El Corazon

1. Si la Ven Por Ahí - Banda Maguey

2. Quizas Mañana - Marisela

3. Sin Ti - Rondalla Tapatia

4. Hay Unos Ojos - La Diferenzia

5. Flor de Asfalto

6. Titanic (Mi Alma Te Seguira) - Guardianes del Amor

7. Gema

8. No Nos Vamos a Olvidar - Bronco

9. Amor Eterno - Los Humildes

10. Amanecí en Tus Brazos - José Alfredo Jiménez

El Corazon,Various Artists,RCA Intl,Latin,Latin Pop,Mexican,Tejano

---

Average customer rating: Hearts On Fire My 3rd favorite Steve Earle CD - this one is essential A Classic My favorite? The heart of the catalog

El Corazón Steve Earle Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD Alt-Country & Americana | Country | Styles | Music General | Country | Styles | Music New Traditionalist | Contemporary Country | Country | Styles | Music Singer-Songwriters | Pop | Styles | Music Pop Rock | Pop | Styles | Music Folk Rock | Rock | Styles | Music General | Rock | Styles | Music Singer-Songwriters | Rock | Styles | Music Similar Items: I Feel Alright Train a Comin' Transcendental Blues Guitar Town (Remastered)(Bonus Track) Jerusalem ASIN: B000002NIC Release Date: 1997-10-07

Tracks:

1. Christmas In Washington
2. Taneytown
3. If You Fall
4. I Still Carry You Around
5. Telephone Road
6. Somewhere Out There
7. You Know The Rest
8. N.Y.C.
9. Poison Lovers
10. The Other Side Of Town
11. Here I Am
12. Ft. Worth Blues

Amazon.com

Having watched him throw away the prime years of his career on smack and prison, Steve Earle fans were reassured by the singer's 1995 comeback, Train A Comin', where he reclaimed the past in exquisite acoustic arrangements. They were further encouraged by the 1996 followup, I Feel Alright, which staked out the present with rock & roll defiance. Their patient faith was rewarded with El Corazon, an album that no longer looks back at those lost years but looks forward to the rest of Earle's career. Combining the sheer beauty of Train A Comin' with the bristling energy of I Feel Alright, El Corazon plows new ground with Earle's most explicitly political song yet, his furthest leap into another character's voice, a hard-core bluegrass number with the Del McCoury Band, and a hard-core grunge rocker with the Supersuckers. Earle turns the Fairfield Four into the Jordanaires behind his Elvis vocal on "Telephone Road," and he imitates Townes Van Zandt's austere minimalism even as he sings an elegy to his late mentor on "Fort Worth Blues." All in all, these dozen tunes are the best songwriting Earle has produced since his 1986 breakthrough, Guitar Town, and he sings them with the take-it-or-leave-it authority of someone who has nothing left to prove. On the album's first and best song, "Christmas in Washington," he offers a mournful prayer to Woody Guthrie to come back and rescue us from an era of wishy-washy Democrats and ruthless Republicans; Earle sings it as if his prayer had been answered and the Okie troubadour's ghost had found a home in his belly. --Geoffrey Himes

Customer Reviews:

Hearts On Fire.......2007-03-22

Steve Earle's fall from grace has been well documented, as was his recovery. I was working as a writer in Nashville when the stories about Earle begging for change outside of clubs were circulating. As the artist behind one of my favorite CD's of all time, "Copperhead Road," it disturbed me that a talent of this magnitude had dropped down so far.

"El Corazon" is the CD that changed that for good. Having gotten the past out of his system on "Train a'Coming" and "I Feel Alright," "El Corazon" finds him at a peak of songwriting, rediscovering his voice and reclaiming country from the world of hat acts. He brings in the Fairfield Four to channel Elvis Presley on "Telephone Road." Emmylou Harris drops in for vocals on "Taneytown." There's some near bluegrass on "The Other Side Of Town." And to top it off, Earle revisits his days as a musical bad boy by bringing in SubPop artists The Supersuckers to grunge up "NYC."

Earle also regains his social voice here. On the songs "Christmas In Washington," "Taneytown" and "Ft Worth Blues," Earle begins the turn into politics that would boil over into controversy once "Jerusalem" and "The Revolution Starts Now" were ultimately released. "Ft Worth Blues" is an eulogy to Towns Van Zandt, and a beautiful closer to the CD. It is, however, on "Christmas In Washington" that Earle measures up to Van Zandt's best work, as well as Woody Guthrie, the song's obvious inspiration. Decrying a nation's capitol where the Democrats sat frozen with fear after the Impeachment hearings were tossed and the Republicans began to overtly plot their revenge, Earle asks why no-one else seems to notice...or for that matter, care. It is such a potent song that even Joan Baez has covered it.

Although some here on Amazon have claimed "Christmas In Washington" is a weak song to lead "El Corazon," I respectfully disagree. It sets the voice of the CD into a troubadour mode, with "Ft Worth Blues" paying the perfect tribute at the end. In between, the stylistic mix shows that Steve Earle had overcome his long odds and recovered his rightful place as a singer and songwriter among the long lost country outlaws. A reminder that the Nashville establishment gave up on authenticity decades ago, "El Corazon" is music with a real heart.

My 3rd favorite Steve Earle CD - this one is essential.......2006-08-24

#1. Guitar Town
#2. I Feel ALright
#3. El Corazon
#4. Transendental Blues

...in my humble opinion.

A Classic.......2006-02-24

Back when this album was released, I remember falling immediately under its spell. Years later and... it's only grown stronger. It may well be Steve's finest hour--that's a tough call, granted, and one that on another day, in another mood, I might quibble with myself. But here he covers all of the bases: acoustic-folk, heavy-duty rock 'n' roll, message music, story songs and ... forget it. Why explain the unexplainable? Just plug this sucker into the CD player and crank it: Buttressed by Emmylou Harris' haunting harmonies and Steve's own gritty delivery, the thud-thick, Crazy Horse-like chords of "Taneytown" will leave you on the floor. Same with "If You Fall": killer chords, killer vocals, killer lyrics .... followed by the birth of something grand: "I Still Carry You Around," the inspiration for Steve's collaboration with The Del McCoury Band, The Mountain. Another highlight is "Poison Lovers," a duet with Siobhan Kennedy that's just plain intoxicating--if you're like me, you'll be hitting the "repeat" button ad infinitum. And then, of course, there's Steve's incisive tribute to the late Townes Van Zandt, "Ft. Worth Blues." In short, rock 'n' roll, country, where ever the hell you classify Steve, music doesn't get any better than this.

My favorite?.......2006-02-16

I love this album. It contains my favorite bluegrass-style tunes, traditional country, heartfelt political pieces, and driving rock. It's Steve Earle at his best. I think it's a must have for anyone interested in his music.

The heart of the catalog.......2006-02-03

Of all of Steve Earle's albums, this is probably the best one. He plays many different styles here, my personal favorite being N.Y.C.. I went to the NY show on the tour for this album, where he played three solid hours and was firing on all cylinders. Only a very subtle hint of those nasty politics in the first track. This album is great fun.

