Vertigo

Track Listings

 
1. Fotofobia
2. Guerrillero
3. Ví
4. X Tí
5. Tanta Ciudad
6. Sed
7. Ciertos Civiles
8. Krazyworld
9. Opacidad
10. Shygun
11. Ciclos
12. Solitaryman

Vertigo,La Ley,Wea Latina,Chile,Latin,Latin Music,Latin Pop,Rock


Varese Sarabande 25th Anniversary Celebration
Average customer rating: 4.5 out of 5 stars
  • A good value
  • The Sound Track Since Bernard Hermann
  • Good mix of film music
  • A mixed collection of movie music
  • Uplifts your soul, takes your mind into the heavens
Varese Sarabande 25th Anniversary Celebration

Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

Elfman, DannyElfman, Danny | ( E ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by HerrmannAll Works by Herrmann | Herrmann, Bernard | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
Korngold, Erich WolfgangKorngold, Erich Wolfgang | ( K ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by KamenAll Works by Kamen | Kamen, Michael | ( K ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by SchifrinAll Works by Schifrin | Schifrin, Lalo | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by WaxmanAll Works by Waxman | Waxman, Franz | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by ManciniAll Works by Mancini | Mancini, Henry | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Korngold, Erich Wolfgang | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
Movie ScoresMovie Scores | Soundtracks | Styles | Music
Movie SoundtracksMovie Soundtracks | Soundtracks | Styles | Music
Star WarsStar Wars | Soundtracks | Styles | Music
GeneralGeneral | Soundtracks | Styles | Music
Bargain Box SetsBargain Box Sets | Classical General | Classical | Today's Deals in Music | Formats | Music
All Bargain TitlesAll Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music
Similar Items:
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  5. The Incredible Film Music Box

ASIN: B00008WI90
Release Date: 2003-04-22

Tracks:

  1. The Man from Snowy River (Bruce Rowland)
  2. The Winds of War (Bob Cobert)
  3. Blue Velvet (Angelo Badalamenti)
  4. Witness (Maurice Jarre)
  5. Raising Arizona (Carter Burwell)
  6. Pee Wees Big Adventure (Danny Elfman)
  7. Halloween (John Carpenter)
  8. A Nightmare On Elm Street (Charles Bernstein)
  9. The Fly (Howard Shore)
  10. RoboCop (Basil Poledouris)
  11. The Empire Strikes Back (John Williams)
  12. The Right Stuff (Bill Conti)
  13. The Final Conflict (Jerry Goldsmith)
  14. The Abyss (Alan Silvestri)
  15. Brainstorm (James Horner)
  16. Peggy Sue Got Married (John Barry)
  17. My Left Foot (Elmer Bernstein)
  18. The Dead (Alex North)
  19. Stanley & Iris (John Williams)
  20. The Milagro Beanfield War (Dave Grusin)
  21. Driving Miss Daisy (Hans Zimmer)

Tracks:

  1. Steel Magnolias (Georges Delerue)
  2. Unforgiven (Lennie Niehaus and Clint Eastwood)
  3. Raggedy Man (Jerry Goldsmith)
  4. The Grifters (Elmer Bernstein)
  5. Green Card (Hans Zimmer)
  6. City Slickers (Marc Shaiman)
  7. Father Of The Bride (Alan Silvestri)
  8. While You Were Sleeping (Randy Edelman)
  9. Babe (Nigel Westlake)
  10. The Adventures Of The Great Mouse Detective (Henry Mancini)
  11. The Adventures of Robin Hood (Erich Wolfgang Korngold)
  12. The Young Indiana Jones Chronicles (Laurence Rosenthal)
  13. The Secret Garden (Zbigniew Preisner)
  14. A Little Princess (Patrick Doyle)
  15. Rudy (Jerry Goldsmith)
  16. Iron Will (Joel McNeely)
  17. Memphis Belle (George Fenton)
  18. Eye Of The Needle (Mikl)
  19. Total Recall (Jerry Goldsmith)
  20. Back To The Future Part III (Alan Silvestri)

Tracks:

  1. To Die For (Danny Elfman)
  2. The Player (Thomas Newman)
  3. Black Robe (Georges Delerue)
  4. Medicine Man (Jerry Goldsmith)
  5. 2001 (Alex North)
  6. Star Wars: Shadows Of The Empire (Joel McNeely)
  7. The Crow (Graeme Revell)
  8. Blade (Mark Isham)
  9. The Omen (Jerry Goldsmith)
  10. Vertigo (Bernard Herrmann)
  11. Scream (Marco Beltrami)
  12. The Sixth Sense (James Newton Howard)
  13. Xena: Warrior Princess (Joseph LoDuca)
  14. Air Force One (Jerry Goldsmith)
  15. Starship Troopers (Basil Poledouris)
  16. The Matrix (Don Davis)
  17. The Iron Giant (Michael Kamen)
  18. Youve Got Mail (George Fenton)
  19. A Little Romance (Georges Delerue)
  20. Pleasantville (Randy Newman)

Tracks:

  1. Sunset Boulevard (Franz Waxman)
  2. L.A. Confidential (Jerry Goldsmith)
  3. Rounders (Christopher Young)
  4. The Score (Howard Shore)
  5. The Replacements (John Debney)
  6. Gone In 60 Seconds (Trevor Rabin)
  7. The Bourne Identity (John Powell)
  8. Rush Hour 2 (Lalo Schifrin)
  9. XXX (Randy Edelman)
  10. Die Hard (Michael Kamen)
  11. The Last of the Mohicans (Trevor Jones)
  12. Moby Dick (Christopher Gordon)
  13. The Mists Of Avalon (Lee Holdridge)
  14. Cleopatra (Alex North)
  15. Life As A House (Mark Isham)
  16. Emma (Rachel Portman)
  17. In The Bedroom (Thomas Newman)
  18. Cast Away (Alan Silvestri)
  19. One True Thing (Cliff Eidelman)
  20. Unfaithful (Jan A.P. Kaczmarek)
  21. Far From Heaven (Elmer Bernstein)
  22. Ice Age (David Newman)
  23. Shrek (Harry Gregson-Williams and John Powell)

Customer Reviews:

5 out of 5 stars A good value.......2007-05-17

I wasn't expecting to have 4 discs for this price, and the music is a quality selection of film music, giving a good scope of the genre, and a very listenable transfer.

4 out of 5 stars The Sound Track Since Bernard Hermann.......2006-07-25

This collection is bound to capture your heart and evoke a tin ear on successive tracks. I found much to like and some duds - easy to skip over.
Very good value.

4 out of 5 stars Good mix of film music.......2006-07-02

Good mix of films!
I'm a big fan of this soundtrack music and will be looking for more CD's like this.

