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Disc: 1
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1. Vaquero Güero - Los Huracanes del Norte
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2. Si un Poquito Me Quisieras - Grupo Innovación
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3. Me Llamo María
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4. Cuando Te Vayas - Banda R-15
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5. Leña de Pirul - Banda Machos
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6. Señor Cantinero - Roberto Verduzco
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7. Flor de Capomo - Carlos y José
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8. Leona - El Vampiro Y Sus Fantasmas
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9. Vivir Sin Verte - Lluvias Del Norte
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10. Tenis Magicos - Banda Pequeños Musical
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Disc: 2
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1. Ritmo de Banda - Los Huracanes del Norte
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2. Trago a Tu Salud - Raúl Hernández
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3. Como Tu Mujer - Carmen Jara
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4. Fue Su Voz - José Javier Solis
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5. Mis Padres - Saul Esqueda
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6. Tengo Miedo
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7. Hijo del Pueblo - Los Broncos de Reynosa
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8. De Que Te Quiero, Te Quiero - Grupo Innovación
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9. Niña Fresa - Banda Zeta
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10. Pedacito de Sol - Dinastia Nortena
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Que Padre,Various Artists,Fonovisa Inc.,Banda,Latin,Latin Pop,Mexican,Mexico
Average customer rating:
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The Complete Caruso
Manufacturer: RCA
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Similar Items:
- Ponchielli: La Gioconda
- Mario del Monaco: Historical Recordings 1950 - 60
- Music of Spain
- Rachmaninov: His Complete Recordings
- Sibelius: The 7 Symphonies; Finlandia; Kullervo; etc.
ASIN: B0001TSWQO
Release Date: 2004-11-09 |
Average customer rating:
- A nice overview of Caruso's legacy
- Unearthly
- If You Only Buy One Caruso . . .
|
Artists Of The Century - Caruso, The Greatest Tenor In The World
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
All Works by Donizetti
| Donizetti, Gaetano
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Similar Items:
- Great Caruso
- The Legendary Enrico Caruso: 21 Favorite Arias
- Italian Songs: The Digital Recordings
- The Very Best of Beniamino Gigli
- Caruso 2000
ASIN: B00000J913
Release Date: 1999-05-25 |
Tracks:
- Act II: Amor Ti Vieta
- Act II: Che Gelinda Manina
- Act III: Salut Demeure Chaste Et Pure
- Act III: Di Quella Pira
- Act IV: Spirto Gentil, Ne' Sogni Miei (Romanza)
- Act III: Solenne In Quest'Ora
- Act IV: Mi Batte Il Cor...O Paradiso!
- Act I: Un Di All'Azzurro Spazio (Improvviso)
- Recitar!... Vesti La Giubba
- Act I: Questa O Quella
- Act IV: La Donna E Mobile
- Act III: Ah Si, Ben Mio
- Act I: Celeste Aida
- Act I: Recondita Armonia
- Act III: E Lucevan Le Stelle
- Act III: Della Natal Sua Terra Il Padre... O Tu Che In Seno Agl' Angeli
- Act II: Magiche Note
- Act II: La Fleur Que Tu M'Avais Jetee
- Act I: Ah, Qual Soave Vision...Bianca Al Par Di Neve
- Act II: Cielo E Mar
- Act II: Nell'Ore Arcane Della Sua Lussuria... Ora E Per Sempre Addio
- Un Ballo In Maschera: Act I: Di' Tu Se Fedele
- Act II: Una Furtiva Lagrima
Tracks:
- Act III: Je Suis Seul... Ah, Uyez, Douce Image
- Act II: Chi Mi Frena In Tal Momento? (Sextett)
- Act I: O Soave Fanciulla
- Act III: Ella Mi Fu Rapita!...Parmi Veder Le Lagrime
- Act I: Donna Non Vidi Mai
- Cujus Animam
- Act II: Oh! Mostruosa Colpa!... Si, Pel Ciel
- Act I: Libiamo, Libiamo (Brindisi)
- Ingemisco
- Act II: Faiblesse De La Race Humaine!... Inspirez-Moi, Race Divine
- Act III: Ah! Tout Est Bien Fini!... O Souverain, O Juge, O Pere!
- Act IV: O Figli, O Figli Miei... Ah, La Paterna Mano
- Act II: Pour Moi Ce Jour Est Tout Mystere
- Act I: A Cette Voix Quel Trouble...Je Crois Entendre Encore
- Act IV: Bella Figlia Dell'Amore (Quartett) - Giuseppe De Luca
- Act II: Chi Mi Frena In Tal Momento? (Sextett) - Amelita Galli-Curci
- Act I: Frondi Tenere E Belle...Ombra Mai Fu (Largo)
- Act I: Studenti! Udite!
- Crucifixus
Customer Reviews:
A nice overview of Caruso's legacy.......2007-01-04
Enrico Caruso was one of the first "media stars," with his recordings selling widely in the early twentieth century; he helped popularize the recording industry. He was one of the leading tenors of his day, and is regarded as one of the tops of the twentieth century (although he began serious singing in the late 19th century).
This CD features some of his "greatest hits," among which are his well reputed version of "Vesti la giubba" (from I Pagliacci, one of his signature operas); arias from Verdi's Rigoletto, including the bold "Questa o quella" and "La donna e mobile"; some of his most popular recordings from Puccini, including "E lucevan le stelle," "Recondita armonia," and "Che gelida manina." Nice additions to the CD are wonderful ensemble pieces, such as the sextet from Lucia di Lammermoor (including the voice of Luisa Tetrazzini) and the quartet from Rigoletto (with Amelita Galli-Curci).
Interesting tidbits include his first recording, from 1902, and his last, from 1920.
All in all, this is a very nice representation of his work. I'm not sure that it compares with the old LP (with him in clown outfit) that includes Rossini's nearly unsingable "La danza," among other items. But it is a terrific introduction to the art of Caruso. Anyone who has not listened to this tenor's works before would be well advised to use this as their entree to his oeuvre.
Unearthly.......2002-12-23
Forget toiling for a BMW, enjoy finer things in life.One of my personal favorites is ''Le pecheurs de perles'', but the offer is overwhelming.
If You Only Buy One Caruso . . ........2001-01-03
let this be it! Wonderful, generous selection of his singles for Victor, most of them solos, but a few duets, quartets, quintets, and a sextet. The accompanying booklet makes a great deal of including his first and last recordings, but by far the most important here is Caruso's 1907 recording of Vesti la giubba, the first classical recording to sell over a million copies in the United States. If you listen to it, you'll know why--it's every bit as melodramatic as the minstrel show singles with which it shared the top of the early twentieth-century charts.
