America Es

1. Coraxon Partio

2. Mal Amada - Sonny Ovalle

3. Manguera

4. Venia Bendita - Bachatazo

5. Son de la Loma - Miguel Matamoros

6. Chiki Chiki Cha - Los Intocables

7. Ana Lucia - Wilfrido Vargas

8. Selena - Alexis Y Mensajeros del Amor

9. Malagueña Salerosa - Quimica

10. Morena

America Es,Various Artists,RCA Intl,Latin,Tropical

Baby's First Songs From Around the World

Average customer rating:

Lacking Lyrics
Oh my! Dirty song! Dirty song!
Drug name is being mentioned in one of the lyrics
leave la cucaracha out
A wonderful CD for your nursery!

Baby's First Songs From Around the World

Manufacturer: St. Clair Entertainment
ProductGroup: Music
Binding: Audio CD

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Sing and Learn German
Baby's First Guitar Music
Baby's First Sing-A-Long
Baby's First Classics, Vol. 3
Baby's First: Playtime Songs

ASIN: B00004RJ4F
Release Date: 2000-03-07

Tracks:

France: C'est Si Bon
Ireland: Londonderry Air (Danny Boy)
Italy: O Sole Mio
Scotland: Amazing Grace
Africa: Djembe (Senegal)
Spain: Guantanamera
The Andes: El Condor Pasa
China: The Rose Of China
Mexico: La Cucaracha
Hawaii: Hawaii Tatoo
Greece: Play Bouzouki
Brazil: Es Para Ti
Russia: Popular Russian Melody
South America: La Bamba
Hungary: Hungarian Dance
Germany: Das Rucksack Lied
India: Gyan Anjana Nayane Dao
U.S.A.: America The Beautiful

Customer Reviews:

Lacking Lyrics.......2006-07-16

So many people have brought up the mary jane in one of the songs, that I just thought I'd mention -- not all of the songs on this CD even HAVE lyrics. The first two, for example, are instrumentals.

Oh my! Dirty song! Dirty song!.......2004-10-16

They say "marijuana" on here! That's all you need to know! These people are obviously terrorists! They're murderous drug fiends! They want to destroy America! Run! Hide!

Hey but at least the cockroach isn't shaking her fake boobies and thrusting her pierced belly button in your face, eh?

But anyhow, never ever share your marijuana with a baby. They are total bogarts.

Drug name is being mentioned in one of the lyrics.......2004-08-06

The quality of the music is good. However, there are several mistakes in the origin of some songs. For instance, Guantanamera is from Cuba, not from Spain. The Brazilian song (Es Para Ti) is not from Brazil. But the worst thing is the version of that popular Mexican song, 'La Cucaracha'.

The lyrics are saying the following:

La cucaracha, la cucaracha,
ya no puede caminar,
porque le falta, porque no tiene
marihuana pa' fumar.

The English translation for that would be:

The cockroach, the cockroach
can no longer walk
because she doesn't have
marijuana to smoke.

Do you mothers honestly think that this is the kind of vocabulary we'd like our kids to learn, and dance to?

I don't think that's precisely the vocabulary that we'd like young kids and babies to learn. And it's sad that companies are selling products that are not being reviewed before sending them to the market. People that doesn't have the ability of understanding foreign languages cannot understand what's being said in the song. I bought the CD for a friend's of mine's little boy. My friend doesn't speak Spanish, but she was still able to understand that marijuana was being mentioned. As I do speak Spanish as first language, she asked me to confirm her what she thought she understood. I felt very embarrased when I found out that she was right.

It's a shame. I'd not recommend anyone to buy these CD, at least not for kids.

leave la cucaracha out.......2004-06-22

I am a mother of two and an early childhood educator so I listen to a lot of children's music. I gave this CD a rating of four stars because though it has wonderful beats on it and seems to be diverse i feel the company should have left "la Cucaracha" from MEXICO out of this cd or changed the words to be more child appropriate. There is a verse in this song that repeats various times that references smoking marijuana. My children are both bilingual in english/spanish and think "the wiggles" version of this song is funny. I feel as if the song promotes drug use and is not a positive value that i would like to instill in my child or others.

A wonderful CD for your nursery!.......2002-05-06

As a first time parent I want to give my child every advantage I can. Studies have shown that playing music to your child helps to enhance their learning ability.

I saw "Baby's First" cd series and as they were so affordable I decided to go ahead and buy them without hearing them first.

My decision has been rewarded! The cd's are very good, and provide hours of music to stimulate my babies mind.

Tracks:

Hymn: Freuen Wir Uns
Der Herr Ist Mein Theil
Meine Seele Erhebet Den Herrn
Es Ist Ein Kostlich Ding
Hymn: Join We All With One Accord
Hail Infant Newborn
Loveliest Immanuel
Ich Will Euch Wie Ein Thau Seyn
Thou Child Divine
Hymn: Zeige Mir Dein Angesicht
Hymn: Heiliger Herre Gott
Ach Schonster Unter Allen
Suchet Sein Antlitz
Die Mit Thranen Saen
Hymn: Lob Gott Getrost Mit Singen
O Lieblicher Heiland, Du Mein Versohner
Gesegnet Bist Du, Sein Volk
Ich Gehe Einher In Der Kraft Des Herrn
Hymn: Herz Und Herz Vereint Zusammen
Hymn: Kommt, Danket Dem Helden
Das Ist Ein Tag
Ich Will Immer Harren
Ich Danke Dir Ewiglich
Die Frucht Des Geistes
O Sing, All Ye Redeemed
Meine Herz Dichtet Ein Feines Lied
Siehe Meine Knechte
Ich Will Dir Ein Freudenopfer Thun
Hymn: Sing Hallelujah
Hymn: Herr Und Altster Deiner Kreuzgemeine
Hymn: Jesus Makes My Heart Rejoice
Rondo For Piano

