Lo Mio Es Mio

1. Lo Mio Es Mio

2. Maestranza

3. Pilon

4. Corazon de Acero

5. Samba en Palenque

6. Compañera

7. Temporal

8. Te Amare Enternamente

9. Chevrolito

10. Y de Aquello Nada (El Toque Toque)

11. Esta Fiesta

12. Brujo de Arjona

13. Maestranza [Remix]

Lo Mio Es Mio,Tulio Zuloaga,Vedisco,Latin,Tropical

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Average customer rating: excellent entertainment The Christmas I Love A Christmas Collection That Is Just Plain Fun Wonderful; marvellous ABSOLUTELY WONDERFUL

The Christmas I Love Andre Rieu , and Johann Strauss Orchestra Manufacturer: Philips ProductGroup: Music Binding: Audio CD General | Classical | Styles | Music General Christmas | Holiday | Miscellaneous | Styles | Music Pop Instrumental & Easy Listening | Holiday | Miscellaneous | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music General Christmas | Holiday Music | Special Features | Music Pop Instrumental & Easy Listening | Holiday Music | Special Features | Music Similar Items: Tuscany At The Movies The Homecoming The Vienna I Love, Waltzes From My Heart Romantic Moments ASIN: B0000041OB Release Date: 1997-10-21

Tracks:

1. O Daughter Of Zion
2. White Christmas
3. Sleigh Ride
4. From Heaven High I Come To You: Tomorrow's The Day Children/Gloria In Excelsis Deo...
5. Ave Maria
6. Transeamus
7. Softly Falls The Snow: Ring Out Little Bell/O Come Al Ye Faithful
8. Evening Prayer (From Hansel & Gretel)
9. Jingle Bells
10. Lullaby: O Sweet Child Jesus/Let Us Be Happy And Jolly
11. Mille Cherubini In Coro (Lullaby)
12. Christmas Rose
13. The Four Seasons: Winter: Largo
14. O Christmas Tree: The Little Drummer Boy/Lullaby
15. Every Year A New: Oh, How Joyfully/Never Have The Bells Sung More Sweetly
16. Dearest Believe Me
17. Come Little Children
18. The Christmas Concert: Pastorale
19. The Holy City
20. Silent Night

Customer Reviews:

excellent entertainment.......2007-01-20

I thoroughly enjoyed this Christmas DVD . I want to buy more of Andre Rieu.

The Christmas I Love.......2007-01-10

I was very pleased with the CD and would recommend it to everyone.

All of Andre Rieu's music is very enjoyable to listen to.

A Christmas Collection That Is Just Plain Fun.......2005-11-19

Sometimes I think the only person who is happy that Public television is financially challenged, other that certain legislators who believe that it is too liberal and the culmination of all that is evil, is Andre Rieu. Now don't get me wrong, this happy Dutch musician who models himself after Johan Straus is not a cruel or vindictive person. At least from what I can tell he's not, but let's face it. If PBS did not have financial woes, Andre Rieu, one of its favorite stars, would not have received the exposure he has, and his sales in the United States would probably be next to nothing. Of course for anyone who has ever seen one of his extravaganzas, we would be missing something enjoyable. He's musically sound and he knows how to entertain, and quiet frankly, though some classical purists may cringe at his name, I don't believe the composers whose music he uses are rolling in their graves because it's become popular once again.

Of all his concerts and CDs, I enjoy THE CHRISTMAS I LOVE the most. The jitterbug version of "Jingle Bells" shows that an old tune can produce new tricks. His arrangement of "The Holy City" (a.k.a. "Jerusalem") is almost as moving as when it is performed with a vocalist. The recording has a number of medleys that include favorites from all over Europe show how Christmas has such an international flair. For me, however, this album provides true variety. Many of the carols are not familiar to Americans, so we hear something different yet also authentic to the holiday season.

I'm surprised that there have not been other Rieu Christmas discs. He's an original musician and a consummate showman, so I'm sure there's more he could do with holiday music, but maybe he knows he has a classic with this collection and it will stand the test of time.

Wonderful; marvellous.......2000-09-30

Andre Rieu proves again he is the best of the best! I bought this CD in october 1997, a few weeks before Andre's concert In Quebec city. In this CD, you'll find all the classics of Christmas. They are well played because Andre and his orchestra know how to bring us the atmosphere of Christmas. The desing of the CD is well done. If you,re looking for good music, please try this CD You'll enjoy it. If you have the occasion to see his Christmas concert on TV, watch it. It's very beautiful.

This his not the first CD made by Andre. In 1992, he released "Spielt Die Schonten Weihnachtslieder".

ABSOLUTELY WONDERFUL.......1999-08-18

Another wonderful Andre Rieu CD. All the Rieu recordings and videos are a breath of fresh air - a joy to the soul.

Average customer rating:

Handel: The Masterworks (Box Set) Manufacturer: Brilliant Classics ProductGroup: Music Binding: Audio CD Trios | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music Concerto Grossi | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Trio Sonatas | Sonatas | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Flute | Reeds & Winds | Instruments | Classical | Styles | Music Oboe | Reeds & Winds | Instruments | Classical | Styles | Music Recorder | Reeds & Winds | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music Baroque (c.1600-1750) | Symphonies | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music Cantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Anthems | Vocal Non-Opera | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music Hymns | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Passions | Vocal Non-Opera | Opera & Vocal | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Handel, George Frideric | ( H ) | Composers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Brilliant Classics | Amazon.com Label Stores | Stores | Music Similar Items: Vivaldi: The Masterworks (Box Set) Haydn: The Masterworks [Box Set] Mendelssohn: The Masterworks [Box Set] Dvorák: The Masterworks [Box Set] Schubert: The Masterworks [Box Set] ASIN: B00062FLI8 Release Date: 2004-11-30

Average customer rating: Refreshing and Surprising! Some of the most thought-provoking recordings ever, combined with some of the most perfect performances I have ever heard. Best ever!!

Wolfgang Amadeus Mozart: Le nozze di Figaro / Don Giovanni / Così fan tutte / Die Zauberflöte - The Drottningholm Court Theatre Orchestra & Chorus / Arnold Östman Barbara Bonney , Arleen Auger , and The Drottningholm Court Theatre Orchestra & Chorus Manufacturer: Decca ProductGroup: Music Binding: Audio CD All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music General | Soundtracks | Styles | Music Bargain Box Sets | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music The Decca Records Store | Specialty Stores | Music Similar Items: Beethoven: Symphonies Nos. 1-9 (Fra) Wagner: Der Ring des Nibelungen Mozart Opera Glyndebourne Collection: Cosi fan Tutte, Don Giovanni, Le Nozze di Figaro, Die Entfuhhrung aus dem Serail, Idomeneo, Die Zauberflote (6 DVDs) Complete Mozart Symphonies / Pinnock, English Concert Tchaikovsky: Violin Concerto Op35; Brahms: Violin Concerto in D Op77 ASIN: B00006IU7V Release Date: 2003-03-11

Album Details

These Pioneering Performances of Four of Mozart's Greatest and Most Popular Operas under the Direction of Arnold Östman were Recorded at Nacka Aula, Stockholm. They all Attracted Great Critical Acclaim at the Time of their Original Release and have Been a Part of Decca's Vast Opera Catalogue Ever Since. The Da Ponte Trilogy (One of the Greatest Librettist/Composer Collaborations in the Entire History of Music), Comprising Le Nozze Di Figaro, Don Giovanni and Così Fan Tutte, is Paired with One of Mozart's Last Operas, Dating from the Last Year of his Life, Die Zauberflöte. The Superb Casts Assembled for These Recordings Include Such Experienced Mozart Interpreters as Arleen Auger (Countess, Donna Anna), Barbara Bonney (Susanna, Zerlina, Pamina), Håkan Hagegård (Count, Don Giovanni, Speaker), Sumi Jo (Queen of the Night), Della Jones (Marcellina, Donna Elvira), Petteri Salomaa (Figaro), Kurt Streit (Tamino), Lillian Watson (Papagena), Gösta Winbergh (Ferrando), Rachel Yakar (Fiordilig

Customer Reviews:

Refreshing and Surprising!.......2006-11-24

I would strongly recommend this collection to anyone who is seeking a new approach and sound world for these Mozart operas. Ostman opts for brisk tempi and transparent textures, but hardly ever at the expense of characterization or expressivity. The singers respond to the challenge with performances that bristle with excitement and fun. The cast blends with the orchestra like a chamber music ensemble, inspiring the listener to experience the opera as a conversation between the text and the intimations expressed in Mozart's musically and psychologically penetrating orchestration. Occasionally one may miss the lyric line and warmth associated with such great Mozart conductors as Bruno Walter or Karl Bohm; but the brio, virtousity, and brilliant insights of Ostman compensate with different kinds of rewards. Also, there is an intimate atmosphere in these recordings that is most faithful to the ethos and meaning of the libretti themselves. After listening to this period approach, my understanding of Mozart has changed radically, and I continue to relish the challenge that these performances have given to my interpretative sensibilities.

