T.A.P.O.A.F.O.M. (The Awesome Power of a Fully Operational Mothership)

Track Listings

1. If Anybody Gets Funked up (It's Gonna Be You)

2. Summer Swim

3. Funky Kind (Gonna Knock It Down)

4. Mathematics

5. Hard as Steel

6. New Spaceship

7. Underground Angel

8. Let's Get Funky

9. Flatman and Bobin

10. Sloppy Seconds

11. Rock the Party

12. Get Your Funk On

13. T.A.P.O.A.F.O.M. (Fly Away)

14. If Anybody Gets Funked up (It's Gonna Be You) [Colin Wolfe Mix]

T.A.P.O.A.F.O.M. (The Awesome Power of a Fully Operational Mothership),George Clinton & the P-Funk All-Stars,Sony,Funk,Pop,R&B,Urban

Tracks:

If Anybody Gets Funked Up (It's Gonna Be You)
Summer Swim
Funky Kind (gonna Knock IT Down)
Mathematics
Hard As Steel
New Spaceship
Underground Angel
Let's Get Funky
Flatman & Bobbin
Sloppy Seconds
Rock The Party
Get Your Funk On
T.A.P.O.A.F.O.M. (Fly Away)
If Anybody Gets Funked Up (It's Gonna Be You) Collin Wolfe Mix

Customer Reviews:

Anybody Gets Funked Up?.......2007-05-03

'The Awesome Power Of A Fully Operational Mothership' was one of only four George Clinton projects during the 1990's.This was during that period where Clinton was deeply emmersed in the alternative rock set of the day,appearing at places like the Lollapalooza Festival,in articles in MOJO magaize and being sampled (and paid heavy tribute to) by just about every rapper and hip hop artist under the sun.So T.A.P.O.A.F.O.M has a 32 member band of P-Funk all stars along for the ride;Clinton even goes as far as including a numbered list of each band member that has a small water color painting of each of them in the liner notes (the corrosponding name to number appears in the insert).That being said T.A.P.O.A.F.O.M seems like more of a presentation piece then Hey Man, Smell My Finger and in many ways it is.Musically "If Anybody Wants To Get Funked Up" sets the tone;this music is NOT built on samplers and sequencers but George Clinton certainly does his best to get the P-Funk all stars to sound as if it is.Most of the music is set up to make Clinton sound like he's "down" with the G-Funk style of Dr.Dre or what Ice Cube was doing at the time.So T.A.P.O.A.F.O.M is certainly very hip-hop orineted.Still this includes some clever songs such as "Mathematics",which uses clever wordplay to describe a love affair as a financial equasion,full of Clintons singular wit.And Charlie Wilson throws some strong and heavy funk flavors on the lively "New Spaceship".On "Rock The Party"","Get Your Funk On" and the title cut George and his band give it there all on songs that explore a vivic psychedelic landscape with hot horns and guitars before moving onto a reprise of the first song.Nontheless T.A.P.O.A.F.O.M suffers from the same problem Clinton's albums had since 1984-too many of the songs rely on jamming and random singing and chanting,as if that is what funk is in the first place.So much of it just goes on forever and after awhile all starts to sound somewhat alike.T.A.P.O.A.F.O.M is definately the product of the mid 1990's funk revival when the classic albums were being reissued and so many artists like George Clinton felt the need to contribute new material like this to the brew.If you are a P-Funk completist you'll need this;it is by no means terrible.If you are a little more finnicky about your funk and don't like it when it relys too much on the sound of contemporary hip-hop then T.A.P.O.A.F.O.M may not be the best place to go.Depends on which variety of THE BOMB you prefer-it's all up to you.

Lame.......2006-10-02

I had purchased this album when it was first released. It is quite dissapointing, but a few songs were listenable *for the time*.

He Could've Done Better!.......2006-02-25

This is not the typical George Clinton that I'm used to hearing!
The only standout songs are "If Anybody Gets Funked Up" and "Funky Kind". It sounds like George and the band were tired from all that Mothership touring from the 70's.

