| 1. Adios Que Te Vaya Bien |
| 2. Tu Gusto y Medida |
| 3. Que Ganamos |
| 4. Beso Que Tu Me Diste |
| 5. No, No |
| 6. Que Me Gano con Quererte |
| 7. Como Puede Ser |
| 8. Muchachita |
| 9. Dejame |
| 10. Que Bonito Es el Amor |
Francisco Madrigal,Francisco Madrigal,RCA Intl,Latin,Latin Music,Mexican,Mexico
Average customer rating:
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Prokofiev: Romeo and Juliet
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0001TSWNW Release Date: 2004-04-20 |
Customer Reviews:
Reissue of a much-praised MTT debut.......2006-06-26
Not so the British. The Gramophone grumbled about 'slick efficiency' and 'stickiness.' I think that's not true. The only problems that keep this recording from the highest rank, as far as my ears tell me, are first, the recorded sound. Though wide-ranging and dynamic, the original release tended to be coarse and thuddy (I don't own the reissue at mid-price, but perhaps something has been done to correct this).
The second and more important reservation isn't MTT's fault. Great conductors have already preceded him. Ancerl, Mravinsky, and Mitropoulos are among the old maestros who made outstanding versions of excerpts from the ballet. Among moderns we have had sonic blockbusters from Salonen and Abbado, both of whom dig into the score as MTT does not, and both of whom benefit from the astounding viruosity of the Berlin Phil. As for the complete ballet, versions by Lorin Maazel with the Cleveland Orch. on Decca and Gergiev with the Kirov Orch. on Philips stand out. MTT has a lighter touch than all of the above, which isn't necessarily a bad thing--his avoidance of shmaltz is admirable to me.
In fact, there are stretches here that sound just as good as the best. I can see why other listeners give this recording five stars; in light of so many great ones, I settled for four.
The best available version of this music, hands down........2005-05-19
Fantastic.......2004-08-04
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Songs Of Spain / De Los Angeles, et al
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000I4KQ Release Date: 1999-02-23 |
Tracks:
- El rossinyol
- El testament d'Amelia
- Adios meu homino
- Mina nay por me casare
- Tengo que subir
- Ahi tienes mi corazon
- La vi llorando
- Ya se van los pastores
- Campanas de Belen
- Jaeneras que yo canto
- A dormir ahora mesmo
- Granadinas
- Hincarse de rodillas
- Cancion de trilla
- Parado de Valldemosa
- Nik baditut
- Andregaya
- Din, dan, boleran
- Mariam matrem
- Ay, triste vida corporal!
- Que es mi vida, preguntais?
- Porque es, dama, tanto quereros?
- No me llames segalaherba
- Ay, luna que reluces
- En esta larga ausencia
- Molinillo que mueles amores
- Confiado jilguerillo
- Seguidillas religiosas
- Cancion de cuna
- El jilguerillo con pico de oro
- El canape
Tracks:
- Ah, el novio no quiere dinero
- Coma la rosa en la guerta
- Estavase la mora
- Aquel rey de Francia
- Damos gracias a ti, Dios
- Sobre Baca estaba el rey
- Ay que non hay!
- Rosa das rosas
- Maravillosos e piadosos
- Tres moricas m'enamoran
- Paseabase el rey moro
- Dime a do tienes las mientes
- Si no's huviera mirado
- Dexo la venda
- Puse mis amores
- Aqui me declaro su pensamiento
- Pues que me tienes
- Gentil dama, non se gana
- Mi querer tanto vos quiere
- Una hija tiene el rey
- Una matica de ruda
- Si la noche se hace oscura
- Pastorcico, non te aduermas
- Ay triste que vengo
- No soy you quien la descrube
- Pase el agua, Julieta
- Aquel caballero, madre
- Duelete de mi, Senora
- De Antequera salio el Moro
- De los alamos vengo, madre
- Enfermo estaba Antioco
- Dame acogida en tu hato
- Morenica, dame un beso
- Senora, si te olvidare
- De donde venis, amore?