Average customer rating:
- Beware! two old CDs reissued with a new name
- A reworking of a prior disc - but now with 2 CDs
- perfect by candlelight or in the office
|
Spanish Music of Travel and Discovery/ The Waverly Consort
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
General
| Early Music
| Historical Periods
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Waverly Consort
| ( W )
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ASIN: B00004TQR2
Release Date: 2000-10-10 |
Tracks:
- Ayo Visto Lo Mappamundi
- Viva Gran Re Don Fernando
- Una Sanosa Porfia
- Imrpovisations On Tres Moricas M'enamoran/Tres Moricas M'enamoran
- B'tayhi-M'saddar
- Nunca Fue Pena Mayor
- Ay Santa Maria
- Virgen, Bendita Sin Par
- El Cervel
- En Memoria D'Alixandre
- La Alta ('La Spagna')
- Pase El Agoa, Ma Julieta
- Oy Comamos Y Bebamos
- El Paso Del Mar Rojo
- Ah, El Novio No Quere Dinero!
- Kyrie: Ayo Visto Lo Mappamundi
- Ayo Visto Lo Mappamundi
- Improvisations On Ayo Visto Lo Mappamundi
Tracks:
- O Virgo Splendens
- Stella Splendens In Monte
- Laudemus Virginem/Splendens Ceptigera
- Los Set Gotxs Recomptarem
- Cuncti Simus Concanentes
- Polorum Regina
- Mariam Matrem Virginem
- Imperayritz De La Ciutat Ioyosa
- Ad Mortem Festinamus
- Ondas Do Mar De Vigo/Mandad' Ei Comigo
- Mia Irmana Fremosa/Ay Deus, Se Sab' Ora
- Quantas Sabades Amar Amigo/Eno Sagrado En Vigo/Ay Ondas Que En Vin Veer
- Santa Maria, Strela Do Dia
- El Buesca Del Padre
- Las Hermanas Reina Y Cautiva
- El Sueno De La Hija
Customer Reviews:
Beware! two old CDs reissued with a new name.......2006-08-02
I bought this CD with great anticipation because I love Spanish music of this era. To my disappointment, this was not a new recording, but a reissue of two CDs I already own: "1492: Music from the Age of Discovery" and "Traveler." If you don't have these CDs already, this double set is a great bargain. But check your CD rack before buying!
A reworking of a prior disc - but now with 2 CDs.......2006-01-27
I was pleased to see that one of my favorite CDs had not really gone out of print, but was reworked into this title and now with a bonus CD. Even though I own the original "Music from the Age of Discovery 1492", I'll probably buy this disc just for the extras. Very nice mood music, lots of variety, exotic instruments and lovely voices.
perfect by candlelight or in the office.......2000-10-20
i've owned this CD for several years, and never tire of it. weather i'm curled up with a book, or just in the office with headphones on, it's appropriate for any occasion (outside a raucus party). i highly suggest it if you're interested in exotic, mystical, and festive tunes.
Average customer rating:
- Just the best of the best.
|
Maria Callas Live
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
Bellini, Vincenzo
| ( B )
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| Boito, Arrigo
| ( B )
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| ( C )
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| ( D )
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| ( P )
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Similar Items:
- Maria Callas 100 Best Classics
- Maria Callas: The Platinum Collection
- Maria Callas - Passion / A Film by Gerard Caillat
- Callas: La Divina [Limited Edition]
- Lyric & Coloratura Arias by Maria Callas (EMI's Great Recordings of the Century)
ASIN: B000AMUU9E
Release Date: 2005-11-08 |
Tracks:
- Casta Diva...Fino Al Rito...Ah! Bello A Me Ritorna
- Oh, Rimembranza!...Ah Si, Fa Core
- Perfido! Or Basti!
- Mira, O Norma...Cedi, Deh Cedi!...Si, Fino All'ore Estreme
- In Mia Man Alfin Tu Sei
- Deh! Non Volerli Vittime
- Sorgete; E In Me Dover...Quando A Un Tratto - Various Artists
- Ah! Lo Sento
- Cedo Al Destin Orribile
- Oh! S'io Potessi Dissipar Le Nubi...Col Sorriso D'innocenza..Oh, Sole! Ti Vela Di Tenebra Fonda
Tracks:
- Care Compagne...Come Per Me Sereno...Sovra Il Sen
- Son Geloso Del Zefiro Errante
- D'Un Pensiero E D'un Accento...Non Piu Nozze - Various Artists
- Ah! Non Credea Mirarti
- Ah! Non Giunge
- Regnava Nel Silenzio...Quando Rapito In Estasi
- Qui Di Sposa...Verranno A Te
- Soffriva Nel Pianto...Tu Che Vedi Il Pianto Mio
- Chi Mi Frena - Various Artists
- Il Dolce Suono...Ardon Gli Incensi...Spargi D'amaro Pianto - Various Artists
Tracks:
- Dei Tuo figli...O Fatal Vello D'or
- Creonte A Me Solo
- E Che? Io Son Medea!
- Come, Innocente Giovane...Non V'ha Sguardo
- Io Sentii Sulla Mia Mano - Various Artists
- Ove Sono?...In Quegli Sguardi Impresso...Ah! Segnata E La Mia Sorte - Various Artists
- Va, Infelice
- Fin Dall'eta Piu Tenera...Salira D'Inghilterra Sul Trono
- Piangete Voi?...Al Dolce Guidami...Qual Mesto Suon?...Coppia Iniqua - Various Artists
Tracks:
- Di Mio Padre...Deh! Pelopea Stirpe!...O Tu, Che In Tua Pieta Crudel
- Sommi Dei!...O Sventurata Ifigenia
- Il Voto Pago Andra...Io Ti Veggio
- Ah! L'esecrando Rito...Io T'imploro Anelante
- Di Quai Soavi Lagrime
- Omai Da Lunge...Perche Di Stolto Giubilo
- Donna...Che! Possente Numi!...Quest'alma E Troppo Debole
- Ah! Fuggi Da Morte
- Ecco Il Segnal!
- Ecco L'orrido Campo...Ma Dall'arido Stela Divulsa
- Teco Io Sto...O Qual Soave Brivido
- A Tal Colpo...Morro, Ma Prima In Grazia
Tracks:
- Libiamo, Ne' Lieti Calici
- E Strano! E Strano...Ah! Fors'e Lui...Sempre Libera
- Non Sapete...Ah! Dite Alla Giovine
- Dammi Tu Forza, O Cielo!
- Teneste La Promessa...Addio Del Passato
- Ah, Violetta!...Se Una Pudica Vergine - Various Artists
- Ritorna Vincitor!
- Al Tuo Consiglio Io Cedo...Gloria All'egitto - Various Artists
- Qui Radames Verra!...O Patria Mia
- Ciel! Mio Padre!
