Velo

Velo

Track Listings

1. Podres Poderes
2. Pulsar
3. Nine Out of Ten
4. O Homem Velho
5. Comeu
6. Vivendo Em Paz
7. O Quereres
8. Grafitti
9. Sorvete
10. Shy Moon
11. Língua

Velo,Caetano Veloso,Polygram Brazil,Int'l & World Music,MPB


Canzoni e Danze: Wind Music from Renaissance Italy
Average customer rating: 5 out of 5 stars
  • Triumphant!
  • Excellent Renaissance Faire. Buy it!
  • Definitely Worth the Listening
  • Superb musicianship on ancient instruments....
  • Piffaro Renaissance Band Superb
Canzoni e Danze: Wind Music from Renaissance Italy
Joan Ambrosio Dalza , Heinrich Isaac , Francesco Bendusi , Giorgio Mainerio , Rossino Mantovano , Costanzo Festa , Anonymous , Fillippo Azzaiolo , Jacques Arcadelt , Vincenzo Ruffo , Orazio Vecchi , Lodovico Agostini , Giovanni Ferretti , Cesario Gussago , Aurelio Bonelli , Eric Anderson , Grant Gerreid , Adam Gilbert , Joan Kimball , Gwyn Roberts , Robert Wiemken , Thomas Zajac , Piffaro , and The Renaissance Band
Manufacturer: Archiv Produktion
ProductGroup: Music
Binding: Audio CD

Baroque Dance SuitesBaroque Dance Suites | Ballets & Dances | Classical | Styles | Music | Allemandes | Courantes | Gigue | Sarabande
GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music
RecorderRecorder | Reeds & Winds | Instruments | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
Solo InstrumentalSolo Instrumental | New Age | Styles | Music
Similar Items:
  1. Chansons et Danceries (French Renaissance Wind Music)
  2. Los Ministriles: Spanish Renaissance Wind Music
  3. Los Ministriles: Spanish Renaissance Wind Music
  4. Panorama: Dances of the Renaissance
  5. Music From the Odhecaton

ASIN: B0000057EX
Release Date: 1995-11-14

Tracks:

  1. Piva
  2. Palle, Palle - Ne piu bella di queste - La mi la sol
  3. Recorders: Pass'e mezo ditto il Romano - Moschetta - Bandera
  4. La Parma - Un sonar de piva in fachinesco (Lirum bililirum)
  5. Regem archangelorum - Alma, che scarca dal corporeo velo
  6. Aldi, dolce ben mio - Bona via faccia barva (Venetiana) - Gentil madonna, del mio cor padrona
  7. Donna, quando pietosa - El travagliato - La gamba in basso e soprano - Amor e foco e ghiaccio
  8. Putta nera ballo furlano
  9. All'arm', all'arm' - Com'al primo apparir - Sonata 'La facca'
  10. Canzona 'Istrina' - Sonata 'La fontana' - Canzona 'Licori'
  11. la morte de la ragione (Pavane) - La traditora (Gagliarda) - Bel fiore - La rocha el fuso (Gagliarda) - El desperato (Saltarello) - La lavandara (Gagliarda)

Amazon.com

Piffaro discs make this sedentary fool want to get up and dance. Renaissance dance music is a much-underrated source of general delight, anyway. You don't have to be the kind of specialist listener who loves medieval masses to get a kick out of this tasty, highly rhythmic music--the disco of an earlier era. The tunes are appealing, the sounds of the varied instruments consistently delightful. I rate discs of Renaissance dances not so much by their authenticity, a debatable matter anyway, but rather by their danceability. Piffaro discs rank consistently high in this respect, and they are realistically recorded. --Leslie Gerber

Customer Reviews:

5 out of 5 stars Triumphant!.......2006-12-01

This is truly one of the best albums of Renaissance music currntly available! Purely instrumental! Much of it appears to be music for a royal court event or the like, with much use of brass and wind instruments. There are also many selections for the festival setting, usually involving the bagpipes and hurdy-gurdy. Too many albums of ancient music "pad" the content with monotonous choral polyphonic selections, perhaps starting out with one or two really good instrumental pieces. However, they did not do that in this one!