Coming to resue me and take me underground.......2006-01-18

I'll have to give this a 5 star because it is an overall excellent album and did not get the props it deserves. I recommend it to all P-funk fans. The single "Anybody Get Funked Up" is a good dance number. Hip shaking music to be exact. I love Belita Woods voice. "Summer Swim" should be called "Aqua Boogie" part 2 since they are singing about Booty @ the beach. My favorite is "Underground Angel" it has that "FUNKADELIC" over/undertone. You won't be disappointed.

More than a little Funky.......2005-02-08

If funk were made of strawberries and bananas I'd be drinking a lot of smoothies. This album is simply great. It's everything a 20-something college kid likes about Hip-Hop, Funk, and any kind of good music rolled into one album. It's really smart music too. Hard as Steel is brilliantly funny without being too corny, and Underground Angel is amazing. BUY THIS.

Average customer rating:

Ultimate Relaxation Collection

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

Pavanes | Ballets & Dances | Classical | Styles | Music

Quartets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music

The Decca Records Store | Specialty Stores | Music
ASIN: B0000D1FKK
Release Date: 2003-10-14

Tracks:

Air on a G String [From Orchestral Suite 3, BWV 1068] - Academy of St. Martin in the Fields, Sir Neville Marriner
Largo [From Guitar Concerto in D Major] - English Chamber Orchestra, Eduardo Fernandez, George Malcolm
Pavane - Charles Dutoit,
Canon in D - Karl Mger, , Stuttgart Chamber Orchestra
Pavane [From Capriol Suite] - Academy of St. Martin in the Fields, Sir Neville Marriner
Romance for String Orchestra Op. 11 - Academy of St. Martin in the Fields, Sir Neville Marriner
Romance (Romanza) - Narciso Yepes
Gymnopedies No. 1 & 3 - Charles Dutoit,
Variation No. 18 [From Rhapsody on a Theme of Paganini] - Jean-Yves Thibaudet
Nocturne [From String Quartet No. 2 in D] - BBC Concert Orchestra, James Judd, Royal Philharmonic Orchestra, James Lloyd Webber, Barry Wordsworth
Swan [From Carnival of the Animals] - Mike Goosens, Jascha Silberstein
Pieds-En-L'Air [From Capriol Suite] - Academy of St. Martin in the Fields, Sir Neville Marriner
Largo from Keyboard Concerto No. 5, BMV 1056 - English Chamber Orchestra, Raymond Leppard
Vocalise No. 14, Op. 34 - Academy of St. Martin in the Fields, Sir Neville Marriner
Andante [From Piano Concerto No. 21, K467] - English Chamber Orchestra, Radu Lupu, Uri Segal
Pavane for a Dead Princess - Bernard Haitink, Royal Concertgebouw Orchestra

Tracks:

Largo [From Concerto No. 4 in F Minor "Winter" RV 297, Th] - Stuttgart Chamber Orchestra
Adagio un Poco Mosso [From Piano Concerto No. 5 in E Flat Major, ...] - Vladimir Ashkenazy, Cleveland Orchestra
Flower Duet [From Lakm- Dame Joan Sutherland
Sheep May Safely Graze [From Cantata, BWV 208] - Stuttgart Chamber Orchestra
In Paradisum [From Requiem, Op. 48] - Academy of St. Martin in the Fields, Saint John's College Choir & Cambridge Choir, Stephen Cleobury
Clair de Lune [From Suite Bergamasque] - L'Orchestre de La Suisse romande
Internmezzo [From Carmen Suite No. 1] - Lamoureux Orchestra
Andantino [From Concerto for Flute and Harp in C Major, K. 299 - Academy of Ancient Music, Lisa Beznosiuk, Frances Kelly
Siciliano [From Concerto for Oboe and Strings in D Minor, BWV] - Academy of St. Martin in the Fields, Heinz Holliger
Romance No. 2 in F Major, Op. 50 - Royal Concertgebouw Orchestra, Arthur Grumiaux
O Mio Babbino Caro [From Gianni Schicchi] - Orchestra Del Maggio Musicale Fiorentino, Renata Tebaldi
Aria : Larghetto E Piano [From Concerto Grosso in B Minor, Op. 6 ...] - Academy of St. Martin in the Fields
Adagio [From Clarinet Concerto in a Major, K. 622] - Cleveland Orchestra, Franklin Cohen
Adagio for Strings - Baltimore Symphony Orchestra