4 out of 5 stars A mixed collection of movie music.......2006-02-23

For the price, this CD is a great bargain. The musical selections, as you might expect, are mixed in quality ranging from extraordinary to so so, the balance being worthwhile and interesting. Sonically the CD is excellent.

5 out of 5 stars Uplifts your soul, takes your mind into the heavens.......2006-01-06

I have been listening to great scores for many years and this collection is truly inspirational in so far as the choice of different scores takes you on a journey of listening pleasure matched by only a few collections.The price is incredibly reasonable for hours of listening pleasure. Don't pass this one up
The Incredible Film Music Box
Average customer rating: 5 out of 5 stars
  • Great Sampling Collection
  • Six Decades of Film Music
  • Excellent collection with fine performances
  • "essential film scores from 1939 to 2004 ~ Incredible Music"
The Incredible Film Music Box

Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD

All Works by HerrmannAll Works by Herrmann | Herrmann, Bernard | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by MascagniAll Works by Mascagni | Mascagni, Pietro | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by ManciniAll Works by Mancini | Mancini, Henry | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by NymanAll Works by Nyman | Nyman, Michael | ( N ) | Featured Composers, A-Z | Classical | Styles | Music
Rota, NinoRota, Nino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by StraussAll Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
VangelisVangelis | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
Tone PoemsTone Poems | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
Romantic (c.1820-1910)Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music
ItalianItalian | Languages | Opera & Vocal | Styles | Music
Movie ScoresMovie Scores | Soundtracks | Styles | Music
Movie SoundtracksMovie Soundtracks | Soundtracks | Styles | Music
Star WarsStar Wars | Soundtracks | Styles | Music
GeneralGeneral | Soundtracks | Styles | Music
GeneralGeneral | Vocal Pop | Pop | Styles | Music
Classic Big BandClassic Big Band | Swing Jazz | Jazz | Styles | Music
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  2. Paramount 90th Anniversary Collection: Scores
  3. Epics: The History of the World According to Hollywood
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  5. Jerry Goldsmith: 40 Years of Film Music

ASIN: B0007S687Y
Release Date: 2005-05-10

Tracks:

  1. Gone With The Wind: Overture
  2. Citizen Kane: Overture
  3. Casablanca: As Time Goes By
  4. It's A Wonderful Life: It's A Wonderful Life
  5. The Third Man: The Harry Lime Theme
  6. The Searchers: Suite
  7. The Bridge On The River Kwai: Colonel Bogey March
  8. Vertigo: Prelude
  9. Touch Of Evil: Main Title
  10. Ben-Hur: Parade Of The Charioteers
  11. North By Northwest: Prelude
  12. Psycho: Suite
  13. The Magnificent Seven: The Magnificent Seven
  14. Lawrence Of Arabia: Overture

Tracks:

  1. To Kill A Mockingbird: Suite
  2. The Great Escape: Main Title
  3. Doctor Zhivago: Main Title & Lara's Theme
  4. The Good, The Bad And The Ugly: The Good, The Bad And The Ugly
  5. Once Upon A Time In The West: Jill's Theme
  6. 2001: A Space Odyssey: Also Sprach Zarathustra
  7. Midnight Cowboy: Midnight Cowboy
  8. Get Carter: Main Title
  9. A Clockwork Orange: Ode To Joy
  10. The Godfather: Waltz & Love Theme
  11. Jaws: Jaws
  12. Rocky: Gonna Fly Now
  13. Taxi Driver: Suite
  14. Star Wars: Episode IV: A New Hope

Tracks:

  1. Superman: Main Theme
  2. Alien: End Title
  3. Raging Bull: Intermezzo From Cavalleria Rusticana
  4. Raiders Of The Lost Ark: Raiders March
  5. Blade Runner: End Titles
  6. E.T.: The Extraterrestrial: Adventures On Earth
  7. Once Upon A Time In America: Deborah's Theme
  8. Back To The Future: Main Theme
  9. Witness: Building The Barn
  10. Aliens: Main Title
  11. Cinema Paradiso: Cinema Paradiso
  12. Glory: Charging Frot Wagner
  13. Dances With Wolves: The John Dunbar Theme
  14. Unforgiven: Claudia's Theme

Tracks:

  1. The Piano: The Heart Asks Pleasure First
  2. Schindler's List: Main Theme
  3. Braveheart: End Credits
  4. Titanic: My Heart Will Go On
  5. Saving Private Ryan: Hymn To The Fallen
  6. American Beauty: Any Other Name
  7. Gladiator: Now We Are Free
  8. Lord Of The Rings: The Fellowship Of The Ring: The Fellowship
  9. The Girl With The Pearl Earring: Griet's Theme
  10. Pirates Of The Caribbean: The Curse Of The Black Pearl: Suite
  11. Harry Potter And The Prisoner Of Azkaban: Suite
  12. Lemony Snicket's A Series Of Unfortunate Events: The Letter That Never Came
  13. Finding Neverland: Impossible Opening
  14. The Incredibles: Overture

Customer Reviews:

5 out of 5 stars Great Sampling Collection.......2007-07-29

Over the past thirty years, my father and I have been collecting film music on various formats--vinyl, tape, reel-to-reel, CD, recording it from the movie, even. This collection is a great starter for someone who wants to start owning movie music. Lots of big hitters, including Hermann, Barry, Conti, Mancini, and Goldsmith as well as some contemporary scores that are great, too. This is the type of collection I would make for a friend who asks "what scores should I start with?"

4 out of 5 stars Six Decades of Film Music.......2007-05-13

This is film music for the classical music lover. The City of Prague Philharmonic Orchestra presents excellent arrangements of a number of classic film themes (although several pieces of the 56 film classics selected for this 4 CD set are not orchestral arrangements, but rather specialty arrangements). Besides great film composers such as John Williams, Elmer Bernstein, Ennio Morricone, and James Horner, classical composers such as Richard Strauss and Pietro Mascagni make an appearance. On several of the numbers the Crouch End Festival Chorus adds the human voice to the power of the full symphonic orchestra to create true movie magic. If you like the sound of a full symphony orchestra playing some of the most recognized themes ever written, you'll love these CDs.

5 out of 5 stars Excellent collection with fine performances.......2007-03-28

Silva Screen Records, based in England, has been issuing some fine collections of film scores, more in one box than we have the right to expect. This four-CD box contains scores by many of the best writers, including Max Steiner, Bernard Herrmann, Dimitri Tomkin, Kenneth J. Alford (The Bridge on the River Kwai), Elmer Bernstein, Maurice Jarre, Ennio Marricone, John Barry, Nino Rota, John Williams, James Horner, and more. We can all think of additional film scores we wished were included, but then there's no way this collection could be all-inclusive. The City of Prague Philharmonic Orchestra, supplemented by Crouch End Festival Chorus on some numbers, does a very competent job...The liner notes give the basic information without any commentary, and as far as I can see, contain only one error. Am I wrong or are tracks 9 and 10 on the fourth CD mislabeled? Track 9, which runs 7:33, seems to have the excitement of "Pirates of the Caribbean" (which I did not see) and track 10, which runs 4:22, the more sedate "The Girl with the Pearl Earring (which I also did not see). Listings seem to have them reversed.

