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1. Tu Amor y Mi Amor
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2. Te Quiero Asi
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3. Amorcito Corazón
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4. Tu Vida y Mi Vida
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5. Girto Prisionero
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6. Flor Sin Retoño
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7. Cien Años
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8. Que Seas Feliz
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9. Di Que No
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10. Yo Te Quise
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11. Muñeco de Cuerda
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12. No Me Platiques
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Tu Amor Y Mi Amor,Pedro Infante & Rondalla Venezolana,Musart,Bolero,Latin,Latin Continuum,Mariachi,Mexican,Ranchera
Average customer rating:
- Lecuona Plays Lecuona
- Lecuona the Cuban pianist is Great!
- The Cuban Chopin
- Lecuona, the musical genious . . . . .
- LECUONA IS NO LIGHTWEIGHT
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Ultimate Collection
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
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| Lecuona, Ernesto
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- Ernesto Lecuona Piano Music: Piano Solo
ASIN: B000003G71
Release Date: 1997-02-11 |
Tracks:
- Malaguena
- Andalucia
- Ante el Escorial
- San Francisco el grande
- Siempre en mi corazon
- Maria la O
- Siboney
- Noche azul
- La comparsa
- Danza negra
- Danza lucumi
- A la antigua
- Canto del guajiro
- Canto del guajiro
- La habanera
- Damisela encantadora
- Crisantemo
- Romantico
- Rosa la china
- Como arrullo de palmas
- Palomitas blancas
- Poetico
- Estudiantina
- Cordoba
- Music Box
- Mazurka en glisado
- Polichinela
- Gitanerias
- Aragon
- Valencia mora
Tracks:
- La brisa y yo
- Devuelveme el corazon
- Preludio en la noche
- Yo te quiero siempre
- Pavo real
- Vals de las sombras
- Bell Flower
- Zambra gitana
- Por eso te quiero
- Vals azul
- Vals en si mayor
- Muneca de cristal
- Mi amor fue una flor
- Vals en re bemol
- Apasionado
- Amorosa
- Ahi viene el chino
- Al fin te vi
- Por que te vas?
- Mientras yo comia maullaba un gato
- Por que te vas?
- Amorosa
- Los minstrels
- No hables mas
- Dame tu amor
- Vals en re bemol
- La 32
- Mis tristezas
- En tres por cuatro
- Munequita
- Burlesca
- La paloma
- Music Box
Amazon.com
This collection includes Ernesto Lecuona's complete 1954 recordings plus a series of 78s made in 1927-28. Ten of the recordings were previously unreleased. This is a lot of lightweight Cuban piano music to deal with at once, but it's definitely worth doing. Lecuona's music, which is having a major revival, may not be important. But it's consistently charming and entertaining. The 78s, which sound surprisingly good, reveal even more of a virtuoso than do the later recordings, but throughout we hear playing that expresses the spirit of the music extremely well. And yes, the famous Malagueña is here, sounding very sexy. --Leslie Gerber
Customer Reviews:
Lecuona Plays Lecuona.......2007-05-12
Oh Boy! What can I tell you about this magnificent collection of musical jewels from our Maestro Lecuona. I bought the original Long Playing Record back in the 50's in my country.
I purchased it again shortly after my arrival to the US, and I was lucky enough to buy it on DVD from Amazon, once I found out they had it.
Joseph L. Alcover
Miami, FL
Lecuona the Cuban pianist is Great!.......2005-08-17
In my opinion this is one of the best CD's from Lacuona, Most of his piano compositions are recorded here (original ones), What, Ms. Leslie Gerber forgot to mention is that Mr.Lecuona was a band leader,"Lecuona and the Cuban Boys", remembers him? Or maybe she does not have sufficient information about him. The music from Lecuona still is very well alive today. I came across his recordings on my own, no one ever told me about this great pianist. I happened to hear the Malague?a by another great Cuban composer and band leader Perez Prado (The Real Mambo King) in one of his albums and Lecuona was the author. That got me interested in him. I'm pretty sure that Ms.Leslie Gerber does not mean any harm trying to put this composer down. It's just that maybe all she knows is Gerber baby food stuff!
