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1. Só Love
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2. Enquanto Eu Viver
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3. Xereta
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4. Nosso Romance
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5. Carma Chinês
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6. Paixão
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7. Beijo Na Boca
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8. Lilas
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9. Luz de Primavera
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10. Rascunho
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11. Talvez Você
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12. Faces Do Olhar
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13. Parem de Brigar
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14. Minha Cor
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So Love,Claudinho & Buchecha,Mca Int'l,Latin,Rap & Hip-Hop,Tropical
Average customer rating:
- something to have
- Excellent Music
- buy now
- Lovely
- Aesthetically Pleasing
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The Most Relaxing Piano Album in the World...Ever!
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- The Most Relaxing Classical Album in the World...Ever!
- The Most Relaxing Classical Album In the World Ever, Volume II
- The Most Relaxing Classical Music in the Universe
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- The World's Favorite Piano Music
ASIN: B000059Q4Q
Release Date: 2001-03-27 |
Tracks:
- II: Andante - Stephen Hough
- I: Adagio Sostenuto - Dame Moura Lympany
- Jesus Bleibet Meine Freude (Jesu, Joy Of Man's Desiring) - Dame Moura Lympany
- Nocturne No. 2 In E Flat - John Ogdon
- Clair De Lune - Dame Moura Lympany
- II: Adagio - Cecile Ousset
- Tango - Dame Moura Lympany
- Liebestraum No. 3 In A Flat - John Ogdon
- Waltz No. 9 In A Flat - Dmitri Alexeev
- Rhapsody On A Theme Of Paganini - Cecile Ousset
- Traumerei - Dame Moura Lympany
- La Maja Y El Ruisenor - Magda Tagliaferro
- Nocturne No. 5 In F-sharp Minor - Maurizio Pollini
- Gymnopedie No. 1 - Aldo Ciccolini
- Fur Elise - Dame Moura Lympany
- Etude In E 'Tristesse' - John Ogdon
- Fruhlingslied - Daniel Adni
- II: Andante - Dmitri Alexeev
Tracks:
- II: Adagio Cantabile - Walter Gieseking
- II: Romanze - Annie Fischer
- Aria - Maria Tipo
- II: Romance (Larghetto) - Garrick Ohlsson
- Granada - Gonzalo Soriano
- Waltz No. 15 In A Flat - Maura Lympany
- II: Largo - Andrei Gavrilov
- An Den Fruhling - Daniel Adni
- Nocturne No. 10 In A Flat - Daniel Adni
- II: Adagio Un Poco Mosso - Walter Gieseking
- La Fille Aux Cheveux De Lin - Dame Moura Lympany
- Cancons I Dansas No. 1 - Gonzalo Soriano
- II: Adagio Sostenuto (Opening) - Cecile Ousset
- Prelude No. 15 In D Flat 'Raindrop' - Dmitri Alexeev
- Gnossienne No. 1 - Aldo Ciccolini
- Berceuse - Jean-Philippe Collard
- Minuet In G - Dame Moura Lympany
- Berceuse In D Flat - Peter Donohoe
Customer Reviews:
something to have.......2007-03-14
These CD's are filled with all the awesome relaxing songs for the evening when you need it. It is just one of those must have items in your CD collection.
Excellent Music.......2007-02-19
This album was a "try and see" purchase but I love it. It makes great dinner music, great music to drift off to sleep with, or just nice background filler during social events needing a softer tone. It is not all solo piano music if that s what you are after; the other instruments blend very well however and don't challenge the piano playing. It is a piano album after all!
buy now.......2006-09-01
Want to know why I think the piano is the best musical instrument ever invented? Because no matter how the piano is played, it will always sound good. Whether the music is fast, slow, quiet or loud, it ALWAYS delivers with an appealing sound. This is something you need to buy.
Lovely.......2006-02-22
This is a beautiful calming cd. The playing is excellent and the pieces are well chosen.
Aesthetically Pleasing.......2005-09-14
I simply love piano music. If you're looking to relax, enjoy a peaceful time, then you must check out this album. If you truly enjoy piano music, this album is by far one of the best you can purchase.
As it says....it is the "Most Relaxing Piano Album in the World...Ever..." Well, I haven't listened to all piano albums in the world, but I don't need to, this one is just perfect for me, and I think you will agree!
I would say the pianists' are extremely accomplished. At times, I would admit-it's a bit 'spine tingling'!
Average customer rating:
- the most relaxing classical music in the university
- Relaxing Classical Music
- Stress-freedom
- Greatly enjoy!
- the most relaxing classical music in the universe
|
The Most Relaxing Classical Music in the Universe
Johann Sebastian Bach , Ralph Vaughan Williams , George Frideric Handel , Gustav Holst , Samuel Barber , Edvard Grieg , Jean Sibelius , Antonin Dvorak , Franz Liszt , Charles Gounod , Fryderyk Chopin , Alexander Borodin , Maurice Ravel , Vivaldi, Antonio , Satie, Erik , and Various Artists
Manufacturer: Denon Records
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- The Most Relaxing Classical Album In the World Ever, Volume II
- The Most Relaxing Classical Album in the World...Ever!
- The Most Relaxing Piano Album in the World...Ever!
- More Of The Most Relaxing Classical Music In The Universe
- Mozart for Relaxation
ASIN: B00008RH16
Release Date: 2003-04-08 |
Tracks:
- Canon - Pachelbel
- Eine Kleine Nachtmusik-Andante - Mozart
- Fur Elise - Beethoven
- String Quartet #1 - Tchaikovsky
- Clair De Lune - Debussy
- Idyl for Strings - Adagio - Janacek
- Adagio in G Mnor - Albinoni
- The Girl with the Flaxen Hair - Debussy
- Air on a G String - Bach
- Greensleeves - Vaughn Williams
- Largo from Xerxes - Handel
- Prelude in C - Bach
- The Planets - Venus - Holst
- Goldberg Variations - Aria - Bach
- Adagio for Strings - Barber
Tracks:
- Prelude to the Afternoon of a Faun - Debussy
- Fur Elise - Beethoven
- Holberg Suite - Sarabande - Grieg
- Valse Triste - Sibelius
- Concerto in F Minor - Largo - Bach
- Serenade for String - Moderato - Dvorak
- Liebestraume - Liszt
- Ave Maria - Bach/Bounod
- Etude in E Major - Chopin
- String Quartet No 2 - Nocturne - Borodin
- Arabesque - Debussy
- Pavane for Dead Princess - Ravel
- The Four Seasons - Largo - Vivaldi
- Gymno0pedie 1 - Satie
- Moonlight Sonata - Adagio - Beethoven
- Piano Concerto No 21 - Andante - Mozart "Elvira Madigan"
Customer Reviews:
the most relaxing classical music in the university.......2007-05-12
All my favorites. I can start the CD player, which is wired to speakers in every room of my house, and just let it play, along with "The Most Relaxing Classical Music in the World" and "The Most Relaxing Classical Guitar in the World." I enjoy an awareness of familiar and beautiful strains of my favorites all day long and never get tired of it.