Tracks:

Martin Pearlman Discusses Music Of The Moravians

Amazon.com

When the subject of 18th-century music comes up, the United States is rarely considered any sort of creative artistic bastion. But this collection of Moravian religious music reveals how deep a fallacy it is to write off the U.S. as unimportant in vocal music history. The Moravian Church, founded on the cusp of the 14th and 15th centuries, would generate a distinctly musical worship tradition in the 1700s, just prior to the first Moravians settling in Bethlehem, Pennsylvania. Once in Pennsylvania, the music flowed at a brisk pace, comprising significant sections of worship ceremonies. Composers included in this collection reflect two particular facets of the music: its harmonic simplicity and its abiding spiritual values. Of course, "simplicity" is an easily derogatory descriptive, but that is not at all the case here. These choral works display tremendous richness and depth, with traces of J.S. Bach's cantatas as well as works by Haydn and even Mozart, who developed on a parallel musical track to the Moravians. And there are pop smarts here, too: One of the songs even quotes the Star Spangled Banner, then a ditty for the masses. The period instruments create a fine chamber background--music that floats without weighting the vocals or tearing ears away. A second bonus CD contains an extended discussion with Martin Pearlman, whose discussion of the music is more than enlightening. --Andrew Bartlett

Customer Reviews:

Beautifully crafted, captures the spirit.......2000-07-31

This recording truly seems to capture the spirit of the music. As someone who grew up singing in the Moravian church, this cd is a FIND. I listened with joy and surprise to this collection. The execution is tender, passionate, thoughtful. The balance between vocals and chamber orchestra is lovely, as close to perfect as one might imagine. I know many of the works on this cd as hymns and choral anthems, albeit in English. The uplifting musicality as an important part of worship was and continues to be part of the life of the Moravian church. The Moravian tradition embodies folk music in an authentic fashion, where the music of the church is truly the music of the people. Singing is a part of all activities within the church, providing a fabric through which fellowship and goodwill can flow. Somehow, the spirit of the context is captured here. The commentary by Martin Pearlman is quite informative and respectful. For individuals for whom music in the church has been more than an interlude in worship, for other Moravians out there who are far from the fold and can still hear the echoes, for those who are curious and want to listen to something slightly, pleasantly, off the beaten path, you will not be disappointed.

Absolutely Delightful!.......1999-07-30

This is very pretty music. It reminds me in some ways of Handel's Messiah, but it has a sound all its own. The voices and instruments are supurb. I really enjoyed the accompanying insert in the CD, which gives a small biography of all the composers. There are complete lyrics in English and German as well. I would love to get the sheet music and perform it!

beautiful music played with clarity and feeling.......1999-03-24

Martin Pearlman has done a great service through his research in the Moravian archives in North Carolina. His discoveries bring to us music of great beauty and seeming simplicity that masks subtle complexity. The quality of the orchestra and the soloists is outstanding

beautiful music played with clarity and feeling.......1999-03-24

This traditional Moravian music lives today!.......1998-12-07

I just heard the Christmas section on PBS radio. "Lost music"? As one raised in the Moravian tradition, I can sing along with some of these chorales in English. Why? Because songs such as "Thou Child Divine" are sung every year at Christmas even today. I am ordering to see whether translations are provided. Also, to compare with other current reworkings of the classical Moravian composers. As a footnote, the Moravian Music Foundation publishes newly found works from the archives every two or three years. Thus many works are not lost, but newly mined.

Lotte Lehmann: The Complete RCA Victor Recordings, 1947-49

Average customer rating:

The pleasure of her company

Lotte Lehmann: The Complete RCA Victor Recordings, 1947-49

Manufacturer: Romophone
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Noels | Vocal Non-Opera | Opera & Vocal | Styles | Music

General Christmas | Holiday | Miscellaneous | Styles | Music

General Christmas | Holiday Music | Special Features | Music
ASIN: B00004I9TP
Release Date: 2000-02-08

Customer Reviews:

The pleasure of her company.......2000-02-11

Just when Lotte Lehmann retired from the opera stage and decided to devote the rest of her life to Song, she was invited by RCA Victor to commit to wax a good deal of her non-operatic repertory. We are quite fortunate that Romophone label has now given us the results: (81033-2). Of course her voice has lost some of that luster you can hear on her earlier recordings, but this is more than compensated for by the maturity of her artistry. This is fully aged wine.

Just listen to how carefully she treats the texts, especially the German ones. We can wax rhapsodic as does the writer of the liner notes and say how she "provokes a gut reaction: this woman is peering into the very depths of her being..." and hyperbole like that. More to the point, she sings these songs as if she means every word; and what more can any artist do than convince the listener?

