| 1. Muņeca de Carton |
| 2. Nadie Como Tu |
| 3. Que Viva el Amor |
| 4. Locos de Amor |
| 5. Nenita Cha Cha |
| 6. Echale Mas |
| 7. Cosa Triste |
| 8. Flechazo |
| 9. Cuento de Amor |
| 10. Querida Amiga |
| 11. ...Y Me Dejaste Aqui |
| 12. Dos Para Siempre Dos |
Viva El Amor,Los Mier,Fonovisa Inc.,Latin,Latin Continuum,Latin Pop,Mexican,Norteņo
Average customer rating:
|
Isabel Bayrakdarian ~ Azulão
Manuel de Falla , Enrique Granados , Carlos Guastavino , Xavier Montsalvatge , Fernando J. Obradors , Jaime Ovalle , Joaquin Rodrigo , Catalan Traditional , Heitor Villa-Lobos , Isabel Bayrakdarian , and Jamie Parker Manufacturer: Musica Viva ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000DFZY4 Release Date: 2003-10-21 |
Tracks:
- El Majo Discreto
- El Majo Timido
- El Tra La La Y El Punteado
- La Maja De Goya
- La Maja Y El Ruisenor
- Song Of The Birds
- La Rosa Y El Sauce
- Con Que La Lavare?
- Vos me Matasteis
- De Donde Venis, Amore?
- De Los Alamos Vengo, Madre
- El Vito
- Al Amor
- Corazon, Porque Pasais?
- La Mi Sola, Laureola
- Del Cabello Mas Sutil
- Chiquitita La Novia
- El Pano Moruno
- Asturiana
- Cancion
- Nana
- Jota
- Polo
- Cancion De Cuna Para Dormir A Un Negrito
- Aria (Cantilena)
- Dance/Danse (Martel)
- Azulao
Album Description
Following on the enormous success of her first recording for CBC RECORDS - Joyous Light (CBC SMCD 5215) - the stunning young Canadian lyric soprano ISABEL BAYRAKDARIAN turns her attention to the seductive colours and rhythms of Spain and Latin America. The centre piece of this recording is the vocal evergreen, Bachianas Brasileiras # 5 for soprano and eight cellos by Brazilian composer Heitor Villa-Lobos. After winning the Metropolitan Opera National Auditions in 1997, Isabel (who is of Armenian descent) has gone on to make debuts with such international companies as the Metropolitan Opera (New York), Lyric Opera of Chicago, Paris Opera and La Scala (Milan), Semperoper (Dresden) and the Canadian Opera Company (Toronto).Customer Reviews:
Isabel's voice is enchanting!.......2006-10-12
sunlight. Her interpretations are exquisite. My favorite on the recording is Granados' "La Maja y el Ruisenor".
Brava Isabel!
A real diamond!.......2006-04-13
Isabel has a rare talent that combines beautiful tone, clarity and unbelievable fluidity of her voice, intelligent thinking, good sensitive heart and generous nature. You believe every intonation, every nuance. She is always authentic, always noble and her expressivity is never forced, emotions are never overacted.
This CD captures well her magic voice. And God, she is amazing in pianissimos! That's why to me, the Lullaby by Xavier Montsalvatge with its softness and warmth is the highlight of this recording.
Amazing amazing stuff.......2004-10-07
I first fell in love with Bayrakdarian's voice on the CD "Joyous Light," a collection of Armenian liturgical music arranged for soprano and orchestra (some of it just solo voice.) This disc intrigued me because of her incredible voice and the somewhat off the beaten path repertoire & instrumentation (soprano, piano & cello ensemble!?!) I was happy to see a young, amazing talent NOT do a disc of Italian or German arias. Her CDs definately seem to explore the lesser known repertoire and that's to be commended, because we get to hear a stellar voice bring some real gems to light. Interesting that soprano's solo disc includes an instrumental piece, but it fits in nicely and is certainly appreciated by this listener.
The first two of the Rodrigo madrigales are arrestingly beautiful. The disc as a whole is sublime. She's definately one to watch. I can't think of another soprano I'd rather hear these days than Bayrakdarian. I'm flying back to my hometown next year to her in concert. It's months & months away and I can't think of another performance anytime soon that I'm looking this forward to.