Some of the most thought-provoking recordings ever, combined with some of the most perfect performances I have ever heard........2005-09-14

First of all, I must state first that I was ANXIOUS to write this rave review. Ever since I got these cd's and realized the treause that is to be found in these recordings I just couldn't wait until I'd had the chance to tell everybody else about it... I honestly believe these recordings should be heard by anybody who is interested in this repertoire and music in general, since this are also some of the most perfect pieces of music in the repertoire.

As for the music itself, I am not going to write about. I think it is enough to read my last sentence to realize exactly what I think about it - and it is really just a must. That's composition taken to the highest possible level.

What I do want to write is about the performances.
Arnold Ostman, not the most known figure in the musical world, (not even amongst musicians- I come from Juilliard, and that name is definitely not one everybody knows) has created in the 80's in Mozart the equivalent of what Harnoncourt and Gardiner have done in Bach performance practice, i.e. has totally changed the conecption which was assimilated into everybody's mind regarding notions about how music of that era should sound like.

Trying to create a performance experience which emulates Mozart's period performance practice he changed everything starting from tempos, through ornamentation and of course- the voices themselves.

For us, most people indoctrinated by the post-romantisicm eastablished especially by Herbert von Karajan and the ilks of him, the first initial response will be a shock. The almost imperceptible swift tempos, the small voices etc. are sure to knock over anybody who haven't heard these recordings before. It might create an intial negative response but hang-on there, as the result is so much more gratifying then of hearing a recording of Karajan, Giulini, Furtwangler or any GREAT other conductor from that era- They were obviously incredible musical figures, but in terms of style and total perception of the piece it just doesn't work on the same level, in Mozart of course. (You'd still want to keep your Furtwangler's ninth copy...)

What is so great about Ostman is the freshness of mind with which he walks into every piece. Just like a real iconoclast
it seems as if he has landed from an entire different planet, and is just coming to conduct these pieces and give their debut. I can't give a more sincere and true compliment than that, musically speaking.

The results are the most fresh interpretations up to date of Mozart most important operas which also derive from some of the best vocal performances I have ever heard.
Under Ostman's direction it seems as though all the singers bloom and give their most musical and inspired performances,
holding on under the swiftest tempos in an admirable way. There is no point in pointing out names because it is as in a rule that the performances are just stellar one by one, even though not carrying around sometimes the most famous names.

This is not to say that all of the recordings in this set are equally perfect, and that I agree to all of the interprations and the insights given by Ostman, but you can't disregard the feeling that he knew EXACTLY what he wanted and executed it almost flawlessly. (the one exception might be small part of Cosi, mainly the overture, which was recorded very early in the stages of period instruments playing- therefore not always as perfect as you would have liked to hear it, but the performance as a whole is still the most beautiful Cosi I know.)

As for the packaging itself: The price is a complete steal, (incredible especially if you order it through other sellers, got mine for about 40$). What you DON'T get are the librettos, so you'd HAVE to get them from a different source. Either a different recording you might have, (you just might want one of the standard reference recordings one usually hears about like Giulini's) or you could just buy the librettos through Amazon, would still cost you very little.

Should not be missed by any terms by anybody who cares for music.

Ran

Best ever!!.......2004-01-12

Ostman created a stir when he made these recordings in the 1980s. And now it available in a collectors' edition box. I'm so excited. Sumi Jo's Queen of the Night here is even better than her recording for Solti. Ostman's Don Giovanni is the fastest I've ever heard, not to mention the most exciting. This Cosi Fan Tutte is Gramophone's reference Cosi. And this Figaro has many "alternative" arias that other recordings never bother with. Don't worry, the alternative is at the back so you can program it out. In fact, this is the only set of Mozart operas with ALL the alternative arias available. Even Gardiner does not have some of these. So this is a supreme set of importance.

I cannot recommend this too highly. Exciting performances now available in Decca's collectors' edition.

Average customer rating: Many consider this to be Ismael Rivera's best album.

Esto Sí Es Lo Mío Ismael Rivera y sus Cachimbos Manufacturer: Fania / Umgd ProductGroup: Music Binding: Audio CD General | International | Styles | Music General | Latin Music | Styles | Music Salsa | Latin Music | Styles | Music Salsa & Merengue | Compilations | Latin Music | Styles | Music Similar Items: Esto Fue Lo Que Trajo El Barco Controversia De Todas Maneras Rosas Maelo La Salsa de Hoy ASIN: B000GBEW0W Release Date: 2006-07-18

Tracks:

1. Caras Lindas
2. Comedia
3. De Medio Lado
4. Medias No
5. Perla
6. Ella No Merece un Llanto
7. Angelica

Customer Reviews:

Many consider this to be Ismael Rivera's best album........2007-05-30

"Esto Si Es Lo Mio" is rightly viewed by many as Ismael Rivera's best album ever. The hit singles "Las Caras Lindas", "Ella No Merece Un Lanto" and "A Medias No" all became Salsa anthems of their era and are instantly associated with "El Sonero Mayor". Ismael was at his best here but (if that's not enough!) check out the killer coro of Adalberto Santiago, Ruben Blades, Tito Allen and Hector Lavoe. Any serious salsero needs to have this CD as it's a true masterpiece on all counts.

Average customer rating:

Prima Diva Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD Bellini, Vincenzo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Canteloube, Joseph | ( C ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music General | Lehár, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Offenbach | Offenbach, Jacques | ( O ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music Strauss Jr., Johann | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Vocal & Song | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Vocal & Song | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music | Cantatas | Romances Requiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Berlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music New York Philharmonic Orchestra | ( N ) | Featured Performers, A-Z | Classical | Styles | Music Studer, Cheryl | ( S ) | Featured Performers, A-Z | Classical | Styles | Music Vienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Bellini, Vincenzo | A to B | Featured Composers, A-Z | Opera & Vocal | Styles | Music Gershwin, George | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Cilea, Francesco | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music Handel, George Frideric | H to L | Featured Composers, A-Z | Opera & Vocal | Styles | Music Lehar, Franz | H to L | Featured Composers, A-Z | Opera & Vocal | Styles | Music Mozart, Wolfgang Amadeus | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music Offenbach, Jacques | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music Puccini, Giacomo | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music Rossini, Gioacchino | Q to T | Featured Composers, A-Z | Opera & Vocal | Styles | Music Strauss Jr., Johann | Q to T | Featured Composers, A-Z | Opera & Vocal | Styles | Music Strauss, Richard | Q to T | Featured Composers, A-Z | Opera & Vocal | Styles | Music Vocal Works by Verdi | Verdi, Giuseppe | U to Z | Featured Composers, A-Z | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music | Cantatas | Romances Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music Battle, Kathleen | Divas | Opera & Vocal | Styles | Music Caballe, Montserrat | Divas | Opera & Vocal | Styles | Music Callas, Maria | Divas | Opera & Vocal | Styles | Music Norman, Jessye | Divas | Opera & Vocal | Styles | Music Sutherland, Joan | Divas | Opera & Vocal | Styles | Music Te Kanawa, Kiri | Divas | Opera & Vocal | Styles | Music ASIN: B000002RU5 Release Date: 1994-08-16

