Te Amo

Track Listings

 
1. Despues de la Señal
2. Fantasma
3. (Cancion Para Gritar) Te Amo
4. No Vuelvas (Yo Te Quiero)
5. Mas Que Sola
6. Cero en Amor
7. Hare de Cuenta
8. (Que la Noche Comience) Bailare Bailaras
9. Lo Que Las Mujered No Decimos
10. Para Este Amor

Te Amo,Andrea Del Boca,Wea Latina,Latin,Latin Continuum

Luciano Pavrotti: The Best (Farewell Tour)
Average customer rating: 5 out of 5 stars
  • Luciano Pavrotti: The Best (Farewell Tour)
  • Luciano Pavorotti
  • Luciano is the best!
 Luciano Pavrotti: The Best (Farewell Tour)

Manufacturer: Decca
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In today's business world, unavoidable distractions such as phone calls or unscheduled meetings are bothersome, yet unavoidable, staples. At least professionals can count on NEC MultiSync FE+ Series CRT monitors to ensure an interruption-free and enjoyable visual experience, day in and day out. Utilizing NEC's flat aperture grille CRT technology, the MultiSync FE+ Series virtually eliminates disturbances such as reflection, glare and distortion while delivering crisp, bright and colorful images that users won't want to take their eyes off. Above all, the series allows users to focus on what's most important - getting the job done and done right.Utilizing NEC's flat aperture grille CRT technology, the MultiSync FE+ Series provides a variety of benefits not offered by conventional flat square and traditional aperture grille CRTs. Compared to traditional curved-screen CRT monitors, flat-screen monitors provide less glare for reduced eyestrain and fatigue; less reflection; nearly three times greater image sharpness for improved clarity, precision and accuracy; a higher contrast ratio for enhanced legibility and fine detail; and better brightness uniformity for consistent, true-to-life images. All of these benefits add up to a more enjoyable and comfortable visual experience.

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Similar Items:

  1. S.S.T./Brand New Orleans
  2. 3121
  3. N.E.W.S
  4. If You Feel Like Dancin'
  5. Planet Earth

ASIN: B000CR5ENY
Release Date: 2005-12-20

Tracks:

  1. Te Amo Coraz

Customer Reviews:

5 out of 5 stars Solid, Inventive, and Beautiful..........2006-07-07

Because I am a professional pianist (classical), I cannot help but analyze things on a different level which other musicians understand. I must say that the album as a whole was weak with very few interesting musical ideas, but this song is one of the best on the album. It is wonderfully crafted and beautifully detailed as most Prince tunes usually are. It not only is musically interesting, but has traditional beauty and elegance as well. Just another great song, as if Prince didn't have enough already. For all those who appreciate the musicianship of Prince, this is something you must have.

4 out of 5 stars Its the worst of his new album and its still 3.5-4 stars.......2006-05-19

This song definitely the worst song on the album and it still receives 3.5-4 stars.
The remainder of his album is absolutely amazing.
"Incense & Candles" is his best song in 20 years. It ranks up there with Purple rain.
"Black Sweat" is also some of his best work.
His latest protégé "Tamar" is featured on the "Black Sweat" video. I saw her in concert with Prince and had FRONT ROW tickets. For most of the concert I forgot that Prince was even there. "Prince filled the seats, while Tamar and the Twins stole the show!"
Not that Prince's music of the last 3 years have been bad, its actually been quite good if you like jazz. Yet 3121 is more commercial. It has some sexual overtones and is very refined.

If you like old school prince, then you will love this Album. Just don't judge it based on "Te Amo Corazon."

5 out of 5 stars Smooth, Romantic - Definitely Prince!!!!.......2006-03-24

I first heard this song on a jazz station. I wasnt sure who it was but it was familiar. I heard the next chorus and then I knew it was he. Definitely Prince. Definitely worth buying. I now have his CD 3121 and it is also a new classic. Every track is indisputably Prince. Buy them both!!!

1 out of 5 stars Highly Effective as a Sleeping Aid.......2006-02-28

What happened, Senor No-Name? It's such a shame your talent had to end...

Honestly, this single is the current Prince standard. Decent, better than a lot of other stuff on the radio, but makes you long for even a hint of the edge and vitality of his earlier, vastly superior work. Hopefully the album it's on is better than the lackluster 2004 effort, Musicology, but don't expect it to be. The lower your expectations are with Prince these days, the more surprised you're likely to be.

5 out of 5 stars Beautiful.......2006-02-27

This is something different for the purple prince. I find the song quite beautiful and moving. I hope he keeps making music like this in the future.
Women in Chant: Gregorian Chants for the Festal Celebrations of the Virgin Martyrs and Our Lady of Sorrows
Average customer rating: 5 out of 5 stars
  • A CRUCIAL COLLECTION OF HYMNS FROM VARIOUS VIRGIN FEASTS LIKE OUR LADY OF SORROWS; CROWNED BY THE ABBESS'S CHANT OF PATER NOSTER
  • Beautiful Benedictine Chant
  • Perfect for Meditation
 Women in Chant: Gregorian Chants for the Festal Celebrations of the Virgin Martyrs and Our Lady of Sorrows
The Choir of Benedictine Nuns at the Abbey of Regina Laudis
Manufacturer: Sounds True Direct
ProductGroup: Music
Binding: Audio CD

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  5. Chant II

ASIN: B00000379Y
Release Date: 1997-10-21

Tracks:

  1. Bells of Jesu Fili Mariae
  2. Orante Sancta Lucia
  3. Jesu Corona Virginum
  4. Columna Es Immobilis
  5. Regem Virginum Dominum
  6. Dilexisti
  7. Annulo Suo
  8. Matins Lesson
  9. Amo Christum
  10. Ecce Quod Concupivi
  11. Me Exspectaverunt
  12. Quinque Prudentes
  13. Valerianus
  14. Adjuvabit Eam
  15. Virgo Gloriosa
  16. Confundantur
  17. Benedico Te
  18. Virginis Proles
  19. Paganorum
  20. Gaudeamus
  21. Stabat Mater
  22. Nolite Me Considerare
  23. Kyrie, Pater Noster, Collect, Blessing by the Abbess
  24. Regina Caeli