5 out of 5 stars "essential film scores from 1939 to 2004 ~ Incredible Music".......2005-05-16

When I think of the "Golden Age" of Hollywood, many composers come to mind...you gave the usher your ticket in the theater and sat down, knowingly you were going to get your moneys worth...when the curtain opened and you heard those first few notes...you sat back, watched and listened as the film score and orchestra worked their magic...now we have the ultimate from Silva Screen Classics "The Incredible Film Music Box", featuring a four disc set of the essential film scores of the past 60 years...covering several decades from 1939 through and up to the present 2004

There are compilations and then there are "Compilations" beginning with a classic that even the youngsters today recognize "GONE WITH THE WIND" (1939) (Max Steiner), sweeping score that captures the tragic history of the South during the Civil War, one great cue after another, it doesn't get any better than this, nominated by the Academy for Best Original Score...and closing on Disc 4 with "THE INCREDIBLES" (2004) (Michael Giacchino), the big hit in computer animation from Walt Disney & Pixar that once again pit Super-Heroes against the forces of evil...our family of five Supers prove crime doesn't pay, but box-office receipts do...gotta love it!

Silva Screen Classics as usual, has put quality into this 4-CD-Set featuring The City Of Prague Philarmonic Orchestra and the Crouch End Festival Chorus conducted by Kenneth Alwyn, Bill Ashton, Paul Bateman, James Fitzpatrick, Mario Klemens, Derek Wadsworth, and Nic Raine. Recorded in "Dolby Surround" with the new technology of "HDCD", this is a "film-score-buffs" dream, one to treasure now and years to come.

Some selections are missing, but when you think of what Silva has included, it is impossible to please everyone...was happy to see "TOUCH OF EVIL" (1958) from composer Henry Mancini, as I feel this composer deserves all the recognition that has been overlooked recently in the music world...This collection is aimed directly at the "Serious Film Score" music fans and collectors...Silva is as always, perfect in every way...just the way we like 'em!

Total Time: 4-CD-Set ~ Silva America 1181 ~ (5/10/2005)
Vertigo
Average customer rating: 4.5 out of 5 stars
  • Though not many, there are some great grooves here
  • I am biased, I admit it...
  • Serve chilled
  • Wow! How many superlatives can I come up with?
  • Some great - but overrated
Vertigo
Groove Armada
Manufacturer: Jive
ProductGroup: Music
Binding: Audio CD

AmbientAmbient | Dance & DJ | Styles | Music
GeneralGeneral | Dance & DJ | Styles | Music
GeneralGeneral | Techno | Dance & DJ | Styles | Music
ElectronicaElectronica | Dance & DJ | Styles | Music
GeneralGeneral | Dance Pop | Dance & DJ | Styles | Music
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ASIN: B00004KD1L
Release Date: 2000-02-22

Tracks:

  1. Chicago
  2. Whatever, Whenever
  3. Dusk You & Me
  4. Pre 63
  5. If Everybody Looked The Same
  6. Serve Chilled
  7. I See You Baby
  8. A Private Interlude
  9. At The River
  10. In My Bones
  11. Your Song
  12. Inside My Mind (Blue Skies)
  13. I See You Baby (Fatboy Slim Mix)

Amazon.com

While the tempos on Groove Armada's Vertigo vary from Fatboy Slim-ish party rockers to Air-like downtempo ambient grooves, the songs themselves are downright simple, sample-laden, and sugary sweet. And though those adjectives would be fightin' words in many contemporary dance subgenres, it is not meant as anything other than praise here. The sophomore full-length by London duo Tom Findlay and Andy Cato is unabashedly pleasurable--this is straightforward, hook-heavy stuff, aimed perfectly for the airwaves. Entire six-minute songs are crafted from just a few samples. This approach may strike some as lazy, but the music is invitingly melodic, modern dance-pop, and you'll want to hear the songs over and over, especially the uptempo "I See You Baby" and the mellow "At the River." --Mike McGonigal

Customer Reviews:

4 out of 5 stars Though not many, there are some great grooves here.......2006-01-01

"Vertigo" has its share of high moments, but it also has some pretty terrible songs (mainly just the hit single "I See You Baby". It gets annoying after a while, and compared to the rest of the album it's pretty subpar. "If Everybody Looked The Same" would've been a better single). It also has some noticable filler, unfortunately. Despite this, there are definitely very good groovy tunes on this album that make it a satisfying purchase. "Whatever, Whenever" and "Serve Chilled", for example, are excellent tracks. Some songs tend to settle for some cheesy lyrics or instrumentation, but the ones that try hard to be good definitely hit their target. Overall an uneven album, but I still think it's a worthy purchase. Overrated maybe, but still slightly recommended.

Highlights include:
"Chicago"
"Whatever, Whenever"
"Dusk, You & Me"
"Serve Chilled"
"If Everybody Looked The Same"
"A Private Interlude" (to an extent)
"I See You Baby" (even though it gets old after a while)
"At The River" (parts of it)

5 out of 5 stars I am biased, I admit it..........2005-03-10

...I love everything this band puts out, but this truly is their seminal work. A heady and intoxicicating mix of ambient chill and thumping, infectious club tracks. Grove armada have a knack for making tracks people recognise and yet don't recall the name of, this adds a certian cache which gives the tracks mass appeal and longevity. Treat your ears, they'll love you for it!

4 out of 5 stars Serve chilled.......2003-12-23

I'm not exactly a big fan of Groove Armada. I do enjoy their second album but in general, they are one of those artists/bands that I just can't get into despite all the accolades they receive from critics and fans alike. I thought I would put in "Vertigo" tonight because I haven't listened to it in many, many moons. I still don't like "I See You Baby" which is one of the most annoying dance songs I have ever heard (right up there with any song by Fatboy Slim). I guess if I was to sum up a description of Groove Armada's music it's that they are a hybrid of house and ambient music. The cd kicks off with the killer deep throbbing dance beats of "Chicago". That song I definitely enjoyed. "Whatever, Whenever" crosses over into hip hop with vocals provided by M.A.D. It is the ideal track for any chill out compilation. I love the moodiness of "At the River" which can be found on a lot of chill out compilations nowadays. I loved the horn section used on "Dusk You & Me". The song definitely has a jazz influence to it and just like "At the River", a perfect song to chill out to. I definitely prefer the more mellow songs on the cd although I do think "Chicago" is a killer song. I can live without hearing "I See You Baby" ever again. "Vertigo" is by no means a terrible album. A lot of the songs are excellent however I am more inclined to side with the reviewers who thinks that Groove Armada (and/or this album in particular) is overrated.

