Mis Canciones De Amor

1. Mis Canciones de Amor

2. Reina de Mi Hogar

3. Gabriela de Mis Amores

4. Tu Me Dejaste

5. Bailando, Gozando

6. Ignoraste Mis Lagrimas

7. Pasion de Amor

8. Destino y Compañera

9. Mi Amor Sin Ella

10. No Soy un Angel

11. Santa Maria Banda

12. Adios, Adios

Mis Canciones De Amor,Pancho Barraza,Balboa,Latin,Mexican,Mexico

Cecilia Bartoli - Live in Italy / Jean-Yves Thibaudet

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Buy two and give one to someone you love!
A joyful sample of the human voice.
A sheer delight from start to finish
Exquisite
Cecilia Live

Cecilia Bartoli - Live in Italy / Jean-Yves Thibaudet
George Frideric Handel , Antonio Vivaldi , Giulio Caccini , Wolfgang Amadeus Mozart , Franz Schubert , Pauline Viardot , Hector Berlioz , Vincenzo Bellini , Gaetano Donizetti , Gioachino Rossini , Umberto Giordano , Xavier Montsalvatge , Georges Bizet , Sonatori de la Gioiosa Marca , Cecilia Bartoli , and Jean-Yves Thibaudet
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Cecilia Bartoli - The Vivaldi Album / Il Giardino Armonico
Cecilia Bartoli - A Portrait
Cecilia Bartoli - An Italian Songbook (Bellini, Donizetti, Rossini)
Cecilia Bartoli ~ Opera Proibita (Handel · Scarlatti · Caldara) / Les Musiciens du Louvre · Minkowski
Cecilia Bartoli - If You Love Me (Se tu m'ami ), 18th-Century Italian Songs

ASIN: B00000DBTM
Release Date: 1998-10-20

Tracks:

Tu ch'hai le penne, Amore
Amarilli
Al fonte, al prato
Lascia la spina
Agitata da due venti
Oiseaux, si tous les ans, K. 307
La Pastorella, D 528
Havanaise
Hai luli!
Zaide
Malinconia, ninfa gentile
Ma rendi pur contento
La conocchia
Me voglio fa 'na casa
Mi lagnero tacendo
Mi lagnero tacendo (Il Risentimento)
Mi lagnero tacendo (Sorzico)
L' Orpheline du Tyrol
Riedi al soglio (Zelmira)
Le nozze di Figaro: Voi che sapete
Canzonetta Spagnuola
Caro mio ben
Cinco Canciones negras, No. 5: Canto negro
Carmen: Seguedille (Carmen)

Amazon.com essential recording

In the beginning, Cecilia Bartoli seemed to do one thing better than anybody, i.e., Rossini arias, which would not guarantee a long career even for a singer of her ebullience. This live performance from the Teatro Olympico in Vincenza, Italy, shows how much she's expanded, both linguistically and musically. The first five selections reflect her newfound specialty, early opera. The three Caccini selections from the 17th century--accompanied by small string ensemble--are deeply felt and stylistically convincing enough to make one eager for future forays. She's guilty of spinning out Handel's "Lascia la spina" excessively but hits new heights of virtuosity in Vivaldi's "Agitata da due venti." The rest of the disc is for voice and piano, in a program including both some genuine discoveries by French composer Pauline Viardot-Garcia that reveal the singer's increasing emotional depths and less consequential ones by Donizetti and Rossini. Bartoli also sings Spanish songs, most notably Montsalvatge's "Canto negro," proving that the singer doesn't venture into a new language until she can truly feel in it. Remarkably, her voice maintains its strength and body in the deeper, mezzo-ish regions as well as in the high, soprano-range areas. Might she have two voices? --David Patrick Stearns

Customer Reviews:

Buy two and give one to someone you love!.......2007-03-08

(That way, you can get free shipping!) Or, buy Opera Proibita also.

If you think you don't like listening to soprano soloists, you should buy this CD. I must say that I HATE listening to solo singing in general and soprano solo in particular! Well, this lady has stolen my heart! If you see her anywhere on the N American continent, please tell me.

The one-minute limit for listening on-line will simply not allow you to make a judgement. If I could legally allow you to hear track 5 "Griselda - Agitata da Due Venti" (Vivaldi), you would buy the CD without hearing anything else.

