| 1. Ya No Interesa |
| 2. Camino Caminito |
| 3. Salsa a Quisqueya |
| 4. Detras de Ti |
| 5. Dime Si |
| 6. Cantando |
| 7. Son Tradicional |
| 8. Reloj |
En El 78,La Charanga 76,Top Ten Hits,Latin,Latin Pop,Tropical
Average customer rating:
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Duets with Spanish Guitar
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002S1C Release Date: 1991-07-01 |
Tracks:
- Entr'acte
- Bachianas brasileiras No. 5 - Aria
- Ronde
- Azulao
- Prelude In E Minor, Op. 28 No. 4
- O Cacador
- Pastorale joyeuse
- Tes pontos de santo
- Tambourin
- Boi-Bumba
- Sicilienne
- Para ninar
- Piece en forme de habanera
- Maracatu
- Pavane pour une Infante defunte
- Passarinho esta cantando
- Modinha
- Serenade For Strings: Waltz
- Siete Canciones populares espanolas: Cancion
- The Three Cornered Hat: Farruca
Customer Reviews:
A Perfect Gem from so many years ago...STILL Available!.......2007-07-18
Years passed, and cds came, and it was transferred, and I immediately snapped up a copy of it, again. In these following years, I fear I had completely forgotten about it....shame on me! I am so pleased to know that it is still available, and that I can recommend something that is STILL available to you (which is rare for me to be able to do).
I cannot recommend highly enough that you purchase a copy of this great album to enjoy, over and over again. I guarantee it will become a highlight in your collection. I have taken my copy off the shelf and am listening to it as I type this review. I recommend you go to the little snips above, and listen to # 2, Villa Lobos...that should do it! ~operabruin
Like Finding An Old Friend.......2007-07-14
A Sweet Piece of Art Work.......2007-05-13
Haunting Beauty.......2007-03-22
Superb .......2007-01-08
Average customer rating: |
Piano Fantasy: Music for Two Pianos
Manufacturer: Philips ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008CLIF Release Date: 2003-10-14 |
Average customer rating: |
500 Classic Masterpieces
Manufacturer: Vox (Classical) ProductGroup: Music Binding: Audio CD ASIN: B00008FZWM Release Date: 1992-11-04 |
Average customer rating:
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For flute & guitar
Manufacturer: Tall Poppies ProductGroup: Music Binding: Audio CD ASIN: B000009JUL Release Date: 1995-05-05 |
Customer Reviews:
great playing.......2004-10-20
Worth the money for the Rodrigo alone, but the Ibert is a classic - standard flute and guitar repertoire... and Kain makes the Faure sound easy.....
the few guitar solos in there two are clean and perfect.
Average customer rating: |
Legendary Recordings: The Originals From the Deutsche Grammophon Catalogue
Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD ASIN: B000001GPV Release Date: 1996-01-23 |
Tracks:
- Stravinsky - trois Mouvements De - Maurizio Pollini
- 2. Chez Petrouchka - Maurizio Pollini
- 3. La semaine grasse. Con moto - Allegretto - Maurizio Pollini
- Prokofiev - Klaviersonate NR. 7 - 1. Allegro - Maurizio Pollini
- 2. Andante caloroso - Maurizio Pollini
- 3. Precipitato - Maurizio Pollini
- Webern - Varoatopmem Fur Klavier - 1. Sehr massig - Maurizio Pollini
- 2. Sehr schnell - Maurizio Pollini
- 3. Ruhig fliessend - Maurizio Pollini
- Boulez - deuxieme Sonate Pour Piano - Maurizio Pollini
- 2. Lent - Maurizio Pollini