Tracks:

1. Una voce poco fa - Maria Callas
2. Casta Diva - Maria Callas
3. Fruhling - Elisabeth Schwarzkopf
4. Nun lasst uns aber wie daheim... Es lebt' eine Vilija - Elisabeth Schwarzkopf
5. Bailero - Victoria De Los Angeles
6. Un bel di vedremo - Victoria De Los Angeles
7. Troppo mi spiace ... Non mi dir - Joan Sutherland
8. Pace, pace, mio Dio - Montserrat Caballe
9. O mio babbino caro - Montserrat Caballe
10. Ecco: respiro appena... lo son l'umile ancella - Kiri Te Kanawa
11. Summertime - Kiri Te Kanawa
12. Pie Jesu - Barbara Hendricks
13. Ach, ich fuhl's - Barbara Hendricks
14. On me nomme Helene la blonde... Dis-moi, Venus - Jessye Norman
15. Tornami a vagheggiar - Kathleen Battle
16. In uomini, in soldati - Kathleen Battle
17. Klange der Heimat - Cheryl Studer

Average customer rating:

Complete Beethoven Edition, Vol. 18: Secular Vocal Works Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD Quartets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Studer, Cheryl | ( S ) | Featured Performers, A-Z | Classical | Styles | Music Cantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music Folk Songs | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Partsongs | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Folk | Styles | Music Wedding Music | Miscellaneous | Styles | Music Similar Items: Complete Beethoven Edition, Vol. 4: Fidelio/Leonore Complete Beethoven Edition, Vol. 16: Lieder Complete Beethoven Edition, Vol. 11: Early String Quartets Complete Beethoven Edition--Sampler / Kempff Complete Beethoven Edition, Vol. 13: Late String Quartets ASIN: B000001GZL Release Date: 1997-12-09

Tracks:

1. Weltliche Vokalwerke: 'Elegiac Song
2. Weltliche Vokalwerke: Opferlied Op.121b - 'Sacrificial Song'
3. Weltliche Vokalwerke: Bundeslied Op.122 - 'Song Of Fellowship'
4. Weltliche Vokalwerke: Ah! perfido Op.65
5. Weltliche Vokalwerke: Test Of Kissing - WoO 89
6. Weltliche Vokalwerke: Getting On With Girls
7. Weltliche Vokalwerke: Premier Amour - WoO 92
8. Weltliche Vokalwerke: No, Do Not Fear
9. Weltliche Vokalwerke: In Your Days Of Happiness - WoO 93
10. Weltliche Vokalwerke: Tremble, Guilty Ones, Tremble, Op. 116

Tracks:

1. Weltliche Vokalwerke: Lovely Lips - WoO 99, No. 1 (Hess 211)
2. Weltliche Vokalwerke: You Are My Love - Hess 231
3. Weltliche Vokalwerke: In You I Crave - WoO 99 - 11 (Hess 215)
4. Zenobia: Amid All Griefs - WoO 99 - No. 3a
5. Zenobia: Do You Want Your Husband Safe? (Hess 228)
6. Weltliche Vokalwerke: But You Tremble - WoO 99 - 6 (Hess 212)
7. Weltliche Vokalwerke: The Steersman Swears - WoO 99 - No. 5b (Hess 227)
8. Weltliche Vokalwerke: For You May The Sky - WoO 99 - No. 9 (Hess 216)
9. Zenobia: Amid All Griefs - WoO 99 - No. 3b (Hess 225)
10. Weltliche Vokalwerke: Ah, Yet You Are That Lyre - WoO 99 - No. 10b (Hess 218)
11. Weltliche Vokalwerke: Whoever Will Know WoO 99 - 2 (Hess 214)
12. Weltliche Vokalwerke: Mehrstimmige Gesange - Gia la notte s'avvicina WoO 99 - 4b
13. Weltliche Vokalwerke: Mehrstimmige Gesange - Nei campi e nelle selve WoO 99 - 7a (Hess 217)
14. Weltliche Vokalwerke: Mehrstimmige Gesange - Nei campi e nelle selve WoO 99 - 7b (Hess 220)
15. Weltliche Vokalwerke: Mehrstimmige Gesange - Fra tutte le pene WoO 99 - 3c (Hess 224)
16. Weltliche Vokalwerke: Mehrstimmige Gesange - Fra tutte le pene Hess 210
17. Weltliche Vokalwerke: Mehrstimmige Gesange - Quella cetra ah pur tu sei WoO 99 - 10a (Hess 213)
18. Weltliche Vokalwerke: Mehrstimmige Gesange - Quella cetra ah pur tu sei WoO 99 - 10c (Hess 219)
19. Weltliche Vokalwerke: Mehrstimmige Gesange - Giura il nocchier Hess 230
20. Weltliche Vokalwerke: Mehrstimmige Gesange - Giura il nocchier WoO 99 - 5a (Hess 221)
21. Weltliche Vokalwerke: Mehrstimmige Gesange - Gia la notte s'avvicina WoO 99 - 4a (Hess 222)
22. Weltliche Vokalwerke: Abschiedsgesant Wo0 103
23. Weltliche Vokalwerke: Cantata campestre Wo0 103
24. Weltliche Vokalwerke: Gesang der Monche Wo0 104
25. Weltliche Vokalwerke: Hochzietslied Wo0 105
26. Weltliche Vokalwerke: Lobkowitz - Kantate Wo0 106
27. Weltliche Vokalwerke: Chor auf die verbundeten Fursten Wo0 95
28. Weltliche Vokalwerke: Lob auf den Dicken Wo0 100
29. Weltliche Vokalwerke: Graf, liebster Graf Wo0 101
30. Weltliche Vokalwerke: Im Arm der Liebe ruht sich's wohl Wo0 159
31. Weltliche Vokalwerke: Ewig dein Wo0 161
32. Weltliche Vokalwerke: Kurz ist der Schmerz Wo0 163
33. Weltliche Vokalwerke: Freundschaft ist die Quelle wahrer Gluckseligkeit Wo0 164
34. Weltliche Vokalwerke: Gluck zum neuen Jahr! Wo0 166
35. Weltliche Vokalwerke: Kurz ist der Schmerz Wo0 166
36. Weltliche Vokalwerke: Brauchle, Linke Wo0 167
37. Weltliche Vokalwerke: Das Schweigen Wo0 168 - 1
38. Weltliche Vokalwerke: Das Reden Wo0 168 - 2
39. Weltliche Vokalwerke: Ich kusse Sie Wo0169
40. Weltliche Vokalwerke: Ars longa, vita brevis Wo0 170
41. Weltliche Vokalwerke: Ich Bitt' dick, schreib mir die Es - Skala auf Wo0 172
42. Weltliche Vokalwerke: Hol' euch der Teufel! B'hut euch Gott! Wo0 173
43. Weltliche Vokalwerke: Glaube und hoffe! Wo0 174
44. Weltliche Vokalwerke: Sankt Petrus war ein Fels! Wo0 176
45. Weltliche Vokalwerke: Glaube und hoffe! Wo0 174
46. Weltliche Vokalwerke: Bester Magistrat, lhr friert! Wo0 177
47. Weltliche Vokalwerke: Signor Abate! Wo0 178
48. Weltliche Vokalwerke: Alles Gute Wo0 179
49. Weltliche Vokalwerke: Hoffmann, sei ja kein Hofmann Wo0 180
50. Weltliche Vokalwerke: O Tobias! Wo0 182
51. Weltliche Vokalwerke: Bester Herr Graf, Sie sind ein Schaf! Wo0 183
52. Weltliche Vokalwerke: Falstafferel, lab dich sehen! Wo0 184
53. Weltliche Vokalwerke: Edel sei der Mensch Wo0 185
54. Weltliche Vokalwerke: Te Solo Adoro Wo0 186
55. Weltliche Vokalwerke: Schwenke dich ohne Schwanke! Wo0 187
56. Weltliche Vokalwerke: Gott ist eine feste Burg Wo0 188
57. Weltliche Vokalwerke: Doktor sperrt das Tor dem Tod Wo0 189
58. Weltliche Vokalwerke: Ich war hier, Doktor, ich war hier Wo0 190
59. Weltliche Vokalwerke: Kuhl, nicht lau Wo0 192
60. Weltliche Vokalwerke: Ars Longa, vita brevis Wo0 192
61. Weltliche Vokalwerke: Ars longa, vita brevis Wo0 193
62. Weltliche Vokalwerke: Si non per portas, per muros Wo0 194
63. Weltliche Vokalwerke: Freu dich des Lebens! Wo0 195
64. Weltliche Vokalwerke: Es mub sein! Woo 196
65. Weltliche Vokalwerke: Da ist das Werk Wo0 197
66. Weltliche Vokalwerke: Wir irren allesamt Wo0198
67. Weltliche Vokalwerke: Das Schone zum Guten! Wo0 203
68. Weltliche Vokalwerke: Das Schone za dem Gutten! Wo0 202
69. Weltliche Vokalwerke: Herr Graf, ich komme zu fragen Hess 276
70. Weltliche Vokalwerke: Esel aller Estel # 277