Fascinating Program Beautifully Performed.......2003-11-21
First, the program is well-constructed, alternating vocal/piano music with vocal/cello ensemble music, with cello ensemble music. Timbres are changed often enough that one's ear does not tire. Second, every bit of the program is superbly performed. Pride of place must be given to Miss Bayrakdarian, whose voice is crystalline and yet imbued with a womanly sensuality that well serves the alternately sultry and kittenish Spanish music present here. She sings Granados's delicious 'Four Tonadillas' with the kind of charm that I thought only a native Spaniard could bring to it. She negotiates the agréments and their subtle alterations of intonation so typical of Spanish singing with complete mastery. Late in the program she performs, with the cello ensemble, the ever-popular Bachianas Brasileiras No. 5 as well as I've ever heard it. She also inhabits the sung version of Granados's 'La Maja y el Ruiseñor' ('The Maiden and the Nightingale') arranged for the opera he made from his piano suite 'Goyescas.'
The cello group plays Pablo Casals's arrangement of the Catalan Christmas carol, 'El Cant dels Ocells' ('The Song of the Birds'). And they lend a hand in Joaquin Rodrigo's 'Cuatro madrigales amatorios' ('Four Love Madrigals'), with cello ensemble accompaniment arranged (as in others here recorded) by Peter Tiefenbach. I particularly liked the interplay of teasing soprano and sporty cellos in 'Vos me matásteis' ('I die for love of you'), the second of this set, which is then followed by a bang-up performance of the familiar, catchy 'De los álamos vengo, madre' ('I've been down by the poplars, mother').
Fernando Obradors wrote wonderful songs that occasionally get sung by non-Spanish singers--I remember once being entranced by Elly Ameling singing the set recorded here by Bayrakdarian with superb assistance from pianist Parker, 'Canciones clásicas españolas' ('Classic Spanish Songs'). And I must say that at times I hear a hint of Ameling in Bayrakdarian's voice, something I call 'a smile in the voice.' This set is followed by an expert arrangmement, this time by Claude Kenneson, of Manuel de Falla's 'Suite populaire espagnole' that employs the cello ensemble (with some melting solo work by Epperson, their leader) playing three all-instrumental pieces and then accompanying Bayrakdarian in three of the six songs.
The CD is rounded out by Xavier Montsalatge's Lullaby from 'Cinco canciones negras,' the aforementioned Bachianas Brasileiras No. 5, and then the song that gives this album its title, Jayme Ovalle's 'Azulão' ('Bluebird'). The latter uses all the forces available here--soprano, pianist, cellists--in a haunting lament: 'Go bluebird, bluebird, companion of mine, go! Go see my faithless love.'
I cannot praise this issue highly enough. Ms Bayradkarian's voice is world-class and she sings with great musicality and feeling. Her accompanists are flawless. The recorded sound is quite good. The unattributed notes are very helpful. There are full translations of all the sung texts.
TT=76:14
Scott Morrison
Average customer rating:
|
Music for the Spanish Kings
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000059LOK Release Date: 2001-06-05 |
Tracks:
- Zappay
- Viva, Viva Rey Ferrando
- De Tous Biens Plaine
- Donde Estas Que Non Te Veo
- Figlie Guilielmin
- Amor, Che T'o Fat Hio
- Puis Fortuna
- Qu'es Mi Vida Preguntays
- Collinetto
- Dindirindin
- O Dio Se Vede Chiaro
- Il Re Di Spagna
- Dezilde Al Caballero
- Diferencias Sobre El Canto Del Caballero
- Cingari Siamo Venit'a Giocare
- Fantasia I - Fantasia II 'Salve Regina'
- Ay Luna Que Reluzes
- Gallarda Napolitana
- Vecchie Letrose
Tracks:
- Himno XIX Pange Lingua IV
- Pour Un Plaisir
- Diferencias Sobre 'La Dama Le Demanda'
- Tiento II. Cuarto Tono
- Pavana Con Su Glosa
- Fabordones Del Sexto Tono
- Tiento VIII
- Quien Llamo Al Partir, Partir?
