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1. Toro Prieto
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2. Me Desperto la Realidad - Alma Pulido, Roberto Pulido Y Los Clasicos
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3. Se Me Cerro el Mundo - Johnny Canales, Roberto Pulido Y Los Clasicos
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4. Promesa
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5. Por Tu Boquita
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6. Orilla del Mar
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7. Por Mi Orgullo
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8. Gorrones
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9. Nosotros
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10. Me Cerraste la Puerta
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Promentido Es Deuda,Roberto Pulido Y Los Clasicos,EMI International,Latin,Latin Music,Mexican,Tejano,Tex-Mex
Average customer rating:
- Not all the arias were her best
- DIDN'T QUITE FULFIL MY REQUEST
- Fair Enough
- Fleming's High Points Well Covered in Compilation CD
- Beautiful indeed!
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Renee Fleming: By Request
Vincenzo Bellini , Alfredo Catalani , Antonin Dvorak , George Gershwin , Erich Wolfgang Korngold , Jules Massenet , Wolfgang Amadeus Mozart , Giacomo Puccini , Sergey Rachmaninov , Richard Rodgers , Richard Strauss , Giuseppe Verdi , Heitor Villa-Lobos , Georg Solti , James Levine , Jeffrey Tate , Patrick Summers , Sir Charles Mackerras , Lee Ritenour , Chamber Orchestra of Europe , and Renee Fleming
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
Bellini, Vincenzo
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Similar Items:
- Renee Fleming - The Beautiful Voice ~ Gounod, Lehaair, Orff, Puccini, Rachmaninov, Strauss
- Renée Fleming
- Sacred Songs
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- Handel
ASIN: B0000C3ICO
Release Date: 2003-09-16 |
Tracks:
- O Mio Babbino Caro
- Ebben? ... Ne Andro Lontana
- Porgi, Amor
- Come Scoglio
- Casta Diva
- E Strano...Ah Fors E Lui...Sempre Libera
- Un Bel Di Vedremo
- Je Marche Sur Tous Les Chemins...Gavotte
- Mesicku Na Nebi Hlubokem (O Silver Moon)
- Vocalise
- Cacilie
- Marietta's Lied
- Summertime
- Bachianas Brasileiras No.5: Aria (Cantilena)
- You'll Never Walk Alone
Amazon.com
This is a compilation--plus three previously unreleased selections--of some of the glorious Renée Fleming's finest work, 15 selections covering 13 composers. The rose-in-full-bloom quality of the voice is staggeringly beautiful: Her rendition of Rusalka's "Song to the Moon" is justly famous and is, alone, worth the price of this CD. Other highlights are Marietta's Lied from Korngold's Die tote stadt, an odd arrangement of the aria from Villa-Lobos's Bachianas Brasilerias No. 5, Manon's Gavotte, and a knock-down-gorgeous reading of Gershwin's "Summertime." The three new recordings are of Violetta's big first-act scene from La traviata, which features one of the most perfect trills heard since Joan Sutherland, a thrilling Cäcilie (R. Strauss), and a version of "You'll Never Walk Alone" which is so over the-top that it might make you look away in embarrassment. On the basis of this CD, one would have to acknowledge that Fleming is more interested in--and more successful at--pure singing than she is at character delineation (Butterfly sounds oddly like Wally who sounds too much like Norma), but it's not hard to tell why she's a superstar. Her voice and technique are one in a million. --Robert Levine
Album Details
"by Request" is a Collection of Fleming's Greatest and Most Popular Recordings Including Works by Mozart, Bellini, Pucchini, Verdi and Dvorak. Featuring Recordings from Renee Fleming's Outstanding Decca Discography Together with Two Glorious Tracks Strauss "Cacilie" and Verdi's "la Traviata" a Role Fleming Performed to Critical Aclaim Earlier in 2003.
Customer Reviews:
Not all the arias were her best.......2005-01-15
There is something lacking. Although most of these are indeed her "Best" releases, some things could have been left out. Her O Mio Babbino Caro and her Casta Diva weren't her best efforts at all. Casta Diva, sung to perfection by other revered artists, sounded too breathy and fearful here. It has good chest notes, and it is definitely better than Joan Sutherland's Norma though. Her O Mio Babbino Caro is the usual aria sung in its usual way, without leaving any trace of awe at an ability of a singer to interpret the aria. Rachmaninov's Vocalise was good, and it was great of Decca to release her Song to the Moon on this disc. However, some new additions weren't all that good as well. For example, if you listen to her excerpt from La Traviata, you will find that she sounds like she was singing jazz when uttering out "Gioir!". I think Decca should have issued the live performance version of this instead. That was so much better. Also, they should have showcased more of the bel canto repertoire she had specialized in. That would have made this CD a gem!
DIDN'T QUITE FULFIL MY REQUEST.......2004-11-22
THIS CD DEFINITELY BRINGS OUT THE BEST IN HER REPERTOIRE. SHE IS SOLID, WARM, AND BRILLIANT ON MOST OF THE SONGS. SINCE I OWN MANY OF HER CDS MOST OF THE TRACKS I HAVE IN DUPLICATE. EVEN SO EACH VERSION HAS A DIFFERENT FEEL TO IT. HER "O MIO" IS GREAT BUT GENERALLY I FEEL THAT KIRI TE KAWANA IS A LITTLE CLEARER THAN RENEE. HER "Ebben?...Ne Andrò Lontana" IS ALWAYS BRILLIANT FROM HER HIGH ENDS TO THE NECESSARY LOW NOTES TO FINISH THIS GLORIOUS TRACK. HER COUNTESS HAS ALWAYS BEEN A STRONG AND POWERFUL CHARACTERIZATION AND HER BUTTERFLY TEETERS ON HAPPINESS AND PAIN. THESE RICH LYRIC ROLES DESERVE A SOPRANO LIKE RENEE. I WAS HOWEVER, VERY DISAPPOINTED THAT SHE ADDED "SEMPRE LIBERA" TO THIS CD AS SHE'S NEVER BEEN A COMPELLING VIOLETTA AND CAN'T EVEN MUSTER THE HIGH "C" WE ALL EXPECT NOW A DAYS. HER RUSALKA IS ALWAYS MESMERIZING AND HER SIMPLICITY ON GLUCK'S "Das Mir Verblieb" WAS AN INCREDIBLE SURPRISE. I FOUND THE OTHER SONGS BORING DUE TO THE FACT THAT I DON'T LIKE THEM AND I KIND OF WISHED SHE WOULD HAVE REPLACED THEM WITH SOME BETTER WORKS. I MISSED HER SOFT AND DEFEATED "AVE MARIA" FROM OTHELLO OR HER FULL BODIED SPOILED MUSETTA IN "QUANDO MEN VO" OR HER RICH SADNESS IN "DOVE SONO"
Fair Enough .......2004-10-01
This is a compilation. I can't say love them I think thatpeople want to be surprised by new things, instead of um things they already own.On the other hand a die hard fan wouldn't mind having an extra cd by their favorite artist.Fair Enough.There was one aria that was new to me"Cantilena Brasileras"by Villa Lobos that was very striking.Her voice flows like an unimpeded stream with a lush vibrato.Like I read in one kid's review "Renee has a silky,creamy, instrument that is very beautiful and caresses the ear",couldn't have said it better myself. I agree. One smart kid!!! One thing that I have to comment on that will not escape is the dull cover picture. Renee get a better photographer;you're far more beautiful than that. I'm sounding like her mother,dear lord! She is a fox!
