Penelope [Import]

Track Listings

 
1. San Zarabanda
2. Penélope
3. En la Carcel de Tu Piel
4. Estrella de Plata
5. Vagabundo
6. Sin Sangre en Las Venas
7. Dilo Tu
8. Pricipe
9. Ola

Penelope,Juanchy Vasquez,Ultra Music Brasil,Latin,Tropical

Vivaldi: Gloria; Bach: Magnificat
Average customer rating: 4.5 out of 5 stars
  • Wonderful and glorious!
  • Glorious Gloria
  • Enjoyable recording
  • Great Baroque Choral Music
  • Buy it for the Solo work
 Vivaldi: Gloria; Bach: Magnificat

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Schubert: Masses Nos. 2 & 6
  2. Fauré · Duruflé - Requiem / J. Blegen · J. Morris · Atlanta SO · Shaw
  3. Brahms - Ein Deutsches Requiem (A German Requiem) / Auger, Stilwell, Atlanta SO, Robert Shaw
  4. Choral Masterpieces
  5. Bach: Mass in B minor / McNair, Ziegler, Simpson, Aler, Stone, Paul; Shaw

ASIN: B000003CVK
Release Date: 1989-05-19

Tracks:

  1. Gloria In Excelsis - Dawn Upshaw
  2. Et In Terra Pax - Dawn Upshaw
  3. Laudamus Te - Dawn Upshaw
  4. Gratias Agimus Tibi - Dawn Upshaw
  5. Propter Magnam Gloriam Tuam - Dawn Upshaw
  6. Domine Deus - Dawn Upshaw
  7. Domine Fili Unigenite - Dawn Upshaw
  8. Domine Deus, Agnus Dei - Dawn Upshaw
  9. Qui Tollis - Dawn Upshaw
  10. Qui Sedes Ad Dexteram Patris - Dawn Upshaw
  11. Quoniam Tu Solus Sanctus - Dawn Upshaw
  12. Cum Sancto Spiritu - Dawn Upshaw
  13. Magnificat - Dawn Upshaw
  14. Et Exsultavit - David Gordon
  15. Quia Respexit - David Gordon
  16. Omnes Generationes - David Gordon
  17. Quia Fecit Mihi Magna - David Gordon
  18. Et Misericordia - David Gordon
  19. Fecit Potentiam - David Gordon
  20. Deposuit Potentes - David Gordon
  21. Esurientes Implevit Bonis - David Gordon
  22. Suscepit Israel - David Gordon
  23. Sicut Locutus Est - David Gordon
  24. Gloria Patri - David Gordon

Customer Reviews:

5 out of 5 stars Wonderful and glorious!.......2007-01-15

Robert Shaw can always be depended on to reveal a piece in all of its potential splendor, and this recording is no exception. It's a rather dated recording, but absolutely required for a well rounded choral/baroque collection. I felt very lucky to have been able to still obtain it here.

4 out of 5 stars Glorious Gloria.......2006-03-19

This is a very enjoyable performance of Vivaldi's exuberant Gloria: crisp baroque ornaments with exceptional solo voices, smooth choral work; light clear orchestral accompaniment.
The magnificat is also nice.

5 out of 5 stars Enjoyable recording.......2006-02-24

I have now performed both of these choral masterworks. This recording is useful as a rehearsal aid for myself and made it easy for me to learn the pieces in between choir rehearsal nights. I am also a big Dawn Upshaw fan, mostly because she has performed with us on several occasions, so I admit to being biased about this recording because she is included. I do look for Robert Shaw recordings when possible because I consider him to be an authority on choral singing. I think the mastering on this CD was well done and overall, it's a clean recording which is enjoyable for listening's sake as well as for a rehearsal aid.

5 out of 5 stars Great Baroque Choral Music.......2005-10-23

This is the difinitive recording of Vivaldi's Gloria and Bach's Magnificat on modern instruments. Not but 50 years ago (when period performances were nearly non-existent) choirs like the Roger Wagner Chorale were butchering these works. Robert Shaw comes along and performs Handel's Messiah like nobody's ever heard, with lively tempos and light articulation; finally scholarship and performance practice catch up to what we have today.

The Works: On this disk are two very different works. The Vivaldi is evocative of the Italian singing tradition. Flowing melodies and voice writing, both with conjunct motion, simple harmonies over the typical Baroque perpetual motion. The Bach, on the other hand, is from the later German school. Vocal and instrumental parts are extremely virtuosic, and the separate movements use more variety in orchestration and texture.