- O Terra, Addio
Tracks:
- Nel Di Della Vittoria...Vieni! T'afferetta!...Or Tutti Sorgete
- La Luce Langue
- Una Macchia E Qui Tuttora
- Gente La Dentro!...Mario! Mario!...Non La Sospiri, La Nostra Casetta
- Orsu, Tosca, Parlate - Various Artists
- Vissi D'arte
- Senti, L'ora E Vicina...Amaro Sol Per Te...Presto! Su, Mario! - Various Artists
- Ecco L'altare...Ervate Possente
- Come Sa Amare!...La Mamma Morta
- Benedico Il Destino! - Various Artists
Tracks:
- Ben Io T'invenni...Anch'io Dischiuso Un Giorno (Abigaille, Act II)
- Dov'e L'indiana Bruna? (Bell Song) (Lakme, Act II)
- Tutte Le Torture (Costanze, Act II)
- Ahime! Che Notte Oscura...Ombra Leggera (Shadow Song) (Dinorah, Act II)
- Depuis Le Jour (Louise, Act III)
- D'amore Al Dolce Impero (Armida, Act II)
- Bel Raggio Lusinghier (Smiramide, Act I)
- Ma Chi E Questa Bella...Ai Vostri Giochi...Ed Ora A Voi (Ofelia, Act IV)
- Vanne, Lasciami...D'amor Sull'ali Rosee (Leonora, Act IV)
- Pace, Pace, Mio Dio! (Leonora, Act IV)
- Dolce E Calmo (Liebestod) Isolde, Act III)
Tracks:
- Una Voce Poco Fa (Rosina, Act I)
- Tu Che Vedi Il Mio Tormento (Tu Che Invoco) (Giulia, Act II)
- Surta E La Notte...Ernani! Nernai, Involami (Elvira, Act I)
- Tu Che Le Vanita (Elsabetta, Act IV)
- Si. Mi Chiamano Mimi (Mimi, Act I)
- L'altra Notte In Fondo Al Mare (Margherita, Act III)
- L'amour Est Un Oiseau rebelle (Habanera) (Carmen, Act I)
- Pres Des Remparts De Seville (Seguedille) (Carmen, Act I)
- Nacqui All'affanno...Non Piu Mesta (Cenerentola, Act II)
- Je Ne Suis Que Faiblesse...Adieu, Notre Petite Table (Manon, Act II)
- Werther! Qui M'aurait Dit...Des Cris Joyeux (Charlotte, Act III)
- Tu? Tu? Piccolo Iddio (Butterfly, Act II)
- O Mio Babbino Caro (Lauretta)
Customer Reviews:
Just the best of the best........2006-02-08
From all the compilations of Maria Callas EMI has issued this is BY FAR the best one.
Unlike her studio recitals, unequal and mostly recorded when her voice was starting to decay, this live records take you back to the glorious early fifties when the young Callas was changing the history of opera forever.
The first 6 CD's are scenes from stage performances and the last 2 from recitals.
Chronollogically, this compilation starts with the legendary (and controversial) 1951 Mexico-City "Aida" and ends with the 1964 Covent Garden "Tosca" (when Callas' voice was just the shade of itself but at the peak of her dramatic skills).
Listen to the electrifying poetry of the 1952 "La sonnambula", to the devorating flame of 1955 "La traviata" and "Lucia". Not to forget the 1952 "Norma", the 1957 "Ana Bolena" and some rarities like "Andrea Chénier", "Ifigenia in Tauride" and "Poliuto".
The only great absent of this collection is "Armida"...
As for the the 2 recital CD's, the first one contains arias from concerts between 1952 and 1958, when Callas was in full command of her voice. Nobody else was capable of singing arias from Nabucco and Lakmé on the same recital! And listen to the last aria: Wagner's Isolde's dead.
The second one, contains arias from 1959 to 1963. Here, Callas voice had diminished considerably and she was not anymore capable of the same technical miracles, but she still managed to give thrilling dramatical interpretations (listen to the dead scene of Madama Butterfly of the 1963 Paris recital!!!)
In 80% of this compilation you can hear the young Callas creating her own legend, giving herself completly on the stage.
Average customer rating:
- Captivating Performances, Great Singer Indeed
- engineering marvel revives lost art
|
Claudia Muzio: Complete HMV (1911) & Edison (1920-25) Recordings
Manufacturer: Romophone
ProductGroup: Music
Binding: Audio CD
Bellini, Vincenzo
| ( B )
| Featured Composers, A-Z
| Classical
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General
| Boito, Arrigo
| ( B )
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All Works by Chopin
| Chopin, Frédéric
| ( C )
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| Gluck, Christoph W.
| ( G )
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| Handel, George Frideric
| ( H )
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| Herbert, Victor
| ( H )
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| Leoncavallo, Ruggiero
| ( L )
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| Mascagni, Pietro
| ( M )
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| Massenet, Jules
| ( M )
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| Meyerbeer, Giacomo
| ( M )
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| Offenbach, Jacques
| ( O )
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| Pergolesi, Gio Battista
| ( P )
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| Puccini, Giacomo
| ( P )
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| Tchaikovsky, Peter Ilyich
| ( T )
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| Verdi, Giuseppe
| ( V )
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| Rossini, Gioacchino
| ( R )
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Nocturnes
| Short Forms
| Forms & Genres
| Classical
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General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
Vocal & Song
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General Modern
| Modern, 20th, & 21st Century
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| Classical
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| Music
Chamber Music
| Forms & Genres
| Romantic (c.1820-1910)
| Historical Periods
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| Romantic (c.1820-1910)
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| Romantic (c.1820-1910)
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General
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General
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ASIN: B000001S38
Release Date: 1995-11-22 |
Tracks:
- La Boheme: Si. Mi Chiamano Mimi
- La Traviata: Che Gli Diro...Amami, Alfredo
- Il Trovatore: Tacea La Notte Placida
- Eugene Onegin: Sei Forse L'angelo Fedele
- Salvator Rosa: Mia Piccirella
- Andrea Chenier: La Mamma Morta
- Crisantemi
- Chere Nuit
- La Wally: Ebben? Ne Andro Lontana
- Il Trovatore: D'amor Sull'ali Rosee
- I Pagliacci: Qual Fiamma Avea Nel Guardo! 'Ballatella'
- La Boheme: Si. Mi Chiamano Mimi
- Zaza: Ammogliato...Dir Che Ci Sono Al Mondo
- I Pagliacci: Nedda! Silvio! A Quest'ora - Claudio Muzio/Mario Laurenti
- Aspiration
- Eternamente - Claudio Muzio/Albert Spalding/Robert Gaylor
- Adriana Lecouvreuer: Io Son L'umile Ancella
- Loreley: Dove Son?
