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1. Llego la Hora - Roberto Lugo, Luis "Perico" Ortiz
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2. Mar y Y
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3. Lo Que Fue No Sera
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4. Pregonero - Tito Nieves, Orquesta La Masacre
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5. Con Velo y Corona - Tito Rojas
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6. Que Pena
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7. Equivocada
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8. Alabo - Rafael de Jesus, Luis "Perico" Ortiz
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9. Ni Fio, Ni Doy, Ni Presto - Tito Rojas
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10. Embrujao con Puerto Rico - Pedro Arroyo
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Si Que Esta,Esta Salsa,Top Ten Hits,Latin,Latin Pop,Tropical
Average customer rating:
- The most noble voice
- PURCHASE THIS JEWEL WHILE YOU CAN
- luminous artistry from a genius
- A special Dignity and an Unfailing Beauty of Voice.
|
Songs Of Spain / De Los Angeles, et al
Manufacturer: EMI Classics
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Similar Items:
- The Fabulous Victoria De Los Angeles
- Isabel Bayrakdarian ~ Azulão
- The Maiden and the Nightingale: Songs of Spain
- The Very Best of Victoria de los Angeles
- On the Wings Of Song and Zarzuela Arias - Victoria de los Angeles
ASIN: B00000I4KQ
Release Date: 1999-02-23 |
Tracks:
- El rossinyol
- El testament d'Amelia
- Adios meu homino
- Mina nay por me casare
- Tengo que subir
- Ahi tienes mi corazon
- La vi llorando
- Ya se van los pastores
- Campanas de Belen
- Jaeneras que yo canto
- A dormir ahora mesmo
- Granadinas
- Hincarse de rodillas
- Cancion de trilla
- Parado de Valldemosa
- Nik baditut
- Andregaya
- Din, dan, boleran
- Mariam matrem
- Ay, triste vida corporal!
- Que es mi vida, preguntais?
- Porque es, dama, tanto quereros?
- No me llames segalaherba
- Ay, luna que reluces
- En esta larga ausencia
- Molinillo que mueles amores
- Confiado jilguerillo
- Seguidillas religiosas
- Cancion de cuna
- El jilguerillo con pico de oro
- El canape
Tracks:
- Ah, el novio no quiere dinero
- Coma la rosa en la guerta
- Estavase la mora
- Aquel rey de Francia
- Damos gracias a ti, Dios
- Sobre Baca estaba el rey
- Ay que non hay!
- Rosa das rosas
- Maravillosos e piadosos
- Tres moricas m'enamoran
- Paseabase el rey moro
- Dime a do tienes las mientes
- Si no's huviera mirado
- Dexo la venda
- Puse mis amores
- Aqui me declaro su pensamiento
- Pues que me tienes
- Gentil dama, non se gana
- Mi querer tanto vos quiere
- Una hija tiene el rey
- Una matica de ruda
- Si la noche se hace oscura
- Pastorcico, non te aduermas
- Ay triste que vengo
- No soy you quien la descrube
- Pase el agua, Julieta
- Aquel caballero, madre
- Duelete de mi, Senora
- De Antequera salio el Moro
- De los alamos vengo, madre
- Enfermo estaba Antioco
- Dame acogida en tu hato
- Morenica, dame un beso
- Senora, si te olvidare
- De donde venis, amore?
Tracks:
- La rosa enflorece
- Ven querida
- Adio, querida
- Durme, durme, hermozo hijico
- Paxaro d'hermosura
- Avrix, mi galanica
- Irme quiero, la mi madre
- Ya viene el cativo
- Yo m'enamori d'un aire
- Una matica de ruda
- Anda, jaleo
- Los cuatro muleros
- Las tres hojas
- Los mozos de Monleon
- Las morillas de Jaen
- Sevillanas del siglo 18
- El cafe de Chinitas
- Nana de Sevilla
- Los pelegrinitos
- Zorongo
- Romance de Don Boiso
- Los reyes de la baraja
- La tarara
- El combat del somni: Damunt de tu, nomes les flors
- A l'ombra del Lledoner: Canco de grumet
- Canciones negras: Cancion de cuna para dormir a un negrito
- Cuatro madrigales amatorios: De los alamos vengo, madre
- Coleccion de tonadillas: Callejeo
- Coleccion de tonadillas: El tra la la y el punteado
- Seis canciones castellanas: No quiero tus avellanas
- Seis canciones castellanas: Jota
- Panxolina
- Tu pupila es azul
- Cantos populares espanolas: Malaguena
- Cantos populares espanolas: Granadina
- Cantos populares espanolas: El Vito
- Cantos populares espanolas: Pano murciano
- Clavelitos
- Adios, Granada
- Madrigal
Tracks:
- Coleccion de tonadillas: Amor y odio
- Coleccion de tonadillas: Callejeo
- Coleccion de tonadillas: El majo discreto
- Coleccion de tonadillas: El majo olvidado
- Coleccion de tonadillas: El majo timido
- Coleccion de tonadillas: El mirar de la maja
- Coleccion de tonadillas: El tra la la y el punteado
- Coleccion de tonadillas: La maja de Goya
- Coleccion de tonadillas: Las currutacas modestas
- Tres majas dolorosas: Oh muerte cruel!