Average customer rating: A wonderful introduction to Mexican traditional music Los Lobos gone traditional and it rocks! one of five recordings i would take to a desert isle Lovely Their Finest By Far

La Pistola y El Corazon Los Lobos Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Latin Music | Styles | Music Latin Pop | Latin Music | Styles | Music Mariachi | Latin Music | Styles | Music General | Rock | Styles | Music Rock Jam Bands | Jam Bands | Rock | Styles | Music Roots Rock | Rock | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: Del Este de Los Angeles (Just Another Band from East L.A.) Kiko How Will the Wolf Survive? By the Light of the Moon Los Super Seven ASIN: B000002LFP Release Date: 1990-10-25

Tracks:

1. La Guacamaya
2. Las Amarillas
3. Si Yo Quisiero
4. (Sonajas) Mananitas Michoacanas
5. Estoy Sentado Aqui
6. El Gusto
7. Que Nadiz Sepa Mi Sufrir
8. El Caneler
9. La Pistola Y El Corazon

Customer Reviews:

A wonderful introduction to Mexican traditional music.......2007-04-09

Everyone knows Los Lobos know how to rock, but this album shows their outstanding musicianship in the totally different context of traditional Mexican music. Using only acoustic instruments, they have produced an eminently listenable, smoothly produced and accessible entry point for the everyday listener to get into this rich musical tradition. Whether you are a serious or casual listener, or just want terrific background music for a dinner party, you can't go wrong with this album.

Los Lobos gone traditional and it rocks!.......2007-01-19

Buy it! Listen to it and love it! Orale!

one of five recordings i would take to a desert isle.......2006-04-09

The first time i heard los lobos was "will the wolf survive" and i thought it was ok, but later i heard "la pistola y el corazon" and thought, "my damn, that is a fine album!" Los Lobos is the tightest band (like they've been together since birth) i've ever heard and this album exhibits their superb musicianship. There is absolutely no filler on this album, every song is beautiful and complements the other songs very well. It is a wonderful blend of up and slow tempo tunes and, personally, the best comes last. The track "la pistola y el corazon," tugs at my emotions everytime i hear it, and even though i don't have command of spanish, the vocals and instrumentation are so expressive that i can easily feel the despair of the singer. The band also did a great job of getting the listener involved in the music by creating an impromptu party experience in some of the songs like when one of the band members shouts "hoi!" in "el canaler" to keep the pace hot. One of the best albums you will ever hear!

Lovely.......2003-07-04

In all honesty (and with much regret), it seems that traditional Mexican music is dying out--it is with this in mind that I speak on behalf of this wonderful collection of traditional Mexican music. Los Lobos have certainly outdone themselves with La Pistola y El Corazon, which is an excellent introduction to the traditional sounds of Mexico. Quite a variety of styles are represented on this album, such as the lively "son jarocho" as well as the melancholic "huapango" and the beautifully melodic "vals," all of which are native to Mexico. The Spanish guitar seems to be the main instrument present in the majority of the songs, which is a lovely departure from the popular accordion-dominated "nortena" and "ranchera por accordeon" (little more than nortena with a slight folk influence), both of which are strongly associated with Mexico; interestingly enough, these are relatively new additions to the vast variety of music native to Mexico. The band's version of "Si Yo Quisiera" fits this fold quite nicely and will sound very familiar to perhaps the majority of listeners; I, on the other hand, am not a fan of polka, particularly Mexican polka, marking this song as my least favorite. Even then, there is still much beauty to be found on this release, particularly with the huapango "Amarillas," a very haunting number. The lively and joyful-sounding "Guacamaya" makes the perfect intro, as it invites the listener in to a world of beautiful music. "(Sonajas) Mananitas Michoacanas" bears a striking resembling to Cajun fiddling, and it is genuinely pleasing to listen to. Other than the songs "Si Yo Quisiera" and "Estoy Sentado Aqui" (not a particularly great track, really), every one of these compositions is a masterpiece. The Spanish-influenced guitar solos are also an asset to the album, proving that the members of Los Lobos are extremely talented musicians. To all who read this: this is true Mexican music. Please add this to your collection; you will not regret it.

Their Finest By Far.......2003-02-08

This album is a must have for the Los Lobos fan. Wonderfully produced and arranged with music from various regions of mexico. Strongly recommended.

Average customer rating: Outstanding. BUY THIS ALBUM El mejor album de Zoe hasta la fecha NUMERO UNO A must have for 2007

Memo Rex Commander y el Corazon Atomico de la Via Lactea Zoé Manufacturer: EMI Latin ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Latin Music | Styles | Music Latin Pop | Latin Music | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: The Room Blanco Facil Allison Rocanlover Vida de Perros ASIN: B000H3RZDA Release Date: 2006-10-03

Tracks:

1. Memo Rex
2. Human Space Volt
3. Paula
4. Vinyl
5. The Room
6. Paz
7. Mrs. Nitro
8. Nunca
9. Side Effects
10. No Me Destruyas
11. Corazon Atomico
12. Triste Sister
13. Via Lactea

Product Description

CD includes 1. Memo Rex, 2. Vía Láctea, 3. Vinyl, 4. No me Destruyas, 5. Corazón Atómico, 6. Mrs. Nitro, 7. Nunca, 8. The Room, 9. Paula, 10. Human Space Volt, 11. Triste Sister, 12. Side Effects, 13. Paz.

Customer Reviews:

Outstanding. BUY THIS ALBUM.......2007-05-13

I first learned of Zoe a couple of years ago when I happened to see of one their videos on Spanish MTV and was immediately blown away. Their music really doesn't feel "Latin" at all and is more reminiscent of bands like Radiohead, Nirvana, Pulp, and Interpol than well known Latin bands like Mana. In fact, I would say their music generally blows the aformentioned anglo bands out of the water.

This album is no exception and is probably Zoe's finest to date. It's not as poppy or Beatlesesque as some of their previous works (ie, like "Love"). Instead, it has a feel that is darker, more nuanced, and layered (more like their song "Miel," for those of you who've heard it). There are some outstanding songs on this album, Memo Rex, No Me Destruyas, Paz, and Via Lactea being some of my favorites. And in addition to having great songs, the album hangs together well - each song stands on its own while fitting in well with the album as a whole.

I have no idea how well known Zoe is in Latin America, but it's a shame they are not better known in the U.S. The fact that they're not so well known is probably just an indicator of how closed and U.S.-centric music tastes tend to be in the U.S.

At any rate, this album is fantastic and is highly recommended. To those looking for their more poppy side, I'd recommend their earlier albums though.

El mejor album de Zoe hasta la fecha.......2007-03-01

Despues de cuatro anos de escuchar a Zoe, este es definitivamente el mejor disco de la banda. De nuevo Leon nos presenta una estelar voz y el resto de la banda el arte de sus estrumentos.

Este album se ha convertido en uno de mis favoritos, y lo seleccione como el mejor album del ano 2006. Se lo recomiendo a cualquier persona amante de la musica rock en espanol. En realidad, este album ya es un clasico entre este genero.

Zoe lo volvio a hacer!

NUMERO UNO.......2007-02-11

yeah, Zoe make you wish your corazon was atomico. very anglo in style (it's often more interesting when artists from Latin America can insert some of their own musical tradtions into their musical style) but there is beautiful imagery in the lyrics and the songs get stuck in your head. i recommend it to anyone who might enjoy rock en espanol or brit pop, with a Mexican twist. i've had it on constant repeat for months.