The songs she chose for these sessions include 7 by Schubert, 12 by Brahms, and others by Strauss, some French composers, and even Irving Berlin ("God Bless America"). The ones most familiar to American audiences, other than the last mentioned, will be "Silent Night" in German, a vocalized "Traumerei," and "The Kerry Dance." For lovers of Lieder and vocal music in general, this is a Must for any collection.

Es Por Ti
Average customer rating:

Fantastic Latin Music!!!

Bravo!!

Es Por Ti
Innis
Manufacturer: RCA Intl
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Innis

ASIN: B00005LZR6
Release Date: 2001-07-24

Tracks:

Eres Tu
Todo Lo Que Quieras (Damelo)
Es Por Ti
Vueltas Y Vueltas
No Se Te Olvide
Di Que No Es Asi (By My Side)
Si Me Das Tu Amor
Atrapado
El Hechizo De Tus Ojos
Una Noche Loca
Dejate Querer
Eres Tu - Innis/Rebecca
Mi Amor Es Un Pecado/El Noveno Mandamiento

Customer Reviews:

Fantastic Latin Music!!!.......2003-05-29

Innis has a wonderful voice, and this album is a must-have for all Latin-music lovers.

Most of the songs have a slow rhythm and are meant to be listened in a romantic setting, or simply when you are feeling romantic (I love 'Eres tu' and 'Todo lo que quieras'). However, there are a few fast-paced songs which make you get up and dance ('El hechizo de tus ojos' is great!).

If you've never heard Innis sing, prepare for a trip to Latin-music heaven!

Bravo!!.......2001-08-06

This artist one of the best "Latin" singers out there. The surprise: Innis is an American (of Italian descent); who developed a remarkable command of the Spanish language and culture in a few short years. His voice is gentle; but strong. He sings with sincerity and passion. And....let's talk about his drop dead good looks!!! He's already rocked Mexico & South America like a 7.5 earthquake. USA - Get ready for the impact of Innis!!!!

Average customer rating:

Harold Blumenfeld: "Rilke for Voice & Guitar"

20th Century Voices in America

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Kaija Saariaho: Château de l'âme / Graal Théâtre / Amers

ASIN: B000001K52
Release Date: 1995-09-26

Tracks:

Tableaux, Sound Pictures From 'The Silver Talons Of Piero Kostrov' For Soprano And Eleven Players - Jan De Gaetani
No. 1
No. 2
No. 3
No. 1
No. 2
No. 3
No. 1
No. 2
No. 3
No. 1
No. 2
No. 3
The Wonderful Widow Of Eighteen Springs, For Voice & Piano (1942) - Rosalind Rees
Tell Me Where Is Fancy Bred, For Voice And Guitar (1938) - Elliott Carter
Orpheus With His Lute, For Voice And Guitar (1944) - William Schuman
Tell Me Where Is Fancy Bred, For Voice, Clarinet & Guitar (1964) - Richard Wagner

Tracks:

I. Du, Meine Heilige Einsamkeit - Harold Blumenfeld
II. Archaischer Torso Apollos - Harold Blumenfeld
III. Ich Bin Nicht Diese Steile Stunde - Harold Blumenfeld
Steps, For Voice And Guitar (1975) - Gregg Smith
The Sentences, For Voice And Guitar (1976) - Rosalind Rees
'O, The Chimneys,' For Mezzo Soprano, Flute, Clarinet, Cello, Percussion And Piano (1969) - Shulamit Ran
String Quartet No.2, For Soprano And String Quartet (1959-1961) - Phyllis Bryn-Julson

Customer Reviews:

Harold Blumenfeld: "Rilke for Voice & Guitar".......2000-03-09

This CD set includes "Rilke for Voice & Guitar" by Harold Blumenfeld. The composer submits this review of the work by Donal Henahan in the New York Times. "In Harold Blumenfeld's austerely beautiful 'Rilke', a cycle of three songs, soprano Rosalind Rees sang superbly, with a dulcet tone, unusual attention to dynamic subtleties, and flawless pitch. The songs, with the guitar softening contemporary asperities that a piano sometimes exaggerates, made their lonely, pained point with the utmost precision. The guitarist, David Starobin, performed with exemplary technique and great sensitivity as accompanist."

Average customer rating:

Ramillete: A Garland Of Choral Songs
Melinda de Jesús , John Kendall Bailey [baritone] , Michael Prichard , American Anonymous , Bolivian Anonymous , Juan de Araujo , Martin Cruzelaegui , Francisco Delgado , Juan Pedro R. Gaffney , Francisco Guerrero , Juan de Lienas , Alonso Lobo , Jose-Luis Orozco , Juan Gutierrez de Padilla , Antonio de Salazar , Narciso Serradell , Spanish Traditional , Wendell Whalum , Kenneth Fitch , Conjunto Nuevo Mundo , Claire Kelm , Helen Dilworth , Mimi Ruiz , Jesús Guillén , Marcos Ramón Hernandez , and Coro Hispano de San Francisco
Manufacturer: pro música
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Compilations | Classical | Styles | Music

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Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Classical | Indie Music | Stores | Music
ASIN: B0000V8G1Y
Release Date: 2003-10-01

Tracks:

TE DEUM LAUDAMUS: Francisco Delgado
FECIT POTENCIAM from the Magnificat in D: Francisco Delgado
LAUDATE DOMINUM for solo quartet, chorus and orchestra: Fray Martin Cruzelaegui
Anon.: CTICO DEL ALBA
GLORIA from the Misa al segunda ton: Juan de Lienas
AGNUS DEI from the Misa Encarnacion: Anon. Jesuit, 18th c.
VlRGEN SANCTA: Francisco Guerrero
PLAZA, PLAZA!:Juan Gutierrez de Padilla
LAS MANANITAS GUADALUPANAS: Mexican Traditional
LOS COFLADES DE LA ESTLEYA: Juan de Araujo
KERESIMESI ODUN DE O: Nigerian folk carol
O QUAM SUAVIS: Alonso Lobo
DIGAN, DIGAN: Antonio de Salazar
EL TILINGO-LINGO: Traditional melody
LA GOLONDRINA: Narciso Serradell
CUANDO UNO QUIERE A UNA: Anon. 19th c.
TE QUIERO PORQUE TE QUIERO: Anon. 19th c.
CORRIDO DE CESAR CHAVEZ: Jose-Luis Orozco
ES BUENO DARTE GRACIAS, SER Psalm 91: Juan Pedro Gaffney R.:

Album Description

The Coro Hispano present the ESSENTIAL Latin American Choral Music Collection

A "Ramillete" is a bouquet or a garland of the rarest and most beautiful flowers that can be found. And "Ramillete" is an appropriate title for the current collection of Latin American choral music from the 16th to the 21st century. Lovely melodies, sweet harmonies and snappy rhythms will charm even the most discriminating listener play after play. This is the essential CD to begin your discovery of Latin American Choral Music.

Es Para Ti
Average customer rating:

WOW

Excelent!

Still some of the best norteno around.

Still on top

Es Para Ti
Intocable
Manufacturer: EMI Latin
ProductGroup: Music
Binding: Audio CD

General | Latin Music | Styles | Music
Latin Pop | Latin Music | Styles | Music
Tejano | Latin Music | Styles | Music
Mexico | International | Styles | Music
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Nuestro Destino Estaba Escrito (CD & DVD)

Contigo

Intocable

Fuego Eterno

Suenos

ASIN: B000051XR6
Release Date: 2000-11-21

Tracks:

Ensename A Olvidarte
No Te Olvidare
Fuertemente
Con Mis Alas Rotas
Para Que Volver
Solo
Yo No Tengo La Culpa
Ayudame
Dejame Amarte
?A Donde Se Marcho El Amor?
Estas Que Te Pelas
No Me Digas Que No
Me Haces Tanto Mal
Voy A Tenar Que Olvidarla
Es Para Ti

Customer Reviews:

WOW.......2004-01-02

Talk about romantic, this album just makes you cry. It's just beautiful. Romantisim had been lost for a long time and Intocable has recaptured it in a very special way.

Excelent!.......2002-01-13

This has been the best ever romantic playing CD EVER!
Thanks to the Intocables I can feel as if I'm with my boyfriend as close as I would want him to be! Thank You SOOOOOOOO much!
I love them!

Still some of the best norteno around........2001-01-24

The norteno kings deliver with heartfelt ballads like "Ayudame" and "Voy a Tener Que Olvidarla" (which somebody should cover pop style) and give us another winning cumbia with "Para Que Volver." They stay a step ahead of young imitators with their laid-back, cohesive musicianship. But as successful as the Intocable/Jose Luis Ayala/Louie Padilla hit machine is, the group is essentially rehashing its tried-and-true formula of low, soft verses building up to choruses that inevitably contain the song's title. Much of it remains potent and catchy, but a five-star album doesn't play it safe; it takes risks.

Still on top.......2000-12-17

Intocable continues to deliver with their new Album "Es Para Ti". It was a long wait, but for true fans it was worth it. The songs are unbelieveable. Just when I thought they could not top their last cd, here they are, breaking new ground with their latest one. Keep it up fellas. Oh yea, buy it, you wont regret it.

Average customer rating:

A Long Time Coming...
Her Best Album
Price At Her Peak
of course world class
the greatest american soprano of the 20th century

The Essential Leontyne Price

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

Noels | Vocal Non-Opera | Opera & Vocal | Styles | Music

Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Price, Leontyne | Divas | Opera & Vocal | Styles | Music

General | Soundtracks | Styles | Music

Classical | Box Sets | Stores | Music

Opera & Vocal | Box Sets | Stores | Music
ASIN: B000003FWD
Release Date: 1996-08-13

Tracks:

Aida: Act I: Ritorna vincitor!
Aida: Act I: E l'amor mio?
Aida: Act I: I sacri nomi di padre, d'amante
Aida: Act III: Qui Radames verra!
Aida: Act III: O patria mia
Un Ballo in Maschera: Act II: (Prelude)
Un Ballo in Maschera: Act II: Ecco l'orrido campo
Un Ballo in Maschera: Act II: Ma dall'arido stelo divulsa
Un Ballo in Maschera: Act III: A tal colpa e nulla il pianto
Un Ballo in Maschera: Act III: Morro, ma prima in grazia
Il Trovatore: Act I: Che piu t'arresti?
Il Trovatore: Act I: Tacea la notte placida
Il Trovatore: Act I: Di tale amor che dirsi
Il Trovatore: Act IV: Siam giunti
Il Trovatore: Act IV: D'amor sull'ali rosee
Ernani: Act I: Surta e la notte
Ernani: Act I: Ernani! Ernani, involami
Ernani: Act I: Tutto sprezzo che d'Ernani
La forza del destino: Act II: Son giunta! Grazie, o Dio!
La forza del destino: Act II: Madre, madre, pietosa Vergine
La forza del destino: Act II: La Vergine degli angeli
La forza del destino: Act IV: Pace, pace, mio Dio