- 3. Modere, presque vif - Maurizio Pollini
- 4. Vif - Maurizio Pollini
Tracks:
- Konzart fur Violine, Streicher und Continuo a-moll BWV 1041- (Allegromoderato) - ORIGINALS
- Andante - ORIGINALS
- Allegro assai - ORIGINALS
- Konzert fur Violine, Streicher und Continuo E-dur BWV 1042 - Allegro - ORIGINALS
- Adagio - ORIGINALS
- Allegro assai - ORIGINALS
- Konzert fur 2 Violinen, Streicher und Continuo d-moll BWV 1043 - Vivace - ORIGINALS
- Largo ma non tanto - ORIGINALS
- Allegro - ORIGINALS
- Romanze fur Violine und Orchester Nr. 1 G-dur op.40 - ORIGINALS
- Romanze fur Violine und Orchester Nr. 2 F-dur op.50 - ORIGINALS
Tracks:
- Allegro non troppo - ORIGINALS
- Adagio - ORIGINALS
- Allegro giocoso, ma non troppo vivace - ORIGINALS
- Allegro moderato - ORIGINALS
- Canzonetta. Andante - ORIGINALS
- Finale. Allegro vivacissimo - ORIGINALS
Tracks:
- Chopin - Scherzo # 3 C # min op39 - Franz Liszt (1811-1886)
- Brahms - Rhapsodies op79: # 1 Agitato Hmoll - Franz Liszt (1811-1886)
- Brahms - Rhapsodies op79: # 2 Molto Passionato G min - Franz Liszt (1811-1886)
- Prokofiev -Toccata, opus 11 - Franz Liszt (1811-1886)
- Ravel -Jeux d'eau - Franz Liszt (1811-1886)
- Chopin - Barcarole F # maj op 60 - Franz Liszt (1811-1886)
- Liszt - Hungarian Rhapsody # 6 - Franz Liszt (1811-1886)
- Liszt - B minor Sonata: Lento assai - Allegro energico - Franz Liszt (1811-1886)
- Grandioso - Franz Liszt (1811-1886)
- Cantando espressivo - Franz Liszt (1811-1886)
- Pesante - Recitativo - Franz Liszt (1811-1886)
- Andante Sostenuto - Franz Liszt (1811-1886)
- Quasi Adagio - Franz Liszt (1811-1886)
- Allegro Energico - Franz Liszt (1811-1886)
- Piu Mosso - Franz Liszt (1811-1886)
- Cantando Espressivo senza slentare - Franz Liszt (1811-1886)
- Stretta quasi presto - Presto - Prestissimo - Franz Liszt (1811-1886)
- Andante Sostenuto - Allegro moderato - lento assai - Franz Liszt (1811-1886)
Tracks:
- La Mer - 1: Debussy / De l'aube a midi sur la mer - Mussorgsky:Pictures at an Exhibition/Debussy:La Mer/Ravel:Bolero
- La Mer - 2: Jeux de vagues - Mussorgsky:Pictures at an Exhibition/Debussy:La Mer/Ravel:Bolero
- La Mer - 3: Dialogue du vent et de la mer - Mussorgsky:Pictures at an Exhibition/Debussy:La Mer/Ravel:Bolero
- Pictures - 1: Mussorgsky / Promenade - Mussorgsky:Pictures at an Exhibition/Debussy:La Mer/Ravel:Bolero
- Pictures - 2: Gnomus - Mussorgsky:Pictures at an Exhibition/Debussy:La Mer/Ravel:Bolero
- Pictures - 3: Promenade - Mussorgsky:Pictures at an Exhibition/Debussy:La Mer/Ravel:Bolero
- Pictures - 4: Il vecchio castello - Mussorgsky:Pictures at an Exhibition/Debussy:La Mer/Ravel:Bolero
- Pictures - 5: Promenade - Mussorgsky:Pictures at an Exhibition/Debussy:La Mer/Ravel:Bolero
- Pictures - 6: Tuileries - Mussorgsky:Pictures at an Exhibition/Debussy:La Mer/Ravel:Bolero
- Pictures - 7: Bydlo - Mussorgsky:Pictures at an Exhibition/Debussy:La Mer/Ravel:Bolero
- Pictures - 8: Promenade - Mussorgsky:Pictures at an Exhibition/Debussy:La Mer/Ravel:Bolero
- Pictures - 9: Ballet des petits poussins dans leurs coques - Mussorgsky:Pictures at an Exhibition/Debussy:La Mer/Ravel:Bolero
- Pictures - 10: Samuel Goldenburg und Schmuyle - Mussorgsky:Pictures at an Exhibition/Debussy:La Mer/Ravel:Bolero
- Pictures - 11: Limoges: Le marche - Mussorgsky:Pictures at an Exhibition/Debussy:La Mer/Ravel:Bolero