A must have for 2007.......2007-01-18

This CD is a must have for 2007.
Each song is a trip in space, in the heart and emotions.
Via Lactea, No Me Destruyas and Nunca are soon to be part of classic Spanish Rock.
Is a great produced album with greater sound of music.
Do your self a favor and pick a copy of this album:)

Average customer rating: Lecuona Plays Lecuona Lecuona the Cuban pianist is Great! The Cuban Chopin Lecuona, the musical genious . . . . . LECUONA IS NO LIGHTWEIGHT

Ultimate Collection Manufacturer: RCA ProductGroup: Music Binding: Audio CD All Works by Lecuona | Lecuona, Ernesto | ( L ) | Featured Composers, A-Z | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Latin Music | Styles | Music Latin Pop | Latin Music | Styles | Music General | Vocal Pop | Pop | Styles | Music Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Always in My Heart-Domingo sings Songs of Ernesto Lecuona Juana Zayas:A Treasury of Cuban Piano Classics Lecuona Sinfónica / Morton Gould and His Orchestra Ernesto Lecuona: The Complete Piano Music, Volume 1 Ernesto Lecuona Piano Music: Piano Solo ASIN: B000003G71 Release Date: 1997-02-11

Tracks:

1. Malaguena
2. Andalucia
3. Ante el Escorial
4. San Francisco el grande
5. Siempre en mi corazon
6. Maria la O
7. Siboney
8. Noche azul
9. La comparsa
10. Danza negra
11. Danza lucumi
12. A la antigua
13. Canto del guajiro
14. Canto del guajiro
15. La habanera
16. Damisela encantadora
17. Crisantemo
18. Romantico
19. Rosa la china
20. Como arrullo de palmas
21. Palomitas blancas
22. Poetico
23. Estudiantina
24. Cordoba
25. Music Box
26. Mazurka en glisado
27. Polichinela
28. Gitanerias
29. Aragon
30. Valencia mora

Tracks:

1. La brisa y yo
2. Devuelveme el corazon
3. Preludio en la noche
4. Yo te quiero siempre
5. Pavo real
6. Vals de las sombras
7. Bell Flower
8. Zambra gitana
9. Por eso te quiero
10. Vals azul
11. Vals en si mayor
12. Muneca de cristal
13. Mi amor fue una flor
14. Vals en re bemol
15. Apasionado
16. Amorosa
17. Ahi viene el chino
18. Al fin te vi
19. Por que te vas?
20. Mientras yo comia maullaba un gato
21. Por que te vas?
22. Amorosa
23. Los minstrels
24. No hables mas
25. Dame tu amor
26. Vals en re bemol
27. La 32
28. Mis tristezas
29. En tres por cuatro
30. Munequita
31. Burlesca
32. La paloma
33. Music Box

Amazon.com

This collection includes Ernesto Lecuona's complete 1954 recordings plus a series of 78s made in 1927-28. Ten of the recordings were previously unreleased. This is a lot of lightweight Cuban piano music to deal with at once, but it's definitely worth doing. Lecuona's music, which is having a major revival, may not be important. But it's consistently charming and entertaining. The 78s, which sound surprisingly good, reveal even more of a virtuoso than do the later recordings, but throughout we hear playing that expresses the spirit of the music extremely well. And yes, the famous Malagueña is here, sounding very sexy. --Leslie Gerber

Customer Reviews:

Lecuona Plays Lecuona.......2007-05-12

Oh Boy! What can I tell you about this magnificent collection of musical jewels from our Maestro Lecuona. I bought the original Long Playing Record back in the 50's in my country.
I purchased it again shortly after my arrival to the US, and I was lucky enough to buy it on DVD from Amazon, once I found out they had it.

Joseph L. Alcover
Miami, FL

Lecuona the Cuban pianist is Great!.......2005-08-17

In my opinion this is one of the best CD's from Lacuona, Most of his piano compositions are recorded here (original ones), What, Ms. Leslie Gerber forgot to mention is that Mr.Lecuona was a band leader,"Lecuona and the Cuban Boys", remembers him? Or maybe she does not have sufficient information about him. The music from Lecuona still is very well alive today. I came across his recordings on my own, no one ever told me about this great pianist. I happened to hear the Malague?a by another great Cuban composer and band leader Perez Prado (The Real Mambo King) in one of his albums and Lecuona was the author. That got me interested in him. I'm pretty sure that Ms.Leslie Gerber does not mean any harm trying to put this composer down. It's just that maybe all she knows is Gerber baby food stuff!

The Cuban Chopin.......2004-06-18

What a great album and great value. There is music here that will make you smile, break your heart, inspire you, and Lecuona's skill is breathtaking. If you enjoy classical piano music (with a Cuban/Spanish influence), you'll love this. No, it doesn't display the virtuosity, complexity or seriousness of Lizst, Chopin or Beethoven, but it's fun, beautiful, dramatic yet accessible. You'll love it.

Lecuona, the musical genious . . . . ........2002-10-16

I feel compelled to identify myself first. I am Cuban born who arrived in the US in 1960 at the age of 16 years old. I am a US citizen since 1965 and a US Army Veteran of Viet Nam. I will die defending the right Ms. Leslie Garber has of expresing her opinions. But what I will not condone is her ignorance. To say that Lecuona writes "lightweight Cuban piano music" and that "Lecuona's music may not be important" is to show ignorance. A musician that composes GREAT music in several genres of the music world, a musician that in all genres has highly succesful pieces, and, a musician that after many years, (70-80 years) is still heard and admired can not be called other than MUSICAL GENIOUS and a CLASSICAL MUSICIAN. His music is so beautiful that it will live forever. From his Afro-Cuban compositions, to his romantic popular boleros, to his valses, to his Zarzuelas, Lecuona demonstrates once and again, time after time his immense musical talent. His Afro-Cuban "Cafetal", his romantic boleros "Noche Azul" and "Amapola", His vibrant and colorful "Comparsa" and "Andalucia", his classical Valses, just to mention a few things, makes Lecuona to stand together with the great musicians of the world. The fact that Hollywood made a film around "Estas en mi corazon" and that great singers, like Placido Domingo, want to sing Lecuona's music speaks immensely well of Lecuona/s greatness. The fact the popular instrumental orchestras like Faith, Conniff, Mantovani, Cugat have arranged and interpreted a lot of Lecuona's music also says a lot about Lecuona's versatility in his work. Lecuona is probably important to many millions of people and his music is certainly not lightweight. And if the only thing Ms. Garber can say about "Malaguena" is that "it sounds very sexy" is to demonstrate that she does not know a thing about music. It definitely does not give her the priviledge of commenting about Lecuona's music.

LECUONA IS NO LIGHTWEIGHT.......2002-02-27

Lecuona is one of the most important composers of Latin-America. He is by no means the "unimportant" and "lightweight" Leslie Gerber (whomever that may be) claims, having been hailed for performances of his earlier (and "less mature") works by the likes of Maurice Ravel.

In my opinion the highlight of the set is the devilish "La 32". It's also interesting to compare his interpretations of the same works at different times in his career, like the two recordings of "Por que te vas?" and "Amorosa", especially keeping in mind that Lecuona seldom notated and improvised quite frequently, leaving the transcription work to his students.

Average customer rating:

El Disco de Tu Corazon Miranda! Manufacturer: EMI Latin ProductGroup: Music Binding: Audio CD General | Latin Music | Styles | Music Latin Pop | Latin Music | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music General | Dance Pop | Dance & DJ | Styles | Music Similar Items: Leccion de Vuelo Es Mentira Viento a Favor Quereme! Tributo a Las Novelas Papito ASIN: B000PUB3WO Release Date: 2007-06-05

Tracks:

1. Prisionero
2. Hola
3. Perfecta
4. Enamorada
5. Nada Es Igual
6. Dejama
7. Amanece Junto A Mi
8. Hasta Hoy
9. Vete De Aqui
10. No Me Celes
11. Te Atreviste Y Me Mori
12. Voces

Average customer rating: Isabel's voice is enchanting! A real diamond! Amazing amazing stuff Fascinating Program Beautifully Performed

