Que Padre

Disc: 1

1. Vaquero Güero - Los Huracanes del Norte

2. Si un Poquito Me Quisieras - Grupo Innovación

3. Me Llamo María

4. Cuando Te Vayas - Banda R-15

5. Leña de Pirul - Banda Machos

6. Señor Cantinero - Roberto Verduzco

7. Flor de Capomo - Carlos y José

8. Leona - El Vampiro Y Sus Fantasmas

9. Vivir Sin Verte - Lluvias Del Norte

10. Tenis Magicos - Banda Pequeños Musical

Disc: 2

1. Ritmo de Banda - Los Huracanes del Norte

2. Trago a Tu Salud - Raúl Hernández

3. Como Tu Mujer - Carmen Jara

4. Fue Su Voz - José Javier Solis

5. Mis Padres - Saul Esqueda

6. Tengo Miedo

7. Hijo del Pueblo - Los Broncos de Reynosa

8. De Que Te Quiero, Te Quiero - Grupo Innovación

9. Niña Fresa - Banda Zeta

10. Pedacito de Sol - Dinastia Nortena

Que Padre,Various Artists,Fonovisa Inc.,Banda,Latin,Latin Pop,Mexican,Mexico

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Average customer rating:

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Average customer rating: A nice overview of Caruso's legacy Unearthly If You Only Buy One Caruso . . .

Artists Of The Century - Caruso, The Greatest Tenor In The World Manufacturer: RCA ProductGroup: Music Binding: Audio CD All Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Goldmark | Goldmark, Karl | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Leoncavallo | Leoncavallo, Ruggiero | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Meyerbeer | Meyerbeer, Giacomo | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Ponchielli | Ponchielli, Amilcare | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Requiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Caruso, Enrico | ( C ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Donizetti, Gaetano | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Giordano, Umberto | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Gounod, Charles | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Handel, George Frideric | H to L | Featured Composers, A-Z | Opera & Vocal | Styles | Music Massenet, Jules | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music Meyerbeer, Giacomo | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music Ponchielli, Amilcare | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music Puccini, Giacomo | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music Rossini, Gioacchino | Q to T | Featured Composers, A-Z | Opera & Vocal | Styles | Music Tchaikovsky, Peter Ilyich | Q to T | Featured Composers, A-Z | Opera & Vocal | Styles | Music Vocal Works by Verdi | Verdi, Giuseppe | U to Z | Featured Composers, A-Z | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Russian | Languages | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Easy Listening | Pop | Styles | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Great Caruso The Legendary Enrico Caruso: 21 Favorite Arias Italian Songs: The Digital Recordings The Very Best of Beniamino Gigli Caruso 2000 ASIN: B00000J913 Release Date: 1999-05-25

Tracks:

1. Act II: Amor Ti Vieta
2. Act II: Che Gelinda Manina
3. Act III: Salut Demeure Chaste Et Pure
4. Act III: Di Quella Pira
5. Act IV: Spirto Gentil, Ne' Sogni Miei (Romanza)
6. Act III: Solenne In Quest'Ora
7. Act IV: Mi Batte Il Cor...O Paradiso!
8. Act I: Un Di All'Azzurro Spazio (Improvviso)
9. Recitar!... Vesti La Giubba
10. Act I: Questa O Quella
11. Act IV: La Donna E Mobile
12. Act III: Ah Si, Ben Mio
13. Act I: Celeste Aida
14. Act I: Recondita Armonia
15. Act III: E Lucevan Le Stelle
16. Act III: Della Natal Sua Terra Il Padre... O Tu Che In Seno Agl' Angeli
17. Act II: Magiche Note
18. Act II: La Fleur Que Tu M'Avais Jetee
19. Act I: Ah, Qual Soave Vision...Bianca Al Par Di Neve
20. Act II: Cielo E Mar
21. Act II: Nell'Ore Arcane Della Sua Lussuria... Ora E Per Sempre Addio
22. Un Ballo In Maschera: Act I: Di' Tu Se Fedele
23. Act II: Una Furtiva Lagrima

Tracks:

1. Act III: Je Suis Seul... Ah, Uyez, Douce Image
2. Act II: Chi Mi Frena In Tal Momento? (Sextett)
3. Act I: O Soave Fanciulla
4. Act III: Ella Mi Fu Rapita!...Parmi Veder Le Lagrime
5. Act I: Donna Non Vidi Mai
6. Cujus Animam
7. Act II: Oh! Mostruosa Colpa!... Si, Pel Ciel
8. Act I: Libiamo, Libiamo (Brindisi)
9. Ingemisco
10. Act II: Faiblesse De La Race Humaine!... Inspirez-Moi, Race Divine
11. Act III: Ah! Tout Est Bien Fini!... O Souverain, O Juge, O Pere!
12. Act IV: O Figli, O Figli Miei... Ah, La Paterna Mano
13. Act II: Pour Moi Ce Jour Est Tout Mystere
14. Act I: A Cette Voix Quel Trouble...Je Crois Entendre Encore
15. Act IV: Bella Figlia Dell'Amore (Quartett) - Giuseppe De Luca
16. Act II: Chi Mi Frena In Tal Momento? (Sextett) - Amelita Galli-Curci
17. Act I: Frondi Tenere E Belle...Ombra Mai Fu (Largo)
18. Act I: Studenti! Udite!
19. Crucifixus

Customer Reviews:

A nice overview of Caruso's legacy.......2007-01-04

Enrico Caruso was one of the first "media stars," with his recordings selling widely in the early twentieth century; he helped popularize the recording industry. He was one of the leading tenors of his day, and is regarded as one of the tops of the twentieth century (although he began serious singing in the late 19th century).

This CD features some of his "greatest hits," among which are his well reputed version of "Vesti la giubba" (from I Pagliacci, one of his signature operas); arias from Verdi's Rigoletto, including the bold "Questa o quella" and "La donna e mobile"; some of his most popular recordings from Puccini, including "E lucevan le stelle," "Recondita armonia," and "Che gelida manina." Nice additions to the CD are wonderful ensemble pieces, such as the sextet from Lucia di Lammermoor (including the voice of Luisa Tetrazzini) and the quartet from Rigoletto (with Amelita Galli-Curci).

Interesting tidbits include his first recording, from 1902, and his last, from 1920.

All in all, this is a very nice representation of his work. I'm not sure that it compares with the old LP (with him in clown outfit) that includes Rossini's nearly unsingable "La danza," among other items. But it is a terrific introduction to the art of Caruso. Anyone who has not listened to this tenor's works before would be well advised to use this as their entree to his oeuvre.

Unearthly.......2002-12-23

Forget toiling for a BMW, enjoy finer things in life.One of my personal favorites is ''Le pecheurs de perles'', but the offer is overwhelming.

If You Only Buy One Caruso . . ........2001-01-03

let this be it! Wonderful, generous selection of his singles for Victor, most of them solos, but a few duets, quartets, quintets, and a sextet. The accompanying booklet makes a great deal of including his first and last recordings, but by far the most important here is Caruso's 1907 recording of Vesti la giubba, the first classical recording to sell over a million copies in the United States. If you listen to it, you'll know why--it's every bit as melodramatic as the minstrel show singles with which it shared the top of the early twentieth-century charts.

Average customer rating: Beware! two old CDs reissued with a new name A reworking of a prior disc - but now with 2 CDs perfect by candlelight or in the office

Spanish Music of Travel and Discovery/ The Waverly Consort Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD General | Early Music | Historical Periods | Classical | Styles | Music Waverly Consort | ( W ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Opera & Vocal | Styles | Music Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Partsongs | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Easy Listening | Pop | Styles | Music Similar Items: Music for the Spanish Kings Secular Music from Christian and Jewish Spain Armada: Music from the Courts of England and Spain Waverly Consort Christmas Sephardic Romances ASIN: B00004TQR2 Release Date: 2000-10-10

Tracks:

1. Ayo Visto Lo Mappamundi
2. Viva Gran Re Don Fernando
3. Una Sanosa Porfia
4. Imrpovisations On Tres Moricas M'enamoran/Tres Moricas M'enamoran
5. B'tayhi-M'saddar
6. Nunca Fue Pena Mayor
7. Ay Santa Maria
8. Virgen, Bendita Sin Par
9. El Cervel
10. En Memoria D'Alixandre
11. La Alta ('La Spagna')
12. Pase El Agoa, Ma Julieta
13. Oy Comamos Y Bebamos
14. El Paso Del Mar Rojo
15. Ah, El Novio No Quere Dinero!
16. Kyrie: Ayo Visto Lo Mappamundi
17. Ayo Visto Lo Mappamundi
18. Improvisations On Ayo Visto Lo Mappamundi

Tracks:

1. O Virgo Splendens
2. Stella Splendens In Monte
3. Laudemus Virginem/Splendens Ceptigera
4. Los Set Gotxs Recomptarem
5. Cuncti Simus Concanentes
6. Polorum Regina
7. Mariam Matrem Virginem
8. Imperayritz De La Ciutat Ioyosa
9. Ad Mortem Festinamus
10. Ondas Do Mar De Vigo/Mandad' Ei Comigo
11. Mia Irmana Fremosa/Ay Deus, Se Sab' Ora
12. Quantas Sabades Amar Amigo/Eno Sagrado En Vigo/Ay Ondas Que En Vin Veer
13. Santa Maria, Strela Do Dia
14. El Buesca Del Padre
15. Las Hermanas Reina Y Cautiva
16. El Sueno De La Hija

Customer Reviews:

Beware! two old CDs reissued with a new name.......2006-08-02

I bought this CD with great anticipation because I love Spanish music of this era. To my disappointment, this was not a new recording, but a reissue of two CDs I already own: "1492: Music from the Age of Discovery" and "Traveler." If you don't have these CDs already, this double set is a great bargain. But check your CD rack before buying!