Average customer rating: Correction Fritz Wunderlich can do no wrong.... The Wonder of Wunderlich I wish I could give this release more than 5 stars: it's terrific!!!

The Art of Fritz Wunderlich Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Bellini, Vincenzo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gluck | Gluck, Christoph W. | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Lortzing | Lortzing, Albert | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Monteverdi | Monteverdi, Claudio | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Robert Schumann | Schumann, Robert | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Strauss Jr., Johann | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Berlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music Vienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Russian | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music Magnificats | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Passions | Vocal Non-Opera | Opera & Vocal | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Deutsche Grammophon: Music | Specialty Stores | Music Similar Items: The Magic of Wunderlich [Includes Bonus DVD] Fritz Wunderlich: Great German Tenor Schumann: Dichterliebe / Wunderlich, Giesen Schubert: Die Schöne Müllerin, 3 Lieder / Fritz Wunderlich Carlo Bergonzi - The Sublime Voice ~ 40 Tracks from the Legendary Tenor ASIN: B0009PLMQW Release Date: 2005-09-13

Tracks:

1. Duetto And Chorus: Kommt, Eilet Und Laufet
2. Aria: Sanfte Soll Mein Todeskummer
3. Recitative And Chorale: O Schmerz! Hier Zittert Das Gequalte Herz
4. Aria With Chorus: Ich Will Bei Meinem Jesu Wachen
5. Recitative: Mein Jesus Schweigt Zu Falschen Lugen Stille
6. Aria: Geduld!
7. Duet: Et Misericordia
8. Aria: Deposuit Potentes
9. Recitative: So Stehe Denn, Du Gottergeb'ne Seele
10. Aria: Adam Muss In Uns Verwesen
11. Chorus: Jauchzet, Frohlocket, Auf, Preiset Die Tage
12. Recitative: Es Begab Sich Aber Zu Der Zeit
13. Aria: Frohe Hirten, Eilt, Ach Eilet
14. Aria: Ich Will Nur Dir Zu Ehren Leben
15. Recitative: Und Liess Versammeln Alle Hohenpriester
16. Terzetto: Ach! Wann Wird Die Zeit Erscheinen
17. Recitative: Und Gott Befahl Ihnen Im Traum-Genug, Mein Schatz Geht Nicht Von Hier
18. Aria: Nun Mogt Ihr Stolzen Feinde Schrecken

Tracks:

1. Overture
2. Aria: Hier Soll Ich Dich Denn Sehen
3. Recitative And Aria: Konstanze, Dich Wiederzusehen, Dich!/O Wie Angstlich, O Wie Feurig
4. Aria: Wenn Der Freude Tranen Fliessen
5. Quartet: Ach! Belmonte! Ach, Mein Leben!
6. Aria: Ich Baue Ganz Auf Deine Starke
7. Recitative And Aria: Welch Ein Geschick!/Wie, Du Solltest Fur Mich Sterben!
8. Aria: Dies Bildnis Ist Bezaubernd Schon
9. Zum Ziele Fuhrt Dich Diese Bahn
10. Wie Stark Ist Nicht Dein Zauberton
11. Der Welcher Wandert Diese Strasse Vol Beschwerden
12. Tamino Mein! O Welch Ein Gluck!

Tracks:

1. Duet: Strahlt Auf Mich Der Blitz Des Goldes - Hermann Prey
2. Duet: Hier Nimm Den Ring Der Treue
3. Scene And Duet: Ich Denk Ihn Lieber Mir Von Meinem Stande/Liebe Ist Seligkeit, Ist Licht Und Leben
4. Toast: O Freunde, So Leeret In Vollen Zugen - Chor Des Bayerischen Rundfunks
5. Duet: Ich Sah Euch Lieblich Und Engelsschon - Chor Des Bayerischen Rundfunks
6. Duet: O, Lass Uns Fliehen Aus Diesen Mauern - Chor Des Bayerischen Rundfunks
7. Scene And Duet: er Ist's! Carlos! Mein PRinz!/Gott, Der Entflammte Der Liebe Heisse Glut - Hermann Prey
8. Duet: Infame Feder! Welch Scheusslicher Pinsel/Ach, Geliebte! Nie Kehrst Du mir Wieder! - Hermann Prey
9. Aria: Und Es Blitzten Die Sterne
10. Scene: Nicht An Mich, Geliebter, Denke
11. Duet: Du Sussester Engel, Wie Herrlich Hast Du Geteufelt!
12. Leukippos, Du?
13. Arioso: Ja, Ich Lieb Sie, Olga
14. Aria: Wohin Seid Ihr Entschwunden

Tracks:

1. Recitative And Arioso: Holdes Laubgezewig, Du Schones/Schattige Ruh, Nie Gab Natur Sie Mir
2. Aria: Der Gedanke An Die Flammen Der Liebe
3. Aria: Bleibt Ihr Treu Dem, Der Euch So Verachtet?
4. Aria: Finstre Furie, Ihr Geister Der Holle
5. Aria: Nur Einen wunsch, Nur Ein Verlangen - Hermann Prey
6. Recitative And Duet: O Unverhofftes Gluck/Das Hore Ich Von Dir, Von Meinem Freunde? - Hermann Prey
7. Ma Se Il Nostro Gioir/Alcun Non Sia
8. Perche A Lo Sdegno/Padre Cortese/Si Non Vedro
9. Aria: Erwacht In Meinem Herzen
10. Duet: Nur Weinen Lernte Ich/Nur Klagen lernte Ich
11. Aria: Keine Schlange Lasst Sich Toten
12. Romance: O Schweige Still, O Lasse Dich Erbitten
13. Trio: Doch Nun Zu Dir/Trenne Nicht Das Band Der Liebe - Hermann Prey
14. Aria: Man Wird Ja Einmal Nur Geboren
15. Song: Lebe Wohl, Mein Flandrisch Madchen - Chor Des Bayerischen Rundfunks
16. Recitative And Duet: Du Stehst Wirklich Vor Mir/Der tempel Brahmas Strahlt - Hermann Prey

Tracks:

1. I. Im Wunderschonen Monat Mai
2. II. Aus Meinen Tranen Spriessen
3. III. Die Rose, Die Lilie, Die Taube, Die Sonne
4. IV. Wenn Ich In Deine Augen Seh
5. V. Ich Will Meine Seele Tauchen
6. VI. Im Rhein, Im Heiligen Strome
7. VII. Ich Grolle Nicht
8. VIII. Und Wussten's Die Blumen, Die Kleinen
9. IX. Das Ist Ein Floten Und Geigen
10. X. Hor Ich Das Liedchen Klingen
11. XI. Ein Jungling Liebt Ein Madchen
12. XII. Am Leuchtenden Sommermorgen
13. XIII. Ich Hab Im Traum Geweinet
14. XIV. Allnachtlich Im Traume Seh Ich Dich
15. XV. Aus Alten Marchen Winkt Es
16. XVI. Die Alten Bosen Lieder
17. Zartliche Liebe: 'Ich Liebe Dich' WoO 123
18. Adelaide Op.46
19. Resignation WoO 149
20. Der Kuss Op.128
21. Was Ist Silvia, Saget An
22. Lied Eines Schiffers An Die Dioskuren D 360
23. Liebhaber In Allen Gestalten D 558
24. Der Einsame D 800
25. Im Abendrot Op. Post. D 799
26. Leise Flehen Meine Lieder
27. An Die Laute D 905
28. Der Musensohn D 764
29. An Die Musik D 547

Tracks:

1. Granada
2. Mattinata
3. Funiculi-Funicula
4. O Sole Mio
5. Vergiss Mein Nicht
6. Ein Lied Geht Um Die Welt
7. Du Bist Die Welt Fur Mich
8. Ich Kusse Ihre Hand, Madame
9. Caro Mio Ben
10. Ave Maria
11. Plaisir D'Amour
12. La Danza
13. Serenade: Fern Im Weiten Land, Dort Unten Im Suden
14. Be My Love
15. Santa Lucia
16. Tiritomba
17. Heute Nacht Oder Nie

Tracks:

1. Wien, Wien, Nur Du Allein
2. Denk Dir, Die Welt War Ein Blumenstrauss
3. Ich Kenn Ein Kleines Wegerl Im Helenental
4. In Wien Gibt's Manch Winziges Gasserl
5. Draussen In Sievering
6. Ich Weiss Auf Der Wieden Ein Kleines Hotel
7. Ich Muss Wieder Einmal In Grinzing Sein
8. Im Prater Bluhn Wieder Die Baume
9. Herr Hofrat, Erinnern Sie Sich Noch?
10. I Hab Die Schonen Maderln Net Erfunden
11. Es Steht Ein Alter Nussbaum Drausst In Heiligenstadt
12. Wien Wird Bei Nacht Erst Schon
13. Wenn Es Abend Wird/Gruss Mir Mein Wien
14. Ob Blond, Ob Braun, Ich Liebe Alle Frau'n
15. Weine Nicht, Bricht Eine Schone Frau Dir Das Herz
16. Mein Herz Ruft Immer Nur Nach Dir, O Marita
17. Eine Kleine Fruhlingsweise
18. Schlaf Ein, Mein Blond-Engelein
19. Annchen Von Tarau
20. Still Wie Die Nacht

Customer Reviews:

Correction.......2006-12-13

Now folks, both of what the two other reviewers wrote about the tragical death of Fritz Wunderlich is wrong. Wunderlich died in hospital at September 17 1966. He had broken his skull, when he fell down the stairs in the hunting-house of a friend. Late in the evening of September 16, Wunderlich, as usual when not at home, had phoned his wife in Munich. He was very tired from strolling through the forest the whole day, making out the ideal locations for the hunt, which should start early in the next morning (Wunderlich was a passionate hunter). After he had wished his wife a good night, he went to the staircase in order to go down to his bedroom at the first floor. He still wore his heavy hunting boots - with open shoestrings! As walking downstairs, Wunderlich struggled over the open shoestrings and grabbed for the banisters, which was not more than a rope, fixed to the wall. The banisters teared out, and Wunderlich fell down the whole stairs. Fritz Wunderlich died in hospital the next day. It was only short before his 36'th birthday. An exceptional singing career had come to an untimely end. Some people believe that Wunderlich was drunken at the time of accident. If this is true can't be proven any more. But still this is not what his close friends said, regarding his accident and his death. In my opinion Wunderlich was the last of the really great tenors of the last century. All the tenors which came to fame after him (sorry folks, even such maestros as Pavarotti and Domingo) lack a certain quality in singing. It's the ease of breath flow, or singing on the breath without pushing the voice, it's the overtones, the legato, the mezza voce, the messa di voce and many more things - in short: the overall beauty of the voice through both registers. Wunderlich was the last tenor who had all this. Other examples are Caruso, McCormack, Gigli (despite the sobbing in his later recordings) and of course the wonderful Jussi Björling. But these are only some few names. If you listen for example to the cd's in the box "Famous tenors of the past" you will find that there were many very good and outstanding tenors in the first half of the 20'th century and - as we can only assume - in the time before the invention of the grammophone. Take a close look at todays famous tenors (I know, there are some quite good and promising ones) but what are they in comparison to those tenors (or better to say, to their voices and singing) I just mentioned before?

Please make your own decision.

Fritz Wunderlich can do no wrong...........2006-05-05

... okay, maybe. It's just that I've never heard a recording I didn't love. And I prefer that he sing everything in German even when that means not using original language.

This is a bit strange because I'm most often bugged by Don Carlos and Vepres in Italian (just a personal quirk). Of course, I'm also bugged by dropping the "s" in Don Carlos, which is always incorrect. The man's name IS Carlos whether in Italian or French.

I tried to write Mr. Avila a personal note, but could not, so let me say that Fritz Wunderlich did not die of cancer, but a dreadful accident in Scotland (I'll not go into the whys and wherefores, I just wanted to set PART of the record straight.)

The Wonder of Wunderlich.......2005-11-22

Deutsche Grammophone does it again! This is an extensive 3-cd compilation album featuring the artistry of the great German tenor Fritz Wunderlich in a variety of vocal repertoire - Baroque cantata/oratorio, opera and Lieder. Like the other critic pointed out, I first heard Fritz sinigng a superb Tamino in the Karl Bohm Magic Flute, although I have also heard him sing Lieder opposite the mezzo soprano Christa Ludwig and baritone Dietrich Fischer Dieskau, who were his contemporaries and colleagues. Wunderlich died tragically in 1966 of cancer. He inspired a generation of purely lyric tenors or "tenors di grazie" whose charming voice would never roughen and lack grace. His Germanic style earned him popularity in World War II Europe and he was the leading exponent of Lieder in the 50's. His tenor voice is glorious, as close to a male angel as possible. On this recording, we are treated to sumptuous arias from Bach's Christmas/Easter Oratorios, and movements from 2 cantatas. Also noteworthy are the unsurpassed performances of Mozart tenor heroes- such as Belmonte from "Die Entfuhrung Aus Dem Serail" (Abduction from the Seraglio) and his unbeatable Tamino from Die Zauberflote The Magic Flute. He sings bel canto opera arias fo tenor, from master composers Rossinni, Bellini and Verdi. While I don't much like that he is singing Italian arias in German, one must remember that at this time, in the LP Era of World War II Germany and Austria, German-born opera singers sang Italian opera in German translation/revisions. While many German singers could indeed sing in Italian, they were mostly trained to sing it in German because of excessive national pride and because Germans viewed Italian opera as course and un-melodic. Still, there have been superb German singers who sang in Italian like Wagner diva Birgit Nilsson,baritone Dietrich Fischer Dieskau, tenor Peter Schreier, soprano Edda Moser, baritone Walter Berry, tenor Herman Pretty, all post-Wunderlich sensations. Wunderlich sings Lieder in one CD with great and unrivaled musicianship. Especially impressive are the Viennese pieces. Further to the cd's this album is equipped with photos of Wunderlich and his family and a detailed profile biography.