Isabel Bayrakdarian ~ Azulão Manuel de Falla , Enrique Granados , Carlos Guastavino , Xavier Montsalvatge , Fernando J. Obradors , Jaime Ovalle , Joaquin Rodrigo , Catalan Traditional , Heitor Villa-Lobos , Isabel Bayrakdarian , and Jamie Parker Manufacturer: Musica Viva ProductGroup: Music Binding: Audio CD All Works by Falla | Falla, Manuel de | ( F ) | Featured Composers, A-Z | Classical | Styles | Music Granados, Enrique | ( G ) | Featured Composers, A-Z | Classical | Styles | Music Villa-Lobos, Heitor | ( V ) | Featured Composers, A-Z | Classical | Styles | Music General | Villa-Lobos, Heitor | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Opera & Vocal | Styles | Music Madrigals | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Similar Items: Isabel Bayrakdarian ~ Joyous Light Isabel Bayrakdarian ~ Pauline Viardot-Garcia (Lieder, Chancon, Canzoni, Mazurkas) Isabel Bayrakdarian ~ Cleopatra Songs Of Spain / De Los Angeles, et al Mozart: Arie e Duetti ASIN: B0000DFZY4 Release Date: 2003-10-21

Tracks:

1. El Majo Discreto
2. El Majo Timido
3. El Tra La La Y El Punteado
4. La Maja De Goya
5. La Maja Y El Ruisenor
6. Song Of The Birds
7. La Rosa Y El Sauce
8. Con Que La Lavare?
9. Vos me Matasteis
10. De Donde Venis, Amore?
11. De Los Alamos Vengo, Madre
12. El Vito
13. Al Amor
14. Corazon, Porque Pasais?
15. La Mi Sola, Laureola
16. Del Cabello Mas Sutil
17. Chiquitita La Novia
18. El Pano Moruno
19. Asturiana
20. Cancion
21. Nana
22. Jota
23. Polo
24. Cancion De Cuna Para Dormir A Un Negrito
25. Aria (Cantilena)
26. Dance/Danse (Martel)
27. Azulao

Album Description

Following on the enormous success of her first recording for CBC RECORDS - Joyous Light (CBC SMCD 5215) - the stunning young Canadian lyric soprano ISABEL BAYRAKDARIAN turns her attention to the seductive colours and rhythms of Spain and Latin America. The centre piece of this recording is the vocal evergreen, Bachianas Brasileiras # 5 for soprano and eight cellos by Brazilian composer Heitor Villa-Lobos. After winning the Metropolitan Opera National Auditions in 1997, Isabel (who is of Armenian descent) has gone on to make debuts with such international companies as the Metropolitan Opera (New York), Lyric Opera of Chicago, Paris Opera and La Scala (Milan), Semperoper (Dresden) and the Canadian Opera Company (Toronto).

Customer Reviews:

Isabel's voice is enchanting!.......2006-10-12

I had never heard of Isabel Bayrakdarian before. I was looking for a copy of Obradors' "Chiquitita la Novia" and happened to come upon this cd. Am I glad I bought it, in fact, I'm wearing it out. Her voice is like a bright
sunlight. Her interpretations are exquisite. My favorite on the recording is Granados' "La Maja y el Ruisenor".
Brava Isabel!

A real diamond!.......2006-04-13

I heard this voice first time on CBC Radio - from a concert in Toronto. It was magical! Soon after, I had a chance to listen to her in recital and this was an EVENT! Over two thousand people in the concert hall were holding their breath for two hours and it seemed that the hall itself became small and cozy. It was indeed a contact soul to soul.
Isabel has a rare talent that combines beautiful tone, clarity and unbelievable fluidity of her voice, intelligent thinking, good sensitive heart and generous nature. You believe every intonation, every nuance. She is always authentic, always noble and her expressivity is never forced, emotions are never overacted.
This CD captures well her magic voice. And God, she is amazing in pianissimos! That's why to me, the Lullaby by Xavier Montsalvatge with its softness and warmth is the highlight of this recording.

Amazing amazing stuff.......2004-10-07

The only reason I didn't give this disc five stars is because I'm not too crazy about Grandos' "Tonadillas." They aren't bad, but they're an incredibly weak opening group and the piano is a bit bouncy and boppy when compared to the more somber numbers on this disc with the cello ensemble.

I first fell in love with Bayrakdarian's voice on the CD "Joyous Light," a collection of Armenian liturgical music arranged for soprano and orchestra (some of it just solo voice.) This disc intrigued me because of her incredible voice and the somewhat off the beaten path repertoire & instrumentation (soprano, piano & cello ensemble!?!) I was happy to see a young, amazing talent NOT do a disc of Italian or German arias. Her CDs definately seem to explore the lesser known repertoire and that's to be commended, because we get to hear a stellar voice bring some real gems to light. Interesting that soprano's solo disc includes an instrumental piece, but it fits in nicely and is certainly appreciated by this listener.

The first two of the Rodrigo madrigales are arrestingly beautiful. The disc as a whole is sublime. She's definately one to watch. I can't think of another soprano I'd rather hear these days than Bayrakdarian. I'm flying back to my hometown next year to her in concert. It's months & months away and I can't think of another performance anytime soon that I'm looking this forward to.

Fascinating Program Beautifully Performed.......2003-11-21

There's been a lot of buzz lately about a young soprano just emerging up in Canada, a striking-looking young woman still in her twenties, winner of the Met Auditions, who has a burgeoning career in opera and recital. Her name is Isabel Bayrakdarian, member of an Armenian family who immigrated to Canada in 1989. She apparently had a nice untrained voice but didn't begin training professionally until 1993; meanwhile she had gotten a degree in biomedical engineering. But only four years later she won the Met Auditions and a couple of years later recorded a CD of seemingly esoteric Armenian songs that became a runaway best-seller in Canada. She made her Metropolitan début in 2002 in the role of Catherine in William Bolcom's 'A View from the Bridge.' This CD is a recording of a program that had been presented on CBC Radio and featuring pianist James Parker, himself a virtuoso with a solo career, and ten Toronto cellists led by cello soloist and Canadian Symphony principal, Bryan Epperson. And all of it in music by Hispanic composers.

First, the program is well-constructed, alternating vocal/piano music with vocal/cello ensemble music, with cello ensemble music. Timbres are changed often enough that one's ear does not tire. Second, every bit of the program is superbly performed. Pride of place must be given to Miss Bayrakdarian, whose voice is crystalline and yet imbued with a womanly sensuality that well serves the alternately sultry and kittenish Spanish music present here. She sings Granados's delicious 'Four Tonadillas' with the kind of charm that I thought only a native Spaniard could bring to it. She negotiates the agréments and their subtle alterations of intonation so typical of Spanish singing with complete mastery. Late in the program she performs, with the cello ensemble, the ever-popular Bachianas Brasileiras No. 5 as well as I've ever heard it. She also inhabits the sung version of Granados's 'La Maja y el Ruiseñor' ('The Maiden and the Nightingale') arranged for the opera he made from his piano suite 'Goyescas.'

The cello group plays Pablo Casals's arrangement of the Catalan Christmas carol, 'El Cant dels Ocells' ('The Song of the Birds'). And they lend a hand in Joaquin Rodrigo's 'Cuatro madrigales amatorios' ('Four Love Madrigals'), with cello ensemble accompaniment arranged (as in others here recorded) by Peter Tiefenbach. I particularly liked the interplay of teasing soprano and sporty cellos in 'Vos me matásteis' ('I die for love of you'), the second of this set, which is then followed by a bang-up performance of the familiar, catchy 'De los álamos vengo, madre' ('I've been down by the poplars, mother').

Fernando Obradors wrote wonderful songs that occasionally get sung by non-Spanish singers--I remember once being entranced by Elly Ameling singing the set recorded here by Bayrakdarian with superb assistance from pianist Parker, 'Canciones clásicas españolas' ('Classic Spanish Songs'). And I must say that at times I hear a hint of Ameling in Bayrakdarian's voice, something I call 'a smile in the voice.' This set is followed by an expert arrangmement, this time by Claude Kenneson, of Manuel de Falla's 'Suite populaire espagnole' that employs the cello ensemble (with some melting solo work by Epperson, their leader) playing three all-instrumental pieces and then accompanying Bayrakdarian in three of the six songs.