- Pictures - 12: Catacombae: Sepulchrum Romanum - Mussorgsky:Pictures at an Exhibition/Debussy:La Mer/Ravel:Bolero
- Pictures - 13: Cum Mortuis in lingua mortua - Mussorgsky:Pictures at an Exhibition/Debussy:La Mer/Ravel:Bolero
- Pictures - 14: La cabane de Baba Yaga sur des pattes de poule - Mussorgsky:Pictures at an Exhibition/Debussy:La Mer/Ravel:Bolero
- Pictures - 15: La grande porte de Kiev - Mussorgsky:Pictures at an Exhibition/Debussy:La Mer/Ravel:Bolero
- Bolero - Mussorgsky:Pictures at an Exhibition/Debussy:La Mer/Ravel:Bolero
Tracks:
- Tod und Verklarung op. 24 (Death and Transfiguration) - R.Strauss
- Metamorphosen (Metamorphoses) - R.Strauss
- Fruhling (Spring) - R.Strauss
- September - R.Strauss
- Beim Schlafengehen (Going to Sleep) - R.Strauss
- Im Abendrot (At Gloaming) - R.Strauss
Tracks:
- Gute Nacht - ORIGINALS
- Die Wetterfahne - ORIGINALS
- Gefrorne Trn - ORIGINALS
- Erstarrung - ORIGINALS
- Der Lindenbaum - ORIGINALS
- Wasserflut - ORIGINALS
- Auf dem Flusse - ORIGINALS
- Rck - ORIGINALS
- Irrlicht - ORIGINALS
- Rast - ORIGINALS
- Frstraum - ORIGINALS
- Einsamkeit - ORIGINALS
- Die Post - ORIGINALS
- Der greise Kopf - ORIGINALS
- Die Kr - ORIGINALS
- Letzte Hoffnung - ORIGINALS
- Im Dorfe - ORIGINALS
- Der sthe Morgen - ORIGINALS
- Tchung - ORIGINALS
- Der Wegweiser - ORIGINALS
- Das Wirtshaus - ORIGINALS
- Mut! - ORIGINALS
- Die Nebensonnen - ORIGINALS
- Der Leiermann - ORIGINALS
Tracks:
- Andante sostenuto - Moderato con anima - Moderato assai, quasi Andante - Allegro vivo - Tchaikovsky
- Andantino in modo di canzone - Tchaikovsky
- Scherzo. Pizzicato ostinato. Allegro - Tchaikovsky
- Finale. Allegro con fuoco - Tchaikovsky
- Andante - Allegro con anima - Tchaikovsky
- Andante cantabile con alcuna licenza - Moderato con anima - Andante mosso - Allegro non troppo - Tempo 1 - Tchaikovsky
Tracks:
- Valse. Allegro moderato - Tchaikovsky
- Finale. Andante maestoso - Allegro vivace - Molto vivace - Moderato assai e molto maestoso - Presto - Tchaikovsky
- Adagio - Allegro non troppo - Tchaikovsky
- Allegro con grazia - Tchaikovsky
- Allegro molto vivace - Tchaikovsky
- Finale. Adagio lamentoso - Tchaikovsky
Tracks:
- Moderato - Sviatoslav Richter
- Adagio sostenuto - Sviatoslav Richter
- Allegro scherzando - Sviatoslav Richter
- Allegro non tropo e molto maestro- Allegro con spirito - Sviatoslav Richter
- Andantino semplice - Prestissimo -Tempo I - Sviatoslav Richter
- Allegro con fuoco - Sviatoslav Richter
Tracks:
- Russia Under the Mongol Yoke - Serge Prokofiev
- Song About Alexander Nevsky - Serge Prokofiev
- The Crusaders in Pskov - Serge Prokofiev
- Arise, ye Russian People - Serge Prokofiev
- The Battle on the Ice - Serge Prokofiev
- The Field of the Dead - Serge Prokofiev
- Alexander's Entry into Pskov - Serge Prokofiev
- The Adoration of Veless and Ala - Serge Prokofiev
- The Enemy God and the Dance of the Spirits of Darkness - Serge Prokofiev
- Night - Serge Prokofiev
- The Glorious Departure of Lolly and the Sun's Procession - Serge Prokofiev
- Kij 's Birth - Serge Prokofiev
- Romance - Serge Prokofiev
- Kij 's Wedding - Serge Prokofiev
- Troika - Serge Prokofiev
- Kij 's Burial - Serge Prokofiev
Tracks:
- Symphonie No. 35 D-dur KV 385: Allegro con spirito (5:32) - Mozart, Wolfgang Amadeus
- Symphonie No. 35 D-dur KV 385: Andante (4:50) - Mozart, Wolfgang Amadeus