Tracks:

Cosi fan tutte: Act I: Come scoglio immoto resta
Madama Butterfly: Act II: Piangi? Perche?; Un bel di vedremo
Madama Butterfly: Act III: Tu? tu? piccolo Iddio!
TOSCA: Act II: Vissi d'arte
Manon Lescaut: Act II: In quelle trine morbide
Manon Lescaut: Act IV: Sola, perduta, abbandonata
Dialogues des Carmelites: Act III: Mes filles, voila que s'acheve
Don Giovanni: Act I: Don Ottavio, son morta!
Don Giovanni: Act I: Or sai chi l'onore
Don Giovanni: Act II: Crudele? Ah, no, mio bene!
Don Giovanni: Act II: Non mi dir
Turandot: Act I: Signore, ascolta!
Turandot: Act III: Tu che di gel sei cinta
Ariadne auf Naxos: Es gibt ein Reich
Antony And Cleopatra: Act III: Give me my robe

Tracks:

Otello: Era piu calmo?
Otello: Mia madre aveva una povera ancella (Willow Song)
Otello: Ave Maria
Fidelio: Act I: Abscheulicher! Wo eilst du hin?
Suor Angelica: Senza mamma, o bimbo, tu sei morto!
Carmen: L'amour est un oiseau rebelle (Habanera)
La Traviata: Act I: E strano, e strano !
La Traviata: Act I: Ah, fors' e lui
La Traviata: Act I: Sempre libera
Le nozze di Figaro: Act III: E Susanna non vien!
Le nozze di Figaro: Act III: Dove sono
Die Agyptische Helena: Act II: Awakening Scene
La rondine: Ore dolci e divine
Salome: Finale

Tracks:

Eugene Onegin: Act II: Puskai pogibnu ya
Eugene Onegin: Act II: Ya k vam pishu
Eugene Onegin: Act II: Net, nikomu na svete
Eugene Onegin: Act II: No tak i byt'!
La rondine: Act I: Chi il bel sogno di Doretta
VANESSA: Act I: He Has Come, He Has Come!
VANESSA: Act I: Do Not Utter A Word
Carmen: Act I: Pres des remparts de Seville (Seguidilla)
Manon: Act II: Allons! il le faut!
Manon: Act II: Adieu, notre petite table
Macbeth: Act IV: Sleepwalking Scene: Vegliammo invan due notti
Macbeth: Act IV: Sleepwalking Scene: Una macchia e qui tuttora
La Boheme: Act IIII: Addio. Donde lieta usci (Mimi's Addio)
Die Frau ohne Schatten: Act II: Empress's Awakening Scene
Dido and Aeneas: Act III: Thy Hand, Belinda!
Dido and Aeneas: Act III: When I Am Laid In Earth
Don Carlo: Act V: Tu che le vanita conoscesti del mondo

Tracks:

Otello: Act I: Gia nella notte
Otello: Act I: Quando narravi
Otello: Act I: Venga la morte!
Cosi fan tutte: Act I: Ah, guarda, sorella
Madama Butterfly: Act I: Bimba, bimba, non piangere
Madama Butterfly: Act I: Bimba dagli occhi
Madama Butterfly: Act I: Vogliatemi bene
Requiem: Recordare
Porgy And Bess: Act II: Bess, You Is My Woman
Norma: Act III: Me chiami, o Norma
Norma: Act III: Mira, o Norma
Ernani: Act II: Tu, perfida!
Ernani: Act II: Ah, morir, potessi adesso
Cosi fan tutte: Act II: Sorella, cosa dici?
Cosi fan tutte: Act II: Prendero quel brunettino
Aida: Act IV: La fatal pietra sovra me si chiuse
Aida: Act IV: Presago il core della tua condanna
Aida: Act IV: Vedi? Di morte l'angelo
Aida: Act IV: O terra, addio

Tracks:

Un Ballo in Maschera: Act II: Teco io sto!
Aida: Act III: Ciel! mio padre!
Aida: Act III: Rivedrai le forest imbalsamate
Aida: Act III: In armi ora si desta il popol nostro
Aida: Act III: Padre! a costoro schiava non sono
Requiem: Angus Dei
Manon Lescaut: Act I: Oh, saro la piu bella!; Tu, tu, amore?
Cosi fan tutte: Act I: Soave sia il vento
Porgy And Bess: Act II: I Loves You, Porgy
Aida: Act II: Silenzio! Aida verso noi s'avanza
Aida: Act II: Fu la sorte dell'armi
Aida: Act II: Pieta ti prenda del mio dolor
Aida: Act II: Alla prompa che s'appresta
Il Trovatore: Act IV: Udiste?
Il Trovatore: Act IV: Mira, di acerbe lagrime
Il Trovatore: Act IV: Vivra! Contende il giubilo
Madama Butterfly: Act II: Scuoti quella fronda di ciliegio (Flower Duet)
Carmen: Act IV: C'est toi! - C'est moi!
Carmen: Act IV: Ou vas-tu? - Laisse-moi!