- Tres Sobre La Alta
- Un Gay Bergier
- Diferencias Sobre 'Las Vacas'
- Tiento IX. Quinto Tono
- Para Quien Crie Cabellos
- Tiento XIII. Fuga A Cuatro
- Tiento VII. Cuarto Tono
- Diferencias Sobre La Pavana Italiana
- Je Fille Quant Dieu Me Donne De Quoy
- Tiento III. Primer Tono
Customer Reviews:
Great Addition to My Collection.......2006-10-29
Average customer rating:
|
Viva el Amor
The Pretenders Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000JC6F Release Date: 1999-06-22 |
Tracks:
- Popstar
- Human
- From The Heart Down
- Nails In The Road
- Who's Who
- Dragway 42
- Baby's Breath
- One More Time
- Legalise Me
- Samurai
- Rabo De Nube
- Biker
Amazon.com
Chrissie Hynde is back to kick some ass. ¡Viva el Amor!, the Pretenders' first studio album since 1994's Last of the Independents, provides a reading on the singer's state of mind and relationships. Hynde and company--stalwart drummer Martin Chambers and an assortment of complementary players--take the energy level to breathtaking heights, especially on "Legalise Me," which matches Jeff Beck's incendiary guitar work against our heroine's rapid-fire delivery. Hynde shows that she can still sneer with the best of them on "Popstar," her biting send-up of late-'90s girl singers (and reportedly a roman à clef aimed in part at Patsy Kensit, who was once married to Hynde's former husband, Simple Minds' Jim Kerr). "Baby's Breath" skewers a young lover and showcases her sangfroid vocals at their chilling best. Hynde pours on more vitriol in "Biker," the record's final cut, which pairs steel-hard lyrics with an incongruously sweet string section. Nearly two decades after the release of the Pretenders' landmark debut, the Great Pretender is still feeling feisty. --Jaan UhelszkiCustomer Reviews:
Viva Los Pretenders.......2006-08-20
Chrissie and company show more adeptness here than their fine work 'Last of the Independents'. Experience with the same players brings out the best in the helmswoman and her able band. Here they're power pop perfect on "Human" and "Baby's Breath". Yet, we get both sides of the Chrissie Hynde coin: The former shows her at her most vulnerable, and the latter demonstrates she's not one to be taken lightly. "Who's Who" meets both character traits with a delivery that's nearly pop/rock perfect and more pleasing. There's at least one song with an edginess not appearing anywhere else: "Dragway 42," which adapts alternative like the band invented it. The album almost could be defined as having a Pretenders' "wall of sound," but they don't have the complacency to become formula, either. "Do It One More Time" is a mixed moment. Besides being a hard rock song, it starts with torch nightclubbiness that even increases the eclecticism of this effort. It is substantial, even if Hynde's voice uncharacteristically falters in the refrain. Then, there are spare moments that are accentuated. "My Favorite Samurai" has much more than what the surface conveys (musically, anyway). "Biker," however, is a fine anthem finale that is as bottom line musically as it is lyrically. Thoughtful, like the lead songstress, it punctuates all the observations of the good and bad in a love life, then figures out an ideal to follow up on. If it doesn't seem varied and engaging by now, then "Pop Star" and the athletic "Legalise Me" should stand up as more than exercises in rock and roll longevity.
Maybe, "They don't make 'em like they used to..." as she sings on her acerbic "Pop Star," but for the lucky few who have stayed with The Pretenders have been rewarded by a continuing update of Hynde and Co. as they continue to give it to us straight.
An excellent album.......2004-07-02
Their best since "Packed".......2003-11-06
"Popstar" is a catchy pop song with great lyrical and musical hooks that make for a good listen, but the theme is of limited interest, and when you take Chrissie Hynde's magnificent ability to be scathing and put it behind accusing someone of eating red meat, a great talent is being wasted a bit. "Human" is a light pop song reminiscent of songs on "Packed". "From the Heart Down" is a gorgeous slow love song that's among her best. The CD is largely downhill from there. "Nails in the Road" is a musically pleasing slow rocker, with well-written verses, but the nails-in-the-road metaphor in the chorus borders on silly, the "tires about to explode" line perhaps crossing the border. "Who's Who" is bubblegum-light pop, and Chrissie does such songs well, e.g. "Don't Get Me Wrong". The bitter lyrics here just don't match the sweet sound. "Dragway 4z" is a mediocre slow rocker with modal moments that faintly echo the beautiful "Tradition of Love". (This is not an endorsement of the disappointing "Get Close"; several songs on this CD are just reminiscent of songs on that one).