The Cuban Chopin.......2004-06-18
What a great album and great value. There is music here that will make you smile, break your heart, inspire you, and Lecuona's skill is breathtaking. If you enjoy classical piano music (with a Cuban/Spanish influence), you'll love this. No, it doesn't display the virtuosity, complexity or seriousness of Lizst, Chopin or Beethoven, but it's fun, beautiful, dramatic yet accessible. You'll love it.
Lecuona, the musical genious . . . . ........2002-10-16
I feel compelled to identify myself first. I am Cuban born who arrived in the US in 1960 at the age of 16 years old. I am a US citizen since 1965 and a US Army Veteran of Viet Nam. I will die defending the right Ms. Leslie Garber has of expresing her opinions. But what I will not condone is her ignorance. To say that Lecuona writes "lightweight Cuban piano music" and that "Lecuona's music may not be important" is to show ignorance. A musician that composes GREAT music in several genres of the music world, a musician that in all genres has highly succesful pieces, and, a musician that after many years, (70-80 years) is still heard and admired can not be called other than MUSICAL GENIOUS and a CLASSICAL MUSICIAN. His music is so beautiful that it will live forever. From his Afro-Cuban compositions, to his romantic popular boleros, to his valses, to his Zarzuelas, Lecuona demonstrates once and again, time after time his immense musical talent. His Afro-Cuban "Cafetal", his romantic boleros "Noche Azul" and "Amapola", His vibrant and colorful "Comparsa" and "Andalucia", his classical Valses, just to mention a few things, makes Lecuona to stand together with the great musicians of the world. The fact that Hollywood made a film around "Estas en mi corazon" and that great singers, like Placido Domingo, want to sing Lecuona's music speaks immensely well of Lecuona/s greatness. The fact the popular instrumental orchestras like Faith, Conniff, Mantovani, Cugat have arranged and interpreted a lot of Lecuona's music also says a lot about Lecuona's versatility in his work. Lecuona is probably important to many millions of people and his music is certainly not lightweight. And if the only thing Ms. Garber can say about "Malaguena" is that "it sounds very sexy" is to demonstrate that she does not know a thing about music. It definitely does not give her the priviledge of commenting about Lecuona's music.
LECUONA IS NO LIGHTWEIGHT.......2002-02-27
Lecuona is one of the most important composers of Latin-America. He is by no means the "unimportant" and "lightweight" Leslie Gerber (whomever that may be) claims, having been hailed for performances of his earlier (and "less mature") works by the likes of Maurice Ravel.
In my opinion the highlight of the set is the devilish "La 32". It's also interesting to compare his interpretations of the same works at different times in his career, like the two recordings of "Por que te vas?" and "Amorosa", especially keeping in mind that Lecuona seldom notated and improvised quite frequently, leaving the transcription work to his students.
Average customer rating:
- One of he greatest voice ever!
- overall
- Beautiful
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Zarzuela Arias & Duets
Manufacturer: RCA
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ASIN: B000003FW6
Release Date: 1995-09-04 |
Tracks:
- El Rey que rabi?: Mi t?o se figura
- El Caser?o: Bueno d?as
- La Canci?n del olvido: Marinela, Marinela
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Customer Reviews:
One of he greatest voice ever!.......2007-01-10
A privilege to hear this wonderful voice in these native, for her, works.
overall.......2006-03-16
Great recording
Great music selection, Great orchestration
Every thing is what I was looking for.
I wish you had the same subjects in DVD
Thank you
Beautiful.......2001-09-29
This is a must have if you are not familiar with zarzuela (Madrid's response to Vienna's operetta). It's a nice combination of arias sung by Caballe in beautiful voice and joined by her husband tenor Bernabe Marti for the duets. The CD comes with translations for non Spanish speaking which will greatly improve your satisfaction.
Caballe is in as beautful voice as ever and feels at home with this non very taxing repertoire. She doesn't overindulge in her other times frequent "floatiness" and is very expressive throughout. Thogh sometimes when some coloratura is needed she tends to drop the consonants blurring her enunciation of the words. We are used to this from her opera recordings though she's not as bad as Sutherland.
Marti is a nice tenor but is not in the same league as Caballe. That's why he never got star recognition though he made a few recordings whith his wife, like Bellini's "Il Pirata". His is a lyrical tenor, a little throaty but with nice projection of the sound. He sounds a little strained over the "passagio" but hits all the notes. More importantly, he compensates for his lack of vocal lustre with burning impersonations of his characters. Passionate and burning in some, tender and caressing in others. In this respect is better than his wife who is a little more doll like hidding behind her vocal resources. So I specially enjoyed the many and varied duets in this recording.