Fleming's High Points Well Covered in Compilation CD.......2004-09-06
Just one listen to the high points of this disc will make you realize why Renée Fleming is an opera superstar. Covering a ten-year period, this compilation disc covers a most fertile period for Fleming, absolutely one of the world's leading lyric and dramatic sopranos. What is particularly impressive is how many different styles she has covered, ranging from Italian bel canto to French Romanticism to Rodgers & Hammerstein. She effortlessly sings in six different languages, including what sounds like flawless Czech on Dvorak's "Měsíčku na nebi hlubokén" (which goes back to her family roots). Her powerful voice is expressive, almost buttery, which allows the listener to enjoy the coloratura agility she has mastered over the years and the tonal qualities she specifically defines for each aria. This is most evident on my two personal favorites - "Ebben?...Ne scoglio" from Catalani's "La Wally" (which will sound familiar to fans of the French eighties noir film, "Diva") where her crystalline voice complements the increasing power of the melody, and the haunting "Mariettas Lied" from Korngold's "Die tote Stadt".
Fleming also has a good sense of the characters she is portraying, for instance, on the "La traviata" aria, "È stano...Ah, fors'è lui...Sempre libera", one gets a strong sense of Violetta's conflict between the attractions of true love versus the free life of a courtesan. She also gets some sturdy help from tenor Joseph Calleja as Alfredo in this piece. But even in this number, the effect of her daunting runs and trills can be a bit overwhelming. She does keep this in check with the slower-paced tracks like "Casta diva" from Bellini's "Norma", which uses a choir in the background to great effect, and Rachmaninov's lovely "Vocalise". The well-worn "Summertime" from Gershwin's "Porgy and Bess" is nicely covered here, and it certainly invites comparisons to even Leontyne Price's definitive version. Fleming ends the disc with a rousing version of Rodgers & Hammerstein's "You'll Never Walk Alone" from "Carousel" that grows a bit too bombastic for listening comfort. Regardless, this disc provides a nice sampling of what this truly great singer has done over the past decade. A treat for her fans and highly recommended for anyone who wants an ideal introduction to her range of talent.
Beautiful indeed!.......2004-07-19
I'm very happy with this CD. She has a lovely voice! And what a fox! ;)
Average customer rating:
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The Prima Voce Treasury of Opera, Vol. 2
Manufacturer: Nimbus Records
ProductGroup: Music
Binding: Audio CD
Bellini, Vincenzo
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Similar Items:
- Prima Voce Treasury of Opera, Vol. 1
- The Golden Age of Singing, Vol. 4; 1930-1950
- The Golden Age of Singing: Vol. 3 1920-1930
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- Golden Age of Singing Vol.2 (1910-20)
ASIN: B00004Z3J5
Release Date: 2000-11-28 |
Tracks:
- Manon Lescaut: C'est L'Histoire Amoreuse (L'Eclat De Rire) - Amelita Galli-Curci
- Manon Lescaut: Donna Non Vidi Mai - Beniamino Gigli
- Manon Lescaut: In Quelle Trine Morbide - Rosa Ponselle
- Martha: M'Appari Tutto Amor - Tito Schipa
- May Night: How Quiet Here...Sleep, My Beauty - Boris Slovtsov
- Mefistofele: L'Altra Notte In Fondo Al Mare - Claudia Muzio
- Mefistofele: Giunto Sul Passo Estremo - Beniamino Gigli
- Die Meistersinger: Morgenlich Leuchtend Im Rosigen Schein - Lauritz Melchior
- Mignon: Connais-Tu Le Pays? - Conchita Supervia
- Mignon: Addio, Mignon - Tito Schipa
- Mignon: Io Son Titania - Luisa Tetrazzini
- Mignon: De Son Coeur J'ai Calme (Berceuse) - Ezio Pinza
- Mireille: O Legere Hirondelle - Frieda Hempel
- Norma: Sediziose Voci...Casta Diva - Rosa Ponselle
- Le Nozze Di Figaro: Se Vuol Ballare - Giuseppe De Luca
- Le Nozze Di Figaro: No So Piu - Conchita Supervia
- Le Nozze Di Figaro: Voi Che Sapete? - Elisabeth Schumann
Tracks:
- Der Opernball: Im Chambe Separee - Herbert Ernst Groh
- Otello: Ora E Per Sempre Addio - Enrico Caruso
- Otello: E Qual Certezza Sognate...Era La Notte - Lawrence Tibbett
- Otello: Ave Maria - Eide Norena
- Pagliacci: Si Puo? - Lawrence Tibbett
- Pagliacci: Recitar...Vesti La Giubba - Beniamino Gigli
- Pagliacci: Serenata D'Arlecchino - Tito Schipa
- I Pescatori Di Perle: Del Tempio Al Limitar - Beniamino Gigli/Giuseppe De Luca
- I Pescatori Di Perle: Mi Par D'Udir Ancora - Beniamino Gigli
- La Perichole: Tu N'Es Pas Beau - Maggie Teyte
- La Perle Du Bresil: Charmant Oiseau - Amelita Galli-Curci/Clement Barone
- Porgy And Bess: Summertime - Helen Jepson
- Porgy And Bess: Where Is My Bess? - Lawrence Tibbett
- Le Postillon De Lonjumeau: Mes Amis, Ecoutez - Helge Roswaenge/Berlin State Opera Chor
- Prince Igor: Galitzky's Song - Feodor Chaliapin
- Prince Igor: Jaroslavna's Aria - Nina Koshetz
Tracks:
- I Puritani: A Te O Cara - Giacomo Lauri-Volpi
- I Puritani: Qui La Voce Sua Soave - Amelita Galli-Curci
- Rienzi: Allmacht' Ger Vater, Blick' Herab - Lauritz Melchior
- Rigoletto: Questa A Quella - John McCormack
- Rigoletto: Caro Nome - Amelita Galli-Curci
- Rigoletto: Ella Mi Fu Rapita...Parmi Veder Le Lagrime - Enrico Caruso
- Rigoletto: Povero Rigoletto...Cortigiani, Vil Razza Dannata - Giuseppe De Luca/Grace AnthonyMetropolitan Opera House Chor