5 out of 5 stars Excellent Renaissance Faire. Buy it!.......2005-11-15

'Piffaro The Renaissance Band' is a Philadelphia group who has done several superior albums of Renaissance music for the label 'Archiv', late of Deutche Grammaphone, now part of Polygram. I was astonished when I heard from a student of one of the directors, Robert Wiemken, that the band is paid virtually nothing to make the record and have it distributed. While I would expect that from a minor label, it is surprising that an act should make it to Deutche Grammaphone and not be paid for their recording. I go into this minor digression because I am especially impressed by this recording and all their others as well.

I do take issue with it's being labelled a recording of 'wind' music, as there is ample representation from the family of string instruments, most famously the guitar and the hurdy gurdy.

Although I really enjoy 'old music', I'm not an expert on it, but I set out to distinguish this music from modern stuff, and the two I can find are the presence here of a lot of drone instruments such as the bagpipe and the hurdy gurdy and the absence of instruments such as the clarinet which give us that lushly woody tenor we hear in pieces such as 'Rapsody in Blue' or in some of Kurt Weill's German stage pieces. We also certainly miss the rich sounds of the piano, as the pianoforte has not been invented yet.

If you like old music, this band is a 'must hear'!

5 out of 5 stars Definitely Worth the Listening.......2004-01-26

Simply lovely. Some whimsical, some more technically serious. In all, definitely worth the money and the time. One of my new favorites.

5 out of 5 stars Superb musicianship on ancient instruments...........2001-10-03

I wish composers were still writing for hurdy-gurdy @ crumhorn...what a wonderful sound. I especially liked "La Parma". I do believe a modern tunesmith has taken that melody @ recently made a rather haunting popular song from it; a female vocalist, I think. If anyone out there can remember what the name of that modern tune is @ will post it here, it will save me some on-going mental annoyance. You won't go wrong in buying this album!

5 out of 5 stars Piffaro Renaissance Band Superb.......2001-05-20

This CD has me dancing in the streets. I have played holes in the recording. The musicianship is extraordinary with excitement, love and a great warm sense of pleasure taken by everyone involved. Renaissance instruments are not generally known for subtlety or nuance, but these players work miracles. The percussion sections are also integral to the whole and thrilling, where appropriate. Piffaro, please keep your music coming.
Dangerous Graces: Music by Cipriano de Rore and his pupils
Average customer rating: Not rated
    Dangerous Graces: Music by Cipriano de Rore and his pupils

    Manufacturer: Linn Records
    ProductGroup: Music
    Binding: Audio CD

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    1. Luzzaschi: Concerto delle Dame di Ferrara

    ASIN: B000068C1C
    Release Date: 2002-11-05

    Album Description

    This is the first of a 2-CD set which illustrates the kind of music sung and played by the women musicians of the courts of Parma and Ferrara in the second half of the sixteenth century. These women were among the first professional women musicians, and they practised their trade at the peril of their reputations. Some of them did not survive their activities - one was murdered by her husband on suspicion of adultery, another was ostracised by the court for appearing too eager to sing. This disc concentrates on the established madrigal repertoire written by Cipriano de Rore and his pupils Giaches de Wert, Luzzasco Luzzaschi and Marc'Antonio Ingegneri.
    Carlo Gesualdo: Madrigali Libri I-III
    Average customer rating: 5 out of 5 stars
    • beautiful perfomances of exsquisite madrigals
    Carlo Gesualdo: Madrigali Libri I-III

    Manufacturer: Cpo Records
    ProductGroup: Music
    Binding: Audio CD

    All Works by GesualdoAll Works by Gesualdo | Gesualdo, Carlo | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
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    4. Monteverdi: Concerto Settimo Libro dei Madrigali
    5. Gesualdo: Tenebrae

    ASIN: B000AMMSH6
    Release Date: 2005-09-20

    Customer Reviews:

    5 out of 5 stars beautiful perfomances of exsquisite madrigals.......2005-10-01

    The first 3 books of Gesualdo's madrigals don't have the startling chromaticism and the violent rhythmic contrasts of the 5th and 6th books, but they're rich pieces nonetheless and here and there are hints of the over the top imagination of the later works. These performances are characterized by accurate intonation and lovely timbre. This is one of my favorite recordings of Italian madrigals.
    Maria Callas at Juilliard
    Average customer rating: 4 out of 5 stars
    • Fantasic
    • Sorry, not that impressed.
    • MUST have 4 Callas fans and singers!
    • AN INVITATION INTO CALLAS' WORLD
    Maria Callas at Juilliard