When I first heard Cecilia Bartoli on "Performance Today", the subject was "Opera Proibita" and I wrote to a friend who teaches voice at a local college and asked "Is she as good as I think, or am I just overreacting?" His simple response was "She's THAT good!"

This CD is of a live performance and you won't be disappointed except to realize that you COULD have been there, but weren't!

If she ever performs where I am able to see her, I'll be there. If I can talk to her, I will -- but I won't ask for my heart.

Highly recommended!

A joyful sample of the human voice........2006-06-12

'Live in Italy' by mezzo-soprano Cecilia Bartoli, accompanied by pianist Jean-Yves Thibaudet is, for those of us who do not know Italian and are not avid opera fans, a simply delightful essay in the beauty of the human voice. I am really happy this is not the first Bartoli album I have bought, as others, such as her recordings of French and Italian love songs have more substance to offer (if you don't know the operas from which these pieces are taken) but this recording, with its live ambiance, is a great pleasure all by itself, a very nice change from the somewhat frostier Fraulain Von Otter from the northern climes.

A sheer delight from start to finish.......2005-07-14

Although I rarely follow singers, even I am totally disarmed by Cecilia's magic spell of charm that criticism fails me. You will see that most of my reviews of music are about modern or Renaissance music, so for me to go out and lavish praise on her is really something totally out of the ordinary. Then again her singing is out of the ordinary in that it has an instantly recognisable warmth and captivating personality that makes her the outstanding singer of the current generation for me.

I have been impressed by Cecilia's tendency to avoid the well worn paths of 19th century Italian operas in favour of championing neglected earlier music whether that be Vivaldi, Haydn, or Salieri. She has always talked about how the centre of gravity of Western music seems to be shifting backwards in time, and in her case this means away from the Austro-German tradition to the time when the Italians dominated music. After all the musical elite of even Wagner's time could be still be heard muttering 'but he just isn't as good as those Italian...' at premiers of works such as Tannhäuser and it took a lot of convincing before the the idea of German opera became accepted. This shift backward in time here is exemplified by way the recital begins with the music of Caccini, the father of opera.

Here on this recording I particularly love the spontaneity of the live music making. Her ability to capture the declamatory nature of much older music such as with Caccini, Vivaldi and Handel suite live recording perfectly. Her manner of conveying the meaning of the words especially when singing in Italian is simply unrivalled in this situation. This is the sort of thing that all too often gets lost in studio recordings so it is a blessing that this is a live recording, where Cecilia seems to just glow. The spontaneity, the sheer magic of the moment - it is all a sheer delight from start to finish. At moments her voice seems so etheral, the hushed and rapt awe of the music making so breathtaking, that it simply beggers belief that the human voice can be so beautiful an instrument. This is what great music making should be all about.

As far as the recording itself goes I have never noticed any disturbing audience noises anywhere even on my system which tends to makes the slightest of rustling blatantly obvious. The recording engineers do an excellent job of capturing the ambience of the acoustic of the Teatro Olimpico in Vincenzo despite the presence of the audience.

A stunning recording and an absolute favourite to relax to or just to be inspired by.

Exquisite.......2003-01-31

"Her natural command of messa di voce phrasing, willingness to shade the voice away to the quietest pianissimo and acute sensitivity to the words of Caccini's love songs proved irresistible, attracting a generous mix of applause and foot stamping."

Such was the appreciation from the audience that the director had to request that the audience not stamp their feet as they would set off the alarm system.

There are hardly words to describe Cecilia Bartoli's remarkable vocal qualities, emotional range and warmth. When I listen to this CD, I am calmed completely. There is an element of comfort in her style. Maybe one could explain it as a lullaby for the soul.

She has the ability to support the longest of phrases on the back of a single breath all while varying the tone color and dynamic level. Singing seems as effortless as breathing as she becomes emotion all while capturing the drama and mood.

In this live performance from the Teatro Olympico in Vincenza, Italy, she performs each piece as if she is intimately entwined with the notes. How can music be this sensual and this comforting all at once? It just is. She can express a wide range of emotions, from profound despair to extreme joy.