My brother visited me recently and noticed it right away. That will be another order for this fabulour music.
Relaxing Classical Music.......2007-01-08
I was not really a classical music fan but I am now. I purchased this cd for my 14 year old grand-daughter, not knowing we would both enjoy the music so much. She has always enjoyed classical music along with all of the other teen music, rap, rock, country, etc.
Also, it really helped being able to listen to parts of the music before purchasing.
Stress-freedom.......2006-03-14
Perfect music to end the work day. After listening to this I can face the evening. If the morning is hard, a little at lunch time gets me through the afternoon.
Greatly enjoy!.......2006-02-23
I first developed a taste for this music a number of years ago when my daughter started playing in the orchestra. The reason I made this purchase however, was because I have a great deal of difficulty with anxiety and I was looking for ways to find help. I love these CDs. It helps so much to sit and close my eyes and enjoy the music. The CDs are full of beautiful music.
the most relaxing classical music in the universe.......2005-09-21
it's the best next to the first one...
Average customer rating:
- iPod owners be warned
- Axe Rufus Wainwright, and it would be 5 stars
- Yes, it's one of the best albums I own
- Brokeback Mountain
- A matter of taste...
|
Brokeback Mountain
Gustavo Santaolalla , and Various Artists
Manufacturer: Verve Forecast
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Brokeback Mountain (Widescreen Edition)
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ASIN: B000BEZQ18
Release Date: 2005-11-01 |
Tracks:
- Opening - Gustavo Santaolalla
- He Was A Friend Of Mine - Willie Nelson
- Brokeback Mountain 1 - Gustavo Santaolalla
- A Love That Will Never Grow Old - Emmylou Harris
- King Of The Road - Rufus Wainwright
- Snow - Gustavo Santaolalla
- The Devil's Right Hand - Steve Earle
- No One's Gonna Love You Like Me - Mary McBride
- Brokeback Mountain 2 - Gustavo Santaolalla
- I Don't Want To Say Goodbye - Teddy Thompson
- I Will Never Let You Go - Jackie Greene
- Riding Horses - Gustavo Santaolalla
- An Angel Went Up In Flames - The Gas Band
- Its So Easy - Linda Ronstadt
- Brokeback Mountain 3 - Gustavo Santaolalla
- The Maker Makes - Rufus Wainwright
- The Wings - Gustavo Santaolalla
Amazon.com
Argentina-born, California-based Gustavo Santaolalla helped shape the rock en Español movement by producing Mexican bands Molotov and Café Tacuba , and Colombian singer Juanes. In the late 1990s he made a switch to soundtracks, working on well-received albums for Amores Perros and The Motorcycle Diaries. His instrumental contributions to Ang Lee's tale of two cowboys in love are acoustic guitar-based and, let's face it, a bit on the sonic-wallpaper side.
The vocal tracks, on the other hand, are uniformly lovely, even if the selection of interpreters falls on the predictable side. Linda Ronstadt, Steve Earle, Willie Nelson, and Mary McBride on the soundtrack to a contemporary Western? What a shock! Still, they're all wonderful and Santaolalla wrote at least a couple of classic-sounding country ballads ("A Love That Will Never Grow Old," sung by Emmylou Harris, and "No One's Gonna Love You Like Me," sung by Mary McBride). And don't miss Teddy Thompson and Rufus Wainwright's sweet cover of Roger Miller's 1964 "King of the Road." --Elisabeth Vincentelli
Customer Reviews:
iPod owners be warned.......2007-08-01
I loved the movie and the music. However, I'm very disappointed to discover that I cannot get the CD to copy to my iPod. This is a pet peeve of mine - I buy the music, I should get to listen to it on whatever device I choose.
Axe Rufus Wainwright, and it would be 5 stars.......2007-06-13
This album is a mixture of the instrumental theme, which is incredibly beautiful and haunting, and some very solid country songs. I was surprised by how good the other songs were (you still have to like country music, though). There are only two songs that I don't like at all, and those are the two by Rufus Wainwright - one a cover of "King of the Road" (originally by Roger Miller). They are great demonstrations of him at his most nasal and whiny. It sounds like he is a French guy holding his nose and singing too slow. It's too bad, because they are good songs otherwise. I guess if you like him, you're golden; but I can't stand these versions. Fortunately, the rest of the disc is really good.
Yes, it's one of the best albums I own.......2007-06-03
I listened to it over and over and over last year. Such quality all 'round.
Brokeback Mountain.......2007-05-13
The product is what I expected. It arrived on time and in the condition advertised.
A matter of taste..........2007-05-08
I didn't really pay a lot of attention to the music in the film, except for in the most intense of scenes. Perhaps this is why I was so, completely, disappointed with this soundtrack. I felt that if it did even half of what the film did for me it would be a worthy buy. My friends, this soundtrack is shat. It's mostly country and folk, which I am plainly not into. If you like these things then check this out - if not, turn away.
Average customer rating:
- Waste of money
- Great Music Compilation
- If you like classical music don't buy this CD.
- A must for anyone wanting the staples of classical music
- A great compilation
|
Best of the Millennium: Top 40 Classical Hits
Manufacturer: Utv Records
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- The Most Relaxing Classical Album in the World...Ever!