Tracks:

Fantasia on Greensleeves - Academy of St. Martin in the Fields, William Bennett
Two Aquarelles: No. 1 Ma Non Troppo - English Chamber Orchestra
Two Aquarelles: No. 2 Gaily But Not Quick - English Chamber Orchestra
Banks of Green Willow - Academy of St. Martin in the Fields
My Bonny Boy [From "English Folk Song Suite"] - Academy of St. Martin in the Fields
Touch Her Soft Lips, And Part [From Henry V] - Bournemouth Symphony Orchestra
Sarabande [From Holberg's Time, Op. 40] - Gothenburg Symphony Orchestra
Menuet [From le Tombeau de Couperin] - Boston Symphony Orchestra, Ralph Gomberg
Rrie - Julian Lloyd Webber, Royal Philharmonic Orchestra
Sicilienne [From Pell and Msande, Op. 80] - Academy of St. Martin in the Fields
Aquarium [From the Carnival of the Animals] - Pittsburgh Symphony Orchestra
Liebesleid [From Three Old Viennese Dances] - Joshua Bell, Paul Coker
Adagietto [From l'Arlenne Suite No. 1] - Orchestre de la Bastille
Meditation [from Tha - Gothenburg Symphony Orchestra, Christer Thorvaldsson
Adagio [From Serenade No. 10 in B Flat K361 "Gran Partita"] - Orpheus Chamber Orchestra
Corral Nocturne [From Rodeo] - Baltimore Symphony Orchestra
Adagio - I Musici

Tracks:

Romance [From Serenade No. 13 in G Major, K525 "Eine Kleine Nachtmusik" - Academy of St. Martin in the Fields
Prelude [From Cello Suite No. 1 in G Major, BWV 1007 - Misha Maisky
Andante [From String Quartet No. 17 in F Major, Op. 3 No. 5] - I Musici
Jesu, Joy of Man's Desiring - Julian Lloyd Webber, Royal Philharmonic Orchestra
Canon in D - I Musici
Largo, Ma Non Tanto [From Double Violin Concerto in D Minor, BWV 1043] - Festival Strings Lucerne, Zino Francescatti, Regis Pasquier
March [From Idomeneo] - Wiener Philharmoniker
En Bateu [From Petite Suite] - L'Orchestre de La Suisse romande
Italiana [From Ancient Airs] - Academy of St. Martin in the Fields
Intermezzo [From Cavalleria Rusticana] - National Philharmonic Orchestra
Humming Chorus [From Madama Butterfly] - BBC Concert Orchestra
Andante Cantabile [From String Quartet No. 1 in D Major, Op. 11] - The New Symphony Orchestra of London
Fileuse [From Pell et Msande Op. 80] - L'Orchestre de La Suisse romande
Chanson de Matin, Op. 15 No. 2 - BBC Concert Orchestra
Dance of the Blessed Spirits [from Orfeo Ed Euridice] - Academy of Ancient Music
Tempo Di Valse [From Serenade for Strings in E Major, Op. 22] - Academy of St. Martin in the Fields
Minrod (Variation No. 9) [From Enigma Variations, op. 36] - Chicago Symphony Orchestra

"3 CD Rap Pack" featuring: 5th Ward Boyz, Snoop Dogg, M.C. Eiht, Daz, Spice 1, Kid Frost, Brother Lynch Hung, Mac Dre, E40, Celly Cel, Lighter Shade Of Brown, J.T The Bigga Figga, Mac Mall, Silke, The Delinquents, 187 Fac, The Mossie, L.A. Nash, Don P, Calico, L.O.G., Silkk The Shocker, Krazy, Mystikal, Master P, Sac Mafia, Mafia Click, Sporty T, Ms. Tee, Fiend, Big Ramp, Soulja Slim, Krazy, Magic, Partners-N-Crime, Fila Phil