Customer Reviews:

5 out of 5 stars A CRUCIAL COLLECTION OF HYMNS FROM VARIOUS VIRGIN FEASTS LIKE OUR LADY OF SORROWS; CROWNED BY THE ABBESS'S CHANT OF PATER NOSTER.......2007-03-09

Opening with a rousing tolling from the new Abbatial bell tower, this exquisite collection of hymns and chant from the Feasts of Saint Lucy, Saint Agnes, Saint Cecilia, Saint Agatha, and Our Lady of Sorrows (including the well-known Stabat Mater) is crowned with a deeply moving solo chant by the Founder of this Abbey of Regina Laudis, the so recently deceased Lady Abbess Reverend Mother Benedict Duss, OSB, whose new biography we now expect soon in May of 2007 from Ignatian Press. To hear her once again in advanced age intone the Kyrie and chant completely and with great inner strength the Pater Noster as so often throughout the life of this monastic choir, as well as the Collect of Our Lady of Sorrows, is to unite heart and mind, body and soul, in a sacred moment within an eternal and a sacramental dimension, full of God's loving grace, and challenge, and a prophetic calling to continual conversion in Christ.

The recording of the chant by this living Gregorian Choir of sacred women is perfect in every way, although on my small player I found some overtones in the upper registers. Certainly this was the fault of my inadequate player, and I shall try it again. The cassette tape copy which kept me company for thousands of my miles in my small truck finally separated, and its sound was full and deep until then, very present, in fact so much so I felt I must arise to bow while driving whenever the Gloria Patri et Filii came on.

As subtle and precise as is the chant itself, the extensive booklet informs and educates not only the initiate but all of us already familia NEC MultiSync FE700+ 17'' Totally Flat Monitor (PC/Mac, Black) NEC MultiSync FE700+ 17'' Totally Flat Monitor (PC/Mac, Black)

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NEC's FE700+ monitor offers a flat aperture grille tube for enhanced picture clarity. Reduced glare and reflection make this a comfortable monitor with less eyestrain and fatigue. Great for home or business use, it provides a 16-inch viewable screen capable of up to a 1,280 x 1,024 pixel resolution.

Additional features include OptiClear screen treatment which further reduces glare without distorting picture for high-contrast imaging. NEC's On-Screen Manager lets you tweak monitor settings through an on-screen menu system for quick and convenient adjustments.

NEC covers this monitor with a three-year parts and labor warranty.

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The MultiSync FE Series offers all the benefits of a totally flat faced CRT, normally geared toward professional users, to mainstream users at affordable prices. NEC's totally flat-faced MultiSync FE700 monitor delivers outstanding features and benefits to business, home and education. This value-priced totally flat aperture grille 17-inch (16-inch viewable) monitor offers improved image quality, 85% greater glare reduction, as well as improved brightness and contrast over traditional CRT technology.

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  1. NEC MultiSync FE700M+ Totally Flat 17'' Monitor (PC/Mac, Black)
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  3. Samsung 150T 15'' LCD Monitor
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  6. Proview Technology# 17'' Monitor (PRO720)
  7. SuperCom 17'' CRT Monitor (SM755)
  8. Proview PL765 17'' LCD Monitor
  9. Microtek C588 15'' LCD Monitor (Metallic)
  10. NEC-Mitsubishi AccuSync AS75F-BK 17'' Flat Shadow Mask Monitor

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ASIN: B00008CLJK
Release Date: 2003-04-08

Tracks:

  1. Allegro Io Son
  2. Una Furtiva Lagrima
  3. L'Elisir D'Amore
  4. Povero Ernesto
  5. Com E Gentil
  6. Tutto E Sciolto
  7. Ah Non Sogno
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Amazon.com

Here again young Peruvian tenor Juan Diego Florez proves himself a pleasure to listen to. The music on this CD is not as florid as on his previous recital, but the manner in which he approaches this selection of scenes by Donizetti and Bellini is just as artful. The tone is beautiful and even from bottom to amazingly easy top; he gets "in" each character; his smooth, elegant delivery ("Una furtive lagrima" is simply and meltingly sung, as is Ernesto's aria from Don Pasquale) is as wondrous as his acrobatics--rarely have Tonio's nine high Cs from the Fille du Regiment aria sounded so natural, so part of the character's enthusiasm, and rarely has Arturo's abrupt rise to high C sharp in "A te o cara" sounded so effortless. Florez's basic sound is sweet, but he can exclaim excitingly, as he does in the scene from I Capuleti e i Montecchi. And wait until you hear the ditty from Donizetti's Rita! Rarely has singing sounded like so much fun. Conductor Riccardo Frizza leads the orchestra (and chorus) with knowing early 19th-century style. Don't miss this. --Robert Levine

Album Details

2003 Release from Peruvian Opera Singer who Won the "Premio Abbiati Della Critica" and "Rossini D'oro" Prizes for Best Singer. He Carried Out his First Music Studies at the Conservatorio Nacional De Lima and Later at the Curtis Institute of Music of Philadelphia. He was Invited by the Famous Peruvian Tenor Ernesto Palacio (With Whom He Has Been Preparing his Repertoire Since Then) to Take Part to Some Opera Productions in Italy and They Sang Together in the First Modern Performances of Zingarelli's Oratorio "le Tre Ore Di Agonia Di Cristo" and in Martin Y Soler's Opera "il Tutore Burlato". He Sang at the Sully-sur-loire Festival and at the International Festival of Gerace (Italy). Since Then He Has Been Appearing in all the Most Important Opera Houses in Europe: London, Meyerbeer, Rome, Verona, Pesaro, Milan, Nice, Florence, Barcelona, Seville, Las Palmas, Genua, Pesaro, Trieste, Hamburg, Munich, Turin, Toulouse and Vienna.

