That's A Plenty [Original recording remastered] [Import]

Track Listings

1. Bangin' On the Pipes/Steam Heat

2. Salt Peanuts

3. Grinning in Your Face

4. Shaky Flat Blues

5. That's A-Plenty/Surfeit, U.S.A.

6. Little Pony

7. Fairytale

8. Black Coffee

9. Love in Them There Hills

Editorial Reviews
Product Description
Japanese exclusive digitally remastered reissue of 1974 album. 9 tracks total including 'Fairytale', 'Salt Peanuts' & 'Black Coffee'.

That's A Plenty,The Pointer Sisters,Mca Int'l,Pop,R&B,R&B/Soul,Soul,Soul/R & B,Soul/Reggae/Rhythm & Blues,Urban

Tracks:

Jesus Hits Like An Atom Bomb
Surely God Is Able
Amazing Grace
Medley: Soon One Mornin' - What You Goin' Do When The World's On Fire? - You Can't Hide - Run On For A Long Time
Didn't It Rain
Sit Down Servant - Plenty Good Room
Keep Your Hand On The Plow (Hold On)
My Soul Is A Witness
There Is A Balm In Gilead
Medley: Sometimes I Feel Like A Motherless Child - Poor Pilgrim Of Sorrow - Walk In Jerusalem
Be Still And Know That I'm God

Amazon.com

Chanticleer's repertoire ranges through many centuries. On this recording, the group again proves its infinite versatility in a program of gospel music and spirituals. The singing is so authentic that one feels like a participant in a gospel meeting, swaying to the rhythm with the crowd. Contributing greatly to the impact is Chanticleer's guest, Yvette A. Funder. Possessor of a voice remarkable for its range, power, and flexibility, she brings to the music the empathy and authority of one born and raised in the tradition, whether leading call-and-response, engaging in improvisations that soar high above the chorus, crooning softly in meditation, or shouting in ecstasy. (She is also an active Bishop ministering to the poor and afflicted, and the founder of various social service agencies in California.) Several songs include soloists drawn from the chorus as well, most notably a tenor, a countertenor and a bass who provides a rhythmic ostinato. The program, designed for maximum variety of tempo, mood, character and texture, includes many favorite songs and spirituals, such as "Amazing Grace," "There is a Balm in Gilead," "Sometimes I Feel like a Motherless Child." The arrangements by Joseph Jennings, Chanticleer's Music Director for 20 years, are admirably simple and very good; only a few are marred by awkward modulations or overly sophisticated, Hollywood-inspired effects. Most of them are for a cappella voices. Jennings also contributes a new original composition: "Be still and Know that I'm God." Repeating these words like an invocation, it builds a cumulative drama with increasingly wild, elaborate improvisations in call-and-response between soloist and chorus; supported by a prominent piano part that includes solos, chordal and running passages, it ends with a rousing climax. --Edith Eisler

Customer Reviews:

Chanticleer, with Bp. Flunder: INDEED - How Very Sweet The Sound.......2006-02-10

On this standard red book 16-bit CD we are offered that rare and special invitation: Come now, pilgrim - take yet another good step forward in gospel praise or supplication. How can we progress in our individual and collective spiritual journeys towards whatever transcendent glories ground us, revive us, and lead us on despite life's challenges, unless we sing?. Are you having set backs? This CD is good medicine, and it is both a worthy addition to the gospel music shelf and perhaps just the sort of musical medicine that turns out to be good for you, on more than one level of body, mind, and soul. Not a bitter root aftertaste, nor a nagging fishy oil payback in any of this welcome elixir. I guess that is why we call it, Good News.

The arrangements of new and old gospel standards have been set by counter-tenor Joseph Jennings - a leading Chanticleer member of long standing - intently drawing upon both the florid improvisations of the soloists and gospel groups climbing ever so dazzlingly into the fiery chariots that sacred texts say carried off the prophet; and yes, rooted as well in the impeccably crafted close harmonies and inwardly solid strength of gospel quartets and ensembles like Fisk University's Jubilee Singers and many other exemplars.

So, when you listen to this one you will be immediately surrounded by that amazing and great, gathering could of witnesses. The messages are familiar: Keep your hands on the plow. Surely God is able. There is a balm in Gilead.

Like the famous vocal work by Ralph Vaughan Williams, his Serenade to Music as written for a star-crossed group of well-known British soloists of the era; so this gospel outing brings the small male ensemble Chanticleer to the fore - both as a vocal group and as a fabulous collection of solo voices who are prodigiously gifted vocal stars in their own rights. Capping off Chanticleer as an embarrassment of riches is a guest turn by San Francisco's own Bishop Yvette Flunder. She is the real deal, too, as both an ordained minister whose leadership in black churches has blazed fireworks in celebration of melding religion with social justice, and a Jen-U-Wine good news singer who can preach and pray and moan with the best of them.

Only the superhumanly perfected intonation of their cappella group singing, as well as the superb blend and polish of the Chanticleer dozen, will remind a listener than this group is as famous for its Flemish medieval polyphony or its unerring Purcellian clarity, as any other ensemble of twelve voices now appearing before us.

So, forget all the categories and musicology boxes which would seal off gospel music from pre-Bach cathedral masters of polyphony. With this CD we can just revel in the mysteries of good music, regardless. Yeah, Josquin, I'm talking bout you - Sit down servant, there's plenty good room.

Five stars. Highly recommended.

Crystalline.......2005-04-08

I'm not a huge fan of gospel, because I find it to be led by emotion, and musically undisciplined. Rousing, yes - but a little goes a long, long way. I've also found most gospel recordings to be sonically challenged. Almost as if microphones were incapable of capturing the music with clarity. None of this holds true for "How Sweet the Sound." This is a beautifully recorded cd, and every tune is both musically precise, and emotionally resonant. It is, however, a little hard to listen to in one sitting because of the "sameness" of the arrangements. That's a small quibble - who says any cd has to be experienced all at once - and "There is a Balm in Gilead," alone is worth the price of admission.

Best Chanticleer CD Yet.......2005-02-01

This is the Best Chanticleer CD yet. I have listened to it dozens of times. Money well spent. I have even given copies to several of my friends.

How Angry the Sound?.......2005-01-02

My daughter gave me this CD, because, while I'm not religious, I'm a long time fan of gospel music. The first pass through the record, I found myself wandering off to other tasks. So, the second time I put it on the player I forced myself to sit completely through the record. I'm not familiar with Chanticleer, so I had no idea whey she thought I'd like it, but she's is right more often than not. This would be one of the "not" times.