- Classical Music for People Who Hate Classical Music
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- The Most Relaxing Classical Music in the Universe
- The Most Relaxing Classical Album In the World Ever, Volume II
ASIN: B00004GOZA
Release Date: 2000-02-08 |
Tracks:
- Adagio In G Minor
- Jesu, Joy OF Man's Desiring
- Moonlight Sonata - Adagio sostenuto
- March Of The Toreadors (Carmen)
- Celebrated Minuet
- Polovtsian Dance No. 1 (Prince Igor)
- Cradle Song
- 'Minute' Waltz
- Suite Bergamasque: Clair de Lune
- Largo
- Pomp And Circumstance March No. 1
- Rhapsody In Blue - Andante And Finale
- Peer Gynt Suite: Morning
- Messiah: Hallelujah Chorus
- Liebestraum
- Cavalleria Rusticana: Intermezzo
- A Midsummer Night's Dream: Wedding March
- 'Masterpiece Theater' Theme: Rondau (First Symphonic Suite)
- The Great Gate Of Kiev
Tracks:
- Eine klein Nachtmusik - Allegro: Eine kleine Nachtmusik - Allegro
- Orpheus In The Underworld: Cancan
- Carmina Burana - O Fortuna
- Canon In D
- Lietenant Kije Suite - Troika
- Turandot: Nessun dorma
- Rhapsody On A Theme Of Paganini - 18th Variation: Rhapsody On A Theme Of Paganini- 18th Variation
- Bolero - Conclusion
- The Tale Of Czar Sultan: Flight Of The Bumblebee
- William Tell Overture - Finale
- Carnival Of The Animals: The Swan
- Gymnopedie No. 3
- Ave Maria
- Blue Danube Waltz
- Thus Spake Zarathustra - Sunrise
- Firebird Suite - Finale
- 1812 Overture - Finale: 1812 Overtune - Finale
- Fantasia On 'Greensleeves'
- Anvil Chorus (II Trovatore)
- The Four Seasons - Largo From 'Winter'
- Die Walkure: Ride Of The Valkyries
Amazon.com
For those who want the most remembered passages of classical music's best-loved works, here's a package for you. On this bargain priced double-CD, you'll find music from 40 different classical composers; for the most part, the recordings excerpted here are some of the very best. Of course, you only get one Bach sampling (Jesu, Joy of Man's Desiring, played by the Orpheus Chamber Orchestra) and one Mozart (A Little Night Music conducted by Herbert von Karajan), but this is still a nice collection--perhaps the starting point for a budding collection of classical music. This set's downfall? Unfortunately, though the liner notes discuss the evolution of classical music chronologically, the tracks are programmed in alphabetical order by composer's last name. This makes for some startling transitions! Emil Gilels's reflective performance of the Adagio from Beethoven's "Moonlight" sonata is followed by the crashing cymbals and bombast of Carmen's "March of the Toreadors," a recipe for a heart attack if there ever was one. Still, there's something here for everyone and the liner notes even explain what movies this music can be found in. A nice touch. --Jason Verlinde
Customer Reviews:
Waste of money.......2006-01-12
Watch out for the volume leveling mentioned in another review. Surely the compliers could have come up with a better sort order than by composer. The change in tempo/volume between pieces makes it impossible to enjoy. My two CD's ended up in the trash.
Ken
Great Music Compilation.......2005-08-15
This is a great CD full of many songs that you will recognize and enjoy. If you are someone who likes classical music but doesn't necessarily know which songs or which composers you like, then this CD is for you. You will likely recognize many of the songs as the classical songs you would have picked out to be your favorites.
If you like classical music don't buy this CD........2005-03-11
Most of the tracks were chopped down to 3-4 minutes so some of the best parts of the compositions are missing. I don't know what I was thinking trying to buy 40 classical songs on two CD's. If you really want to enjoy the music you would do better to purchase a CD with fewer, but better quality tracks.
A must for anyone wanting the staples of classical music.......2005-02-23
In my years of experience teaching Fine Arts to high school students, I know that the majority, if not all, of the music included on this album is commonly used in collge music appreciation courses. This is an excellent sample of truly all the "greatest hits" of classical music. My students enjoy listening to the music and have later told me when take their required music apreciation courses in college that they "already know it all" because of this CD! The recordings are clear, the selections are passionate, and the listener will gain a familiarity with all of the most commonly heard classical music used in tv commercials, movies, etc.
I recommend this album, along with the boxed set, "Age of the Classics" for anyone who is interested in becoming familiar with the most famous staples of classical music.
A great compilation.......2005-02-09
This cd somes up some of the greatest pieces of instrumental (and is some cases choral) music ever written. It is a great starter for a beginning classical music lover or a quick and easy all-in-one for those of us who study classical music for a living. I highly recommend this cd to anyone who wants to love or already does love classical music.