The Performers: While using modern transverse flutes, winds, piccolo trumpets, and strings, the sound has a modern fullness (Shaw still pares down the Atlanta Symphony), but it is taut with proper Baroque articulation. The organ and bass continuo are very good at what they do. The ensemble comes across crisp and clear. The soloists are dynamite; they have read up on their vocal performance practices (without going overboard) and perform with style and intelligence. The Atlanta Chamber Chorus is also very fine, however it seems, in relation to everyone else, they are singing in a bathroom; still well performed.

The Performance: The tempos are moderate considering recent scholarship, but this is still the "mainstream" recording of these miniature masterpieces. Robert Shaw knows the works, knows the style, and know how to get the proper sounds and balances from his ensembles. I suggest owning both a modern and period performance of these works if you really like them, since both are vastly different. For a modern performance, this is the difinitive. For a period performance try the Hogwood or the more revolutionary Rinaldo Alessandrini version on Opus III.

4 out of 5 stars Buy it for the Solo work.......2002-05-24

This recording is fantastic. If nothing else, the female soloists on this recording make it well worth the price.
Gloria: Music of Praise & Inspiration
Average customer rating: 5 out of 5 stars
  • It is absolutely breath-takingly beautiful.
  • Robert Shaw Choruses At Their Best!
  • Glorious
 Gloria: Music of Praise & Inspiration

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

All Works by J.S. BachAll Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
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  1. Choral Masterpieces
  2. Sacred Classics - Messiah, Ave Maria, Pie Jesu, Zadok the Priest, L'enfance du Christ
  3. The Power & The Majesty: Essential Choral Classics
  4. Agnus Dei: Music of Inner Harmony
  5. The #1 Choral Album

ASIN: B00000DFWF
Release Date: 1998-10-27

Tracks:

  1. Gloria In Excelsis
  2. Sanctus
  3. Glory To God
  4. Awake The Harp
  5. Gloria
  6. Gloria
  7. Sanctus
  8. Heavenly Light
  9. Aeterna Fac
  10. Slava V Vyshnikh Bogu
  11. Sanctus
  12. Gloria
  13. Alleluia
  14. Sanctus
  15. Magnificat

Amazon.com

This compilation features excerpts from some of the greatest sacred works in the literature--including Bach's Mass in B Minor, Handel's Messiah, Beethoven's Missa solemnis, and Verdi's Requiem--all led by Robert Shaw. The selections, from recordings made between 1983 and 1997 by Shaw and various ensembles including the Atlanta Symphony Orchestra and Chorus, are presented more or less in order of their composition, from Vivaldi's Gloria to Arvo Pärt's Magnificat. Especially thrilling is the complete "Gloria" from the Missa solemnis, 17 minutes of sheer grandeur, and the Sanctus movements from the Requiems of Verdi and Maurice Duruflé. --Ted Libbey

Customer Reviews:

5 out of 5 stars It is absolutely breath-takingly beautiful........2007-05-15

I enjoyed this CD very much. It is just beautiful music.

5 out of 5 stars Robert Shaw Choruses At Their Best!.......2004-09-20

If Sir Robert were still alive, & breathing, I believe he would be caught-up making music with this awesome, majestic, mystical GLORIA, Sanctus, Hallelujah Masterworks! I lucked-up on this old collection in the few classical CD'S in Best Buy!

At first hearing they sent me back into the 1970's when most of Church Musicians majored in Vivaldi's Gloria, the Sanctus of Bach's B-Minor Mass, the Long, georgeous GLORIA, Missa Solemnis, Beethoven, and incomparable Alleluia by Randall Thompson.

During a visit of Hurricane IVAN'S rushing winds and torrents of rain, I stayed on back roads of Decatur and East Atlanta! Also keeping alert & relaxed listening to Robert Shaw re-inventing his Choral Mystique! In slowly moving traffic of 2++ hours to Fayetteville, I kept alert singing along at 30 mph, wrapped in his quiet heavenly beauty of Koplov's "Heavenly Light!"

That mysteriously spiritual power of glorious choruses provided the same resourceful sounds of his eternal music-making from rehearsals in the Atlanta Symphony Chorus, Westminster Choir College and Avery Fischer Hall concerts in NYC! (1975-1985)

Only the early 33 1/3 recordings of the Robert Shaw Chorale in his Spirituals and Irish Songs, later Handel's Messiah and Bach B-Minor Mass were forerunners to his awesome listing of repeated Grammy winners, now printed in digital stereo color and sound! Hooray for Sir Robert and his rich chorale legacy... Let's keep them singing for Eternity! Retired Chaplain Fred W Hood