    Manufacturer: EMI Classics
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000002S6X
    Release Date: 1995-09-19

    Tracks:

    1. Don Giovanni: Non mi dir (Act II)
    2. Don Giovanni: Non mi dir (Act II) - Master Class: Kyu Do Park
    3. Don Giovanni: Non mi dir (Act II) (With Recit: 'Crudele...')
    4. Fidelio: Abscheulicher! (Act II) - Master Class: Pamela Hebert
    5. Medea: Dei tuoi figli (Act I) - Master Class:Luba Tcheresky
    6. Medea: Dei tuoi figli (Act I)

    Tracks:

    1. Norma: Casta diva (Act I) - Master Class: Pamela Hebert
    2. Norma: Casta diva (Act I)
    3. Il Barbiere di Siviglia: Una voce poco fa (Act I) - Master Class: Syble Young
    4. Il Barbiere di Siviglia: Una voce poco fa (Act I)
    5. Rigoletto: Cortigiani, vil razza dannata (Act II) - Master Class: Sung Kil Kim
    6. Don Carlo: Nei giardin del bello (Act II) - Master Class: Sheila Nadler

    Tracks:

    1. Werther: Qui m'aurait dit...Des cris joyeux (Act III) - Master Class: Anita Terzian
    2. Werther: Qui m'aurait dit...Des cris joyeux (Act III)
    3. La Boheme: Si, mi chiamano Mimi (Act I) - Master Class: Kyu Do Park
    4. La Boheme: Si, mi chiamano Mimi (Act I)
    5. Madama Butterfly: Che tua madre (Act II) - Master Class: Akiko Ikuo Hayashi
    6. Madama Butterfly: Che tua madre (Act II)
    7. Callas' Farewell To The Students

    Customer Reviews:

    5 out of 5 stars Fantasic.......2006-09-26

    This is the first time I have heard Callas speak outside of operatic performance, and even in her normal speaking voice you Listen. It is amazing to hear this passionate teacher share her love of music, and in mid-sentence come out with examples of her singing - like a higher power.
    I highly recommend this to true music lovers and musicians.

    2 out of 5 stars Sorry, not that impressed........2006-09-21

    If you are a voice major, then buy this set. It is more instructional perhaps in that sense. But for true enjoyment? It is just not for me.

    Take the money you would spend on this set and buy the LA DIVINA CALLAS set. Well worth the money if you want to hear the divine Miss Callas. There are also numerous EMI classic sets out there for her opera performances that I think would be much more of an enjoyable listening experience than the Julliard recordings.

    5 out of 5 stars MUST have 4 Callas fans and singers!.......2005-12-11

    This is a treasure recording! Totally an amazing! I'M THRILLED!!!
    My favorite part is the "Cortigiani, vil razza dannata" lesson! It is interesting how Callas is teaching Baritone part and she is absolutely amazing! I cry almost everytime I listen to this track. You will learn a lot! A MUST have!

    5 out of 5 stars AN INVITATION INTO CALLAS' WORLD.......1999-05-17

    Long acknowledged for its contribution to the teaching of singing, Callas at Juillard is indeed worth a listen. Recorded during her sessions at Juillard, Callas goes through the sung repertoire ranging from Mozart to Bellini to Verdi with both roles that she was famed for as well as roles that she had never sung. What is special about this record is that each session covering an aria is paired up with the same aria as performed previously by Callas if possible. This allows us to compare the differences that may have resulted in the gap of the performances. Callas shows us the insight she had gained as a student while she took a sabatical from the stage and takes this as an opportunity to impart her experience and knowledge to the students. Covering arias like "Non mi dir" from Don Giovanni, Norma's "Casta Diva" which was her calling card, to even the veil song for Princess Eboli in Don Carlos and even Rigoletto's aria, Callas reveals her natural instinct and understanding of roles and how they are to be sung. At a time while she was not in her vocal prime, Callas astounds when she accompanies the students demonstrating a phrase or two. Her voice still shows the beauty and tenacity that she was known for, at times matched that of her voice at its peak. Peppering the sessions with comments, she shows the students what is done and why it is done and at times, even shows her sense of humour. This recording is as precious as any can get and more so than any of her records, show Callas at her most relaxed and natural and thereby at her best. Combined with John Ardoin's book, this CD is unmatched for its value and worth as a study guide.
    Vesselina Kasarova - Mozart Arias / Sir Colin Davis
    Average customer rating: 4.5 out of 5 stars
    • Vividly Mozart
    • One of the most exciting voices of our times
    • One of the most exciting voices of our times
    Vesselina Kasarova - Mozart Arias / Sir Colin Davis
    Wolfgang Amadeus Mozart , Dresden Staatskapelle , Sir Colin Davis , and Vesselina Kasarova
    Manufacturer: RCA
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000003G6Q
    Release Date: 1997-08-12