Strongly recommended.
Average customer rating:
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The Complete Caruso
Manufacturer: RCA
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Binding: Audio CD
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ASIN: B0001TSWQO
Release Date: 2004-11-09 |
Average customer rating:
- Like a religious experience
- Dissappointing soprano
- A balm for any soul
- Ten stars if possible...
- Historical re-release
|
Secular Music from Christian and Jewish Spain
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
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ASIN: B00000J2QD
Release Date: 1999-06-08 |
Tracks:
- Villancicos From Cancionero de la Colombina: Ni?a y vi?a
- Villancicos From Cancionero de la Colombina: Propide melyor
- Villancicos From Cancionero de la Colombina: Como no le andaro
- Villancicos From Cancionero de la Colombina: Recercada
- Villancicos From Cancionero de la Colombina: Fantasia
- Villancicos From Cancionero de la Colombina: Pavana
- Villancicos From Cancionero de Palacio: Al alva venid, buen amigo
- Villancicos From Cancionero de Palacio: Perda mi rrueca
- Villancicos From Cancionero de Palacio: A los badel amor
- Villancicos From Cancionero de Palacio: Fantasia
- Villancicos From Cancionero de Palacio: Romanesca
- Villancicos From Cancionero de Palacio: Pues bien para esta
- Villancicos From Cancionero de Palacio: Si av dicho, marido
- Romances From Cancionero de Palacio: Si d'amor pena sent
- Romances From Cancionero de Palacio: O voy
- Romances From Cancionero de Palacio: Qu'es de ti, desconsolado
- Recercadas sobre tenores: Recercada 4
- Recercadas sobre tenores: Recercada 5
- Recercadas sobre tenores: Recercada 6
- Villancicos From Cancionero de Uppsala: Yo me soy la morenica
- Villancicos From Cancionero de Uppsala: Si la nocha haze escura
- Villancicos From Cancionero de Uppsala: Soleta s ac
- Villancicos From Cancionero de Uppsala: Con qua lavar
- Villancicos From Cancionero de Uppsala: Soy serranica
Tracks:
- Sephardic Romaces: Pregoneros van y vienen
- Sephardic Romaces: El rey de Francia tres hijas tenia
- Sephardic Romaces: Una matica de Ruda
- Sephardic Romaces: Palestina hermoza
- Sephardic Romaces: Nani, nani
- Sephardic Romaces: El rey que tanto madruga
- Sephardic Romaces: Por que llorax blanca nina
- Sephardic Romaces: Moricos los mis moricos
- Sephardic Romaces: Lavava y suspirava
- Sephardic Romaces: Paxarico tu te llamas
- Sephardic Romaces: La Reina xerifa mora
- Sephardic Romaces: Por alli paso un cavallero
Amazon.com
Before their expulsion in 1492, the Jews of medieval Spain developed a rich and lively culture, including an exquisite repertory of songs called romanceros--and they kept that repertory alive as they settled in places as diverse as Morocco, Bosnia, Turkey, and Bulgaria. Lovely as the romanceros are, they would have languished as the objects of ethnomusicological studies and might have disappeared altogether, were it not for the efforts of gifted musicians like Hespèrion XX. Jordi Savall and his ensemble, fronted by the unique soprano Montserrat Figueras, just about single-handedly brought those songs to the attention of the modern public with this 1976 recording (now reissued at a bargain price). Disc 1 features a selection of secular music from "Christian" Spain--that is, the courts of Ferdinand and Isabella and the Catholic nobility. The music is elegant and occasionally austere, but Figueras, Savall, and colleagues give the livelier pieces a flavorful swing. Yet disc 2, which features the Sephardic songs, is the real drawing card here. It was in Moorish Spain that Jewish culture flourished, so Hespèrion XX performs the romanceros with Arabic instruments, such as the 'ud (the ancestor of the European lute) and hand drums. These musicians, rechristened Hespèrion XXI in honor of the new century, perform this repertory with more polish now than they did in 1976, but--just as A Feather on the Breath of God did for Hildegard von Bingen--this recording made its own little bit of musical history. --Matthew Westphal
Customer Reviews:
Like a religious experience.......2007-03-28
This disc is pure magic that transends and defies definition. It is time period music that has been rereleased to capture the magic of the original recording. Each song is amazing. The music creates a mood that is best enjoyed alone ,in private so that your thoughts can be elevated to the point of inspiration. Although I like both discs I prefer the one that features Sephardic Romances over the disc that is Court Music and Songs. Montserrat Figueras angelic voice lends itself to beautiful interpretations of these beautiful songs from the Age before the expulsion of the Jews from Spain in 1492. This ancient music is preserved and freshly interpreted under the masterful leadership of Jordi Savall for an authentic recreation. If you have never heard Hesperion XX check this one out, it is fantastic. Recommended for classical music fans who want to hear something different. Once you hear Montserrat Figuerras voice you will feel the inspiration and be hooked on her angelic voice.