- Tres majas dolorosas: Ay majo de mi vida
- Tres majas dolorosas: De aquel majo amante
- Goyescas: La maja y el ruisenor (Rosario)
- 'La vida breve': Vivan los que rien! (Salud - Act 1)
- 'La vida breve': Alli esta! Riyendo! (Salud - Act 2)
- 'Acis y Galatea': Confiado jilguerillo
- El tripili
- Llorad, corazon
- Iban al pinar
- No lloreis, ojuelos
- Mananica era
- Mira que soy nina
- Gracia mia
- El pano moruno
- Seguidilla murciana
- Asturiana
- Jota
- Nana
- Cancion
- Polo
- 'La Tempranica': Zapateado (La tarantula e un bicho mu malo)
Customer Reviews:
The most noble voice.......2004-05-28
Victoria de los Angeles' voice not only has a silken quality and fascinating glow to it but it is one of the most regal, noble sounds you'll ever hear. She illuminated those moments of quietness, gentleness and noble, feminine pride and elegance like no other soprano before and after her. This release of her "Spanish Songs" has never been surpassed. The songs of her homeland seem to have been written for her beautiful instrument alone, she fills every piece with special beauty and charm, religious flair and beautiful, noble simplicity. Buy this recording and see why Victoria is one of the best sopranos ever having come from Spain.
PURCHASE THIS JEWEL WHILE YOU CAN.......2002-01-08
FOR A LONG TIME "SONGS OF SPAIN" HAS BEEN MY FAVORITE ALBUM OF CLASSICAL, POPULAR, SECULAR AND RELIGIOUS (CHRISTIAN AND SEPHARDIC) SPANISH SONGS. DE LOS ANGELES DEFIES A RIVAL IN THIS GENRE. DE LARROCHA, SORIANO AND ZANETTI PROVIDE UNEQUALED ACCOMPANIEMENTS. THE RECORDINGS ARE SECOND ONLY TO LIFE PERFORMANCES. I UNDERSTAND THAT EMI INTENDS TO TAKE THIS SET OUT OF PUBLICATION. PURCHASE THIS JEWEL WHILE YOU CAN! I JUST PURCHASED MY THIRD SET FROM AMAZON AND I TREASURE IT AS MUCH AS MY FIRST!
luminous artistry from a genius.......2000-12-26
the vocal artist of vocal artistsdisplays her absolutely gorgeous voice and musical understanding of spanish feeling with a warmth that is unmatched anywhere.the only thing better was to hear her in person!
A special Dignity and an Unfailing Beauty of Voice........2000-09-17
This set offers four generously-filled CDs comprising almost 140 Spanish songs from Victoria de los Angeles' repertoire. To all of them she brings a special dignity and an unfailing beauty of voice. The earliest recordings date from 1950 and the last is the items she sang at the opening of the Barcelona Olympics in 1992. Yes, you will find the ubiquitous "Clavelitos!" here, and a later version of "La maya el ruisenor" from "Goyescas". The enclosed booklet provides illuminating notes by Lionel Salter, who also translated many of the texts which are also included. Accompanists include Gerald Moore and Alicia de Larrocha, and Victoria de Los Angeles provides a guitar accompaniment herself in one song. The last track of all, a zapateado from a zarzuela, recorded live in New York, must almost have brought the house down.
Average customer rating:
- An Alchemy of Antiquity
- easily the most formidable instrumentalists in early music
- Ladino-Ensemble Accentus
- Love that fiddle!
- Can't top this one!
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Sephardic Romances
Manufacturer: Naxos
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Similar Items:
- Secular Music from Christian and Jewish Spain
- The Black Madonna
- The Splendour of Al-Andalus
- Mudejar
- On the Way to Bethlehem (Music of the Medieval Pilgrim)
ASIN: B0000014EE
Release Date: 1997-02-04 |
Tracks:
- Avrix Mi Galanica
- La Serena
- Sa'd
- Partos Trocados
- Yo M'enamori D'un Aire - Las Estrellas De Los Cielos
- Si Verias
- A La Nana
- Omorfoula
- El Rey Que Muncho Madruga
- Pro D'hermozura
- Esta Monta'enfrente
- Kavaldulka
- Por La Tu Puerta Yo Pas
- Hija Mia Mi Querida
- Nani, Nani
- Ya Viene El Cativo
- Rahelica Baila
Customer Reviews:
An Alchemy of Antiquity.......2005-10-11
The Sephardim were the Jews of Spain. They picked up many musical elements on their journey there. The sum is very much an alchemy of antiquity. It's got Greek modes, North African percussion, Turkish/Arabic melodies and a bit of Western European refinement. The original Jewish component is the lyrical text which was first sung by women around the house. After being steeped in the culture of Andalusian Spain for a few centuries it allowed more and more instrumental phrases. And since this was secular music, it was acknowledged and enjoyed by everyone at this place in time -- Muslims, Jews and Christians. The ensemble who performed these pieces did a great job, utilizing completely acoustic and culuturally-respective instruments. You can't beat the price either!
easily the most formidable instrumentalists in early music.......2001-08-07
Note, however, that Sephardic music is NOT verifiably medieval, having been recorded only in the 20th century. Also note that Sephardic songs are/were rarely accompanied by instruments (all the arrangements here are instrument-heavy). Nonetheless, the fact remains that Michael Posch, Marco Ambrosini, Riccardo Delfino, and Thomas Wimmer are among the very few truly brilliant early music players at large. Their names may never be trumpeted by early music critics, but that's because said critics tend to be desiccated scholars instead of impassioned musicians (rather like most of the performers they critique). This CD features lots of compelling improvisations and extended solos -- including one, "kavaldulka", that's just from another world. Purists be damned: the musicianship is too good to be missed! btw, the ensemble is also known as Unicorn and Oni Wytars.
Ladino-Ensemble Accentus.......2000-05-19
Of all the Ladino/Sephardic music I have come across, this is one of the most lovingly crafted compilations. The ensemble treats every song with respect and care, and plays them with great spirit. The songs chosen were also organized in a way that helps to reflect the beauty of the music. Absolutely enchanting!
Love that fiddle!.......2000-05-10
I agree with the other reviews here; this is an excellent CD, especially given the bargain price. I love the fiddling on this disc in particular - it's a must-listen for any fiddlers looking to expand their horizons. Great rhythm throughout, too, and the recording quality is fantastic; the music really comes alive in stereo. Highly recommended.