Tracks:
- Mefistofele: L'altra Notte In Fondo Al Mare
- Madame Sans-Gene: Che Me Ne Faccio Del Vostro Castello
- Bianca E Fernando: Sorgi, O Padre
- La Forza Del Destino: Pace, Pace, Mio Dio
- Herodiade: Egli E Bel
- Odorano Le Rose
- L'Africana: Figlio Del Sol
- Rinaldo: Lascia Ch'io Pianga
- I Lombardi: O Madre, Dal Cielo Soccorri Al Mio Pianto
- La Separazione
- L'Amico Fritz: Son Pochi Fiori
- Paride Ed Elena: Spiagge Amate
- Mal D'amore
- Shepherd's Love
- I Vespri Siciliani: Merce, Dilette Amiche
- Guardami!
- Carmen: Je Dis Que Rien Ne M'epouvante
- Les Contes D'Hoffmann: Elle A Fui, La Tourterelle
- Orange Blossoms: A Kiss In The Dark
- Se Tu M'ami
Customer Reviews:
Captivating Performances, Great Singer Indeed.......2000-05-05
The Edison recordings were made when Claudia Muzio was in her absolute prime. They catches her voice at its freshest. Yet, I find myself hardly prepared for such wonderful artistry and interpretative insights. Muzio's timeless singing has left indelible memories on all who heard her either in person or on records and she had a great influence on Maria Callas, her successor. Indeed, Maria Callas owed a lot to her great predecessor. Ward Marston reproduced the recordings with real affection and Muzio's unique voice rings out with arresting immediacy. This is a set that should find an exalted place in every opera lover's collection.
engineering marvel revives lost art.......1999-03-04
I am amazed to be able to hear the artistry of Claudia Muzio on CD. For those who have only heard artists from the turn of the century on wind up 78s the loving care with which these treasures have been restored with is truely a revelation. The singers of Muzios era were great storytellers of passion and expression. Muzios voice is delivered with simplicity of tone and accuracy of vowel. Her grace in phrasing must have influenced Tebaldi.
Average customer rating:
- A Historical (and top-notch) Find
|
The Edison Trials: Voice Audition Cylinders of 1912-1913
Manufacturer: Marston
ProductGroup: Music
Binding: Audio CD
Bellini, Vincenzo
| ( B )
| Featured Composers, A-Z
| Classical
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General
| Boito, Arrigo
| ( B )
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| Classical
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General
| Delibes, Léo
| ( D )
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All Works by Donizetti
| Donizetti, Gaetano
| ( D )
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All Works by Gounod
| Gounod, Charles
| ( G )
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Grieg, Edvard
| ( G )
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Humperdinck, Engelbert
| ( H )
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All Works by Leoncavallo
| Leoncavallo, Ruggiero
| ( L )
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| Mascagni, Pietro
| ( M )
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| Massenet, Jules
| ( M )
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| Meyerbeer, Giacomo
| ( M )
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| Puccini, Giacomo
| ( P )
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General
| Saint-Saëns, Camille
| ( S )
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| Thomas, Ambroise
| ( T )
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| Verdi, Giuseppe
| ( V )
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| Wagner, Richard
| ( W )
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| Wolf, Hugo
| ( W )
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All Works by Rossini
| Rossini, Gioacchino
| ( R )
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Incidental Music
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
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| Forms & Genres
| Romantic (c.1820-1910)
| Historical Periods
| Classical
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Vocal & Song
| Romantic (c.1820-1910)
| Historical Periods
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General
| Classical
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| Classical (c.1770-1830)
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| Opera & Vocal
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Romantic (c.1820-1910)
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ASIN: B00004VXOK
Release Date: 2000-09-12 |
Tracks:
- Manon: Ah! Fuyez, Douce Image - Fulgenzio Abela
- Arpeggios - Mariska Aldrich
- Magasan Repul A Daru, Szepen Szal - Mariska Aldrich
- Le Cid: Pleurez Mes Yeuz - Alice Allix
- La Traviata: Ah, Fors' E Lui; Sempre Libera - Adelaid Andreyeva Von Skilondz
- La Favorita: O Mio Fernando - Fanny Anitua
- L'Elisir D'Amour: Una Furtiva Lagrima - Gastone Baracchini
- Tristezza - Gastone Baracchini
- Tannhauser: O Du Mein Holder Abendstern - Amleto Barbieri
- Aida: OPatria Mia - Giulia Battaglioli-Leotti
- Mattinata - Angelo Bendinelli
- La Sonnambula: come Per Me Sereno - Margherita Bevignani
- Werther: Pourquoi Me Reveiller - Leon Beyle
- Unidentified French Aria/Song - Paul Blancard
- Mefistofele: L'altra Notte - Ebe Boccolini-Zacconi
- Mignon: Connais-tu Le Pays? - Giuseppina Bonetti
- La Traviata: Di Provenza Il Mar - Francesco Maria Bonini
- Konigskinder: Wohin Bist Du Gegangen - Friederich Brodersen
- Norma: Solo Furtiva - Rodolfina Brunetto
- La Traviata: Addio Del Passato - Giorgina Caprile
- Don Pasquale: La Morale In Tutto Questo - Albertina Cassani
- Lakme: Ou Va La Jeune Hindouse? - Berthe Cesar
- Simon Boccanegra: Il Lacerato Spirito - Ignazio Cesari
- Parsifal: So Ward Es Uns Verhiessen - Georges Pierre Clauzure
- Tosca: Amaro Sol Per Te; Recondita Armonia - Egidio Cunego
- Mignon: Elle Ne Croyait Pas - Giacomo Damacco
- Mignon: Ah,Que Ton Ame - Giacomo Damacco
- Mignon: Connais-tu Le Pays? - Laura Del Lungo
- La Wally: Ebben? Ne Andro Lontana - Emma Druetti
- Tosca: Vissi D'arte - Emma Druetti
- La Jolie Fille De Perth: Quand La Flamme - Pierre Ernest Dupre
- Salvator Rosa: Di Sposa, Di Padre - Ermanino Eck
- Manon Lescaut: In Quelle Trine Morbide - Eugenia Emanuelli
- Unidentified Vars - Andree (Marie-Louise) Famin
- La Boheme: Quando M'en Vo - Victoria Fer
- Les Huguenots: Nobles Seigneurs - Irene Von Fladung
- Don Carlos: O Mia Regina - Dolores Frau
- Maitre Pathelin: Je Pense A Vous - Andre Gilly