Dissappointing soprano.......2006-02-22
I was excitet buying this CD, expecting the quality of songs equal or better than
Begona Olavide and Carlos Paniagua on MA recodings. The music was fine but singing by soprano Montserrat Figueras was borderline annoying.
A balm for any soul.......2001-01-02
Attempting to review a Savall/Figueras CD is a frustrating task. The arsenal of superlatives is so quickly depleted. Terms like 'matchless' and 'unique' might be used, but lack strict definition. After all, a 'matchless' voice needn't be a good one. Terms like 'divine' or 'angelic' tend to remove Montserrat's singing from the real and human. She's nothing if not human. Having been blessed with watching as well as hearing her perform, vouching for her vitality on a stage is easy. But the superior quality of her voice and presentation is so far above the mundane or common as to become nearly indescribable. Anything less than adulation for her seems to indicate shortcomings in the disk or performer. Neither performance nor disk quality falls short here. That she performs religious songs here simply adds to the power of her impact on the listener. You necessarily hesitate, cease other activity, and, if moved enough, drop to your knees in respect and admiration. Tough to do in a crowded concert hall, but the motivation is there. And this from someone who shunned listening to vocal performances for many years. Dame Kiri was one exception and Argenta another, but the discovery of Figueras was the discovery of a voice without flaw.
Anyone visiting this page must certainly know of Jordi Savall and Hesperion XX. You may, however, have missed the glory of Montserrat Figueras' voice. Make up for that lack right away. The selections available here are pitifully limited, but this CD is as good an introduction as any. Don't hesitate to sit and enjoy this music. The sounds received will be a reward to whatever spiritual sense you possess.
Ten stars if possible..........2000-01-27
I agree completely with Stephan: outstanding performance. Montserrat at her best. If "Si d'amor pena sentis" doesn't bring tears to your eyes, what does?
Historical re-release.......1999-07-20
Hesperion XX were pioneers in reviving this music, and collectors will value these recordings which first came out in 1976. However most listeners may prefer more recent recordings by Wimmer on Naxos, and Alia Musica on Harmonia Mundi which have digital sound and include Spanish, and occasionally Hebrew, texts and translations.
Average customer rating:
- quite pleasant
- Solid Tenor Collection
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The Essential 3 Tenors
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Similar Items:
- The Three Great Tenors
- The Three Tenors Christmas
- The 3 Tenors in Concert 1994
- The Best of the Three Tenors
- Romantic Tenors
ASIN: B000003ESV
Release Date: 1994-07-12 |
Tracks:
- Aida
- Puccini: Turandot - Nessun Dorma
- Leoncavallo: Pagliacci - Recitar!... Vesti la guibba
- Flotow: Martha - M'appari tutt' amor
- Rogoletto
- Bizet: Carmen - Le fleur que tu m' avais jetee
- Puccini: Tosca - Dammi i colori... Recondita armonia
- Eugene Onegin
- La Taberna Del Puerto
- La Forza Del Destino
- Donizetti: L'elisir d'amore - Una furtiva lagrima
- La Boheme
- Otello
- Lohengrin
- Puccini: Tosca - E lucevan le stelle
- La Traviata
Customer Reviews:
quite pleasant.......2004-01-14
I'm new to the opera world. I've never been to an opera either but a buddy of mine had this disc and right away I needed to have a copy after I heard it. very elegant. The sound quality isn't that crisp but other than that...bravo!