5 out of 5 stars Glorious.......2000-06-30

If I had to choose one conductor to compile exerpts from the greatest masses and works in choral literature and history, I would only bestow that duty to Robert Shaw and his choruses. Once again he displays his uncanny ability to not only choose beautiful music but also perform it in a spellbinding manner. Even with the pieces the average listener has heard or performed, such as Vivaldi's Gloria or portions of Handel's Messiah, one cannot help but become enthralled with the recordings of Shaw's interpretations of those works. Although Shaw never followed through on his early-life ambition to be a minister, I still believe he does so and perhaps to a greater extent through his music ministry. One cannot help but feel closer to understanding what heaven is about after having finished listening to this CD. This is well worth buying for it will live up to the english interpretation of its Latin title: Glorious.
Martinu: Flute Trios; Promenades; Madrigal Sonata
Average customer rating: 5 out of 5 stars
  • "Piper, pipe that song again--"
  • MARTINU AT HIS MOST CAPTIVATING
 Martinu: Flute Trios; Promenades; Madrigal Sonata

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. String Quartets 3
  2. Martinu: String Quartets Volume 1
  3. String Quartets 2
  4. Martinu: Chamber Music
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ASIN: B000001490
Release Date: 1995-10-24

Tracks:

  1. Trio: Poco Allegretto
  2. Trio: Adagio
  3. Trio: Andante/Allegretto Scherzando
  4. Trio: Allegro Poco Moderato
  5. Trio: Adagio
  6. Trio: Allegretto
  7. Trio: Moderato (Poco Allegro)
  8. Promenades: Poco Allegro
  9. Promenades: Adagio
  10. Promenades: Scherzando
  11. Promenades: Poco Allegro
  12. Madrigal Son: Poco Allegro
  13. Madrigal Son: Moderato

Customer Reviews:

5 out of 5 stars "Piper, pipe that song again--".......2002-03-04

If this recording is an indication of Martinu at his prime, then I would certainly like to hear more. These works are entirely childlike, playful, and fun. They're like a stroll through grassy meadows and a trip to the circus all rolled into one. The composer has been ripped by more than one critic for being sloppy... lacking a sense of internal cohesion, you might say. I'm sure he's written some duds, but I get the sense that a lot of his good stuff has yet to gain a wider audience. In these chamber pieces, the sloppiness is a major part of the fun. The flute, violin, cello, piano, and harpsichord are alternately strutting around, having water fights on a summer day, getting peanut butter and jelly all over their faces, sulking, barking at the moon, and plopping down in the dirt. To me, the music personifies youth and an impetuous innocence, seasoned with a little bit of adult experience (hence the title of my review, from Blake's "Songs of Innocence.") This is absolutely great music for kids and kids at heart. It's a nice supplement to "bringing up baby on Bach."

5 out of 5 stars MARTINU AT HIS MOST CAPTIVATING.......2000-06-27

From the very opening of the Trio for Flute, Cello and Piano, I was taken in completely. Egad! What an enchanting, ingratiating and bubbly first movement! Martinu at his most affable and accessible. The work continues with an absolutely gorgeous, melodic Adagio and concludes with a third movement Andante-Allegretto every bit as beguiling as the opening Poco Allegretto. The CD would be worth owning for this trio alone. However, the delights don't cease here.

The Trio for Flute, Violin and Piano is a four movement affair with as much inspiration, depth and loveliness as its sister trio. The Adagio, most moving, should be particularly noted here. And the other movement? Absolutely infectious!

With the Promenades for Flute, Violin and Harpsichord (yes, harpsichord), Martinu titillates us with twentieth century twist on a baroque combination that would no doubt delight Papa Bach easily. The interplay between instruments is clever, pleasing and inventive.

Concluding the CD is the two-movement Madrigal Sonata for Flute, Violin and Piano. Rather "jazzy," and somewhat reminiscent of a theme or two from Bernstein's West Side Story, this piece has a "New York feel" to it that I truly enjoy.

If I were to select one Martinu chamber works CD that was musically, intellectually and emotionally satisfying, this would be it. Special praise should be given to each and every member of the Feinstein Ensemble for the glorious mutuality of their playing and for their musical empathy. And, as if this wasn't enough, Naxos has garnered a beautiful, realstic sound image.