Can't top this one!.......1999-12-19
The above review hits the nail on the head. What I especially enjoy are the inventive and highly rhythmic arranagements that bring out the full variety, verve, spirit and beauty of this special music.
With the bargain price this is a good way to exoplore this genre of music.
Average customer rating:
- Like a religious experience
- Dissappointing soprano
- A balm for any soul
- Ten stars if possible...
- Historical re-release
|
Secular Music from Christian and Jewish Spain
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
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- Sephardic Romances
- Music for the Spanish Kings
- The Splendour of Al-Andalus
- Mudejar
- Spanish Music of Travel and Discovery/ The Waverly Consort
ASIN: B00000J2QD
Release Date: 1999-06-08 |
Tracks:
- Villancicos From Cancionero de la Colombina: Ni?a y vi?a
- Villancicos From Cancionero de la Colombina: Propide melyor
- Villancicos From Cancionero de la Colombina: Como no le andaro
- Villancicos From Cancionero de la Colombina: Recercada
- Villancicos From Cancionero de la Colombina: Fantasia
- Villancicos From Cancionero de la Colombina: Pavana
- Villancicos From Cancionero de Palacio: Al alva venid, buen amigo
- Villancicos From Cancionero de Palacio: Perda mi rrueca
- Villancicos From Cancionero de Palacio: A los badel amor
- Villancicos From Cancionero de Palacio: Fantasia
- Villancicos From Cancionero de Palacio: Romanesca
- Villancicos From Cancionero de Palacio: Pues bien para esta
- Villancicos From Cancionero de Palacio: Si av dicho, marido
- Romances From Cancionero de Palacio: Si d'amor pena sent
- Romances From Cancionero de Palacio: O voy
- Romances From Cancionero de Palacio: Qu'es de ti, desconsolado
- Recercadas sobre tenores: Recercada 4
- Recercadas sobre tenores: Recercada 5
- Recercadas sobre tenores: Recercada 6
- Villancicos From Cancionero de Uppsala: Yo me soy la morenica
- Villancicos From Cancionero de Uppsala: Si la nocha haze escura
- Villancicos From Cancionero de Uppsala: Soleta s ac
- Villancicos From Cancionero de Uppsala: Con qua lavar
- Villancicos From Cancionero de Uppsala: Soy serranica
Tracks:
- Sephardic Romaces: Pregoneros van y vienen
- Sephardic Romaces: El rey de Francia tres hijas tenia
- Sephardic Romaces: Una matica de Ruda
- Sephardic Romaces: Palestina hermoza
- Sephardic Romaces: Nani, nani
- Sephardic Romaces: El rey que tanto madruga
- Sephardic Romaces: Por que llorax blanca nina
- Sephardic Romaces: Moricos los mis moricos
- Sephardic Romaces: Lavava y suspirava
- Sephardic Romaces: Paxarico tu te llamas
- Sephardic Romaces: La Reina xerifa mora
- Sephardic Romaces: Por alli paso un cavallero
Amazon.com
Before their expulsion in 1492, the Jews of medieval Spain developed a rich and lively culture, including an exquisite repertory of songs called romanceros--and they kept that repertory alive as they settled in places as diverse as Morocco, Bosnia, Turkey, and Bulgaria. Lovely as the romanceros are, they would have languished as the objects of ethnomusicological studies and might have disappeared altogether, were it not for the efforts of gifted musicians like Hespèrion XX. Jordi Savall and his ensemble, fronted by the unique soprano Montserrat Figueras, just about single-handedly brought those songs to the attention of the modern public with this 1976 recording (now reissued at a bargain price). Disc 1 features a selection of secular music from "Christian" Spain--that is, the courts of Ferdinand and Isabella and the Catholic nobility. The music is elegant and occasionally austere, but Figueras, Savall, and colleagues give the livelier pieces a flavorful swing. Yet disc 2, which features the Sephardic songs, is the real drawing card here. It was in Moorish Spain that Jewish culture flourished, so Hespèrion XX performs the romanceros with Arabic instruments, such as the 'ud (the ancestor of the European lute) and hand drums. These musicians, rechristened Hespèrion XXI in honor of the new century, perform this repertory with more polish now than they did in 1976, but--just as A Feather on the Breath of God did for Hildegard von Bingen--this recording made its own little bit of musical history. --Matthew Westphal
Customer Reviews:
Like a religious experience.......2007-03-28
This disc is pure magic that transends and defies definition. It is time period music that has been rereleased to capture the magic of the original recording. Each song is amazing. The music creates a mood that is best enjoyed alone ,in private so that your thoughts can be elevated to the point of inspiration. Although I like both discs I prefer the one that features Sephardic Romances over the disc that is Court Music and Songs. Montserrat Figueras angelic voice lends itself to beautiful interpretations of these beautiful songs from the Age before the expulsion of the Jews from Spain in 1492. This ancient music is preserved and freshly interpreted under the masterful leadership of Jordi Savall for an authentic recreation. If you have never heard Hesperion XX check this one out, it is fantastic. Recommended for classical music fans who want to hear something different. Once you hear Montserrat Figuerras voice you will feel the inspiration and be hooked on her angelic voice.
Dissappointing soprano.......2006-02-22
I was excitet buying this CD, expecting the quality of songs equal or better than
Begona Olavide and Carlos Paniagua on MA recodings. The music was fine but singing by soprano Montserrat Figueras was borderline annoying.