Solid Tenor Collection.......1999-04-19
If you're new to opera, and just want to dip your feet in the water, you're probably better off buying a cheaper collection. But if you know you like The Three Tenors, this CD showcases some fine pieces by each artist.
Listen to it a few times in a row while you're doing other things, and you'll soon find that you can't function without some tenor in the background!
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Brava Berganza! A Birthday Tribute
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ASIN: B0007DHPRG
Release Date: 2005-04-12 |
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Arias de Zarzuela Barroca
Manufacturer: Astree
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- Vivaldi Edition: Operas
ASIN: B0000C8WXK
Release Date: 2004-01-20 |
Tracks:
- Aria D'orestes Llegar ninguno Intente
- Recitatif D'iphigenia Suspendete Tirano
- Aria Piedad, Senor
- Ouverture
- Seguidilla De Violante Inocentita Y Nina
- Recitatif Triste Carcel Oscura
- Aria D'horacio Ay! Amor! Clelia Mia
- Aria No. 4 Amor, Solo Tu Encanto
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- Cavatina De Clementina Almas Que Amor Sujeto
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- Aria D'horacio Adios, Prenda De Mi Amor
- Ouverture
- Aria De Porsena Mas Facil Sera Al Viento
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Una voce poco fa: A Portrait of Teresa Berganza
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ASIN: B0001M09OO
Release Date: 2004-05-11 |
Tracks:
- Una Voce Poco Fa
- Non So Piu
- Voi Che Sapete
- Temerari!...Some Scoglio
- Ch'io Mi Scordi Di Te?...Non Temer, Amato Bene
- Che Faro Senza Euridice?
- Che Puro Ciel!
- Divinites Du Styx
- Medea! O Medea!...Solo Un Pianto
- Mi Lusinga Il Dolce Affetto
- Verdi Prati, Selve Amene
- Quand Je Vous Aimerai?...L'amour Est Un Oiseau Rebelle - The Ambrosian Singers
- Pres Des Remparts De Seville - Placido Domingo
- Cruda Sorte! Amor Tiranno!
- Nacqui All'affanno...Non Piu Mesta
Tracks:
- Ahi! Che Forse Ai Miei Di
- Intorno All'idol Mio
- Confusa, Smarrita
- Qual Mia Colpa, O Sventura...Se Delitto E Adoravi
- Chi Vuol Innamorarsi
- La Rosaura (Un Cor Da Voi Ferito)
- Elitropio D'amor
- Como Quieres Que Adivine
- Mananita De San Juan
- Cuatro Canciones Vascas
- Saeta En Forma De Salve A La Virgen De La Esperanza
- El Tra-La-La Y El Punteado
- El Majo Timido
- La Maja Dolorosa
- Farruca
- El Pano Moruno
- Seguidilla Murciana
- Asturiana
- Jota
- Nana
- Cancion
- Polo
- Sagrario's Romanza
- Margarita's Romanza
- Txalopin Txalo
- Nere Maitea
- Atea Tan Tan
- Tun, Kurrun, Kuntun
- Arranoak Bartuetan
- Ainoarra Nimino
- Anderegeya
- Amak Ezkondu
Customer Reviews:
A FORTY YEAR LOVE AFFAIR.......2004-09-02
The lack of a fifth star reflects the shortcomings of Decca, not of the artist.
DISCLAIMER: What you are about to read are the judgments of a man not completely rational about the subject at hand.
Teresa Berganza has the most gorgeous female voice I've ever laid ears on. There, I've said it! Biased? Proudly. Smitten? To my core. From the moment I heard her in recital forty years ago, until this very day, I have been completely enamored of this gracious and sensitive artist. I own, I think, every note she has ever recorded. I have seen her in recital or on the opera stage several times, and I have never heard a vulgar sound emerge from her throat. The sheer depth and harmonic richness of her mezzo simply shower warmth and luxury on the listener.
She is also arguably the most versatile singer of the last generation. Most people think of her as just a Mozart and Rossini specialist, and indeed she is. But her repertoire ranges from Cesti to Stravinsky, from Fernando Sor to Mussorgsky to Villa Lobos. She has also been a devoted advocate for the music of her native Spain, along with Latin and South American music. At a Carnegie Hall recital the program included Faure, Schubert, Mozart, Wolf, de Falla, Rodrigo, Garcia Lorca, and Toldra, with encores of Gimenez, Rossini, and Schumann. Phew! One might think it impossible to hold together such a varied program, but Berganza did it seamlessly.