A reworking of a prior disc - but now with 2 CDs.......2006-01-27

I was pleased to see that one of my favorite CDs had not really gone out of print, but was reworked into this title and now with a bonus CD. Even though I own the original "Music from the Age of Discovery 1492", I'll probably buy this disc just for the extras. Very nice mood music, lots of variety, exotic instruments and lovely voices.

perfect by candlelight or in the office.......2000-10-20

i've owned this CD for several years, and never tire of it. weather i'm curled up with a book, or just in the office with headphones on, it's appropriate for any occasion (outside a raucus party). i highly suggest it if you're interested in exotic, mystical, and festive tunes.

Average customer rating: Just the best of the best.

Maria Callas Live Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Bellini, Vincenzo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Boito, Arrigo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Cherubini, Luigi | ( C ) | Featured Composers, A-Z | Classical | Styles | Music General | Delibes, Léo | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gluck | Gluck, Christoph W. | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Meyerbeer | Meyerbeer, Giacomo | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Thomas | Thomas, Ambroise | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Berlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music General | Soundtracks | Styles | Music Similar Items: Maria Callas 100 Best Classics Maria Callas: The Platinum Collection Maria Callas - Passion / A Film by Gerard Caillat Callas: La Divina [Limited Edition] Lyric & Coloratura Arias by Maria Callas (EMI's Great Recordings of the Century) ASIN: B000AMUU9E Release Date: 2005-11-08

Tracks:

1. Casta Diva...Fino Al Rito...Ah! Bello A Me Ritorna
2. Oh, Rimembranza!...Ah Si, Fa Core
3. Perfido! Or Basti!
4. Mira, O Norma...Cedi, Deh Cedi!...Si, Fino All'ore Estreme
5. In Mia Man Alfin Tu Sei
6. Deh! Non Volerli Vittime
7. Sorgete; E In Me Dover...Quando A Un Tratto - Various Artists
8. Ah! Lo Sento
9. Cedo Al Destin Orribile
10. Oh! S'io Potessi Dissipar Le Nubi...Col Sorriso D'innocenza..Oh, Sole! Ti Vela Di Tenebra Fonda

Tracks:

1. Care Compagne...Come Per Me Sereno...Sovra Il Sen
2. Son Geloso Del Zefiro Errante
3. D'Un Pensiero E D'un Accento...Non Piu Nozze - Various Artists
4. Ah! Non Credea Mirarti
5. Ah! Non Giunge
6. Regnava Nel Silenzio...Quando Rapito In Estasi
7. Qui Di Sposa...Verranno A Te
8. Soffriva Nel Pianto...Tu Che Vedi Il Pianto Mio
9. Chi Mi Frena - Various Artists
10. Il Dolce Suono...Ardon Gli Incensi...Spargi D'amaro Pianto - Various Artists

Tracks:

1. Dei Tuo figli...O Fatal Vello D'or
2. Creonte A Me Solo
3. E Che? Io Son Medea!
4. Come, Innocente Giovane...Non V'ha Sguardo
5. Io Sentii Sulla Mia Mano - Various Artists
6. Ove Sono?...In Quegli Sguardi Impresso...Ah! Segnata E La Mia Sorte - Various Artists
7. Va, Infelice
8. Fin Dall'eta Piu Tenera...Salira D'Inghilterra Sul Trono
9. Piangete Voi?...Al Dolce Guidami...Qual Mesto Suon?...Coppia Iniqua - Various Artists

Tracks:

1. Di Mio Padre...Deh! Pelopea Stirpe!...O Tu, Che In Tua Pieta Crudel
2. Sommi Dei!...O Sventurata Ifigenia
3. Il Voto Pago Andra...Io Ti Veggio
4. Ah! L'esecrando Rito...Io T'imploro Anelante
5. Di Quai Soavi Lagrime
6. Omai Da Lunge...Perche Di Stolto Giubilo
7. Donna...Che! Possente Numi!...Quest'alma E Troppo Debole
8. Ah! Fuggi Da Morte
9. Ecco Il Segnal!
10. Ecco L'orrido Campo...Ma Dall'arido Stela Divulsa
11. Teco Io Sto...O Qual Soave Brivido
12. A Tal Colpo...Morro, Ma Prima In Grazia

Tracks:

1. Libiamo, Ne' Lieti Calici
2. E Strano! E Strano...Ah! Fors'e Lui...Sempre Libera
3. Non Sapete...Ah! Dite Alla Giovine
4. Dammi Tu Forza, O Cielo!
5. Teneste La Promessa...Addio Del Passato
6. Ah, Violetta!...Se Una Pudica Vergine - Various Artists
7. Ritorna Vincitor!
8. Al Tuo Consiglio Io Cedo...Gloria All'egitto - Various Artists
9. Qui Radames Verra!...O Patria Mia
10. Ciel! Mio Padre!
11. O Terra, Addio

Tracks:

1. Nel Di Della Vittoria...Vieni! T'afferetta!...Or Tutti Sorgete
2. La Luce Langue
3. Una Macchia E Qui Tuttora
4. Gente La Dentro!...Mario! Mario!...Non La Sospiri, La Nostra Casetta
5. Orsu, Tosca, Parlate - Various Artists
6. Vissi D'arte
7. Senti, L'ora E Vicina...Amaro Sol Per Te...Presto! Su, Mario! - Various Artists
8. Ecco L'altare...Ervate Possente
9. Come Sa Amare!...La Mamma Morta
10. Benedico Il Destino! - Various Artists

Tracks:

1. Ben Io T'invenni...Anch'io Dischiuso Un Giorno (Abigaille, Act II)
2. Dov'e L'indiana Bruna? (Bell Song) (Lakme, Act II)
3. Tutte Le Torture (Costanze, Act II)
4. Ahime! Che Notte Oscura...Ombra Leggera (Shadow Song) (Dinorah, Act II)
5. Depuis Le Jour (Louise, Act III)
6. D'amore Al Dolce Impero (Armida, Act II)
7. Bel Raggio Lusinghier (Smiramide, Act I)
8. Ma Chi E Questa Bella...Ai Vostri Giochi...Ed Ora A Voi (Ofelia, Act IV)
9. Vanne, Lasciami...D'amor Sull'ali Rosee (Leonora, Act IV)
10. Pace, Pace, Mio Dio! (Leonora, Act IV)
11. Dolce E Calmo (Liebestod) Isolde, Act III)

Tracks:

1. Una Voce Poco Fa (Rosina, Act I)
2. Tu Che Vedi Il Mio Tormento (Tu Che Invoco) (Giulia, Act II)
3. Surta E La Notte...Ernani! Nernai, Involami (Elvira, Act I)
4. Tu Che Le Vanita (Elsabetta, Act IV)
5. Si. Mi Chiamano Mimi (Mimi, Act I)
6. L'altra Notte In Fondo Al Mare (Margherita, Act III)
7. L'amour Est Un Oiseau rebelle (Habanera) (Carmen, Act I)
8. Pres Des Remparts De Seville (Seguedille) (Carmen, Act I)
9. Nacqui All'affanno...Non Piu Mesta (Cenerentola, Act II)
10. Je Ne Suis Que Faiblesse...Adieu, Notre Petite Table (Manon, Act II)
11. Werther! Qui M'aurait Dit...Des Cris Joyeux (Charlotte, Act III)
12. Tu? Tu? Piccolo Iddio (Butterfly, Act II)
13. O Mio Babbino Caro (Lauretta)

Customer Reviews:

Just the best of the best........2006-02-08

From all the compilations of Maria Callas EMI has issued this is BY FAR the best one.

Unlike her studio recitals, unequal and mostly recorded when her voice was starting to decay, this live records take you back to the glorious early fifties when the young Callas was changing the history of opera forever.

The first 6 CD's are scenes from stage performances and the last 2 from recitals.

Chronollogically, this compilation starts with the legendary (and controversial) 1951 Mexico-City "Aida" and ends with the 1964 Covent Garden "Tosca" (when Callas' voice was just the shade of itself but at the peak of her dramatic skills).
Listen to the electrifying poetry of the 1952 "La sonnambula", to the devorating flame of 1955 "La traviata" and "Lucia". Not to forget the 1952 "Norma", the 1957 "Ana Bolena" and some rarities like "Andrea Chénier", "Ifigenia in Tauride" and "Poliuto".
The only great absent of this collection is "Armida"...

As for the the 2 recital CD's, the first one contains arias from concerts between 1952 and 1958, when Callas was in full command of her voice. Nobody else was capable of singing arias from Nabucco and Lakmé on the same recital! And listen to the last aria: Wagner's Isolde's dead.

The second one, contains arias from 1959 to 1963. Here, Callas voice had diminished considerably and she was not anymore capable of the same technical miracles, but she still managed to give thrilling dramatical interpretations (listen to the dead scene of Madama Butterfly of the 1963 Paris recital!!!)

In 80% of this compilation you can hear the young Callas creating her own legend, giving herself completly on the stage.