The Teatro Olimpico is the worlds' oldest surviving covered theatre. It has fine acoustics, a sky-blue ceiling and marble. Cecilia Bartoli wanted to perform in one of the great treasures of Italy's cultural heritage and this led to this live performance with concert pianist Jean-Yves Thibaudet who seems to sense every emotion in Cecilia's voice. It is a sublime combination of talent which is further enhanced by violins, viola, cello, violone, archlute and harpsichord.

Tu ch'hai le penne, Amore - A song to love asking love to fly to where the heart lies and to promise that his heart and soul were ever hers.

Amarilli - Delicate and beautiful expression of true love.

Al fonte, al prato - You can feel spring approaching and this song has a certain energy Cecilia embraces as she sings away troubles and sadness to allow in merriment.

Lascia la spina - Melancholy. "Old age will creep up on you when your heart does not expect it."

Agitata da due venti - Cecilia's voice takes flight in this song about waves raging in a stormy sea. She almost becomes the force of the ocean as her voice surges and dives and wow.

Oiseaux, si tous les ans, K307 - She embodies a haunting vulnerability and the freshness of spring/summer. This song ends far too quickly.

La pastorella, D528 - Calm beauty to reflect a shepherdess in a meadow. Innocent love.

Havanaise - It seems like she has a completely different voice in this song as she reaches
to new ranges in depth. Charmed by a song? Perhaps.

Hai luli! - A seductive treatment of a song asking "where can my love be?"

"What's the point of living without a lover?"

Zaide - High energy and fast paced. A song about an orphan.

Malinconia, ninfa gentile - Gorgeous and poetic song.

Ma rendi pur contento - She really captures longing and an almost delicate purity.

La conocchia - Light and breezy.

Me voglio fa 'na casa - A song about the desire to build a house surrounded by the sea. Fantasy and happiness.

Mi langero tacendo - Poignant moment.

"I shall not complain of my bitter fate;
but, my beloved, do not hope for me not to love you."

Mi lagnero tacendo ll resentimento - the sorrow continues. The lover is said to be cruel.

Mi lagnero tacendo Sorzico - more complaints of cruelty and sorrow. She seems to capture frustration so exquisitely and is that stomping I hear? ;)

L'Orpheline du Tyrol - The Tyrolean orphan girl. Jean-Yves Thibaudet really takes the stage at first and Cecilia follows almost timidly. A song of tragedy, hunger and suffering.

Riedi al soglio from Rossini's opera Zelmira left seasoned connoisseurs dazzled. After the aria's final cadence, they broke from their awe-struck silence to add to the shouts of "encore."

Voi che sapete - Light and yet still dramatic. Desire, torment, ice. All explored fully by her voice. You can hear "torment" when she sings "martir" even if you could not see the words or follow along. Her voice really "flutters" when she sings "palpito e tremo." It is just amazing.

Canzonetta spagnuola - A muse comes to torment a painter.

Caro mio ben - A lover grows faint without love. Solitary melodies and you can almost feel the chill in the room or the feeling of despair the lover feels.

Canto negro - Is there anything she can't sing? This piece might seem completely out of place, but by now everyone is completely drunk with emotion from this performance.

Seguidille - Pleasure comes when two people are together. Definitely so when Cecilia Bartoli and Jean-Yves Thibaudet perform together. This song is almost a metaphor of the entire intoxicating experience. I just love how the audience goes absolutely wild after this song.

And too soon, it is over. I look forward to one day viewing the performance on DVD. It will be so much easier to understand the words now that I've literally studied this performance. Knowing the words definitely adds to the subtle emotions and more expressive moments.

~TheRebeccaReview.com

Cecilia Live.......2002-07-12

I have loved her low and warm voice ever since the first time I listened to her, the Italian mezzo-soprano Cecilia Bartoli. With respect and tenderness she treats the composers, whose works she performs while adding her own dimension. She transports me with her art. It is as if we become one person, and I experience her joy of music. Together we share a glimpse of eternity.

On this album which was recorded live at the Teatro Olimpico, Vicenza, Italy in 1998 Cecilia Bartoli offers her listeners a varied programme comprised of several composers: Caccini, Haendel, Vivaldi, Mozart, Rossini, Donizetti, Bellini, Viardot, Schubert, Montsalvatge and Bizet. She's accompanied in Caccini, Haendel and Vivaldi by the Sonatori de la Gioiosa Marca (Baroque string ensemble) and for the other pieces by Jean-Yves Thibaudet on piano. The accompanying booklet contains the lyrics, translations and further information.