- Verborgenheit - Mora (Mary) Von Goetz
Tracks:
- Manon: Adieu, Notre Petite Table - Rose Heilbronner
- Mignon: Adieu, Mignon, Courage - Waldemar Henke
- Unidentified Song/Aria - Ladislava Hotkovska
- Rigoletto: La Donna E Mobile - Guillaume Ibos
- Andrea Chenier: Nemico Della Patria - Roberto Janni
- Faust: Recitative To The Jewel Song - Eva Korb
- Aida: Ohime! Morir Mi Sento! - Beata Kosta-Marrugat
- Carmen: Je Dis Que Rien - Mme. Willaume-Lambert
- Tosca: Qual Occhi Al Mondo - Robert Lassalle
- Les Huguenots: Nobles Seigneurs - Antoinette Laute-Brun
- La Boheme: Mi Chiamano Mimi - Mercedes Llopart
- Il Trovatore: Ai Nostri Monti - Eugenia Lopez-Nunes
- La Favorita: O Mio Fernando - Elena Lucci
- My Dreams - Francis Maclennan
- I Pagliacci: Prologo - Alfred Maguenat
- Peer Gynt: Solvejg's Song - Madeleine Menard
- Dos Besos Tengo En El Alma (Aragon Folk Song) - Francisco G. Molina
- Baciami (Tosti) - Luigi Montesanto
- Herodiade: Il Est Doux - Lucie Muratet
- Tosca: E Lucevan Le Stelle - Pedro Navia
- Samson Et Dalila: Mon Couer S'ouvre - Margarethe Ober
- Unidentified Russian Song - Olga Alessandrovna Olghina
- Arpeggios - Felisa (Felicita) Ordugna
- Mignon: Connais-Tu Le Pays? - Amalia Paoli
- Tosca: Recondita Armonia - Nino Perya
- L'amico Fritz: Lacere, Miseri - Adele (Adela) Ponzano
- Tosca: Vissi D'arte - Esmerelda Pucci
- Faust: Avant De Quitter - Honore Raynal
- La Wally: Ebben? Ne Andro Lontana - Maria Roggero
- Manon: Je Marche Sur Tous Les Chemins - Mlle. Romanitza
- Unidentified French Patriotic Selection - Georges Roselly
- La Fanciulla Del West: Ch'ella Mi Creda - Emanuele Salazar
- Lakme: Pourquoi Dans Les Grands Bois - Elisabetta Schiulghina
- La Boheme: Che Gelida Manina - Maurice Sens
- Carmen: Je Dis Rien Ne M'Epouvante - Sarah Fidelia Solari
- Robert Le Diable: Nonnes, Qui Reposez - Giuseppe Sorgi
- Mefistofele: Giunto Sul Passo - Giuseppe Taccani
- Il Barbiere Di Siviglia: Una Voce Poco Fa - Suzanne Vasseur
- Tannhauser: O Du Mein Holder Abendstern - Friedrich Weidemann
- La Favorita: O Mio Fernando - Ida Zizolfi
Customer Reviews:
A Historical (and top-notch) Find.......2000-12-27
In 1912, Thomas Edison hired an agent to make recordings of opera singers to be sent back to Edison for his personal "audition." Several hundred (thousands were made) of these recordings were recently exhumed and make for an amazing listening experience. Although these are acoustic recordings, the sound quality is unsurpassed - the voices crystal clear, smooth, and even with no audible surface noise. All of the singers in this compilation are excellent, with some wonderful surprises coming from several realtively obscure names. A detailed booklet with comprehensive biographical material is included. Until this issue surfaced, very few people besides Edison himself had been able to listen to these treasures - let's hope that more of these gems can be found!
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- Ramón - Tenor Extraordinaire!
- bel canto at 5 stars plus
- Truly "Bel Canto!"
- Splendid!
- The 'wrong' voice does right by Verdi
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Ramón Vargas - Verdi Arias
Giuseppe Verdi , Edoardo Müller , and Ramón Vargas
Manufacturer: RCA
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Similar Items:
- Ramón Vargas - L'amour, l'amour / Viotti
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- Rolando Villazon: Opera Recital
- Ben Heppner - Great Tenor Arias
ASIN: B00005B6FX
Release Date: 2001-09-25 |
Tracks:
- Ernani: Part II. Scena Ed Aria: Padre, Con Essi Intrepido/Odi Il Voto, O Grande Iddio
- I Due Foscari: Act I. Scena E Cavatine: Qui Ti Rimani Alquanto/Dal Piu Remoto Esiglio/Odio Solo, Ed
- Alzira: Act II. Scena Ed Aria: Miserandi Avanzi/Irne Lungi Ancor Dovrei/Non Di Codarde Lagrime
- Attila: Act III. Romanza: Oh, Dolore! Ed Io Vivea
- Macbeth: Act IV. Scena Ed Aria: O Figli, O Figli Miei!/Ah, La Paterna Mano
- I Masnedieri: Part I. Scena Ed Aria: Quando Io Leggio In Plutarco/O Mio Castel Paterno/Nell'argilla.
- Jerusalem: Act II. Scene Et Air: L'Emir Aupres De Lui M'appelle/Je Veux Encore Entendre
- Luisa Miller: Act II. Scena Ed Aria: Oh! Fede Negar Potessi/Quando Le Sere Al Placido
- Rigoletto: Act II. Scena Ed Aria: Ella Mi Fu Rapita/Parmi Veder Le Lagrime/Scorrendo Uniti Remota
- Il Trovatore: Part III. Scena Ed Aria: Ah! Si, Ben Mio, Coll'essere/Di Quella Pira L'orren
- Les Vepres Siciliennes: Act IV. Romance: A Toi Que J'ai Cherie
- Falstaff: Act III. Aria: Dal Labbro Il Canto Estasiato Vola
Amazon.com
The Mexican lyric tenor Ramón Vargas displays an impressive range of Verdian skills in this selection of arias from 12 operas. His tone is open and full, with well-placed high notes and a vigorous delivery, while technique and style combine in a solid bel canto approach. There's some particularly graceful phrasing in the Ernani extract, while the more dramatic Luisa Miller aria is given an especially forthright reading, with the character's disbelieving anger at his emotional betrayal conveyed with spirit.
Vargas is good with words, too. His interpretation of Macduff's aria of loss from Macbeth benefits from committed diction, and he produces some lovely effects throughout this number. Equally memorable are items in French from Les Vêspres siciliennes and Jérusalem (Verdi's 1847 Parisian revision of the 1843 I Lombardi). These are among several rarities included--alternative arias Verdi wrote for later productions of some operas, while Alzira must be one of the least known of all his works. The English translations in the booklet are clumsy, but Vargas's singing is going to give a lot of pleasure. The accompaniments from Edoardo Müller and the Munich Radio Orchestra are topnotch. --George Hall
Customer Reviews:
Ramón - Tenor Extraordinaire!.......2003-04-10
First, let me start by saying that I agree with the review by Joy Fleisig of this CD. She was right on the mark with everything. A gorgeous sounding light tenor who did a great performance of Verdi which I didn't think would turn out as good as it did. Ramón gives us exquisitely beautiful pianissimos, but Joy Fleisig was right, there were a few slightly weak and closed throated sounding high notes, but they are made up with a middle range to die for and a rich lower register. Ramón does need to add greater drama and needs to give more character to the roles.