Average customer rating:
|
The Most Soothing Lullabies In The Universe
Manufacturer: Denon Records
ProductGroup: Music
Binding: Audio CD
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Similar Items:
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ASIN: B0001NBNE8
Release Date: 2004-04-06 |
Tracks:
- CHOPIN: Piano Concerto No. 1, Larghetto
- DEBUSSY: Clair de Lune
- MANFREDINI: Concerto grosso in C, I. Largo (Pastorale)
- MOZART: Eine Kleine Nachtmusik, Andante
- BEETHOVEN: Moonlight Sonata, Adagio
- BACH: Goldberg
- SIBELIUS: Swan of Tuonela
- LISZT: Liebestraume
- SCHUMANN: Dreaming
- MASSENET: Meditation from "Thais"
- VAUGHAN WILLIAMS: Greensleeves
Tracks:
- HANDEL-WEINER: Sicilienne
- A. CORELLI: Concerto grosso in G, Pastorale
- VERDI: "When the evening becomes peaceful"
- CHOPIN: Three Preludes
- MOZART: Clarinet Concerto in A, II. Adagio
- BRAHMS: Piano Sonata No. 3, II. Andante espressivo
- TCHAIKOVSKY: Swan Lake (excerpt)
- MENDELSSOHN: Three Songs Without Words
- MAHLER: Symphony No. 3, IV. Sehr Langsam
Average customer rating:
- Ring introduction critique
- FASCINATING STUDY FOR NOVICES AND AFFICIONADOS ALIKE
- Welcome back to a classic analysis
- Essential for Understanding Wagner's Ring Cycle
- Very Functional
|
An Introduction to Der Ring des Nibelungen
Deryck Cooke , Georg Solti , Wiener Philharmoniker , Anita Valkki , Berit Lindholm , Birgit Nilsson , Brigitte Fassbaender , Christa Ludwig , Claire Watson , Claudia Hellmann , Dame Gwyneth Jones , Dietrich Fischer-Dieskau , Eberhard Wächter , George London , Gerhard Stolze , Gottlob Frick , Grace Hoffmann , Gustav Neidlinger , Hans Hotter , Helen Watts , Helga Dernesch , Hetty Plumacher , Ira Malaniuk , James King , Jean Madeira , Joan Sutherland , Kirsten Flagstad , Kurt Böhme , Lucia Popp , Marga Höffgen , Marilyn Tyler , Maureen Guy , Oda Balsborg , Paul Kuen , Régine Crespin , Set Svanholm , Vera Little , Vera Schlosser , Waldemar Kmentt , Walter Kreppel , and Vienna Philharmonic Orchestra
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
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- Ring of the Nibelung
ASIN: B00000424H
Release Date: 2005-09-13 |
Tracks:
- Of All Great Musical Compositions... (Examples 1-4)
- The Fundamental Symbol... (Examples 5-11)
- Returning Now To The Nature Motive... (Examples 6, 12-16)
- A Number Of Further Motives... (Examples 5, 17-21)
- A Second, Much Smaller Family... (Examples 22-25)
- So Much For Nature. (Examples 26-38)
- The Cause Of The Deterioration... (Examples 39-44)
- The Other Transformation... (Examples 45-48)
- Several Other Motives... (Examples 49-52)
- Two Further Motives... (Examples 41, 53-61)
- The Basic Motive Associated With The Spear... (Examples 62-68)
- Along Another, More Complex Line... (Examples 69-72)
- In Act Two Of Walkure... (Examples 69, 73-75)
- Returning Now To Act Two Of Walkure... (Examples 76-79)
- Love Is Another Of The Central Symbols... (Examples 80-83)
- Later In The Same Scene... (Examples 84-87)
- Freia's Motive Has Two Independent Segments... (Examples 88-91)
- The Label 'Flight'... (Example 92)
- When Fasolt, In Scene Two Of Rhinegold... (Examples 93-98)
- A Little Later In The Interlude... (Examples 99-103)
Tracks:
- The Other New Motive... (Examples 104-109)
- There Are Several Independent Love-Motives... (Examples 110-114)
- The Characters In Whose Lives... (Examples 115-120)
- One Further Motive Belongs... (Example 121)
- The Sword Motive Recurs... (Examples 122-130)
- Ironically, This Phrase... (Examples 131-135)
- Closely Associated With Gutrune's Motive... (Examples 136-140)
- Here We Come To The End... (Examples 141-146)
- Complemtary To This Symbol... (Examples 147-149)
- One Last Central Symbol... (Examples 150-157)
- One Further Motive Connected... (Examples 158-161)
- There Are One Or Two Motives... (Examples 162-168)
- These Motives Of Alberich And Mime... (Examples 169-171)
- Quite A Number Of The Subsidiary Motives... (Examples 172-176)
- Besides This Family Of Motives... (Examples 177-180)
- Our Final Example... (Examples 10, 181, 182)
- In The Final Scene Of Gotterdammerung... (Examples 181-183)
- Even More Masterly... (Examples 184-188)
- Now If We Return... (Examples 189-191)
- This Masterly Way... (Examples 192, 193)
Amazon.com
When Wagner set the Ring to music, he intended the orchestra to act in the fashion of a chorus from a classic Greek tragedy--setting the mood and commenting on the action. In order to allow a nonverbal musical line to reflect on the plot, Wagner developed a psychologically and musically complex symbology to communicate his thoughts to the listener. From the beginning the Ring has spawned numerous written commentaries on the relationships of the motif structure, but by using examples from the Decca Ring recording, Deryck Cooke's thoughtful spoken commentary is by far the most accessible guide for either the fledgling Ring enthusiast or the seasoned veteran. --Christian C. Rix
Customer Reviews:
Ring introduction critique.......2006-11-04
This is very worthwhile, at the same time it requires time, patience and attention, but it does provide some keys to better enjoyment of a sensational piece of music.
FASCINATING STUDY FOR NOVICES AND AFFICIONADOS ALIKE.......2006-08-16
This may look an intimidating, daunting and dull prospect - a 2+ hour lecture on the motifs in the Ring. Don't be put off. Whether you're a relative novice to the Ring and want to find out what it's all about, more experienced with a desire to understand the composer's methods better or an afficionado who thinks he knows it all inside out, there is great pleasure as well as elucidation to be had from this set. Originally made to accompany the Decca Solti Ring, it contains a multitude of musical illustrations taken from those recordings as well as some specially recorded by Solti just for this Introduction.
It wasn't the first time this has been tried. The famous HMV sets from the late 20's also included recorded examples of over 100 motifs. (These, by the way, are available as part of the Pearl reissue of those wonderful HMV recordings). What that set lacked was the wonderful insights as well as the approachability of the talk by Deryck Cooke. Cooke was a great and much missed musicologist - a Mahler expert responsible for the performing edition of the Tenth Symphony still most played today, a fascinating explorer into the nature of music's basic building-blocks in his excellent book, The Language of Music, and an inspiring and elucidating critic of Wagner's work as shown by the fascinating book he left unfinished at his death, I Saw the World End.
On these CDs he does much more than list the leitmotifs and identify them as calling-cards. He shows the amazingly integrated and organic growth of the musical material that Wagner uses throughout his vast work. He demonstrates how motifs can change their sense and meaning as they evolve through the drama. And he shows how the complex combinations of motifs can radically advance both the musical and the dramatic narrative of the piece. There are even places where he corrects the misinterpretation of some of the motifs that had become ingrained from early commentators' false labels.
This set should engage and enlighten anyone with an interest in Wagner's huge and inexhaustible tetralogy. Do give it a try - no matter how far down the road to Wagnerianism you are.