- Symphonie No. 35 D-dur KV 385: Menuetto - Trio (3:32) - Mozart, Wolfgang Amadeus
- Symphonie No. 35 D-dur KV 385: Finale. Presto (3:53) - Mozart, Wolfgang Amadeus
- Symphonie No. 36 C-dur KV 425: Adagio - Allegro spiritoso (7:58) - Mozart, Wolfgang Amadeus
- Symphonie No. 36 C-dur KV 425: Andante (7:16) - Mozart, Wolfgang Amadeus
- Symphonie No. 36 C-dur KV 425: Menuetto - Trio (3:32) - Mozart, Wolfgang Amadeus
- Symphonie No. 36 C-dur KV 425: Presto (5:53) - Mozart, Wolfgang Amadeus
- Symphonie No 38 D-dur KV 504: Adagio - Allegro (10:22) - Mozart, Wolfgang Amadeus
- Symphonie No 38 D-dur KV 504: Andante (8:34) - Mozart, Wolfgang Amadeus
- Symphonie No 38 D-dur KV 504: (Finale.) Presto (6:17) - Mozart, Wolfgang Amadeus
Tracks:
- Symphonie No. 39 Es-dur KV 543: Adagio - Allegro - Mozart, Wolfgang Amadeus
- Symphonie No. 39 Es-dur KV 543: Andante con moto - Mozart, Wolfgang Amadeus
- Symphonie No. 39 Es-dur KV 543: Menuetto. Allegretto - Trio - Mozart, Wolfgang Amadeus
- Symphonie No. 39 Es-dur KV 543: Finale. Allegro - Mozart, Wolfgang Amadeus
- Symphonie No. 40 g-moll KV 550: Molto allegro - Mozart, Wolfgang Amadeus
- Symphonie No. 40 g-moll KV 550: Andante - Mozart, Wolfgang Amadeus
- Symphonie No. 40 g-moll KV 550: Menuetto. Allegretto - Trio - Mozart, Wolfgang Amadeus
- Symphonie No. 40 g-moll KV 550: Allegro assai - Mozart, Wolfgang Amadeus
- Symphonie No. 41 C-dur KV 551: Allegro vivace - Mozart, Wolfgang Amadeus
- Symphonie No. 41 C-dur KV 551: Andante cantabile - Mozart, Wolfgang Amadeus
- Symphonie No. 41 C-dur KV 551: Menuetto. Allegretto - Trio - Mozart, Wolfgang Amadeus
- Symphonie No. 41 C-dur KV 551: Molto allegro - Mozart, Wolfgang Amadeus
Tracks:
- Die Moldau (Vltava) - ORIGINALS
- Vysehrad - ORIGINALS
- Les Prdes, Symphinc Poem no. 3 - ORIGINALS
- Mazeppa, Symphinc Poems no. 6 - ORIGINALS
- Ungarische Rhapsodie Nr. 4 - ORIGINALS
Tracks:
- Introduccion y escena - Grace Bumbry. Radio-Symphonie-Orchester Berlin
- With the Gypsies: In the Evening - Grace Bumbry. Radio-Symphonie-Orchester Berlin
- Song of Suffering Love - Grace Bumbry. Radio-Symphonie-Orchester Berlin
- The Apparition - Grace Bumbry. Radio-Symphonie-Orchester Berlin
- Dance of Terror - Grace Bumbry. Radio-Symphonie-Orchester Berlin
- The Magic Circle: Song of the Fisherman - Grace Bumbry. Radio-Symphonie-Orchester Berlin
- Midnight: The Spells - Grace Bumbry. Radio-Symphonie-Orchester Berlin
- Ritual Fire Dance: To chase away the Evil Spirits - Grace Bumbry. Radio-Symphonie-Orchester Berlin
- Escena - Grace Bumbry. Radio-Symphonie-Orchester Berlin
- Song of Will-o'-the-Wisp - Grace Bumbry. Radio-Symphonie-Orchester Berlin
- Pantomima - Grace Bumbry. Radio-Symphonie-Orchester Berlin
- Dance of the Game of Love - Grace Bumbry. Radio-Symphonie-Orchester Berlin
- Finale: The Bells of Dawn - Grace Bumbry. Radio-Symphonie-Orchester Berlin
- Dance of the Miller's Wife - Grace Bumbry. Radio-Symphonie-Orchester Berlin
- Dance of the Neighbours - Grace Bumbry. Radio-Symphonie-Orchester Berlin
- Dance of the Miller - Grace Bumbry. Radio-Symphonie-Orchester Berlin
- Danza final - Grace Bumbry. Radio-Symphonie-Orchester Berlin
- Introduction-The Firebird and its Dance - Grace Bumbry. Radio-Symphonie-Orchester Berlin
- Variation of the Firebird - Grace Bumbry. Radio-Symphonie-Orchester Berlin