The CD is rounded out by Xavier Montsalatge's Lullaby from 'Cinco canciones negras,' the aforementioned Bachianas Brasileiras No. 5, and then the song that gives this album its title, Jayme Ovalle's 'Azulão' ('Bluebird'). The latter uses all the forces available here--soprano, pianist, cellists--in a haunting lament: 'Go bluebird, bluebird, companion of mine, go! Go see my faithless love.'

I cannot praise this issue highly enough. Ms Bayradkarian's voice is world-class and she sings with great musicality and feeling. Her accompanists are flawless. The recorded sound is quite good. The unattributed notes are very helpful. There are full translations of all the sung texts.

TT=76:14

Scott Morrison

Average customer rating: A Classic Recording A must for a Placido fan Great for what it is Certainly not ALLL the Essential Domingo Solid, comfortable, familiar -- very good!

Essential Placido Domingo Manufacturer: Sony ProductGroup: Music Binding: Audio CD All Works by Bernstein | Bernstein, Leonard | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Lecuona | Lecuona, Ernesto | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mahler | Mahler, Gustav | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mascagni | Mascagni, Pietro | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music Requiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Symphonies | Classical | Styles | Music Domingo, Placido | ( D ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music New York Philharmonic Orchestra | ( N ) | Featured Performers, A-Z | Classical | Styles | Music Vienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Bernstein, Leonard | A to B | Featured Composers, A-Z | Opera & Vocal | Styles | Music Donizetti, Gaetano | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Giordano, Umberto | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Cilea, Francesco | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Mahler, Gustav | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music Mascagni, Pietro | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music Massenet, Jules | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music Puccini, Giacomo | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music Lara, Agustin | H to L | Featured Composers, A-Z | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Sony | Computers Brands | Computers Features | Electronics | Desktops | Monitors | Networking | Notebooks Similar Items: Very Best of Por Amor Bravo Domingo De Mi Alma Latina The Domingo Songbook ASIN: B00064AEYW Release Date: 2004-10-26

Tracks:

1. Nessun Dorma!
2. Se Quel Guerrier Io Fossi!.. Celeste Aida
3. Ch'Ella Mi Creda Libero E Lontano
4. Una Furtiva Lagrima
5. Quando Le Sere Al Placido
6. Bimba Dagli Occhi
7. Addio, Fiorito Asi
8. Ingemisco
9. Amor Ti Vieta
10. Sincero Amor
11. Ah! Tout Est Bien Fini-O Souverain, O Juge, O Pere
12. Apri La Tua Finestra!
13. E Lucevan Le Stelle
14. Firenze E Come Un Albero Fiorito
15. Di Rigori Armato Il Seno
16. Sole E Amore
17. Von Der Jugend
18. Di Quella Pira

Tracks:

1. Te Quiero, Morena-Jota
2. La Roca Fria Del Calvario (Romanze)
3. Por El Humo Se Sabe Donde Esta El Fuego
4. Granada
5. Andalucia
6. Serenata Tapatia
7. Adoro
8. Siempre En Mi Corazon
9. Malaguena
10. Dulcinea
11. The Impossible Dream (The Quest)
12. In Pace
13. Maria
14. Perhaps Love
15. Love Came For Me
16. A Love Until The End Of Time

Customer Reviews:

A Classic Recording.......2007-03-09

This was a great buy for me. The power and accuracy of Placido's voice are demonstrated well. Two CD's and 34 songs--just can't beat that for the price.

A must for a Placido fan.......2005-04-23

If you've continously listened to this master of tenors and said "wow, I like it, I want to listen even more of him", then raise it to 5 stars, which is the rating I personally give the CD; HOWEVER, if you've only heard him once or not at all, you might want to wait a while and get to know him and other tenors better. Why? Well, disc 1 is the "classical" disc, with arias from famous operas and choral pieces by Puccini and the like, but disc 2, the "modern" or "popular" disc, contains music that will leave you a bit puzzled, since it's is not for everyone; a lot of people have never heard zarzuela or tunes by Manzanero or Lecuona. In short, this disc is better suited for fans of Placido or people who want to know him better, if not, it still is a top choice, and this way you just might fall in love with him (well, his singing, not him literally).

Great for what it is.......2005-01-13

I agree with the previous poster that this does not contain his great dramatic stuff like otello/wagner, but the collection is a beautiful one. There are some great recordings here, and his crossover stuff(maria, Dulcinea, impossible dream) is very interesting. His opera is of course impecable and brilliant. Finally we get to hear Domingo's high C in Di Quella Pira, and its a good one. The zarzuela or spanish operetta type songs and are wonderful.

I found this to be beautiful and exhilirating to listen to.

Certainly not ALLL the Essential Domingo.......2005-01-03

I grew up with Placido Domingo. Not in the sense of being boyhood friends, but rather in the sense that he was part of my "Golden Age" at the Metropolitan Opera. Of the "Three Tenors" (more Marketing hype than useful grouping of three fine singers) Domingo was the most dramatic - the "heaviest" of the three. His repertoire extended well beyond the lyric - and that's why this collection is not all the "essential" Domingo, but rather offers an interesting look at the lighter, more lyric side of Placido Domingo. You won't find Lohengrin or Otello here, but you will find many of the more lyric tenor arias from Verdi, Puccini and Donizetti - to name a few.

There is an "edge" to Domingo's voice that perhaps accounts for his ability to transition successfully into the heavier repertory. I find that tonal quality particularly noticeable in this collection - and sometimes too pronounced. On the other hand, there are a few wonderful surprises. His "Una furtiva lagrima" from L'elisir d'amore is a stand out. Its rare you here a tenor with this much power sing the role. The duet "Bima dagli occhi" from Madama Butterfly with Renata Scotto, again casts Pinkerton with a quality tenor not often found in the opera house any more. I loved the selection from Gianni Schicchi - when is the last time you found Rinuccio cast with this size tenor voice - and the Italian tenor's aria from Rosenkavalier is a treasure from a recording currently out of print. And then there is one of Domingo's signature roles - Jack Rance in Puccini's La Fanciulla del West. No one sings Rance better than Domingo - and the excerpt from the complete recording finds Domingo at his very best.

Disk two is devoted to song - popular and classical. There is a fair amount of tripe - too much cross over (as in who needs to hear Domingo sing "The Impossible Dream" from Man of La Mancha - Broadway is not Mr. Domingo's genre). But there are some wonderful cuts as well - "Granada" is a Domingo encore specialty, and I was particularly struck by the song "In Pace" from the motion picture Hamlet - I never saw the film and was truly taken aback at how beautiful a song this is, and Domingo's voice soars.

I found the sound of these CD's a bit "tinny". Perhaps its the analogue to digital conversion, but I was disappointed in the overall sound. The album is badly mistitled "The Essential Placido Domingo". Certainly this is some of the essential Domingo - and some very wonderful examples of the lyric Domingo - but there is clearly a volume two to come - the dramatic Placido Domingo. But why wait - buy this fine collection, and then feast on some of the complete recordings such as Otello or Lohengrin.