- Rigoletto: La Donna E Mobile - Jussi Bjorling
- Rinaldo: Lascia Ch'io Pianga - Ernestine Schumann-Heink
- Risurrezione: Dieu De Grace - Mary Garden
- Le Roi D'Ys: Vainement Ma Bien Aimee - Beniamino Gigli
- Romeo Et Juliette: Je Veux Vivre Dans Ce Reve - Yevgeniya Bronskaya
- Romeo Et Juliette: Cavatina...Ah! Leve-Toi Soleil - Dmitri Smirnov
- Der Rosenkavalier: Ist Ein Traum, Kann Nicht Wirklich Sein - Erna Berger/Tiana Lemnitz
Tracks:
- Sadko: Chanson Hindoue - Beniamino Gigli
- Sadko: Berceuse - Nina Koshetz
- Samson Et Dalila: Printemps Qui Commence - Conchita Supervia
- Samson Et Dalila: Mon Coeur S'Ouvre A Ta Voix - Marian Anderson
- Lo Schiavo: Quando Nacesti Tu - Giacomo Lauri-Volpi
- Semele: O Sleep, Why Dost Thou Leave Me? - John McCormack
- Simon Boccanegra: A Te L'Estremo Addio...Il Lacerato Spirito - Alexander Kipnis
- The Snow Maiden: Full Of Wonders - Boris Slovstov
- La Sonnambula: Ah, Non Credea Mirarti - Claudia Muzio
- La Sonnambula: Ah! Non Giunge - Liusa Tetrazzini
- Tannhauser: Dir Tone Lob - Lauritz Melchior
- Tannhauser: Dich Teure Halle - Tiana Lemnitz
- Tannhauser: Allmacht'ge Jungfrau (Elisabeth's Prayer) - Kirsten Flagstad
- Tannhauser: O Du Mein Holder Abendstern - Marcel Journet
- Tosca: Recondita Armonia - Giovanni Martinelli
- Tosca: Vissi D'Arte - Geraldine Farrar
- Tosca: E Lucevan La Stelle - Jussi Bjorling
Tracks:
- Die Tote Stadt: Gluck, Das Mir Verblieb - Richard Tauber/Lotte Lehmann
- La Traviata: Ah! Fors E Lui...Sempre Libera - Luisa Tetrazzini
- La Traviata: De' Miei Bollenti Spiriti - John McCormack
- La Traviata: Addio Del Passato - Luisa Tetrazzini
- La Traviata: Parigi O Cara - John McCormack/Lucrezia Bori
- Tristan Un Isolde: Liebestod - Frida Leider
- Il Trovatore: Tacea La Notte Placida - Rosa Ponselle
- Il Trovatore: Il Balen Del Suo Sorriso - Heinrich Schlusnus
- Il Trovatore: Di Quella Pira - Giovanni Martinelli
- The Tsar's Bride: Liuba's Air - Alma Gluck
- Turandot: Signore, Ascolta - Lotte Schone
- Turandot: Nessun Dorma - Giacomo Lauri-Volpi
- La Vestale: O Nume Tutelar - Rosa Ponselle
- Die Walkure: Du Bist Der Lenz - Kirsten Flagstad
- Die Walkure: Wintersturme Wichen Dem Wonne Mond - Lauritz Melchior
- Werther: Va! Laisse Couler Mes Larmes - Ninon Vallin
- Werther: Ah! Non Mi Ridestar - Tito Schipa
- Die Zauberflote: Der Vogelfanger Bin Ich Ja - Gerhard Husch
- Die Zauberflote: Dies Bildnis Ist Bezaubernd Schon - Richard Tauber
- Die Zauberflote: Der Holle Rache - Erna Berger
- Die Zauberflote: Ach, Ich Fuhl's - Tiana Lemnitz
Customer Reviews:
Fabulous!.......2001-03-11
This is an amazing collection of arias from the early 1900s through the 1930s (there is one 1942 cut). The sound transfers, made from pristine 78 records, are excellent, especially considering the age of the recordings. This CD is a splendid overview of the outstanding artists of their day, and while many of them are no longer (opera) household names, their singing is first rate. Not only would this be a great CD for an opera history buff, it is also excellent for someone just learning about opera and wanting to hear opera legends. The price for 5 CDs, each over an hour's worth of listening, is a steal.
Average customer rating:
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Richard Tauber: Opera Arias
Manufacturer: Naxos
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Binding: Audio CD
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ASIN: B000067UM8
Release Date: 2002-07-16 |
Tracks:
- Auber: Fra Diavolo: Ewig will ich dir gehoren
- Rossini: Il Barbiere di Saviglia: Strahlt auf mich der Blitz des
- Flotow: Martha: Ach so fromm
- Thomas: Mignon: Leb' woht Mignon
- Thomas: Mignon: Wie ihre Unschuld
- Verdi: La Traviata: Auf, schlurfet
- Cerdi: La Traviata: Entfernt von ihr
- verdi: La Forza del destino: In dieser feierlichen Stunde
- Verdi: Il Trovatore: Dass nur fur mich
- Puccini: La Boheme: Wie eiskalt ist dies Handchen
- Puccini: Tosca: Wie sich die Bilder gleichen
- Puccini: Tosca: Und es vlitzen die Sterne
- Puccini: Madama Butterfly: O wie ich mein Vergehen
- Wolf-Ferrari: I Gioielli della Madonna: Madonna unter Tranen
- Wagner: Die Walkure: Wintersturme wichen
- Smetana: The Bartered Bride: Es muss gelingen-Hans Arie
- Smetana: The Bartered Bride: Nun in Lust und leide
- Tchaikovsky: Eugene Onegin: Was wird der nachste
- Strauss: Der Rosenkavalier: Di rigori armato
- Kienzl: Der Evangelimann: Selig sind die Verfolgung leiden
- Korngold: Die tote Stadt: Gluck das mir verblieb
- Korngold: Die tote Stadt: Ich were sie nicht wiedersehen
Customer Reviews:
Tauber's latest Naxos CD.......2002-07-18
This is a good selection of the familiar and the not-so-familiar - for example, the Barber of Seville aria is unique, I believe, in the presently available Tauber material on CD (please correct me, with details, if that isn't so). Tauber was highly thought of for his Rossini performances, during his early time at Dresden, and it's helpful for students of singing that some of his Rossini is at last generally available again (even in the sometimes curious sounding german versions).
On the other hand, it's a pity that the second Troubador aria has not also been included, as has been the case in many of the vinyl LP selections previously released of Tauber's recordings. The CD playing time comfortably would have allowed for the inclusion of the suggested item.