"Baby's Breath" is one of the better songs here, with a catchy chorus and a metaphor that does work well. The verses are weaker, and this is another enjoyable but disposable pop song that is almost too clever. Like several other reviewers, I'd say that's a weakness of many of the songs here - they sometimes seem overly crafted, overly clever. "One More Time" is a 60's-style soul song reminiscent of "Chill Factor". I agree with the reviewer who singles this one out for amazingly passionate singing, with Ms. Hynde playing it much safer on the other tracks. "Legalise Me" is catchy and captures a bit of the early Pretenders sound, but the Amazon review saying energy levels are taken to "breathtaking heights" seems way over the top; those heights were left behind 20 years ago, and that's OK - it would be foolish to try to reach for them at age 50. I largely agree with a reviewer who felt the final 3 songs could have been left off entirely. "Samurai" is very slow, pretty 80s pop with mediocre lyrics and music. I could have done without the Pretenders accompanied by accordion on "Rabo de Nube", or at least would have preferred the song in a different context - Chrissie Hynde doing an Astrid Gilberto-style album might be pleasant enough, but this song really doesn't fit here. I can't decide about "Biker"; it sounds alternately like an embarrassingly bad cliche or a great closing to me, usually the former.
Hynde and her band are skillful and crafstmanlike on this CD, but are often recycling old sounds and hooks to make new and lesser songs that are enjoyable but ultimately forgettable. There are rare artists who manage to re-invent themselves in interesting ways on and off for decades, many who degenerate into self-parody or oldies bands, and then there are those like Hynde who are workmanlike, continue to create, and continue to please with the same sort of music, relying heavily on their early material. If you want to hear Chrissie Hynde doing new songs in great vocal form, no longer trying to sound like she's 30, you'll likely enjoy "Viva El Amor". If you're looking for truly great new songs or sounds, or haven't been satisfied by other Pretenders albums since the early 80s, "Viva El Amor" may not be for you. This is no "Pretenders" or "Learning to Crawl", it's just Chrissie Hynde making some good music.
4 good songs, some mediocre ones and some bad ones.......2003-10-30
Jeff Beck plays guitar on this CD. His presence is felt on some of the tracks. But, for the rest of the CD, it could be anyone on guitar.
This CD is similar to everyone the Pretenders have done since Learning to Crawl. A lot of short songs in a pop/rock tradition. Most of them contain a cute illusionary turn of a phrase (Nails in The Road). She puts enough of these songs on an album that some hit and some miss.
There are 4 very good songs on this album. I think some people immediately like this CD because it starts out so well with the song Popstar. The other good songs include Dragway 4Z and Legalise Me. The songs have the emotion and energy that makes the Pretenders so good.
The bad songs are pedistrian pop songs trying to find a clever hook. These include Baby's Breath (Why did you send me flowers/save them for someone's death/it's just baby's breath) and Nails in the Road (Everytime I try to get close to you/you throw nails in the road).
The CD ends up with the ridiculous Biker. She sings "You bring The Biker out in Me", but it is to a lush, mushy, heavily orchestrated tune. It is more like someone brought out the mother in her. If she is going to sing about being a biker, it should be to rough, energetic rock.
The good songs are in the 4 star category. There just aren't enough of them. Last of the Independents is a much better CD.