Ramón does a particularly exciting ending to "Nell'argilla maledetta" from Verdi's "I masnadieri". He is also very good in "Ah! Si, ben mio" and "Di quella pira" from Il trovatore. However, in "Di quella pira", Ramón does sound a little weak at the very end of the aria. On the other hand, Pavarotti actually sounds a little strained at the ending of "Di quella pira"(Decca 417 713). If you want to hear "Di quella pira" the way it should be done, listen to Carlo Bergonzi on Decca (289 467), wow, what a thrilling ending that shakes the rafters. In my opinion Ramón needs to open up his throat more during those high notes to let them loose. It sounds like he is trying to protect his voice.
I wanted to give this CD a 4 ½ star rating but there are no half stars, so I am forced to give it a 4 star rating because it is not quite good enough for 5 stars.
I would love to hear Ramón expand his light tenor repertoire to do Tamino in the Magic Flute and other Mozart operas and Handel's Oratorios which his voice is perfectly suited for.
Also, and more importantly, my wish is for Ramón to do Puccini's "La Boheme" and to come out with a CD of Puccini arias and a CD of verismo arias. Can Ramón create the power and, more so, the DRAMA to do versimo? That is yet to be seen. I would like to hope so, because I love listening to Ramón's honey sounding voice.
bel canto at 5 stars plus.......2003-01-18
This guy really knows how to sing. I give this cd 5 stars plus.
Truly "Bel Canto!".......2002-12-29
Ramon Vargas is a wonderful, musical singer. I used to limit myself to the "biggies" such as Pavarotti, Bjoerling, Corelli etc., but I am so glad I have broadened my scope to include non-"legendary" voices.
For, while a tenor like Ramon Vargas may not have the sheer natural vocal endowment to become a "legendary" tenor for the ages, he certainly has the ability in the here-and-now to sing with surpassing beauty and exquisite musicality. He gives these arias a freshness that is, well... refreshing!
He also sings in a very self-effacing and humble manner-- being more interested in letting his voice serve the music rather than his own ego. This type of singing is, for my money, where it's at and you sometimes dont get it with the "legends", perhaps because they know they are "legendary"!
Ramon Vargas sings purely and without artifice and it is moving. I will buy more of his CDs for sure. Buy and enjoy.
Splendid!.......2002-12-20
Indeed, this disc is a treasure of tenor singing. Ramon Vargas once again demonstrates his mastery of Verdian line (listen to Alzira on Philips under Luisi for a complete role). He has a voice that easily lends itself to recordings; it's light, but incredibly bright, clear, and focused. He pays a great deal of attention to the texts, it's remarkably easy to understand every word. One thing that stood out for me was the care with which Vargas approaches every phrase, I am certain he worked relentlessly on polishing each note, each line, to make it just right. In this day & age when half-baked "tenors" are popping up everywhere, it's marvelous to hear a singer whose love and care for the music is so genuine.
Like several folks here, I find Vargas most at home at purely lyric repertoire. But the way Verdi created some of his characters, it's not obvious under what vocal fach do they fall. Case in point - the Troubadour. The part is essentially lyric, but there are some outbursts, such as relating the duel with the Count, or Di Quella Pira that call for dramatic delivery. Lyric tenors have a bit more freedom in Verdian roles than spinto or di forza tenors in a sense that they can negotiate the legato lines with dazzling control, yet some, like Vargas, are able to muster enough power to deliver exciting dramatic moments. Yes, there might a slight lack of dramatic punch to some moments, but all selections impress with a great deal of commitment.
The absolute favorite for me on this CD is "Quando la sere al placido", thankfully sang without the "ohime" at the end. The scene from "I Masnadieri" is fantastic too with some insightful vocal acting. Vargas makes his Duca really sympathetic in "Parmi veder le lagrime", just keep telling yourself "it's the bad guy!" He even adds some nuance at the end (before Borsa et al march in), but, alas, does not sing "per te che le sfere agl'angeli" on a single breath (that makes Duca sound possessed, which he is). Can't wait for the full version, hopefully with Hvorostovsky in title role.
Do yourself a favor and get this disc, there are treasures to be discovered there and old favorites done in fresh ways to be enjoyed.
The 'wrong' voice does right by Verdi.......2002-05-10
For the past 10 years or so, the marvelous Mexican tenor Ramon Vargas has been one of the leading lights of the bel canto repertory. His voice has the sweet, rich, juicy quality shared by many contemporary Mexican and South American tenors. By and large, Vargas has until now limited himself to roles for light voices. Now that he has turned 40, he has decided that he is ready to move on into the fuller lyric repertory, including Verdi. While I do think Vargas' big, bright voice is a bit light for a lot of the 'major' Verdi roles, most of the repertory he sings on this disc suits him to a tee, and at least on record or in a small theatre is well worth hearing. I also give him credit for singing comparative rarities, including alternates for arias from `Ernani', `Attila' and `Les Vepres Siciliennes'.
There are a great many opera fans who, unfortunately, judge fitness for singing Verdi only on the volume and power of the voice, and most of these people would not consider a lyric tenor, certainly a light lyric tenor like Vargas, appropriate to sing Verdi's music. Verdi himself might actually disagree. The 'big' sound that we now associate with Verdi has more to do with 20th Century performance practice than with what was actually done in Verdi's time. Verdi's early work essentially is bel canto in style, far more similar to Bellini and Donizetti than to his later work. In fact, the alternate `Ernani' and `Attila' arias Vargas sings were written for the noted Rossini tenor Nikolai Ivanoff - at Rossini's request.
The `Ernani' selection (which Verdi later reworked into `Ah si, ben mio' in `Il Trovatore') actually does show a slight degree of strain, with some passagio notes and even high notes on the 'o' vowel sounding pinched and nasal, but this is rarely evident anywhere else on the CD. Actually, this nasality is also common among the new generation of Hispanic tenors. With "I Due Foscari", Vargas is in marvelous vocal fettle once again. His rendition of the aria and cabaletta from "Alzira" makes me eager to hear the recording of the entire opera he has made. Throughout the disc he sings with superb legato, great sensitivity, fine diction, and excellent technique. Certainly Vargas' bel canto experience makes coloratura passages easy for him. It is a pity that so few tenors today have these virtues in Verdi, and it is particularly a joy to hear them in the `Il Trovatore' excerpt, even though I think the entire role is beyond Vargas on stage. All the sixteenth-notes in `Di quella pira' are beautifully articulated and he has a fine trill. `Rigoletto', in which I have seen Vargas three times at the Met, seems to be my `unlucky' opera with him - difficult to believe considering his superb performance here. Not only does he sing both verses of `Possente amor' with great elan, but he gives the Duke a sympathetic characterization he rarely gets today. He also produces genuinely sweet, heady tone in the `Falstaff' aria. Finally, Vargas shows great aplomb with the two French selections from `Jerusalem' and `Les Vepres Siciliennes', more so than in the previous work I have heard from him in that language.