    Tracks:

    1. Cosi Fan Tutte, K. 588: Ah, scostasi; Smanie implacabili, che m'agitate (Dorabella)
    2. Le nozze di Figaro, KV. 492: Non so piu cosa son, cosa faccio (Cherubino)
    3. Idomeneo, K. 366: Non ho colpa (Idamante)
    4. Idomeneo, K. 366: March Of The Priests
    5. Idomeneo, K. 366: Ah, qual gelido orror; Il padre adorato (Idamante)
    6. Mitridate, re di Ponto, K. 87: Venga pur, minacci e frema (Farnace)
    7. Don Giovanni, K. 527: Vendrai, carino (Zerlina)
    8. Mitridate, Re Di Ponto: Gia dagli occhi il velo e tolto (Farnace)
    9. Don Giovanni: In quali eccessi, o Numi; Mi tradi, quell'alma ingrata (Donna Elvira)
    10. Lucio Silla, K. 135: Il tenero momento (Cecilio)
    11. La Clemenza di Tito, K. 621: Ecco il punto; Non piu di fiori vaghe catene (Vitellia)
    12. La Clemenza di Tito, K. 621: March: Maestoso
    13. La Clemenza di Tito, K. 621: Deh, per questo istante sole (Sesto)
    14. Concert Aria, K.ANH.245: Io ti lascio, oh cara, addio

    Amazon.com

    Ours is an age happily rich in lyric mezzo-sopranos who can handle the challenges of the coloratura repertoire of Rossini and Mozart. One of the most exciting is Bulgarian mezzo Vesselina Kasarova, who combines beauty of voice, intelligence of interpretation, and dramatic conviction in one very talented package. Here she is in her element, as a passionate Dorabella, an ardent Idamante, and--making a good case for a mezzo in roles usually given to a soubrette--a very sexy Zerlina, among others. The instrumental-only interludes weren't really necessary, but at least they fit in with the rest of the album. --Sarah Bryan Miller

    Customer Reviews:

    5 out of 5 stars Vividly Mozart.......2006-05-11

    Frau Kasarova is a vivid story teller. She has an expressive voice of many colors and she isn't shy about using them to accentuate these difficult Mozart arias. Hers is a rather quirky voice... I find it mesmerizingly erotic and exotic...tho perhaps not as 'conventionally' beautiful like Kozena's or Graham's. She has a full mature burgandy colored voice that's clarinet-ish. Ringing top that has no trouble hitting high C, and a more masculine bottom. It is the mixed middle that is positively seductively rich. The whole range is seamlessly integrated but not always presented as such (she has a way of making her register breaks a very effective interpretation tool).

    Anyway, there is never any doubt what the essence of each aria is... what the character she is portraying is feeling. She seems more concern with communicating the characters' motivations than sounding beautiful. I love that... others who enjoy technically flawless (even at the expense of drama) singing may not like it. This singer is very dramatically involve and doesn't make good "relaxing background music."

    She is especially great with the castrato arias from Mitridate, Idomeneo, and La clemenza di Tito (both as Sesto and as Vitellia!). What wicked mania in Farnace's scornful laugh in 'Venga pur'! The coldness of her second pass at "L'ira sua mi rendera" sends chill down my spine. And Farnace's real reversal and penitent is heard in his 'Gia dagli il velo'. To say that her Zerlina is sensual is an understatement! And her Sesto's 'Deh, per questo istante solo' is so emotionally revealing. Beautiful pianissimo contrasted by blasted forte that would move the stoniest heart! She is one of the best Sesto ever on stage (both vocally and theatrically), but her 'Non piu di fiori' is so marvellously done that I dream of hearing her take on Vitellia (She does have the high D...as a direct and lingering hit on it is caught on tape in her Rossini Arias & Duets CD). But perhaps not... an instrument like this should be protected from such treacherous tessitura. Better not kill the goose who lays golden eggs.