Pleasant Sounds.......2001-03-23
Average customer rating: |
The Complete Caruso
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0001TSWQO Release Date: 2004-11-09 |
Average customer rating:
|
Classic Puccini Recordings
Puccini , and Tebaldi Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006IU8W Release Date: 2003-03-11 |
Album Details
Italian Soprano Renata Tebaldi was One of the Most Important Post-war Sopranos to Tackle a Wide Range of Puccini Roles, and During the 1950s She Recorded Several Complete Opera Recordings. Some of the Operas were Recorded Twice in Mono and Then in Stereo. Amongst Those which Tebaldi Committed to Disc in the Recording Studio on Two Occasions Must Be Included La Bohème and Madama Butterfly. It is the Earlier, Mono Recordings of These Two Operas which Are Included Here and They Reveal a Fresh-voiced Tebaldi in Recordings Which, Despite the Stereo Remakes, have Stood the Test of Time.Customer Reviews:
Excellent introduction to Tebaldi's art.......2005-09-29
Wonderfull.......2005-08-19
Classic Renata.......2005-03-16
Average customer rating: |
The Golden Age Of Tango
Astor Piazzolla Manufacturer: Retro Music ProductGroup: Music Binding: Audio CD ASIN: B00004RJNF Release Date: 2000-02-14 |
Tracks:
- De Mi Bandoneon - Astor Piazzolla Y Su Orquesta
- Se Armo' - Astor Piazzolla Y Su Orquesta
- Quejas de Bandoneon - Astor Piazzolla Y Su Orquesta
- Chiclana - Astor Piazzolla Y Su Orquesta
- Pillete - Astor Piazzolla Y Su Orquesta
- Taconeando - Astor Piazzolla Y Su Orquesta
- Ojos Tristes - Astor Piazzolla Y Su Orquesta
- Cargamento - Astor Piazzolla Y Su Orquesta
- Republica Argentina - Astor Piazzolla Y Su Orquesta
- Villeguita - Astor Piazzolla Y Su Orquesta
- Cafetin de Buenos Aires - Astor Piazzolla Y Su Orquesta
- Marron y Azul - Octeto Buenos Ayres
- Mareados - Octeto Buenos Ayres
- Tangology - Octeto Buenos Ayres
- Neotango - Octeto Buenos Ayres
- Marne - Octeto Buenos Ayres
- Anone - Octeto Buenos Ayres
- Entrerriano - Octeto Buenos Ayres
- Arrabal - Octeto Buenos Ayres
- Fuego Lento - Octeto Buenos Ayres
Tracks:
- Cumparsita - Orchestra Argentin Bianco-Bachicha
- Crepusculo - Orchestra Argentin Bianco-Bachicha
- Viva el Principe - Orchestra Tano Genaro
- Retintin - Orquesta Tipica Argentina
- Carretero - Carlos Gardel
- Muchacha del Circo - Carlos Gardel
- Bandoneon Arrabalero - Orquesta Tipica Argentina
- Misa de Once - Salvador Pizarro Y Su Orquesta Tipica Argentina
- Se Va la Vida - Orchestre Argentin Bachicha
- Don Goyo - Eduardo Bianco
- Mi Viejo Amor - Rosita Barrios, Luis Mandarino
- Vous Qu' Avez Vous Fait de Mon Amour - Orlando et Son Orchestre Du Bagdad
- Viruta - Orlando et Son Orchestre Du Bagdad
- Yo No Se Porque Te Quiero - Rafael Canaro et Son Orchestre de Tango
- Batacazo - Orchestre Argentin Manuel Pizarro
- Elegant Papirusa - Bernardo Alemany & The Orchestre Argentin
- Malinconia - Bernardo Alemany & The Orchestre Argentin
- Viejo Poncho - Orchestre Argentin Bachicha
- Tierra Querida - Astor Piazzolla
- Todo Corazon - Astor Piazzolla
Album Details
Double Disc Budget Collection of 40 Great Recordings from the King of the Tango!