Solid, comfortable, familiar -- very good!.......2005-01-01

Why wait to see if this reviewer enjoyed Sony's latest offering: I did, and so will you. Hats off to Sony for getting it right with this two CD, 34-song bonanza of Placido Domingo singing -- well, as the name implies -- the essentials, from opera to Broadway to Hollywood, in a mix that keeps its distance while holding it all together in a package that breeds enough familiarity to make even the most harsh tenor critic purr. The more clasical offerings are on the first CD and the more sentimental are on disc two. Interestingly, I found side two more seductive and subdued in tone, and enjoyed listening to Mr. Domingo's interpretation of such popular favorites as "Maria" from "West Side Story", "Dulcinea" from "Man From LaMancha" and a couple duets with John Denver (Perhaps Love) and Maureen McGovern (A Love Without End). The songs selected for side two actually did set a thematic tone. Readers of my reviews know that I place a high value on a CDs overall ability to present what is offered in a bundle that sets and keeps a mood. I usually ask two questions: is it consistent once the mood is set; and does it keep the listener in that mood throughout once established? Here, well, here, I break from tradition and profess some confusion. The mood on disc one is not thematic but ecclectic -- from solo's to duets, from live recordings to studio, from one orchestra to the next, from upbeat to mellow. Technically, while there is some difference in the overall sound quality while switching from one setting to another, it is something you would have to listen for to catch, and becaue of this doesn't amount to a serious flaw as presented. What saves disc one from my usual "tenor blahs" is Mr. Domingo's exceptional voice and the selection of songs chosen -- which, while altering between one mood and another, are all familiar enough that we listen with knowing ease to what we expect. This isn't the kind of CD you put on while holding a conversation with anyone, but rather one you would put on, close your eyes and listen to for its sheer technical achievement -- or more precisely for Mr. Domingo's talent. The voice is clear and strong and passinate and reflects Mr. Domingo's control of his range and interpretive skills. Listen to Verdi's "Ingemisco" with The London Symphony and Leonard Bernstein; Puccini's "Bimba Dagli Occhi" with Renata Scoto (he sings a couple meodies with Scoto) and Umberto Giordino's "Amor ti Vieta" from Fedora to get an idea of what I am referring to here. It took me a couple sessions with each side to settle down and appreciate what was offered. Hopefully this review will get you ready and you will enjoy it from the start. PJW

Average customer rating: An Avant-Garde Must Get Crumb in poetic and eerilie beautiful mood Exceptional Just Listen What is the Opposite of Music? Listen to this and find out!

Crumb: Ancient Voices Of Children Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD All Works by George Crumb | Crumb, George | ( C ) | Featured Composers, A-Z | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Avant Garde & Free Jazz | Jazz | Styles | Music Similar Items: Black Angels George Crumb: Songs, Drones, and Refrains of Death American String Quartets, 1950-1970 Complete Crumb Edition, Vol. 6 - Echoes of Time and the River, Gnomic Variations, Four Nocturnes, Lux Aeterna The Ligeti Project IV: Hamburg Concerto (Horn Concerto) / Double Concerto / Ramifications / Requiem ASIN: B000005IY6 Release Date: 1990-10-25

Tracks:

1. Ancient Voices Of Children: El Nino Busca Su Voz
2. Ancient Voices Of Children: Dances Of The Ancient Earth
3. Ancient Voices Of Children: Me He Perdido Muchas Veces Por El Mar
4. Ancient Voices Of Children: De Done Vienes, Amor, Mi Nino? (Dance Of The Sacred Life Cycle)
5. Ancient Voices Of Children: Ghost Dance
6. Ancient Voices Of Children: Se Ha Llenado De Luces Mi Corazon De Seda
7. Music For A Summer Evening: Nocturnal Sounds (The Awakening)
8. Music For A Summer Evening: Wanderer-Fantasy
9. Music For A Summer Evening: The Advent
10. Music For A Summer Evening: Myth
11. Music For A Summer Evening: Music Of The Starry Night

Amazon.com

One of the most important and magical song cycles in contemporary music, Ancient Voices of Children, is the setting of a series of haunting texts by the Spanish poet Federico García Lorca for mezzo-soprano, boy soprano, and chamber orchestra. The piece made a huge impression on audiences at its initial performances. Indeed, this recording became something of a cult phenomenon, much like the Górecki Third Symphony today; and if you weren't around for the initial discovery, now's your chance. Music for a Summer Evening uses essentially the same forces as Bartók's Sonata for Two Pianos and Percussion, and creates an evocative, glittering nightscape. Great stuff.--David Hurwitz

Customer Reviews:

An Avant-Garde Must Get.......2003-05-07

I remember a time when I was at a flea market and was looking through some vinyl records (possibly about the time before I got my first CD player). One particular record got my attention. The cover sort of resembles a newspaper article with a picture insert of a nebula. What got my attention were "Makrokosmos" and that it was a Nonesuch record. I've heard a few Nonesuch records and notice how different the music tends to be. So I thought I buy it for $1 (if I recall correctly). When I listened to it at home, I knew I made a good choice. It had the strange 20th century music - rather atonal. It's a good thing the vinyl record was in good shape, especially when it came to the very quiet parts. I have that record today, still in good shape.

About a few years after buying the vinyl record, I was looking through some CDs in a store (after I got my first CD player). I've found the Nonesuch CD that had "Ancient Voices of Children" AND "Music for a Summer Evening (Makrokosmos III)." I didn't buy it because I wanted to get it on sale. Well, time passed. One day, I saw one up for bid on eBay. I think I was the only bidder on it. The jewel case may have a few scratches (which I wouldn't worry about) but the CD itself was like new.

I'm glad that I got it on CD. I could listen to the music without any clicks or pops you would hear from a vinyl LP (especially since the music gets very quiet at times). Although you wouldn't get the "warm analog sound" you get from the vinyl. Nevertheless, it does sound very good considering that it's AAD. Whoever likes avant-garde music may want to get this.

One thing I want to let you know. Whoever did the tracking on the CD must've misjudged about the beginnings of "Myth" and "Music of the Starry Night." "Myth" begins at index 8:02 on track 9. Tracks 10 and 11 are the last movement, "Music of the Starry Night." Take note of that when listening to this CD.

Crumb in poetic and eerilie beautiful mood.......2002-06-17

Those who know US composer George Crumb mainly from the terrifying musings of 'Black Angels' (made semi-famous by the Kronos Quartet) will probably be surprised by the haunting beauty of 'Ancient Voices'. Based on texts from Lorca, the rich but sparing instrumentation is complemented by evocative, floating soprano - sometimes sung into the piano to create an eerie, mystical ambient. My first exposure was at London's Roundhouse in 1976, where even the background rumbling of trains couldn't sublimate the extraordinary lure of Crumb's sound world. Truly gorgeous and thoughtfully composed.

Exceptional.......2002-06-15

This disc is flawless. The caliber of music making is extremely high, and the pieces themselves are among Crumb's absolute finest.

Music for a Summer Evening is, perhaps, the lesser signifigant work of the two presented here. Even so, it is an astounding presentation of of Crumb's effective use of extended tequniques, and the ability of his atmospheric writing to stir up strong emotions. Here, Crumb has significantly built on the two pianos/percussion format that Bartok made famous in his Sonata.

Ancient Voices of Children is an important song cycle in the post-WWII repertoire. His extended singing tecniques are used to great effect, and the haunting, mystical effects that he cojours within the limited instrumentation are amazing.

Crumb is one a handfull of composers that can write atmospheric music so well, and pull off these avant-garde tecniques so usefully. If you do not know his music, start with this disc; it's breathtaking.

Just Listen.......2002-06-08

I just recently reaquainted myself with this work after about thirty years. Ancient voice of Children retains all of the mystery and magic that I heard when I first encountered the piece at the age of 11. The work resembles not so much a conventional piece of music as a mystic ceremony. Set to fragments from the poetry of Frederico Garcia Lorca, the music captures the magical nature of the poet's verse. The unusual instrumental effects are haunting. Amoung my favorite is the quotation from Bist Du Bei Mir played on a toy piano as a haunting elegy for a dead child. The work builds in it's last section to a shattering climax.