Ms. Bartoli certainly has expanded her musical horizons here in several ways. On this disc she sings in Italian, French and Spanish. I loved her intense and heartfelt rendition of Caccini's and Haendel's arias. The passionate acrobatics of Vivaldi. And the Sonatori de la Gioiosa Marca gave her a fine support. She made a warm and lovely Cherubino in Mozart's famous 'Voi che sapete'. I also loved her sparkling interpretations of Viardot's 'Havanaise', Rossini's 'Mi lagnero tacendo' or his 'Canzonetta spagnuola'. But Montsalvatge's 'Canto negro' made me feel definitely uncomfortable and Ms. Bartoli herself didn't connect with it. Although I liked her rendition of Bizet's 'Seguedille, I still missed something there. Jean-Yves Thibaudet lends her an excellent, attentive and expressive support.

Although I would have preferred some more Baroque pieces at this concert, this live album is a keeper for me. Everytime the bundle of pure joy that is Cecilia Bartoli has the power to move me deeply!

Yo Soy Esta: Mis Mejores Canciones de Amor

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LO MEJOR DE ISABEL PANTOJA,MI IDOLO.

Yo Soy Esta: Mis Mejores Canciones de Amor
Isabel Pantoja
Manufacturer: Sony International
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005LN6X
Release Date: 2001-07-10

Tracks:

Se Me Enamora El Alma
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Marinero De Luces
Cambiar Por Ti
Que Se Busquen A Otra
Caballo De Rejoneo
Que Voy A Hacer Contigo
Asi Fue
Hoy Quiero Confesarme
Feriante
Eres Una Mentira
Con La Gente Que Me Gusta
Hay Dias
Virgen Del Rocio
Ven A Mi Otra Vez
En La Niebla
Por Un Beso
La Luz Esta En El Sur

Customer Reviews:

LO MEJOR DE ISABEL PANTOJA,MI IDOLO........2003-07-12

LO MEJOR DE ISABEL PANTOJA

Music from the Novels of Louis Bernieres / Stephens, Ogden

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Captain Corelli comes to life!

Music from the Novels of Louis Bernieres / Stephens, Ogden

Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

Duets | Chamber Music | Classical | Styles | Music

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Music for Mandolin: Works by Emmanuelle Barbella / Ludwig van Beethoven / Wolfgang Amadeus Mozart / Johann Nepomuk Hummel / Raffaele Calace
Birds Without Wings

ASIN: B00002EPMX
Release Date: 1999-11-30

Tracks:

Concerto In C, RV 425: I Allegro
Concerto In C, RV 425: II Largo
Concerto In C, RV 425: III (Allegro)
Concerto For Mandolin In G Major: II Andante con variazioni
Grand duo concertant, Op. 85
Polcha variata
Amor si culla, Op.133
Petite Bolero
El Colibri
Choros No.1
Prelude No.1
Four Venezuelan Waltzes: 1 Allegro
Four Venezuelan Waltzes: 2 Allegro
Four Venezuelan Waltzes: 3 Allegro ritmico
Four Venezuelan Waltzes: 4 ( )
Choro da Saudade
Las Abejas
El Noi de la Mare
El Testament d'Amelia
El Mestre
Mis Dolencias
Suite Andaluza: I Soleares
Homenaje a Tarrega: II Soleares

Amazon.com

It is unusual to make a soundtrack for a series of books, but music--particularly music for guitar and mandolin--is everywhere in the novels of Louis de Bernières. On this CD, guitarist Craig Ogden and mandolinist Alison Stephens play music that the characters in the books either play or discuss. The pieces that relate to Corelli's Mandolin include a version of Vivaldi's Concerto in C, arranged for guitar and mandolin, and an excerpt from Hummel's Concerto for Mandolin in G Major. The most interesting pieces are by Calace, Persichini, and Palumbo, three composers who wrote for the mandolin in the late 19th century. Classical mandolin was extremely popular during that period, until it was eclipsed by the guitar in the 1920s. Composers such as these wrote beautiful music that was forgotten when the public's taste in instruments changed. The South American trilogy is represented by solo guitar pieces by composers like Villa-Lobos, Barrios, Llobet, and Lauro. The only mandolin-guitar duet in this section is the charming arrangement of a folk tune called "Mis Dolencias." Ogden and Stephens are both fine musicians and they do an excellent job in playing this delightful music. --Michael Simmons