Customer Reviews:

4 out of 5 stars Mistaken Composer.......2005-09-24

While it was a nice recording your listing is incorrect. The correct composer of "Una furtiva lagrima" is Donizetti, not Bellini. Please review your data.

4 out of 5 stars Una Furtiva Lagrima.......2005-04-12

After hearing the first track ("Allegro io son") on our local station (www.allclassical.org), I immediately bought this album. I was a little nervous that there would only be one good track, but (after listening _many_ times) consider most of the tracks to be "keepers". The title track is very moving, but my personal favorite is "Com'e gentil", for the wonderful match of voice and instrument.

Some of the tracks are a little heavy on the recitative, but the album notes include the translation, which makes it more interesting to listen to.

5 out of 5 stars Juan Over .......2004-09-15

When it comes to reviewing classical music, I feel a little bit like a hillbilly at the opera. I really like it, but I'm not all that sure what's going on. And like that hillbilly at the opera (there aren't any hillbillies out there, reading this are there -- Mammy? Pappy)? I love classical music, but I can't honestly say I know much about it.

What I DO know is that to my untrained ear, Mr. Florez' voice is incredibly beautiful, a pleasure to revel in. Listening to his "Una furtiva lagrima" seems to transport me to another time and place. His voice is warm and tender and seems to soar effortlessly as he hits one high note after another and is worthy of appreciation by fans of any music style.

If you want an album filled with exquisite singing, this would certainly be a fine place to start.

4 out of 5 stars Florez Continues to Impress.......2004-03-24

Too often singers arrive on the musical scene, make one recording, catch the glamour star, only to recede into the background once the initial flourish is made. Not so with Peruvian bel canto tenor Juan Diego Florez. The resounding success of his first album of ROSSINI ARIAS made us hold our breath; could this wonderful new true bel canto tenor hold his own on the stage and on further recordings? Well, yes, he can and has. Not only does he possess a clear, focused, high tenor voice seemingly capable of overcoming any hurdles of power or agility, Juan Diego Florez is a stunning stage presence of handsome bearing. AND he can act with both his body and his head and his voice. UNA FURTIVA LAGRIMA shows Florez in firm control of a broader spectrum of emotional material. True, this selection remains in the bel canto repertoire, but then that is also to his credit, as he is not trying to "sing it all". He has the intelligence to know where his vocal lines are most secure and does not give in to the tendency of foraging into repertoire that could damage his young voice. On this recording there is less distraction from his rather rapid vibrato and more emphasis on the total music line. This CD documents not only a fine tenor currently before the public: it also is a good indicator that he will be around for a long time. Excellent recording, well worth its place in your library.

4 out of 5 stars A CD worth having.......2003-06-17

Keeping more in "tune" with his voice, Juan Diego has recorded an excellent album of great arias. His previous debut album was quite a feast for lovers of high Rossini. This new album gives a feast for just about everyone. It covers a nice range of arias from the beautiful title song to the show-stopping "Mes Amis". Definitely worth buying and enjoying.
Italian Renaissance Dances, Vol. 2
Average customer rating: Not rated
    		Italian Renaissance Dances, Vol. 2

    Manufacturer: Hmf Classical Exp.
    ProductGroup: Music
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    NEC's FE700M+ monitor is a complete multimedia device. It includes a multimedia base for integrated audio, plus a flat aperture grille tube display for enhanced picture clarity. Reduced glare and reflection make this a comfortable monitor with less eyestrain and fatigue. Great for home or business use, it provides a 16-inch viewable screen capable of up to a 1,280 x 1,024 pixel resolution.

    The multimedia base features twin integrated 1-watt speakers for quality stereo sound. This design conserves desk space by eliminating separate external speakers. A built-in headphone jack is also included for private listening at night or in an office.

    Additional features include OptiClear screen treatment which further reduces glare without distorting picture for high-contrast imaging. NEC's On-Screen Manager lets you tweak monitor settings through an onscreen menu system for quick and convenient adjustments.

    NEC covers this monitor with a three-year parts and labor warranty.

    Product Description:
    Professionals can count on NEC MultiSync FE+ Series CRT monitors to ensure an interruption-free and enjoyable visual experience, day in and day out. Utilizing NEC's flat aperture grille CRT technology, the MultiSync FE+ Series virtually eliminates disturbances such as reflection, glare and distortion while delivering crisp, bright and colorful images that users won't want to take their eyes off. Above all, the series allows users to focus on what's most important - getting the job done Âand done right.Make a smart investment in performance and value with the 17" (16" viewable) NEC MultiSync FE700M+, a flat-screen CRT with multimedia capabilities that boasts superior image quality and minimized glare and distortion. This monitor's cabinet features a compact design with vertical cable attachments that frees up additional desktop space.

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    Creative Zen Nano Plus 512 MB MP3 Player (Black) Singing Gesualdo's works is very demanding and requires the person to very well schooled in order for it to sound just right. Miss one note and it falls apart. The book-let is a splendid work of art with a well written essay and great liner notes. The art work is very well chosen and I would definitely recommend this amazing recording.

    4 out of 5 stars he was a wild one.......2002-05-19

    Around the Baroque period in the 17th century, there was some unsurety whether music was tending from modality to tonality or atonality. Gesualdo was the chief atonal composer of the period. He once caught his wife & her lover in bed & responded by hacking them both to pieces with an ax. Afterwards, he felt such immense guilt that he spent the rest of his life having his servants torture him every morning before he would compose this weird music. For the unique, extreme eccentricity of his life & his art, 5 stars, but minus one because I don't think this cd offers quite the best selection. It's great, but see what else you can find first.