Otherwise, this is a most interesting and excellent value-for-money release, for which Naxos is to be well commended; much better value (in terms of playing time and content rarity), in my opinion, than the previous Naxos CD containing some of his non-operatic recordings.
Does anyone have any information, please, as to whether Tauber ever recorded the aria "Oh, Paradise" from Meyerbeer's "The African"? I would be very grateful to have any information on this matter, which has intrigued me ever since I saw the 1948 film, "The Richard Tauber Story", starring Rudolf Schock, who portrayed Tauber singing this aria in the film.
Average customer rating:
- "the most exquisite rose"
- ¡Decepcionante!
- Great recording
|
Kiri Te Kanawa - German Opera Arias
Carl Maria von Weber , Wolfgang Amadeus Mozart , Richard Wagner , Richard Strauss , Erich Wolfgang Korngold , London Philharmonia Orchestra , Julius Rudel , Kiri Te Kanawa , and Andrew Shulman
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD
Korngold, Erich Wolfgang
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Similar Items:
- Kiri Te Kanawa Classics
- Massenet - Thaïs / Fleming, Hampson, Sabbatini, Shkosa, Vidal, Devellereau, Cals, Yves Abel
- The Berlin Concert - Live from Waldbuhne
ASIN: B000002RYR
Release Date: 1997-10-14 |
Tracks:
- Der Freischutz, Act 3: Und Ob Die Wolke
- Der Freischutz, Act 3: Wie Nahte Mir...Leise, Leise
- Die Zauberflote, Act 2: Ach, Ich Fuhl's
- Tannhauser, Act 3: Allmacht'ge Jungfrau
- Tannhauser, Act 2: Dich, Teure Halle
- Die Meistersinger Von Nurnberg, Act 3: O Sachs, Mein Freund
- Die Walkure, Act 1: Du Bist Der Lenz
- Ariadne Auf Naxos: Es Gibt Ein Reich
- Die Agyptische Helena, Act 2: Zweite Brautnacht
- Daphne, Closing scene: Ich Komme...
- Die Tote Stadt, Act 1: Gluck, Das Mir Verblieb
Customer Reviews:
"the most exquisite rose".......2007-07-23
Whether you love the voice and outstanding singing ability of Kiri Te Kanawa, or if you just love beautiful opera music very well-sung, you will be dazzled by this album.
I didn't know Kiri had ever sung Wagner. Her "Dich, teure Halle" from Tannhauser surpasses any of the great opera divas I've ever heard perform it.
Her singing, and the excellent orchestral music here have made me want to go out and buy my first copy of Strauss' "Daphne," and also Korngold's "Die tote Stadt." The music here is just that inspiring.
For me, the biggest highlight on this CD was Kiri's performance of Strauss' "Es gibt ein Reich" from Ariadne auf Naxos. For those of you familiar with this, hearing Kiri's "Du wirst mich befreien" is like watching the most exquisite rose you can imagine, burst into glorious bloom. It's never been sung better!
¡Decepcionante!.......2005-04-16
Sin lugar a dudas, Kiri Te Kanawa es una de las grandes sopranos líricas del siglo anterior, pero creo que este disco no refleja el arte canoro de la artista. Si bien podrían citarse muchísimos atributos y fortalezas vocales, resaltan en todas las arias un excesivo vibrato que afecta la línea musical.
Great recording.......1999-03-09
My favourite Kiri Te Kanawa CD...sensitive, beautiful and breath taking...typical Kiri! Especially her rendition of Ach ich fuhls. Just gorgeous.
Average customer rating:
|
Magnum Mysterium, Vol. 2: Classical Music
Manufacturer: Celestial Harmonies
ProductGroup: Music
Binding: Audio CD
Pavanes
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ASIN: B00000080I
Release Date: 1991-10-16 |
Tracks:
- Alma Redemptoris Mater
- Christe Redemptor
- Mass Tu Es Petrus/Agnus Dei II
- Missa de Beata Virgine Maria/Agnus Dei
- O Quam Suavis Est
- Pacem Domine
- Salve Regina Mater Misericordiae
- Innsbruck
- Voluntary
- Mass O Quam Gloriosum/Agnus Dei
- Mass Tu Es Petrus/Agnus Dei I
- Euge Bone Mass/Agnus Dei [Excerpt]
- Fourth Pavan and Galliard
- Herr Christ der Einz'ge Gottes Sohn
- Hilf Gott, BWV 624/Chorale Prelude
- Komm, Gott Schr
- Liebster Jesu, Wir Sind Hier, BWV 633/Chorale Prelude. Liebster ...
- Gloria in D Major, RV. 588/Et in Terra Pax
- Gloria in D Major, RV. 589/Et in Terra Pax
- Liebster Jesu, Wir Sind Hier, BWV 731/Chorale Prelude
Tracks:
- Spem in Alium
- Crucifixus
- Crux Fidelis [Excerpt]
- Ave Verum Corpus
- Suite No. 5 in G Minor/Fantasie [Excerpt]
- Lagrime di San Pietro /Vide Homo
- Psalmus Poenitentialis V No. 1
- Jesu Redemptor
- Battell/The Buring of the Dead
- Requiem Mass in Six Parts/Introitus /Kyrie/Agnus Dei
- Requiem Mass/Introitus /Kyrie/Agnus Dei/Communio
- Requiem/Agnus Dei/In Paradisum
- Requiem, Op. 48/Offertoire /Sanctus
- St. Matthew Passion, BWV 244/Recitative No. 71 /Chorale ...
- Gelobet Seist du, Jesu Christ, BWV 604/Chorale Prelude
- Wenn Wir in Hten Nn Sein, BWV 641/Chorale Prelude
Customer Reviews:
Spectacularly Arranged.......2002-08-14
This is not your typical copulation of sacred classical music however it covers an eclectic selection of choirs and monasteries from east to west. Lots of Gregorian Chants balanced with treatises for pipe organ and other medieval and renaissance chorus. I highly recommend it whether you are in the mood for spiritual contemplation or just want to listen to something classicaly religious.