A balm for any soul.......2001-01-02
Attempting to review a Savall/Figueras CD is a frustrating task. The arsenal of superlatives is so quickly depleted. Terms like 'matchless' and 'unique' might be used, but lack strict definition. After all, a 'matchless' voice needn't be a good one. Terms like 'divine' or 'angelic' tend to remove Montserrat's singing from the real and human. She's nothing if not human. Having been blessed with watching as well as hearing her perform, vouching for her vitality on a stage is easy. But the superior quality of her voice and presentation is so far above the mundane or common as to become nearly indescribable. Anything less than adulation for her seems to indicate shortcomings in the disk or performer. Neither performance nor disk quality falls short here. That she performs religious songs here simply adds to the power of her impact on the listener. You necessarily hesitate, cease other activity, and, if moved enough, drop to your knees in respect and admiration. Tough to do in a crowded concert hall, but the motivation is there. And this from someone who shunned listening to vocal performances for many years. Dame Kiri was one exception and Argenta another, but the discovery of Figueras was the discovery of a voice without flaw.
Anyone visiting this page must certainly know of Jordi Savall and Hesperion XX. You may, however, have missed the glory of Montserrat Figueras' voice. Make up for that lack right away. The selections available here are pitifully limited, but this CD is as good an introduction as any. Don't hesitate to sit and enjoy this music. The sounds received will be a reward to whatever spiritual sense you possess.
Ten stars if possible..........2000-01-27
I agree completely with Stephan: outstanding performance. Montserrat at her best. If "Si d'amor pena sentis" doesn't bring tears to your eyes, what does?
Historical re-release.......1999-07-20
Hesperion XX were pioneers in reviving this music, and collectors will value these recordings which first came out in 1976. However most listeners may prefer more recent recordings by Wimmer on Naxos, and Alia Musica on Harmonia Mundi which have digital sound and include Spanish, and occasionally Hebrew, texts and translations.
Average customer rating:
- they're at it again!
- Musica en el Palacio de los reyes catolicos
- Very good
- Some very lively and lovely music
|
Cancionero Musical de Palacio
Manufacturer: Naxos
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Similar Items:
- Music of the Spanish Renaissance
- Secular Music from Christian and Jewish Spain
- Sephardic Romances
- Music for the Spanish Kings
- Spanish Music of Travel and Discovery/ The Waverly Consort
ASIN: B00000149R
Release Date: 1996-11-05 |
Tracks:
- Rodrigo Martinez
- Con Amores, Mi Madre
- Pues Que Jamas Olvidaros
- Si Abra En Este Baldres
- Si D'Amor Pena Sentis
- Tir Alla, Que Non Quiero
- Todo Quanto Yo Servi
- Levanta Pascual
- Malos Adalides Fueron
- Todos Los Bienes Del Lmundo
- Durandarte
- Fata La Parte
- Pedro, I Bien Te Quiero
- Danza Alta
- Qu'es De Ti, Desconsolado
- La Tricotea
- Ay Triste, Que Vengo
- So Ell Enzina
- Como Esta Sola Mi Vida
- O Voy
- Tres Morillas M'Enamoran
- Hoy Comamos Y Bebamos
Customer Reviews:
they're at it again!.......2001-08-07
The players here (also known as Unicorn and Oni Wytars) are among the very few truly brilliant early music performers. Not for them the dry, desiccated path of passionless scholarship! Unlike almost every other instrumental early music ensemble (and I've surveyed a LOT), they display fully engaged, scintillating musicianship at every turn. Their unconventional performance decisions tend to cut them out of critics' golden lists -- most of this music shouldn't really be considered authentically presented -- but such objections go lame and impotent before the vivacity and improvisational panache saturating this CD...along with their MANY others!
Musica en el Palacio de los reyes catolicos.......1999-12-07
One of my favorite cancioneros ,and one that I recommend to all.It is performed on period instruments,and it contains romances,songs from about the times of the "reconquista",instrumental pieces, pieces for viols, and solos for vihuela. One of my favorite pieces of this is track 14 Danza Alta by Francisco de la Torre,it's an intrumental piece for viols and recorder.This music that was performed at the court of King Don Fernando de Aragon.It is hard of finding recordings of Cancioneros at budget price so take advantage of this one...It's really good
Very good.......1999-07-11
Another 4 stars, though I don't share the reviewer from Australia's reservations about the lack of rasp in the singing. Who really knows how these notes were sung? It's a matter of personal preference. Alround a very good recording but not "the definitive" version of these songs (we may never have that). There is a companion disc by Wimmer : Early Music - Sephardic Romances which, like this one, has Spanish texts and English translations. (Naxos) 553617.