    5 out of 5 stars Just a note!.......2002-02-14

    I can't imagine how one of the reviewers could describe this music as "This is grand and very comfortable music. We easily converse or work while it plays, as charming as a court musician in the next room. It is an unexpected treat" Noone that knows Gesulado's musiccould ever describe it in such terms.

    5 out of 5 stars Gesualdo at his finest!.......2002-02-14

    In Renaissance music, the madrigals of Gesualdo are a universe unto themselves. As a form, the madrigal represents a huge body of literature, much of which is rather light and entertaining. Not Gesualdo, if there was ever a dramatic madrigal-opera style, this is it. Every nuance of emotion is conveyed with beautifully startling and sudden expressionistic harmonic changes. The music seems to want to break out of itself as it reaches across centuries to find resonance in our hearts. The chromaticisms are exquisitely beautiful. You just have to let your ear adjust to it. Think expressionistic romanticism and you might get close to the feeling of this music.

    Gesualdo's music is fiendishly difficult to sing. The harmonies and chromaticisms offer little for the singer to hang on to. In most cases, one is just satisfied with getting through this stuff and compared with what this group does, that is all you get from other ensembles. Here you have the play of dissonant suspensions, the sudden dynamic changes on a single note, the startling break-away rhythms and tempos and overall elasticity that is vitally necessary to make this music sound.

    Forget about the fact that Gesualdo is the only composer in history to have been a nurder. The true story of the murder of his beautiful but faithless young wife and her lover while they were making love in bed. A crime which in Renaissance Italy, at those times, was excusable. Forget that Gesualdo is often depicted and characerized as spending the rest of his life in a dark castle cell, doing penitance and writing his twisted almost unsingable madrigals. Yes you will hear a full share of anguish and "morire's" symbolising his yearning to die for love.

    What this superb ensemble delivers is a Gesualdo who in the end is not simply interesting, anguished or penitential but exquisitely beautiful as a fine Carravagio painting or michelangelo sculpture of the four 'prigione' (prisoners).

    4 out of 5 stars Unexpected Treat.......2000-08-13

    Aaron Copland, in his "What to Listen For in Music", recommended that we hear Gesualdo's "Madrigaux", and so I bought it. The performance and the recording are technically flawless. The music itself has diverse tempos and styles, such as the lamenting "Non t'amo..." and the harp instrumental "Canzon francese...". This is grand and very comfortable music. We easily converse or work while it plays, as charming as a court musician in the next room. It is an unexpected treat.
    Les Introuvables Du Chant Verdien
    Average customer rating: 4 out of 5 stars
    • Rare but well-polished Verdi gems.
    		 Les Introuvables Du Chant Verdien

    Manufacturer: EMI Classics
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B000051W4C
    Release Date: 2001-02-13

    Tracks:

    1. Ernani: Act I: Surta E La Notte... Ernani! Ernani, Involami - Frieda Hempel
    2. Ernani: Act I: Che Mai Vegg'io!... Infelice!... Infin Che Un Brando Vindice - Boris Christoff
    3. Ernani: Act II: Vieni Meco... - Mattia Battistini/Emillia Cors/Chor Del Teatro Alla Scala
    4. Ernani: Act III: O De' Verd'anni Miei - Giuseppe Kaschmann/Salvatore Cottone
    5. Ernani: Act III: Gran Dio!... O De' Verd'anni Miei - Benvenuto Franci
    6. Ernani: Act III: O Sommo Carlo - Mattia Battistini/Emillia Corsi/Luigi Colazza/Aristodemo Silich/Chor Del Teatro Alla Scala
    7. Il Trovatore: Act I: Tacea La Notte Placida - Giannina Arangi-Lombardi
    8. Il Trovatore: Act I: Deserto Sulla Terra - Francesco Tamagno
    9. Il Trovatore: Act II: Stride La Vampa! - Fedora Barbiera
    10. Il Trovatore: Act II: Condotta Ell'era In Ceppi - Margarete Klose
    11. Il Trovatore: Act II: Perigliarti Ancor (Sung In German) - Margarete Matzenauer/Heinrich Knote
    12. Il Trovatore: Act II: Il Balen Del Suo Sorriso - Giuseppe Pacini
    13. Il Trovatore: Act III: Ah! Si Ben Mio, Coll'essere - Charles Dalmores
    14. Il Trovatore: Act III: Di Quella Pira (Sung In French) - Cesar Vezzani
    15. Il Trovatore: Act III: Di Quella Pira - Jussi Bjorling
    16. Il Trovatore: Act IV: Timor Di Me?... D'amor Sull'ali Rosee - Emmy Destinn
    17. Il Trovatore: Act IV: D'amor Sull'ali Rosee (Sung In German) - Frida Leider
    18. Il Trovatore: Act IV: D'amor Sull'ali Rosee - EVA TURNER
    19. Il Trovatore: Act IV: Udiste?... Mira, D'acerbe Lagrime... Vivra! - Carlo Galeffi/Giannina Arragi-Lombardi
    20. Il Trovatore: Act IV: Si M'ami Ancor... Ai Nostri Monti - Beniamino Gigli/Cloe Elmo

    Tracks:

    1. Macbeth: Act II: La Luce Langue (Sung In German) - Martha Modl
    2. Macbeth: Act IV: O Figli, O Figli Mie!... Ah La Paterna Mano - Enrico Caruso
    3. Macbeth: Act IV: Una Macchia E Qui Tuttora - Margherita Grandi/Vera Terry/Ernest Frank
    4. Rigoletto: Act I: Questa O Quella - Alfred Piccaver
    5. Rigoletto: Act I: Questa O Quella - Dino Borgioli
    6. Rigoletto: Act I: Pari Siamo! - Tito Gobbi
    7. Rigoletto: Act I: Gia Tre NEC MultiSync FE1250+BK Flat Screen 22'' CRT Monitor NEC MultiSync FE1250+BK Flat Screen 22'' CRT Monitor