[Running time: 54:41]
William Byrd: Consort Songs
Average customer rating: 5 out of 5 stars
  • mesmerizing, if not totally seductive
 William Byrd: Consort Songs

Manufacturer: Harmonia Mundi Fr.
ProductGroup: Music
Binding: Audio CD

Baroque Dance SuitesBaroque Dance Suites | Ballets & Dances | Classical | Styles | Music | Allemandes | Courantes | Gigue | Sarabande
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ASIN: B0006FGHT2
Release Date: 2005-02-08

Amazon.com

This is a well-filled, superbly played and recorded disc of William Byrd's enchanting Consort Songs, written for solo voice and strings. Early music icon Emma Kirkby is the expert soprano soloist in a dozen songs, ranging from underground tributes to Elizabeth I's doomed rival, Mary, Queen of Scots, to the religiously inspired "O Lord, how vain," to the comic. Two favorites among the latter are sure to be: "Content is rich," whose text explores the age-old phenomenon that no one's ever satisfied with their lot in life, and "My mistress had a little dog," whose last stanza parodies the pomp of a "royal trial." Kirkby excels in these, shading her voice and projecting the text with deadpan humor. But then, she's in fine form for the others too. Monotony is avoided the range of Byrd's music and by the crack viol ensemble Fretwork, which skillfully plays the often elaborate song accompaniments and offers five instrumental tracks of Byrd's consort music, delivered with panache. --Dan Davis

Customer Reviews:

5 out of 5 stars mesmerizing, if not totally seductive.......2005-02-18

I heard this CD Playing in a music store this afternoon, and try as I might, I was not able to manage to escape without buying it. In fact, I stayed long past my welcome to listen to it all.

I have a genetic aversion to soprano vocals in classical music, for which the only known cure is Emma Kirkby. Her delivery is so simple, so clean, so pure, and it so perfectly matches Byrd's music that you'd think he knew she was coming and wrote the music for her 350 years in advance "just in case". This is a splendid collection. And there is no praise too high for Fretwork. A tremendous band. Normally I might say that 70 minutes of this at one sitting might be considered overexposure, but the music is so....soothing that I can see having this on a great deal. Highly recommended.
Catholic Classics, Vol. 5
Average customer rating: 4.5 out of 5 stars
  • simple but amazing
  • Surprising, but beautifully done
  • This is the one to get.
 Catholic Classics, Vol. 5

Manufacturer: Gia Publications
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005A0AE
Release Date: 2001-03-06

Tracks:

  1. Shall We Gather At The River
  2. Praise God From Whom All Blessing Flow
  3. For The Beauty Of The Earth/Ubi Caritas
  4. Ave Maria
  5. Ave Verum Corpus
  6. Panis Angelicus
  7. How Great Thou Art
  8. Amazing Grace
  9. Go, Silent Friend/In Paradisum
  10. We Gather Together/Adoro Te Devote
  11. Holy God, We Praise Thy Name
  12. Simple Gifts

Customer Reviews:

5 out of 5 stars simple but amazing.......2006-01-29

The guitar and vocals on this CD will blow you away. Of all of the Catholic Classics CDs, this one is my favorite - an awesome way to learn some of those more traditional songs without a voicy choir.

4 out of 5 stars Surprising, but beautifully done.......2006-01-12

I really expected a more traditional arrangement with organ & choir, so I was in for a bit of a shock right off the bat. The arrangements are relatively simple with one or two voices and limited orchestration. However the effect is wonderful. The primary singer has an unusual high and clear voice, and the harmonies raise goosebumps with their beauty (all I know about music I learned from my highschool punk rock band, so you'll have to listen to the tracks above if my description is unclear).

Some of the tracks are forgettable, but the others are truly outstanding. "Praise God From Whom All Blessings Flow" is wonderful, and exceeded only by "Holy God, We Praise Thy Name." The mixture of latin chant with vernacular on "For the Beauty of the Earth/Ubi Caritas" and "Go Silent Friend/In Paradisium" was tastefully done. The performers and arrangers also rescued the otherwise saccharine "How Great Thou Art" and turned it into a genuinely inspiring hymn, although they were unable to accomplish a similar feat with the thoroughly overplayed "Amazing Grace."

So many other people have beautiful renditions of Ave Maria, so the track on this CD barely registers for me. Panis Angelicus is done better on many other disks as well.

Still, if it were only "Praise God..." and "Holy God..." on this CD, it would be worth the price. Truly excellent.

4 out of 5 stars This is the one to get........2003-09-08

Very beautiful and inspiring rendition of some favorite Catholic classics. The most beautiful: "Praise God from Whom All Blessings Flow" which fades in the middle into a chant-like revery-inducing song only to flourish again with new-found faith at the end. Second most beautiful: "Holy God, We Prise They Name," which builds in three voices towards the end, one added for each person of the Blessed Trinity. Also noteworthy: "For the Beauty of the Earth," with its mix of Latin and English transitions and blending of Gregorian chant in between verses. Good rendition of "Ave Maria" and "Simple Gifts." A lot of steel-string guitar played strong and true, but not overwhelming the beautiful voice of David Fischer. Fischer accompanies himself on the best tracks, to great effect (especially "Praise God from Whom All Blessings Flow").
Korngold: The Sea Hawk
Average customer rating: 3.5 out of 5 stars
  • Good Previn Great Korngold
  • MAGIC FORMULA
  • Suffocated in marzipan?
  • Great Music, but a Mediocre Performance
  • Film Scores By Korngold
 Korngold: The Sea Hawk
Erich Wolfgang Korngold , London Symphony Orchestra , and Andre Previn
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