    I'd never expect such a forcefully pinging top from a deep mezzo (amazing chest register...and just about the most agile coloratura voice around.. she sings ALL the notes!). This gal is a force of nature! Her closing concert aria 'Io ti lascio' is a study in legato singing, too. And regardless of the libretto (Pensa che a te non lice il ricordarsi di me), this is one singer you'd find very hard to not remember.

    The orchestra is conducted superbly by Sir Colin Davis. The pace always seem just right and he is just as attentive to the musical nuances as his mezzo is. A great team! I only wish she had included a few duets as well... in place of the 2 orchestral interludes from Idomeneo and La clemenza di Tito

    4 out of 5 stars One of the most exciting voices of our times.......1999-11-30

    Vesselina Kasarova has one of the most exciting and expressive mezzo-soprano voices of our times. Particularly unparalleled are her excellent performances of Elvira, Idamante, and Vitellia on this disc (as is her version of the concert aria "Io ti lascio, o cara, addio".)! Only concerning the more lyrical arias on this recording (Dorabella, Cherubino, Zerlina) could I think of better alternatives (e.g. Angelika Kirchschlager, Cecilia Bartoli,- or Ruth Ziesak's angelic soprano).

    4 out of 5 stars One of the most exciting voices of our times.......1999-11-30

    Vesselina Kasarova has one of the most exciting and expressive mezzo-soprano voices of our times. Particularly unparalleled are her excellent performances of Elvira, Idamante, and Vitellia on this disc (as is her version of the concert aria "Io ti lascio, o cara, addio".)! Only concerning the more lyrical arias on this recording (Dorabella, Cherubino, Zerlina) could I think of better alternatives (e.g. Angelika Kirchschlager, Cecilia Bartoli,- or Ruth Ziesak's angelic soprano).
    Con Velo Y Corona
    Average customer rating: Not rated
      Con Velo Y Corona
      Tito Rojas
      Manufacturer: Top Ten Hits
      ProductGroup: Music
      Binding: Audio CD

      Puerto RicoPuerto Rico | Caribbean & Cuba | International | Styles | Music
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      ASIN: B000003HVA
      Release Date: 1995-05-26

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      1. El Vendedor Que No Fia
      2. Huye Pa'Ya
      3. Dile La Verdad
      4. Laile
      5. Con Velo Y Corona
      6. Miedo Me Da
      7. Mejor Que Siempre
      8. A La Montana
      Dall'Aquila, Da Crema: Lute Music, Ricercars, Instabulations, Dances
      Average customer rating: Not rated
        Dall'Aquila, Da Crema: Lute Music, Ricercars, Instabulations, Dances

        Manufacturer: Naxos
        ProductGroup: Music
        Binding: Audio CD

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        ASIN: B0000014CC
        Release Date: 1997-02-04

        Tracks:

        1. Ricercar (No.24)
        2. Ricercar (No.16)
        3. La traditora (No.38)
        4. Priambolo (No.71)
        5. Ricercar (No.33)
        6. Amy souffrez (Pierre Moulu) (No.62)
        7. Ricercar (No.19)
        8. Ricercar (No.101)
        9. Ricercar/Fantasia (No.26/GAC, fol.57)
        10. Ricercar tredecimo
        11. Ricercar duodecimo
        12. Saltarello ditto Bel fior
        13. Saltarello ditto El Giorgio
        14. Saltarello ditto El Maton
        15. Con lacrime e sospiri (Philippe Verdelot)
        16. Lasciar il velo (Jacques Arcadelt)
        17. Ricercar sexto
        18. Ricercar quinto
        19. De vous servir (Claudin de Sermisy)
        20. Ricercar decimoquarto
        21. O felici occhi miei (Arcadelt)
        22. Pass'e mezo ala bolognesa
        23. Saltarello ala bolognesa
        24. Ricercar decimoquinto
        25. Ricercar/Fantasia (GAC, fol.7)
        26. Ricercar (No.28)
        27. La cara cosa (No.36f)
        28. Ricercar (No.70)
        29. Ricercar (No.22)
        30. Ricercar (No.18)
        31. Ricercar (No.15)
        32. Ricercar/Fantasia (GAC, fol.29)
        Girolamo Dalla Casa: Il Secondo Libro dei Madrigali a Cinque Voci con i Passaggi
        Average customer rating: Not rated
          Girolamo Dalla Casa: Il Secondo Libro dei Madrigali a Cinque Voci con i Passaggi