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    8. I Vespri Siciliani: Act IV: Merce, Dilette Amiche - Rosa Raisa

    Tracks:

    1. I Lombardi/Jerusalem: Act II: Je Veux Encore Entendre - Leonce Escalais
    2. I Lombardi/Jerusalem: Act II: Grace, Mon Dieu!... O Jour Fatal - Paul Payan
    3. I Lombardi/Jerusalem: Act III: Or Non Piu... Qual Volutta Trascorrere - Elisabeth Rethberg/Beniamino Gigli/Ezio Pinza
    4. Aida: Act I: Celeste Aida (Sung In French) - Paul Franz
    5. Aida: Act I: Se Quel Guerrier Io Fossi!... Celeste Aida (Sung In German) - Helge Roswaenge
    6. Aida: Act I: I Sacri Nomi (Sung In French) - Felia Litvinne
    7. Aida: Act I: Ritorna Vincitor - Giannina Russ
    8. Aida: Act I: Ritorna Vincitor - Florence Austral
    9. Aida: Act III: O Patria Mia (Sung In German) - Emmy Destinn
    10. Aida: Act III: Qui Radames Verra... O Patria Mia (Sung In Russian) - Natalia Yushina
    11. Aida: Act III: Pur Ti Riveggo - Giovanni Martinelli/Rosa Ponselle
    12. Aida: Act III: Fuggiam Gli Ardori Inospiti (Sung In German) - Elsa Bland/Leo Slezak
    13. Aida: Act III: Lo L'amo Sempre... Gia I Sacerdoti (Sung In German) - Sabine Kalter/Richard Tauber
    14. Aida: Act III: Ohime!... Morir Mi Sento - Ebe Stignani/Chor Del Teatro Dell'Opr Di Roma
    15. Aida: Act III: Morir Si Pura E Bella (Sung In German) - Leo Slezak/Sofie Sedlmair
    16. Aida: Act III: O Terra, Addio - Johanna Gadski/Enrico Caruso

    Tracks:

    1. I Due Foscari: Act I: O Vecchio Cor - Riccardo Stracciari
    2. I Due Foscari: Act I: Questa Dunque - Pasquale Amato
    3. Otello: Act I: Esultate - Giacomo Lauri-Volpi
    4. Otello: Act I: Esultate - John O'Sullivan
    5. Otello: Act I: Qua, Ragazzi... Inaffia L'ugola! - Apollo Granforte/Nello Palai/Piero Girardi/Chor Del Teatro Alla Scala, Milano
    6. Otello: Act I: Gia Nella Notte - Tino Pattiera/Meta Seinemeyer
    7. Otello: Act II: Credo In Un Dio Crudel - Cesare Formichi
    8. Otello: Act II: Tu! Indietro... Ora E Per Sempre Addio (Sung In French) - Jose Luccioni
    9. Otello: Act II: Tu! Indietro... Ora E Per Sempre Addio - Mario Del Monaco
    10. Otello: Act II: Era La Notte - Eugenio Giraldoni
    11. Otello: Act II: E Qual Certezza... Era La Notte - Lawrence Tibbett
    12. Otello: Act II: Si Pel Ciel - Giovanni Zenatello/Paquale Amato
    13. Otello: Act III: Dio! Mi Potevi Scagliar (Sung In German) - Lauritz Melchior
    14. Otello: Act III: Dio! Mi Potevi Scagliar - Renato Zanelli
    15. Otello: Act IV: Piangea Cantando (Sung In German) - Lotte Lehmann
    16. Otello: Act IV: Mia Madre Aveva Una Pavera Ancella - Yvonne Gall
    17. Otello: Act IV: Ave Maria (Sung In German) - Tiana Lemnitz
    18. Otello: Act IV: Niun Mi Tema - Francesco Tamagno/Salvatore Cottone
    19. Otello: Act IV: Niun Mi Tema - Giuseppe Borgatti

    Tracks:

    1. Luisa Miller: Act I: Ah! Tutto M'arride... Il Mio Sangue - Tancredi Pasero
    2. Luisa Miller: Act II: Oh! Fede Negar Potessi... Quando Le Sere Al Placido - Giuseppe Anselmi
    3. Luisa Miller: Act II: Quando Le Sere Al Placido - Aureliano Pertile
    4. Un Ballo In Maschera: Act I: Zitti... L'incanto... Re Dell'abisso - Irene Minghini-Cattaneo
    5. Un Ballo In Maschera: Act I: E' Scherzo Od E Follia - Aureliano Pertile/Ines Maria Ferraris/Luis Bertana/Antonio Righetti/Cesare Baromeo
    6. Un Ballo In Maschera: Act II: Ma Dall'arido Stelo - Eugenai Burzio
    7. Un Ballo In Maschera: Act II: Ma Dall'arido Stelo - Hina Spani
    8. Un Ballo In Maschera: Act III: Morro, Ma Prima In Grazia (Sung In German) - Melanie Kurt
    9. Un Ballo In Maschera: Act III: Morro, Ma Prima In Grazia - Elisabeth Rethberg
    10. Un Ballo In Maschera: Act III: Eri Tu - Giuseppe De Luca
    11. Un Ballo In Maschera: Act III: Saper Vorreste - Selma Kurz
    12. Un Ballo In Maschera: Act III: Forse La Soglia Attinse... Ma Se M'e Forza Perderti - Antonio Cortis
    13. Falstaff: Act I: L'onore! - Mariano Stabile
    14. Falstaff: Act II: Alfin, T'ho Colto... Quand'ero Paggio - Antonio Magini-Coletti/Elisa Petri
    15. Falstaff: Act II: Quand'ero Paggio - Victor Maurel
    16. Falstaff: Act III: Ehi! Taverniere - Mariano Stabile
    17. Falstaff: Act III: Da Labbro Il Canto - Tito Schipa
    18. Falstaff: Act III: Sul Fil D'un Soffio Etesio - Toti Dal Monte/Chor Del Teatro Alla Scal, Milano