I guess this as an attempt to make gospel music "hip." With songs like "Jesus Hits Like An Atomic Bomb" and "What You Gon' Do When the World's On Fire?" the lyrics are like walking a American urban street being threatened by strangers. Far from being uplifting, the songs are decidedly unfriendly. The feel of the music reminded more of the howling noises I suffered as a forced member of my parent's Kansas Methodist Church than the sweet, honest sounds of real gospel music. That intangible thing I get from listening to gospel music that is heartfelt and painfully honest, even if deluded, was nowhere to be heard in "How Sweet the Sound." Instead, the music is chant-like, monotonous, and cold.

I would not recommend this record to anyone outside of the Midwest. If you miss the sterile sounds of a Midwestern protestant church in full howl, this might be your cup of weak wine. If gospel music is what you're looking for, look elsewhere.

This CD is the bomb!.......2004-11-28

From "Jesus Hits Like an Atom Bomb" to "Amazing Grace", this CD is packed with glorius gospel spirituals and terrific talent. Highly recommend to music lovers of all faiths!

Average customer rating:

PLENTY OF FUN!!
Hip-O-Select lead the way in remastering

That's a Plenty
The Pointer Sisters
Manufacturer: Hip-O Select
ProductGroup: Music
Binding: Audio CD

General | Pop | Styles | Music

General | R&B | Styles | Music

General | Soul | R&B | Styles | Music

General | Broadway & Vocalists | Styles | Music
Similar Items:

Steppin'
Live at the Opera House
The Pointer Sisters
Having a Party
Yes We Can Can: The Best of the Blue Thumb Recordings

ASIN: B000BPL3ZA
Release Date: 2006-12-01

Tracks:

Bangin' On the Pipes/Steam Heat
Salt Peanuts
Grinning in Your Face
Shaky Flat Blues
That's A-Plenty/Surfeit, U.S.A.
Little Pony
Fairytale
Black Coffee
Love in Them There Hills

Product Description

Anita, Bonnie, Jean and Ruth Pointer formed their eponymous band in Oakland, California in the Seventies and proceeded to draw quite successfully upon a remarkably wide variety of musical influences, from Tin Pan Alley to soul to country. Their fourth album, Steppin, came out in the summer of 1975 and launched with a classic: How Long (Betcha Got A Chick On The Side), a funk-laden groove that soared to the top of the R&B charts and just grazed the Top 20 on the pop side. The other tune that got a little traction on the pop charts was another funky track, this time from the pen of Allen Toussaint: Going Down Slowly. The sisters pay tribute to Duke Ellington in a medley called I Aint Got Nothin But The Blues, and then take a page from the Andrews Sisters stylebook in Save The Bones For Henry Jones.. But perhaps the emotional core of the album is the ballad Wanting Things, a sweet and evocative interlude between the albums high energy pop and funk tracks. Producer David Rubinson, who had worked extensively with Herbie Hancock during the early Seventies, brought the jazz keyboardist in to guest on clavinet, and the nearly ubiquitous Wah Wah Watson added his trademark guitar sound to the mix. Lastly, you gotta love the covers illustration of hi-heel sneakers, Seventies style. It would be two more years before the country was full-on in the throes of Saturday Night Fever, but the Pointers were definitely fashion-forward.

Customer Reviews:

PLENTY OF FUN!!.......2007-03-18

I agree with reviewer Roderick Keech that Hip-oselect has done a superb job remastering this vintage Pointer Sisters' album. It sounds clear and has plenty of bass, as though the album was recorded yesterday.

For those of you who are unfamiliar with the Pointer Sisters earlier work, when there was four of them, the work that pre-dates their big hits like HE'S SO SHY, FIRE, JUMP, and I'M SO EXCITED (among others)...you're in for a treat.

The Pointer Sisters blue thumb recordings almost defied categorization. Some of it was funky (LOVE IN THEM THERE HILLS), while others were jazzy-big band orchestrations (LITTLE PONY)... And yet still others, were soft-bluesy ballads (BLACK COFFEE)--including country (FAIRYTALE). You would think that an album with this much variation would fall apart. However, listening to the cd/album of THAT'S A PLENTY all these varied musical styles fuse perfectly together, and that's due to the Pointers' laser like harmonies and singing.

The songs on this album are very different from their big hits from the late 70s and earlier 80s (including the songs from their monster album BREAKOUT on Planet). Although the music is very different, it is somehow the same. Perhaps it's because every song has that Pointer Sister stamp on it...that signature sound that people can hear and go that must be so-and-so.

Anyway, whatever it is, this album is guaranteed to put a smile on your face. I love all the songs on this album but the one that really stands out for me is SALT PEANUTS. The song is sung very fast and is a classic jazz song written by Dizzy Gillespie. The Pointers sing, scat, and swing their way through that song with blistering speed! I don't know what they're singing about in SALT PEANUTS, but every time I hear it, I laugh and smile.

Hip-O-Select lead the way in remastering.......2007-01-24

Here is a perfect example of what engineers are capable of these days. The craftsmen at Hip-O-Select have bestowed their incredible talents on remastering all the Pointer Sisters Blue Thumb/ABC catalog - this title, Steppin', Having a party, and Live at the Opera House. It is a revelation to hear these 30 year old recordings in such pristine sound. Most, if not all these 2006 remasters are un-numbered limited releases of 5000 copies only, so don't leave your run too late if you want to pick one of these up at a reasonable price. As for this album, there isn't a dud track on it - superb pre-Planet Pointers. Talking about Planet, maybe the gurus at SONY/BMG will finally get around to giving the Pointer's Planet catalog the same deluxe treatment, and remaster and release Energy 1978, Priority 1979, Special Things 1980 and Black and White 1981 - while a different type of Pointer to the Blue Thumb works, punters are sick of endless best-ofs and compilations coming out. Just a pity that Hip-O-Select don't have access to the Planet recordings !!