Tracks:
- La rosa enflorece
- Ven querida
- Adio, querida
- Durme, durme, hermozo hijico
- Paxaro d'hermosura
- Avrix, mi galanica
- Irme quiero, la mi madre
- Ya viene el cativo
- Yo m'enamori d'un aire
- Una matica de ruda
- Anda, jaleo
- Los cuatro muleros
- Las tres hojas
- Los mozos de Monleon
- Las morillas de Jaen
- Sevillanas del siglo 18
- El cafe de Chinitas
- Nana de Sevilla
- Los pelegrinitos
- Zorongo
- Romance de Don Boiso
- Los reyes de la baraja
- La tarara
- El combat del somni: Damunt de tu, nomes les flors
- A l'ombra del Lledoner: Canco de grumet
- Canciones negras: Cancion de cuna para dormir a un negrito
- Cuatro madrigales amatorios: De los alamos vengo, madre
- Coleccion de tonadillas: Callejeo
- Coleccion de tonadillas: El tra la la y el punteado
- Seis canciones castellanas: No quiero tus avellanas
- Seis canciones castellanas: Jota
- Panxolina
- Tu pupila es azul
- Cantos populares espanolas: Malaguena
- Cantos populares espanolas: Granadina
- Cantos populares espanolas: El Vito
- Cantos populares espanolas: Pano murciano
- Clavelitos
- Adios, Granada
- Madrigal
Tracks:
- Coleccion de tonadillas: Amor y odio
- Coleccion de tonadillas: Callejeo
- Coleccion de tonadillas: El majo discreto
- Coleccion de tonadillas: El majo olvidado
- Coleccion de tonadillas: El majo timido
- Coleccion de tonadillas: El mirar de la maja
- Coleccion de tonadillas: El tra la la y el punteado
- Coleccion de tonadillas: La maja de Goya
- Coleccion de tonadillas: Las currutacas modestas
- Tres majas dolorosas: Oh muerte cruel!
- Tres majas dolorosas: Ay majo de mi vida
- Tres majas dolorosas: De aquel majo amante
- Goyescas: La maja y el ruisenor (Rosario)
- 'La vida breve': Vivan los que rien! (Salud - Act 1)
- 'La vida breve': Alli esta! Riyendo! (Salud - Act 2)
- 'Acis y Galatea': Confiado jilguerillo
- El tripili
- Llorad, corazon
- Iban al pinar
- No lloreis, ojuelos
- Mananica era
- Mira que soy nina
- Gracia mia
- El pano moruno
- Seguidilla murciana
- Asturiana
- Jota
- Nana
- Cancion
- Polo
- 'La Tempranica': Zapateado (La tarantula e un bicho mu malo)
Customer Reviews:
The most noble voice.......2004-05-28
PURCHASE THIS JEWEL WHILE YOU CAN.......2002-01-08
luminous artistry from a genius.......2000-12-26
A special Dignity and an Unfailing Beauty of Voice........2000-09-17
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Guitarra española
Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000B09Z5 Release Date: 2004-03-09 |
Customer Reviews:
Outstanding music and great value!!.......2006-04-02
Excellent.......2005-08-22
Very Highly Recommended.......2004-05-08
No matter what popular and lay opinions may be about Williams, Bream, Segovia, and others, the greatest classical guitarist of the 20th century was Narciso Yepes. It is a pity and a shame that the fear of the older generation of guitarists and their associates made Yepes a marginal figure.
He was a consummate technician and a knowledgeable interpreter of all musical idioms from the Middle Ages through to the height of the 20th Century avant-garde. His playing was characterized by intelligence, sensibility, clarity, power, majesty, poetry, and a devilish ability to separate and sustain contrapuntal lines.
In this box of 5 CDs you will find the definitive performance of Rodrigo's now famous "Aranjuez" concerto, which, incidentally, was first recorded and made famous by Yepes. There are also 2 CDs with rare concertos by Salvador Bacarisse, Antonio Ruiz-Pipo, and Maurice Ohana.