    Amazon.com

    This collection, whose French title might be translated "Verdi Vocal Rarities," is a unique contribution to the Verdi centennial year. Its 136 selections on eight compact discs offer an in-depth survey of singers who recorded notable Verdi performances during the era of 78-rpm recording. Coincidentally, this period covers, within a few years, the half- century after the composer's death, in 1901. Some of the singers in the earliest cuts--tenor Francesco Tamagno and bass Victor Maurel, for example--had known Verdi and sung for him. Many of the singers will be familiar to connoisseurs of Verdi discography--Enrico Caruso, Boris Christoff, Fedora Barbieri, Ezio Pinza, Elisabeth Schwarzkopf, Tito Gobbi, Beniamino Gigli, and Jussi Bjoerling, to name a few. Others, such as Frieda Hempel, Emmy Destinn, Martha Modl, Joseph Schwarz, Gino Cigna, and Mattia Battistini, are names you come across in books about opera, but you have heard their voices only if you spend a lot of time with historic recordings. And a lot of performances, including some of the best, are likely to be the work of singers encountered for the first time.

    Most of the big moments from Verdi's operas are included--grouped by opera, not by chronological order of recording. There are a few strange omissions; for example, the "Miserere" scene from Il trovatore. But other selections, such as "Ah fors' e lui" and "La donna e mobile," are given in two or three performances--sometimes in French, German, or Russian as well as Italian. Some of the performances are classics; many are mind-boggling.

    Some favorite Verdi singers--Maria Callas, Joan Sutherland, Placido Domingo, and Luciano Pavarotti, among them--are absent because they began recording after the collection's cutoff date. Other problems are mostly related to the dates of the original recordings. The sound is all pre-high-fidelity and sometimes quite primitive, though some remarkable work has been done to optimize the earliest items. The annotations are minimal--mostly the date, venue, and performers in each cut, with pictures of the biggest stars. This decision was probably made to keep the price low, and those who already know most of the arias and ensembles will likely find the tradeoff acceptable. --Joe McLellan

    Customer Reviews:

    4 out of 5 stars Rare but well-polished Verdi gems........2001-10-21

    Classical music enthusiasts will have become aware that EMI have been marketing several boxed sets with a French title containing the word "introuvables". The word suggests that when you open the box you'll find items that are so rare as to be almost unobtainable. It suggests also that their rarity is not due only to age or production limitations, it is also due to the incomparability of their quality.

    Few would quibble about the quality of what is to be found in this splendid collection of Verdi "introuvables". You will hear how Emmy Destinn portrayed Aida yearning for her homeland in 1908, and how Elisabeth Schwarzkopf portrayed Violetta intereacting with her lover's father in 1953. You will hear several items duplicated. Francesco Navarini, recorded in 1907 with a piano, makes a stunning Fiesco in the "Simon Boccanegra" prologue, as is not up-staged by the more familiar Alexander Kipnis version which follows.

    You might regret that your favourite Verdi record is not here. You'll have opportunities to make comparisons, however. I could never believe that anyone could equal Giuseppe de Luca'a 1930 "O sommo Carlo" from "Ernani, but here I have a chance to hear for the first time how the famous baritone Mattia Battistini did it in 1906.

    Keith Hardwick compiled and transferred this collection originally in the late 1980s. He has augmented and transferred that issue onto 8 CDs, and provided the annotations. Full recording details are provided, there are many singer photographs but no singer biographies.

    The recording dates range from 1903 to 1953. Sadly, almost all the singers - Dame Elisabeth Schwarzkopf being a notable exception - are all dead by now. Those of us who have opportunities to hear and collect their work, however, can be grateful that the older we get the better it sounds. Indeed, I have never heard any of the items included here in better transfers. Elsewhere I have given this issue a five star rating. Subsequent hearings have made me aware of a technical matter which may bother some listeners. This set has been transferred from the long playing records on which it was originally issued. Their pristine sound quality has been preserved but also some of the ghostly "swish" that accompanied each revolution.
    The Pavarotti Edition (includes bonus disc with previously unreleased 1964 debut Decca recording session)
    Average customer rating: 5 out of 5 stars
    • Beyond all description...
    • An Absolute Must-Have for Any Pavarotti Fan
    • Wonderful!!!!
    		 The Pavarotti Edition (includes bonus disc with previously unreleased 1964 debut Decca recording session)

    Manufacturer: Decca
    ProductGroup: Music
    Binding: Audio CD

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    Samsung 170MB Analog LCD Monitor Samsung 170MB Analog LCD Monitor

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    Samsung introduces its SyncMaster 170MP monitor. This 17" multi-function TFT-LCD monitor is truly the 21st century product. It enables you to watch TV and play a movie with your VCR or DVD player, while using your computer without additional video card or equipments. SyncMaster 170MP has RCA Video and Audio, S-Video and Antenna connector built-in to accommodate RGB Analogue input, NTSC, S-Video and TV Tuner. With viewing angle of 80/80/80/80 (U/D/L/R), you can virtually see the same images from different angle. At 1240 x 1024 maximum resolution, it is flicker-free with automatic adjustment in one click of a button.Samsung Electronics' new SyncMaster 170MP flat-panel monitor is a triple header. You can use it as a computer monitor, a standalone TV, or for video playback. With picture-in-picture, support for resolutions up to 1280x1024, and high-quality built-in speakers, this is a wonderful multimedia monitor.