Average customer rating:

"3 CD Rap Pack" featuring: 5th Ward Boyz, Snoop Dogg, M.C. Eiht, Daz, Spice 1, Kid Frost, Brother Lynch Hung, Mac Dre, E40, Celly Cel, Lighter Shade Of Brown, J.T The Bigga Figga, Mac Mall, Silke, The Delinquents, 187 Fac, The Mossie, L.A. Nash, Don P, Calico, L.O.G., Silkk The Shocker, Krazy, Mystikal, Master P, Sac Mafia, Mafia Click, Sporty T, Ms. Tee, Fiend, Big Ramp, Soulja Slim, Krazy, Magic, Partners-N-Crime, Fila Phil
Imagine That (Radio) / Camouflage Down / Go Down / I Still / Handle Your Business / Back Up Off Me / We Untouchable / , Dat Fire / Getting Paid / Soldier Boy / The Baddest (Radio) / Respect My Mind / Make It Happen / Fire Boyz & Girlz / , Fire / Bad M-F / Slow Down / The Hustla Returns / Murder Raw / Concrete Hell Pt.2 / Need To Move Some / Yeah / I Like / , Mind On Money / I Make Doe / On Both Knees / Freestyle / Don't Give A Fuck / Hit A Lick / And What / , Right Now / Lovin' This / Throwed In The Game / Murder Music / Hoopty / Don't Say Nothin' / Here's A Message / , Professional Stone Crooks / West Coast Parlae / Money / Gorilla Milk / 535% / , and West Coast / Spread Yo Hustle / Come Talke A Ride / What You Do / Game Tight / The Experience The Fatha Figga / East Oakland
ProductGroup: Music
Binding: Audio CD
ASIN: B000OVOKNS

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Rap & Hip-Hop | Styles | Music

General | Soundtracks | Styles | Music

General | Instructional | Miscellaneous | Styles | Music

Blowout Box Sets | Classical Music Blowout | Stores | Music

More Titles at Least 20% Off | Classical Music Blowout | Stores | Music

All Classical Music Blowout | Classical Music Blowout | Stores | Music

Instrumental | Classical Music Blowout | Stores | Music
Similar Items:

Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
The Mahler Symphonies: An Owner's Manual (includes 1 CD)
The Young Person's Guide to the Orchestra (Book & CD)
Study of Orchestration, Third Edition
The Life and Works of Ludwig van Beethoven

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Montferrine de Troistorrents - Carillon De Vionnaz
Lac des Chavonnes - Mueosica Deinsses
Danse des Sabots - Perce-Oreille
Suite Jurassienne - Monferrine
Complainte de St-Nicolas - Fifres Et Tambours De La Bertholdia
Messe Faverges - Muverans
Lune Vole [Coraule] - Bazoche
SoirTariche - G. Hofstetter, Gilbert Schwab
Encore un P'tit Verre de Vin [Marche]
Air Aimable - E. De Ribaupierre, M. Lavanchy
Ranz des Vaches des Ormonts - Armaillis Du Grand Muveran
Val d'Anniviers St(Valse des Pes)
Brunette - Perce-Oreille
Amants Trompeurs [Chanson] - The Mercenaires
Courte Valse - Fifres Et Tambours De St-Luc
Tzrine [Galop] - Armaillis De Conches
Roy de Savoye [Coraule] - Monferrine
Armailli de la Gruy [Chanson "Jou] - Coraules
Mi-e Taveyannaz
Derborence [Montferrine]
Danse des Vendanges - Perce-Oreille
Armaillis des Diablerets [Valse Avec Chant et Jodel] - L'Orchestre Des Diablerets
Marche des Accordistes d'Ajoie - Gilbert Schwab
Comp Qu'as-Tu Vu? [Chanson] - Bazoche
Grande Cha [Marche] - Fifres Et Tambours De St-Luc
Valse - E. De Ribaupierre, M. Lavanchy
Montferrine/Chanson du Chevrier/Lauterbach - Perce-Oreille