Welcome back to a classic analysis.......2006-05-28
Deryck Cooke's lecture series upon THE RING is almost as much a classic by now as the Solti RING cycle, with which it was originally issued on LP, and from which it derives its musical examples. The difference is that whereas the Solti RING has been continuously in print ever since it was completed, and was among the first opera sets to benefit from the CD revolution, the Cooke analysis was for long almost totally unobtainable. Now we have it back. It should be welcomed: it is a classic. Cooke's mellow, deep voice with the hint of a Celtic burr - which made him ideal on BBC radio - patiently explains Wagner's melodic, rhythmic, and harmonic metamorphoses to such good effect that if you own this recording, you really require no other RING analysis. (A pity about the abrupt beginnings and endings of too many vocal and orchestral illustrations, though.) Musicology lost a fine, sensitive thinker with Cooke's premature death in 1976.
If all you want is dilettantish baby food, there are plenty of dumbed-down Wagner commentaries on the market, stretching from Anna Russell's famous monologue (which doesn't pretend to be anything other than a parody aimed at morons) to the latest standard-issue "Wagner-was-a-Nazi-boo-hiss" feuilleton (which, unfortunately, does). Without reasonable score-reading skill you will find Cooke useless, however diligently you have ploughed through Marx, Jung, Freud, or other gurus purportedly relevant to THE RING. Cooke expects you to use your brains and your musical sense. Quelle horreur. At today's BBC his "elitism" would render him unemployable.
Essential for Understanding Wagner's Ring Cycle.......2006-05-15
I originally bought this set on vinyl in the early 70s when I discovered the Ring in college. I studied the records and booklet assiduously, and after about three run-throughs I finally started getting it. Wow! Thirty-five years later, I still remember Mr. Cooke's analyses of various motive families, and I don't know how I could have mastered and loved the Ring without him. I now own this set on CD and listen again on the rare occasion of attending a Ring performance. My wife calls me a "Ring nut," but of course I'm nuts about many other things as well.
Bottom line, buy this set and study it if the Ring has captivated you as it has countless others. The presentation is dry, but sticking with it brings measureless and longlasting rewards.
Very Functional.......2006-03-19
This CD set is excellent for what it sets out to do: present the leitmotives of the Ring according to their relationship to one another and their role in developing both characters and plotlines. Deryck Cooke's lectures on each motive are very insightful, very helpful at cueing the listener into the semantic aspect of Wagner's orchestral writing. The one drawback is that the musical examples are a bit jarring. Without fade-ins or -outs, the engineering is quite barbaric. And though the orchestra was, I believe, conducted by Solti, and is beautifully done, the vocal performances can be quite unpleasant. Point being: this is not background music, but in accomplishing what it sets out to do, it is very successful, and I don't know of anything else like it.
Average customer rating:
- Haven't I heard this before?
- a beautiful score
- A Beautiful Mind
- Haunting, lovely, majestic
- Dark
|
A Beautiful Mind: Original Motion Picture Score
James Horner
Manufacturer: Decca U.S.
ProductGroup: Music
Binding: Audio CD
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- Legends Of The Fall: Original Motion Picture Soundtrack
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ASIN: B00005TPFV
Release Date: 2001-12-11 |
Tracks:
- A Kaleidoscope Of Mathematics
- Playing A Game Of 'Go!'
- Looking For The Next Great Idea
- Creating 'Governing Dynamics'
- Cracking The Russian Codes
- Nash Descends Into Parcher's World
- First Drop Off. First Kiss
- The Car Chase
- Alicia Discovers Nash's Dark World
- Real Or Imagined?
- Of One Heart, Of One Mind
- Saying Goodbye To Those You So Love
- Teaching Mathematics Again
- Prize of One's Life... The Prize of One's Mind
- All Love Can Be - Charlotte Church
- Closing Credits
Amazon.com
This Ron Howard film parlays the troubled story of Nobel laureate John Forbes Nash Jr., a gifted Princeton mathematics professor tormented for decades by paranoid schizophrenia, into something considerably richer than typical Hollywood triumph-against-all-odds fare. Howard has teamed here again with frequent collaborator James Horner, and it's the composer who deftly shades the film's difficult emotional landscape and helps impart a compelling humanity. Horner's first task is not inconsiderable: musically portraying the arcane realm of mathematical theorems that are the story's backdrop. In doing so, the composer leans heavily on modern minimalist technique, bright flourishes that recur briefly throughout an orchestral score that increasingly reflects Nash's bleak inner landscape in its quietly somber and brooding tones. And while Horner has frequently been accused of excessively repeating himself in his scores, the neo-minimalist gambit employed on this reflectively pastoral, postmodernist soundscape neatly nips such criticism in the bud. Nash's triumph is ultimately an intensely personal one, well reflected in Welsh soprano Charlotte Church's lilting performance of the Horner/Will Jennings ballad "All Love Can Be." This enhanced CD also features notes by the director and composer, as well as exclusive photos and the film's trailer. --Jerry McCulley
Customer Reviews:
Haven't I heard this before?.......2007-06-20
As other reviewers will tell you yes this is another Horner machine made soundtrack. But it still sounds good! If you are a Horner fan by all means buy it otherwise "at your own risk"!
And another thing that gets me is no one even bothered to mention "Alicia Discovers Nash's Dark World" I happened to like this one this is the song that plays when he is in the hospital.
a beautiful score.......2007-02-09
James Horner's soundtrack for A BEAUTIFUL MIND is as psychologically intense as the film it so effectively embellishes.
Charlotte Church provides an appropriately eerie and largely non-verbal soprano to this remarkable motion picture score, yet one that would seem only quirky were it not so beautifully embedded in a musical stream that draws one inexorably and almost vicariously into the emotional turbulence of the Princeton mathematician John Nash.
There is an angelic nature to the shape and texture of this music, one that is able to turn demonic as the story line requires. Both by brilliance and by dementia, Nash seems the object of external forces, rising with supreme heroism (at least in the film's version of events) to conquer. The music is there at each score, coaxing the viewer into empathic solidarity with this deeply troubled man and his long-suffering and preternaturally beautiful wife.
This is mood music of the deeply engaging variety. Its lush tonal landscape is achieved under the baton of the composer himself. The score's vast range of volume and expression would certainly have made it a joy to watch in performance.
Alas, we don't have that.
But we have this.
An ethereal, compelling, even gripping tone poem. Buy it.