5 out of 5 stars Wow! How many superlatives can I come up with?.......2003-09-27

Let's see "groove" To take great pleasure or satisfaction; enjoy oneself: just sitting around, grooving on the music.
To be affected with pleasurable excitement.
To react or interact harmoniously.
"armada" A large group of moving things

Definations of two words that pretty well sum up my feelings about this album!

I have to thank Claudia Black and Gigi Edgley of Farscape fame from Australia because without each of them naming "Groove Armada" their favorite group I would have never found this pure JOY! Especially track number 11 "Your Song" which upon increasing the volumn illicits uncontrollable movements out of my body, I can only think of the words "raw groove" to describe this song. None of the 13 songs need skipping because each and every one illicit a different feeling. I cleaned an entire basement one day grooving to this CD!

What can I say, this is my favorite CD at the moment and I will find it hard to replace!

2 out of 5 stars Some great - but overrated.......2003-01-05

A couple of great tracks in Inside My Mind (spooky, trippy good), and At The River. Good to have/get - but under produced and overrated.
Vertigo
Average customer rating: 4.5 out of 5 stars
  • Something Different, Something Great
  • Just so good!
  • Wow this really is a good c.d.
  • Great cd
  • Masterpiece
Vertigo
Jesse Cook
Manufacturer: Narada
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | International | Styles | Music
FlamencoFlamenco | Latin Music | Styles | Music
GeneralGeneral | Jazz | Styles | Music
Jazz FusionJazz Fusion | Jazz | Styles | Music
GeneralGeneral | New Age | Styles | Music
MeditationMeditation | New Age | Styles | Music
GeneralGeneral | Adult Contemporary | Pop | Styles | Music
Adult AlternativeAdult Alternative | Pop | Styles | Music
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ASIN: B000007PHX
Release Date: 1998-06-16

Tracks:

  1. That's Right!
  2. Byzantium Underground
  3. Cancion Triste
  4. Rattle And Burn
  5. Red
  6. Breathing Below Surface
  7. Avocado
  8. Allegretto
  9. Vertigo
  10. Fragile

Amazon.com

To classify Vertigo as new age almost does it a disservice; not because the elements aren't there, but because the term doesn't adequately describe the music on this CD. Jesse Cook performs the blend of flamenco and various world music styles that is Vertigo with a gentle yet enthusiastic style, so that the up-tempo "That's Right!" (as with Miles Davis's "So What," you can hear the title phrase in the music) and slightly bluesy "Avocado" are just as great to listen to as the slower, cinematic "Cancion Triste" (featuring cellist Ofra Harnoy) or "Breathing Below Surface." Holly Cole's vocals on "Fragile" are a special treat; while Cook's guitar is the reason to get this CD, he never overrides his guest stars. Vertigo is exciting without being intrusive, soothing without putting you to sleep. --Genevieve Williams

Customer Reviews:

5 out of 5 stars Something Different, Something Great.......2007-01-06

I was introduced to the music of Jesse Cook by a friend. Usually new music has to grow on me before I realize I like it. In this case I was immediately drawn to the music and enjoyed it from the word go. I especially like the opening number on Vertigo. It is so fun and lively. Almost seems like a spontaneous production, very candid and personal.

5 out of 5 stars Just so good!.......2006-06-28

I bought this album for the song "Fragile" featuring Holly Cole doing the vocals. That song is great, but I found that all the tracks were great. What an incredible guitar talent and he's backed by several other talented people.

Just a great cd!

5 out of 5 stars Wow this really is a good c.d........2006-04-04

I have never heard of this c.d. or the of J. Cook before I heard one of his cuts on XM and had to pick it up. I like every track and hope to buy more of his c.d.'s.
I am a painter/artist and this is the perfect stuff for me to create to.

5 out of 5 stars Great cd.......2005-07-19

Excellent value for the money, great cd, arrived in time for father's day- thank you very much

5 out of 5 stars Masterpiece.......2004-03-20

I have had the pleaure of listening to Jesse Cook live in Guelph Ontario, and they played a few songs from this CD. I was very very impressed and I still consider it to be the best live performance I have seen. This album is a fusion of many styles and should be listened to without trying to force it into one genre or another. All of the performers on this CD are very talented artists and they mesh perfectly. Very creative use of many instruments including a wooden box. The music is rich and detailed but simple at the same time.

Highly recommended
Bernard Herrmann: The Film Scores
Average customer rating: 4.5 out of 5 stars
  • Excellent performances of a selection of Herrmann's later film scores
  • Classic, at reduced price
Bernard Herrmann: The Film Scores

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

All Works by HerrmannAll Works by Herrmann | Herrmann, Bernard | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
SuitesSuites | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Symphonies | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
Movie ScoresMovie Scores | Soundtracks | Styles | Music
Movie SoundtracksMovie Soundtracks | Soundtracks | Styles | Music
GeneralGeneral | Soundtracks | Styles | Music
4-for-3 Classical4-for-3 Classical | 4-for-3 Music | Stores | Music
4-for-3 Soundtracks4-for-3 Soundtracks | 4-for-3 Music | Stores | Music
4-for-3 All Music4-for-3 All Music | 4-for-3 Music | Stores | Music
Classical Instrumental MusicClassical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
SonySony | Computers Brands | Computers Features | Electronics | Desktops | Monitors | Networking | Notebooks
Similar Items:
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  5. Bernard Herrmann Film Scores: From Citizen Kane To Taxi Driver

ASIN: B00077F9AM
Release Date: 2005-10-18

Customer Reviews:

4 out of 5 stars Excellent performances of a selection of Herrmann's later film scores.......2007-06-15

Esa-Pekka Salonen and the Los Angeles Philharmonic produce fine performances of a selection of Herrmann's post-1955 film scores.

The music itself is of variable musical interest.
The music from "The Man who Knew too Much", "Vertigo", "Marnie", "North by Northwest", "Taxi Driver" and "Psycho" shows Herrmann at his best.
"Torn Curtain" and "Fahrenheit 451" find Herrmann at his least inspired and it is a pity Salonen didn't jettison these items in favour of something else.

The performances cannot be faulted and lovers of Herrmann's music will find much to enjoy here.

5 out of 5 stars Classic, at reduced price.......2006-08-15

As much (if not more) than any other film composer, Bernard Herrmann's music stands up to listening independent of the films. The emphasis here is on Herrmann's scores for Hitchcock, when both men were arguably at their creative heights.