Average customer rating:
- Magnificant Singing in Every Way
|
Joseph Schmidt sings Arias
Adolphe Adam , Giacomo Meyerbeer , Gaetano Donizetti , Giuseppe Verdi , Friedrich von Flotow , Ruggiero Leoncavallo , Giacomo Puccini , Pyotr Il'yich Tchaikovsky , Jules Massenet , Wilhelm Kienzl , Erich Wolfgang Korngold , Felix Gunther , Walter Goehr , Otto Dobrindt , Frieder Weissmann , and Joseph Schmidt
Manufacturer: Preiser Records
ProductGroup: Music
Binding: Audio CD
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| Verdi, Giuseppe
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Similar Items:
- Complete EMI Recordings, Vol. 1
- Complete EMI Recordings, Vol. 2
ASIN: B0000023S2
Release Date: 1996-04-23 |
Tracks:
- Der Postillon Von Lonjumeau: Freunde, Vernehmet
- Alessandro Stradella: Jungfrau Maria
- Martha: Ach, So Fromm
- Der Liebstrank: Una Furtiva Lagrima
- Rigoletto: La Donna E Mobile
- Der Troubadour: Di Quella Pira
- Die Afrikanerin: Land So Wunderbar
- Der Bajazzo: Jetzt Spielen
- La Boheme: Wie Eiskalt Ist Dies Handchen
- La Boheme: Kokett Ist Dieses Madchen
- Tosca: Recondita Armonia
- Tosca: E Lucevan Le Stelle
- Das Madchen Aus Dem Goldenen Westen: Nun Sind Es Sechs Monat
- Das Madchen Aus Dem Goldenen Westen: Lasset Sie Glauben
- Turandot: Non Piangere Liu
- Turandot: Nessun Dorma
- Eugen Onegin: Wohin Seid Ihr Entschwunden
- Manon: Flieh', O Flieh', Holdes Bild
- Der Cid: Ach, Alles Sinkt Hinab
- Der Evangelimann: Selig Sind, Die Verfolgung Leiden
- Die Tote Stadt: Gluck, Das Mir Verblieb
Customer Reviews:
Magnificant Singing in Every Way.......2007-01-12
These are all terrific performances, and it would be difficult to single out any one in particular, but if I had to, I would say "Una furtiva lagrima". I've heard a few different performances of this aria by Joseph Schmidt (he liked to record his favorite arias more than once), and this one, for me, is by far the best. His vocal production was perfect through even the most demanding phrases, his interpretation was beautiful, with one inspired moment after another, and even his added embellisments on one of the last runs near the close of the aria, had everything in the way of coloratura that any bel-canto lover could ever wish for. It's probably the single best version of this aria I've ever heard ANY singer do. I don't wish to slight the rest of the program, as it all is pretty spectacular, too. 'One of those unique examples of a legendary singer where the actual singing is, if possible, even more beautiful than the voice itself.
Average customer rating:
- The soprano with the "scimitar glint" in her voice
- Glorious tribute to sadly neglected singer
- One of the great sopranos
- One of the great sopranos
- A Passionate and Elegant Soprano
|
The Art of Pilar Lorengar
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Prima Donna in Vienna
- Pasión!
- The Most Famous Opera Arias
ASIN: B00007EBGI
Release Date: 2003-03-11 |
Customer Reviews:
The soprano with the "scimitar glint" in her voice.......2003-11-22
Pilar Lorengar may not be as famous as her Spanish Counterparts, Victoria De Los Angeles and Montserrat Caballe. But, opera afficionados still treasure her. The reasons why are elaborately laid out on this two-disc recital. The first disc is dominated in the first half by Puccini arias. Since these are famous arias, it would be easy to sing them in a conventially pretty manner. Instead, Lorengar offers wonderful interpretations of such arias as Un Bel Di and a personal favorite, Senza Mamma. She may not be able to belt it out like some of her peers, but she invokes a true sense of artistry. The same can be said for her Mozart- just listen to the aching way she sings the first line of Dove Sono- "E Susanna non vien..." Another standout is Come Scoglio, which she sings with great flair and drama. My only gripe, which is why I gave this recital 4 stars instead of 5 is that, alas, there is nothing from one of her greatest roles, Donna Elvira. It is very baffling why the linear essay makes mention of how successful her Met debut as Donna Elvira was, but nary an aria made the cut for the first disc. However, if you want to hear her interpretation of this great role, buy the highlight disc of Don Giovanni, which is readily available, for budget-price. The disc also features Sutherland and Horne.
Two other favorites from this disc are the moon aria from Rusalka, as well as the duet from Arabella, which is heartbreakingly beautiful. Thankfully, she is paired up with Arleen Auger, an accomplished artist in her own right.
The second disc of Zarzuela is wonderful as well. Especially wonderful are the Tonadillas. Just Lorengar's lovely voice, and Alicia Dellarocha's piano. Very relaxing to listen to...
Sadly, Lorengar is no longer with us, but her artistry is her, for us to treasure.
Glorious tribute to sadly neglected singer.......2003-07-08
Although known among opera aficianados, Pilar Lorengar never reached the heights of fame and name recognition as her contemporaries Callas and Sutherland. This has lead to an unfortunate dirth of Lorengar on CD, and which makes this compilation most welcome. Although never an operatic superstar, Lorengar had a magnificent instrument: soft, creamy, dramatic when necessary, and always charming. Fortunately she had a long career with Decca and made some magnificent recordings, many of which appear on this delicious two-CD set. I think few can fail be to moved by her near-perfect Mimi, her touching Cio-Cio San (infused with just the right amounts of pathos and fortitude, her ravishing Mozart interpretations, and her silvery reading of Korngold's "Gluck, das mir verlieb". The second CD is entirely made up of her specialty repertoire of songs from her native Spain, and these, while maybe not quite as familiar, are also a delight. Hopefully this compilation will make her better known to casual opera fans who only listen to Callas or Fleming simply because they're better-known names; this has been a much-needed release!
P.S. - For those who would like an inexpensive introduction to Lorengar in a complete operatic role, it has come to my attention that Decca is re-issuing her fantastic "Cosi Fan Tutte" (conducted by Solti) in its "Compact Opera" series very soon. The cast, which also includes Berganza, is perfect and Solti's conducting right on the mark. Keep your eyes open for it!
One of the great sopranos.......2003-06-16
Pilar Lorengar is the best Spanish soprano of the last fifty years. Her silvery voice, beautiful vibrato, and clear phrasing are something to behold. Her Rossini's Stabat Mater (with Pavarotti, Minton, Sotin, Kertész cond) is the best version of this work. Her Traviata (Maazel cond.), Don Giovanni (Bonynge cond.), and Gounod's St.Cecilia Mass (Hartemann cond.) are superb. But I believe the best Lorengar is in her early zarzuela recordings, where her voice had, apart from all its other qualities, a young, sweet, candid tone that touched the listener, and her vibrato evoked a fountain of fresh, clear water. I hope some recording company produces a CD set with her zarzuela arias, and pieces with other soloists. Meanwhile, the present Decca two-disc release is very welcome.
One of the great sopranos.......2003-06-16
Pilar Lorengar is the best Spanish soprano of the last fifty years. Her silvery voice, beautiful vibrato, and clear phrasing are something to behold. Her Rossini's Stabat Mater (with Pavarotti, Minton, Sotin, Kertész cond) is the best version of this work. Her Traviata (Maazel cond.), Don Giovanni (Bonynge cond.), and Gounod's St.Cecilia Mass (Hartemann cond.) are superb. But I believe the best Lorengar is in her early zarzuela recordings, where her voice had, apart from all its other qualities, a young, sweet, candid tone that touched the listener, and her vibrato evoked a fountain of fresh, clear water. I hope some recording company produces a CD set with her zarzuela arias, and pieces with other soloists. Meanwhile, the present Decca two-disc release is very welcome.