The other 3 CD's contain generally the best performances of the canon of solo guitar works that you are likely to find. The composers include Sanz, Mudarra, Narvaez, Soler, Sor, Albeniz, Granados, Tarrega, De Falla, Turina, Bacarisse, Rodrigo, Llobet, Pujol, Moreno Torroba, Montsalvatge, Ohana, and Ruiz-Pipo.
Every guitarist and every lover of the instrument should own this set. If it is not available, also refer to a similar box set with the ASIN number B00006L6RN or another B000026ZRL.
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Gregorian Chants for All Seasons
Manufacturer: Vox (Classical) ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001K22 Release Date: 1992-11-04 |
Tracks:
- Introit For The 1st Sunday In Advent (Mode 8)
- Introit For The 4th Sunday In Advent (Mode 4)
- Communion 3rd Sunday In Advent (Mode 7)
- Introit For The 3rd Sunday In Advent (Mode 1)
- Offertory For The 4th Sunday In Advent (Mode 8)
- Hymn For Christmas Vespers (Mode 1)
- Introit For The 3rd Christmas Mass (Mode 7)
- Alleluia Of The 3rd Christmas Mass (Mode 8)
- Communion For The Feast Of The Holy Confessor (Mode 8)
- Gradual For The Feast Of The Holy Confessor (Mode 2)
- Offertory For The 2nd Sunday After Epiphany (Mode 6)
- Communion For The 2nd Sunday After Epiphany (Mode 6)
- Introit For Sexagesima Sunday (Mode 1)
- Tract Of Sexagesima Sunday (Mode 8)
- Communion For The 2nd Sunday In Lent (Mode 5)
- Offertory For Palm Sunday (Mode 8)
- Gradual For Maundy Thursday (Mode 5)
- Offertory For Maundy Thursday (Mode 2)
Tracks:
- Introit For Easter Sunday (Mode 4)
- Gradual For Easter Sunday (Mode 2)
- Alleleuia For Easter Sunday (Mode 7)
- Sequence For Easter Sunday (Mode 1)
- Offertory For Easter Sunday (Mode 4)
- Communion For Easter Sunday (Mode 6)
- Antiphon For Easter Sunday In Praise Of Mary (Mode 6)
- Introit For Ascension (Mode 7)
- Offertory For Ascension (Mode 1)
- Introit For Pentecost Sunday (Mode 8)
- Sequence For Pentecost Sunday (Mode 1)
- Communion For Corpus Christi Day (Mode 7)
- Introit For The Feast Of The Immaculate Conception (Mode 3)
- Introit For The Feast Of Christ The King (Mode 3)
- Communion For The Feast Of Christ The King (Mode 6)
- Introit For All Saints Day (Mode 1)
- Offertory For All Saints Day (Mode 1)
- Communion For All Saints Day (Mode 1)
- Introit For All Souls Day (Mode 6)
- Antiphon For Burial Service (Mode 7)
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The Rose, the Lily & the Whortleberry (Medieval Gardens in Music)
Orlando Consort Manufacturer: Harmonia Mundi Fr. ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000BT5EDS Release Date: 2006-03-14 |
Tracks:
- Rose, liz, printemps, verdue (Machaut)
- El mois de Mai/De se debent/ Kyrie (Anonymous)
- He, Marotele/En la praerie/Aptatur (Anonymous)
- Passerose de beaute (Trebor)
- Flos regalis (Anonymous)
- Flos regalis: Agnus Dei (Walter Frye)
- Quam pulchra es (Leonel Power)
- Soubz les branches/ En la rousee/ Jolis mois de may (Anonymous)
- Royne des flours (Alexander Agricola)
- Dindiridin (Anonymous)
- En la fuente del rosel (Juan Vasquez)
- Hortus conclusus (Rodrigo de Ceballos)
- Aqella mora garrida (Gabriel [Mena])
- Quasi cedrus (Francisco Guerrero)
- Changeons propos (Claudin de Sermisy)
- Sicut lilium (Antoine Brumel)
- Vidi speciosam (Johannes Lupi)
- Haec est illa dulcis rosa / Salve (Carpentras [Elzear Genet ])
- Da la belle contrade d'oriente (Cipriano de Rore)
- I vaghi fiori (Jacques Arcadelt)
- Ecce tu pulcher es (Dominque Phinot)
- Des herbes ai asses (Thomas Crecquillon)
- Au ioly bocquet croist la violette (Clemens non Papa [Jacob Clement])
- O flos campi (Nicholas Gombert)
Amazon.com