Average customer rating: Captivating Performances, Great Singer Indeed engineering marvel revives lost art

Claudia Muzio: Complete HMV (1911) & Edison (1920-25) Recordings Manufacturer: Romophone ProductGroup: Music Binding: Audio CD Bellini, Vincenzo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Boito, Arrigo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gluck | Gluck, Christoph W. | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Herbert | Herbert, Victor | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Leoncavallo | Leoncavallo, Ruggiero | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mascagni | Mascagni, Pietro | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Meyerbeer | Meyerbeer, Giacomo | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Offenbach | Offenbach, Jacques | ( O ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Pergolesi | Pergolesi, Gio Battista | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Nocturnes | Short Forms | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Vocal & Song | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Russian | Languages | Opera & Vocal | Styles | Music Ladino | Languages | Opera & Vocal | Styles | Music General | Latin Music | Styles | Music ASIN: B000001S38 Release Date: 1995-11-22

Tracks:

1. La Boheme: Si. Mi Chiamano Mimi
2. La Traviata: Che Gli Diro...Amami, Alfredo
3. Il Trovatore: Tacea La Notte Placida
4. Eugene Onegin: Sei Forse L'angelo Fedele
5. Salvator Rosa: Mia Piccirella
6. Andrea Chenier: La Mamma Morta
7. Crisantemi
8. Chere Nuit
9. La Wally: Ebben? Ne Andro Lontana
10. Il Trovatore: D'amor Sull'ali Rosee
11. I Pagliacci: Qual Fiamma Avea Nel Guardo! 'Ballatella'
12. La Boheme: Si. Mi Chiamano Mimi
13. Zaza: Ammogliato...Dir Che Ci Sono Al Mondo
14. I Pagliacci: Nedda! Silvio! A Quest'ora - Claudio Muzio/Mario Laurenti
15. Aspiration
16. Eternamente - Claudio Muzio/Albert Spalding/Robert Gaylor
17. Adriana Lecouvreuer: Io Son L'umile Ancella
18. Loreley: Dove Son?

Tracks:

1. Mefistofele: L'altra Notte In Fondo Al Mare
2. Madame Sans-Gene: Che Me Ne Faccio Del Vostro Castello
3. Bianca E Fernando: Sorgi, O Padre
4. La Forza Del Destino: Pace, Pace, Mio Dio
5. Herodiade: Egli E Bel
6. Odorano Le Rose
7. L'Africana: Figlio Del Sol
8. Rinaldo: Lascia Ch'io Pianga
9. I Lombardi: O Madre, Dal Cielo Soccorri Al Mio Pianto
10. La Separazione
11. L'Amico Fritz: Son Pochi Fiori
12. Paride Ed Elena: Spiagge Amate
13. Mal D'amore
14. Shepherd's Love
15. I Vespri Siciliani: Merce, Dilette Amiche
16. Guardami!
17. Carmen: Je Dis Que Rien Ne M'epouvante
18. Les Contes D'Hoffmann: Elle A Fui, La Tourterelle
19. Orange Blossoms: A Kiss In The Dark
20. Se Tu M'ami

Customer Reviews:

Captivating Performances, Great Singer Indeed.......2000-05-05

The Edison recordings were made when Claudia Muzio was in her absolute prime. They catches her voice at its freshest. Yet, I find myself hardly prepared for such wonderful artistry and interpretative insights. Muzio's timeless singing has left indelible memories on all who heard her either in person or on records and she had a great influence on Maria Callas, her successor. Indeed, Maria Callas owed a lot to her great predecessor. Ward Marston reproduced the recordings with real affection and Muzio's unique voice rings out with arresting immediacy. This is a set that should find an exalted place in every opera lover's collection.

engineering marvel revives lost art.......1999-03-04

I am amazed to be able to hear the artistry of Claudia Muzio on CD. For those who have only heard artists from the turn of the century on wind up 78s the loving care with which these treasures have been restored with is truely a revelation. The singers of Muzios era were great storytellers of passion and expression. Muzios voice is delivered with simplicity of tone and accuracy of vowel. Her grace in phrasing must have influenced Tebaldi.

Average customer rating: A Historical (and top-notch) Find

The Edison Trials: Voice Audition Cylinders of 1912-1913 Manufacturer: Marston ProductGroup: Music Binding: Audio CD Bellini, Vincenzo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Boito, Arrigo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Delibes, Léo | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music Grieg, Edvard | ( G ) | Featured Composers, A-Z | Classical | Styles | Music Humperdinck, Engelbert | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Leoncavallo | Leoncavallo, Ruggiero | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mascagni | Mascagni, Pietro | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Meyerbeer | Meyerbeer, Giacomo | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music General | Saint-Saëns, Camille | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Thomas | Thomas, Ambroise | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolf | Wolf, Hugo | ( W ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Incidental Music | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Theatrical, Incidental & Program Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Ladino | Languages | Opera & Vocal | Styles | Music General | Latin Music | Styles | Music ASIN: B00004VXOK Release Date: 2000-09-12

Tracks:

1. Manon: Ah! Fuyez, Douce Image - Fulgenzio Abela
2. Arpeggios - Mariska Aldrich
3. Magasan Repul A Daru, Szepen Szal - Mariska Aldrich
4. Le Cid: Pleurez Mes Yeuz - Alice Allix
5. La Traviata: Ah, Fors' E Lui; Sempre Libera - Adelaid Andreyeva Von Skilondz
6. La Favorita: O Mio Fernando - Fanny Anitua
7. L'Elisir D'Amour: Una Furtiva Lagrima - Gastone Baracchini
8. Tristezza - Gastone Baracchini
9. Tannhauser: O Du Mein Holder Abendstern - Amleto Barbieri
10. Aida: OPatria Mia - Giulia Battaglioli-Leotti
11. Mattinata - Angelo Bendinelli
12. La Sonnambula: come Per Me Sereno - Margherita Bevignani
13. Werther: Pourquoi Me Reveiller - Leon Beyle
14. Unidentified French Aria/Song - Paul Blancard
15. Mefistofele: L'altra Notte - Ebe Boccolini-Zacconi
16. Mignon: Connais-tu Le Pays? - Giuseppina Bonetti
17. La Traviata: Di Provenza Il Mar - Francesco Maria Bonini
18. Konigskinder: Wohin Bist Du Gegangen - Friederich Brodersen
19. Norma: Solo Furtiva - Rodolfina Brunetto
20. La Traviata: Addio Del Passato - Giorgina Caprile
21. Don Pasquale: La Morale In Tutto Questo - Albertina Cassani
22. Lakme: Ou Va La Jeune Hindouse? - Berthe Cesar
23. Simon Boccanegra: Il Lacerato Spirito - Ignazio Cesari
24. Parsifal: So Ward Es Uns Verhiessen - Georges Pierre Clauzure
25. Tosca: Amaro Sol Per Te; Recondita Armonia - Egidio Cunego
26. Mignon: Elle Ne Croyait Pas - Giacomo Damacco
27. Mignon: Ah,Que Ton Ame - Giacomo Damacco
28. Mignon: Connais-tu Le Pays? - Laura Del Lungo
29. La Wally: Ebben? Ne Andro Lontana - Emma Druetti
30. Tosca: Vissi D'arte - Emma Druetti
31. La Jolie Fille De Perth: Quand La Flamme - Pierre Ernest Dupre
32. Salvator Rosa: Di Sposa, Di Padre - Ermanino Eck
33. Manon Lescaut: In Quelle Trine Morbide - Eugenia Emanuelli
34. Unidentified Vars - Andree (Marie-Louise) Famin
35. La Boheme: Quando M'en Vo - Victoria Fer
36. Les Huguenots: Nobles Seigneurs - Irene Von Fladung
37. Don Carlos: O Mia Regina - Dolores Frau
38. Maitre Pathelin: Je Pense A Vous - Andre Gilly
39. Verborgenheit - Mora (Mary) Von Goetz

Tracks:

1. Manon: Adieu, Notre Petite Table - Rose Heilbronner
2. Mignon: Adieu, Mignon, Courage - Waldemar Henke
3. Unidentified Song/Aria - Ladislava Hotkovska
4. Rigoletto: La Donna E Mobile - Guillaume Ibos
5. Andrea Chenier: Nemico Della Patria - Roberto Janni
6. Faust: Recitative To The Jewel Song - Eva Korb
7. Aida: Ohime! Morir Mi Sento! - Beata Kosta-Marrugat
8. Carmen: Je Dis Que Rien - Mme. Willaume-Lambert
9. Tosca: Qual Occhi Al Mondo - Robert Lassalle
10. Les Huguenots: Nobles Seigneurs - Antoinette Laute-Brun
11. La Boheme: Mi Chiamano Mimi - Mercedes Llopart
12. Il Trovatore: Ai Nostri Monti - Eugenia Lopez-Nunes
13. La Favorita: O Mio Fernando - Elena Lucci
14. My Dreams - Francis Maclennan
15. I Pagliacci: Prologo - Alfred Maguenat
16. Peer Gynt: Solvejg's Song - Madeleine Menard
17. Dos Besos Tengo En El Alma (Aragon Folk Song) - Francisco G. Molina
18. Baciami (Tosti) - Luigi Montesanto
19. Herodiade: Il Est Doux - Lucie Muratet
20. Tosca: E Lucevan Le Stelle - Pedro Navia
21. Samson Et Dalila: Mon Couer S'ouvre - Margarethe Ober
22. Unidentified Russian Song - Olga Alessandrovna Olghina
23. Arpeggios - Felisa (Felicita) Ordugna
24. Mignon: Connais-Tu Le Pays? - Amalia Paoli
25. Tosca: Recondita Armonia - Nino Perya
26. L'amico Fritz: Lacere, Miseri - Adele (Adela) Ponzano
27. Tosca: Vissi D'arte - Esmerelda Pucci
28. Faust: Avant De Quitter - Honore Raynal
29. La Wally: Ebben? Ne Andro Lontana - Maria Roggero
30. Manon: Je Marche Sur Tous Les Chemins - Mlle. Romanitza
31. Unidentified French Patriotic Selection - Georges Roselly
32. La Fanciulla Del West: Ch'ella Mi Creda - Emanuele Salazar
33. Lakme: Pourquoi Dans Les Grands Bois - Elisabetta Schiulghina
34. La Boheme: Che Gelida Manina - Maurice Sens
35. Carmen: Je Dis Rien Ne M'Epouvante - Sarah Fidelia Solari
36. Robert Le Diable: Nonnes, Qui Reposez - Giuseppe Sorgi
37. Mefistofele: Giunto Sul Passo - Giuseppe Taccani
38. Il Barbiere Di Siviglia: Una Voce Poco Fa - Suzanne Vasseur
39. Tannhauser: O Du Mein Holder Abendstern - Friedrich Weidemann
40. La Favorita: O Mio Fernando - Ida Zizolfi

Customer Reviews:

A Historical (and top-notch) Find.......2000-12-27

In 1912, Thomas Edison hired an agent to make recordings of opera singers to be sent back to Edison for his personal "audition." Several hundred (thousands were made) of these recordings were recently exhumed and make for an amazing listening experience. Although these are acoustic recordings, the sound quality is unsurpassed - the voices crystal clear, smooth, and even with no audible surface noise. All of the singers in this compilation are excellent, with some wonderful surprises coming from several realtively obscure names. A detailed booklet with comprehensive biographical material is included. Until this issue surfaced, very few people besides Edison himself had been able to listen to these treasures - let's hope that more of these gems can be found!