The perfomance is quintessential. Jan DeGaetani was marvelous in this style of music and is sorely missed as a performer. The ensemble is spirited and very precise. The only thing that you miss on this CD is the visual choreography of a live performance, which is hypnotizing.

Macrocosmos III was a new piece to me and is every bit as haunting as other Crumb music. The ending is luminous...en eternal spinning out of music in the Lydian scale.

Be aware, this is avant garde music, though I feel it is quite assessible to those who listen without preconceptions. It is certainly more assessible than Elliot Carter or Boulez. It is not Part or Gorecki...but then not everything has to be. For me, this is not about style but about substance. Crumb moves me every bit as much as more assessible composers. You just have to listen with different ears, that's all.

What is the Opposite of Music? Listen to this and find out!.......2001-11-02

Here I am, the skeleton at the feast of 5* reviews proving again the old adage that "One man's meat is another man's poison". I hardly believe that even a small percentage of people (let's leave aside Professors of Avant-Garde Music for the time being) would be able to listen to, let alone enjoy, more than a few minutes of this music (I use that term in it's very loosest definition). It is ridiculous, therefore, that this should have a preponderance of 5* reviews. Consequently I believe that I am doing a service by standing up and pointing out "bad" music just as I do in applauding "good" music.

I came at this CD - which I bought thanks to some of the aforementioned 5* which I was foolish enough to believe - with the expectation that it would be modern, avant-garde and probably rather ineffable initially. I am prepared for this, believing that often the best music is not instantly grasped and needs careful auditioning. When I listened to it, however, I found that my expectations were not nearly extreme enough. This is music trying so hard to establish its originality that it appears to have progressed well beyond my definition of what music actually is. It is music as art, as a statement and not music to listen to - think about this a little! Hence my opening line - this is the opposite of music.

Instead, this production seems to be comprised of irrelevant and inconsequential noises, none of them musical. To save you the money, and more importantly the time, I will precis this CD for you:

A womans shriek followed by about 20 seconds of silence.
A sound rather like a large rodent being let loose inside a piano.
Some blocks of wood being banged together.
More shrieking.
More silence.
A voice making a strange sound as if copying a phone ringing.
More silence.
More wood being banged together.
More silence

Etcetera, etcetera, ad nauseam

At some point in this avant-garde nonsense somebody is going to blow the whistle and irreverently point out that the "Emperors New Clothes" do not actually exist. In the service of music, as opposed to "art", I am prepared to do the pointing! This production is nothing more that a deeply unmusical joke against those pseudo-intellectuals who completely miss the concepts of humanity and accessibility in music. "Composers" who write this stuff do so as to hide their lack of musical creativity behind an intellectual argument. Don't believe the hype, leave this one on the shelf!

For those aesthetes and enthusiasts who are intent on heading down a progressive route of "classical" music which yet retains any humanity and sympathy, Part and Gorecki appear to have been able to create music of originality and humanity, proving that it can be done.

Leave this production to those pseuds more interested in wallowing in their own misconceived esoteric intellectualism than in actually enjoying music.

Average customer rating: The most noble voice PURCHASE THIS JEWEL WHILE YOU CAN luminous artistry from a genius A special Dignity and an Unfailing Beauty of Voice.

Songs Of Spain / De Los Angeles, et al Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by Falla | Falla, Manuel de | ( F ) | Featured Composers, A-Z | Classical | Styles | Music Granados, Enrique | ( G ) | Featured Composers, A-Z | Classical | Styles | Music General | Morales, Cristóbal de | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Turina | Turina, Joaquin | ( T ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Early Music | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Guitar | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Spain | Continental Europe | Europe | International | Styles | Music General | International | Styles | Music General | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Folk Songs | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Madrigals | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Partsongs | Vocal Non-Opera | Opera & Vocal | Styles | Music Classical | Box Sets | Stores | Music Similar Items: The Fabulous Victoria De Los Angeles Isabel Bayrakdarian ~ Azulão The Maiden and the Nightingale: Songs of Spain The Very Best of Victoria de los Angeles On the Wings Of Song and Zarzuela Arias - Victoria de los Angeles ASIN: B00000I4KQ Release Date: 1999-02-23

Tracks:

1. El rossinyol
2. El testament d'Amelia
3. Adios meu homino
4. Mina nay por me casare
5. Tengo que subir
6. Ahi tienes mi corazon
7. La vi llorando
8. Ya se van los pastores
9. Campanas de Belen
10. Jaeneras que yo canto
11. A dormir ahora mesmo
12. Granadinas
13. Hincarse de rodillas
14. Cancion de trilla
15. Parado de Valldemosa
16. Nik baditut
17. Andregaya
18. Din, dan, boleran
19. Mariam matrem
20. Ay, triste vida corporal!
21. Que es mi vida, preguntais?
22. Porque es, dama, tanto quereros?
23. No me llames segalaherba
24. Ay, luna que reluces
25. En esta larga ausencia
26. Molinillo que mueles amores
27. Confiado jilguerillo
28. Seguidillas religiosas
29. Cancion de cuna
30. El jilguerillo con pico de oro
31. El canape

Tracks:

1. Ah, el novio no quiere dinero
2. Coma la rosa en la guerta
3. Estavase la mora
4. Aquel rey de Francia
5. Damos gracias a ti, Dios
6. Sobre Baca estaba el rey
7. Ay que non hay!
8. Rosa das rosas
9. Maravillosos e piadosos
10. Tres moricas m'enamoran
11. Paseabase el rey moro
12. Dime a do tienes las mientes
13. Si no's huviera mirado
14. Dexo la venda
15. Puse mis amores
16. Aqui me declaro su pensamiento
17. Pues que me tienes
18. Gentil dama, non se gana
19. Mi querer tanto vos quiere
20. Una hija tiene el rey
21. Una matica de ruda
22. Si la noche se hace oscura
23. Pastorcico, non te aduermas
24. Ay triste que vengo
25. No soy you quien la descrube
26. Pase el agua, Julieta
27. Aquel caballero, madre
28. Duelete de mi, Senora
29. De Antequera salio el Moro
30. De los alamos vengo, madre
31. Enfermo estaba Antioco
32. Dame acogida en tu hato
33. Morenica, dame un beso
34. Senora, si te olvidare
35. De donde venis, amore?

Tracks:

1. La rosa enflorece
2. Ven querida
3. Adio, querida
4. Durme, durme, hermozo hijico
5. Paxaro d'hermosura
6. Avrix, mi galanica
7. Irme quiero, la mi madre
8. Ya viene el cativo
9. Yo m'enamori d'un aire
10. Una matica de ruda
11. Anda, jaleo
12. Los cuatro muleros
13. Las tres hojas
14. Los mozos de Monleon
15. Las morillas de Jaen
16. Sevillanas del siglo 18
17. El cafe de Chinitas
18. Nana de Sevilla
19. Los pelegrinitos
20. Zorongo
21. Romance de Don Boiso
22. Los reyes de la baraja
23. La tarara
24. El combat del somni: Damunt de tu, nomes les flors
25. A l'ombra del Lledoner: Canco de grumet
26. Canciones negras: Cancion de cuna para dormir a un negrito
27. Cuatro madrigales amatorios: De los alamos vengo, madre
28. Coleccion de tonadillas: Callejeo
29. Coleccion de tonadillas: El tra la la y el punteado
30. Seis canciones castellanas: No quiero tus avellanas
31. Seis canciones castellanas: Jota
32. Panxolina
33. Tu pupila es azul
34. Cantos populares espanolas: Malaguena
35. Cantos populares espanolas: Granadina
36. Cantos populares espanolas: El Vito
37. Cantos populares espanolas: Pano murciano
38. Clavelitos
39. Adios, Granada
40. Madrigal