    Electronics Review:

    1. Samsung 17'' 700IFT DynaFlat SyncMaster Monitor
    2. Proview Technology# 17'' Monitor (PRO720)
    3. SuperCom 17'' CRT Monitor (SM755)
    4. Proview PL765 17'' LCD Monitor
    5. Microtek C588 15'' LCD Monitor (Metallic)
    6. NEC-Mitsubishi AccuSync AS75F-BK 17'' Flat Shadow Mask Monitor
    7. NEC MultiSync LCD1850X-BK-H LCD Monitor (No Stand Version)
    8. NEC MultiSync 1850E 18'' LCD Monitor (White)
    9. KDS VS-7XP 17'' CRT Monitor
    10. Samsung SyncMaster 171P 17'' LCD Monitor (Black and Silver)

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    ASIN: B00005O841
    Release Date: 2001-11-13

    Album Description

    Disc 1: Donizetti Arias from L'elisir d'amore, Maria Stuarda, Lucia di Lammermoor, La Fille du Regiment, Linda di Chamounix, La Favorita, and Don Paquale

    Disc 2: Bellini/Donizetti/Verdi Includes arias from I Capuleti e i Montecchi, Norma, La Sonnambula (1976 Duet Recording), I Beatrice di Tenda, I Puritani, Don Sebastien, Il Duca d'Alba, I Lombardi, I due Foscari, Ernani, and Attila

    Disc 3: Verdi 1 Includes arias from Macbeth, Luisa Miller, Rigoletto, Il Trovatore, La Traviata, and Les Vepres Siciliennes

    Disc 4: Verdi 2 Includes arias from Un Ballo in Maschera, La Forza del Destino, Don Carlos, Aida, Otello, and Requiem

    Disc 5: Puccini Includes arias from La Boheme, Madama Butterfly, and Turandot

    Samsung 17'' 700IFT DynaFlat SyncMaster Monitor Samsung 17'' 700IFT DynaFlat SyncMaster Monitor

    Product Description
    Amazon.com Product Description
    Samsung's 700IFT SyncMaster monitor is a perfectly flat monitor for superb picture quality. Featuring a 16-inch viewable screen and max resolution of 2,045 x 1,536, this is an outstanding monitor for home and business alike.

    Additional features include a minuscule 0.20-millimeter dot pitch for the sharpest detail and 160 Hz maximum refresh rate (low resolutions) and a recommended completely flicker-free 1,280 x 1,024 resolution at 85 Hz. The screen has been enhanced with Smart III antiglare and antistatic treatment for easier viewing in any light.

    Digital onscreen controls are available for adjusting screen geometry, contrast, brightness, color temperature--nearly any option for greater viewing comfort. Menus can be displayed in nine languages.

    Product Description:
    It's easy to see why the SyncMaster 700 IFT is the most advanced screen in the world. A lot of manufacturers claim to have flat display screens, but let's separate flat from fiction. The SyncMaster IFT 17-inch monitor has the flattest tube in the world. It's perfectly flat. Not an alleged flat screen with a slight curvature that not only distorts the facts but distorts your picture as well. The SyncMaster 700IFT is the top of the line monitor among the 17" monitors, designed by engineers who believe in true precision.Revolutionary flat screen technology of DynaFlat delivers razor-sharp pictures with extraordinary clarity and true lifelike colors with no visible curvature when viewed from any angle. It's infinitely, perfectly flat. SyncMaster IFT Monitor's advanced Super Pigment Phospours are color concentrated phospours of uniform particle size. They deliver a broader spectrum of colors, therefore projecting vivid, amazingly lifelike colors. Samsung's advanced Real Color Control technology simplifies mixing three RGB colors for graphics applications. Now at the touch of a button, you can adjust color using just two variables Hue and Color Saturation. Samsung's unique on-screen Digital Display Director provides easy color temperature control.

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    1. The Prima Voce Treasury of Opera, Vol. 2
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    ASIN: B000042NZP
    Release Date: 2000-02-15

    Tracks:

    1. Adriana Lecouvreur: Poveri Fiori - Claudia Muzio
    2. L'Africaine: O Paradiso - Giacomo Lauri-Volpi
    3. Aida: Se Quel Guerrier Io Fossi... Celeste Aida - Enrico Caruso
    4. Aida: Ritorna Vincitor - Rosa Ponselle
    5. Andrea Chenier: Un Di All'azzuro Spazio - Giovanni Martinelli
    6. Andrea Chenier: La Mamma Morta - Claudia Muzio
    7. Andrea Chenier: Come Un Bel Di Di Maggio - Giovanni Martinelli
    8. L'Arlesiana: E La Solita Storia - Tito Schipa
    9. Atalanta: Care Selve - Eide Norena
    10. Attila: Dagli Immortali Vertici - Igor Gorin
    11. Un Ballo In Maschera: Di Tu Se Fedele - Enrico Caruso/Metropolitan Opr Chor
    12. Un Ballo In Maschera: Eri Tu, Che Macchiavi - Mattia Battistini
    13. Un Ballo In Maschera: Saper Vorreste - Luisa Tetrazzini
    14. Il Barbiere De Siviglia: Largo Al Factotum - Riccardo Stracciari
    15. Il Barbiere De Siviglia: Se Il Mio Nome - Tito Schipa
    16. Il Barbiere De Siviglia: Una Voce Poco Fa...Io Sono Docile - Conchita Supervia

    Tracks:

    1. La Belle Helene: Au Mont Ida Trois Deesses - Jussi Bjorling
    2. La Boheme: Che Gelida Manina - Beniamino Gigli
    3. La Boheme: Si, Mi Chiamano Mimi - Claudio Muzio
    4. La Boheme: Donde Lieta Usci - Nellie Melba
    5. Boris Godunov: Varlaam's Song - Feodor Chaliapin
    6. Cagliostro In Wien: Zigeunerkind, Wie Glanzt Dein Haar - Lotte Schone
    7. Le Cid: Enfant Cheri...Le Tambour-Major - Pol Plancon
    8. Carmen: L'amour Est U Proview Technology# 17'' Monitor (PRO720) Proview Technology# 17'' Monitor (PRO720)

      Product Description
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      Your monitor is the window to the Internet and all that your computer has to offer. So make sure that you catch all of the action with the Pro-720 17" Color Monitor from Proview! The Pro-720 has a viewable image size of 15.7", .27 mm dot pitch, and a maximum resolution of 1280 x 1024.