Average customer rating:

Time Capsule
Unexpected
An album to treasure
A classic recording of American songs
The sessions of sweet silent thought stirred

Songs by Stephen Foster, Vol. 1-2

Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

Polkas | Ballets & Dances | Classical | Styles | Music

Quartets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Classical | Styles | Music

General | Folk | Styles | Music

General | Opera & Vocal | Styles | Music
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Stephen Foster Songs: Parlor & Minstrel Songs, Dance Tunes & Instrumentals
Stephen Foster Song Book
American Dreamer: Songs of Stephen Foster; Thomas Hampson; Jay Unger; Molly Mason
Swanee: The Music of Stephen Foster
DOO-DAH: Stephen Foster and the Rise of American Popular Culture

ASIN: B000005IYE
Release Date: 1992-05-28

Tracks:

Songs By Stephen Foster: Jeanie With The Light Brown Hair
Songs By Stephen Foster: There's A Good Time Coming
Songs By Stephen Foster: Was My Brother In The Battle?
Songs By Stephen Foster: Sweetly She Sleeps, My Alice Fair
Songs By Stephen Foster: If You've Only Got A Moustache
Songs By Stephen Foster: Gentle Annie
Songs By Stephen Foster: Wilt Thou Be Gone, Love?
Songs By Stephen Foster: That's What's The Matter
Songs By Stephen Foster: Ah! May The Red Rose Live Alway
Songs By Stephen Foster: I'm Nothing But A Plain Old Soldier
Songs By Stephen Foster: Beautiful Dreamer
Songs By Stephen Foster: Mr. & Mrs. Brown
Songs By Stephen Foster: Slumber My Darling
Songs By Stephen Foster: Some Folks
Songs By Stephen Foster: We Are Coming, Father Abraam, 300,000 More
Songs By Stephen Foster: Linger In Blissful Repose
Songs By Stephen Foster: There Are Plenty Of Fish In The Sea
Songs By Stephen Foster: Come Where My Love Lies Dreaming
Songs By Stephen Foster: The Soiree Polka
Songs By Stephen Foster: Better Times Are Coming
Songs By Stephen Foster: Katy Bell
Songs By Stephen Foster: The Hour For Thee And Me
Songs By Stephen Foster: Summer Longings

Customer Reviews:

Time Capsule.......2006-11-30

The voices and instruments, like the songs, are straight from the mid-19th century. If you want to be transported back in time 150 years to a wonderful parlor performance of Foster's songs, this is the album to do it. The voices are marvelous and trained, and one must imagine that the strict phrasing and style are what one would have expected at the time. The cheap upright piano is perfect.

But the one perfect moment for me is the ONLY good extant rendition of "Was My Brother in the Battle?". Accompanied on a harmonium or pump reed organ, if this song doesn't tempt a tear, you simply aren't a romantic.

Very highly recommended.

Unexpected.......2005-11-26

Quality of this recording is fantastic! Performances are superb! However, they don't fit being an example of Foster's music and times. I was expecting banjos and a Mississippi Sound - therfore, very, very disappointed in this CD and consider and a waste of money. Be sure to LISTEN to a few examples to match what you are looking for and what the CD offers. I, unfortunately did not listen before I bought. I rate this low only because my expectations were shattered. This IS a fine CD if opera styles are ok for an example of this southern, 1800's composer's work.

An album to treasure.......2004-09-23

The landmark Library of Congress album, now on enhanced CD. Years
ago, I went on a six-months field assignment to a remote area of
Africa, where I could take only what music I could carry in a vest
pocket. I chose a tape player and two albums: a recital by Perlman
and this album on tape, and was content. If you love American
music, sung poetry, beautiful singing and deeply moving musicality,
this is an album you will treasure for a lifetime.

A classic recording of American songs.......2004-08-22

What can I say that hasn't already been said below? I only wanted to reiterate how wonderful this album is and assure the reader the sound is spectacular on CD. This is a live recording, and intentionally so, as the idea was to create a "parlor" experience as these were parlor songs to be sung by family and friends around the old upright piano. I especially liked the comment about the upright piano which, indeed, does croak and clank throughout the performance adding a note of "authenticity" without becoming obtrusive.

If only Ms. DeGaetani had graced my parlor...

The sessions of sweet silent thought stirred.......2003-11-22

I have never heard such unadulterated extraworldy sound emanate from two human voices and what would otherwise be firewood (the period instruments played by Gilbert Kalish). It stirs profound patriotism and a deep sentimentality for our early days when a civilized people pined to find virtue by examining its own body-- the north and the south, the small town, the simple flag, and the beauty of gentile manly and womanly love expressed through equisite song. There is no other music I would rather hear 'when summoning up the remembrance of things past.' The ghost of the early American parlor will prick your skin through these simple hymns and you may escape for a moment our troubled and busy times.

Average customer rating:

Gershwin plays Gershwin
An Essential Gershwin Collection, Despite Variable Sound
The first disc especially is fantastic

Plays George Gershwin

Manufacturer: Pearl
ProductGroup: Music
Binding: Audio CD

Preludes | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Jazz | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

General | Pop | Styles | Music

General | Oldies | Pop | Styles | Music

Traditional Pop | Oldies | Pop | Styles | Music

Tin Pan Alley | Oldies | Pop | Styles | Music

General | Easy Listening | Pop | Styles | Music

General | Vocal Pop | Pop | Styles | Music

General | Soundtracks | Styles | Music

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music
ASIN: B000000WW1
Release Date: 1994-03-22

Tracks:

Rhapsody In Blue
Hang On To Me
Fascinatin' Rhythm
The Half Of It Dearie Blues
I'd Rather Charleston
Sweet And Low Down
That Certain Feeling
Looking For A Boy
Looking For A Boy
Do-Do-Do
Do-Do-Do: Someone To Watch Over Me
Clap Yo' Hands
Maybe
My One And Only
Three Preludes
'Rhapsody In Blue': Andante
S' Wonderful & Funny Face
Rhapsody In Blue

Tracks:

An American In Paris
Porgy And Bess: It Ain't Necessarily So
Porgy And Bess: The Buzzard Song
Porgy And Bess: Scene: Summertime - Crapgame - A Woman Is A Sometime Thing
Porgy And Bess: Bess, You Is My Woman Now
Porgy And Bess: I Got Plenty O' Nuttin
Porgy And Bess: Where Is My Bess?
Porgy And Bess: Summertime
Porgy And Bess: My Man's Gone Now
Porgy And Bess: Concerto In F - Third Movement
Porgy And Bess: Song Medley With Chorus And Orchestra: I Got Rhythm & Of Thee I Sing

Amazon.com

The first of these two discs gathers all Gershwin's commercially issued discs as a pianist, including the two abridged Rhapsody in Blue traversals, Gershwin accompanying the Astaire siblings, and twelve solo sides. Hearing the composer play his own music is like getting your ears cleaned out from 75 years of interpretive maulings. Gershwin's crisp touch, clear-cut and unsentimental phrasing, and rhythmic verve comes through more convincingly in these flat discs than in his much-vaunted piano rolls. Also included are the composer-supervised first recordings of An American in Paris and selections from Porgy & Bess, along with a flawed yet revelatory aircheck of Gershwin playing the finale of his concerto. No Gershwin lover should be without this important collection. --Jed Distler

Customer Reviews:

Gershwin plays Gershwin.......2006-01-26

George Gershwin's best-selling recording was a 1924 acoustical, black seal Victor disc that reproduced the recent world premiere of Gershwin's "Rhapsody in Blue." The Paul Whiteman Orchestra, which actually a big band with a few strings added on occasion, joined the composer in an edited performance that was intended to fill two sides of a single 12-inch 78-rpm disc. By 1924 the acoustical process had been refined to its highest possible standards; already Victor and Columbia were among the companies experimenting with electrical recording and would begin releasing commercial discs the following spring.