Average customer rating: Ramón - Tenor Extraordinaire! bel canto at 5 stars plus Truly "Bel Canto!" Splendid! The 'wrong' voice does right by Verdi

Ramón Vargas - Verdi Arias Giuseppe Verdi , Edoardo Müller , and Ramón Vargas Manufacturer: RCA ProductGroup: Music Binding: Audio CD All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Arias | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Vargas, Ramon | U to Z | Featured Performers, A-Z | Opera & Vocal | Styles | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Ramón Vargas - L'amour, l'amour / Viotti Between Friends Ramon Vargas - Canzoni (Neapolitan Songs and other Italian Classical songs) Rolando Villazon: Opera Recital Ben Heppner - Great Tenor Arias ASIN: B00005B6FX Release Date: 2001-09-25

Tracks:

1. Ernani: Part II. Scena Ed Aria: Padre, Con Essi Intrepido/Odi Il Voto, O Grande Iddio
2. I Due Foscari: Act I. Scena E Cavatine: Qui Ti Rimani Alquanto/Dal Piu Remoto Esiglio/Odio Solo, Ed
3. Alzira: Act II. Scena Ed Aria: Miserandi Avanzi/Irne Lungi Ancor Dovrei/Non Di Codarde Lagrime
4. Attila: Act III. Romanza: Oh, Dolore! Ed Io Vivea
5. Macbeth: Act IV. Scena Ed Aria: O Figli, O Figli Miei!/Ah, La Paterna Mano
6. I Masnedieri: Part I. Scena Ed Aria: Quando Io Leggio In Plutarco/O Mio Castel Paterno/Nell'argilla.
7. Jerusalem: Act II. Scene Et Air: L'Emir Aupres De Lui M'appelle/Je Veux Encore Entendre
8. Luisa Miller: Act II. Scena Ed Aria: Oh! Fede Negar Potessi/Quando Le Sere Al Placido
9. Rigoletto: Act II. Scena Ed Aria: Ella Mi Fu Rapita/Parmi Veder Le Lagrime/Scorrendo Uniti Remota
10. Il Trovatore: Part III. Scena Ed Aria: Ah! Si, Ben Mio, Coll'essere/Di Quella Pira L'orren
11. Les Vepres Siciliennes: Act IV. Romance: A Toi Que J'ai Cherie
12. Falstaff: Act III. Aria: Dal Labbro Il Canto Estasiato Vola

Amazon.com

The Mexican lyric tenor Ramón Vargas displays an impressive range of Verdian skills in this selection of arias from 12 operas. His tone is open and full, with well-placed high notes and a vigorous delivery, while technique and style combine in a solid bel canto approach. There's some particularly graceful phrasing in the Ernani extract, while the more dramatic Luisa Miller aria is given an especially forthright reading, with the character's disbelieving anger at his emotional betrayal conveyed with spirit.

Vargas is good with words, too. His interpretation of Macduff's aria of loss from Macbeth benefits from committed diction, and he produces some lovely effects throughout this number. Equally memorable are items in French from Les Vêspres siciliennes and Jérusalem (Verdi's 1847 Parisian revision of the 1843 I Lombardi). These are among several rarities included--alternative arias Verdi wrote for later productions of some operas, while Alzira must be one of the least known of all his works. The English translations in the booklet are clumsy, but Vargas's singing is going to give a lot of pleasure. The accompaniments from Edoardo Müller and the Munich Radio Orchestra are topnotch. --George Hall

Customer Reviews:

Ramón - Tenor Extraordinaire!.......2003-04-10

First, let me start by saying that I agree with the review by Joy Fleisig of this CD. She was right on the mark with everything. A gorgeous sounding light tenor who did a great performance of Verdi which I didn't think would turn out as good as it did. Ramón gives us exquisitely beautiful pianissimos, but Joy Fleisig was right, there were a few slightly weak and closed throated sounding high notes, but they are made up with a middle range to die for and a rich lower register. Ramón does need to add greater drama and needs to give more character to the roles.

Ramón does a particularly exciting ending to "Nell'argilla maledetta" from Verdi's "I masnadieri". He is also very good in "Ah! Si, ben mio" and "Di quella pira" from Il trovatore. However, in "Di quella pira", Ramón does sound a little weak at the very end of the aria. On the other hand, Pavarotti actually sounds a little strained at the ending of "Di quella pira"(Decca 417 713). If you want to hear "Di quella pira" the way it should be done, listen to Carlo Bergonzi on Decca (289 467), wow, what a thrilling ending that shakes the rafters. In my opinion Ramón needs to open up his throat more during those high notes to let them loose. It sounds like he is trying to protect his voice.

I wanted to give this CD a 4 ½ star rating but there are no half stars, so I am forced to give it a 4 star rating because it is not quite good enough for 5 stars.

I would love to hear Ramón expand his light tenor repertoire to do Tamino in the Magic Flute and other Mozart operas and Handel's Oratorios which his voice is perfectly suited for.

Also, and more importantly, my wish is for Ramón to do Puccini's "La Boheme" and to come out with a CD of Puccini arias and a CD of verismo arias. Can Ramón create the power and, more so, the DRAMA to do versimo? That is yet to be seen. I would like to hope so, because I love listening to Ramón's honey sounding voice.

bel canto at 5 stars plus.......2003-01-18

This guy really knows how to sing. I give this cd 5 stars plus.

Truly "Bel Canto!".......2002-12-29

Ramon Vargas is a wonderful, musical singer. I used to limit myself to the "biggies" such as Pavarotti, Bjoerling, Corelli etc., but I am so glad I have broadened my scope to include non-"legendary" voices.
For, while a tenor like Ramon Vargas may not have the sheer natural vocal endowment to become a "legendary" tenor for the ages, he certainly has the ability in the here-and-now to sing with surpassing beauty and exquisite musicality. He gives these arias a freshness that is, well... refreshing!
He also sings in a very self-effacing and humble manner-- being more interested in letting his voice serve the music rather than his own ego. This type of singing is, for my money, where it's at and you sometimes dont get it with the "legends", perhaps because they know they are "legendary"!

Ramon Vargas sings purely and without artifice and it is moving. I will buy more of his CDs for sure. Buy and enjoy.

Splendid!.......2002-12-20

Indeed, this disc is a treasure of tenor singing. Ramon Vargas once again demonstrates his mastery of Verdian line (listen to Alzira on Philips under Luisi for a complete role). He has a voice that easily lends itself to recordings; it's light, but incredibly bright, clear, and focused. He pays a great deal of attention to the texts, it's remarkably easy to understand every word. One thing that stood out for me was the care with which Vargas approaches every phrase, I am certain he worked relentlessly on polishing each note, each line, to make it just right. In this day & age when half-baked "tenors" are popping up everywhere, it's marvelous to hear a singer whose love and care for the music is so genuine.
Like several folks here, I find Vargas most at home at purely lyric repertoire. But the way Verdi created some of his characters, it's not obvious under what vocal fach do they fall. Case in point - the Troubadour. The part is essentially lyric, but there are some outbursts, such as relating the duel with the Count, or Di Quella Pira that call for dramatic delivery. Lyric tenors have a bit more freedom in Verdian roles than spinto or di forza tenors in a sense that they can negotiate the legato lines with dazzling control, yet some, like Vargas, are able to muster enough power to deliver exciting dramatic moments. Yes, there might a slight lack of dramatic punch to some moments, but all selections impress with a great deal of commitment.
The absolute favorite for me on this CD is "Quando la sere al placido", thankfully sang without the "ohime" at the end. The scene from "I Masnadieri" is fantastic too with some insightful vocal acting. Vargas makes his Duca really sympathetic in "Parmi veder le lagrime", just keep telling yourself "it's the bad guy!" He even adds some nuance at the end (before Borsa et al march in), but, alas, does not sing "per te che le sfere agl'angeli" on a single breath (that makes Duca sound possessed, which he is). Can't wait for the full version, hopefully with Hvorostovsky in title role.
Do yourself a favor and get this disc, there are treasures to be discovered there and old favorites done in fresh ways to be enjoyed.

The 'wrong' voice does right by Verdi.......2002-05-10

For the past 10 years or so, the marvelous Mexican tenor Ramon Vargas has been one of the leading lights of the bel canto repertory. His voice has the sweet, rich, juicy quality shared by many contemporary Mexican and South American tenors. By and large, Vargas has until now limited himself to roles for light voices. Now that he has turned 40, he has decided that he is ready to move on into the fuller lyric repertory, including Verdi. While I do think Vargas' big, bright voice is a bit light for a lot of the 'major' Verdi roles, most of the repertory he sings on this disc suits him to a tee, and at least on record or in a small theatre is well worth hearing. I also give him credit for singing comparative rarities, including alternates for arias from `Ernani', `Attila' and `Les Vepres Siciliennes'.