Korngold, Erich WolfgangKorngold, Erich Wolfgang | ( K ) | Featured Composers, A-Z | Classical | Styles | Music
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  5. Korngold: Devotion

ASIN: B00005UW3Z
Release Date: 2002-02-12

Tracks:

  1. The Sea Hawk: Main Title
  2. The Sea Hawk: Reunion
  3. The Sea Hawk: The Albatross
  4. The Sea Hawk: The Throne Room
  5. The Sea Hawk: The Orchid
  6. The Sea Hawk: Gold Caravan
  7. The Sea Hawk: Duel Part I
  8. The Sea Hawk: Duel Continued
  9. The Sea Hawk: Freedom
  10. The Private Lives Of Elizabeth And Essex: Main Title
  11. The Private Lives Of Elizabeth And Essex: Essex' Victory March
  12. The Private Lives Of Elizabeth And Essex: The Chess Game
  13. The Private Lives Of Elizabeth And Essex: Lady Penelope
  14. The Private Lives Of Elizabeth And Essex: Elizabeth the Queen
  15. The Private Lives Of Elizabeth And Essex: Defeat In Ireland
  16. The Private Lives Of Elizabeth And Essex: Darling (Love Scene)
  17. The Private Lives Of Elizabeth And Essex: Finale
  18. Captain Blood: I. Main Title
  19. Captain Blood: II. Sold Into Slavery
  20. Captain Blood: III. Meeting On The Ocean
  21. Captain Blood: V. Peter And Arabella
  22. Captain Blood: VI. Finale
  23. The Prince And The Pauper: I. Main Title
  24. The Prince And The Pauper: II. Tom
  25. The Prince And The Pauper: III. The Prince
  26. The Prince And The Pauper: IV. The Boys Go To Play
  27. The Prince And The Pauper: V. Riot
  28. The Prince And The Pauper: VI. Flirtation Waltz
  29. The Prince And The Pauper: VII. Duel
  30. The Prince And The Pauper: VIII. The Seal
  31. The Prince And The Pauper: IX. Epilogue And Finale

Customer Reviews:

5 out of 5 stars Good Previn Great Korngold.......2006-12-23

I was never too enamored with Andre Previn as a film composer or a conductor. However, I found this recording to be rather exhilarating. Previn gives Charles Gerhardt a run for his money with the performances here of Korngold's music. If you have seen the films the recordings take on a new life. I recently viewed "The Private Lives of Elizabeth and Essex" and I enjoy those selections even more.

5 out of 5 stars MAGIC FORMULA.......2005-12-17

This disc provides four sets of selections from Korngold's legendary film scores. That suits me for one better than the scores in their entirety, and I like the way the production has been done, with each set of extracts played without intermissions (although there are separate tracks for the individual episodes). Korngold's film music is all about effect so far as I'm concerned, and enough of a good thing is enough, especially when the transitions between the separate extracts are arranged as skilfully and smoothly as they are here. Korngold's style fitted the epics of the 30's and 40's to perfection - it was his natural style, he didn't adapt that as William Alwyn did, and he didn't follow models but was the model himself, starting with Captain Blood in 1935. It was as if someone had invented a glove because he liked the shape of it, and found out that it was perfectly suited to being worn on the hand.

The liner-notes that come with the disc are admirable. Previn contributes a short and lucid introduction giving us his general view of Korngold and of film music. The majority of the material is from the authoritative source of Brendan G. Carroll, providing a more detailed commentary on the four film scores separately. These are given in the chronological order of the films, whereas the scores are not, in case anyone needs to know that. Previn suits me down to the ground as an interpreter of music like this. He had an exceptionally adept touch with scores that are thick-textured and lyrical, something I found many years ago in his Brahms readings, and which you will find in his recording of the German Requiem from 2000, one year prior to the present disc. The way he does it is just right for me, with plenty of body and fullness to it, but showing real mastery in keeping the texture clear at the same time. He and the LSO are long acquainted of course. Their relationship had its stormy episodes, but in my own opinion it was one of the most successful such partnerships in the entire 20th century. There is a sense of consistency here, which might seem unsurprising given that this is Korngold whose idiom is not exactly varied, but it does great credit to the various orchestrators, of whom I count five. Korngold simply was not given time to go through the hard slog of writing out his scores in full, but he knew the kind of sound he wanted and I would guess he supervised his assistants pretty closely.