Tracks:

Les nuits d'ete, Op.7: Villanelle
Les nuits d'ete, Op.7: Le spectre de la rose
Les nuits d'ete, Op.7: Sur les lagunes
Les nuits d'ete, Op.7: Absence
Les nuits d'ete, Op.7: Au cimetiere (Clair de lune)
Les nuits d'ete, Op.7: L'ile inconnue
Four Last Songs: Fruhling
Four Last Songs: September
Four Last Songs: Beim Schlafengehen
Four Last Songs: Im Abendrot
Clair de lune, Op.46, No.2: Clair de lune
Notre amour, Op.23, No.2: Notre amour
Au cimetiere, Op.51, No.2: Au cimetiere
Au bord de l'eau, Op.8, No.1: Au bord de l'eau
No.1, Cinq melodies de Venise, Op.58: Mandoline
Main dominee par le coeur
Miroirs brulants No.2: Je nommerai ton front
Miroirs brulants No.1: Tu vois le feu du soir
Ce doux petit visage

Tracks:

Knoxville: Summer Of 1915, Op.24: Knoxville: Summer Of 1915
Frauenliebe und -leben, op.42: Seit ich ihn gesehen
Frauenliebe und -leben, op.42: Er, der Herrlichste von allen
Frauenliebe und -leben, op.42: Ich kann's nicht fassen
Frauenliebe und -leben, op.42: Du Ring an meinem Finger
Frauenliebe und -leben, op.42: Helft mir, ihr Schwestern
Frauenliebe und -leben, op.42: Susser Freund, du blickest
Frauenliebe und -leben, op.42: An meinem Herzen, an meiner Brust
Frauenliebe und -leben, op.42: Nun hast du mir den ersten Schmerz getan
Widmung (No.1, Myrthen, Op.25): Widmung
Mignon (No.28, Liederalbum fur die Jugend, Op.79): Mignon
Volksliedchen, Op.51, No.2: Volksliedchen
Schone Wiege meiner Leiden (No.5, Liederkreis, Op.24): Schone Wiege meiner Leiden
Er ist's (No.23, Liederalbum fur die Jugend, Op.79): Er ist's
Heiss mich nicht reden (No.5, Lieder und Gesand aus Wilhelm Meister)
Lust der Sturmnacht, Op.35, No.1: Lust der Sturmnacht
Allerseelen, Op.10, No.8: Allerseelen
Schlagende Herzen
Freundliche Vision, Op.48, No.1: Freundliche Vision
Wie sollten wir geheim, Op.19, No.4: Wie sollten wir geheim
Der Gartner (Morike-Lieder No.17)
Lebe wohl (Morike-Lieder No.36)
Morgentau (From An Old Songbook)
Geh, Geliebter, geh jetzt (Spanisches Liederbuch No.34)

Tracks:

Ev'ry Time I Feel The Spirit - Various Artists
Let Us Break Bread Together On Our Knees - Various Artists
His Name So Sweet - Various Artists
'Roun' About De Mountain - Various Artists
Swing Low, Sweet Chariot - Various Artists
Sit Down, Servant - Various Artists
Were You There - Various Artists
He's Got The Whole World In His Hands - Various Artists
Deep River - Various Artists
Honor! Honor! - Various Artists
My Soul's Been Anchored In De Lord - Various Artists
On Ma Journey - Various Artists
A City Called Heaven - Various Artists
Ride On, King Jesus - Various Artists
I Wish I Knew How It Would Feel To Be Free - Various Artists
Sinner, Please Don't Let This Harvest Pass - Various Artists
Sweet Little Jesus Boy - Various Artists
There Is A Balm In Gilead - Various Artists
Let Us Cheer The Weary Traveler - Various Artists
Ev'ry Time I Feel The Spirit - Various Artists
My Way Is Cloudy - Various Artists
Nobody Knows The Touble I've Seen - Various Artists
I Couldn't Hear Nobody Pray - Various Artists

Tracks:

Holy, Holy, Holy
Lead, Kindly Light
Blessed Assurance
Ave Maria
What A Friend We Have In Jesus
Amazing Grace
The Lord's Prayer
Pass Me Not, O Gentle Saviour
The Church's One Foundation
Bless This House
I Need Thee Every Hour
Fairest Lord Jesus
I Wonder As I Wander
Ave Maria
Porgy And Bess: Summertime
America The Beautiful
Lift Ev'ry Voice And Sing
A Mighty Fortress Is Our God
Battle Hymn Of The Republic

Tracks:

Chants tziganes, Op. 103: He Zigeuner
Chants tziganes, Op. 103: Hochgeturmte Rimaflut
Chants tziganes, Op. 103: Wisst ihr, wann mein Kindchen
Chants tziganes, Op. 103: Lieber Gott, du weisst
Chants tziganes, Op. 103: Brauner Bursche
Chants tziganes, Op. 103: Roselein dreie in der Reihe
Chants tziganes, Op. 103: Kommt dir manchmal in den Sinn
Chants tziganes, Op. 103: Rote Abendwolken
Adriana Lecouvreur: Act I: Io son l'umile ancella
This Little Light O'Mine
Interview With Leontyne Price By John Pfeiffer