Note: this is NOT a collection of original soundtrack recordings. However, Salonen and the LA Philharmonic at absolutely top-notch, and the recording is beautiful. Certain subtleties are actually easier to hear on this recording than on some of the originals.

As if I couldn't recommend this highly enough, the price has been reduced on this reissue! This deserves a wide audience, don't hesitate to buy it.
Vertigo: Original Motion Picture Score (1995 Re-recording)
Average customer rating: 5 out of 5 stars
  • 5 Stars for Herrmann, 1 for the Interpretation
  • One of Herrmann's Greatest Scores Wonderfully Recorded
  • Elegant Release of a Uniquely Haunting, Powerful Score
  • An American classic
  • Hauntingly romantic to the last note
Vertigo: Original Motion Picture Score (1995 Re-recording)
Bernard Herrmann
Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000014WI
Release Date: 1996-03-12

Tracks:

  1. Prelude/Rooftop
  2. Scotty Trails Madeline
  3. Carlotta's Portrait
  4. The Bay
  5. By The Fireside
  6. The Forest
  7. The Beach
  8. The Dream
  9. Farewell/The Tower
  10. The Nightmare/Dawn
  11. The Letter
  12. Goodnight/The Park
  13. Scene D'Amour
  14. The Necklace/The Return/Finale

Amazon.com

This is the most haunting and hypnotic of all of Bernard Herrmann's scores (which include Psycho and North By Northwest)--from the most haunting and hypnotic of all Alfred Hitchcock films. This is deeply mysterious music, in keeping with the echoes of the past that keep recurring in the movie. As the dizzying main theme opens up before you, you can feel yourself falling right right in. (Herrmann himself did a sort of variation on it for Obsession, the 1976 Paul Schrader/Brian DePalma re-working of Vertigo, released when the earlier picture had been out of circulation for many years.) Perhaps the greatest compliment one could give this soundtrack is that it's as powerful and unforgettable as the images it was written to accompany. And it stands beautifully on its own, as well. --Jim Emerson

Customer Reviews:

3 out of 5 stars 5 Stars for Herrmann, 1 for the Interpretation.......2006-01-19

Is Bernard Herrmann's "Vertigo" score the best ever written for a movie? It would be hard to argue against it. What other film score has the depth, sorrow and beauty of this one? The music as heard in the film is exactly the way Herrmann(and Hitch, of course) wanted it to be. (I highly recommend picking up the newly released soundtrack of "The Wrong Man", a CD which includes many studio outtakes of what was not used in that great, tragic film. Listening to what was rejected makes Herrmann's choices very understandable. He was always right.) So what we get in the released film -- at least in this case -- is Herrmann's most cherished intentions.

Of course, any great piece of music can be reinterpreted. But there is only one word to describe the McNeely/RSO version: lugubrious. The slowness is too slow, the loudness is too loud, the subtle transitions between themes are made four-square and obvious. Basically, McNeely has turned Bernard Herrmann into John Williams.

Much better choice: locate the original Muir Matheson soundtrack.

5 out of 5 stars One of Herrmann's Greatest Scores Wonderfully Recorded.......2005-10-18

Bernard Herrmann and Alfred Hitchcock's collaborations are legendary. The two seemed to complement each other so well: Hitchcock's mastery at creating suspense combining with Herrmann's ferocious, mysterious and thrilling music immeasurably enhancing the experience. Vertigo is the pinnacle of their work together.

The score is seductive, hypnotic and haunting. It brilliantly captures the essence of the character Scottie's (James Stewart) romantic, yet obsessive feelings for Madeleine (Kim Novak). The score deftly moves between the romantic and the suspenseful.

The album starts off with the famous title music. Swirling strings and vibraphones creating a dream-like atmosphere that marries perfectly with the striking images of Saul Bass. After the titles conclude, a driving string ostinato punctuated with bursts of brass underscores a chase scene where Scottie first encounters vertigo. An amazing piece of music.

Introduced in the third track is a Spanish-like motif that is used to signify Madeleine's connection to her ancestor Carlotta Valdez. The motif is repeated constantly creating an eerie and hypnotic effect on the listener.

The love theme, featured throughout the score is heard fully in the outstanding 'Scene d'Amour' and is the highlight of the album. In just under six minutes, Herrmann builds and builds the emotion until the magnificent climax of the piece.

Due to a musicians strike at the time of the film's music recording session, Bernard Herrmann did not actually conduct the score that exists in the film. Apparently Herrmann thought the conductor, Muir Mathieson did a sloppy job. Well this new recording by Joel McNeely is quite simply outstanding. The playing by the Royal Scottish National Orchestra is superb and the album features wonderful sound quality. This allows the listener to study the detail of Herrmann's unique orchestrations closer than that of the original recording.

The album comes complete with extensive liner notes, featuring track by track analysis and a small biography on Herrmann.

Vertigo is an outstanding score. An essential album for any film score collector.

5 out of 5 stars Elegant Release of a Uniquely Haunting, Powerful Score.......2005-05-08

Unlike most composers both before and after, Bernard Herrman was not interested in creating a melodic score reflective of popular music of the time. He instead approached the work as something of a "tone poem" that reflected the uniqueness of each scene and of the film in its totality. From the 1940s through the 1970s his work fueled the power of many famous films such as CITIZEN KANE--but it was really with the legendary director Alfred Hitchcock that he found his best partnership.

VERTIGO is possibly the single most studied American film of the 20th Century, a remarkably complex film that fuses everything from story to color design to create an almost inexhaustible vision of obsession. Not the least of the film's layers are the score, which is regarded as not only one of Herrmann's finest works, but one of the finest film scores in film history.

Much of the score has the dreamy, fluid tone of a calm stream--and Herrmann unexpectedly punctuates the flow to incredible effect with unexpected jabs of sound, sound that sometimes comes as suddenly as an unexpected blow, that sometimes rises from a covertly ominous tone to an overwhelmingly paranoid edge. The overall structure is open-ended, with little in the way of any direction that be considered a resolution.

Two of Herrmann's themes here are particularly famous. The most obvious of these might be termed "the Vertigo Waltz"--a strange, cyclical series of notes that emerges from the background flow and perfectly expresses the film's repeating themes of building obsession, disorientation, and emotional discord. Equally haunting is the "Madeline" theme, which seems based on a four-note, open-ended phrase that rises above everything from the "waltz" to Spanish accents associated with the figure of the long-dead Carlotta. This particular theme has the quality of the human voice calling out in tremendous longing--but without hope of a saving response.

The Varse Sarabande release, which offers the score as recorded by Joel McNeely and the Royal Scottish National Orchestra, is very fine in quality. It also includes an extremely well-written and well-researched fourteen page booklet that describes Herrmann's work both here and in other films as well as the film itself. It is an elegant offering, well worth seeking out.