          Manufacturer: Arts Music
          ProductGroup: Music
          Binding: Audio CD

          Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
          GeneralGeneral | Classical | Styles | Music
          GeneralGeneral | Chamber Music | Classical | Styles | Music
          GeneralGeneral | Opera & Vocal | Styles | Music
          ASIN: B00005B829
          Release Date: 2003-07-29
          50 Classical Highlights: Verdi
          Average customer rating: Not rated
            50 Classical Highlights: Verdi

            Manufacturer: St. Clair Entertainment
            ProductGroup: Music
            Binding: Audio CD

            GeneralGeneral | Symphonies | Classical | Styles | Music
            GeneralGeneral | Classical | Styles | Music
            CompilationsCompilations | Classical | Styles | Music
            ASIN: B00006L3PB
            Release Date: 2002-09-24
            Handel and Mozart Arias
            Average customer rating: 5 out of 5 stars
            • Great powerfull revival of Eighteenth hundred opera arias.
            Handel and Mozart Arias
            George Frideric Handel , Wolfgang Amadeus Mozart , Hartmut Haenchen , Jochen Kowalski , and Kammerorchester "Carl Philipp Emmanuel Bach"
            Manufacturer: Capriccio
            ProductGroup: Music
            Binding: Audio CD

            All Works by HandelAll Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
            All Works by Wolfgang Amadeus MozartAll Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
            GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
            GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
            GeneralGeneral | Classical | Styles | Music
            GeneralGeneral | Arias | Opera & Vocal | Styles | Music
            GeneralGeneral | Opera & Vocal | Styles | Music
            Baroque (c.1600-1750)Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music
            Classical (c.1770-1830)Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music | Cantatas | Romances
            GermanGerman | Languages | Opera & Vocal | Styles | Music
            ItalianItalian | Languages | Opera & Vocal | Styles | Music
            ASIN: B000001WLR
            Release Date: 1992-11-12

            Tracks:

            1. Rinaldo HWV 7a, Act 3. Aria: Or La Tromba In Suon Festante
            2. Giulio Cesare In Egitto HWV 17, Act 1. Aria: Va Tacito E Nascosto
            3. Xerxes HWV 40, Act 1. Recitative And Aria: Frondi Tenere...Ombra Mai Fu
            4. Giustino HWV 37, Act 1. Recitative And Aria: Chi Mi Chiama Alla Gloria? Se Parla Nel Mio Cor
            5. Alcina HWV 34, Act 2. Aria: Verdi Prati
            6. Alcina HWV 34, Act 3. Aria: Vivi Tiranno
            7. Mitridate, Re Di Ponto KV 87, Act 1. Aria: Venga Pur, Minacci E Frema
            8. Mitridate, Re Di Ponto KV 87, Act 2. Aria: Va, Va, L' Error Mio Palesa
            9. Mitridate, Re Di Ponto KV 87, Act 2. Aria: Ah Giacche Son Tradito...Son Reo, L' Error Confesso
            10. Mitridate, Re Di Ponto KV 87, Act 3. Recitative And Aria: Vadasi...Gia Dagli Occhi Il Velo E Tolto
            11. Mitridate, Re Di Ponto KV 87, Op Seria in 3 Acts: Ombra Felice!...Io Ti Lascio, E Questo Addio...

            Customer Reviews:

            5 out of 5 stars Great powerfull revival of Eighteenth hundred opera arias........1998-11-24

            I recomend this CD to everyone who loves opera. The performance of Kowalski is realy impressing with power on his voice and the perfect use of vibrato and coloratura. Handel and Mozart are always a joy to be listened but sung by this singer is realy something you should not miss. I was completly new in opera this record and Kowalski's Orfeo and Euridice have made me an opera lover of many other authors and styles. Thank you Kowalsky, If you ever read this i wish you consider singing in the Teatro Real of Madrid recently restored; maybe Mitridate Re di Ponto from Mozart?

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