Now to the appointed task. This Decca compilation is a mostly fair cross section of her core work. I could gripe about the inclusion of material that is available on multiple other CDs, or prattle on about this omission or that, but considering how generously this package is filled out, I'd be arguing for an extra disc or two.
The Rossini on the disc doesn't require much comment. A true mezzo with voluptuous tone, a completely secure and supple fioratura, and the temperament to make the character come alive... what else could one possibly want? It's hard to imagine a Naqui all'affanno... Non piu mesta sung with more bravura brilliance. Much the same thing could be said of the Mozart. Finding something to criticize would require a truly picayune personality. The 1963 Mozart LP on London put Berganza firmly on the international map. The reviews were extravagant with praise, and the selections here are some of the finest, although the inclusion of Come scoglio shows the least flattering side of her vocal talents - the tessitura lies just a bit too high for her compass. The nearly complete CD version of the LP is available on Decca's "The Singers" series, where you can sample her Dorabella and Sextus.
Disc 1 is rounded out with selections from Handel, Gluck, Bizet, and Neris's second act recitative and aria from Medea. To enter a note of criticism, I find the Gluck rather straight-jacketed; she certainly doesn't have the cutting edge or the horsepower to make Divinites du Styx very convincing. The Orfeo tracks suffer some of the same deficits, although, because the voice is not overtaxed, she is able to maintain equilibrium of tone, but in the end they come up flat sounding. These problems are more than made up for by her Ruggiero from Handel's Alcina and Neris's heart-rending aria, where her strengths are fully evident. The chestnuts from Carmen give a taste of what is certainly one of the most unusually conceived assumptions of this often hackneyed role. This is no tramp cigarette girl, but a fully realized independent woman, whose goals will not be thwarted by mere convention - and Berganza has the vocal and dramatic resources to back it all up. The recording is still in the DGG catalog - snap it up.
If the contents of disc 2 seem a bit scattered, that would be because they are a bit scattered. This is where Decca should have made more coherent choices. The most grievous example: Arambarri's Ochos canciones vascas comes form a 1967 Zacosa LP. The fact that the flip side of that record, Gombau's Siete claves de Aragon, is omitted borders on the incomprehensible. Both of these song cycles are piquant, wonderfully conducted by Gombau himself, and show Berganza's interpretative range in singing Spanish music, plus they are perfect companion pieces. As fine as they are, we did not need the umpteenth incarnation of her collaborations with her then husband, pianist and composer Felix Lavilla.
These discs are billed as having four "First international releases" on CD (whatever that means). But de Falla's Siete canciones populares espanolas has appeared on at least two discs that I know of. Possibly it was never released in the Philippines. The Arambarri and the two zarzuela songs are the other "firsts." Speaking of zarzuela... for anyone unfamiliar with this delightful and important genre, you are in for a treat. It is often referred to as Spanish operetta, but that fails to hit the mark. These are musical slices of working class Madrid streetlife, with a unique combination of the rough and the refined, all shot through with a verve that is utterly Spanish. Once bitten by this bug, you will find it difficult to not learn more. The excerpts presented here give only a tiny peek into the enormous amount of this music Berganza sang. From the mid 50's through the early 70's she committed thirty-some (!) of these roles to tape. Many of them are available on CD in Spain (the transfers, however, are among the worst I've ever heard). For present purposes, I would have included one of the rhythmically passionate or playful songs, instead of picking two rather melancholic romanzas. If one wants a better survey of her contribution to zarzuela, they can seek out the two still available discs on Ensayo, with Asensio and the English Chamber Orchestra. With such rivals as Caballe, de los Angeles, and Bayo, it is a tribute to Berganza's commitment to the form that these recordings are the best ever.