Although one is disappointed with the cuts in the familiar "Rhapsody in Blue," what did make it onto the original disc is quite remarkable. It certainly gives the first clear indication of Gershwin's brilliant piano playing. No one would ever play Gershwin's music with more enthusiasm and ability than the composer himself. The Whiteman orchestra plays Ferde Grofe's original arrangement and gives a clear indication of what the February 1924 premiere must have sounded like, even if the sonics are somewhat limited by the acoustical process. Only three years later Victor reunited the same musicians with Gershwin for an electrical recording, using the same cuts.

Gershwin's numerous piano solos, sometimes including his friends Fred and Adele Astaire (who had introduced some of the Gershwin songs in his musical comedies), are amazing. His virtuoso piano playing astonishes us and, for the most part, the sound on these early electrical recordings is quite good. A single microphone was usually placed close to the grand piano, picking up the best possible sound of that time.

The world premiere recording of "An American in Paris" was made in 1929 for RCA Victor, using a hand-picked orchestra that was conducted by Nathaniel Shilkret, Victor's longtime musical director. Gershwin was on hand, supposedly to supervise the recording of the complete score, but he reportedly "got in the way" and was asked to leave the recording studio. Then it was recognized that there was no one on hand to play the celesta solo, so Gershwin was asked to return and play the brief but impressive passage that adds to the magical moments of this innovative score. Also included were the original Paris taxi horns that Gershwin had brought back with him in 1928 for the first performance.

Alexander Smallens conducted Metropolitan Opera stars Helen Jepson and Lawrence Tibbett and a professional orchestra in excerpts from Gershwin's latest musical triumph, "Porgy and Bess." Although the folk opera had not yet achieved its later great success, many recognized the innovations of this score and RCA Victor asked Gershwin to supervise the recording of some of the important songs from his opera in 1935. While some may question the use of white singers to sing in Negro dialect, particularly when the first performances used a mostly black cast, not even the Metropolitan Opera used black singers until 1955 when Marian Anderson made her long-awaited debut in Verdi's "A Masked Ball."

Finally, there is a tantalizing excerpt from the "Concerto in F" in a special arrangement for Rudy Vallee's radio program on NBC. Gershwin occasionally appeared on radio programs, even hosting his own 15-minute show in the early 1930's, and this is one of the few surviving examples of how Gershwin could dazzle both the studio audience and the millions tuning in on their radios. It is a wonderful moment.

An Essential Gershwin Collection, Despite Variable Sound.......2005-05-14

That Gershwin (1896-1937) died so young from a malignant brain tumor was a tragic loss to the world of music. Like Mozart and Schubert, who also died while still in their 30's, Gershwin was just hitting his stride at the time of his death. Unlike Mozart, he wrote no symphonies or chamber music, but like Schubert, he was one of the greatest song writers the world has ever known. And as the Rhapsody in Blue and Concerto in F clearly demonstrate, Gershwin was probably the greatest "cross-over" artist in American history.

This 2-disc Pearl CD set, as Amazon editorial reviewer Jed Distler points out, is an essential purchase for anyone who loves Gershwin's music. Pearl adheres to an "as is" philosophy of transferring old 78 rpm records to CD. This results in very immediate sound, but a lot of shellac noise comes along with it. With a little twiddling of your treble knob, these performances are very listenable and thoroughly enjoyable.

To my mind, just about everything here falls into the category of "definitive" performance. The 1924 Rhapsody In Blue has more joy and exhilaration than any other recording made (and Gershwin's piano playing is heard more clearly than in the 1927 electrical re-make, fine as it is). It was recorded just four months after the world premiere at Aeolian Hall in New York City. What an event that must have been! The audience included such luminaries as Rachmaninov, Kreisler & Sousa. When the performance was finished, the audience roared its approval with a standing ovation that lasted 20 MINUTES!

The songs with Fred Astaire and his sister Adele are utterly delightful, and Gershwin's solo piano playing strikes me as a far truer representation of his art than his notoriously unreliable piano rolls available elsewhere. "An American in Paris," conducted by Gershwin's boyhood chum Nathaniel Shilkret, is irresistable (Gershwin even plays the small parts for piano & celesta, and the car horns he brought back from Paris are used here).

The original 1935 "Porgy and Bess" excerpts, conducted by Alexander Smallens, are wonderful. Jepson is excellent, but the real star here is Lawrence Tibbett, to my taste the greatest operatic baritone America has ever produced. His enormous charm is complemented by fabulous diction - he's one of the very few "classical" singers whose every word is clearly understandable.

Gershwin never recorded a complete Concerto in F. For the best-ever version of that, you have to buy the Roy Bargas/Bix Beiderbecke/Paul Whiteman account on a Pearl CD called "Gershwin and Grofe," which also has the first-ever recordings of Grofe's Grand Canyon & Mississippi Suites (a lot of fun!). But here we get to hear the ONLY CD account of Gershwin himself playing just the 2nd mvt. from a 1933 Rudy Valle Show radio broadcast. It's fascinating and frustrating at the same time: a tantalizing fragment of what must have been a glorious interpretation.

The Concerto in F excerpt is UNIQUE to this CD - which makes it a MANDATORY purchase for Gershwin lovers. The Rhapsody (both versions), American in Paris, and the Porgy selections are also on Sony's "Historic Gershwin Recordings" in somewhat smoother transfers. The aforementioned Whiteman-conducted Concerto in F is also on a Sony CD called "From Gershwin's Time" (sadly, it's out of print - see my review).

CDs seem to have an alarmingly short shelf life these days, so grab this wonderful set while it's still available.

Very Highly Recommended.

The first disc especially is fantastic.......2001-04-03

For Gershwin collectors, the sides with the Astaires are essential. The Whiteman Rhapsody is also quite good. Some of the later material does NOT feature Gershwin on piano and has the feeling of filler. Still, I've gotten a lot of enjoyment from this collection.