A Passionate and Elegant Soprano.......2003-04-29
At last, Decca has made amends for ignoring this magnificent artist by releasing a 2-disc set of some of her best recordings of the 60s and 70s. Actually I dont think Lorengar ever made a bad or even an uninteresting recording. She was a superb lyric who was the equal of Freni, and far more versatile. A star at the San Francisco and Berlin Staatsoper, Lorengar enjoyed a long and successful career. Her appearances at the Metropolitan Opera were events. I saw her as Desdemona, Elsa, and Fiordiligi, and she was wonderful (how sad that I missed hearing her there in the 60s).
There was some controversy about her singing. Terry McEwen, her great supporter at London records in the United States, loved what her called her "shimmering" top, that reminded him of the great German lyrics, Schwartzkopf, Reining, Lemnitz, Muller, Janowitz,etc. Some found that gorgeously blooming top to contain a beat, or a slight wobble. Nothing could be further from the truth. That top, coupled with her superb diction, and excellent vocal technique and outstanding breathing, made her one of the most distinctive voices of her generation. The top was pure sunshine with a throb. Nobody sounded remotely like her. I loved her singing.
I wish Decca had released all her fine recordings for that company in a multi-disc set. Perhaps they were worried that it wouldn't sell. Her first recital of Italian and French arias, the Prima Donna in Vienna album, as well as her Spanish song recital with the incomparable Alica de Larrocha, and her final Decca recital were all superb, and might have fit on three generous CDs. Here we get bits and pieces from all the LPs, plus arias from some her her complete recordings on Decca. So we're missing such treasures as her arias from THE PEARL FISHERS, DON CARLO, and other important items.
I don't care. Lorengar's superb singing of arias from MADAMA BUTTERFLY, LA BOHEME, LA RONDINE, LOUISE, RUSALKA, LOHENGRIN, DIE ZAUBERFLOTE, COSI FAN TUTTE, ARABELLA (with Arlene Auger!) and others (plus a generous selection of that famous Spanish song recital), make the point abundantly clear. No matter what language Lorengar is singing, she touches the heart.
Today's lyrics could learn a lot from listening to these superb selections. Lorengar's beautiful legato singing is married to the text of each item she sings. Here is a lyric with a strong middle to go along with the bottom and top ranges. She and her conductors never dawdle, pulling at the rubato as though it were Turkish Taffey such as Renee Fleming (who has an compellingly beautiful voice which she undermines with deadly slow tempi and and overly complicated phrasing).
Lorengar was intermittently busy in the recording studios throughout her long career. If you can find her recording of THE BARTERED BRIDE (EMI and in German, rather than the original Czech), grab it. She's a superb Pamina and Fiordiligi for Solti (Decca). On Fritz Wunderlich's Gala CD set, she partners him brilliantly in a live recording of the Act one duet from MADAMA BUTTERFLY. I'm a huge fan of her work on the Maazel-led LA TRAVIATA (also on Decca). She was still in superb voice in the mid to late 80s in a live Zarzuela concert with Placido Domingo (Sony). And near the end of her career, she still stunned in the famous LES HUGUENOTS duet at a Richard Tukcr gala with the emerging Richard Leech. Sadly, she died in her late 50s, a victim of cancer.
Lorengar's recordings got lost in the re-issue shuffle of the first wave of CD's issued around 1983. I finally snagged a collection which was re-mastered for release in Japan, spending a fortune for this import just to have some Lorengar on CD. That must have been at least 10 years ago. Decca has finally rectified this shamless omission. This 2-CD set offers the richest trove of her recordings we have so far. A must-have set, Lorengar delivers direct, heartfelt, elegant singing to set beside the best of Freni, Price, Moffo, Te Kanawa, etc.
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The Complete Songs of Charles Ives, Vol. 2
Manufacturer: Albany Records
ProductGroup: Music
Binding: Audio CD
Ives, Charles
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- The Complete Songs of Charles Ives, Vol. 1
- The Complete Songs of Charles Ives, Vol. 3
- The Complete Songs, Vol. 4
- Charles Ives: Three Quarter-Tone Pieces; Five Take-offs; Hallowe'en; Sunrise
- 114 Songs by Charles Ives
ASIN: B0000049ML
Release Date: 1995-04-16 |
Tracks:
- The Complete Songs Of Charles Ives: I Travelled Among Unknow Men
- The Complete Songs Of Charles Ives: Allegro
- The Complete Songs Of Charles Ives: Feldeinsamkeit
- The Complete Songs Of Charles Ives: Harpalus
- The Complete Songs Of Charles Ives: The Light That Is Felt
- The Complete Songs Of Charles Ives: Du Alte Mutter
- The Complete Songs Of Charles Ives: God Bless And Keep Thee
- The Complete Songs Of Charles Ives: Du Alte Mutter
- The Complete Songs Of Charles Ives: Slugging A Vampire
- The Complete Songs Of Charles Ives: Tarrant Mass
- The Complete Songs Of Charles Ives: Karen
- The Complete Songs Of Charles Ives: Dreams
- The Complete Songs Of Charles Ives: The World's Highway
- The Complete Songs Of Charles Ives: Because Of You
- The Complete Songs Of Charles Ives: Romanzo Di Central Park
- The Complete Songs Of Charles Ives: Because Thou Art
- The Complete Songs Of Charles Ives: I Knew And Loved A Maid
- The Complete Songs Of Charles Ives: Her Gown Was Of Vermilion Silk
- The Complete Songs Of Charles Ives: Flag Song
- The Complete Songs Of Charles Ives: Spring Song
- The Complete Songs Of Charles Ives: Ich Grolle Nicht
- The Complete Songs Of Charles Ives: Widmung
- The Complete Songs Of Charles Ives: We Melodien
- The Complete Songs Of Charles Ives: There Is A Lane
- The Complete Songs Of Charles Ives: Elegie
- The Complete Songs Of Charles Ives: Evidence
- The Complete Songs Of Charles Ives: Berceuse
- The Complete Songs Of Charles Ives: Rough Wind
- The Complete Songs Of Charles Ives: South Wind
- The Complete Songs Of Charles Ives: No More
- The Complete Songs Of Charles Ives: On Judge's Walk
- The Complete Songs Of Charles Ives: A Night Thought
- The Complete Songs Of Charles Ives: Song Of The Dead
- The Complete Songs Of Charles Ives: Where The Eagle
- The Complete Songs Of Charles Ives: Tolerance
- The Complete Songs Of Charles Ives: The Love Song Of Har Dyal
- The Complete Songs Of Charles Ives: Omens And Oracles
- The Complete Songs Of Charles Ives: Those Evening Bells
- The Complete Songs Of Charles Ives: Fruhlingslied
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- A brilliant collection from a great soprano
- If I could have only one collection......