This beautiful CD of music from the 13th to 16th centuries in France, England, Spain, Italy, and the Low Countries finds the all-male Orlando Consort centering their attention on texts having to do with the garden and flowers. They open with a beautiful chanson by Machaut and his unique technique of playing melodies and texts off one another simultaneously to make a stunning blend--an ideal floral arrangement, if you will. The Virgin Mary is often referred to in floral terms, so many of these works are religious in nature, and there's a terrific motet by Brumel from The Song of Songs. Tempi and textures vary, so that there's never a sense of tedium. The CD comes with a grandly illustrated booklet, filled with reproductions, in brilliant color, of Medieval and Renaissance art. The idea, the music making, the presentation are all ravishing; this is already one of the best CDs of 2006. --Robert LevineCustomer Reviews:
Original but flawed concept.......2007-06-18
However, this striving to present an 'original' concept results in a programme which in truth is only partially successful. Many of the texts draw upon allegory, particularly in the various settings of the Song of Songs (tracks 7, 12, 14, 16, 17, 21 and 24). In Medieval interpretation (and analogous to the tradition of 'amour courtois'), the Song of Songs was seen as alluding to the relationship between the Virgin Mary and the adoring believer, hence the strong association of such texts with the feasts of the Ascension (August 15) and Nativity (September 8) of the Virgin. Elsewhere, conventional symbolism portraying Mary as the 'rose' who bore Christ (tracks 5 and 18) is exploited, and 2 pieces - Trebor's 'Passerose de beaute' (track 4) and Agricola's 'Royne des flours' (track 9) - draw upon religious allegory whilst being simlutaneously placed within the courtly love tradition.
Susan Hitch briefly touches on some of this (p.12), but its significance in the context of this programme is overlooked - that rather than imparting much information on Medieval and Renaissance Gardens (which at any rate would be difficult for the texts based on the [pre-Medieval] Song of Songs, written c.350-200 B.C.!), most works shed more light on Medieval/Renaissance allegorical conventions (see below 1*). This in turn affects the performing context. The bold assertion that the music recorded here 'must once have been heard in the open air' and 'would have found its setting in 2 contrasting garden styles' (liner notes, p.8) seems problematic, particularly for the sacred works - intended for ecclesiastical performance and in any case unlikely to have been performed as minimalistically as here (see below 2*).
The performances themselves are generally tight, both in ensemble and intonation, although occasionally the top-heavy vibrato results in readings which are a little saccharine (and probably anachronistic). In all, despite the originality of the concept, this CD is not a patch on earlier recordings by the Orlando Consort which are both more polished and programmatically more convincing - in particular, 'The Mystery of Notre-Dame', 'Dreams in the Pleasure Garden' and 'The Saracen and the Dove'. If you've not come across this group before and can forgo the flashy packaging, these 3 discs are well worth discovering instead.
*1 - In addition, flowers were associated with youthfulness, hence the correlation of the theme with 'amour courtois', evident in many of the texts here (see tracks 1, 4 etc; also prose examples such as Le Jardin des Nobles, Paris BN MS fr193)
*2 - This is especially true of the Spanish works - a document preserved in Seville Cathedral dated 1586, possibly written by Guerrero himself, not only confirms the importance of instrumental participation (cornett, shawm, recorder, dulcian), but even states that 'hearing the same instrument always wearies the listener' (see Robert Stevenson, Spanish Cathedral Music in the Golden Age, 1961, p.167)
The Constant Gardener.......2007-05-14
I have to confess that though I am a profound fan of sacred early music I am not equally attracted to the somehow light mood of the secular scores of the same period. This Harmonia Mundi compilation, though secular in subject, achieves a musical result of the magnitude we experience in sacred works: Soothing and meditating. Accompanied by a booklet full of gardening information and exquisite pictures.