There is also another recording of similar material on Naxos : Royal Songbook, by Thorby and Musica Antiqua London - but that is marred by lack of texts or translations. (Naxos 553325)
And a final recommendation : Music of the Spanish Renaissance / Shirley Rumsey / Recorded 1991 / Spanish texts and English translations. 550614
Some very lively and lovely music.......1999-02-28
After centuries of Arabic and Jewish influence, the new music of Spain born at the court of Ferdinand and Isabella had all the strength of European melody with all the richness of rhythm and chromatic freedom of Northern Africa and the East. The performances by Ensemble Accentus do full justice to this music - largely because it and its director, Thomas Wimmer, have delved into and brilliantly performed the Jewish Sephardic music of old Spain. My only complaints are that there is not enough music here by Juan del Encina; and the singers do not understand the texture of old music. Most singers strive for purity and smoothness of voice and register, but the Renaissance loved loud, deep, rich, overtoned and raspy voices: voices with the sting of crumhorns and hurdy-gurdies. Here we hear some of the instruments played well, but not the larynxes which should accompany them. Nonetheless, a valuable and enjoyable CD for any fan of this era. [SW]
Average customer rating:
- Lo mejor del barroco latinoamericano
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Baroque Music of Latin America
Manufacturer: Dorian Recordings
ProductGroup: Music
Binding: Audio CD
General
| Baroque (c.1600-1750)
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ASIN: B00004NKH2
Release Date: 2000-03-14 |
Tracks:
- Quien Sal Aqueste Dia Disfracado
- Dios Y Joseph Apuestan
- Ausente Del Alma
- Si De Rosa El Nombre
- Cuando El Bien Que Adoro
- A Este Sol Peregrino
- Desvelado Dueno Mio
- Recordad Jilguerillos
- A La Fuente De Bienes
- A Recoger Pasiones Inhumans
- A Cantar Un Villancico
- Nino Mio
- Hanacpachap
- El Dia De Corpus
- Villancico Al Nacimiento
- Tleycantimo Choquiliya
- Dame Albricia Mano Anton
- Mano Fasiquiyo
- Esta Noche Yo Baila
Customer Reviews:
Lo mejor del barroco latinoamericano.......2000-09-18
In this Dorian recording we hear music by Latin-American composers from South America(Colombia,Venezuela,Peru,and Bolivia) and one Portuguesse composer who worked in Puebla,Mexico....All music after track #10 are christmas carols of the period, two of these carols are anonymous... track #13 was composed by Juan Perez de Bocanegra in Peru, is a hymn in Quechua (The language of the Incas)....Tracks nos. 16,17 and 18 are by Gaspar Fernandes, the manuscript for most of this music were found in Puebla,Mexico...Track #16 is in one of many dialects found in the new world. Tracks nos. 17 and 18 are of a form of popular music at the time, known as 'negrito', this is music that was written for performance by African slaves, because they are in a "broken-down" Spanish, as it was spoken by the african slaves, all three of this villancicos are christmas carols, and I think that this practice was done to make easier the conversions of natives and Africans to christianity....So here in this recording we have a little of the very best of the baroque music in a new world.....The Camerata Renacentista de Caracas do a very good job and the instrumentation is wonderful... I still ask my self this quiestion at times:How much music is still hidden in monasteries an cathedrals in Latin-America???? How many composers might be there be that we still know nothing about them, or their music???????
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El Canto de la Sibilla I & II; El Cancionero; Cantigas (Box Set)
Manufacturer: Naive
ProductGroup: Music
Binding: Audio CD
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ASIN: B00007J4XK
Release Date: 2003-11-18 |
Average customer rating:
- The soprano with the "scimitar glint" in her voice
- Glorious tribute to sadly neglected singer
- One of the great sopranos
- One of the great sopranos
- A Passionate and Elegant Soprano
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The Art of Pilar Lorengar
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Similar Items:
- Prima Donna in Vienna
- Pasión!
- The Most Famous Opera Arias
ASIN: B00007EBGI
Release Date: 2003-03-11 |
Customer Reviews:
The soprano with the "scimitar glint" in her voice.......2003-11-22
Pilar Lorengar may not be as famous as her Spanish Counterparts, Victoria De Los Angeles and Montserrat Caballe. But, opera afficionados still treasure her. The reasons why are elaborately laid out on this two-disc recital. The first disc is dominated in the first half by Puccini arias. Since these are famous arias, it would be easy to sing them in a conventially pretty manner. Instead, Lorengar offers wonderful interpretations of such arias as Un Bel Di and a personal favorite, Senza Mamma. She may not be able to belt it out like some of her peers, but she invokes a true sense of artistry. The same can be said for her Mozart- just listen to the aching way she sings the first line of Dove Sono- "E Susanna non vien..." Another standout is Come Scoglio, which she sings with great flair and drama. My only gripe, which is why I gave this recital 4 stars instead of 5 is that, alas, there is nothing from one of her greatest roles, Donna Elvira. It is very baffling why the linear essay makes mention of how successful her Met debut as Donna Elvira was, but nary an aria made the cut for the first disc. However, if you want to hear her interpretation of this great role, buy the highlight disc of Don Giovanni, which is readily available, for budget-price. The disc also features Sutherland and Horne.
Two other favorites from this disc are the moon aria from Rusalka, as well as the duet from Arabella, which is heartbreakingly beautiful. Thankfully, she is paired up with Arleen Auger, an accomplished artist in her own right.
The second disc of Zarzuela is wonderful as well. Especially wonderful are the Tonadillas. Just Lorengar's lovely voice, and Alicia Dellarocha's piano. Very relaxing to listen to...
Sadly, Lorengar is no longer with us, but her artistry is her, for us to treasure.
Glorious tribute to sadly neglected singer.......2003-07-08
Although known among opera aficianados, Pilar Lorengar never reached the heights of fame and name recognition as her contemporaries Callas and Sutherland. This has lead to an unfortunate dirth of Lorengar on CD, and which makes this compilation most welcome. Although never an operatic superstar, Lorengar had a magnificent instrument: soft, creamy, dramatic when necessary, and always charming. Fortunately she had a long career with Decca and made some magnificent recordings, many of which appear on this delicious two-CD set. I think few can fail be to moved by her near-perfect Mimi, her touching Cio-Cio San (infused with just the right amounts of pathos and fortitude, her ravishing Mozart interpretations, and her silvery reading of Korngold's "Gluck, das mir verlieb". The second CD is entirely made up of her specialty repertoire of songs from her native Spain, and these, while maybe not quite as familiar, are also a delight. Hopefully this compilation will make her better known to casual opera fans who only listen to Callas or Fleming simply because they're better-known names; this has been a much-needed release!
P.S. - For those who would like an inexpensive introduction to Lorengar in a complete operatic role, it has come to my attention that Decca is re-issuing her fantastic "Cosi Fan Tutte" (conducted by Solti) in its "Compact Opera" series very soon. The cast, which also includes Berganza, is perfect and Solti's conducting right on the mark. Keep your eyes open for it!