Customer Reviews:

Captain Corelli comes to life!.......2000-04-12

An essential companion to "Captain Corelli's Mandolin". Hearing the music on this CD really brought parts of the story to life for me, and I feel confident that anyone who enjoyed the book will derive pleasure from this disc. Hear the polka with which Corelli impresses Pelagia and the concerto he plays to Dr Iannis (after irritating him by insisting on tapping out the orchestral introduction, played here on the guitar). All of the music is taken from or inpired by the novels of Louis de Bernieres, but it would be wrong to think that this is an album only for literary fanatics - there is a tremendous range of styles, and the listener's attention is held throughout on purely musical grounds. As someone who had never heard solo mandolin music before I was pleasantly surprised by the dynamic and tonal range the instrument produced. Alison Stephens gives a virtuoso performance of relatively unknown music which deserves a much wider audience. There is also classical guitar music (sensitively played by Craig Stephens), most with a Latin American feel, and some very succesful arrangements for guitar and mandolin (the Hummel and Vivaldi concertos), as well as some more familiar tunes. The beautiful short pieces by Perichini, Calace and Palumbo (all recorded for the first time here) are particularly worth hearing. This is a CD I have returned to over and over again, and I would recommend it unhesitatingly

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Mis Canciones Favorites

Manufacturer: Romeo Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B00004VWBQ
Release Date: 2000-07-25

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No llores Mis Recuerdos

Mis Canciones De Amor
Pancho Barraza
Manufacturer: Balboa
ProductGroup: Music
Binding: Audio CD

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ASIN: B000005BLG
Release Date: 1995-06-15

Tracks:

Mis Canciones de Amor
Reina de Mi Hogar
Gabriela de Mis Amores
Tu Me Dejaste
Bailando, Gozando
Ignoraste Mis Limas
Pasie Amor
Destino y Compa
Mi Amor Sin Ella
No Soy un Angel
Santa Maria Banda
Adios, Adios

Customer Reviews:

No llores Mis Recuerdos.......2003-02-01

the words in this song, are similar to my life, and how it is now. My life is stable at this time.

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Blasons Des Fleurs

Manufacturer: Gall Music
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Compilations | Classical | Styles | Music

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Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music
ASIN: B000004A1Y
Release Date: 1995-12-12

Tracks:

Tres Canciones Espanolas: En Jerez de la Frontera
Tres Canciones Espanolas: Adela
Tres Canciones Espanolas: De Ronda
Villancicos: Pastorcito Santo
Villancicos: Coplillas de Belen
Villancicos: Folias Canarias
Three Songs From 'The Divan Of Moses - Ibn-Ezra' Op 207: The Dove That Nests In The Tree-Top...
Three Songs From 'The Divan Of Moses - Ibn-Ezra' Op 207: Wrung With Anquish
Three Songs From 'The Divan Of Moses - Ibn-Ezra' Op 207: Fate Has Blocked The Way...
Quatre chants espagnols anciens: Anda, Jaleo
Quatre chants espagnols anciens: Las Morillas de Jaen
Quatre chants espagnols anciens: El Cafe de Chinitas
Quatre chants espagnols anciens: Sevillanas del siglo XVIII
Sequidillas: Cesa de atormentarme
Sequidillas: Como ha de resolverse
Sequidillas: De amor en las prisiones
Sequidillas: Mis descuidados ojos
Sequidillas: Muchacha, y la verguenza
Sequidillas: Si dices que mis ojos
Sequidillas: Acuerdate, bien mio
Sequidillas: El que quisera amando
Blasons des fleurs: La fleur de lys
Blasons des fleurs: La rose blanche
Blasons des fleurs: La rose rouge
Blasons des fleurs: L'encholie
Blasons des fleurs: La fleur de marguerite
Blasons des fleurs: La vigne
Due cavatine: Amor, perche m'accendi
Due cavatine: Quando vedo il pastorello
No se enmendera jamas: Cantata Spagnuola a voce sola e Chitarra
No se enmendera jamas: Cantata Spagnuola a voce sola e Chitarra
No se enmendera jamas: Cantata Spagnuola a voce sola e Chitarra