I wish I could give this release more than 5 stars: it's terrific!!!.......2005-10-28

I knew little about the German tenor Fritz Wunderlich (1930-1966), except reading the accolades given to his recordings and performances by reviewers in "American Record Guide" over the past 13 years. I knew Wunderlich recorded the role of Tamino in the famous DG recording of Mozart's "Die Zauberflote", with Karl Bohm/Berlin Philharmonic (Now on DG Originals CDs), but was not aware of what a wide range of repertoire he had until hearing this release.

This release has a wide variety of Wunderlich's discography, including Bach arias from his Christmas and Easter Oratorios, and movements from 2 cantatas; his Mozart roles in "Die Entfuhrung aus dem Serail" (Eugen Jochum/Bavarian Radio Orchestra) and "Die Zauberflote" (Karl Bohm/Berlin Philharmonic); a variety of arias and duets by Rossini, Bellini, Verdi, Richard Strauss, mostly sung in German, and with Hermann Prey, baritone and Erika Koth, soprano in many of the duets; Baroque arias by Handel, from "Xerxes" (including the famous "Ombre mai fu" sung in German) and "Julius Caesar", selections from Monteverdi's "Orfeo" (an early track from 1955 sung in Italian); Schumann's "Dichterliebe", 4 Beethoven Lieder, including "Adelaide" and "Der Kuss"; and 9 Schubert lieder, including "An der Musik," and "Der Musensohn", all with Hubert Giesen, piano; Popular songs such as "Granada" and Viennese songs, with chamber orchestra accompaniment. There are no texts for the songs, but you may have text booklets with other CD releases, so don't really need them when you hear Wunderlich's beautiful voice.

There is a booklet with articles about Wunderlich's career, including a preface by his widow, Eva Wunderlich, photos of Wunderlich as a boy and young man, with his wife Eva in 1965, and children Constanze, Wolfgang, and Barbara. I enjoy reading and looking at the booklet, even apart from listening to the beautiful recordings.

Wunderlich was a genius, and his voice sounds great in every track, mono (some, but not a majority) and stereo (most of the tracks in the 7 discs are stereo) alike. If you love great music, and opera, but like me aren't often of a mind to sit still for 3 hours to listen to one, get this. It's a great release, and reasonably priced to boot. I'm thankful to God for great music, for the ability to hear and feel, and for Fritz Wunderlich and his service to music lovers everywhere.

Average customer rating: A brilliant collection from a great soprano If I could have only one collection...... Yes this is great! The Grandest Collection of Leontyne Price Arias The Greatest Soprano Ever Recorded

Leontyne Price (The Prima Donna Collection) Manufacturer: RCA ProductGroup: Music Binding: Audio CD All Works by Barber | Barber, Samuel | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Bellini, Vincenzo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Berlioz | Berlioz, Hector | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Boito, Arrigo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Britten | Britten, Sir Benjamin | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Debussy | Debussy, Claude | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Flotow | Flotow, Friedrich von | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gluck | Gluck, Christoph W. | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel 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Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music Purcell, Henry | ( P ) | Featured Composers, A-Z | Classical | Styles | Music Strauss Jr., Johann | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Weber | Weber, Carl Maria von | ( W ) | Featured Composers, A-Z | Classical | Styles | Music General | Purcell, Henry | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Korngold, Erich Wolfgang | Composers | Modern, 20th, & 21st Century | Historical Periods 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A-Z | Opera & Vocal | Styles | Music Mascagni, Pietro | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music Massenet, Jules | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Czech | Languages | Opera & Vocal | Styles | Music English | Languages | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Price, Leontyne | Divas | Opera & Vocal | Styles | Music Similar Items: Opera Arias Ed Sullivan Show 1: Great Moments in Opera Handel: Arias Sumi Jo - Virtuoso Arias ~ Verdi, Rossini, Donizetti, Meyerbeer Renee Fleming - The Beautiful Voice ~ Gounod, Lehaair, Orff, Puccini, Rachmaninov, Strauss ASIN: B000003FAF Release Date: 1992-08-11

Tracks:

1. Dido and Aeneas: Act 3: Thy Hand, Belinda!
2. Dido and Aeneas: Act 3: When I Am Laid In Earth
3. Le nozze di Figaro: Act 3: E Susanna non vien!
4. Le nozze di Figaro: Act 3: Dove sono
5. La traviata: Act 3: Teneste la promessa
6. La traviata: Act 3: Addio del passato
7. L'africaine: Act 2: Sur mes genoux, fils du soleil
8. Manon: Act 2: Allons! il le faut!
9. Manon: Act 2: Adieu, notre petite table
10. Otello: Act 4: Era piu calma?
11. Otello: Act 4: Mia madre aveva una povera ancella (Willow Song)
12. Otello: Act 4: Ave Maria
13. Adriana Lecouvreur: Act 1: Ecco: respiro appena
14. Adriana Lecouvreur: Act 1: Io son l'umile ancella
15. Louise: Act 3: Depuis le jour
16. Turandot: Act 2: In questa reggia
17. Die tote Stadt: Act 1: Marietta's Lied
18. Vanessa: Act 1: He Has Come, He Has Come!
19. Vanessa: Act 1: Do Not Utter A Word

Tracks:

1. Atalanta: Act 1: Care Selve
2. Don Giovanni: Act 1: Don, Ottavio, son morta!
3. Don Giovanni: Act 1: Or sai chi l'onore
4. Der Freischuetz: Act 2: Wie nahte mir der Schlummer
5. Der Freischuetz: Act 2: Liese, leise
6. Tannhaeuser: Act 2: Dich, teure Halle
7. Macbeth: Act 2: La luce langue
8. Macbeth: Act 4: Vegliammo invan due notti (Sleepwalking Scene)
9. Macbeth: Act 4: Una macchia e qui tuttora
10. Mefistofele: Act 3: L'altra notte in fondo al mare
11. Rusalka: Act 1: Song To The Moon
12. L'Enfant Prodigue: Air de Lia: L'annee en vain
13. Andrea Chenier: Act 3: La mamma morta
14. Francesca da Ramini: Act 3: Paolo, datemi pace
15. Suor Angelica: Senza mammo, o bimbo, tu sei morto!
16. Amelia Goes To The Ball: While I Waste These Precious Hours

Tracks:

1. Alceste: Act 1: Divinites du Styx
2. Don Giovanni: Act 2: Crudele? Ah, no, mio bene
3. Don Giovanni: Act 2: Non mi dir
4. I lombardi: Act 2: O madre, dal cielo
5. I lombardi: Act 2: Se vano e il pregare
6. Martha: Act 2: The Last Rose Of Summer
7. Simon Boccanegra: Act 1: Come in quest'ora bruna
8. La Perichole: Act 3: Tu n'es pas beau
9. Die Walkuere: Act 1: Du bist der Lenz
10. Die Fledermaus: Act 2: Czardas: Klange der Heimat
11. Carmen: Act 3: Ces des contrebandiers
12. Carmen: Act 3: Je dis que rien ne m'epouvante
13. Cavalleria Rusticana: Voi lo sapete
14. Thais: Act 2: Ah! je suis seule
15. Thais: Act 2: Dis-moi que je suis belle
16. Gianni Schicchi: O mio babbino caro
17. Les dialogues des Carmelites: Act 3: Mes filles, voila s'acheve

Tracks:

1. Semele: Act 2: Where 'er You Walk
2. Idomeneo: Act 3: O smania! O Furie!
3. Idomeneo: Act 3: D 'Oreste, d' Ajace!
4. La damnation de Faust: Part 4: D'amour l'ardente flamme
5. Oberon: Act 2: Ozean, du Ungeheuer!
6. Norma: Act 1: Sediziose voci, voci di guerra
7. Norma: Act 1: Casta diva
8. Norma: Act 1: Ah! bello a me ritorna
9. Rigoletto: Act 1: Gualtier Malde
10. Rigoletto: Act 1: Caro Nome
11. Tristan und Isolde: Act 3: Liebestod: Mild und leise
12. Pagliacci: Act 1: Ballatella: Qual fiamma avea nel guardo
13. Adriana Lecouvreur: Act 4: Poveri fiori
14. Gloriana: Act 1, Scene 2: Soliloquy & Prayer: On Rivalries 'tis Safe For Kings
15. Gloriana: Act 1, Scene 2: Soliloquy & Prayer: O God, My King, Sole Ruler Of The World

Customer Reviews:

A brilliant collection from a great soprano.......2007-04-30

Leontyne Price was much admired and this 4CD collection shows her outstanding vocal gifts to the best advantage. Numerous reviewers have commented on the wide-ranging styles present and I can agree wholeheartedly with them. You would be hard-pressed to find a greater compilation of Ms Price, showcasing her amazing gifts as a great singer!