Average customer rating:

Nice performances
"Gershwin and Loesser musical journeys ~ Percy Faith"

Porgy & Bess / Most Happy Fella
Percy Faith
Manufacturer: Collectables
ProductGroup: Music
Binding: Audio CD

General | Easy Listening | Pop | Styles | Music

Orchestral Pop | Easy Listening | Pop | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music

Traditional & Vocal Pop | Pop | Indie Music | Stores | Music

Easy Listening | Pop | Indie Music | Stores | Music
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Lil Abner/Broadway Bouquet
Subways Are for Sleeping / Do I Hear a Waltz
Kismet/Music From Hollywood
The Sound of Music/South Pacific
Angel of the Morning/Black Magic Woman

ASIN: B000066JEO
Release Date: 2002-05-21

Tracks:

Catfish Row
Summertime
A Woman Is A Sometime Thing
My Man's Gone Now
Leavin' For The Promised Land
I Got Plenty O' Nuttin'
The Buzzard Song
Bess, You Is My Woman Now
Oh I Can't Sit Down
It Ain't Necessarily So
The Strawberry Woman And The Crab Man
I Loves You, Porgy
There's A Boat That's Leavin' Soon For New York
Bess, Oh Where's My Bess
O Lawd I'm On My Way
The Most Happy Fella
Somebody Somewhere
Standing On The Corner
Joey, Joey, Joey
Abbondanza
Don't Cry
Sposalizio
How Beautiful The Days
Fresno Beauties
Warm All Over
Big D
My Heart Is So Full Of You

Album Description

Gershwin's "Porgy And Bess" and Frank Loesser's "The Most = Happy Fella" get the Percy Faith treatment on these two original albums = on one compact disc. Famed "Tonight Show" trumpeter "Doc" Severinsen = is the credited soloist on "Porgy And Bess."

Customer Reviews:

Nice performances.......2005-10-08

The music is very enjoyable. I especially liked Doc Severinsen's contribution on a few pieces. Percy Faith is always solid, and this collection is no exception. The Gershwin sounds much better than Most Happy Fella because of the stereo sound compared to mono.

"Gershwin and Loesser musical journeys ~ Percy Faith".......2003-06-04

The greatness of George Gershwin's "Porgy and Bess", can only amplify melody of music can exist without lyric ~ and our legendary composer/arranger performs his "Percy Faith Touch". Mr. Faith was chumping at the bit to do this project ~ with sweeping arrangements and full orchestration that leaves no stone unturned. Highlighting ~ "SUMMERTIME", "I GOT PLENTY O' NUTTIN'", "IT AIN'T NECESSARILY SO", "I LOVES YOU, PORGY", "THERE'S A BOAT THAT'S LEAVIN' SOON" and my favorite of favorites "MY MAN'S GONE NOW", attentive haunting strings with echoing saxophones each musician reaching into the depths of their soul for this one ~ they were George Ockner (violin), Bernie Leighton (piano), "Doc" Severinsen (trumpet), Jimmie Abato (alto sax), Russ Banzer (tenor sax), Terry Snyder (drums), Phil Kraus (mallets), Lucien Schmidt (cello) and Harold Feldman (oboe).

Another well received show was Frank Loesser's "The Most Happy Fella", with some great musical selections that Mr. Faith has given his full attention and the arrangements are exuberant. Such as the opening tracks "THE MOST HAPPY FELLA", "STANDING ON THE CORNER", "ABBONDANZA", "SPOSALIZIO", "FRESNO BEAUTIES" and "BIG D", sure to please all fans of Musicals and Broadway Shows ~ this one has your name on it.

A must have for those rainy afternoons with a good book ~ entire album of twenty-seven selections is simply captivating and highly listenable. Percy Faith is still larger that life and his music will live through us his fans ~ and go on forever.

Tracks:

Untrue
Hollow Hope
When You Find Me
Don't Blame Me
The World Will Match Your Pain
Bitch Please
You Can't Say No To Hell
Uneven
Three Times
Mr. Faith
Silver Lining
The Big One

Amazon.com

Recorded two and a half years before its release and carried in her hip pocket until Rykodisc Records stepped forward with a record contract, Tara Angell's lingering debut album samples a spectrum of emotions--from melancholy and misfortune one song to sincerity and splendor the next. Co-piloted by pal and producer (and applauded singer/songwriter) Joseph Arthur, Come Down's ominous lyrics and twisting, twisted melodies are textbook for Angell's husky, cigarette-singed vocals--imagine Marianne Faithful aping Polly Jean Harvey or Stevie Nicks fronting the Velvet Underground. The dozen original songs by the New York City artist are vast illustrations of maturity and dexterity, coalescing between a bookshelf of dog-eared paperbacks and Angell's desolate encounters with the everyday. She can resonate as dark and deserted as the last person on the planet ("Silver Lining") or cleverly chirp over the echo of a cocktail party ("Bitch Please"). But either way, Come Down will gnaw at your soul on the first listen, and stay with you long after. -- Scott Holter

Album Description

Though the name might be new to you, Tara Angell has somehow already become a favorite among artists across the country. Joseph Arthur, Ron Sexsmith and Lucinda Williams are among those who have already embraced her work. On Come Down, Tara Angell offers dark gothic Americana and sultry sweetness, often simultaneously. Her exquisite smoky vocals and careening song structures support this impassioned record, and with the addition of Joseph Arthur (producer) to this equation, Come Down becomes an ambitious and subtly spectacular debut.

Customer Reviews:

almost perfect cd.......2006-09-24

Tara takes me back to Melanie with much less whimsy. Beautiful lyric and music make for an entire CD that is just beautiful. This is the one CD I've purchased recently that I didn't tire of in short order. As far as whatever verbage I could put down here that would have you appreciate this unique sound I am drawing a blank - so maybe this is not too helpful. I had to say how important this CD was for me and I hope others feel the same.

AlphaRewiwer.......2005-09-20

Very disappointing in all respects. Usually a Lucinda Williams recommendation is right on, but not the case here. Angell rips off Faithful with no sense for a melody. Repeated listening solidfied my assessment.

Best album of the year..........2005-03-16

Tara Angell's Come Down is simultaneously an immediate and timeless album. Each track's first spin is received like a fine dish that heightens all the senses and leaves you wanting more. And with time, listening to Come Down is like dipping into a vintage drop that's only getting better with the years.
Lyrically and in delivery there's an obvious sadness that pervades this album. Whether it be from heartbreak or loss, the water from Angell's well is coming from a dark place. It's a taste we all know. But this is anything but a miserable experience. Rather, Joseph Arthur's production lifts everything up into a sphere of hope and positivity. These contrasting emotions are melded to perfection from start to finish.
Tara Angell's voice has received comparisons to Marianne Faithfull and Lucinda Williams and while these artists may be inspirations in sound and spirit, Angell has in fact created a sound that transcends any influences. There's something so raw and true going on here that the before mentioned artists would no doubt feel privileged to have Tara compared to them.
Of the twelve tracks on Come Down pretty much all of them are top shelf. Opener Untrue is a slowly reverberating wave of numbed-out pop that sets a scene that could go anywhere. Hollow Hope kicks in with an upbeat rocking groove and a chorus as catchy as a ball skied deep into the outfield. Uneven is the album's masterpiece though. Amongst backwards guitars and tastefully lush backing vocals, Angell's delivery is a song within a song. Closer, The Big One is equally beautiful and restrained. Like the album as a whole, nothing is overplayed and there's enough air left to breathe throughout.
It may only be March but Come Down is hands down the album of the year so far and Uneven can wear the crown (or tiara) of best track. If there's any sense or justice in the music world, Tara Angell and Come Down will be received like saviours by all those who care about music.

why did we have to wait so long?.......2005-03-11

tara angell is the best new artist i've heard this year. her voice is remarkable, her songs are haunting; dark and lovely at the same time. remember her name, we are going to hear it again and again.