I very much appreciate that this CD gives us extended scenes instead of just arias, giving Vargas ample chance to interact with other singers and chorus, especially in `I Masnadieri'. Although James Anderson does a fine job with all the comprimario tenor parts, the shrill and wobbly Annegher Stumphius proves herself totally wrong for the 'Trovatore' Leonora even in her limited contribution. I suspect the production team realized this because they didn't record 'Il dolci suoni mistici'. The men of the Munich Radio chorus do a fine job, although they are miked from a bit too far away and that hurts their diction a bit, especially in the 'Rigoletto' scene.
Conductor Eduardo Muller is sympathetic to and supportive of Vargas and keeps the music going at an exciting clip. He also has the Bavarian Radio Orchestra shine in some brief prelude passages. He conducted some very fine performances of 'Rigoletto' and 'I Puritani' at the Met, and I eagerly await his 'La Cenerentola' there in September 2002.
There are only a few negative points. With the exceptions of Fenton and the Duke of Mantua, roles that he has sung often onstage, Vargas really doesn't make any of these characters that different from each other. Admittedly most Verdi heroes are noble, troubled, and hot-headed, but the situations they deal with here aren't always identical. Along those lines, I wish Vargas had done slightly more with dynamics, especially since we do hear some lovely diminuendi in several selections. It would have been nice, for example, if he had contrasted the two verses of 'Quando le sere al placido' a bit more. None of this is enough to detract from a firm recommendation.
Full texts and translations are provided. There is also an essay on how both Verdi and his compositions are very different than a lot of contemporary myths would indicate, brief notes on the composition of each opera and synopses of the arias (these last a bit scrunched together), and biographies of Vargas and Muller.
Although I enjoyed this album immensely, I advise Vargas to proceed further into this and similar repertory with extreme caution. I admit that I'm not entirely pleased that he is taking on heavier Verdi than this (the Italian version of 'Don Carlo' and the Requiem), albeit in relatively small spaces. If Roberto Alagna, whose voice is a size larger than Vargas' and whose middle voice is more solid and baritonal, must go very slowly and carefully into this repertory, all the more so for Vargas. Still, this is one of the loveliest tenors of our time, who merges a beautiful voice with grace and dignity.
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Great Voices of the Early Years (Box Set)
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD
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ASIN: B00000DI2N
Release Date: 1998-11-10 |
Tracks:
- Rigoletto: 'Pari siamo!
- Rigoletto: 'Cortigiani, vil razza dannata'
- Otello: 'Niun mi tema'
- Pagliacci: 'Recitar!...Vesti la giubba'
- Cavalleria Rusticana: Siziliana 'O Lola ch'hai di latti la cammisa'
- Mattinata
- Otello: 'Tu?! Indietro! fuggi!'
- La Boheme: 'Quando men vo soletta per la vie'
- Rigoletto: 'Caro nome'
- La Fille Du Regiment: Tirolienne: 'Qu'est-ce que c'est que j'entends?'
- Rigoletto: 'La donna e mobile'
- TOSCA: 'Recondita armonia'
- La forza del destino: 'Oh, tu che in seno agli angeli'
- Aida: 'I sacri nomi di padre'
- TOSCA: 'E lucevan le stelle'
- L'Elisir d'Amore: 'Una furtiva lagrima'
- Il Barbiere di Siviglia: 'Una voce poco fa'
- Il Barbiere di Siviglia: 'La calunnia e un venticello'
- TOSCA: 'Vissi d'arte'
- Madame Butterfly: 'Un bel di vedremo'
- Turandot: 'Nessun dorma'
Tracks:
- Parsifal: 'Ich sah das Kind an seiner Mutter Brust
- Lohengrin: In fernem Land
- Die Meistersinger von Nurnberg: Morgenlich leutchtend im rosigen Schein
- Parsifal: Des Weihgefasses gottlicher Gehalt
- Das Rheingold: Weiche, Wotan, weiche!
- Rienzi's Prayer: Allmacht'ger Vater, blick herab
- Die Meistersinger von Nurnberg: Was duftet doch der Flieder
- Die Meistersinger von Nurnberg: Wahn, Wahn, uberall Wahn
- Der fliegende Hollander: The Dutchman's monologue
- Die Walkure: Ein Schwert verhiess mir der Vater
Tracks:
- Undine: Nun ist's vollbracht!
- The Merry Wives of Windsor
- The Magic Flute
- The Magic Flute: Ein Madchen oder Weibchen
- The Magic Flute: In diesen heil'gen Hallen
- The Magic Flute: O Isis und Osiris
- The Abduction From The Seraglio: Konstanze, dich wiederzusehen
- Gasparone: O wenn ich doch ein Rauber war
- Maria, mari: Schon strahlt die Nacht im Silberschein
- Martha: Letzte Rose
- Martha: Ach so fromm
- Liebe bei Hof: Man nehme zwei Herzen
- Chianti Song: Chianti-Lied
- Eine Nacht In Venedig: The Gondolier's Song
- The Land Of Smiles: Dein ist mein ganzes Herz
- Der Rosenkavalier: Hab' mir's gelobt - Ist ein Traum, kann nicht wirklich sein
- Der Freischutz: Einst traumte meiner sel'gen Base ... Trube
- Die Lustigen Weiber von Windsor: Als Bublein Klein an der Mutterbrust
- Ariadne auf Naxos: An Ihre Platze, meine Damen und Herrn!
Tracks:
- Feldeinsamkeit Op. 86 no. 2
- Epiphanias
- Fruhlingsfahrt Op. 45 - No. 2
- Auftrage Op. 77 No. 5
- Adelaide Op. 46
- An die Hoffnung Op. 32
- An Schwager Kronos D 369
- Erlkonig D 328
- Auf Flugeln des Gesanges Op. 34 No. 2
- Eifersucht und Stolz from Die schone Mullerin D 795
- Die drei Zigeuner, Searle 320
- Meeresleuchten Op. 145 No. 1
- Verborgenheit
- Wiegenlied Op. 49 No. 4
- Traum durch die Dammerung Op. 29 No. 1
- Allerseelen Op. 10 No. 8
- An die Musik D 547
- Der Musensohn D 764
- Am Grabe Anselmos D 504
- Traume from Wesendonck - Lieder
- Des Kindes Gebet from Schlichte Weisen Op. 76 No. 22
- Herzenstausch from Schlichte Weisen Op. 76 No. 5
Tracks:
- Winterreise D 911: Gute Nacht
- Winterreise D 911: Die Wetterfahne
- Winterreise D 911: Gefrorne Tranen
- Winterreise D 911: Erstarrung
- Winterreise D 911: Der Lindenbaum
- Winterreise D 911: Wasserflut
- Winterreise D 911: Auf dem Flusse
- Winterreise D 911: Ruckblick
- Winterreise D 911: Irrlicht
- Winterreise D 911: Rast
- Winterreise D 911: Fruhlingstraum
- Winterreise D 911: Einsamkeit
- Winterreise D 911: Die Post
- Winterreise D 911: Der greise Kopf
- Winterreise D 911: Die Krahe
- Winterreise D 911: Letzte Hoffnung
- Winterreise D 911: Im Dorfe
- Winterreise D 911: Der sturmische Morgen
- Winterreise D 911: Tauschung
- Winterreise D 911: Der Wegweiser
- Winterreise D 911: Das Wirtshaus
- Winterreise D 911: Mut!