If I could have only one collection.............2006-11-12

....it would be this. Such fine singing in so many periods, languages, and styles. She is truley a great artist and this set helps you see just HOW GREAT she is. I won't go thru all the tracks but will say Cara Selve drives me wild. "When I am Laid in Earth..." comes across very nicely. There are some rare exerpts too like Gloriana, Menotti's Amelia goes to the Ball. Overall most tracks are inspired. The musicianship is to the highest standards. I JUST lOVE IT!

Yes this is great!.......2006-10-14

But "When I am Laid in Earth" was written by PURCELL! Handel's "Care Selve", however, is also on this set, and it is GORGEOUS!!! I love just about everything on here. A few items from the fourth CD are a bit telling of her age (D'oreste d'ajace!")- but even they are fabulous. THe price of this set is unfortunate - however, it has dropped a little! :) I originally purchased it from BMG in 1994, for next-to-nothing, then "gave" it to my best friend! Two years ago, she lost hers to Hurricane Ivan, and paid a LOT for a new set!

The Grandest Collection of Leontyne Price Arias.......2005-08-08

If you're a fan of Leontyne Price, this should be at the top of your list of her recording albums. I don't know when this was issued, but it's from the RCA Label which was her best promotional record company. It's a box set featuring dozens of arias from magnificent grand operas (some of which Leontyne Price never sang on stage in full and instead sang some bits in concert). Leontyne Price sings in fresh, beautiful and strong voice in dramatic and versatile roles, mastering each music from each composer. She masters such strikingly different masters's works as Samuel Barber (Vannessa) Webber (Der Freischutz) Wagner (Tristan and Isolde, Tannhauser) Falla (Atalanta) Mozart (Le Nozze Di Figaro). She sings the title roles of Massenet's Manon, Bizet's Carmen, Bellini's Norma, Verdi's Lady Macbeth, Amelia in Un Ballo Di Maschera, Nedda in I Pagliacci, Turandot and Suor Angelica, Flotow's Martha, and even oratorio such as Handel's Semele and Benjamin Britten's Gloriana. This is a vast repertoire, far grander in variety than I have ever known any one soprano sang. While critics will indeed compare Leontyne Price to Maria Callas (as another review critic brought up) these two sopranos could not have been any more different. It's not even a matter of their different racial backgrounds- Callas was born in Greece and became an American citizen then gave it up for French citizenship..and Price was born in Mississippi and was African-American) it's a matter of how different their approach at opera was and their vocal category. Callas was a dramatic soprano sforzando (literally "forced dramatic soprano")who would prefer to produce a choking, ugly, harsh sound merely for the dramatic effect and the integrity of the text in her lines. Leontyne Price was the definition of a soprano lyrico-spinto ("pushed" lyric-dramatic singing)which meant above all, to sound beautiful and to fill up those dramatic lines with as much vocal and tonal beauty as possible. Price had a more thrilling mezzo di voce and high soaring top register and a cleaner, smoother sound than the wobbly Callas, no offense to Callas fanatics of which there are many. It is true that Price did lose her touch in a sense in her older years (the 1970's and 80's) when her voice lacked the vibrant lyricism and attention to diction. Her 1970's Toscas and Aidas are therefore a sloppier than her 1950's and 60's Toscas and the same went for her Leonoras in both Trovatore and Forza Del Destino. Nevertheless, Price is an ageless singer. Her voice, dark, messy or bright and smooth, is still what was said of her in her debut at the Met as Leonora in Trovatore - a "bright, unfurling banner". She was goddess of the opera and paved the way for the new generation of black sopranos of today.

This collection does not showcase the more famous roles that were in fact her signature ones - Leonora from Trovatore and Forza, Aida is'nt even in here and that one even she considered her greatest role, we don't find her Madame Butterfly here. Instead we find rare pieces that she sings beautifully and dramatically, making us wish she had sung the entire operas in full on stage. She never sang a full-length Norma and that's a pity- even Grace Bumbry and Shirley Verrett did in their careers. Price seemed to enjoy singing Samuel Barber's vocal works - she opened the 1965-1966 Met season with Barber's Antony and Cleopatra (a bad production by the way but not through any fault of Miss Price but the overblown spectacle of the design of the opera itself) and here she sings his Vanessa. Benjamin Britten's Gloriana sounds lovely in her hands. Her Norma and Dona Anna in Mozart are dramatic and fiery, her Lady Macbeth darkly mysterious, her Suor Angelica peaceful with powerful inner fire and her Dialogue Des Carmelites are also sensational. Yes, many of these arias are beautiful to hear, and thank God she doesn't have any of the flaws critics keep hearing in her later recordings. Without a doubt, this is her finest album. I think you should listen via audio samples here the following to make you get this recording: the Countess aria from Nozze Di Figaro, her Manon (Adieu Petit Table) La Mamma Morta, her version of Sediziose Voce/Casta Diva from Norma, the excerpt from Carmen, "Don Ottavio son Morta...Or Sai Chi L'Onore" from Don Giovanni, Care Salve, the Dido and Aeneas excerpts, the La Traviata excerpts (Addio Del Passato) and the beautifull, mystic, haunting and well-executed Liebestod from Tristan and Isolde, which I even feel surpasses Birgit Nilsson's version. Just listen to how heart-felt that Liebestod is! I have not heard the likes of it anywhere else.

The Greatest Soprano Ever Recorded.......2005-03-20

O.K. So that is only my opinion. But Leontyne Price was one of the most dedicated singers of the 20th century. Her vast repertoire is showcased in this extensive collection of arias. While to many Maria Callas will forever be the ultimate and the greatest of them all, Leontyne Price had the same poswerful, high dramatic voice, in addition a more generous chest register and a regial presence. Moreover, she overcame so much to get to the top. In her day, African-American women in opera was new. Marian Anderson was the first to get into the mainstream opera world, with much difficulty and intervention, such as Eleanor Roosevelt's support. After Marian Anderson finally landed her first role at the Met in the 50's, a new generation of black women in opera began. The 60's and 70's would see the rise of mezzo sopranos later turned to dramatic sopranos such as Grace Bumbry, Shirley Verrett and it would follow into the 80's with Jessie Norman and Kathleen Battle. Today, black women have made opera one of their highest achievements. Leontyne Price began singing in the 50's. A televised production of Tosca was not shown in some Southern states that were racistad opposed the idea of seeing a black woman in a "white" role. Leontyne Price would master the role of Tosca as successfully as Maria Callas. I think that while she is at her best in the Puccini and Verdi operas she recorded and performed (not showcased here)- Trovatore, Aida, Forza Del Destino, Madame Butterfly, Tosca, Suor Angelica. However, there is so much that she is absolutely remarkable in. I love her as Violetta in Traviata (few black women sing the traditionally white role of Violetta), Massenet's Manon, Verdi's Lady Macbeth (which was another of Shirley Verrett's great roles)Dido from Dido and Aneas, Dona Ana and Elvira in Don Giovanni, The Countess in Figaro, Bellini's Norma (she is outstanding in that powerful druid diva role). I think if we narrow it down to a few roles that she really made her own it would be 1: Aida....2:Tosca...3Dona Ana/Dona Elvira 4 Desdemona from Otello and 5..Leonoras from Trovatore and Forza.