There are a great many opera fans who, unfortunately, judge fitness for singing Verdi only on the volume and power of the voice, and most of these people would not consider a lyric tenor, certainly a light lyric tenor like Vargas, appropriate to sing Verdi's music. Verdi himself might actually disagree. The 'big' sound that we now associate with Verdi has more to do with 20th Century performance practice than with what was actually done in Verdi's time. Verdi's early work essentially is bel canto in style, far more similar to Bellini and Donizetti than to his later work. In fact, the alternate `Ernani' and `Attila' arias Vargas sings were written for the noted Rossini tenor Nikolai Ivanoff - at Rossini's request.

The `Ernani' selection (which Verdi later reworked into `Ah si, ben mio' in `Il Trovatore') actually does show a slight degree of strain, with some passagio notes and even high notes on the 'o' vowel sounding pinched and nasal, but this is rarely evident anywhere else on the CD. Actually, this nasality is also common among the new generation of Hispanic tenors. With "I Due Foscari", Vargas is in marvelous vocal fettle once again. His rendition of the aria and cabaletta from "Alzira" makes me eager to hear the recording of the entire opera he has made. Throughout the disc he sings with superb legato, great sensitivity, fine diction, and excellent technique. Certainly Vargas' bel canto experience makes coloratura passages easy for him. It is a pity that so few tenors today have these virtues in Verdi, and it is particularly a joy to hear them in the `Il Trovatore' excerpt, even though I think the entire role is beyond Vargas on stage. All the sixteenth-notes in `Di quella pira' are beautifully articulated and he has a fine trill. `Rigoletto', in which I have seen Vargas three times at the Met, seems to be my `unlucky' opera with him - difficult to believe considering his superb performance here. Not only does he sing both verses of `Possente amor' with great elan, but he gives the Duke a sympathetic characterization he rarely gets today. He also produces genuinely sweet, heady tone in the `Falstaff' aria. Finally, Vargas shows great aplomb with the two French selections from `Jerusalem' and `Les Vepres Siciliennes', more so than in the previous work I have heard from him in that language.

I very much appreciate that this CD gives us extended scenes instead of just arias, giving Vargas ample chance to interact with other singers and chorus, especially in `I Masnadieri'. Although James Anderson does a fine job with all the comprimario tenor parts, the shrill and wobbly Annegher Stumphius proves herself totally wrong for the 'Trovatore' Leonora even in her limited contribution. I suspect the production team realized this because they didn't record 'Il dolci suoni mistici'. The men of the Munich Radio chorus do a fine job, although they are miked from a bit too far away and that hurts their diction a bit, especially in the 'Rigoletto' scene.

Conductor Eduardo Muller is sympathetic to and supportive of Vargas and keeps the music going at an exciting clip. He also has the Bavarian Radio Orchestra shine in some brief prelude passages. He conducted some very fine performances of 'Rigoletto' and 'I Puritani' at the Met, and I eagerly await his 'La Cenerentola' there in September 2002.

There are only a few negative points. With the exceptions of Fenton and the Duke of Mantua, roles that he has sung often onstage, Vargas really doesn't make any of these characters that different from each other. Admittedly most Verdi heroes are noble, troubled, and hot-headed, but the situations they deal with here aren't always identical. Along those lines, I wish Vargas had done slightly more with dynamics, especially since we do hear some lovely diminuendi in several selections. It would have been nice, for example, if he had contrasted the two verses of 'Quando le sere al placido' a bit more. None of this is enough to detract from a firm recommendation.

Full texts and translations are provided. There is also an essay on how both Verdi and his compositions are very different than a lot of contemporary myths would indicate, brief notes on the composition of each opera and synopses of the arias (these last a bit scrunched together), and biographies of Vargas and Muller.

Although I enjoyed this album immensely, I advise Vargas to proceed further into this and similar repertory with extreme caution. I admit that I'm not entirely pleased that he is taking on heavier Verdi than this (the Italian version of 'Don Carlo' and the Requiem), albeit in relatively small spaces. If Roberto Alagna, whose voice is a size larger than Vargas' and whose middle voice is more solid and baritonal, must go very slowly and carefully into this repertory, all the more so for Vargas. Still, this is one of the loveliest tenors of our time, who merges a beautiful voice with grace and dignity.

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Great Voices of the Early Years (Box Set) Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Flotow | Flotow, Friedrich von | ( F ) | Featured Composers, A-Z | Classical | Styles | Music General | Lehár, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Leoncavallo | Leoncavallo, Ruggiero | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Liszt | Liszt, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Lortzing | Lortzing, Albert | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mascagni | Mascagni, Pietro | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music Reger, Max | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Robert Schumann | Schumann, Robert | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Strauss Jr., Johann | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Weber | Weber, Carl Maria von | ( W ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolf | Wolf, Hugo | ( W ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Vocal & Song | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music | Cantatas | Romances General | Reger, Max | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Compilations | Classical | Styles | Music General | Opera & Vocal | Styles | Music Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music | Cantatas | Romances Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Classical | Box Sets | Stores | Music Deutsche Grammophon: Music | Specialty Stores | Music ASIN: B00000DI2N Release Date: 1998-11-10

Tracks:

1. Rigoletto: 'Pari siamo!
2. Rigoletto: 'Cortigiani, vil razza dannata'
3. Otello: 'Niun mi tema'
4. Pagliacci: 'Recitar!...Vesti la giubba'
5. Cavalleria Rusticana: Siziliana 'O Lola ch'hai di latti la cammisa'
6. Mattinata
7. Otello: 'Tu?! Indietro! fuggi!'
8. La Boheme: 'Quando men vo soletta per la vie'
9. Rigoletto: 'Caro nome'
10. La Fille Du Regiment: Tirolienne: 'Qu'est-ce que c'est que j'entends?'
11. Rigoletto: 'La donna e mobile'
12. TOSCA: 'Recondita armonia'
13. La forza del destino: 'Oh, tu che in seno agli angeli'
14. Aida: 'I sacri nomi di padre'
15. TOSCA: 'E lucevan le stelle'
16. L'Elisir d'Amore: 'Una furtiva lagrima'
17. Il Barbiere di Siviglia: 'Una voce poco fa'
18. Il Barbiere di Siviglia: 'La calunnia e un venticello'
19. TOSCA: 'Vissi d'arte'
20. Madame Butterfly: 'Un bel di vedremo'
21. Turandot: 'Nessun dorma'

Tracks:

1. Parsifal: 'Ich sah das Kind an seiner Mutter Brust
2. Lohengrin: In fernem Land
3. Die Meistersinger von Nurnberg: Morgenlich leutchtend im rosigen Schein
4. Parsifal: Des Weihgefasses gottlicher Gehalt
5. Das Rheingold: Weiche, Wotan, weiche!
6. Rienzi's Prayer: Allmacht'ger Vater, blick herab
7. Die Meistersinger von Nurnberg: Was duftet doch der Flieder
8. Die Meistersinger von Nurnberg: Wahn, Wahn, uberall Wahn
9. Der fliegende Hollander: The Dutchman's monologue
10. Die Walkure: Ein Schwert verhiess mir der Vater

Tracks:

1. Undine: Nun ist's vollbracht!
2. The Merry Wives of Windsor
3. The Magic Flute
4. The Magic Flute: Ein Madchen oder Weibchen
5. The Magic Flute: In diesen heil'gen Hallen
6. The Magic Flute: O Isis und Osiris
7. The Abduction From The Seraglio: Konstanze, dich wiederzusehen
8. Gasparone: O wenn ich doch ein Rauber war
9. Maria, mari: Schon strahlt die Nacht im Silberschein
10. Martha: Letzte Rose
11. Martha: Ach so fromm
12. Liebe bei Hof: Man nehme zwei Herzen
13. Chianti Song: Chianti-Lied
14. Eine Nacht In Venedig: The Gondolier's Song
15. The Land Of Smiles: Dein ist mein ganzes Herz
16. Der Rosenkavalier: Hab' mir's gelobt - Ist ein Traum, kann nicht wirklich sein
17. Der Freischutz: Einst traumte meiner sel'gen Base ... Trube
18. Die Lustigen Weiber von Windsor: Als Bublein Klein an der Mutterbrust
19. Ariadne auf Naxos: An Ihre Platze, meine Damen und Herrn!

Tracks:

1. Feldeinsamkeit Op. 86 no. 2
2. Epiphanias
3. Fruhlingsfahrt Op. 45 - No. 2
4. Auftrage Op. 77 No. 5
5. Adelaide Op. 46
6. An die Hoffnung Op. 32
7. An Schwager Kronos D 369
8. Erlkonig D 328
9. Auf Flugeln des Gesanges Op. 34 No. 2
10. Eifersucht und Stolz from Die schone Mullerin D 795
11. Die drei Zigeuner, Searle 320
12. Meeresleuchten Op. 145 No. 1
13. Verborgenheit
14. Wiegenlied Op. 49 No. 4
15. Traum durch die Dammerung Op. 29 No. 1
16. Allerseelen Op. 10 No. 8
17. An die Musik D 547
18. Der Musensohn D 764
19. Am Grabe Anselmos D 504
20. Traume from Wesendonck - Lieder
21. Des Kindes Gebet from Schlichte Weisen Op. 76 No. 22
22. Herzenstausch from Schlichte Weisen Op. 76 No. 5

Tracks:

1. Winterreise D 911: Gute Nacht
2. Winterreise D 911: Die Wetterfahne
3. Winterreise D 911: Gefrorne Tranen
4. Winterreise D 911: Erstarrung
5. Winterreise D 911: Der Lindenbaum
6. Winterreise D 911: Wasserflut
7. Winterreise D 911: Auf dem Flusse
8. Winterreise D 911: Ruckblick
9. Winterreise D 911: Irrlicht
10. Winterreise D 911: Rast
11. Winterreise D 911: Fruhlingstraum
12. Winterreise D 911: Einsamkeit
13. Winterreise D 911: Die Post
14. Winterreise D 911: Der greise Kopf
15. Winterreise D 911: Die Krahe
16. Winterreise D 911: Letzte Hoffnung
17. Winterreise D 911: Im Dorfe
18. Winterreise D 911: Der sturmische Morgen
19. Winterreise D 911: Tauschung
20. Winterreise D 911: Der Wegweiser
21. Winterreise D 911: Das Wirtshaus
22. Winterreise D 911: Mut!
23. Winterreise D 911: Die Nebensonnen
24. Winterreise D 911: Der Leiermann

Amazon.com

Deutsche Grammophon is lucky in that World War II didn't slow classical recordings in Germany as it did in the United States but stimulated them: It was essential for wartime morale. Thus, if you can get past any repugnance related to these recordings' genesis, there's a huge amount to enjoy. There's a disc of lieder by all the prewar greats (Franz Volker, Tiana Lemnitz, Erna Berger, and Heinrich Schlusnus), a disc of Wagner featuring young Hans Hotter, opera and operetta performances by Berger and Helge Roswaenge, and a disc showing how the German singers gave Italian opera a distinctively Nordic but highly communicative edge. The set is crowned by a complete Winterreise that was recorded by Peter Anders in 1945 (and sounds it): the cultivated tenor's anguished performance embodies a Germany facing the abyss. --David Patrick Stearns

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Mazal Bueno: A Portrait in Song of the Spanish Jews Manufacturer: Western Wind ProductGroup: Music Binding: Audio CD Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Jewish & Yiddish Music | Folk | Styles | Music General | International | Styles | Music Similar Items: Sephardic Romances ASIN: B000004AN4 Release Date: 1996-02-28

Tracks:

1. I. Babies, Children: PARIDA, PARIDA
2. I. Babies, Children: SI ESTE NINO SE DURMIERE
3. I. Babies, Children: IRME QUIERO LA MI MADRE
4. I. Babies, Children: CUANDO EL REY NIMROD
5. I. Babies, Children: RAHELICA BAILA XINANAY
6. II. Adolescence and Courtship: UNA MUCHACHA EN SALONIKA
7. II. Adolescence and Courtship: AY, MI PADRE, AY, MI MADRE
8. II. Adolescence and Courtship: AVRIDME GALANICA
9. II. Adolescence and Courtship: NOCHES, NOCHES
10. II. Adolescence and Courtship: YO M'ENAMORE D'UN AIRE
11. II. Adolescence and Courtship: UNA MATICA DE RUDA
12. II. Adolescence and Courtship: YO HANINO, Y TU HANINA
13. III. The Wedding: ALTA, ALTA ES LA LUNA
14. III. The Wedding: CON BIEN ME LAVI/EL NOVIO LE MERCO SCARPINES/ESCALERICA DE ORO
15. lV. Wife, Husband, Family or Singing Wile Cooking: QUE QUIERESH DE MI
16. lV. Wife, Husband, Family or Singing Wile Cooking: LA ROSA ENFLORECE
17. lV. Wife, Husband, Family or Singing Wile Cooking: POR QUE LLORAS, BLANCA NINA
18. lV. Wife, Husband, Family or Singing Wile Cooking: TRES HIJAS TIENE'L BUEN REY
19. V. Jerusalem: IRME QUERIA YO/PALESTINA HERMOZA Y SANTA
20. V. Jerusalem: IRME QUERO MADRE A YERUSHALAYIM
21. Vl. Death: TRISTE 'STA EL REY DAVID
22. Vll. Shabbat: EL DIO ALTO
23. Vll. Shabbat: BUENA SEMANA

Average customer rating: A Long Time Coming... Her Best Album Price At Her Peak of course world class the greatest american soprano of the 20th century

The Essential Leontyne Price Manufacturer: RCA ProductGroup: Music Binding: Audio CD All Works by Barber | Barber, Samuel | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Bellini, Vincenzo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Berlioz | Berlioz, Hector | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Fauré, Gabriel | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Poulenc | Poulenc, Francis | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music Purcell, Henry | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Robert Schumann | Schumann, Robert | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolf | Wolf, Hugo | ( W ) | Featured Composers, A-Z | Classical | Styles | Music General | Purcell, Henry | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Requiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Price, Leontyne | ( P ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music Vienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Barber, Samuel | A to B | Featured Composers, A-Z | Opera & Vocal | Styles | Music Bellini, Vincenzo | A to B | Featured Composers, A-Z | Opera & Vocal | Styles | Music Berlioz, Hector | A to B | Featured Composers, A-Z | Opera & Vocal | Styles | Music Anonymous | A to B | Featured Composers, A-Z | Opera & Vocal | Styles | Music Vocal Works by Beethoven | Beethoven, Ludwig van | A to B | Featured Composers, A-Z | Opera & Vocal | Styles | Music Vocal Works by Brahms | Brahms, Johannes | A to B | Featured Composers, A-Z | Opera & Vocal | Styles | Music Cilea, Francesco | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music English | Languages | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Russian | Languages | Opera & Vocal | Styles | Music Folk Songs | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Noels | Vocal Non-Opera | Opera & Vocal | Styles | Music Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music Price, Leontyne | Divas | Opera & Vocal | Styles | Music General | Soundtracks | Styles | Music Classical | Box Sets | Stores | Music Opera & Vocal | Box Sets | Stores | Music ASIN: B000003FWD Release Date: 1996-08-13

Tracks:

1. Aida: Act I: Ritorna vincitor!
2. Aida: Act I: E l'amor mio?
3. Aida: Act I: I sacri nomi di padre, d'amante
4. Aida: Act III: Qui Radames verra!
5. Aida: Act III: O patria mia
6. Un Ballo in Maschera: Act II: (Prelude)
7. Un Ballo in Maschera: Act II: Ecco l'orrido campo
8. Un Ballo in Maschera: Act II: Ma dall'arido stelo divulsa
9. Un Ballo in Maschera: Act III: A tal colpa e nulla il pianto
10. Un Ballo in Maschera: Act III: Morro, ma prima in grazia
11. Il Trovatore: Act I: Che piu t'arresti?
12. Il Trovatore: Act I: Tacea la notte placida
13. Il Trovatore: Act I: Di tale amor che dirsi
14. Il Trovatore: Act IV: Siam giunti
15. Il Trovatore: Act IV: D'amor sull'ali rosee
16. Ernani: Act I: Surta e la notte
17. Ernani: Act I: Ernani! Ernani, involami
18. Ernani: Act I: Tutto sprezzo che d'Ernani
19. La forza del destino: Act II: Son giunta! Grazie, o Dio!
20. La forza del destino: Act II: Madre, madre, pietosa Vergine
21. La forza del destino: Act II: La Vergine degli angeli
22. La forza del destino: Act IV: Pace, pace, mio Dio

Tracks:

1. Cosi fan tutte: Act I: Come scoglio immoto resta
2. Madama Butterfly: Act II: Piangi? Perche?; Un bel di vedremo
3. Madama Butterfly: Act III: Tu? tu? piccolo Iddio!
4. TOSCA: Act II: Vissi d'arte
5. Manon Lescaut: Act II: In quelle trine morbide
6. Manon Lescaut: Act IV: Sola, perduta, abbandonata
7. Dialogues des Carmelites: Act III: Mes filles, voila que s'acheve
8. Don Giovanni: Act I: Don Ottavio, son morta!
9. Don Giovanni: Act I: Or sai chi l'onore
10. Don Giovanni: Act II: Crudele? Ah, no, mio bene!
11. Don Giovanni: Act II: Non mi dir
12. Turandot: Act I: Signore, ascolta!
13. Turandot: Act III: Tu che di gel sei cinta
14. Ariadne auf Naxos: Es gibt ein Reich
15. Antony And Cleopatra: Act III: Give me my robe

Tracks:

1. Otello: Era piu calmo?
2. Otello: Mia madre aveva una povera ancella (Willow Song)
3. Otello: Ave Maria
4. Fidelio: Act I: Abscheulicher! Wo eilst du hin?
5. Suor Angelica: Senza mamma, o bimbo, tu sei morto!
6. Carmen: L'amour est un oiseau rebelle (Habanera)
7. La Traviata: Act I: E strano, e strano !
8. La Traviata: Act I: Ah, fors' e lui
9. La Traviata: Act I: Sempre libera
10. Le nozze di Figaro: Act III: E Susanna non vien!
11. Le nozze di Figaro: Act III: Dove sono
12. Die Agyptische Helena: Act II: Awakening Scene
13. La rondine: Ore dolci e divine
14. Salome: Finale

Tracks:

1. Eugene Onegin: Act II: Puskai pogibnu ya
2. Eugene Onegin: Act II: Ya k vam pishu
3. Eugene Onegin: Act II: Net, nikomu na svete
4. Eugene Onegin: Act II: No tak i byt'!
5. La rondine: Act I: Chi il bel sogno di Doretta
6. VANESSA: Act I: He Has Come, He Has Come!
7. VANESSA: Act I: Do Not Utter A Word
8. Carmen: Act I: Pres des remparts de Seville (Seguidilla)
9. Manon: Act II: Allons! il le faut!
10. Manon: Act II: Adieu, notre petite table
11. Macbeth: Act IV: Sleepwalking Scene: Vegliammo invan due notti
12. Macbeth: Act IV: Sleepwalking Scene: Una macchia e qui tuttora
13. La Boheme: Act IIII: Addio. Donde lieta usci (Mimi's Addio)
14. Die Frau ohne Schatten: Act II: Empress's Awakening Scene
15. Dido and Aeneas: Act III: Thy Hand, Belinda!
16. Dido and Aeneas: Act III: When I Am Laid In Earth
17. Don Carlo: Act V: Tu che le vanita conoscesti del mondo