One of the great sopranos.......2003-06-16
Pilar Lorengar is the best Spanish soprano of the last fifty years. Her silvery voice, beautiful vibrato, and clear phrasing are something to behold. Her Rossini's Stabat Mater (with Pavarotti, Minton, Sotin, Kertész cond) is the best version of this work. Her Traviata (Maazel cond.), Don Giovanni (Bonynge cond.), and Gounod's St.Cecilia Mass (Hartemann cond.) are superb. But I believe the best Lorengar is in her early zarzuela recordings, where her voice had, apart from all its other qualities, a young, sweet, candid tone that touched the listener, and her vibrato evoked a fountain of fresh, clear water. I hope some recording company produces a CD set with her zarzuela arias, and pieces with other soloists. Meanwhile, the present Decca two-disc release is very welcome.
One of the great sopranos.......2003-06-16
Pilar Lorengar is the best Spanish soprano of the last fifty years. Her silvery voice, beautiful vibrato, and clear phrasing are something to behold. Her Rossini's Stabat Mater (with Pavarotti, Minton, Sotin, Kertész cond) is the best version of this work. Her Traviata (Maazel cond.), Don Giovanni (Bonynge cond.), and Gounod's St.Cecilia Mass (Hartemann cond.) are superb. But I believe the best Lorengar is in her early zarzuela recordings, where her voice had, apart from all its other qualities, a young, sweet, candid tone that touched the listener, and her vibrato evoked a fountain of fresh, clear water. I hope some recording company produces a CD set with her zarzuela arias, and pieces with other soloists. Meanwhile, the present Decca two-disc release is very welcome.
A Passionate and Elegant Soprano.......2003-04-29
At last, Decca has made amends for ignoring this magnificent artist by releasing a 2-disc set of some of her best recordings of the 60s and 70s. Actually I dont think Lorengar ever made a bad or even an uninteresting recording. She was a superb lyric who was the equal of Freni, and far more versatile. A star at the San Francisco and Berlin Staatsoper, Lorengar enjoyed a long and successful career. Her appearances at the Metropolitan Opera were events. I saw her as Desdemona, Elsa, and Fiordiligi, and she was wonderful (how sad that I missed hearing her there in the 60s).
There was some controversy about her singing. Terry McEwen, her great supporter at London records in the United States, loved what her called her "shimmering" top, that reminded him of the great German lyrics, Schwartzkopf, Reining, Lemnitz, Muller, Janowitz,etc. Some found that gorgeously blooming top to contain a beat, or a slight wobble. Nothing could be further from the truth. That top, coupled with her superb diction, and excellent vocal technique and outstanding breathing, made her one of the most distinctive voices of her generation. The top was pure sunshine with a throb. Nobody sounded remotely like her. I loved her singing.
I wish Decca had released all her fine recordings for that company in a multi-disc set. Perhaps they were worried that it wouldn't sell. Her first recital of Italian and French arias, the Prima Donna in Vienna album, as well as her Spanish song recital with the incomparable Alica de Larrocha, and her final Decca recital were all superb, and might have fit on three generous CDs. Here we get bits and pieces from all the LPs, plus arias from some her her complete recordings on Decca. So we're missing such treasures as her arias from THE PEARL FISHERS, DON CARLO, and other important items.
I don't care. Lorengar's superb singing of arias from MADAMA BUTTERFLY, LA BOHEME, LA RONDINE, LOUISE, RUSALKA, LOHENGRIN, DIE ZAUBERFLOTE, COSI FAN TUTTE, ARABELLA (with Arlene Auger!) and others (plus a generous selection of that famous Spanish song recital), make the point abundantly clear. No matter what language Lorengar is singing, she touches the heart.
Today's lyrics could learn a lot from listening to these superb selections. Lorengar's beautiful legato singing is married to the text of each item she sings. Here is a lyric with a strong middle to go along with the bottom and top ranges. She and her conductors never dawdle, pulling at the rubato as though it were Turkish Taffey such as Renee Fleming (who has an compellingly beautiful voice which she undermines with deadly slow tempi and and overly complicated phrasing).
Lorengar was intermittently busy in the recording studios throughout her long career. If you can find her recording of THE BARTERED BRIDE (EMI and in German, rather than the original Czech), grab it. She's a superb Pamina and Fiordiligi for Solti (Decca). On Fritz Wunderlich's Gala CD set, she partners him brilliantly in a live recording of the Act one duet from MADAMA BUTTERFLY. I'm a huge fan of her work on the Maazel-led LA TRAVIATA (also on Decca). She was still in superb voice in the mid to late 80s in a live Zarzuela concert with Placido Domingo (Sony). And near the end of her career, she still stunned in the famous LES HUGUENOTS duet at a Richard Tukcr gala with the emerging Richard Leech. Sadly, she died in her late 50s, a victim of cancer.
Lorengar's recordings got lost in the re-issue shuffle of the first wave of CD's issued around 1983. I finally snagged a collection which was re-mastered for release in Japan, spending a fortune for this import just to have some Lorengar on CD. That must have been at least 10 years ago. Decca has finally rectified this shamless omission. This 2-CD set offers the richest trove of her recordings we have so far. A must-have set, Lorengar delivers direct, heartfelt, elegant singing to set beside the best of Freni, Price, Moffo, Te Kanawa, etc.
Average customer rating:
- Well, it's better than Afshar's travesty...
- A Wonderfull Album.....
|
Castelnuovo-Tedesco: 24 Caprichos de Goya para Guitarra, Op. 195
Manufacturer: MD&G Records
ProductGroup: Music
Binding: Audio CD
Guitar
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ASIN: B0000021F4
Release Date: 1997-01-21 |
Tracks:
- Vol. 1: Francisco Goya Y Lucientes, Pintor
- Vol. 1: Tal Para Qual
- Vol. 1: Nadie Se Conoce
- Vol. 1: Ni Asi La Distingue
- Vol. 1: Muchachos Al Avio
- Vol. 1: El Amor Y La Muerte
- Vol. 2: Estan Calientes
- Vol. 2: Dios La Perdone: Y Era Su Madre
- Vol. 2: Bien Tirada Esta
- Vol. 2: Al Conde Palatino
- Vol. 2: Y Se Le Quema La Casa
- Vol. 2: No Hubo Remedio
Tracks:
- Vol. 3: Quien Mas Rendido?