- The Princesses' Round - Grace Bumbry. Radio-Symphonie-Orchester Berlin
- Infernal Dance of King Kashchei - Grace Bumbry. Radio-Symphonie-Orchester Berlin
- Lullaby - Grace Bumbry. Radio-Symphonie-Orchester Berlin
- Final - Grace Bumbry. Radio-Symphonie-Orchester Berlin
Tracks:
- 1. Allegro - Dvorak, Antonin - Tchaikovsky, Peter Ilyich
- 2. Adagio ma non troppo - Dvorak, Antonin - Tchaikovsky, Peter Ilyich
- 3. Finale: Allegro moderato - Dvorak, Antonin - Tchaikovsky, Peter Ilyich
- Moderato quasiAndante - Dvorak, Antonin - Tchaikovsky, Peter Ilyich
- 2. Tema. Moderato semplice - Dvorak, Antonin - Tchaikovsky, Peter Ilyich
- 3. Variazione I. Tempo del Tema - Dvorak, Antonin - Tchaikovsky, Peter Ilyich
- 4. Variazione II. Tempo del Tema - Dvorak, Antonin - Tchaikovsky, Peter Ilyich
- 5. Variazione III. Andante sostenuto - Dvorak, Antonin - Tchaikovsky, Peter Ilyich
- 6. Variazione IV. Andante grazioso - Dvorak, Antonin - Tchaikovsky, Peter Ilyich
- 7. Variazione V. Allegro moderato - Dvorak, Antonin - Tchaikovsky, Peter Ilyich
- 8. Variazione VI. Andante - Dvorak, Antonin - Tchaikovsky, Peter Ilyich
- 9. Variazione VII. Allegro vivo - Dvorak, Antonin - Tchaikovsky, Peter Ilyich
Tracks:
- Antonin Dvorak: 1. Allegro con brio - Dvorak
- Antonin Dvorak: 2. Adagio - Dvorak
- Antonin Dvorak: 3. Allegretto grazioso - Molto vivace - Dvorak
- Antonin Dvorak: 4. Allegro, ma non troppo - Dvorak
- Antonin Dvorak: 1. Adagio - Allegro molto - Dvorak
- Antonin Dvorak: 2. Largo - Dvorak
- Antonin Dvorak: 3. Scherzo. Molto vivace - Dvorak
- Antonin Dvorak: 4. Allegro con fuoco - Dvorak
Tracks:
- Mass No. 1 in d: Kyrie - Anton Bruckner
- Mass No. 1 in d: Gloria - Anton Bruckner
- Mass No. 1 in d: Credo - Anton Bruckner
- Mass No. 1 in d: Sanctus - Anton Bruckner
- Mass No. 1 in d: Benedictus - Anton Bruckner
- Mass No. 1 in d: Agnus Dei - Anton Bruckner
- Mass No. 2 in e: Kyrie - Anton Bruckner
- Mass No. 2 in e: Gloria - Anton Bruckner
- Mass No. 2 in e: Credo - Anton Bruckner
Tracks:
- Jochum,stader,hellmann,haefliger,borg - Messe Nr. 2 E Moll Ftstimmigen Chor Und Blasorchester: Iv Sanctus - Anton Bruckner
- Jochum,stader,hellmann,haefliger,borg - V. Benedictus - Anton Bruckner
- Jochum,stader,hellmann,haefliger,borg - Vi. Agnus Dei - Anton Bruckner
- Jochum,stader,hellmann,haefliger,borg - Messe Nr.3 F-Moll Fi, Chor Und Orchester: I. Kyrie - Anton Bruckner
- Jochum,stader,hellmann,haefliger,borg - Ii. Gloria - Anton Bruckner
- Jochum,stader,hellmann,haefliger,borg - Iii. Credo - Anton Bruckner
- Jochum,stader,hellmann,haefliger,borg - IV. Credo (Forts.-Cont.) - Anton Bruckner
- Jochum,stader,hellmann,haefliger,borg - IV. Sanctus - Anton Bruckner
- Jochum,stader,hellmann,haefliger,borg - V. Benedictus - Anton Bruckner
- Jochum,stader,hellmann,haefliger,borg - Vi. Agnus Dei - Anton Bruckner
Tracks:
- Symphonie Nr. 1 C-moll Op. 68: Un poco sostenuto - Allegro - Karajan, Berlin Philharmonic
- Symphonie Nr. 1 C-moll Op. 68: Andante sostenuto - Karajan, Berlin Philharmonic
- Symphonie Nr. 1 C-moll Op. 68: Un poco allegretto e grazioso - Karajan, Berlin Philharmonic
- Symphonie Nr. 1 C-moll Op. 68: Adagio - Allegro non troppo ma con brio - Karajan, Berlin Philharmonic
- Symphonie Nr. 1 B-dur op. 38 Fruhlings - Symphonic: Andante un poco maestoso - Allegro molto vivace - Karajan, Berlin Philharmonic