Tracks:

1. Otello: Act I: Gia nella notte
2. Otello: Act I: Quando narravi
3. Otello: Act I: Venga la morte!
4. Cosi fan tutte: Act I: Ah, guarda, sorella
5. Madama Butterfly: Act I: Bimba, bimba, non piangere
6. Madama Butterfly: Act I: Bimba dagli occhi
7. Madama Butterfly: Act I: Vogliatemi bene
8. Requiem: Recordare
9. Porgy And Bess: Act II: Bess, You Is My Woman
10. Norma: Act III: Me chiami, o Norma
11. Norma: Act III: Mira, o Norma
12. Ernani: Act II: Tu, perfida!
13. Ernani: Act II: Ah, morir, potessi adesso
14. Cosi fan tutte: Act II: Sorella, cosa dici?
15. Cosi fan tutte: Act II: Prendero quel brunettino
16. Aida: Act IV: La fatal pietra sovra me si chiuse
17. Aida: Act IV: Presago il core della tua condanna
18. Aida: Act IV: Vedi? Di morte l'angelo
19. Aida: Act IV: O terra, addio

Tracks:

1. Un Ballo in Maschera: Act II: Teco io sto!
2. Aida: Act III: Ciel! mio padre!
3. Aida: Act III: Rivedrai le forest imbalsamate
4. Aida: Act III: In armi ora si desta il popol nostro
5. Aida: Act III: Padre! a costoro schiava non sono
6. Requiem: Angus Dei
7. Manon Lescaut: Act I: Oh, saro la piu bella!; Tu, tu, amore?
8. Cosi fan tutte: Act I: Soave sia il vento
9. Porgy And Bess: Act II: I Loves You, Porgy
10. Aida: Act II: Silenzio! Aida verso noi s'avanza
11. Aida: Act II: Fu la sorte dell'armi
12. Aida: Act II: Pieta ti prenda del mio dolor
13. Aida: Act II: Alla prompa che s'appresta
14. Il Trovatore: Act IV: Udiste?
15. Il Trovatore: Act IV: Mira, di acerbe lagrime
16. Il Trovatore: Act IV: Vivra! Contende il giubilo
17. Madama Butterfly: Act II: Scuoti quella fronda di ciliegio (Flower Duet)
18. Carmen: Act IV: C'est toi! - C'est moi!
19. Carmen: Act IV: Ou vas-tu? - Laisse-moi!

Tracks:

1. Les nuits d'ete, Op.7: Villanelle
2. Les nuits d'ete, Op.7: Le spectre de la rose
3. Les nuits d'ete, Op.7: Sur les lagunes
4. Les nuits d'ete, Op.7: Absence
5. Les nuits d'ete, Op.7: Au cimetiere (Clair de lune)
6. Les nuits d'ete, Op.7: L'ile inconnue
7. Four Last Songs: Fruhling
8. Four Last Songs: September
9. Four Last Songs: Beim Schlafengehen
10. Four Last Songs: Im Abendrot
11. Clair de lune, Op.46, No.2: Clair de lune
12. Notre amour, Op.23, No.2: Notre amour
13. Au cimetiere, Op.51, No.2: Au cimetiere
14. Au bord de l'eau, Op.8, No.1: Au bord de l'eau
15. No.1, Cinq melodies de Venise, Op.58: Mandoline
16. Main dominee par le coeur
17. Miroirs brulants No.2: Je nommerai ton front
18. Miroirs brulants No.1: Tu vois le feu du soir
19. Ce doux petit visage

Tracks:

1. Knoxville: Summer Of 1915, Op.24: Knoxville: Summer Of 1915
2. Frauenliebe und -leben, op.42: Seit ich ihn gesehen
3. Frauenliebe und -leben, op.42: Er, der Herrlichste von allen
4. Frauenliebe und -leben, op.42: Ich kann's nicht fassen
5. Frauenliebe und -leben, op.42: Du Ring an meinem Finger
6. Frauenliebe und -leben, op.42: Helft mir, ihr Schwestern
7. Frauenliebe und -leben, op.42: Susser Freund, du blickest
8. Frauenliebe und -leben, op.42: An meinem Herzen, an meiner Brust
9. Frauenliebe und -leben, op.42: Nun hast du mir den ersten Schmerz getan
10. Widmung (No.1, Myrthen, Op.25): Widmung
11. Mignon (No.28, Liederalbum fur die Jugend, Op.79): Mignon
12. Volksliedchen, Op.51, No.2: Volksliedchen
13. Schone Wiege meiner Leiden (No.5, Liederkreis, Op.24): Schone Wiege meiner Leiden
14. Er ist's (No.23, Liederalbum fur die Jugend, Op.79): Er ist's
15. Heiss mich nicht reden (No.5, Lieder und Gesand aus Wilhelm Meister)
16. Lust der Sturmnacht, Op.35, No.1: Lust der Sturmnacht
17. Allerseelen, Op.10, No.8: Allerseelen
18. Schlagende Herzen
19. Freundliche Vision, Op.48, No.1: Freundliche Vision
20. Wie sollten wir geheim, Op.19, No.4: Wie sollten wir geheim
21. Der Gartner (Morike-Lieder No.17)
22. Lebe wohl (Morike-Lieder No.36)
23. Morgentau (From An Old Songbook)
24. Geh, Geliebter, geh jetzt (Spanisches Liederbuch No.34)

Tracks:

1. Ev'ry Time I Feel The Spirit - Various Artists
2. Let Us Break Bread Together On Our Knees - Various Artists
3. His Name So Sweet - Various Artists
4. 'Roun' About De Mountain - Various Artists
5. Swing Low, Sweet Chariot - Various Artists
6. Sit Down, Servant - Various Artists
7. Were You There - Various Artists
8. He's Got The Whole World In His Hands - Various Artists
9. Deep River - Various Artists
10. Honor! Honor! - Various Artists
11. My Soul's Been Anchored In De Lord - Various Artists
12. On Ma Journey - Various Artists
13. A City Called Heaven - Various Artists
14. Ride On, King Jesus - Various Artists
15. I Wish I Knew How It Would Feel To Be Free - Various Artists
16. Sinner, Please Don't Let This Harvest Pass - Various Artists
17. Sweet Little Jesus Boy - Various Artists
18. There Is A Balm In Gilead - Various Artists
19. Let Us Cheer The Weary Traveler - Various Artists
20. Ev'ry Time I Feel The Spirit - Various Artists
21. My Way Is Cloudy - Various Artists
22. Nobody Knows The Touble I've Seen - Various Artists
23. I Couldn't Hear Nobody Pray - Various Artists

Tracks:

1. Holy, Holy, Holy
2. Lead, Kindly Light
3. Blessed Assurance
4. Ave Maria
5. What A Friend We Have In Jesus
6. Amazing Grace
7. The Lord's Prayer
8. Pass Me Not, O Gentle Saviour
9. The Church's One Foundation
10. Bless This House
11. I Need Thee Every Hour
12. Fairest Lord Jesus
13. I Wonder As I Wander
14. Ave Maria
15. Porgy And Bess: Summertime
16. America The Beautiful
17. Lift Ev'ry Voice And Sing
18. A Mighty Fortress Is Our God
19. Battle Hymn Of The Republic

Tracks:

1. Chants tziganes, Op. 103: He Zigeuner
2. Chants tziganes, Op. 103: Hochgeturmte Rimaflut
3. Chants tziganes, Op. 103: Wisst ihr, wann mein Kindchen
4. Chants tziganes, Op. 103: Lieber Gott, du weisst
5. Chants tziganes, Op. 103: Brauner Bursche
6. Chants tziganes, Op. 103: Roselein dreie in der Reihe
7. Chants tziganes, Op. 103: Kommt dir manchmal in den Sinn
8. Chants tziganes, Op. 103: Rote Abendwolken
9. Adriana Lecouvreur: Act I: Io son l'umile ancella
10. This Little Light O'Mine
11. Interview With Leontyne Price By John Pfeiffer

Amazon.com

This 11-CD set, one might say jokingly, contains all the music ever written for the soprano voice and a bit for mezzo as well. And indeed, it's a staggering collection: In addition to her great Verdi heroines (the two Leonoras, Aida, Amelia, and Elvira in Ernani), Price is heard in her Puccini roles--Manon Lescaut, Butterfly, Tosca--and at least two dozen other roles, most of which she never sang on stage. Here are her heroic, secure Leonore in Fidelio, Strauss's high-flying Egyptian Helen, Purcell's Dido, Barber's Cleopatra, Bellini's Norma, Ariadne, Verdi's Violetta and Desdemona, Bizet's Carmen, Mozart's Countess, and Fiordiligi. Some are, naturally, more successful than others; almost none are embarrassing (Carmen comes close). In addition, she sings songs by Schubert, Schumann, and Strauss--none of them as well as say, Janet Baker or Elisabeth Schwarzkopf, and Barber's Knoxville, etc.--quite beautifully. Berlioz's Les Nuits d'été is not very good, but a group of spirituals is. In all, however, this is an amazing display by one of the century's greatest sopranos. There may be no new depths plumbed here, but the singing is a knockout. --Robert Levine

Customer Reviews:

A Long Time Coming..........2006-03-30

This compilation of Ms. Price's career is almost as complete as anything I've ever come across!!
An American Icon....I will forever be a loyal fan and admirer!!