A Beautiful Mind.......2006-08-09
Absolutely gorgeous - my husband keeps it in his car and listens to it whenever he's driving.
Haunting, lovely, majestic.......2006-04-04
The sound track for "A Beautiful Mind" stayed with me long after the movie. The CD has all the themes that made the movie so emotionally powerfull. James Horner, composer and conductor, perfectly matches the excitement of genius and the terror of mental disability. Charlotte Church's clear and gentle voice compliments the music and used instrumentally creates a haunting refrain. I loved the movie and this music is wonderful.
Dark.......2006-02-20
This is one of the darkest and most emotional soundtrack, and yet it is filled with more inspiring songs.
Best soundtrack ive ever heard.
Average customer rating:
- Wish I had seen the actual Show!!!!
- The best and maybe the last CD of this great musical.
- Beautiful remastering of historic original cast recording
- the peerless original cast
- Who Put The Shake In Shakespeare?
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Kiss Me, Kate (1948 Original Broadway Cast)
Cole Porter , Alfred Drake , and Patricia Morison
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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Similar Items:
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ASIN: B000007OHT
Release Date: 1998-06-02 |
Tracks:
- Act I: Overture
- Act I: Another Op'nin', Another Show
- Act I: Why Can't You Behave?
- Act I: Wunderbar
- Act I: So In Love
- Act I: We Open In Venice
- Act I: Tom, Dick Or Harry
- Act I: I've Come To Wive It Wealthily In Padua
- Act I: I Hate Men
- Act I: Were Thine That Special Face
- Act II: Too Darn Hot
- Act II: Where Is The Life That Late I Led?
- Act II: Always True To You (In My Fashion)
- Act II: Bianca
- Act II: So In Love (Reprise)
- Act II: Brush Up Your Shakespeare
- Act II: I Am Ashamed That Women Are So Simple
- Act II: Finale: Kiss Me, Kate
- Kiss Me, Kate Overture
Amazon.com
Opening at the tail end of 1948, Kiss Me, Kate became an instant classic--and amazingly didn't receive a full-scale revival until 1999. All the more reason to revel in its original version. With its cunning play-within-a-play premise (a musical update of The Taming of the Shrew reverberates in backstage feuds), brilliant mix of high and low comedy, and of course some of Cole Porter's better-known songs--"So in Love," "I Hate Men," Too Darn Hot," "Always True to You (In My Fashion)"--Kiss Me, Kate remains a funny, zesty hall of mirrors. Hard as you may try to find a fly in the ointment, there's no fault with the cast either--Patricia Morison, for instance, is a perfectly petulant Lilli Vanessi. --Elisabeth Vincentelli
Customer Reviews:
Wish I had seen the actual Show!!!!.......2007-08-01
I wish I was about 20 when Kiss Me Kate opened so I could have witnessed this body shaking, gut bursting work of Cole Porter. This is the first time I've heard it. I can still feel the voices and music pumping through my blood stream with pleasure. You have to get it to get it so get it. You'll be more than greatful you did. Pardon me, I'm going to listen to it again!
The best and maybe the last CD of this great musical........2006-02-20
Now is the perfect time to buy the CD of this.
Sony's transfer engineers used state-of-the-art restoration software to remove the roughness and surface noise from the originals, but (thankfully) they resisted the urge to tart-up the sound with artificial reverb, faux stereo, and thundering bass. This is by far the best-sounding CD of this ever released, and it may be the last.
The age of music ownership in America could be drawing to a close. Five years from now, this music may only be available by download, you might only be "borrowing" it, and it probably won't come with the the authentic cover art or the 26-page booklet.
(See also the original broadway CD of Out of This World.)
Beautiful remastering of historic original cast recording.......2004-05-24
Recorded in January 1949, this album of KISS ME KATE has remained in print adn a steady best-seller for over 50 years now.
The sound on this newly remastered CD is crisp and clear and easily surpasses all previous issues. Sony even uses the original artwork from the very first LP release.
The performances remain as fresh as ever. Alfred Drake was Broadway's top leading man and sounds just glorious. Pat Morrison had less of a career but sounds just perfect as Lilli. Lisa Kirk is wonderful as Lois, and Harold Lang makes the most of his few moments on the record as her boyfriend, Bill. In an unusual move these peopel reunited 10 years later to re-record the score for Capitol in true stereo. They still sound great on that recording (on CD as part of the Broadway Angel series) but the performances are fresher on this recording made just 2 weeks after KIS ME KATE had opened on Broadway to rave reviews.
The CD booklet has good info about the show, though curiously, no synopsis. There are, however, a half dozen pictures of the original production. This edition featureds longer takes of "We Open in Venice", "I Hate Men" and "Too Darn Hot" though the total extra music adds but a minute to the album's running time. A bonus track of the Overture dates from a 1958 stereo recording by Lehman Engle.
KISS ME KATE was the first Tony Award winner for Best Musical (1949). The 1999 revival won a Tony for Best Revival.
the peerless original cast.......2004-03-04
KISS ME KATE is still regarded as Cole Porter's greatest musical; a charming backstage story detailing feuding ex-spouses Lilli Vanessi and Fred Graham as they star in a musical version of Shakespeare's "The Taming of the Shrew".
Very rarely has the score been bettered than the original 1949 cast album, reissued here on the Columbia Broadway Masterworks label. Patricia Morison plays Lilli, with Alfred Drake (OKLAHOMA!, KISMET, GIGI) as Fred, the feuding, ego-ridden leads. Lisa Kirk (ALLEGRO, MACK AND MABEL) is the sexy young starlet Lois, with Harold Lang (PAL JOEY) as her caddish boyfriend Bill.
KISS ME KATE opened at the New Century Theatre on Broadway in 1949, making history in its run of over 1000 performances. Patricia Morison is perfectly-suited to the role of Lilli. She offers a glowing rendition of "So in Love", whilst her duet with Alfred Drake in the tongue-in-cheek "Wunderbar" is sublime. Lisa Kirk gets three of the big showstoppers ("Why Can't You Behave?", "Tom Dick or Harry" and "Always True to You in My Fashion"), and nails each and every one. Harold Lang was a better dancer than he ever was as a singer, but is quite good on this disc.
A must-own.