- Vol. 3: Por Que Fue Sensible
- Vol. 3: Si Sabra Mas El Discipulo?
- Vol. 3: Brabisimo!
- Vol. 3: De Que Mal Morira?
- Vol. 3: El Sueno De La Razon Produce Monstruos
- Vol. 4: Hilan Delgado
- Vol. 4: Obsequio A El Maestro
- Vol. 4: Que Pico De Oro!
- Vol. 4: Volaverunt
- Vol. 4: Linda Maestra
- Vol. 4: Sueno De La Mentira Y La Inconstancia
Customer Reviews:
Well, it's better than Afshar's travesty..........2004-11-11
...Thought that isn't saying much. Bungarten demonstrates precisely no grasp of the music on this record, and turns a fantastic, and epic, work for guitar into yet another reason why the classical guitar is treated like the red-headed step-child of the classical world. Avoid.
A Wonderfull Album............2004-09-16
I great recording of Tedesco's rarely played masterpiece....
"Tons" of musicality....Great technique....The best Recording of the piece i've ever heard.....
Bravo Frank!!!
Average customer rating:
- Latin American Baroque at its best!!!
- Sunny and joyous!
- Musica en el nuevo mundo
|
Nueva Espana
Manufacturer: Elektra / Wea
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ASIN: B000005E9V
Release Date: 1994-02-08 |
Tracks:
- Cum audisset Joannes
- Hanacpachap cussicuinin
- Deus in adjutorium - Domine in Adjutorium
- A este sol peregrino
- La Reina do los Pangelinguas
- Lamentatio
- Pabanas
- Que se ausenta
- Xichochi conetzintle
- Ay Ay galeguinos
- Exultate, iusti, in domino
- Tiento
- Dame albricia, 'mano Anton
- Gallego: Si al nacer o minimo
- Tarara, tarara
- Hanacpachap cussicuinin
- Los conflades de la estleya
- Cumba
- Agnus Dei
- Agnus Dei from the Misse Ave regina
- Guaracha: Convidando esta la noche
Customer Reviews:
Latin American Baroque at its best!!!.......2001-11-30
A very well chosen selection of music from Latin America in the 16th and 17th centuries. This music was produced by a very powerful mixture of African, European, and Indian elements. You get to hear music in Galician, Castillian, Quechua, Nahuatl, and Latin (sometimes even mixed) all sounding European but always with a very distinct New World falvor.
For those with a taste for baroque music, this recording provides a very alternative and refreshing sound. My personal recommendations: Hanacpachap cussicuinin, A este sol peregrino, tarará and Guaracha: Convidando esta la noche. Remember to hear the last two pieces together... the contrast provided by the different styles makes the last piece even more exciting.
Sunny and joyous!.......2000-04-10
We all know about the horrors of the Age of Exploration in the New World. However, Joel Cohen's goal with this recording is to call attention to "the meeting places of light and beauty that did indeed exist in those terrible, hard centuries." He shows us the fruitful intercultural exchange that transpired between the indigenous American cultures, the Spanish, and the Africans.
And indeed, this is beautiful music. It is lively and driven at times by the sunny strumming of the baroque guitar and the maracas, tambourine, and claves, and at other times stately with the contemplative musings of Iberian harp or the majestic organs in Mexican cathedrals. The lovely, baroque/Latin voices (most of the time a quartet of two sopranos, a counter-tenor, and a tenor) soar throughout, sometimes sobbing, sometimes creating the impression of frantic dancing. But the real revelation is the inclusion of the black women's choir "Les Amis de la Sagesse," who add their Afro-Caribben stylizations (sometimes ambiguously Indian) to hymns and chants, culminating in an exuberant and majestic religious guaracha with the entire ensemble. A true gem.
Musica en el nuevo mundo.......1999-09-30
This is a great recording by the Boston Camerata. Music from the new world perfomed on period instruments.This recording includes music by Spanish and native composers.This was inspired and influenced by the different cultures of the new world from a vailete to a cumba,from music of Spain to a chant in honor of the virgin Mary in Quechua(The language of the Incas)This is a great recording of the music of colonial Latin-America.