Average customer rating:

Way to go Bob!
Wonderful CD!

Live Through The Years
Elision Saxophone Quartet
Manufacturer: Equilibrium Records
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Jazz | Styles | Music

General | Opera & Vocal | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music
ASIN: B00009QGCU
Release Date: 2003-06-24

Tracks:

Prelude from Partita, No. 3
Choro y Tango
Triguenita
Gaucho
Spain
That's a Plenty
Selections from Porgy & Bess
Salute to Glenn Miller
Just for Show
Prologue [From West Side Story]
Waltz for Debby
Jazz Suite: Movement 1
Jazz Suite: Movement 2
Jazz Suite: Movement 3
Jazz Suite: Movement 4
Three Improvisations: Movement 1
Three Improvisations: Movement 2
Pink Panther Theme
Poison Ivy
My Girl
Goodnight Sweetheart
Broadway Romance
Sarabande [From Second English Suite]

Customer Reviews:

Way to go Bob!.......2006-11-10

I bought a copy of this CD the day it was released and never tire of listening to its bouncy, yet sensuous rhythms. And no, I'm not just saying that because I was librarian at the school where one of the performers, Bob Medina, was assistant band director!

Wonderful CD! .......2005-06-02

This is an amazing CD! And no, I'm not just saying that because Bob Medina is my former sixth grade Band Director. This really is a great CD and well worth the money to buy it!

Average customer rating:

Phantom Review!
Women Can Be Outlaws Too
Great but demanding album
One of The Best Albums I Have Ever Heard!!!!!!
Downright home spun fire and brimstone

Filth & Fire
Mary Gauthier
Manufacturer: Signature Records
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

General | Folk | Styles | Music

Traditional Folk | Folk | Styles | Music

General | Rock | Styles | Music

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Pop Rock | Pop | Styles | Music

General | Folk | Indie Music | Stores | Music
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Mercy Now
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Filth & Fire

ASIN: B000068QUC
Release Date: 2002-07-09

Tracks:

Walk Through Fire
Long Way To Fall
Sugar Cane
Merry Go Round
Good-Bye
Camelot Motel
After You're Gone
The Ledge
Christmas In Paradise
For Rose
The Sun Fades The Color Of Everything

Amazon.com

The misfit, prodigal lives that scrape and struggle through this Louisiana-born singer-songwriter's third album are all "looking for the grace from which they fell." They find it in unlikely images and places: a freeway phone booth, a stolen Christmas tree, a flaming field of sugar cane, a motel tryst, a sunset "the color of everything." Producer Gurf Morlix's signature sound--churning Hammond organ, bubbling vintage guitars, swampy grooves--isn't just well suited to Gauthier's vision--it toughens the moral grit and turns up the emotional heat. If Gauthier remains obsessed with the darker side of life, she also knows of the human truths hidden there. Like Springsteen's Darkness on the Edge of Town or Lucinda Williams's Car Wheels on a Gravel Road, Filth & Fire is an immediately convincing work of personal, poetic realism. --Roy Kasten

Customer Reviews:

Phantom Review!.......2005-09-24

I can't review the item b/c it has not arrived! But MG is a superb singer-songwriter. Why did you ask me to review something that your records should have told YOU you did not send?

Women Can Be Outlaws Too.......2005-07-05

For those of you who think Lucinda Williams is a dirty lowdown country slut but you like her anyway, you'll thrill to Mary Gauthier. My favorite of many excellent songs is The Ledge, a scary tune about being at the bottom and looking up at all the jerks above you. The reason Gauthier hasn't yet hit the big time may be that she doesn't write enough songs about BOYS. I mean, it worked for the Rolling Stones, but hey, this is a funny country.

Great but demanding album.......2004-05-22

"Filth & Fire" is a great album. I don't know whether Gauthier's previous albums are as good as this one, but, if so,
I wonder why she isn't as famous as the other gal coming from Louisiana (that is, Lucinda Williams).

The standout here is "Sugar Cane": a narrative about the environmental pollution caused by (guess what?) a sugar cane factory in the Mississippi Delta. Because of its social commentary, this song is steeped in the best tradition of folk music, but it's also a plain good country song with harmonica and fiddle providing a nice texture. After just one listening, you'll know the chorus by heart ("From Thibodaux to Raceland, there's fire in the fields...").

"Sugar Cane" also epitomizes the double nature of this album: committed, social-conscious lyrics, often verging on bleakness and hopelessness, wrapped up in upbeat layers of sounds supplied by harmonica, fiddle, lap steel, mandolin and slide guitar.

For instance, you'll love the mandolin that introduces the refrain in "Good-bye", even though the words are anything but joyful: "Born a bastard child in New Orleans to a woman I've never seen...". Or, in "Merry-go-round": "From the milky white of heroin as it bubbles and sooths, the dirty sheets you lie on with nothing left to lose". To complete this journey to hell, give also a listening to "Christmas in Paradise" and "Camelot Motel". I spare you the grim details here.

But beware, she's not striking a pose. She sounds honest even when she describes her homeless Christmas under a bridge with her vagabond companion (as in "Christmas in Paradise").

So, don't be intimidated by this album. There are also a couple of love songs; for instance, "After you're gone" is
pure vintage country, a nice duet with Gurf Morlix. Even though all players are top-notch, this guy deserves the
highest praise, because he plays most of the instruments and produces the album.

"Filth and Fire" ends in a calm tone. "The sun fades" is basically just her voice and an acoustic guitar. Her attitude is serene and makes me hope her next album will be a little bit brighter lyrically and the same musically.

One of The Best Albums I Have Ever Heard!!!!!!.......2003-07-03

I've been in radio for 38 years. Yeah I'm getting older. Part of the problem with loving music and having to work with it everyday is that you get jaded. You get cynical. Then along comes Mary Gauthier. Her 3rd album. Her first for me. It is dark. It is brilliant. She has made me remember what I felt like when I first heard Bob Dylan. When I first heard The Band. When I first heard John Prine. When I first heard Leonard Cohen. Thank you Mary Gauthier and thank you God for giving her this amazing talent. I can only give 5 stars. I would have given it 10!