Tracks:

1. Coleccion de tonadillas: Amor y odio
2. Coleccion de tonadillas: Callejeo
3. Coleccion de tonadillas: El majo discreto
4. Coleccion de tonadillas: El majo olvidado
5. Coleccion de tonadillas: El majo timido
6. Coleccion de tonadillas: El mirar de la maja
7. Coleccion de tonadillas: El tra la la y el punteado
8. Coleccion de tonadillas: La maja de Goya
9. Coleccion de tonadillas: Las currutacas modestas
10. Tres majas dolorosas: Oh muerte cruel!
11. Tres majas dolorosas: Ay majo de mi vida
12. Tres majas dolorosas: De aquel majo amante
13. Goyescas: La maja y el ruisenor (Rosario)
14. 'La vida breve': Vivan los que rien! (Salud - Act 1)
15. 'La vida breve': Alli esta! Riyendo! (Salud - Act 2)
16. 'Acis y Galatea': Confiado jilguerillo
17. El tripili
18. Llorad, corazon
19. Iban al pinar
20. No lloreis, ojuelos
21. Mananica era
22. Mira que soy nina
23. Gracia mia
24. El pano moruno
25. Seguidilla murciana
26. Asturiana
27. Jota
28. Nana
29. Cancion
30. Polo
31. 'La Tempranica': Zapateado (La tarantula e un bicho mu malo)

Customer Reviews:

The most noble voice.......2004-05-28

Victoria de los Angeles' voice not only has a silken quality and fascinating glow to it but it is one of the most regal, noble sounds you'll ever hear. She illuminated those moments of quietness, gentleness and noble, feminine pride and elegance like no other soprano before and after her. This release of her "Spanish Songs" has never been surpassed. The songs of her homeland seem to have been written for her beautiful instrument alone, she fills every piece with special beauty and charm, religious flair and beautiful, noble simplicity. Buy this recording and see why Victoria is one of the best sopranos ever having come from Spain.

PURCHASE THIS JEWEL WHILE YOU CAN.......2002-01-08

FOR A LONG TIME "SONGS OF SPAIN" HAS BEEN MY FAVORITE ALBUM OF CLASSICAL, POPULAR, SECULAR AND RELIGIOUS (CHRISTIAN AND SEPHARDIC) SPANISH SONGS. DE LOS ANGELES DEFIES A RIVAL IN THIS GENRE. DE LARROCHA, SORIANO AND ZANETTI PROVIDE UNEQUALED ACCOMPANIEMENTS. THE RECORDINGS ARE SECOND ONLY TO LIFE PERFORMANCES. I UNDERSTAND THAT EMI INTENDS TO TAKE THIS SET OUT OF PUBLICATION. PURCHASE THIS JEWEL WHILE YOU CAN! I JUST PURCHASED MY THIRD SET FROM AMAZON AND I TREASURE IT AS MUCH AS MY FIRST!

luminous artistry from a genius.......2000-12-26

the vocal artist of vocal artistsdisplays her absolutely gorgeous voice and musical understanding of spanish feeling with a warmth that is unmatched anywhere.the only thing better was to hear her in person!

A special Dignity and an Unfailing Beauty of Voice........2000-09-17

This set offers four generously-filled CDs comprising almost 140 Spanish songs from Victoria de los Angeles' repertoire. To all of them she brings a special dignity and an unfailing beauty of voice. The earliest recordings date from 1950 and the last is the items she sang at the opening of the Barcelona Olympics in 1992. Yes, you will find the ubiquitous "Clavelitos!" here, and a later version of "La maya el ruisenor" from "Goyescas". The enclosed booklet provides illuminating notes by Lionel Salter, who also translated many of the texts which are also included. Accompanists include Gerald Moore and Alicia de Larrocha, and Victoria de Los Angeles provides a guitar accompaniment herself in one song. The last track of all, a zapateado from a zarzuela, recorded live in New York, must almost have brought the house down.

Average customer rating: The classical heritage

Music of Spain Manufacturer: RCA ProductGroup: Music Binding: Audio CD Quintets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Boccherini | Boccherini, Luigi | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Granados, Enrique | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tarrega | Tarrega, Francisco | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Turina | Turina, Joaquin | ( T ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Serenades & Divertimentos | Forms & Genres | Classical | Styles | Music | Divertimentos Suites | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Ballets & Dances | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Guitar | Strings | Instruments | Classical | Styles | Music Bream, Julian | ( B ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Barcarolles | Vocal Non-Opera | Opera & Vocal | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Boccherini, Luigi | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Granados, Enrique | ( G ) | Composers, A-Z | Classical Music Blowout | Stores | Music Tarrega, Francisco | ( T ) | Composers, A-Z | Classical Music Blowout | Stores | Music Turina, Joaquin | ( T ) | Composers, A-Z | Classical Music Blowout | Stores | Music Bream, Julian | ( B ) | Performers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Rachmaninov: His Complete Recordings Bach: The Landowska Recordings Bach: Lute Suites, Trio Sonatas The Verdi Recordings Grieg: Complete Solo Piano Music ASIN: B0009U55QA Release Date: 2005-09-06

Customer Reviews:

The classical heritage .......2006-04-16

The visible embellishment of this noble instrument was enriched still more by the Spanish composers, who following the traces of his contemporaries. In the case of Fernando Sor, Haydn was his musical guide, where as Aguado, could establish himself with major vehemence, due its particular style, based in the notable right-hand articulation, eschewed the classical patterns, being able to print his own music a flamboyant and refined character.

In the particular case of Fernando Sor, we have a wisdom blending of the counterpoint technique, an evocative mood from his own that, added the well known influence of the Italian composers (Domenico Cimarrosa and Giovanni Batista Pergolesi) and his beloved love for the Operatic genre, allowed him to enrich still more the lyrical possibilities of the guitar. Besides, unlike Nicolo Paganini, for instance fortunately did not transform the guitar in a simple device to show his overwhelming gifts. He used the guitar to play music, on the opposite approach of Paganini who used the music as mere device to play his instrument.


In the guitar genre there has not been most deserved and superb tribute to Mozart that this Variations Op. 9 based on a motive of The most famous Mozart ?s Magic Flute. Loaded of such imaginative freshness and enraptured inspiration you may notice that one of the Variations conserves an undeniable Italian flavor; this is one of the most beloved hidden treasures the guitar can offers us, which raise with special charm in the hands of this formidable soloist.

Aguado on the contrary acquired due his personal state of things, a notable adroitness who excelled by far, to Sor, so his musical approaches rode in opposite directions, trying to exploit at maximum levels the technical possibilities of the instrument.


Julian Bream makes a colossal tribute to both composers in this egregious and golden album.

Salsa Music:

1. Encuentro de Angeles, Vol. 1
2. Epoca de Oro de los Trios, Vol. 5
3. Eternamente Enamorados, Vol. 3
4. Feliz Navidad
5. Flamazo '98
6. From the Inside [Extra tracks] [Import]
7. Fruta de la Pasion
8. Goza Tu Bailable Fiesta
9. Grandes Exitos
10. Grandes Exitos

Salsa Music

salsa music

Salsa Music

No Illicit Dancing [Import]

Symphony 4 Op 36 / Symphony 5 Op 64

Off the Clock Live [Import]

Buddha Bar IV (Unibox)

The Life of David Gale (Score) [Enhanced] [Soundtrack]

Rembetiko & Popular Music From Greece

Rarities V.1 & 2 [Import]

Tanyss Nixi & the Angry Mob

Spasmena Frena [Import]

Rubinstein Plays Chopin

Swinging & Sentimental

Spirituals and Rags: Jazz Harpsichord

Step in the Arena

Houses of the Holy

Get Some