Who Put The Shake In Shakespeare?.......2001-04-11
Who put the 'shake' in 'Shakespeare'? Cole Porter, of course! Kiss Me Kate is the best of his musicals, and this recording is the best of the recordings! The original Broadway cast performs with much old-style, vaudeville jazz!
The story is set in a Baltimore theatre where a divorced couple, Fred Graham and Lilli Vannessi, are in the two leading roles of a musical version of Shakespeare's Taming of the Shrew. Fred currently dates a colorful light-heart named Lois Lane, while Lilli is about to head off to get maried in the south. Lois, by the way, will 'always be true' to her boyfriend, the gambling player Bill Calhoun. The story takes off from there!
The show originaly opened on Broadway in 1948. It's timelessness has still not worn off after so many years. The classic script by Bela and Sam Spewack, and the best music of Cole Porter, we cannot fail! The show has been performed since then in many many countries, and has been performed in many languages! It has only recently been revived on Broadway.
Kiss Me Kate has become a staple of classic Broadway, and this is the cast that will not be outdone. Patricia Morrison is a perfect, operatic, Lilli Vanesi. She is strong, yet thoughtful. Her voice fills the CD with a lively 'Wunderbar' and the raging 'I Hate Men.' Alfred Drake is a manly and appealing Fred Graham who will have you laughing out loud! His 'Where Is the Live...?' is yet to be surpassed. Harold Lang is a sexy, and hypnotic Bill Calhoun. He takes the role for himself, and his 'Bianca' is done to the point of perfection! His voice is misty and self-confident, and has the qualities all Bill Calhoun's should. And of course, there will be no one as good as Lisa Kirk for the role of Lois Lane! Her tongue-in-cheek performance on this CD is flawless! She is teasing, sympathetic, funny, and has the right voice to win her part! I can't imagine anyone who can do what she has done with 'Alway True to You' and 'Why Can't You Behave.' The classic character songs are very nice! The balladic, and melodic 'So In Love' will ring in your head. 'We Open In Venice' will make you dance! And 'Brush Up Your Shakespeare'(performed with much humor by Jack Diamond and Harry Clark) will give you a laugh the next time you read 'Romeo.' You won't be disapointed!
The nostalgic quality of the 40's is alive and well in this recording. Columbia has done a great job restoring the work, and the scratching that were a part of the original releases. The sound quality is crisp and clear, and the music sounds wonderful! The magic hasn't worn out yet!
There have been a few more recordings of the work, including a complete London recording, and the new Broadway revival cast. None can do as well as the original recording, however. In the revival recordng, however, they come close. Brian Stokes Mitchell has the voice for Fred, but runs through his lines a bit fast, and without much enthusiasm. And the orchestrations for the new recording are a bit overdone, and they sound more like PBS's Jazz, than Broadway.
Altogether, this is great recording. I was very pleased with my buy, and hope that you will add it to your collection right away! It's time to Brush Up Your Shakespeare!
Average customer rating:
- awsome CD
- Versatile Singer
- il divo ancora music
- Amazing...
- His wrost CD
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Encore
Russell Watson , and Leonard Bernstein
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
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ASIN: B00006JI9W
Release Date: 2002-10-01 |
Tracks:
- Va, Pensiero (Verdi)
- Volare
- The Prayer
- 'O Sole Mio
- Ave Maria
- Mattinata (Leoncavallo)
- You Are So Beautiful
- Somewhere
- Che Gelida Manina (Puccini)
- E Lucevan Le Stelle (Puccini)
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- Is Nothing Sacred?
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- Celeste Aida (Verdi)
- Where My Heart Will Take Me (from "Enterprise")
Amazon.com
Following up on the release of his debut CD, The Voice, Russell Watson is back with Encore, another mix of opera favorites and popular songs. By now Watson has become virtually a household name--he sells out large concert venues and remains on the top-seller charts. On Encore, we find Puccini and Verdi sharing the billing with Lulu and Lionel Ritchie on the CD's 16 tracks, which range from the much-loved Bach-Gounod "Ave Maria" to "Where My Heart Will Take Me," the theme for Enterprise (the latest Star Trek TV series). Indeed, a more fitting title might have been The Voices, since Watson explores opera, sacred works, film, television themes, and pop songs. The orchestral arrangements on tracks such as "Va, Pensiero" may not win him any fans from the opera contingency, but Watson reveals a captivating sound on pop ballads, including "You Are So Beautiful" and "Somewhere." If you enjoyed The Voice, you're certain to want an encore. --Rebecca Agnew
Customer Reviews:
awsome CD.......2007-06-09
This CD is overall a wonderful sellection of music. I bought it for the one song and have enjoyed all of the songs on the CD.
Versatile Singer.......2007-03-30
Russell Watson has an incredible voice range & a very versatile singer. He even made me appreciate opera!
il divo ancora music.......2006-11-10
The book is wonderful. I love playing their music, its so great. Worth the money, no doubt.
Amazing..........2006-05-05
Russell Watson is amazing. It is truly a delight to hear him sing both the pop and the arias, for he performs both equally well. His rendition of Volare is very fun, and when he sings Somewhere, it's simply breathtaking. His duet with Lionel Richie was also splendid. They really did sound fantastic together. The two low points for me were The Prayer, because I couldn't stand Russell's duet partner, Lulu, and Don't Know How I Got By, because the song just didn't seem to suit Russell's voice. However, the other tracks more than make up for those few inferior selections. Russell Watson truly is a talented man, and I highly recommend this album.
His wrost CD.......2005-01-12
I have all 4 of Russell's Cd's and this is by far his wrose.
The Classical stuff is great but The pop stuff is some of the wrose pop stuff he has even done.
Average customer rating:
- What a great voice . . .
- Mellow blues...