Downright home spun fire and brimstone.......2003-06-14

Mary Gauthier is a prophet of country folk. She tales a dark tale of Johnny Cash spirituality and down on your luck grittiness. She is authentic and Louisianian. She is apocalypse coming to a bayou. She is real and a damn fine listen at that.

The authentic life she portrays is refreshing in a neuvo biblical Revelations sort of way. Her accent isn't a put-on. She knows of stories of hard times and falls and fires. Her music is stripped down unpretentiousness. Old country pure and black.

She summons ghost of Neil Young (if he were dead...God forbid), Cowboy Junkies, Nancy Apple, Roseanne Cash, Robert Earle Keene,and many many more. The songs, though sometimes painful and dark, invite repeated listens. You will get the real deal and turn heads listening this with windows rolled down, a hound dawg panting in your ear, '67 chevy truck at a stop-light in a one-horse town.

Tracks:

Savannah - Ricardo Mantalban
Savannah's Wedding - Adelaide Hall
Pretty To Walk With
Push The Button
Incompatibility - Ricardo Mantalban
Little Biscuit - Ossie Davis
Cocanut Sweet
Pity The Sunset
Take It Slow, Joe
Yankee Dollar - Josephine Premice
Monkey In The Mango Tree - Ricardo Montalban
Ain't It The Truth
What Good Does It Do - Ricardo Montalban
Leave The Atom Alone - Josephine Premice
Napoleon
For Every Fish - Adelaide Hall
I Don't Think I'll End It All Today
Savannah - Finale

Tracks:

A Woman Is A Sometime Thing - Harry Belafonte
Summertime
Oh, I Got Plenty Of Nothin - Harry Belafonte
I Wants To Stay Here
Bess, You Is My Woman
It Ain't Necessarily So
Street Calls: Strawberry Woman/The Honey Man/Crab Man - Harry Belafonte
My Man's Gone Now
Bess, Oh Where Is My Bess - Harry Belafonte
There's A Boat That's Leavin Soon For New York

Album Description

These original RCA recordings also feature Harry Belafonte, Ricardo Montalban and Ossie Davis. The Original Broadway Cast album Jamaica is from 1957, Porgy & Bess is from 1959. 28 tracks. Collectables. 2003.

Customer Reviews:

Classic PORGY & BESS but JAMAICA is missing something!.......2004-05-24

The welcome CD reissue of the famous album of highlights from PORGY AND BESS by Lena Horne and Harry Belafonte will make collectors happy. While not a "theatrical" or cast recording, it offers some exciting performances that have been long out-of-print.

JAMAICA, on the other hand, is a true original cast recording. The 1957 musical was originally written for Belafonte, but when he left the project Ricardo Montalban took on the role and the show was re-written to showcase Lena Horne.

RCA Victor's original cast recording has had a curious history. It was made just as the labels were transitioning from mono to stereo recording. At that time it was not possible to fit as much material on a stereo 12-inch LP as on its mono counterpart. RCA Victor issued JAMAICA in mono as LOC 1036 containing all the show's songs but leaving out the Overture and editing out the introductions to "Savannah's Wedding Day" and "What Good Does it Do?" A few months late a Living Stereo release came out as LSO 1036 and including the Overture but dropping 4 songs ("Pity the Sunset", "What Good Does it Do?", "For Every Fish" and "Savannah (Finale)") These issues were deleted in 1961. In 1965 RCA Victor re-released JAMAICA in mono and stereo as LOC/LSO 1103. Now, LOC 1103 was a direct reissue of LOC 1036. BUT...are you following all this? ... LSO 1103 had all the songs, includng the extended versions of "Savannah's Wedding Day" and "What Good Does it Do?" but like its mono counterpart, left off the Overture. The 1995 RCA Victor CD release had the complete song program and the Overture. That CD, sadly is now in cut-out limbo. THIS edition (paired with PORGY AND BESS) reissues the program as heard on the 1965 stereo LP edition (LSO 1103) and is missing the Overture.

With or without the Overture, the score of JAMAICA is quite enjoyable, even more so on disc where you don't have to deal with the show's book! This is one case where the songs work better out of context. Mostly, the numbers offer a chance for Lena to take the spotlight and belt out the great Harold Arlen numbers: "Pretty to Walk With", "Push De Button", "Cocoanut Sweet", "Napoleon" and especially "Ain't it de Truth." The last song was originally written for Lena to sing in the film version of CABIN IN THE SKY. It was cut from the final release prints of the film (Censors objected to the number being staged so that she sang it in a bubble bath!) so Arlen recycled it into JAMAICA. THAT'S the kind of patchwork show JAMAICA was and although it was a minor hit (557 performances) it will never be revived and you don't hear fans of the score clamouring for a revival. It was all about Lena Horne.

Great music, average recording quality.......2003-11-20

I've owned this Porgy & Bess record for many years and purchased the cd as soon as it came out. Harry's and Lena's voices on "Bess, You is My Woman Now" just sends chills up and down my spine. Their voices together are fabulous. I love to hear Lena sing "Summertime". This cd is 36 minutes 52 seconds long. Four songs are song by Lena, and four by Harry. The remainder are duets.

The second CD, Jamaica, was new to me. The CD length is 51:49. Six songs are sung by Lena, three songs are sung by Ricardo Montelban, 3 songs are duets with both Lena and Ricardo. The remainder of the songs are sung by Adelaide Hall, Josephine Premice, Ossie Davis and Augustine Rios. Some of these songs are duets. Lena, as usual, is wonderful. I particularly enjoyed "For Every Fish", sung by Adelaide Hall.

I thoroughly enjoyed both of these cd's. At listening volumes, the cd quality is very acceptable. If I turned up the volume a little louder than normal, I could hear a very tiny buzz. Still, I highly recommend these CDs to any fan of Lena Horne, Porgy & Bess, Harry Belafonte, show tunes...

2 cast albums for the price of 1!.......2003-09-12

This great double-CD from the Collectables label includes two great cast albums: the original 1958 Broadway cast of JAMAICA and the 1959 studio cast of PORGY AND BESS, both starring the gorgeous Lena Horne.

In JAMAICA, one of the lovelier Broadway shows of the late 50s, Lena Horne stars as Savannah, and sings a gorgeous score written especially for her by Harold Arlen and E.Y. Harburg. The cast also includes Ricardo Montalban, Adelaide Hall, Josephine Premice and Ossie Davis.