This collection is pretty impressive. I didn't know a soprano could be that versatile. Leontyne Price is remarkable. Her rich, lyric voice, capable of plaintive and melancholy lines as well as powerful high C's and dramatic whoops, was always clean, smooth and intense. Of course, like most sopranos, she had her bad days. Her later Toscas (in the mid or late 70's) became too melodramatic and sloppy, when she used to be more mannered and poised with the role, her Cleopatra in Samuel Barber's opera was a fiaco because the production was too bizarre and messy, etc. But for the most part, mostly in Verdi, Puccini, Mozart and as Norma, she was radiant, glorious and perfect. Her background in Church music made her incredibly suited to singing Requiems, such as Verdi's Requiem. There will never be another Leontyne Price. She was a one woman Golden Age of Opera, and sang with the best of the best- Bjussi Bjorling, Giuseppe Di Stefano, Franco Corelli, Placido Domingo.

Average customer rating: Very exciting merely exquisite A classic recording of a classic golden age voice.

Zinka Milanov Manufacturer: RCA ProductGroup: Music Binding: Audio CD Bellini, Vincenzo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mascagni | Mascagni, Pietro | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Ponchielli | Ponchielli, Amilcare | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Bellini, Vincenzo | A to B | Featured Composers, A-Z | Opera & Vocal | Styles | Music Mascagni, Pietro | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music Ponchielli, Amilcare | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music Puccini, Giacomo | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music Strauss, Richard | Q to T | Featured Composers, A-Z | Opera & Vocal | Styles | Music Vocal Works by Verdi | Verdi, Giuseppe | U to Z | Featured Composers, A-Z | Opera & Vocal | Styles | Music Dvorak, Antonin | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Czech | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Milanov, Zinka | Divas | Opera & Vocal | Styles | Music Similar Items: Ruth Ann Swenson - Positively Golden ~ Colaratura Arias ASIN: B000003EVA Release Date: 1990-04-20

Tracks:

1. Norma: Casta Diva
2. Norma: Mira, O Norma
3. ll Trovatore: D'amor Sull'ali Rosee
4. ll Trovatore: Miserere
5. La Forza Del Destino: Pace, Pace, Mio Dio
6. La Gioconda: Suicidio!
7. Cavalleria Rusticana: Voi Lo Sapete
8. Un Ballo In Maschera: Teco Io Sto
9. La Forza Del Destino: Lo Muoio! Non Imprecare
10. Gianni Schicchi: O Mio Babbino Caro
11. Rusalka: Mesic Na Nedi Hlu Bokem/O Lovely Moon
12. Zueignung
13. Ceznja/Longing
14. Strepnja/Quivering
15. Do Not Go My Love

Customer Reviews:

Very exciting.......2004-09-03

Zinka Milanov is a singer I came to in my youth, but through her recordings, as I never had the occasion to hear her on stage, nor to hear her in any Metropolitan Opera Broadcasts. The first recording I ever had was Verdi's "La Forza." I have heard many recordings of the work since then (my only other favorite version is an earlier one with Leontyne Price, not the later version she rerecorded), but Milanov has put her permanent stamp on that work for me. So when I found this recording I was interested in it, as she was singing Verdi, which I expected she would do well, but also Bellini, which I never knew she ever sang.

I have to admit, I listened with a bit of skepticism. I was used to hearing Norma by Callas, Sutherland, Caballe, Sills, and those people we now associate with bel canto. In comparision, Milanov is not in the same class as far as florid singing is concerned, but by no means is she trashy at it either. Her trill is more an illusion than an actuality, but it is still there. The voice seems heavy in comparision to what we have grown accustomed to, but by no means does it sound labored or strained, or even uncomfortable with florid work. I was incredibly surprised, and actually very delighted with what I heard. I look forward to acquiring her recording of Norma.

What really caught me was the depth of sound, not only in her intensity in the dramatic recitatives (Trovatore aria), but in the quality of the sound itself. She nearly has a "contralto chest register." It seems such a well balanced and well developed middle and lower voice was common amongst dramatic sopranos of her day, and in my view, the music is greatly benefitted by that quality. I truly feel her magical high pianissimi are given great warmth all because of this extremely well balanced quality of her voice, also, at no time does one ever feel or consider any strain in anything she is singing.

I never heard her in person, so I really don't know for sure how large her voice really was, but this recording gives the impression that it could be very large, and it was recorded back in the days when the voice was not a creation of technology.

I feel this recording is excellent, and well worth the price. We are hearing singing from the "golden age of opera" (there have been many of them, so one has to decide which golden age, for her singing extended from before the 50's and lasted into the 60's). One thing we do hear is a foundation in the voice. This voice is well grounded and it is filled with emotion. Often today, voices are extremely small, and often very light (almost even too light for Mozart!), and more often than not, the lower ranges of the voice are not well developed if at all. Though high notes may be powerful and glorious, the warmth, the human emotional quality is lacking, and we are left with a faceless meaningless even if extremely beautiful reading of the scores. With Milanov's warmth of tone, we are experiencing a human being expressing human feelings, not a bird, or a mechanical device imitating the human voice; again, the music is improved upon by this wonderful addition of quality.

It is an exellent recording, and I recommend it.

merely exquisite.......2004-07-07

milanov, not atypical of the second golden age of opera, possessed a callas-esque temperment and a voice of astonishing depth. her reading of the Rusalka aria is beguiling. presented here is the 'whooping' glow associated with the milanov timbre. this project is a treasure. on a every piece, milanov sings with great aplomb and conveys brilliantly the pathos of classic histrionic heroines. brava.

A classic recording of a classic golden age voice........1998-09-10

Zinka Milanov represents the type of voice current writers describe as "from the golden age", and indeed this recording offers an invaluable document from the Metropolitan's roster of the 1940's and 50's. The voice is burnished with a vocal weight seldom found on today's stages and the recording features Miss Milanov's impeccable musical preparation. A certain highlight of the disc is the duet with dramatic soprano Margaret Harshaw in "Mira, o Norma". The two Met veterans sing together as if they were two swans swimming the Central Park Reservoir - totally in sync. If one longs for the era of voice that was not victimized by the current dubious effects of modern jet travel, this Milanov disc is a must have.

Average customer rating:

Great Voices of the 50's Manufacturer: Decca ProductGroup: Music Binding: Audio CD All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Bellini, Vincenzo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Boito, Arrigo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Chausson, Ernest | ( C ) | Featured Composers, A-Z | Classical | Styles | Music General | Lehár, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mahler | Mahler, Gustav | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mascagni | Mascagni, Pietro | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Offenbach | Offenbach, Jacques | ( O ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Ponchielli | Ponchielli, Amilcare | ( P ) | Featured Composers, A-Z | Classical | Styles | Music Ravel, Maurice | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Saint-Saëns, Camille | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Weber | Weber, Carl Maria von | ( W ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Debussy | Debussy, Claude | ( D ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Vienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music Compilations | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Russian | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Classical | Box Sets | Stores | Music The Decca Records Store | Specialty Stores | Music ASIN: B0000042GT Release Date: 1997-09-16

Tracks:

1. Wesendonk-Lieder: Der Engel - Wolfgang Amadeus Mozart (1756-1791)
2. Wesendonk-Lieder: Stehe still - Wolfgang Amadeus Mozart (1756-1791)
3. Wesendonk-Lieder: Im Treibhaus - Wolfgang Amadeus Mozart (1756-1791)
4. Wesendonk-Lieder: Schmerzen - Wolfgang Amadeus Mozart (1756-1791)
5. Wesendonk-Lieder: Traume - Wolfgang A