Average customer rating:
|
Alfons V el Magnànim: El Cancionero de Montecassino
Cancionero de Montecassino , Damianus , Guillaume Dufay , Johannes Cornago , Anonymous , Johannes Ockeghem , and Hayne Van Ghizeghem Manufacturer: Alia Vox Spain ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005B84T Release Date: 2001-06-12 |
Tracks:
- Adoramus te: Adoramus te Domine (introduccion)
- Adoramus te: Adoramus te Domine
- Adoramus te: Crucem tuam adoramus
- Adoramus te: Ecce enim propter lignum
- Adoramus te: Adoramus te Domine
- Ave Maris Stella, CM 62: Ave maris stella
- Ave Maris Stella, CM 62: Sumens illud Ave
- Ave Maris Stella, CM 62: Solve vincla reis
- Ave Maris Stella, CM 62: Monstra te esse matrem
- Ave Maris Stella, CM 62: Virgo singularis
- Ave Maris Stella, CM 62: Vitam praesta puram
- Ave Maris Stella, CM 62: Sit laus Deo Patri
- Ave Maris Stella, CM 62: Amen
- Ave Maris Stella, CM 76
- Veni sancte spiritus: Vini sancte spiritus
- Veni sancte spiritus: Veni pater pauperum
- Veni sancte spiritus: Consolator optime
- Veni sancte spiritus: In labore requies
- Veni sancte spiritus: O lux beatissima
- Veni sancte spiritus: Sine tuo nomine
- Veni sancte spiritus: Lava quod est sordidum
- Veni sancte spiritus: Flecte, quod est rigidum
- Veni sancte spiritus: Da tuis fidelibus
- Veni sancte spiritus: Da virtuitis meritum
- Veni sancte spiritus: Amen
- Miserere nostri/Vexilla Regis: Miserere nostri
- Miserere nostri/Vexilla Regis: Vexilla regis prodeunt
- Miserere nostri/Vexilla Regis: Quo vulneratus insuper
- Miserere nostri/Vexilla Regis: Impleta sunt quae concinit
- Miserere nostri/Vexilla Regis: Arbor decora et fulgida
- Miserere nostri/Vexilla Regis: Beata cujus brachiis
- Miserere nostri/Vexilla Regis: O Crux ave, spes unica
- Miserere nostri/Vexilla Regis: Tesumma Deus Trinitas
- Miserere nostri/Vexilla Regis: Miserere nostri. Amen
- Fantasia
- Magnificat: Magnificat anima mea Dominum
- Magnificat: Et exsultavit spiritus meus
- Magnificat: Quia respexit humilitatem
- Magnificat: Quia fecit mihi magna
- Magnificat: Et misericordia ejus
- Magnificat: Fecit potentiam in brachio suo
- Magnificat: Deposuit potentes de sede
- Magnificat: Esurientes implevit bonis
- Magnificat: Suscepit Israel puerum suum
- Magnificat: Sieut locutus est ad patres nostros
- Magnificat: Gloria Patri et Filio
- Magnificat: Sieut erat in principio. Amen
- Patres nostri peccaverunt
- Cum autem venissem: Cum autem venissim ad locum
- Cum autem venissem: O dulsissime filie Sion
- Cum autem venissem: O vos qui transitis per viam
- Cum autem venissem: O nimis triste spectaculum
- Cum autem venissem: Cum portaretur ad sepulcrum
- Cum autem venissem: Cum vero venissem ad locum
- Cum autem venissem: Amen
Tracks:
- Chiave, chiave
- Merce te chiamo
- La fille guillemin
- O tempo bono
- Zappay
- Paingendo chiamo
- Puisque vos me lasses seulete/Je ne vous amare Marioneta
- Alle stamenge
- Collinetto
- Amor tu non me gabasti
- Je vos pri mon tres
- Correno multi cani
- Mort tu as navre/Miserere pie Jhesu: Miserere pie Jesu
- Mort tu as navre/Miserere pie Jhesu: Mort tu as navre deton dart
- Mort tu as navre/Miserere pie Jhesu: Retoricque, se Dieu me gard
- Mort tu as navre/Miserere pie Jhesu: En sa jonesse fut soudart
- La Spagna
- Qu'es mi vida preguntais
- Viva viva Rey Ferrando
- De tous biens plaine
- Dindirindin
Customer Reviews:
Amazing Religious and Profane music from the 15th Century.......2004-02-23
This CD is the second in a series entitled "Musicas Reales", the first of which being "Carlos V" containing works mainly from the 16th century. If you enjoyed that one, then "Alfons V el Magnanim" will be a welcome addition to your CD spinner.