In short, a magnificent and remarkable work. And not without reason: Paradise Lost was actually a garden...
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La bella Ninfa: European Madrigals ca. 1600
Manufacturer: Berlin Classics ProductGroup: Music Binding: Audio CD ASIN: B000007RQN Release Date: 1998-06-16 |
Tracks:
- La Bella Ninfa Mia
- Leggiadre Ninfe E Pastorelli Amanti
- I Vaghi Fiori E L' Amorose Fronde
- Il Bianco E Dolce Cigno
- Lasciate Mi Morire
- Ecco Mormorar L' Onde
- Moro Lasso Al Mio Duolo
- Dolcissima Mia Vita
- Ride La Primavera
- Matona Mia Cara
- Speme Amorosa
- Prado Verde Y Florido
- Recuerde El Alma Dormida
- Herzlich Tut Mich Erfreuen
- Gott B' Hute Dich
- Tritt Auf Den Riegel Vor Der Tur
- Ach Lieb, Ich Tu Dir Klagen
- Ich Sag Ade
- Le Cocu
- Bon Jour, Mon Coeur
- Il Est Bel Et Bon?
- It Was A Lover And His Lass
- Now Is The Month Of Maying
- Fair Phyllis I Saw Sitting All Alone
- Adieu, Sweet Amaryllis
- The Silver Swan
- Weep, O Mine Eyes
Customer Reviews:
Must have it!.......2002-04-06
The notes of this compact disc suggest that the term madrigal may derive from the Latin matricalis, meaning "from the mother," and refers to a song in the mother tongue. However, the term might also be used in order to designate secular pieces (cantus materialis) as oppose to sacred pieces (Cantus spiritualis). In any case, the madrigal indicates a lyrical and musical form in 14th-16th century Italy. The musical madrigal used to depict the nature, but its prevalence grew and thus the genre enjoyed a huge development in the cultural life of the princely courts and academies of the Italian city-states. Here, the madrigal displayed a great stylistic variety along with several regional variations.
The present recording unfolds a page of the madrigal history. The first group of pieces comes from Italy itself. Eternal "hits" such as Arcadelt's Il bianco cigno, Palestrina's I vaghi fiori, Monteverdi's Ecco mormorar l'onde and Lasciate mi morire, as well as the very chromatic Moro lasso and Dolcissima mia vita by Gesualdo stand under the very earthy concepts of nature, love, and death suggested in the title song of this compilation, Luca Marenzio's La bella Ninfa (The Beautiful Nymph).
After a short stop in Spain, the "trip" goes to Germany and France. While Hassler and Lechner dominate the German region of the madrigal, Passereau's Il est bel et bon and Lasso's Bon jour, mon coeur are the well-known examples of the French direction of the secular genre, the chanson.
The last section of the recording is dedicated to some of the most wonderful English madrigals, such as Morley's Now Is the Month of Maying, Farmer's Fair Phyllis, Gibbons's Silver Swan, or Bennet's Weep, O Mine Eyes. Considered by musicologists the "father" of the English madrigal, Thomas Morley inspired some other composers, among them John Bennet and John Farmer, while Gibbons and Wilbye developed a style of their own.
The listener can't find any information about the vocal ensemble that performs on this compact disc, the Hallenser Madrigalisten, but references about them can be easily extracted from their web site, .... The choir, whose English name would be The Halle Madrigal Singers, was founded in 1963 in Halle, Germany by Siegfried Bimberg as a chamber choir at the Martin Luther University of Halle-Wittenberg. The 20 singers, musicologists, lecturers, students, and teachers of singing, have devoted themselves above all to the interpretation of 16th and 17th century choral music. Another omission from the CD notes is the text of the 27 madrigals including their translations. In my opinion, this may cause a limitation with regard to the general public who might choose not to buy this product whether or not they like Renaissance music.
