording.
 Rutter: Requiem

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B00008OP1S
Release Date: 2003-04-29

Tracks:

  1. Requiem Aeternam
  2. Out Of The Deep
  3. Pie Jesu - Elin Manahan Thomas
  4. Sanctus
  5. Agnus Dei
  6. The Lord Is My Shephard
  7. Lux Aeterna - Elin Manahan Thomas
  8. Arise, Shine
  9. Come Down, O Love Divine
  10. Musica Dei Donum - Karen Jones
  11. A Clare Benediction
  12. Go Forth Into The World In Peace
  13. Toccata In Seven
  14. Variations On An Easter Theme For Organ

Album Description

Produced by the composer himself, this is the first recording of the original ensemble version of John Rutter's radiant Requiem. Written in 1985, the work is not a conventional setting of the Requiem Mass but comprises a personal selection of texts from the Catholic liturgy and the 1662 Book of Common Prayer. John Rutter maintains intimate ties with Clare College and many of his anthems are left as a musical legacy to the college. Among these are two simple, tender Blessings: Go forth into the world in peace, dedicated to the choir on the eve of its first tour to America; and A Clare Benediction, written as a gift to Rutter's alma mater. This recording is dedicated to the memory of Christopher Rutter.

Customer Reviews:

5 out of 5 stars Simply the best copy of Rutter's Requiem!.......2007-06-27

In my opinion, this copy of Rutter's Requiem is the best one available. The orchestra does not overpower the chorus. The soprano soloist, Elin Manahan Thomas, is sublime.

5 out of 5 stars Requiem.......2006-07-07

This CD has some of the most beautiful sacred music I have ever heard. Though a requiem is focused on a person's death, Rutter's Requiem leads you to consider the living Christ. "Requiem aeternam" and "Sanctus" are both uplifting and worshipful, and "Toccata in seven" is pure fun.

5 out of 5 stars Absolutely Beautiful.......2006-06-09

Beautiful is one of those words that I don't use often and I don't use lightly, but this recording of John Rutter's Requiem and other choral works is worthy of description with the full weight of the word. All seven movements of his magnificent requiem are flowing with rich, delicate beauty. Rutter uses the full palate that the orchestra and the chorus has to offer such as the light sustained oboe throughout "The Lord is My Shepherd" and the bellowing low cello in "Out of the Deep." It's cool to hear a mix of Latin and English texts throughout the work. The soprano solo on "Pie Jesu" is breathtaking and the work closes with the sonorous, harmonicaly rich "Lux aeterna." The "Sanctus" is triumphant and the incredibly haunting "Agnus Dei" sends chills up the spine. The main theme introduced in the first movement is just beautiful. I am sure that if I heard Rutter's Requiem performed live and well, it would certainly bring tears to my eyes. It is a simply beautiful piece of music and is very well interpreted on this album. There is an excellent attention to the text and the shape of the phrases. A truly wonderful recording.

As for the other works on this album, they are just as impressive. The bombastic, sonorous "Arise, Shine" has enough G-force to plaster you to the back of your seat. It is wonderful to listen to the dialog between the chorus and the flute in "Musica Dei donum." "A Clare Benediction" is absolutely beautiful, as is "Go Forth into the World With Peace." The chords in "Come Down O Lord Divine" are incredible.

As for the organ pieces, the "Toccata in Seven" is bright and exciting, though a little heavy in some sections. The epic "Variations on an Easter Theme" is just astounding. Rutter takes us through a labyrinth of harmonic and rhythmic variation on a simple theme with wild obligados, fierce runs, dynamic shifts, tense harmonies, argumentative counterpoint and lyrical melodies. This is an amazingly exciting piece with two organists using all eight of the appendages between the two of them to make some amazing music.

This is quite a great collection of great sacred music from one of the best composers around today. Not to mention, you cannot beat Naxos' value. For under 10 bucks, this CD is a must.

5 out of 5 stars A glorious piece.......2005-12-16

--Music--
Rutter's Requiem was written in 1985. In Catholic liturgy, a requiem is a Mass for the Dead, and as such involves strong tones both of mourning and loss as well as elements of hope and eternal life as reflected in Christian belief. Rutter states that, like Brahms and Faure, there are elements that depart from the traditional lines of a Catholic requiem. Rutter takes some of the texts from the 1662 Book of Common Prayer. Both the first and second movements, Requiem aeternam and 'Out of the Deep', set very dark, low, sombre tones. The use of strings at the beginning of 'Out of the Deep' is very effective, together with funeral-dirge like vocals. This contrasts greatly with the Pie Jesu, light and spiritual. The Sanctus is almost playful in aspect, and the Agnus Dei and Lux aeterna draw the listener higher and higher into the fullness of expectation of God's presence.