- Winterreise D 911: Die Nebensonnen
- Winterreise D 911: Der Leiermann
Amazon.com
Deutsche Grammophon is lucky in that World War II didn't slow classical recordings in Germany as it did in the United States but stimulated them: It was essential for wartime morale. Thus, if you can get past any repugnance related to these recordings' genesis, there's a huge amount to enjoy. There's a disc of lieder by all the prewar greats (Franz Volker, Tiana Lemnitz, Erna Berger, and Heinrich Schlusnus), a disc of Wagner featuring young Hans Hotter, opera and operetta performances by Berger and Helge Roswaenge, and a disc showing how the German singers gave Italian opera a distinctively Nordic but highly communicative edge. The set is crowned by a complete Winterreise that was recorded by Peter Anders in 1945 (and sounds it): the cultivated tenor's anguished performance embodies a Germany facing the abyss. --David Patrick Stearns
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Mazal Bueno: A Portrait in Song of the Spanish Jews
Manufacturer: Western Wind
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Binding: Audio CD
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Similar Items:
- Sephardic Romances
ASIN: B000004AN4
Release Date: 1996-02-28 |
Tracks:
- I. Babies, Children: PARIDA, PARIDA
- I. Babies, Children: SI ESTE NINO SE DURMIERE
- I. Babies, Children: IRME QUIERO LA MI MADRE
- I. Babies, Children: CUANDO EL REY NIMROD
- I. Babies, Children: RAHELICA BAILA XINANAY
- II. Adolescence and Courtship: UNA MUCHACHA EN SALONIKA
- II. Adolescence and Courtship: AY, MI PADRE, AY, MI MADRE
- II. Adolescence and Courtship: AVRIDME GALANICA
- II. Adolescence and Courtship: NOCHES, NOCHES
- II. Adolescence and Courtship: YO M'ENAMORE D'UN AIRE
- II. Adolescence and Courtship: UNA MATICA DE RUDA
- II. Adolescence and Courtship: YO HANINO, Y TU HANINA
- III. The Wedding: ALTA, ALTA ES LA LUNA
- III. The Wedding: CON BIEN ME LAVI/EL NOVIO LE MERCO SCARPINES/ESCALERICA DE ORO
- lV. Wife, Husband, Family or Singing Wile Cooking: QUE QUIERESH DE MI
- lV. Wife, Husband, Family or Singing Wile Cooking: LA ROSA ENFLORECE
- lV. Wife, Husband, Family or Singing Wile Cooking: POR QUE LLORAS, BLANCA NINA
- lV. Wife, Husband, Family or Singing Wile Cooking: TRES HIJAS TIENE'L BUEN REY
- V. Jerusalem: IRME QUERIA YO/PALESTINA HERMOZA Y SANTA
- V. Jerusalem: IRME QUERO MADRE A YERUSHALAYIM
- Vl. Death: TRISTE 'STA EL REY DAVID
- Vll. Shabbat: EL DIO ALTO
- Vll. Shabbat: BUENA SEMANA
Average customer rating:
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- Her Best Album
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- of course world class
- the greatest american soprano of the 20th century
|
The Essential Leontyne Price
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
All Works by Barber
| Barber, Samuel
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Beethoven
| Beethoven, Ludwig van
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Bellini, Vincenzo
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Berlioz
| Berlioz, Hector
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Brahms
| Brahms, Johannes
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Fauré, Gabriel
| ( F )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Gershwin
| Gershwin, George
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Gounod
| Gounod, Charles
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Massenet
| Massenet, Jules
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Poulenc
| Poulenc, Francis
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Puccini
| Puccini, Giacomo
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Purcell, Henry
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Schubert
| Schubert, Franz
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Robert Schumann
| Schumann, Robert
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Strauss
| Strauss, Richard
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Tchaikovsky
| Tchaikovsky, Peter Ilyich
| ( T )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Verdi
| Verdi, Giuseppe
| ( V )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Wolf
| Wolf, Hugo
| ( W )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Purcell, Henry
| Composers
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
Requiems
| Forms & Genres
| Early Music
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Vocal & Song
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
Vocal & Song
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
Price, Leontyne
| ( P )
| Featured Performers, A-Z
| Classical
| Styles
| Music
London Philharmonic Orchestra
| ( L )
| Featured Performers, A-Z
| Classical
| Styles
| Music
National Philharmonic Orchestra London
| ( N )
| Featured Performers, A-Z
| Classical
| Styles
| Music
Vienna Philharmonic Orchestra
| ( V )
| Featured Performers, A-Z
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
Romances
| Classical (c.1770-1830)
| Historical Periods
| Opera & Vocal
| Styles
| Music
Modern & 20th Century
| Historical Periods
| Opera & Vocal
| Styles
| Music
Romantic (c.1820-1910)
| Historical Periods
| Opera & Vocal
| Styles
| Music
Barber, Samuel
| A to B
| Featured Composers, A-Z
| Opera & Vocal
| Styles
| Music
Bellini, Vincenzo
| A to B
| Featured Composers, A-Z
| Opera & Vocal
| Styles
| Music
Berlioz, Hector
| A to B
| Featured Composers, A-Z
| Opera & Vocal
| Styles
| Music
Anonymous
| A to B
| Featured Composers, A-Z
| Opera & Vocal
| Styles
| Music
Vocal Works by Beethoven
| Beethoven, Ludwig van
| A to B
| Featured Composers, A-Z
| Opera & Vocal
| Styles
| Music
Vocal Works by Brahms
| Brahms, Johannes
| A to B
| Featured Composers, A-Z
| Opera & Vocal
| Styles
| Music
Cilea, Francesco
| C to G
| Featured Composers, A-Z
| Opera & Vocal
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
English
| Languages
| Opera & Vocal
| Styles
| Music
French
| Languages
| Opera & Vocal
| Styles
| Music
German
| Languages
| Opera & Vocal
| Styles
| Music
Italian
| Languages
| Opera & Vocal
| Styles
| Music
Russian
| Languages
| Opera & Vocal
| Styles
| Music
Folk Songs
| Songs & Lieder
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
General
| Songs & Lieder
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Noels
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Requiems
| V |