What does not miss from this CD is the crisp performance of the group. This is an excellent recorded performance, not only because it was made in a church (Paul-Gerhardt-Kirche), but also for an overall good intonation, and for a stylistically correct phrasing and rhythm. A very good vocal balance, impressive diction and pronunciation, a vigorous character alternating with more lyrical pieces make this recording worth trying. However, there are some inexplicable fast tempi in Lasso's Matona mia cara or in Passereau's Il est bel et bon. It's not specifically the fast pulse they took in these pieces that might bother the elevated listener, but the lack of the feeling that after a structural section there's no clear delimitation, such a longer rest. Also, some of the slower to medium speed pieces might be found in a better "shape" elsewhere.
In conclusion, with all the pluses and minuses, the Halle Singers's collection of Renaissance madrigals remains a "must have" in any musician's personal library. I highly recommend this recording to anyone who loves Renaissance vocal music.
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La Capella Reial de Catalunya: Offertorium
Manufacturer: Fontalis ProductGroup: Music Binding: Audio CD ASIN: B000003II5 Release Date: 1997-07-15 |
Tracks:
- El Canto De La Sibila II: Sibila Galaica (Excs)
- Cantigas De Santa Maria: Miragres Fremosos Faz Por Nos (CSM 37)
- Messe De L'Homme Arme: Osanna I-II
- Villancios & Ensaladas: La Trulla (Exc)
- Missa Pro Defunctis: Kyrie Eleison-Christe Eleison
- Falai Mes Olhos
- Sacrae Cantones: Duo Seraphim
- Cantica Beatae Virginis: Vidi Speciosam Sicut Columbam
- Vespro Della Beatae Virginie:Intonatio/Antiphona/Dixit Dominus
- Madrigali, Guerrieri Et Amorosi: Hor Che'l Ciel E La Terra
- Missa Pro Defunctis: Offertorium
- Cancons De La Catalunya Mil/Lenaria: Els Segadors
- Requiem K626: Agnus Dei-Lux Aeterna
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XXXIX Concorso Polifonico Internazionale "Guido d'Arezzo" 1991
Manufacturer: Edipan Records ProductGroup: Music Binding: Audio CD ASIN: B00008F12Y Release Date: 1997-06-24 |
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XXXVII Concorso Polifonico Internazionale "Guido d'Arezzo" - Polyphonic works by Victoria, Gabrieli, Bach, Reger, Tormis, Morley, Palestrina / Fondazione Guido d'Arezza (Edipan)
Manufacturer: Edipan Records ProductGroup: Music Binding: Audio CD ASIN: B00008F12W Release Date: 1997-06-24 |
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Offertorium
Manufacturer: Fontalis ProductGroup: Music Binding: Audio CD ASIN: B000025JGZ Release Date: 1997-01-01 |
Tracks:
- El Canto De La Sibila II: Sibila Galaica (Excs)
- Cantigas De Santa Maria: Miragres Fremosos Faz Por Nos (CSM 37)
- Messe De L'Homme Arme: Osanna I-II
- Villancios & Ensaladas: La Trulla (Exc)
- Missa Pro Defunctis: Kyrie Eleison-Christe Eleison
- Falai Mes Olhos
- Sacrae Cantones: Duo Seraphim
- Cantica Beatae Virginis: Vidi Speciosam Sicut Columbam
- Vespro Della Beatae Virginie:Intonatio/Antiphona/Dixit Dominus
- Madrigali, Guerrieri Et Amorosi: Hor Che'l Ciel E La Terra
- Missa Pro Defunctis: Offertorium
- Cancons De La Catalunya Mil/Lenaria: Els Segadors
- Requiem K626: Agnus Dei-Lux Aeterna
Salsa Music:
- Gal Costa
- Gigantes Tropicales del Año
- Gigliola Cinquetti Y El Trio Los...
- Giostra Di Successi Per Bambini
- Grandes Exitos
- Grandes Exitos
- Indocumentado
- La Historia Sigue
- Lagrima Y Otros Exitos
- Las Baladas del Momento en Bachata
Salsa Music
Space: 1999 Year 1 [Soundtrack]
Sambas de Enredo 2003 [Import]
Please Please Me: the Parrots Live at Abby Road [Import]
Sketches of Spain-Vinyl Classics [Import]