There is beautiful polyphony, harmony, pieces for single and multiple voices, trumpets, violins, and much much more all packed into 2 CDs that run over an hour each (CD1 is over 71 minutes long, CD2 is over 74 minutes long, so you get plenty of music for the price). The musicians and choir are stunning, and the music will stick with you long after the CDs stop rotating.
The first CD focuses on the Religious music contained in the Cancionero de Montecassino, and is thus more subdued and ethereal than the second CD which contains profane music from the same source. The second CD has some uppidty tunes and the mood is drastically different from the relatively more subdued first CD. The CDs together represent a wide range of the music of the 15th century. Alfons V made Naples his homebase, and from this city he attracted musicians from all over - what was then known as - "the world". Thus, this collection is really an amalgam of many styles and contains music sung in many languages. The CD booklet contains much information about Alfons V, the Cancionero de Montecassino, and the music on these CDs (in 6 languages, which is typical for Alia Vox). This collection is well worth the price and will reward many listenings for any fan of early Renaissance music.
Average customer rating:
|
Taize: Venite Exultemus
Various Artists Manufacturer: Gia Publications ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006JM84 Release Date: 2002-11-05 |
Tracks:
- Venite, Exultemus Domino
- El Alma Que Anda En Amor
- The Kingdom Of God
- Alleluia 20
- Gott Ist Nur Liebe (Bog Jest Miloscia)
- Bogoroditse Dievo
- Beati Voi Poveri
- Jesu Redemptor
- Qui Regarde Vers Dieu
- In Manus Tuas, Pater
- Jubilate, Alleluia
- In Resurrectione Tua
- Tu Sei Sorgente Viva
- Kyrie Eleison 19
- Nothing Can Ever Come Between Us
- L'ajuda Em Vindra Del Senyor
- Bendigo Al Senor
- Alleluia, Slava Tiebie Boze
- Wyslawiajcie Pana
Customer Reviews:
a trip back to the chapel.......2007-06-08
Blessed music.......2005-10-22
Taize music is both simple and sophisticated. Brother Roger, founder of Taize, seeks to add a prayerful element to music, and a musical element to prayer, believing firmly in the old dictum, 'those who sing, pray twice'.
The songs of Taize are designed to be sung by those who have difficulty carrying a tune, as well as those whose training and background in music extends to high levels.
This recording contains many of the best Taize chants. Given the international outreach of Taize (it is a great pilgrimage site for people all over the world), the chants tend to be sung in Latin. The Latin is not due to Catholic influence as much as it a shared language among many people's linguistic heritage while no longer being anyone's first language. Brother Roger reclaimed Latin as a language for the monastery so that no one 'living' language would claim a dominance over others. However, it is a feature of Taize chant that it can be adapted to other languages very easily.
Taize worship relies on psalms heavily, as well as periods of silence, Bible readings, and prayers. Some such pieces are included here.
The way Taize chants 'work' is that they are simple phrases and simple tunes that gradually reveal depth and sophistication by being repeated over and over. All chants presented in this text are put in multiple-part harmony (usually four-part), and some are marked to be done in rounds.
This recording is a rich expression, wonderfully presented. According to Brother Roger, all who follow this journey of the spirit remain alongside other people, adding their prayers and voices together. 'They do not separate prayer and commitment.'
Average customer rating: |
Music for Ferdinand and Isabella of Spain
Manufacturer: Testament UK ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00016ZKS0 Release Date: 2004-04-13 |
Salsa Music:
- Viva El Amor
- 12 Super Exitos Bailables
- 14 Detonantes Corridos
- 15 Boleros de Oro, Vol. 2
- 15 Exitos
- 16 Grandes Exitos
- 1830
- 20 Romanticas Con Banda
- 20 Super Grupos, Vol. 2: Sonido Romantico
- A Ritmo de Fiesta
Salsa Music
Oestreich: Horn Quartets/Horn Trios
Tumbling Down [CD-single] [Import]
Lupin the 3rd: Sideburn Club Mix
Novo Millennium: Bossa Nova [Import]
Live at the BBC [Import] [Live]
Midsummer Night's Dream and other Festive Melodies