Average customer rating:
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The Polish School, Part 1: Sopranos and Mezzo-Sopranos (1902-1935) Libro 1
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ASIN: B000024KZJ
Release Date: 1996-11-19 |
Tracks:
- Ernani: 'Ernani, Ernani, Involami' From Act I - Marcella Sembrich-Kochanska
- Voices Of Spring - Marcella Sembrich-Kochanska
- La Traviata: 'Ah, Fors'e Lui...Sempre Libera' From Act I - Marcella Sembrich-Kochanska
- La Traviata: 'Ah, Fors'e Lui...Sempre Libera' From Act I - Marcella Sembrich-Kochanska
- Rigoletto: 'Caro Nome' From Act I - Marcella Sembrich-Kochanska
- Il Barbiere Di Siviglia: 'Una Voce Poco Fa' From Act I - Marcella Sembrich-Kochanska
- Alessandro: 'Lusinghe Piu Care' From Act I - Marcella Sembrich-Kochanska
- Hamlet: 'Doute De La Lumiere' From Act I - Marcella Sembrich-Kochanska/Emilio de Gogorza
- I Puritani: 'Qui La Voce' From Act II - Marcella Sembrich-Kochanska
- Le Nozze Di Figaro: 'Sull'aria...Soave Zeffiretto' From Act III - Marcella Sembrich-Kochanska/Emma Eames
- The Maiden's Wish - Marcella Sembrich-Kochanska
- Wohin? - Marcella Sembrich-Kochanska/Frank La Forge
- Si Mes Vers Avaient Des Ailes - Marcella Sembrich-Kochanska/Frank La Forge
- Lo Que Esta De Dios - Marcella Sembrich-Kochanska
- Tales From The Vienna Woods - Marcella Sembrich-Kochanska
- Ouvre Tes Yeux Bleus - Marcella Sembrich-Kochanska/Frank La Forge
- To A Messenger - Marcella Sembrich-Kochanska/Frank La Forge
- 'My Own Sweet Maiden' Op.18 No.3 - Marcella Sembrich-Kochanska/Frank La Forge
- The Longest Day Is In June - Marcella Sembrich-Kochanska/Frank La Forge
- If The Apples Bloom - Marcella Sembrich-Kochanska/Frank La Forge
- I Heard A Cry - Marcella Sembrich-Kochanska/Frank La Forge
- 'Now Shines The Dew' Op.72 No.1 - Marcella Sembrich-Kochanska/Frank La Forge
- 'Spring Song' Op.32 No.2 - Marcella Sembrich-Kochanska/Frank La Forge
- Consecration - Marcella Sembrich-Kochanska/Frank La Forge
- Pretty Polly Oliver - Marcella Sembrich-Kochanska/Frank La Forge
Tracks:
- Halka: Gdyby Rannym Slonkiem - Salomea Kruszelnicka
- Madama Butterfly: Un Bel Di Vedremo From Act II - Salomea Kruszelnicka
- Chopin: Duet From Act III - Janina Korolewicz-Waydowa
- The Countess: 'O Moj Dziadunio' Bronia's Song - Janina Korolewicz-Waydowa
- Faust: 'Ah Je Ris' (Jewel Song) From Act III - Janina Korolewicz-Waydowa
- La Juive: 'On Nadejsc Ma' (Il Va Venir) Rachel's Aria From Act II - Janina Korolewicz-Waydowa
- Lohengrin: 'Weselny Przebrzmial Spiew' From Act III - Helena Zboinska-Ruszkowska/Stanislaw Gruszczynski
- La Forza Del Destino: La Vergine Degli Angeli - Helena Zboinska-Ruszkowska
- La Traviata: Zegnajcie Przeszlosci Marzenia From Act III - Matylda Polinska-Lewicka
- Halka: O Moi Malenki Cavatina From Act IV - Matylda Polinska-Lewicka
- Vars From Mozart's 'Ah, Vous Dirai-Je Maman' - Ada Sari
- Lucia Di Lammermoor: Quando Rapita In Estasi From Act I - Ada Sari
- Lucia Di Lammermoor: Il Dolce Suono From Act III - Ada Sari
- Il Barbiere Di Siviglia: 'Una Voce Poco Fa' From Act I - Ada Sari
- La Traviata: 'E' Strano, E Strano...Sempre Libera' From Act I - Ada Sari
- Lakme: 'Dov'e L'Indiana Bruna' Bell Song From Act II - Ada Sari
Tracks:
- Fruhlingsstimmen-Walzer - Ada Sari/Charles Cerne
- Pamietam Ciche, Jasne Zlote Dnie - Ada Sari/Otto Schulhof
- The Charm Eyes - Ada Sari/Otto Schulhof
- Rigoletto: 'Ah Mia Gilda! Fanciulla!' - Maria Mokrzycka/Mattia Battistini
- La Traviata: 'Madamigella Valery...Pura Siccome Un Angelo' From Act II - Maria Mokrzycka/Mattia Battistini
- Polish Folksong - Maria Mokrzycka
- Madama Butterfly: 'Madchen, In Deinen Augen Liegt Ein Zauber' Duet From Act I - Jadwiga Debicka/Helge Rosvaenge
- La Boheme: 'O Du Sussestes Madchen' From Act I - Jadwiga Debicka/Helge Rosvaenge
- La Boheme: 'Sind Wir Allein? (Sono Andati?)' From Act IV - Jadwiga Debicka/Helge Rosvaenge
- Manon: 'Sie Heisset Manon' From Act II - Jadwiga Debicka/Helge Rosvaenge
- Halka: Scene From Act II - Helena Lipowska/Wiktor Bregy
- Madama Butterfly: 'Tam Na Wschodniej Stronie' From Act II - Ewa Bandrowska-Turska
- Carmen: 'L'amour Est Un Oiseau Rebelle' Habanera From Act I - Wanda Werminska
- Samson Et Dalila: 'Mon Coeur S'Ouvre A Ta Voix' From Act II - Wanda Werminska
- Schwanengesang No.5 D 957: 'Aufenthal' - Maria Olczewska/George Reeves
Salsa Music:
- Si Tu Me Miras
- Solitude on Guitar
- Special Delivery
- The Best of Eddie Palmieri: Lo Mejor de Eddie Palmieri
- Travessia
- Tribute to Tito Rodriguez
- Una Aventura Llamada Menudo
- Ven a Mi
- Vivencias
- 14 Exitos, Vol. 2
Salsa Music
salsa music
Salsa Music
Under The Waves [Import]
Firebird Ballet / Dukas: Sorceror's Apprntice
Duke Ellington, Vol. 1
Nashville After Midnight
Cheap & Evil Girl
Bossa Jazz Deluxe [Import]
Choice to Rejoice
Box Set [Box set]
Comme d'Habitude
Bernstein Tribute
Carmel [Import]
Alex Bartha's Hotel Traymore Orchestra & Roane's Pennsylvanians
Block 2 Block [Explicit Lyrics]
The Show, The After Party, The Hotel
Thanks for the Memories: The Academy Award Winners 1934-1955