      Electronics Review:

      1. SuperCom 17'' CRT Monitor (SM755)
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      7. KDS VS-7XP 17'' CRT Monitor
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    9. Linda Di Chamounix: O Luce Di Quest' Anima - Marcella Sembrich
    10. Lodoletta: Flammen, Perdonami - Mafalda Favero
    11. Lohengrin: Euch Luften, Die Meine Klagen - Kirsten Flagstad
    12. Lohengrin: In Fernem Land - Miguel Fleta
    13. Louise: Depuis Le Jour - Ninon Vallin
    14. Lucia Di Lammermoor: Cruda Funesta Smania - Mariano Stabile
    15. Lucia Di Lammermoor: Ardon Gl'incensi - Frieda Hempel
    16. Lucia Di Lammermoor: Tu Che A Dio Spiegasti L'ali - John McCormack
    17. Lucrezia Borgia: Il Segreto Per Esser Felici (Brindisi) - Ernestine Schumann-Heink
    18. Luisa Miller: Quando Le Sere Al Placido - Giacomo Lauri-Volpi
    19. Die Lustigen Weiber Von Windsor: Nun Eilt' Herbei - Maria Ivogun
    20. Die Lustige Witwe: Lippen Schweigen (Ballsirenen-Walzer) - Richard Tauber
    21. Madama Buterfly: Un Bel Di Vedremo - Rosa Ponselle
    22. Manon: Il Sogno (En Fermant Les Yeux) - Jussi Bjorling
    23. Manon: Obeissons, Qukkand Leur Voix Appelle (Gavotte) - Amelita Galli-Curci
    24. Manon: Dispar, Vision - Tito Schipa

    Amazon.com

    This spectacular collection of more than 90 arias sung by 46 of the greatest singers of the century consists of recordings made between 1906 and 1943. Naturally, they are in far from high fidelity, but this is more charming than disturbing. And all the greats are here: from the tenors Enrico Caruso, Beniamino Gigli, John McCormack, and Jussi Bjoerlong, to the sopranos Rosa Ponselle, Amelita Galli-Curci, Claudia Muzio, and Kirsten Flagstad, to mezzos Conchita Supervia and Ernestine Schumann-Heink, to baritones Giuseppe de Luca and Mattia Battistini, and basses Ezio Pinza and Feodor Chaliapin--to mention a few. The six and a half hours of listening is a veritable primer in Grand Opera; a short synopsis of each selection is included. This set lives up to its name--it is indeed a treasury. --Robert Levine

    Customer Reviews:

    4 out of 5 stars A primer of great singing.......2006-11-07

    The Prima Voce Treasury of Opera Vol 1 contains arias and a few duets from operas A- M ( Adriana Lecouvreur- Manon)sung by singers of the first half of the 20th Century. Vol 2 continues with excerpts from operas M-Z ( Manon Lescaut - Die Zauberflote).All the tracks are taken from the Nimbus Prima Voce catalogue, using their controversial re-recording technique, which many people dislike for the over reverberant sound.Personally, I find the transfers more acceptable than the strident, edgy transfers of some other companies.

    Opinion about any compilation of this sort is a personal matter. I find the choice of singers predictable and unimaginative and at times rather strange: Lauri-Volpi is not a representative Don Jose nor Faust for example.Overall though the standard of singing is very high.

    The accompanying booklet contains well written potted biographies of the singers featured on the CDs.

    This compilation is a very good primer of great singing from the past for someone starting out in this field but not for anyone who is already steeped in historic recordings, except perhaps to listen to in the car, which is what I bought it and Vol2 for.

    5 out of 5 stars Outstanding.......2001-09-12

    As it happened, I bought Vol. 2 of this collection before Vol. 1, and everything I said in my review of Vol. 2 applies equally here. The breadth and depth of the operas and the singers are incredible, and the price for 6 CDs is an amazing bargain. The sound is remarkable, especially considering that some of the recordings are nearly 100 years old, though most are from the 20s and 30s. Highly recommended, whether you are new to opera or a seasoned veteran!

    5 out of 5 stars A collection made with taste and savvy.......2001-03-10

    The English just know how to do things in good taste and I must say, the elements of this Prima Voce collection have been carefully selected and arranged. Arias are grouped so that you have two or three from the same opera together. This is a sensible arrangement and each singer selected for those particular arias is one who sings it very well and in a unique way. I had already been collecting single singer albums from Prima Voce when I discovered this Treasury compilation and wish now I had bought it first, because you get a good sampling of all the great singers in their catalog and will hear artists of whom you may not have been aware. From this Treasury collection you will hear singers that especially please your ear and then you might buy albums just of them. For me, this set confirmed those choices of favorites such as Claudia Muzio and Tito Schipa. Best of all, the six CDs make for a pleasing listening experience as a whole. I listen to them while I drive. There aren't any bad performances here and quite frankly there are few contemporary artists that can match or top these. It's a great way to establish an historical foundation for your recordings if you are building a collection of singers.

    5 out of 5 stars One of the Great Bargains.......2000-06-23

    This is one of those rare bargains that one dreams about. I discovered it while browsing and I could not believe that one could have six disks for less than the normal cost of two. Nor is this an economy issue, transferred from what I assume is original pirate recordings along the lines of Gala and Opera d'Oro and even Myto. The transfers are clean and the collection is nonpareil. In all transfers I miss texts. But the music itself is glorious, the selection intelligent, and the artists the stars of the opera world. Unlike other collections arranged in chronological order, these use a simple alphabetic sequence of operas, so one can follow in one's own libretto or score more easily. The recordings appear to bridge the two world wars. If this is indeed volume one, I cannot wait for two.

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