- Excellent service
- this woman...she is WOMAN
- Karen Dalton's other album
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It's So Hard To Tell Who's Going To Love You The Best
Karen Dalton
Manufacturer: Koch Records
ProductGroup: Music
Binding: Audio CD
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ASIN: B000001SM7
Release Date: 1997-08-19 |
Tracks:
- Little Bit Of Rain
- Sweet Substitute
- Ribbon Bow
- I Love You More Than Words Can Say
- In The Evening (It's So Hard To Tell Who's Going To Love You The Best)
- Blues On The Ceiling
- It Hurts Me Too
- How Did The Feeling Feel To You
- Right, Wrong Or Ready
- Down On The Street (Don't You Follow Me Down)
Amazon.com
Karen Dalton was one of the ultimate free spirits. Arriving in New York from her native Oklahoma in 1960, she immediately became a part of the rising folk scene there, a hippie before they had a name, someone who lived life completely on her own terms. She was also, as this records shows, a superbly talented singer, eerily reminiscent of Billie Holliday. The only problem was that she disliked performing, and, in fact, had to be coaxed to make this album in the late '60s. Fortunately, the recording went very smoothly, with most of the vocals being first takes. Dalton (who died in the early '90s) had a natural feel for the blues. She could take songs by her contemporaries, even old folk songs, and find the blues inherent in them. It remains a mystery, really, why a record this good was lost among the releases of the time; its power might have been simple, but it was undeniable. Dalton did record again, making one other album. Now that we have the joy of It's So Hard to Tell, perhaps someone will see fit to issue that, too, and make our legacy complete. It's just a shame we've come to them so late. This is the real folk blues. --Chris Nickson
Customer Reviews:
What a great voice . . . .......2006-12-22
As legend has it, it took quite a bit of convincing to get Karen Dalton into the studio to record this album, and it was a spur-of-the-moment decision. Consequently, the arrangements are loose and the accompaniment is not varied much--Dalton's 12-string (don't hear any banjo, despite what the liner notes say), a guitar or two playing lead, spare percussion, and some bass are mostly the extent of the backing instruments. Fortunately, the focus is on Karen's voice, which is a real pearl. No one else really sounded like her before or since, and although this album isn't very polished, it's invaluable as one of the only two studio recordings of Karen ever made.
Although Karen played a whole lot of folk, most of these songs are blues, and some of the writing is great. Two Fred Neil cuts are highlights--"Little Bit of Rain" and "Blues on the Ceiling." "Ribbon Bow" is a great brooding traditional tune. The title track and "Right Wrong or Ready" are also highlights. Really what ties the set together is Karen's voice--if you haven't heard it, it's pretty tough to describe it. It's so complex, involving a strained breath at the beginning of words, a kind of southern-accent nasal pronunciation of sounds, and a really guttural, emotive undertone. Some people are annoyed by her voice, but I recommend giving it a chance--it's a shame to write off such a complex gem of originality for sounding a bit uncommon. With her unique vocal tools, Dalton wrings the emotion, pain and life out of these songs. Even though she didn't write them, with such impressive readings, it doesn't really matter.
Of the two albums Karen Dalton recorded, this is far and away the lesser jewel. Its faults are rooted in the off-the-cuff way it was recorded: most of the backing instrument parts don't add very much to the songs, and since it was essentially a jam session, the playing is almost frustratingly tentative--the guitars sound like they're just playing to fill the space and end up just noodling. For me, this makes the overall feel of the album downbeat and more mellow than it may have sounded with better arrangements and preparation, or if it was just Dalton and her guitar. As it is, the songs kind of float by and all sound very similar.
I recommend this album, but I recommend you buy Dalton's second, recently reissued album In My Own Time. It's production is polar opposite--much slicker (but not overly so), much more interesting and impressive accompaniment, and everything sounds better-prepared. Additionally, the song choice is much more varied--blues and folk are accompanied by R&B, rock, jazzier numbers and more pop/rock sounding numbers. I think it may be easier to fall in love with Karen's voice starting with her second album, and once you've gotten into it is the time to check this one out. It's a fine document and showcase for her voice and it supplements the better thought-out In My Own Time. I hope you enjoy both albums!
Mellow blues..........2006-11-07
I wasn't sure what to expect when I purchased this CD, although I was somewhat prepared for Karen Dalton's voice after reading several of the reviews that compared her to Billie Holliday. Her delivery also struck me as similar to Nina Simone and Esther Phillips, definitely didn't sound like a white woman to me. Her voice is one that almost makes you ache just hearing it, she doesn't sing any upbeat tunes on this disc. I was surprised to hear that most of the vocals on this album were first takes, apparently the engineer recorded her rehearsals of the songs to get a more spontaneous feel for the album. Just goes to show you that this woman didn't play around, she sang from her heart every time. Her use of acoustic instruments throughout the CD enhances the mellow feel of the songs, one of which was written by her friend Fred Neil. Her version of his "Blues On The Ceiling" is markedly different from Neil's version on the album "Bleeker and McDougal". My favorite song off of this CD is probably her version of Tim Hardin's "How Did The Feeling Feel to You?" The liner notes give a somewhat spotty history of her life but emphasize the fact that Karen Dalton loved playing music for fun but hated having to perform shows, which explains why her music never took off. The liner notes also implied that drug and alcohol abuse may have been a factor, but who knows. If you are a fan of the blues you should hear this underappreciated singer. She definitely had talent and made music for the right reasons. After hearing this CD I am eagerly awaiting the re-release of her second album and will definitely get a copy of that too.
Excellent service.......2006-07-26
Great - this CD was not available in the UK - swift delivery from the US - well done! Thanks
this woman...she is WOMAN.......2005-03-14
karen dalton is one of my favorite woman singers. her soulful voice is reminiscent of billie holiday, and her words are true. everyone can understand her perspective, and she will make you cry or smile or both. she is one of those musicians who didn't want the attention--she made this music because she had to. she knew dylan, but she stayed behind the fame she could have easily taken. if you want a new album to make you really happy that music exists, here it is....
Karen Dalton's other album.......2005-01-30
Her best album was "In My Own Time" released around 1968 by Paramount. The cassette was PAC-6008. It was produced by Harvey Brooks and recorded at Bearsville and Mercury sound studios. The tracks were:
Something On Your Mind
When A Man Loves A Woman
In My Own Dream
Katie Cruel
How Sweet It Is
In A Station
Take Me
Same Old Man
One Night Of Love
Are You Leaving For The Country
I have the cassette tape, but it isin poor condition. I would like to buy the LP (if in A condition), or get mp3 or ogg copies of the tracks.
Salsa Music:
- Te Amo
- Tres Jovenes Romanticos
- Tres Jovenes Romanticos
- Tu Amor Y Mi Amor
- Tu Amor Y Mi Amor
- Tu Saborcito