--John Rutter--
Rutter was born in London and educated at Clare College, Cambridge. This was where his career as a composer, arranger and conductor began. His early work was with groups at King's College Chapel at Cambridge as well as the Bath Choir and Philharmonic Orchestra. He has worked for the BBC providing music for educational series such as 'The Archaeology of the Bible Lands', until in 1979 he began forming the Cambridge Singers, and has continued a remarkable career of performance and recording as their director ever since.

This recording is produced by Rutter, but is performed by the London Sinfonia, a group that he has worked with but is not the usual Cambridge Singers. This performance compares favourably with Rutter's own group, with areas in which there is greater subtlety and depth.

5 out of 5 stars Rutter brought me into the 20th century with this recording........2005-10-01

Prefering Classical, Baroque, & Romantic Music and particulary Requiems, I only gave this recording a chance because I could not find another requiem at the time, shortly after my parents had died. Having sung a few of Rutter's compositions in university I knew of his quality and flavor. To my surprise and complete amazement this piece and this particular recording was an incredible salve on the deepedst of open wounds. To this day, 10 years later, this is one of my top ten favorite albums. I have heard other renditions of Rutter's Requiem, however, none have had the intensity that this one has had, conducted by John Rutter, himself.

I feel this is the greatest of Rutters compositions and as of now , this is the best production of his Requiem I have heard yet. IMHO
The Royal Philharmonic Orchestra Plays the Hits of Pink Floyd
Average customer rating: 2 out of 5 stars
  • Down right Awesome
  • It could have been so much more...
  • don't bother too spent 0 on any think
  • Could have been much better
  • Hardly symphonic.
 The Royal Philharmonic Orchestra Plays the Hits of Pink Floyd

Manufacturer: Koch Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000ADXG0
Release Date: 2003-08-12

Tracks:

  1. Shine On You Crazy Diamond
  2. Money
  3. Us & Them
  4. Hey You
  5. Another Brick In The Wall
  6. Wish You Were Here
  7. Time
  8. The Great Gig In The Sky
  9. In The Flesh

Customer Reviews:

5 out of 5 stars Down right Awesome.......2007-07-16

I don't know about the previous review, but this is just great. A nice treat when looking for a new way to appreciate the music of Roger Waters and Pink Floyd

3 out of 5 stars It could have been so much more..........2006-07-25

Like their earlier 1989 Pink Floyd recording, this recording of the Royal Philharmonic Orchestra playing Pink Floyd could have been so much better than it was. Essentially, it is a recording of a Pink Floyd tribute band backed by an orchestra. The use of electric guitar, electric bass, full trap set, vocalists and synthesizers detracts from the performance and leaves the listener longing for an actual symphonic version of these works. It would have been entirely different if it had been members of Pink Floyd contributing, however it was not. Therefore, it left something to be desired.

For a fully symphonic Pink Floyd experience, try "Us and Them" by the London Philharmonic.

1 out of 5 stars don't bother too spent 0 on any think.......2006-03-03

we'll there isn't any comment on this''accept i hoped i rather not be heard...save your though..buy american most wanted.

1 out of 5 stars Could have been much better.......2005-04-10

The record begins with what looks like a very promising rendering of "Shine on..." until the vocals enter in the sixth minute, making you scramble for the "off" button - not to let your neigbours know you're listening to this unbelievably corny crap. And this is only the beginning.

"Money", "Time" and especially "In the Flesh" are pathetic, "Us and them" and "WYWH" sound like an interminable folk music evening on German TV, and "Another Brick..." is just plain bad.

On the other hand, "Hey you" would have been quite good minus the vocals. As for "The great gig in the sky", it is the only track I would call listenable throughout, the usual horrible vocals being replaced by a woman who can actually sing.

The problem with this album is not the inevitable alteration of the spirit of Pink floyd, but the absolutely APPALLING vocal performance and some painfully kitchy instrumentation at times. Well, most of the time, actually.

If you're a diehard PF fan - like myself - and think you can take anything with its name on it, well, think again. If you don't even like Pink floyd, you'll never be able to listen to this.

2 out of 5 stars Hardly symphonic........2005-03-29

This CD suffers from the number one ailment of most symphonic tribute albums; it is only symphonic in the loosest, most liberal sense of the definition. I think a lot of listeners would agree that symphonic tribute albums should not be performed by "orchestras" which include electric guitars, bass guitars, synthesizers, or drum kits. Listening to a symphony's re-creation of a rock song should enhance the experience and expand the breadth of its reaches, not merely change some of the instruments.

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Soul Music

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