The remainder of the recording presents some truly wonderful songs. Among my favorites are all of the Scarlatti. Because she is so acutely aware of the value of rhythmic flexibility and pacing, she is able to reveal all the subtlety in the work of this baroque genius. The Guridi tracks show her skill in mating the music with the words, with perfect dynamics and some tricky intervals that are flawlessly negotiated. It's a shame there wasn't room for the whole song cycle of this unfairly neglected composer. Manual de Falla's Siete canciones don't reach the same rare heights of, say, Granados' La maja dolorosa, but Berganza makes it seem so. The Seguidilla and Jota are particularly sprightly and fetching. Finally, the Farruca of Turina combines her ability to effortlessly spin out a high lying line, then switch into the song's rapid passage work without any trace of the shifting of the gears..
As for the recording quality, the various tracks pretty much reflect the recording technology of their time. The only exception to a range of pretty good to excellent is the Arambarri. The recording is shrill and thin, with some badly clipped peaks. What a pity; the LP is well recorded, and I know a good transfer is possible, because I've done my own with an outdated computer and $69 worth of software. Sometimes I wonder whether anyone actually listens to what the final product sounds like. As with most every twofer, no texts and translations are included.
The subtitle of this release is A portrait of Teresa Berganza, and it does a decent job of living up to its billing, but it's only one portrait of an incredibly versatile artist, whose spell I've been under for my entire adult life. If this has all ended up sounding more like a paean to Berganza than a record review, I plead guilty.
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Tito Schipa in Opera and Song (Box Set)
Manufacturer: Nimbus Records
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ASIN: B00001O2XP
Release Date: 1999-09-14 |
Tracks:
- Cavalleria Rusticana: O Lola, C'Hai Di Latti La Cammisa (Siciliana)
- Rigoletto: Ella Mi Fu Rapita...Parmi Veder Le Lagrime
- Lucia Di Lammermoor: Tu Che A Dio Spiegasti L'Ali
- Pagliacci: Ser D'Arlecchino
- Manon: Il Sogno
- Don Pasquale: Tornami A Dir - Tito Schipa/Amelita Galli-Curci
- IL Barbiere Di Siviglia: Se Il Mio Nome
- Mignon: Addio, Mignon
- Mignon: Ah! Non Credevi Tu
- Martha: M'Appari
- Don Pasquale: Sogno Soave E Casto
- Rigoletto: Questa O Quella
- L'Arlesiana: E La Solita Storia
- Luisa Miller: Quando Le Sere Al Placido
- L'Elisir D'Amore: Adina, Credimi
- L'Elisir D'Amore: Una Furtiva Lagrima
- Manon: Dispar, Vision
- Werther: Ah! Non Mi Ridestar
- L'Amico Fritz: Suzel, Buon Di (Cherry Duet) - Tito Schipa/Mafalda Favero
Tracks:
- Son Tutto Duolo
- Le Violette
- Sento Nel Cor
- Nina
- Serse: Ombra Mai Fu-Largo
- Orfeo Ed Euridice: Che Faro Senza Euridice
- O Del Mio Amato Ben
- Liebestraum - Tito Schipa/Jose Echantz
- La Farfalletta And La Girometta - Tito Schipa/Jose Echantz
- Princesita
- Emigrantes: Granadinas
- La Partida
- Alma De Dios: Cancion Hungara
- Mi Viejo Amor
- A La Orilla De Un Palmar
- A Granada: Cancion Andaluza
- Guyana: Ay-Ay-Ay
- A La Luz De La Luna - Tito Schipa/Emilio De Gogorza
- Los Rumberos - Tito Schipa/Emilio De Gogorza
- Siete Canciones Populares Espanolas: Jota
- En Effeuillant La Marguerite
- Aimant La Rose: Le Rossignol
Tracks:
- Vieni Sul Mar!
- Mal D'Amore
- Guapparia
- Piscatore 'E Pusilleco
- Pesca D'Ammore
- O Sole Mio
- Mamma Mia, Che Vo' Sape?
- 'A Vucchella
- Ninna-Nanna
- Torna!
- Mandulinata A Napule
- Marechiare
- I' Te Vurria Vasa
- Ideale
- O Marenariello
- Dicetencello Vuje!
- Fa La Nana Bambin
- Senza Nisciuno
- Era De Maggio
- Tu, Ca Nun Chiagne!
- L'Alba Separa Dalla Luce L'ombra
- Canzone Appassiunata
- Serenta A Surriento
- Comme Facette Mammeta?