Amazon.com

This 11-CD set, one might say jokingly, contains all the music ever written for the soprano voice and a bit for mezzo as well. And indeed, it's a staggering collection: In addition to her great Verdi heroines (the two Leonoras, Aida, Amelia, and Elvira in Ernani), Price is heard in her Puccini roles--Manon Lescaut, Butterfly, Tosca--and at least two dozen other roles, most of which she never sang on stage. Here are her heroic, secure Leonore in Fidelio, Strauss's high-flying Egyptian Helen, Purcell's Dido, Barber's Cleopatra, Bellini's Norma, Ariadne, Verdi's Violetta and Desdemona, Bizet's Carmen, Mozart's Countess, and Fiordiligi. Some are, naturally, more successful than others; almost none are embarrassing (Carmen comes close). In addition, she sings songs by Schubert, Schumann, and Strauss--none of them as well as say, Janet Baker or Elisabeth Schwarzkopf, and Barber's Knoxville, etc.--quite beautifully. Berlioz's Les Nuits d'été is not very good, but a group of spirituals is. In all, however, this is an amazing display by one of the century's greatest sopranos. There may be no new depths plumbed here, but the singing is a knockout. --Robert Levine

Customer Reviews:

A Long Time Coming..........2006-03-30

This compilation of Ms. Price's career is almost as complete as anything I've ever come across!!
An American Icon....I will forever be a loyal fan and admirer!!

Her Best Album.......2006-01-01

Along with the equally extensive "Prima Donna Collection" this is Leontyne Price's best album. Anyone who wants to become familiarized with her vocal technique and her art on record should own this album. It features her best work ever recorded. A lot of these arias and their respective soprano roles were not roles she sang on stage. Leontyne Price was not only a consummate artist, but a cautious one. The reason these arias, Lieder, Gospel and spirituals sound so beautiful and technically brilliant is because Leontyne was smart enough to sing them infrequently and in concert form. She did not take on new roles other than her repetitive Aidas, Leonoras, Butterfly, Toscas and Madame Lidoins, etc, because she was afraid of ruining her glorious voice too soon as many of her contemporary sopranos. Like soprano Zinka Milanov, Leontyne Price preserved the freshness and vitality of her voice through "operatic abstinence". Thus, the Norma, Salome, Manon, Lady Macbeth and even Traviata we hear on this album are well-rendered because she did NOT sing them on stage. She would have worn out her beautiful voice if she sung so many roles.

This collection is overwhelming. Leontyne Price proves herself to be a masterful artist of diverse repertoire. Pity she didn't really sing these on stage because she would have put Maria Callas and all the reigning divas before and after her to shame. Listen to her remarkable, unsurpassed Mozart repertoire. This she did sing in opera houses, probably because Mozart does not require a true lyrico-spinto heavyness and smaller opera houses can accomodate Mozartian voices that do not often rise above the staff/orchestra. She sang exquisite Fiordiligis at the Met. The arias from Cosi Fan Tutte here - Soave sia il vento, O Guarda Sorelle and the fiendishly difficult vocal showcase "Come Scoglio" with its vertiginious scales are all fine samples of Miss Price's artistry. She sang Susanna and Donna Anna with beauty and bravura. The Salome excerpt is quite thrilling. She would have made a terrific Salome but the role is quite difficult and it would have surely killed her voice. Leontyne Price was the number one Verdi soprano. Every opera cognoscente will tell you that. When you hear the excerpts from Verdi operas here - Lady Macbeth's Sleepwalking Scene, Aida's arias, Leonora's arias from Trovatore and Leonora's arias from Forza Del Destino, particularly La Virgine Del Angeli and the ravishing Pace Pace Mio Dio- are the best renditions of Verdi soprano singing. Anyone who wants to study how to sing in the letter-to-letter Verdi lyrico spinto style should hear these arias. A voice like Leontyne cannot be easily imitated. Maria Callas's own voice can be imitated as Romanian diva Angela Gheorghiu has proven. Leontyne was in a class of her own, a voice that is both dramatic and beautiful to hear. However, most people find fault in her lack of dramatic interpretation. I say they're not hearing hard enough. Yes, there is excessive beauty in her singing but she understood that the opera heroines should sound beautiful because they are beautiful and though I never saw her on stage, from the recordings I hear she sounds dramatic and character-driven enough for me to be satisfied. For a devoted fan of Leontyne Price, this album is the Holy Grail. She sings the most beautiful Norma, Madame Butterfly, Tosca, Aida, Violetta, Madame Lidoin, Suor Angelica, Susanna, Dona Ana, Gilda, Fiordiligi, Desdemona and countless other heroines. The last cd is a collection of Gospel, spirituals and patriotic songs. These "American", non-opera selections find her in beautiful voice and she is actually paying tribute to her roots. She was not only African-American, but a Southerner from Mississippi. Her voice must have been heavenly to hear in Church! This is the album that made me love Leontyne.