GFT, Amazon Reviewer

5 out of 5 stars An American classic.......2005-04-26

Hermann's score for Vertigo is one of the most beautiful and compelling pieces of music I've ever heard. It's not only great "movie" music, it's great music.

Hermann deserves to be ranked as one of the great American composers, along with Copeland and and both Bernsteins.

The recording displays the music in a splashy stereo that retrieves it from the mono of the film.

This is music to listen to over and over.

5 out of 5 stars Hauntingly romantic to the last note.......2005-01-16

The music in the film "Vertigo" (when I first saw it several years ago) captured me immediately with an enchanting yet chilling opening. Bernard Herrman had an almost spiritual bond with the Hitchcock films he scored and somehow knew precisely what Hitch wanted in each scene. Although the original Herrman recording of the score is the ultimate auditory gem, the masterful re-recording of the score by Joel McNeely's Royal Scottish Orchestra captures the passionate obsession of the film with great flourish. To all fans of "Vertigo" the film and to movie music enthusiasts, I highly recommend this score. The only suggestion I would venture to potential listeners would be to see the film first (of course), as the story greatly intensifies the emotion of the score. Chills run up and down my spine each time I listen to the score. It will never cease to excite me. Bravo!

Vertigo
Average customer rating: 4 out of 5 stars
  • Give John 5 a chance
  • Disappointing!
  • Makes a change
  • WOW!!!
  • Insturmental Rock At Its Best
Vertigo
John5
Manufacturer: Shrapnel
ProductGroup: Music
Binding: Audio CD

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ASIN: B0002T7YF8
Release Date: 2004-08-31

Tracks:

  1. Needles, CA
  2. Feisty Cadavers
  3. Pulling Strings
  4. Sugar Foot Rag
  5. Dead Man's Dream
  6. Sweet Georgia Brown
  7. Flatlines, Thinlines
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  11. Zugg Island Convict
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  13. Goodnight

Album Description

Guitarist John Five, known for his work with Marilyn Manson, David Lee Roth, Rob Halford, etc., delivers his first instrumental solo record, "Vertigo." Five shows phenomenal diversity as a writer/guitarist and "Vertigo" further showcases him as one of the most technically advanced guitarists today. Fans of driving rhythms and ear-catching, over the top, guitar work will keep this in their CD player for months on end.

Customer Reviews:

5 out of 5 stars Give John 5 a chance.......2007-04-18

Listening to these songs not knowing who the artist is, chances are you wouldn't know it's the same guitarist who played with Marilyn Manson for several years. Who knew John Lowery (stage name: John 5) had this kind of stuff bottled up? It's fairly apparent John's musical capabilities were held back while in Manson, judging by how technically advanced these songs are in comparison to the simple gothic riffs he was playing before.

Vertigo is entirely instrumental, and it's only fitting so John can showcase his talents. He handles all guitars, banjo, bass, mandolin, and lap steel. This album fuses metal, bluegrass, and even country - and it works. At times the shredding is somewhat over-the-top, but from start to finish John's playing is pleasantly overwhelming. Don't expect a masterpiece like Steve Vai might put forth, but expect an impressive solo effort from an instrumentalist with a metal background.

Give John 5 a chance, because you may be surprised with what a lipstick-smeared rocker can bring to the table.

1 out of 5 stars Disappointing!.......2006-01-25

This album really sucks! John 5 shows some very good technique but that's all! Mono-dimensional solo work, same riffs, same drums and rhythm section, useless and ridiculous effects, no general idea. Inadequate inclusion of country melodies and old-fashion elements. There's nothing really interesting in the album, nothing to compare with Joe Satriani, Steve Vai, John Petrucci, Steve Morse, Allan Holdsworth, Eric Johnson.

5 out of 5 stars Makes a change.......2005-08-01

Frankly, i wasn't a huge manson fan, perhaps it was his die hard fans and their average age of 15 and little in the way of musical diversity, however the man wrote great rock, but manson isnt the one im reviewing.
John 5 is hyped, but in the wrong direction certain reviewers, giving scores of 1 or 0 claim that he is all hyper and playing with manson in makeup built him up. But then, John Lowery is a respected player Vai himself said that the new album showed origionality and creativity, Les Paul (heard of him guys?) having heard Lowery play urged him to release a solo effort, and he did.
I own satrianis surfing with the alien and crystal planet, and have heard some of his best tracks, the same goes for vai, owning flex-able flex-able leftovers (all fancy techniques and flash, i thought someone said that about john, but leftovers really was scraping the bucket) passion and warfare and the ultra zone, yet vai never gained the popularity manson did, perhaps due to image.
In relation to the person who said lowerys record label was poor and that he should have given up, Andy timmons, an amazing player, still only plays on vais favoured nations label, a label so small the cd that was then this is now, is nearly impossible to find in stores, also, if lowery is so washed up why is it that hes playing for rob zombie on tour, or that, due to his "poor tone" he has previously played for david lee roth and rob halford, and, wait who else played for lee roth.. oh yeh, vai.
Frankly, i like Vai and Satriani, but! their records are samey, i welcome country techniques seen in john 5s playing, chicken pickin' right through to banjo rolls, infact, i challenge those downraters to actually play zugg island conflict or sugar foot rag to the level that john 5 can, amazing record, good technique, a breath of fresh air from the usual overinflated shred scene

5 out of 5 stars WOW!!!.......2005-03-26

Who seriously thought that John 5 of all people would kick this much A$$!!! Manson held this guitar player back way too much!!! John 5 is so talented that he is as good as Vai and Satriani. This album is so technicly beautiful that it is hard to explain and it really showcases John 5's skill as a guitar player. Thank you Johhy,I love you!!!

5 out of 5 stars Insturmental Rock At Its Best.......2005-01-26

I have been a fan of Marilyn Manson for a while (John 5's former band for those of you who have been living under a rock), but the band didn't let John 5 showcase his skills nearly as much as this album does. It's an incredible trip from industrial to rockabilly to metal... this man is an incredibly versitile guitar player.
Vertigo
Average customer rating: 5 out of 5 stars
  • Still Available After All This Time
  • 4.5 Stars actually... Very good album from Mr. McLean
  • Wow!
  • McLean Surpriser
  • Another gem from Jackie Mack!
Vertigo
Jackie McLean
Manufacturer: Blue Note Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B00004GJVN
Release Date: 2000-02-15

Tracks:

  1. Marney
  2. Dusty Foot
  3. Vertigo
  4. Cheers
  5. Yams
  6. The Three Minors
  7. Blues In A Jiff
  8. Blues For Jackie
  9. Marilyn's Dilemma
  10. Iddy Bitty
  11. The Way I Feel