Average customer rating:
- Get It While You Can
- Essential edition for opera lovers
|
The Complete Recordings, 1902-1920 (Box Set)
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Bach: Cantatas, Vol. 22
- Caruso 2000
- The Complete Caruso
- Classic Puccini Recordings
- Leon Fleisher Plays Brahms
ASIN: B00030B92K
Release Date: 2004-11-23 |
Album Description
The Complete Caruso: Volumes 1 - 12
The Italian tenor Enrico Caruso holds a unique place in musical history, as the first operatic singer whose recordings sold in millions, and who created an international reputation on the strength of these. Caruso's robust tone and musical sincerity made him both an ideal stage and recording artist, whose voice the primitive acoustic recording technology of the early twentieth century was able to reproduce with startling fidelity. The Naxos Historical Caruso edition constitutes the complete cycle of all Caruso's recordings issued in chronological order. In addition, the transfers have been immaculately undertaken by top sound engineer Ward Marston, unrivalled for his knowledge of the specialized world of acoustic opera recordings, and his rare ability to retrieve all of the music lying in the grooves of the original recordings. Naxos Historical's incredible price (12 CD'S FOR THE PRICE OF 10) puts this unique legacy of great singing within the reach of all music-lovers. This! complete cycle of recordings represents a major document in the history of sound recording, and one which no collector and enthusiast of great singing will wish to be without. "There is no series of vocal records that have a greater documentary value, that meant more to the development of the phonograph record, or that are as consistently capable of providing pleasure to lovers of great singing. ...One of the most significant recording industry events of the decade." Fanfare
Customer Reviews:
Get It While You Can.......2006-10-13
This may not be easy to get in the USA for very long.....don't miss it.
Essential edition for opera lovers.......2005-02-01
This set gives you the opportunity to follow the entire recording career of one of the greatest singers in Operatic History. Enrico Caruso was the first superstar of the 20th century -- and this without the benefit of mass media. His person and his records were his greatest publicity.
The set begins with Caruso's Italian made recordings. They show a great raw talent. The artistry is lacking with many sobs, over acting and mistaken cues. The 1902 and 1903 clearly show a tenor with a lot to learn. But learn it he did. His 1904 sessions show a mature artist on par with any heard since. His voice matures before your very ears and by 1910, you wonder if you will ever listen to any other tenor the same way again.
The engineering used for this set is wonderful. There is no attempt at all to use the soundstream process of computer sound enhancement as heard on the RCA issued sets. These are near perfect mint conditioned discs copied by engineer extraordinary Ward Marston. They sound like natural 78s, they way Caruso himself must have heard the playbacks at the (RCA) Victor studios.
Also included are outtakes and extra takes. There is a "Celeste Aida" from 1908, complete with a broken high note, previously released by RCA in a 1973 set commemorating the tenor's centenary birthday. But there are new treasures here as well, including extra takes of two of Caruso's greatest recordings, the Italian song "L'Alba separa dalla l'uce ombra" and an aria from Rubinestine's Nerone. Listening to them, one wonders what Caruso could have possible thought inadquate in those long lost altenative takes.
Finally, there is the simple joy of hearing so many things so well sung. Caruso was the pinnacle of the tenor art. He can be compared to no other single tenor since ... he has the brilliant ring of Bjorling, the passion of Gigli, the beauty of Gedda, the youthful enthusiasm of Lanza, the warm tonal quality of Tucker, the pure strength of Corelli, the charasma of Pavarotti and the artestry of Domingo.
Whether you are an opera fan, a voice fan or just a music lover. This set is worth every penny.
Todd Kosovich
Salsa Music:
- Tu Saborcito
- Tu Saborcito
- Un Senor Kantor
- Usurpadora
- Valses
- Y Barbaros del Norte
- Y los Cantos de Escalona
- 14 Corridos Tequileros
- 14 Exitos Tequileros
- Alfarero
Salsa Music
salsa music
Salsa Music
Abbatastic [Import]
Cherished Christmas Carols
Golden Greats [Import]
Sun Years
Finding Nemo [Soundtrack]
Esperance [Original recording remastered] [Import]
Greendale (Bonus DVD)
From Here to Eternity: Live [Live]
Corazon de Son [Import]
Eya Mater
Desert Flower
Flash & Snowball
Raza Unida: Hip Hop Decade [Explicit Lyrics]
Blues: L.A. Blues Authority, Vol. 2
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