Price At Her Peak.......2005-05-02

Originally a Gospel singer, Leontyne Price rose to the heights of operatic superstardom in the 60's and 70's. She enjoyed the same success Maria Callas did in the 50's. Although Callas will forever be most people's idea of the greatest soprano of the 20th century, Leontyne Price was not a force to be reckoned with. In my opinion, and this is just me, she outshone Callas and was the greater singer as far as techinicality and musicianship. Leontyne Price's best work is recorded in this album. It is her best album, together with the Prima Donna Collection. The price is expensive but it's worth every penny. Prepare to be riveted and blown away by the dynamic strength and passion of her voice as it blasts through yours stereo. While many often point out that Leontyne Price was not much of an actress, from a purely operatic/vocal level, her voice was faultless and virtuosic, powerful, passionate, beautiful, lyrical, soulful. Never have I heard a soprano so richly endowed with strong chest register- she could sing the low octaves that are found in the roles of mezzo-soprano voices or contralto voices. But she was a dramatic soprano and that's dramatic with a capital D- all the high C's were there, perfectly in place, and she was a thrilling singer when reaching for the stratosphere with her voice.

This album contains arias from operas that I didn't even know she performed- La Traviata (yes, Leontyne Price as Violetta is a moving and powerful interpretation, executed with sublime beauty. She finds herself the equal to Callas in the role- for Callas had a big voice for a role that calls for the "dying" effect. Thus, Price, like Callas, could sing roles that call for beauty and not just dramatic vigor. It's unfortunate that unlike the stars that were rising in her time- Joan Sutherland, Beverly Sills and Montserrat Caballe- Price never mastered the bel canto repertoire - Rossini, Donizetti, Bellini (although she sang a sensational Norma, excerpts are found in this recording). But her strongest suit was Verdi. She had the voice Verdi was looking for in a soprano- rich, dramatic, beautiful, able to fill up the lines with smoky and velvety hues and a gleaming high top. Check out her Amelia in Un Ballo In Maschera, her Leonora in Trovatore, her Leonora in La Forza Del Destino. Of course, her greatest role, her signature role, and one which she connected with on a personal/ancestral level was that of Aida. The first selections in this recording are from that masterpiece. As Aida, she was at her best. It was easy for her somehow, when most other sopranos tackle the role with difficulty. She conveys grace, nobility, passion and spirituality in the role of the tragic Ethiopian princess.

Further roles she excelled in that are on this recording is Desdemona in Otello, which she sung opposite Placido Domingo. Their masterful voices blend together harmonically and gloriously in the Act 1 Love Duet. She's quite the ground-breaking artist. Most Violettas in Traviata or Desdemona in Otello are Caucasian lyric soprano (Desdemona was white, Otello was black, that was Shakespeare's intention) but in opera, race does not matter and Leontyne Price's voice made her a star in a time when it was incredibly difficult for a black woman to sing opera. From the start of the century, opera was always associated with white Europeans and later on Americans. But Leontyne Price followed the inspirational example of the gutsy contralto Marian Anderson, who suffered a lot of rejection in opera due to skin color in pre-Civil Rights Movement 30's, 40's and 50's. Finally in the late 50's, Anderson, after a lifetime of singing only in private concerts and recitals, debuted at the Met as Ulrica in Un Ballo. Leontyne Price immediately picked up where she left- singing all the soprano diva roles typically associated with white singers - especially Tosca. Her Tosca is second to her Aida. As Tosca, she encompasses the diva who dies for love in the most thrilling way.

Other than Tosca, Puccini heroines were just as magnificent vehicles for her voice. She sang Madame Butterfly to great acclaim. I dont know how she did it but she suddenly ceased to be herself and became the frail, naive, lovesick Japanese Geisha. Softness and fragility is also mixed with the maturity of a woman in love, with passion and dramatic vocal color. She sang La Rondine with equal success, though this role is more along the lines of Violetta/Traviata. She sang Suor Angelica, she sang in modern works such as Barber's Antony and Cleopatra- in that infamous Zefferelli production- she sang Gershwin's Porgy and Bess, she sang in Dialoge of the Carmelites. All these are on here, along with her Baroque specialties- Dido in Dido and Aeneas. Her Mozart voice is also the best I've heard, really, even with a more dramatic and beautiful charm than other singers I've heard. She sang the acrobatic role of Fiordiligi in Cosi Fan Tutte, both Dona Ana and Donva Elvira in Don Giovanni. I prefer her as Dona Ana, she is all fire, despair, intensity and repressed desire, but she sings a hysterical and lovesick Elvira with a passion as well. She even sang the Countess in Le Nozze Di Figaro. But the sky was the limit to Price. She even sang, in a Jessie Norman way, the Wagner role of Isolde. Her "Liebestod" is the greatest I've heard since Birgit Nilsson, with a passion that stemmed from her religious Gospel heart.
This is a great album and I recommend it to any fan of Price and any fan of opera in general. If you have never heard Price and want to start somewhere, start with this one. This one or the Prima Donna Collection.

of course world class.......2000-08-14

Price is amazing. I will have to also mention that Joan Sutherland in the 1960 is even more incredible, if that's possible. Check Dame Joan out, you will not be sorry. But Price is a D flawless diamond set by Cartier, in my opinion.

the greatest american soprano of the 20th century.......1999-12-12

This collection of arias, art songs, and spirituals is truly amazing for the sheer breadth and depth of this soprano's artistry. It is hard to imagine any Verdi soprano after Ms. Price who could offer us the smoky richness of her vocal color, and there are so many wonderful selections, many of them being roles she did not perform on stage. Among my personal favorites are her scene from Dialogues of the Carmelites, the Letter Scene from Eugene Onegin, and the drama of her Lady Macbeth. For those of us who heard Ms. Price over the years in opera and concert, this collection brings back wonderful memories...It is truly a must-have for any serious opera lover.