- Yes this is great!
- The Grandest Collection of Leontyne Price Arias
- The Greatest Soprano Ever Recorded
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Leontyne Price (The Prima Donna Collection)
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ASIN: B000003FAF
Release Date: 1992-08-11 |
Tracks:
- Dido and Aeneas: Act 3: Thy Hand, Belinda!
- Dido and Aeneas: Act 3: When I Am Laid In Earth
- Le nozze di Figaro: Act 3: E Susanna non vien!
- Le nozze di Figaro: Act 3: Dove sono
- La traviata: Act 3: Teneste la promessa
- La traviata: Act 3: Addio del passato
- L'africaine: Act 2: Sur mes genoux, fils du soleil
- Manon: Act 2: Allons! il le faut!
- Manon: Act 2: Adieu, notre petite table
- Otello: Act 4: Era piu calma?
- Otello: Act 4: Mia madre aveva una povera ancella (Willow Song)
- Otello: Act 4: Ave Maria
- Adriana Lecouvreur: Act 1: Ecco: respiro appena
- Adriana Lecouvreur: Act 1: Io son l'umile ancella
- Louise: Act 3: Depuis le jour
- Turandot: Act 2: In questa reggia
- Die tote Stadt: Act 1: Marietta's Lied
- Vanessa: Act 1: He Has Come, He Has Come!
- Vanessa: Act 1: Do Not Utter A Word
Tracks:
- Atalanta: Act 1: Care Selve
- Don Giovanni: Act 1: Don, Ottavio, son morta!
- Don Giovanni: Act 1: Or sai chi l'onore
- Der Freischuetz: Act 2: Wie nahte mir der Schlummer
- Der Freischuetz: Act 2: Liese, leise
- Tannhaeuser: Act 2: Dich, teure Halle
- Macbeth: Act 2: La luce langue
- Macbeth: Act 4: Vegliammo invan due notti (Sleepwalking Scene)
- Macbeth: Act 4: Una macchia e qui tuttora
- Mefistofele: Act 3: L'altra notte in fondo al mare
- Rusalka: Act 1: Song To The Moon
- L'Enfant Prodigue: Air de Lia: L'annee en vain
- Andrea Chenier: Act 3: La mamma morta
- Francesca da Ramini: Act 3: Paolo, datemi pace
- Suor Angelica: Senza mammo, o bimbo, tu sei morto!
- Amelia Goes To The Ball: While I Waste These Precious Hours
Tracks:
- Alceste: Act 1: Divinites du Styx
- Don Giovanni: Act 2: Crudele? Ah, no, mio bene
- Don Giovanni: Act 2: Non mi dir
- I lombardi: Act 2: O madre, dal cielo
- I lombardi: Act 2: Se vano e il pregare
- Martha: Act 2: The Last Rose Of Summer
- Simon Boccanegra: Act 1: Come in quest'ora bruna
- La Perichole: Act 3: Tu n'es pas beau
- Die Walkuere: Act 1: Du bist der Lenz
- Die Fledermaus: Act 2: Czardas: Klange der Heimat
- Carmen: Act 3: Ces des contrebandiers
- Carmen: Act 3: Je dis que rien ne m'epouvante
- Cavalleria Rusticana: Voi lo sapete
- Thais: Act 2: Ah! je suis seule
- Thais: Act 2: Dis-moi que je suis belle
- Gianni Schicchi: O mio babbino caro
- Les dialogues des Carmelites: Act 3: Mes filles, voila s'acheve
Tracks:
- Semele: Act 2: Where 'er You Walk
- Idomeneo: Act 3: O smania! O Furie!
- Idomeneo: Act 3: D 'Oreste, d' Ajace!
- La damnation de Faust: Part 4: D'amour l'ardente flamme
- Oberon: Act 2: Ozean, du Ungeheuer!
- Norma: Act 1: Sediziose voci, voci di guerra
- Norma: Act 1: Casta diva
- Norma: Act 1: Ah! bello a me ritorna
- Rigoletto: Act 1: Gualtier Malde
- Rigoletto: Act 1: Caro Nome
- Tristan und Isolde: Act 3: Liebestod: Mild und leise
- Pagliacci: Act 1: Ballatella: Qual fiamma avea nel guardo
- Adriana Lecouvreur: Act 4: Poveri fiori
- Gloriana: Act 1, Scene 2: Soliloquy & Prayer: On Rivalries 'tis Safe For Kings
- Gloriana: Act 1, Scene 2: Soliloquy & Prayer: O God, My King, Sole Ruler Of The World
Customer Reviews:
A brilliant collection from a great soprano.......2007-04-30
Leontyne Price was much admired and this 4CD collection shows her outstanding vocal gifts to the best advantage. Numerous reviewers have commented on the wide-ranging styles present and I can agree wholeheartedly with them. You would be hard-pressed to find a greater compilation of Ms Price, showcasing her amazing gifts as a great singer!
If I could have only one collection.............2006-11-12
....it would be this. Such fine singing in so many periods, languages, and styles. She is truley a great artist and this set helps you see just HOW GREAT she is. I won't go thru all the tracks but will say Cara Selve drives me wild. "When I am Laid in Earth..." comes across very nicely. There are some rare exerpts too like Gloriana, Menotti's Amelia goes to the Ball. Overall most tracks are inspired. The musicianship is to the highest standards. I JUST lOVE IT!
Yes this is great!.......2006-10-14
But "When I am Laid in Earth" was written by PURCELL! Handel's "Care Selve", however, is also on this set, and it is GORGEOUS!!! I love just about everything on here. A few items from the fourth CD are a bit telling of her age (D'oreste d'ajace!")- but even they are fabulous. THe price of this set is unfortunate - however, it has dropped a little! :) I originally purchased it from BMG in 1994, for next-to-nothing, then "gave" it to my best friend! Two years ago, she lost hers to Hurricane Ivan, and paid a LOT for a new set!