The recording seems exemplary to me as well. It suits Korngold, it suits the LSO, it suits Previn's special approach. The packaging is a new kind that I was also given by DG for a set of Lutoslawski concertos. It is in soft board, with a fold-over cover forming an envelope containing the liner. Extracting the latter can be like coaxing an unwilling dog out of its kennel sometimes, but I have no objection to this new format. In my filing system this disc will be separated by only one other from my disc of Ketelbey, another composer for the masses during the same era. The two make an interesting contrast. Ketelbey wrote for the radio, specifically for the BBC Light Programme and was listened to by an audience of impoverished British housewives in pinnies as in the film Vera Drake, and by the husbands and sons of these in flat caps. Korngold sang of romantic adventure and - more to the point - of romantic opulence. Where I come from, and for my age-bracket, this is the music of escapism, and it is a pleasure to escape down memory lane again.

5 out of 5 stars Suffocated in marzipan?.......2005-11-05

For anyone too young to remember, Charles Gerhardt single-handedly revived the movie scores of Korngold in the late Sixties with swashbuckling performances on RCA. Korngold wasn't just forgotten--he had been crushed by a famous review that said his serious music needed "less corn and more gold." Gerhardt worked dilligently to bring both serious and popcorn scores back into circulation.

This 2001 CD from Previn and the LSO is about ten shades less luxurious and shmaltzy than those earlier sets. Here Previn aims to keep the sweetness below the saccharine level. Is that even possible? I think he succeeds a lot of hte time, despite the loss of visceral excitement that goes along with it. One big dose of Korngold per lifetime is a great thrill; too much leads to insulin shock.

So, at this stage of life I welcome these less excitable readings (in gorgeous sound) and can enjoy them without feeling that someone is suffocating me in marzipan.

3 out of 5 stars Great Music, but a Mediocre Performance.......2005-11-05

Korngold was indubitably one of the greatest film-score composers in the history of cinema if not the singularly greatest one. Both his innovations in the syntactical procedures involved in the production of film music and his highly individual expressiveness have seeped into the work of nearly all the composers in the genre in the generations since. What Korngold did for the art for which he is best remembered may be likened to what Monteverdi did for the opera or what Haydn did for the symphony. It was thus with great enthusiasm that I greeted the release of this album from the preeminent Andre Previn and the equally illustrious LSO.

While it is already granted that what is being played is both brilliantly constructed and enjoyable to listen to, I was disappointed in the playing itself, especially given the reputations of the players. In this recording, the LSO is uncharacteristically lethargic, and their sound is a bit on the bellowing, turgid side, lacking in an articulation adequate enough to highlight the many breathtaking orchestral details which are typical of Korngold's intricate style. I also find it disconcerting that this recording continues the trend of committing to disc only truncated suites of the scores. If we are ever to appreciate these great pieces of music, one must first play them in their entirety. Two-hour tone poems operatic in their scope cannot be done justice when they are turned into fleeting musical interludes.

5 out of 5 stars Film Scores By Korngold.......2003-05-03

I have been collecting film scores for over fifty years. One
of Erich Wolfgang Korngold's great film scores is for the film
that made President Ronald Regan a major film star "King's Row"
with Claude Rains, Robert Cummings, Ann Sheridan, Charles Coburn
and a host of very fine film actors of the period - 1942. I have
often though that the film could be remade for a new, younger
audience, but no one could duplicate the outstanding film music
composed by Korngold, along with Max Steiner,and Sir Malcom
Arnold, a favourite of mine.
Telemann: Double Concertos with recorder
Average customer rating: 5 out of 5 stars
  • Telemann: Double Concertos with recorder
    ~ Michael McCraw
  • Tempo Tempo Tempo
  • Historical accuracy in wind playing
 Telemann: Double Concertos with recorder

Manufacturer: Bis
ProductGroup: Music
Binding: Audio CD

Telemann, Georg PhilippTelemann, Georg Philipp | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
ConcertinosConcertinos | Concertos | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Telemann, Georg Philipp | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
FluteFlute | Reeds & Winds | Instruments | Classical | Styles | Music
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ASIN: B0000016JT
Release Date: 1994-01-04

Tracks:

  1. Double Concerto In F Major For Recorder, Bassoon And String Orchestra (Moseler): I. Largo
  2. Double Concerto In F Major For Recorder, Bassoon And String Orchestra (Moseler): II. Vivace
  3. Double Concerto In F Major For Recorder, Bassoon And String Orchestra (Moseler): III. (Grave)
  4. Double Concerto In F Major For Recorder, Bassoon And String Orchestra (Moseler): IV. Allegro
  5. Double Concerto In B Flat Major For Two Tenor Recorders And String Orchestra (Moseler): I. Grave
  6. Double Concerto In B Flat Major For Two Tenor Recorders And String Orchestra (Moseler): II. Vivace
  7. Double Concerto In B Flat Major For Two Tenor Recorders And String Orchestra (Moseler): III. Tendrement
  8. Double Concerto In B Flat Major For Two Tenor Recorders And String Orchestra (Moseler): IV. Gayment
  9. Double Concerto In A Minor For Recorder, Gamba And String Orchestra (Moeck): I. Grave
  10. Double Concerto In A Minor For Recorder, Gamba And String Orchestra (Moeck): II. Allegro
  11. Double Concerto In A Minor For Recorder, Gamba And String Orchestra (Moeck): III. Dolce
  12. Double Concerto In A Minor For Recorder, Gamba And String Orchestra (Moeck): IV. Allegro
  13. Double Concerto In A Minor For Two Tenor Recorders And String Orchestra (Nagel): I. Gravement
  14. Double Concerto In A Minor For Two Tenor Recorders And String Orchestra (Nagel): II. Vistement
  15. Double Concerto In A Minor For Two Tenor Recorders And String Orchestra (Nagel): III. Largement
  16. Double Concerto In A Minor For Two Tenor Recorders And String Orchestra (Nagel): IV. Vivement
  17. Double Concerto In E Minor For Recorder, Flute And String Orchestra (Hortus Musicus): I. Largo
  18. Double Concerto In E Minor For Recorder, Flute And String Orchestra (Hortus Musicus): II. Allegro
  19. Double Concerto In E Minor For Recorder, Flute And String Orchestra (Hortus Musicus): III. Largo
  20. Double Concerto In E Minor For Recorder, Flute And String Orchestra (Hortus Musicus): IV. Presto

Customer Reviews:

5 out of 5 stars Telemann: Double Concertos with recorder
~ Michael McCraw.......2005-05-31

The recorder is an instrument that gets allot of flack and is seen by many as instrument that is played by kids and one that is abandoned later in life for other instruments. I played the recorder as a kid and I wish I had stayed with it instead of discarding it. Telemann shows with this double concertos for the recorder that it is not some lame kiddie instrument but musical instrument that is just as beautifull to listen to as any other classical instrument.

5 out of 5 stars Tempo Tempo Tempo.......2005-05-10

Telemann's double concerto for bassoon and recorder is one of my all-time favorite baroque pieces. Unfortunately, it is tough to find an recording where the ensemble is willing to take a crack at a lilting tempo. This recording is probably one of the only recordings you will find with an up-speed tempo that maintains the precise technical accuracy which Telemann's virtuosic writing demands. I highly recommend this recording!

5 out of 5 stars Historical accuracy in wind playing.......2000-06-15

Michael McCraw is excellent in this recording of music on period instruments. Music sounded different in the Baroque era of music when played on instruments of the day. Because of technological advances in the equiptment used to construct instruments, performers demands for changes to make the instruments easier to play, and changing views on the roles of specific instruments in ensembles most instruments have become more refined, and with that, sound different. The Baroque bassoon was a smaller instrument than the modern Heckel bassoon, and it had many less keys, making variety of pitches and intonation challenging. The Baroque bassoon also sounds softer. Until the middle of the Baroque era, the bassoon was used almost exclusively to double the basso part (cellos, harpsichord), but with composers like Telemann, Vivaldi, and Boismortier, the bassoon came into its own as a solo instrument. Perviously, when it was used to double the basso part, it added an articulated texture, and this sound carries over into the early solo bassoon literature. McCraw thoughtfully uses this sound in this recording, and his technical facility is second to none. A fine recording!
Britten - The Rescue of Penelope / Hagley, Ainsley, Wyn-Rogers, J. Baker ~ Phaedra / L. Hunt; Hallé Orch., Nagano
Average customer rating: Not rated
    		Britten - The Rescue of Penelope / Hagley, Ainsley, Wyn-Rogers, J. Baker ~ Phaedra / L. Hunt; Hallé Orch., Nagano
    Benjamin Britten , Hallé Orchestra , Kent Nagano , Janet Baker , Lorrain Hunt , Alison Hagley , John Mark Ainsley , Catherine Wyn-Rogers , and William Dazeley
    Manufacturer: Erato
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000005E41
    Release Date: 1996-06-11

    Tracks:

    1. The Rescue Of Penelope: Part One : Eight Years Have Passed
    2. The Rescue Of Penelope: Yet Not All Reached Their Homes
    3. The Rescue Of Penelope: Worse Still, The Island
    4. The Rescue Of Penelope: Children Have Died Of Want
    5. The Rescue Of Penelope: Yet Some Trust In An End
    6. The Rescue Of Penelope: Your Prayer Is Answered
    7. The Rescue Of Penelope: Long Suffering Odysseus
    8. The Rescue Of Penelope: Listen, The Voices Of The Gods
    9. The Rescue Of Penelope: Part Two : I, Athene, Rise To The Edge Of Night
    10. The Rescue Of Penelope: When I See The Sorrow Of Mortal Odysseus
    11. The Rescue Of Penelope: How loud the spring sounds all of a sudden
    12. The Rescue Of Penelope: Bold. - Telemachus, watch the shadow on the wall!
    13. The Rescue Of Penelope: There it is before you
    14. The Rescue Of Penelope: Listen, Lords of Ithaca
    15. The Rescue Of Penelope: Telemachus, be swift!
    16. The Rescue Of Penelope: Now there is silence
    17. Phaedra: Prologue : 'In May, In Brilliant Athens'
    18. Phaedra: Recitative : 'My Lost And Dazzled Eyes'
    19. Phaedra: Presto : 'You Monster'
    20. Phaedra: Recitative : 'O Gods Of Wrath'
    21. Phaedra: Adagio : 'My Time's Too Short'
    Elizabethan Songs and Consort Music
    Average customer rating: 5 out of 5 stars
    • Great Music from Elizabeth's time
    		 Elizabethan Songs and Consort Music
    Peter Wendland , and Innocenzio Alerti
    Manufacturer: Naxos
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B00003Q40F
    Release Date: 2000-01-25

    Tracks:

    1. Fantasia
    2. Ah, Alas You Salt Sea Gods
    3. A Song Of Mr Robert Parsons
    4. The Song Called Trumpets
    5. O Death, Rock Me Asleep
    6. In Nomine
    7. In Nomine
    8. Pour Down, You Pow'rs Divine
    9. Ut Re Mi
    10. Quis Me Statim
    11. In Nomine No, 14 'Reporte'
    12. Penelope That Longed
    13. In Nomine No. 20 'Crye'
    14. Send Forth Thy Sighs
    15. Climb Not Too High
    16. De La Court
    17. Eliza, Her Name Gives Honour
    18. Pavin Of Albarti
    19. Gallyard
    20. O Jove, From Stately Throne
    21. A Solfing Song
    22. Ah, Silly Poor Joas
    23. In Nomine
    24. Ye Sacred Muses

    Customer Reviews:

    5 out of 5 stars Great Music from Elizabeth's time.......2002-09-13

    This is an exceptional disc of music in height of popularity at
    the court of Elizabeth I, and a bargan on the Naxos label(they
    have several titles of early music available). The songs are all of high performance quality, and highly recomended to those interested in Elizabeth and her world. Several tracks for me stand out, including "Pour Down,You Pow'rs Divine", "Climb Not To High", and "Eliza, Her Name Gives Honour", this last composition written in celebration and honor of the queen, and beautifuly sung by Catherine King. The Rose Consort Of Viols are
    also featured, the "grandfathers" of the modern bowed string
    instruments were highly in vogue at the time for voice accompany or alone. For those with an interest in Elizabeth, or have seen the movie, this CD is highly recomended!
    Live at the New Penelope Cafe
    Average customer rating: Not rated
      		Live at the New Penelope Cafe
      Sonny Terry & Brownie McGhee
      Manufacturer: Just a Memory
      ProductGroup: Music
      Binding: Audio CD

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      ASIN: B0000021AE
      Release Date: 1998-03-23

      Tracks:

      1. Hooray Hooray (These Women Is Killing Me)
      2. Cornbread, Peas And Black Molasses
      3. Sportin' Life
      4. Come On If Your Coming
      5. Blues Medley: Next Time You See Me/In The Evening/Key To The Highway/Born With The Blues
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      7. Pack It Up And Go
      8. Hootin' The Blues
      9. Under Your Hood
      10. Walking My Blues Away

      Album Details

      Recorded in Montreal, Canada, February 7, 1967.

      Salsa Music:

      1. Polos Opuestos
      2. Polos Opuestos
      3. Que Padre
      4. Refavela
      5. Refazenda
      6. Reflexion 2000 Y Uno
      7. Reina del Norte
      8. Sabor Y Sentimiento
      9. Salsa Sonero Y Son
      10. Siderado

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