- Symphonie Nr. 1 B-dur op. 38 Fruhlings - Symphonic: Larghetto - Karajan, Berlin Philharmonic
- Symphonie Nr. 1 B-dur op. 38 Fruhlings - Symphonic: Scherzo. Molto vivace - Karajan, Berlin Philharmonic
- Symphonie Nr. 1 B-dur op. 38 Fruhlings - Symphonic: Allegro animato e grazioso - Karajan, Berlin Philharmonic
Tracks:
- Klavierquartett Nr. 1 g-moll op.25: Piano Quartet #1 in G minor op. 25: I. Allegro - Brahms, Johannes
- Klavierquartett Nr. 1 g-moll op.25: II. Allegro ma non troppo - Brahms, Johannes
- Klavierquartett Nr. 1 g-moll op.25: III. Andante con moto - Brahms, Johannes
- Klavierquartett Nr. 1 g-moll op.25: IV. Rondo alla Zingarese: Presto - Brahms, Johannes
- Balladen Op. 10: Ballades op. 10: 1. Andante - Allegro - Andante - Brahms, Johannes
- Balladen Op. 10: 2. Andante - Allegro non troppo - Molto staccato e leggiero - Andante - Brahms, Johannes
- Balladen Op. 10: 3. Intermezzo. Allegro - Brahms, Johannes
- Balladen Op. 10: 4.Andante con moto - Brahms, Johannes
Tracks:
- Kammerkonzert fur Klavier und Geige mit 13 Blasern: Chamber Concerto: Thema scherzoso con variazioni - Igor Stravinsky and Alban Berg
- Kammerkonzert fur Klavier und Geige mit 13 Blasern: Adagio - Igor Stravinsky and Alban Berg
- Kammerkonzert fur Klavier und Geige mit 13 Blasern: Rondo ritmico con introduzione - Igor Stravinsky and Alban Berg
- Kammerkonzert fur Klavier und Geige mit 13 Blasern: Dumbarton Oaks: Tempo giusto - Igor Stravinsky and Alban Berg
- Kammerkonzert fur Klavier und Geige mit 13 Blasern: Allegretto - Igor Stravinsky and Alban Berg
- 8 Instrumental - Miniaturen: Con motto - Igor Stravinsky and Alban Berg
- 8 Instrumental - Miniaturen: 8 Instrumental Miniatures - Igor Stravinsky and Alban Berg
- Ebony Concerto: Allegro moderato - Andante - Moderato - Con motto - Moderato - Vivo - Igor Stravinsky and Alban Berg
Tracks:
- (Symph. Fantastique) Passions Largo: Allegro agitato e appassionato assai - ORIGINALS
- (Symph Fant) A Ball: Vals. Allegro non troppo - ORIGINALS
- (Symph Fant) Scene in the Country: Adagio - ORIGINALS
- (Symph Fant) March to the Scaffold: Adagio - ORIGINALS
- (Symph Fant) Dream of a Sabbath Night: Larghetto - Allegro - ORIGINALS
- Cherubini: Anacreon - Overture - ORIGINALS
- Auber - La Muette de Portici - Overture - ORIGINALS
Tracks:
- Sonate No. 8 c-moll op.13: Grave - Allegro di molto e con brio - Wilhelm Kempff
- Sonate No. 8 c-moll op.13: Adagio cantaile - Wilhelm Kempff
- Sonate No. 8 c-moll op.13: Rondo. Allegro - Wilhelm Kempff
- Sonate No. 14 cis-moll op. 27 No. 2: Adagio sostenuto - attacca - Wilhelm Kempff
- Sonate No. 14 cis-moll op. 27 No. 2: Allegretto - attacca - Wilhelm Kempff
- Sonate No. 14 cis-moll op. 27 No. 2: Presto agiato - Wilhelm Kempff
- Sonate No. 21 C-dur op.53: Allegro con brio - Wilhelm Kempff
- Sonate No. 21 C-dur op.53: Introduzioe Adagio molto - attacca - Wilhelm Kempff
- Sonate No. 21 C-dur op.53: Rondo Allegretto moderato - Wilhelm Kempff
- Sonate No. 23 f-moll op.57: Allegro assai - Wilhelm Kempff
- Sonate No. 23 f-moll op.57: 2. Appassionata - Andante con molto - attacca: - Wilhelm Kempff
- Sonate No. 23 f-moll op.57: 3. Appassionata - Allegro, ma non troppo - Presto - Wilhelm Kempff
Tracks:
- I. Allegro ma non troppo - Schneiderhan, BPO, Jochum
- II. Larghetto - Schneiderhan, BPO, Jochum