The Grandest Collection of Leontyne Price Arias.......2005-08-08
If you're a fan of Leontyne Price, this should be at the top of your list of her recording albums. I don't know when this was issued, but it's from the RCA Label which was her best promotional record company. It's a box set featuring dozens of arias from magnificent grand operas (some of which Leontyne Price never sang on stage in full and instead sang some bits in concert). Leontyne Price sings in fresh, beautiful and strong voice in dramatic and versatile roles, mastering each music from each composer. She masters such strikingly different masters's works as Samuel Barber (Vannessa) Webber (Der Freischutz) Wagner (Tristan and Isolde, Tannhauser) Falla (Atalanta) Mozart (Le Nozze Di Figaro). She sings the title roles of Massenet's Manon, Bizet's Carmen, Bellini's Norma, Verdi's Lady Macbeth, Amelia in Un Ballo Di Maschera, Nedda in I Pagliacci, Turandot and Suor Angelica, Flotow's Martha, and even oratorio such as Handel's Semele and Benjamin Britten's Gloriana. This is a vast repertoire, far grander in variety than I have ever known any one soprano sang. While critics will indeed compare Leontyne Price to Maria Callas (as another review critic brought up) these two sopranos could not have been any more different. It's not even a matter of their different racial backgrounds- Callas was born in Greece and became an American citizen then gave it up for French citizenship..and Price was born in Mississippi and was African-American) it's a matter of how different their approach at opera was and their vocal category. Callas was a dramatic soprano sforzando (literally "forced dramatic soprano")who would prefer to produce a choking, ugly, harsh sound merely for the dramatic effect and the integrity of the text in her lines. Leontyne Price was the definition of a soprano lyrico-spinto ("pushed" lyric-dramatic singing)which meant above all, to sound beautiful and to fill up those dramatic lines with as much vocal and tonal beauty as possible. Price had a more thrilling mezzo di voce and high soaring top register and a cleaner, smoother sound than the wobbly Callas, no offense to Callas fanatics of which there are many. It is true that Price did lose her touch in a sense in her older years (the 1970's and 80's) when her voice lacked the vibrant lyricism and attention to diction. Her 1970's Toscas and Aidas are therefore a sloppier than her 1950's and 60's Toscas and the same went for her Leonoras in both Trovatore and Forza Del Destino. Nevertheless, Price is an ageless singer. Her voice, dark, messy or bright and smooth, is still what was said of her in her debut at the Met as Leonora in Trovatore - a "bright, unfurling banner". She was goddess of the opera and paved the way for the new generation of black sopranos of today.
This collection does not showcase the more famous roles that were in fact her signature ones - Leonora from Trovatore and Forza, Aida is'nt even in here and that one even she considered her greatest role, we don't find her Madame Butterfly here. Instead we find rare pieces that she sings beautifully and dramatically, making us wish she had sung the entire operas in full on stage. She never sang a full-length Norma and that's a pity- even Grace Bumbry and Shirley Verrett did in their careers. Price seemed to enjoy singing Samuel Barber's vocal works - she opened the 1965-1966 Met season with Barber's Antony and Cleopatra (a bad production by the way but not through any fault of Miss Price but the overblown spectacle of the design of the opera itself) and here she sings his Vanessa. Benjamin Britten's Gloriana sounds lovely in her hands. Her Norma and Dona Anna in Mozart are dramatic and fiery, her Lady Macbeth darkly mysterious, her Suor Angelica peaceful with powerful inner fire and her Dialogue Des Carmelites are also sensational. Yes, many of these arias are beautiful to hear, and thank God she doesn't have any of the flaws critics keep hearing in her later recordings. Without a doubt, this is her finest album. I think you should listen via audio samples here the following to make you get this recording: the Countess aria from Nozze Di Figaro, her Manon (Adieu Petit Table) La Mamma Morta, her version of Sediziose Voce/Casta Diva from Norma, the excerpt from Carmen, "Don Ottavio son Morta...Or Sai Chi L'Onore" from Don Giovanni, Care Salve, the Dido and Aeneas excerpts, the La Traviata excerpts (Addio Del Passato) and the beautifull, mystic, haunting and well-executed Liebestod from Tristan and Isolde, which I even feel surpasses Birgit Nilsson's version. Just listen to how heart-felt that Liebestod is! I have not heard the likes of it anywhere else.
The Greatest Soprano Ever Recorded.......2005-03-20
O.K. So that is only my opinion. But Leontyne Price was one of the most dedicated singers of the 20th century. Her vast repertoire is showcased in this extensive collection of arias. While to many Maria Callas will forever be the ultimate and the greatest of them all, Leontyne Price had the same poswerful, high dramatic voice, in addition a more generous chest register and a regial presence. Moreover, she overcame so much to get to the top. In her day, African-American women in opera was new. Marian Anderson was the first to get into the mainstream opera world, with much difficulty and intervention, such as Eleanor Roosevelt's support. After Marian Anderson finally landed her first role at the Met in the 50's, a new generation of black women in opera began. The 60's and 70's would see the rise of mezzo sopranos later turned to dramatic sopranos such as Grace Bumbry, Shirley Verrett and it would follow into the 80's with Jessie Norman and Kathleen Battle. Today, black women have made opera one of their highest achievements. Leontyne Price began singing in the 50's. A televised production of Tosca was not shown in some Southern states that were racistad opposed the idea of seeing a black woman in a "white" role. Leontyne Price would master the role of Tosca as successfully as Maria Callas. I think that while she is at her best in the Puccini and Verdi operas she recorded and performed (not showcased here)- Trovatore, Aida, Forza Del Destino, Madame Butterfly, Tosca, Suor Angelica. However, there is so much that she is absolutely remarkable in. I love her as Violetta in Traviata (few black women sing the traditionally white role of Violetta), Massenet's Manon, Verdi's Lady Macbeth (which was another of Shirley Verrett's great roles)Dido from Dido and Aneas, Dona Ana and Elvira in Don Giovanni, The Countess in Figaro, Bellini's Norma (she is outstanding in that powerful druid diva role). I think if we narrow it down to a few roles that she really made her own it would be 1: Aida....2:Tosca...3Dona Ana/Dona Elvira 4 Desdemona from Otello and 5..Leonoras from Trovatore and Forza.
This collection is pretty impressive. I didn't know a soprano could be that versatile. Leontyne Price is remarkable. Her rich, lyric voice, capable of plaintive and melancholy lines as well as powerful high C's and dramatic whoops, was always clean, smooth and intense. Of course, like most sopranos, she had her bad days. Her later Toscas (in the mid or late 70's) became too melodramatic and sloppy, when she used to be more mannered and poised with the role, her Cleopatra in Samuel Barber's opera was a fiaco because the production was too bizarre and messy, etc. But for the most part, mostly in Verdi, Puccini, Mozart and as Norma, she was radiant, glorious and perfect. Her background in Church music made her incredibly suited to singing Requiems, such as Verdi's Requiem. There will never be another Leontyne Price. She was a one woman Golden Age of Opera, and sang with the best of the best- Bjussi Bjorling, Giuseppe Di Stefano, Franco Corelli, Placido Domingo.
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Opera Arias & Duets
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD
Korngold, Erich Wolfgang
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