Her Best Album.......2006-01-01

Along with the equally extensive "Prima Donna Collection" this is Leontyne Price's best album. Anyone who wants to become familiarized with her vocal technique and her art on record should own this album. It features her best work ever recorded. A lot of these arias and their respective soprano roles were not roles she sang on stage. Leontyne Price was not only a consummate artist, but a cautious one. The reason these arias, Lieder, Gospel and spirituals sound so beautiful and technically brilliant is because Leontyne was smart enough to sing them infrequently and in concert form. She did not take on new roles other than her repetitive Aidas, Leonoras, Butterfly, Toscas and Madame Lidoins, etc, because she was afraid of ruining her glorious voice too soon as many of her contemporary sopranos. Like soprano Zinka Milanov, Leontyne Price preserved the freshness and vitality of her voice through "operatic abstinence". Thus, the Norma, Salome, Manon, Lady Macbeth and even Traviata we hear on this album are well-rendered because she did NOT sing them on stage. She would have worn out her beautiful voice if she sung so many roles.

This collection is overwhelming. Leontyne Price proves herself to be a masterful artist of diverse repertoire. Pity she didn't really sing these on stage because she would have put Maria Callas and all the reigning divas before and after her to shame. Listen to her remarkable, unsurpassed Mozart repertoire. This she did sing in opera houses, probably because Mozart does not require a true lyrico-spinto heavyness and smaller opera houses can accomodate Mozartian voices that do not often rise above the staff/orchestra. She sang exquisite Fiordiligis at the Met. The arias from Cosi Fan Tutte here - Soave sia il vento, O Guarda Sorelle and the fiendishly difficult vocal showcase "Come Scoglio" with its vertiginious scales are all fine samples of Miss Price's artistry. She sang Susanna and Donna Anna with beauty and bravura. The Salome excerpt is quite thrilling. She would have made a terrific Salome but the role is quite difficult and it would have surely killed her voice. Leontyne Price was the number one Verdi soprano. Every opera cognoscente will tell you that. When you hear the excerpts from Verdi operas here - Lady Macbeth's Sleepwalking Scene, Aida's arias, Leonora's arias from Trovatore and Leonora's arias from Forza Del Destino, particularly La Virgine Del Angeli and the ravishing Pace Pace Mio Dio- are the best renditions of Verdi soprano singing. Anyone who wants to study how to sing in the letter-to-letter Verdi lyrico spinto style should hear these arias. A voice like Leontyne cannot be easily imitated. Maria Callas's own voice can be imitated as Romanian diva Angela Gheorghiu has proven. Leontyne was in a class of her own, a voice that is both dramatic and beautiful to hear. However, most people find fault in her lack of dramatic interpretation. I say they're not hearing hard enough. Yes, there is excessive beauty in her singing but she understood that the opera heroines should sound beautiful because they are beautiful and though I never saw her on stage, from the recordings I hear she sounds dramatic and character-driven enough for me to be satisfied. For a devoted fan of Leontyne Price, this album is the Holy Grail. She sings the most beautiful Norma, Madame Butterfly, Tosca, Aida, Violetta, Madame Lidoin, Suor Angelica, Susanna, Dona Ana, Gilda, Fiordiligi, Desdemona and countless other heroines. The last cd is a collection of Gospel, spirituals and patriotic songs. These "American", non-opera selections find her in beautiful voice and she is actually paying tribute to her roots. She was not only African-American, but a Southerner from Mississippi. Her voice must have been heavenly to hear in Church! This is the album that made me love Leontyne.

Price At Her Peak.......2005-05-02

Originally a Gospel singer, Leontyne Price rose to the heights of operatic superstardom in the 60's and 70's. She enjoyed the same success Maria Callas did in the 50's. Although Callas will forever be most people's idea of the greatest soprano of the 20th century, Leontyne Price was not a force to be reckoned with. In my opinion, and this is just me, she outshone Callas and was the greater singer as far as techinicality and musicianship. Leontyne Price's best work is recorded in this album. It is her best album, together with the Prima Donna Collection. The price is expensive but it's worth every penny. Prepare to be riveted and blown away by the dynamic strength and passion of her voice as it blasts through yours stereo. While many often point out that Leontyne Price was not much of an actress, from a purely operatic/vocal level, her voice was faultless and virtuosic, powerful, passionate, beautiful, lyrical, soulful. Never have I heard a soprano so richly endowed with strong chest register- she could sing the low octaves that are found in the roles of mezzo-soprano voices or contralto voices. But she was a dramatic soprano and that's dramatic with a capital D- all the high C's were there, perfectly in place, and she was a thrilling singer when reaching for the stratosphere with her voice.

This album contains arias from operas that I didn't even know she performed- La Traviata (yes, Leontyne Price as Violetta is a moving and powerful interpretation, executed with sublime beauty. She finds herself the equal to Callas in the role- for Callas had a big voice for a role that calls for the "dying" effect. Thus, Price, like Callas, could sing roles that call for beauty and not just dramatic vigor. It's unfortunate that unlike the stars that were rising in her time- Joan Sutherland, Beverly Sills and Montserrat Caballe- Price never mastered the bel canto repertoire - Rossini, Donizetti, Bellini (although she sang a sensational Norma, excerpts are found in this recording). But her strongest suit was Verdi. She had the voice Verdi was looking for in a soprano- rich, dramatic, beautiful, able to fill up the lines with smoky and velvety hues and a gleaming high top. Check out her Amelia in Un Ballo In Maschera, her Leonora in Trovatore, her Leonora in La Forza Del Destino. Of course, her greatest role, her signature role, and one which she connected with on a personal/ancestral level was that of Aida. The first selections in this recording are from that masterpiece. As Aida, she was at her best. It was easy for her somehow, when most other sopranos tackle the role with difficulty. She conveys grace, nobility, passion and spirituality in the role of the tragic Ethiopian princess.

Further roles she excelled in that are on this recording is Desdemona in Otello, which she sung opposite Placido Domingo. Their masterful voices blend together harmonically and gloriously in the Act 1 Love Duet. She's quite the ground-breaking artist. Most Violettas in Traviata or Desdemona in Otello are Caucasian lyric soprano (Desdemona was white, Otello was black, that was Shakespeare's intention) but in opera, race does not matter and Leontyne Price's voice made her a star in a time when it was incredibly difficult for a black woman to sing opera. From the start of the century, opera was always associated with white Europeans and later on Americans. But Leontyne Price followed the inspirational example of the gutsy contralto Marian Anderson, who suffered a lot of rejection in opera due to skin color in pre-Civil Rights Movement 30's, 40's and 50's. Finally in the late 50's, Anderson, after a lifetime of singing only in private concerts and recitals, debuted at the Met as Ulrica in Un Ballo. Leontyne Price immediately picked up where she left- singing all the soprano diva roles typically associated with white singers - especially Tosca. Her Tosca is second to her Aida. As Tosca, she encompasses the diva who dies for love in the most thrilling way.

Other than Tosca, Puccini heroines were just as magnificent vehicles for her voice. She sang Madame Butterfly to great acclaim. I dont know how she did it but she suddenly ceased to be herself and became the frail, naive, lovesick Japanese Geisha. Softness and fragility is also mixed with the maturity of a woman in love, with passion and dramatic vocal color. She sang La Rondine with equal success, though this role is more along the lines of Violetta/Traviata. She sang Suor Angelica, she sang in modern works such as Barber's Antony and Cleopatra- in that infamous Zefferelli production- she sang Gershwin's Porgy and Bess, she sang in Dialoge of the Carmelites. All these are on here, along with her Baroque specialties- Dido in Dido and Aeneas. Her Mozart voice is also the best I've heard, really, even with a more dramatic and beautiful charm than other singers I've heard. She sang the acrobatic role of Fiordiligi in Cosi Fan Tutte, both Dona Ana and Donva Elvira in Don Giovanni. I prefer her as Dona Ana, she is all fire, despair, intensity and repressed desire, but she sings a hysterical and lovesick Elvira with a passion as well. She even sang the Countess in Le Nozze Di Figaro. But the sky was the limit to Price. She even sang, in a Jessie Norman way, the Wagner role of Isolde. Her "Liebestod" is the greatest I've heard since Birgit Nilsson, with a passion that stemmed from her religious Gospel heart.
This is a great album and I recommend it to any fan of Price and any fan of opera in general. If you have never heard Price and want to start somewhere, start with this one. This one or the Prima Donna Collection.

of course world class.......2000-08-14

Price is amazing. I will have to also mention that Joan Sutherland in the 1960 is even more incredible, if that's possible. Check Dame Joan out, you will not be sorry. But Price is a D flawless diamond set by Cartier, in my opinion.

the greatest american soprano of the 20th century.......1999-12-12

This collection of arias, art songs, and spirituals is truly amazing for the sheer breadth and depth of this soprano's artistry. It is hard to imagine any Verdi soprano after Ms. Price who could offer us the smoky richness of her vocal color, and there are so many wonderful selections, many of them being roles she did not perform on stage. Among my personal favorites are her scene from Dialogues of the Carmelites, the Letter Scene from Eugene Onegin, and the drama of her Lady Macbeth. For those of us who heard Ms. Price over the years in opera and concert, this collection brings back wonderful memories...It is truly a must-have for any serious opera lover.

Salsa Music:

1. Refavela
2. Refazenda
3. Reflexion 2000 Y Uno
4. Reina del Norte
5. Sabor Y Sentimiento
6. Salsa Sonero Y Son
7. Siderado
8. Simplemente
9. Skapulario
10. Solo Baladas, Vol. 1

Salsa Music

salsa music

Salsa Music

Track Presents: Funk Electric [Import]

Carol Collection

Big Band Classics Ladies Only: Songs of 40's and 50's

Memories to Burn

Bridget Jones's Diary, Vol. 2 [Soundtrack] [Import]

C'Est Toi [Import]

Bob Dylan

Autobahn 66 [Enhanced] [Import]

Camminando [Import]

Beethoven: Symphonies Nos. 5-7; Overtures

Amber Eyes

Big Fun Tonite

Cut Throat City [Explicit Lyrics]

Piano Blues, Boogie & Spirituals / Rockin the Spirit

Music of the Sun