- III. Rondo. Allegro - Schneiderhan, BPO, Jochum
- I. Allegro aperto - Schneiderhan, BPO, Jochum
- II. Adagio - Schneiderhan, BPO, Jochum
- III. Rondeau. Tempo di Menuetto - Schneiderhan, BPO, Jochum
Tracks:
- Konzert fur Klavier und Orchester Nr. 4 G-dur op. 58: Allegro moderato - Wilhelm Kempff, Berliner Philarmoniker
- Konzert fur Klavier und Orchester Nr. 4 G-dur op. 58: Andante con moto - Wilhelm Kempff, Berliner Philarmoniker
- Konzert fur Klavier und Orchester Nr. 4 G-dur op. 58: Rondo Vivace - Wilhelm Kempff, Berliner Philarmoniker
- Konzert fur Klavier und Orchester Nr. 5 Es-dur op. 73: Allegro - Wilhelm Kempff, Berliner Philarmoniker
- Konzert fur Klavier und Orchester Nr. 5 Es-dur op. 73: Adagio un poco mosso - Wilhelm Kempff, Berliner Philarmoniker
- Konzert fur Klavier und Orchester Nr. 5 Es-dur op. 73: Rondo Allegro - Wilhelm Kempff, Berliner Philarmoniker
Tracks:
- Symphonie Nr. 9 d-moll op. 125: Ouverture - Ludwig Van Beethoven
- Symphonie Nr. 9 d-moll op. 125: Allegro ma non troppo, un poco maestoso - Ludwig Van Beethoven
- Symphonie Nr. 9 d-moll op. 125: Molto vivace - Ludwig Van Beethoven
- Symphonie Nr. 9 d-moll op. 125: Adagio molto e cantabile - Ludwig Van Beethoven
- Symphonie Nr. 9 d-moll op. 125: Presto - Ludwig Van Beethoven
- Symphonie Nr. 9 d-moll op. 125: Presto (chorus) - Ludwig Van Beethoven
Tracks:
- Symphonie Nr. 5 C-moll op. 67: I. Allegro con brio - ORIGINALS
- Symphonie Nr. 5 C-moll op. 67: Andante con moto - ORIGINALS
- Symphonie Nr. 5 C-moll op. 67: Allegro - ORIGINALS
- Symphonie Nr. 5 C-moll op. 67: IV. Allegro - ORIGINALS
- Symphony Nr. 7 A-dur op. 92.: I. Poco sostenuto - vivace - ORIGINALS
- Symphony Nr. 7 A-dur op. 92.: Allegretto - ORIGINALS
- Symphony Nr. 7 A-dur op. 92.: Presto - ORIGINALS
- Symphony Nr. 7 A-dur op. 92.: IV. Allegro con brio - ORIGINALS
Tracks:
- Konzert fvier und Orchester Nr. 1: I. Allegro moderato-Allegro - G Anda-piano, Radio-Symphonie-Orchester-Ferenc Fricsay
- Konzert fvier und Orchester Nr. 1: II. Andante - G Anda-piano, Radio-Symphonie-Orchester-Ferenc Fricsay
- Konzert fvier und Orchester Nr. 1: III. Allegro molto - G Anda-piano, Radio-Symphonie-Orchester-Ferenc Fricsay
- Konzert fvier und Orchester Nr. 2: I. Allegro - G Anda-piano, Radio-Symphonie-Orchester-Ferenc Fricsay
- Konzert fvier und Orchester Nr. 2: II. Adagio-Presto-Adagio - G Anda-piano, Radio-Symphonie-Orchester-Ferenc Fricsay
- Konzert fvier und Orchester Nr. 2: III. Allegro molto - G Anda-piano, Radio-Symphonie-Orchester-Ferenc Fricsay
- Konzert fvier und Orchester Nr. 3: I. Allegretto - G Anda-piano, Radio-Symphonie-Orchester-Ferenc Fricsay
- Konzert fvier und Orchester Nr. 3: II. Adagio religioso - G Anda-piano, Radio-Symphonie-Orchester-Ferenc Fricsay
- Konzert fvier und Orchester Nr. 3: III. Allegro vivace - G Anda-piano, Radio-Symphonie-Orchester-Ferenc Fricsay
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Anthology of Guitar Music: 500 Years of Guitar Composition
Manufacturer: Bmg Int'l ProductGroup: Music Binding: Audio CD ASIN: B000026884 Release Date: 2002-02-05 |
Tracks:
- Romanza Andantino (Quartet)
- Una Limosna Por El Amor De Dios
- Romance (From -Jeux Interdits-)
- Romanza
- Misionera
- Etude No. 1 (Harp-Etude)
- Aria
- Definitivo
- Gigue
- Prelude D Major (Duo)
- Prelude For Resi
- Recuerdos De La Alhambra
- Greensleeves