I have absolutely fallen in love with this score, which features many beguiling numbers like "Cocoanut Sweet", "Pretty to Walk With", "Take it Slow, Joe", "Ain't it the Truth" (originally written for CABIN IN THE SKY), "Napoleon" and "Pity the Sunset".

PORGY AND BESS pairs Lena Horne with Harry Belafonte under the musical direction of Horne's husband Lennie Hayton. Horne is well-suited to the colorful score, and sings superb treatments of "I Wants to Stay Here" and "My Man's Gone Now". Harry Belafonte is wonderful singing "Oh, I Got Plenty of Nothin'" and "Bess, You is My Woman".

2 fabulous, long out-of-print cast albums, back and better than ever! Highly-recommended.

At Last!!!.......2003-02-16

I have been waiting for the Horne/Belefonte version of "P&B" to come out on CD since CD's were invented!! And here it is! Of all the versions of "P&B" I own,this is the one I love the most.I have worn out about 5 of the LP's,since I bought the first one in '59,when I was 11,and now I will be able to listen to it forever. Harry and Lena's voices mesh together so perfectly,it's audio-heaven.Especially on "Bess,You is My Woman." What a gorgeous duet.The arrangements and orchestras are wonderful,too.If you love Gershwin;love Harry;love Lena,get this CD.
I have not listened to "Jamaica" yet,as I am so into listening to this "old friend" I found so many years ago.So this review is based only on "P&B." I will say that the audio quality is perfect,though.And if you love Lena and Ricardo,I'm sure you won't go wrong.

Average customer rating:

A bargain collection of showtunes

Golden Greats: Greatest Broadway Hits

Manufacturer: Golden Greats
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

Nostalgia | Miscellaneous | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

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Traditional Vocal Pop | Broadway & Vocalists | Styles | Music

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Easy Listening | Compilations | Pop | Styles | Music

General | Easy Listening | Pop | Styles | Music

General | Vocal Pop | Pop | Styles | Music
ASIN: B00005USEJ
Release Date: 2002-02-26

Tracks:

Ouverture - Orchestra
Something Wonderfull - Dorothy Sarnoff
Doin' What Comes Natur'lly - Ethel Merman
Life Upon the Wicked Stage - Colette Lyons
So in Love - Patricia Morison
You'll Never Walk Alone - Jan Clayton, Christine Johnson
Bill - Carol Bruce
Hello, Young Lovers - Gertrude Lawrence
Bloody Mary - Male Chorus
I Can't Say No - Celeste Holm
This Was a Real Nice Clambake - Jan Clayton,
Oklahoma! - Alfred Drake
Sue Me - Vivian Blaine, Sam Levene
Woman Is a Sometime Thing - Edward Matthews
Some Enchanted Evening - Ezio Pinza,
I Got Plenty O' Nuttin' - Todd Duncan, Todd Duncan
Guys and Dolls - Douglas Deane, Stubby Kaye, Johnny Silver
It Ain't Necessarily So - Lawrence Tibbett
Make Believe - Jan Clayton
Wonderful Guy - Mary Martin
They Say It's Wonderful - Ethel Merman
When the Children Are Asleep - Jean Darling, Eric Mattson
More I Cannot Wish You - Pat Rooney, Sr., Pat Rooney, Sr.
Puzzlement - Yul Brynner
I Got Lost in His Arms - Ethel Merman

Tracks:

Overture...Summertime - Anne Brown
Why Can't You Behave? - Lisa Kirk, Harold Lang
Can't Help Lovin' Dat Man - Carol Bruce
There's No Business Like Show Business - Chorus
If I Were a Bell - Isabel Bigley
People Will Say That We're in Love - Alfred Drake, Joan Roberts
Bess, You Is My Woman Now - Anne Brown
Luck Be a Lady Tonight - Robert Alda
Shall I Tell You What I Think of You? - Gertrude Lawrence
Girl That I Marry - Ray Middleton
Nobody Else But Me - Jan Clayton
Carousel Waltz - Orchestra
Dites-Moi - Barbara Luna
Ol' Man River - Kenneth Spencer
Summertime
Many a New Day - Joan Roberts
Blow High, Blow Low - Murvyn Vye
It Takes a Long Pull to Get There - Edward Matthews
You've Got to Be Carefully Taught - Billy Tabbert
We Open in Venice - Alfred Drake
I'm Gonna Wash That Man Right Outa My Hair - Mary Martin
Who Do You Love, I Hope? - Kathleen Carnes, Robert Lenn
I've Never Been in Love Before - Robert Alda
Tom, Dick or Harry - Lisa Kirk
I Whistle a Happy Tune - Gertrude Lawrence

Tracks:

New York, New York - Lynn Murray, Lynn Murray
Almost Like Being in Love - Marion Bell, Dave Brooks, David Brooks
Bewitched, Bothered and Bewildered - Vivienne Segal
Beat out Dat Rhythm on a Drum - June Hawkins
How Are Things in Glocca Morra? - Ella Logan
Old Devil Moon - Ella Logan
South American Way - Carmen Miranda
September Song - Walter Huston
This Is the Army, Mister Jones - Irving Berlin
Takin' a Chance on Love - Ethel Waters
My Heart Belongs to Daddy - Mary Martin
Anything Goes - Jeanne Aubert & The Four Admirals
You're the Top - Jeanne Aubert & The Four Admirals
I Get a Kick Out of You - Ethel Merman
Night and Day - Fred Astaire
I Got Rhythm - Red Nichols & His Orchestra
Someone to Watch Over Me - Gertrude Lawrence
Fascinatin' Rhythm - Adele Astaire, Fred Astaire
Strike Up the Band - Red Nichols & His Orchestra
Makin' Whoopee - Eddie Cantor
Heatwave - Ethel Waters
Easter Parade - Clifton Webb
She Didn't Say Yes - Peggy Wood
I've Told Every Little Star - Mary Ellis
Johnny One Note - Lynn Murray, Lynn Murray

Album Description

Import exclusive, budget price compilation featuring Broadway classics like 'You'll Never Walk Alone', 'Summertime', & There's No Business Like Show Business', performed by Ethel Merman, Gertrude Lawrence, Celeste Holm, & many more. 75 tracks in all. Standard double jewel case. Disky. 2001.

Album Details

3 CD set

Customer Reviews:

A bargain collection of showtunes.......2005-08-19

This bargain collection of showtunes is highlighted by the composition of Kurt Weill and the uniquely rolling tongue of Colette Lyons. I have a complaint about this compilation. It includes "Ol' Man River", but it excludes Al Jolson's rendition of "Ol' Man River." Otherwise, this collection gives you ample bang for your buck.

Soul Music:

Soul Music

soul music

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