- Suite Espanola No. 5 (Asturias, Leyenda)
- Tango En Sky
- Lagrima
- Introitus Choral (Wedding Choral) For Ellen And Achim
- Prelude No. 1 Andantino Espressivo
- Zapataedo (From Trois Pieces Espagnoles)
- Caprice
- Ave Maria
- Bourree
- La Catedral
- Seresta (From Reminiscencias Op. 78)
- Prelude For Antje-Marie
- La Mariposa
- Courante
- Prelude D Minor
- Prelude C Minor
- Mazurka
- Chorus No. 1
- Op. 6 No. 1 (Aridente)
- El Gatitio
- Annaberg
- Prelude D Minor
- Malaguena
- Una Caricia
- Dedicatoria
- Courante
- La Lauze, For Babara
- Sarabande
- Fantasie F Gitarre Nr. 10 (Fantasma Que Contrahaze La Harpa En La Manera De Ludovico)
- Gavotte
- Suite F Laute E-Moll Bwv 996 ''Aufs Lautenwerk'' (Auszug) Bourrie
- Gigue D-Dur
- Das Oliveneselchen
- El Sueno De La Munequita
- El Noy De La Mare
- Variationen E-Moll
- Primavera (Spring)
- Gigue
- Vals
- Angloise
- Serenata Andalucia
- Greensleeves (Quartet)
- Danza No. 5 (Andalucia)
- Prelude D-Moll
- Caprice S Capricio
- Julia Florida
- Bourrie
- Cavatina (Romanca Latina)
- Der Kleine Vogel
- Adelita
- Mi Favorita
- Suite Recuerdos De La Inglaterra
- Allemande
- Adreina (Vals Venezulano Nr. 2)
- Stdchen D 889
- Tango Op. 7
- Menuet G-Moll
- Lagrima
- Malaguena Primero
- Partita A-Moll
- White Day
- Das Eis Essende Mchen
- Etuede C-Dur
- Distancia
- Passacaglia D-Dur
- Caprice
- Granada
- Danza Brasiliera
- Varcarole
- Menuet In F Minor
- Maxixe
- Prelude In D Major
- Fugue In D Major
- Allegro In D Major
- Fuoca
- Menuet In D Major
- Natalia (Vals Venezulano No. 3)
- La Muerte
Album Details
Special Edition Seven CD Box-set of Timeless Guitar Compositions.Customer Reviews:
Lots of Guitar Music.......2004-02-28
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Music for France and Spain
Manufacturer: Somm Recordings ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0007RUT8Y Release Date: 2005-04-26 |
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Violin, Trumpet, Guitar, Flute: Greatest Hits
Manufacturer: Sony ProductGroup: Music Binding: Audio CD ASIN: B0000029NR Release Date: 1995-12-05 |
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Musica Maravillosa
Barrocos Andino Manufacturer: Import [Generic] ProductGroup: Music Binding: Audio CD ASIN: B000098YEY Release Date: 2003-10-14 |
Tracks:
- Adagio (Del Concierto Para Trompeta y Cuerdas)
- Duetto (De la Cantata No 78)
- Cantiga No 9 (De las Cigas a Santa Mar
- Eleonor Rigby [FantasSupra Eleonor Rigby]
- Allegro (De Una Sonata Para Flauta y Basso Continuo)
- Invierno (2o Movimiento de las Cuatro Estaciones)
- Badinerie (De la Suite No 2 Para Flauta y Cuerdas)
- Duo (De la Cantata Campesina)
- Siciliano (Del Concierto No 2 Para Clavecy Orq.)
- Preludio Sobre el Coral "Ojos Azules"
- Larghetto (De la SinfonClca)
- Scherzo (De la Sima Sinfon
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Salsa Music:
- Entre Pericos Y Gallos
- Exitos Bailables, Vol. 2
- Exitos Tropicales, Vol. 2
- Festival de Sonero
- Fiebre de Luna
- Furia Grupera, Vol. 1
- Grammy Latin Nominees 2001
- Greatest Hits
- Hace Mucho Calor
- History of Eddie Palmieri
Salsa Music
Hi-Fi Sounds for Young Norwegians
Lorenzo Perosi: Quintetto n. 7 & 2; Quartetto n. 8
Music Festival Memories 1998 from Bethlehem Pennsylvania
Monteverdi: Vespro della Beata Vergine 1610
Meets the Rhythm Section [Hybrid SACD]