Amazon.com

This CD combines two Jackie McLean quintet sessions from the early '60s that capture the alto saxophonist in a significant period of transition. First up is a 1963 session with trumpeter Donald Byrd and two significant protégés. Byrd had been working for a while with pianist Herbie Hancock, but it was the first recording session for drummer Tony Williams, just 17 years old when he began working with McLean. The arrival of Hancock and Williams was momentous. They were already stretching the vocabulary of hard bop, and the horns respond accordingly. It's McLean's presence that's dominant, though. His hard-edged intensity always stood out, and there's an increasing bite in this period, leading up to his embrace of a much freer group format. The second session, from 1962, is more securely in the bop mold. It's another first-rate band of Blue Note regulars, with the veteran trumpeter Kenny Dorham, pianist Sonny Clark (like McLean, a master of blues-suffused bop), drummer Billy Higgins, and bassist Butch Warren. Over the years, these have been elusive recordings. Both appeared on LP (Vertigo and Hipnosis) years after they were recorded and in combination with other material. This is their first appearance on CD, and it's a limited edition, so McLean fans should act quickly. --Stuart Broomer

Customer Reviews:

5 out of 5 stars Still Available After All This Time.......2007-04-17

Two separate quintet sessions from the early 60's are represented here, both shelved at the time by Blue Note, both important documents that jazz musicologists are delighted to have on CD today. This review restricts itself to the main session from which the album title is derived, featuring the top-notch personnel as noted in the editorial review above, and it discusses each track in sequence:

1. "Marney", by trumpeter Donald Byrd, is a tight chase that sprints right out of the gates. McLean's tone throughout is extra tart - not for the squeamish. And the rhythm section of Hancock, Warren and Williams is absolutely incendiary, throwing off white-hot sparks at every turn.

2. "Dusty Foot", also by Byrd, is a funky blues in 12 (actually 6 + 4 + 2) that rolls itself out a bit like a chunky version of Horace Silver's tune "The Jody Grind" (from three years later; both tunes in Bb). It also bears a somewhat eerie resemblance to Wayne Shorter's "Adam's Apple" (also from three years later; different key) - not so much the head, but more the thing that Herbie's doing underneath to set up the groove.

3. "Vertigo" - The title track is a strange circus gambit, and not a chordless one as others have suggested, but certainly an extended form that reveals McLean's history with and indebtedness to Charles Mingus, while pointing the way forward to near-future McLean albums like Destination Out! and One Step Beyond.

4. "Cheers" is a modern show-type tune (you'll swear it's a standard) that McLean seems to have based upon "The Woody Woodpecker Song" as much as on anything else. Check it out. It's a fine blowing vehicle for the principals.

5. "Yams" is a 12-bar blues, plain and simple. Nothing special in this tune credited to Hancock, though it could be called remarkable for the way that McLean dials back his usual sharp tartness and plays it right in the pocket.

The "Vertigo" session tracks (which marked the recording debut of the late Tony Williams, then just 17, on astonishing drums) were recorded in February 1963, but were held back for vinyl release by Blue Note until 1981 (tip of the hat to a young Michael Cuscuna). Like many others, I scrambled to get this "Limited Edition" CD release when it arrived in 2000, and I've never regretted it. Seven years later, it's sad to have lost such a giant of American Music (McLean died March 31, 2006 in Hartford, CT at the age of 74), but it's nice to see that this fine document is still available to everyone.

(btw, the other half of this release is taken from a June 1962 5tet session that was previously available only as part of the double LP set "Hipnosis", and it features some guys named Kenny Dorham, Sonny Clark, and Billy Higgins - not too bad in and of itself!)

4 out of 5 stars 4.5 Stars actually... Very good album from Mr. McLean.......2001-02-06

This album is thoroughly enjoyable from begining to end. My usual complaint from multisession reissues isn't present as the album flows pretty smoothly from the first to the second session. Additionally the opening track has some of the most interesting and entertaining duo horn work on any bop or post bop album I've heard. Although Jackie has better albums, notably A Fickle Sonance, Destination Out, and Let Freedom ring, this is still both a good starting point and good addition to your library.

5 out of 5 stars Wow!.......2000-08-19

My 1st McLean recording-what a bunch of tunes. This has been in heavy rotation since my purchase.

5 out of 5 stars McLean Surpriser.......2000-08-03

Surprising in that I didn't know the record even existed. And it is a two-session in one cd bargain. The 1962 session is fine indeed, but the 1963 session is in the vein of all the others from this great period, like Let Freedom Ring! and Destination Out. Awesome stuff (again), from the incredibly consistent and excellent Jackie McLean. Don't let this one go out of print before you can pick it up.

5 out of 5 stars Another gem from Jackie Mack!.......2000-03-25

With so many previously unavailable classic Blue Note albums having been made available on CD in recent years, I was beginning to wonder if there were any more "finds" out there. And then came Vertigo...! This '63 session is similar in feel to Jackie's classics Destination Out and One Step Beyond. Hancock and Williams help to give the album that exploratory yet not too avant-garde feel that is so recognizable and enjoyable from mid-60s Blue Notes. The bonus '62 session is good enough to be a stand alone album. On some of the Jackie sessions that originally sat in the Blue Note vaults (Tippin the Scales comes to mind), Jackie's tone can be harsh, even a little out of tune. That is not a problem with this bonus set -- the front line sound with Kenny Dorham is excellent. Of special interest to me on the bonus session was early versions of two tunes that show up on later albums of Jackie's (compiled on the now out of print Mosaic box set) with different song titles. With so many of Jackie's best albums now unavailable again, any fan of McLean's music should get this CD quickly.
Vertigo
Average customer rating: 4.5 out of 5 stars
  • How can I keep from listening?
  • Best Jazz Vocalist Today
  • Rene Marie's Awesome Showcase
  • An amazing talent
  • A fearless artistic genius
Vertigo
Rene Marie
Manufacturer: MAXJAZZ
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005O7UF
Release Date: 2001-09-18

Tracks:

  1. Them There Eyes
  2. Surrey With The Fringe On Top
  3. I'd Rather Talk About You
  4. Don't Look At Me Like That
  5. I Only Have Eyes For You
  6. It's All Right With Me
  7. Vertigo
  8. Detour Ahead
  9. Moonray
  10. Dixie/Strange Fruit
  11. Blackbird

Customer Reviews:

5 out of 5 stars How can I keep from listening? .......2007-03-31

Rene Marie's sophomore release, Vertigo, is a bit of a culture shock to the casual jazz listener, such as myself. Her debut CD, How Can I Keep From Singing, was almost perfect in my book, and I thought her second CD would surely draw from the same well, and indeed some of it does bear striking resemblance. But make no mistake, this CD is also a big departure for her, too. The Vertigo CD takes more chances, never playing it as safe as her first CD did.
The first two songs are standards, but she gives them the Rene treatment to morph them into her own mold. In her hands, `Them There Eyes' becomes a fun vocal romp over the sparse instrumentation of drums and bass. "Surrey' trades in its' good-time galloping cadence for a softer, sexier treatment that works on all cylinders. "I'd Rather Talk about You" is a self-composed gem with clever wordplay over a bluesy backdrop.
Pop songs don't fare quite as well here receive a The only track that really misses the mark in my ears is "I Only Have Eyes for You", which I still haven't warmed up to. It's not that it's bad per se, but it has been done much better elsewhere. The Lennon/McCartney tune `Blackbird' is a bit better with it's steady bassline dominating the song. Her vocals don't add much to this song.
The title track is the most challenging on the CD. You will either love it or hate it, but her vocal prowess is on full display here, where she reminds us that she is not your run-of-the-mill singer, but a full-fledged, generously talented jazz vocalist and stylist.
But the real standout track here is the contrary pairing of "Dixie" with "Strange Fruit". The lonely a capella of "Dixie" trembles with defiance and anger, teetering on the edge but never spilling over into rage. Instead, the instruments signal the start of Strange Fruit, the song made famous by Billie Holiday. The vocals are delivered passionately, and the instrumentation is perfect, joining together to form not only a lament, but a declaration of hope and freedom.
There's so much more to like here. Ms. Marie could have used her vocal abilities to deliver the same old thing in the same old way as has been done so often. But she has the courage to do things her way, by penning some wonderful original tunes and turning some old ones on their head for a much-needed revamp. While her first CD was (in my humble opinion) more enjoyable, Vertigo is more complex and layered. It took me a few listens, but I do love this CD, and recommend it highly.

5 out of 5 stars Best Jazz Vocalist Today.......2007-03-09

Rene Marie is quite simply the best female jazz vocalist I have heard in decades and "Vertigo" is a CD which should be a classic. I first heard her on a college radio station in New Jersey and was simply blown away. Buy it, give it, keep it. "Vertigo" is right up there with Ella's, Carmen's, Anita's best.

5 out of 5 stars Rene Marie's Awesome Showcase.......2005-03-20

As contemporary jazz vocalese albums go, this is, unequivacably, one of the best ones out there.

Rene Marie is an incredible talent, and this is evident throughout this exceptionally well produced effort. Her voice and stylistic leanings grab and hold you thoughout. She has the knock of deconstructing standards and repackaging them in a fashion that is both compelling and tasteful. Many artists who attempt this come up with nothing but gimicky fluff. This effort, to the contrary, is nothing but solid and engrossing. Plus, Rene Marie is a talented composer, exemplified by "Don't Look At Me Like That" and "Vertigo," the title tune.

By the way, did I mention that Rene Marie can swing her tush off?

On this effort, which seemed to end much too soon, she is accompanied by an outstanding group of musicians, including Mulgrew Miller and Jeff "Tain" Watts. Even lesser known artists here, such as bassist Robert Hurst and percussionist Jeffrey Haynes, leave their mark.

Try Rene Marie's Vertigo, you'll love the taste.

5 out of 5 stars An amazing talent.......2003-03-03

Within 5 minutes of starting her recent show at the Kennedy Center, the entire audience could tell that Rene Marie was a rising star. Her voice was flawless, her presence was radiant. To see Rene Marie live is to experience jazz perfection.

5 out of 5 stars A fearless artistic genius.......2002-10-14

Phew!! I was at a store and I noticed "Vertigo" by Rene Marie, completely unknown to me at the time. I listened to the first 30 seconds of the first 4 songs and I was blown away!! I ran out of the store like a kid with a new toy. This lady sings her heart out, has an amazing range and seems to be able to make her voice do whatever she wants it to. Not only that, she writes some great stuff, too. The title tune is hers, and boy, is it good. She is also amazing at using non-Jazz tunes and making them sound completely unique, like you've never heard it before, as is the case here with The Beatles' "Blackbird." I definitely recommend Rene Marie to anyone who appreciates true artistry, true talent, and swing!!
Music In Film (National Public Radio Milestones Of The Millennium)
Average customer rating: 4.5 out of 5 stars
  • Worth it for "Conquest" alone
  • A GREAT COMPILATION!
  • So So Compilation
  • Deserves more than five stars
  • Music In Film (NPR Milestones of the Millennium
Music In Film (National Public Radio Milestones Of The Millennium)

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000HXL1
Release Date: 1999-01-12

Tracks:

  1. Robin Hood And His Merry Men (The Adventures Of Robin Hood - 1938)
  2. Cantata For Mezzo-Soprano, Chorus, And Orchestra: Song About Alexander Nevsky (Alexander Nevsky - 1938)
  3. Title Theme (Laura - 1944)
  4. Conquest (Captain From Castile - 1947)
  5. Film Suite For Orchestra: Morning on the Ranch (The Red Pony - 1949)
  6. A Place In The Sun: Suite (A Place In The Sun - 1951)
  7. Theme (High Noon - 1952)
  8. 'Andante (With Dignity) - Presto barbaro' (Symphonic Suite) (On The Waterfront - 1954)
  9. Prelude (East Of Eden - 1955)
  10. Working On The Bridge (The Bridge OnThe River Kwai - 1957)
  11. Parade Of Charioteers (Ben-Hur - 1959)
  12. Theme (The Magnificent Seven - 1960)
  13. Prelude (Vertigo - 1958)
  14. The Murder (Psycho - 1960) - Psycho
  15. La passerella di addio (8.5 - 1963)
  16. Main Title (The Lion In Winter - 1968)
  17. Main Theme (Star Wars - 1977)
  18. The Imperial March (The Empire Strikes Back - 1980)
  19. The John Dunbar Theme (Dances With Wolves - 1990)
  20. Leaving Port (Titanic - 1997)

Amazon.com

Good film music should be seen and not heard--that is, it's usually there for background, to reinforce what you're seeing, not to draw attention to itself. So why listen to it? Often that's a mystery, but the items in this collection seem to have been selected because they are interesting music (Prokofiev, Copland, Bernstein) or because they are so familiar that they bring back memories of favorite movies (Laura, High Noon, Star Wars). Like much movie music, a lot of these items are sentimental and overblown, even the more famous ones. (Those famous screaming strings in Psycho can sound silly without the onscreen action.) But if you want one movie-music CD in your collection, this may be the one to have. --Leslie Gerber

Customer Reviews:

5 out of 5 stars Worth it for "Conquest" alone.......2005-09-12

The stirring martial music from the movie "Captain from Castille" ("Conquest") is on this album and so far as I know it's the only CD you'll find it on. But other tracks are great also, including the "Parade of the Charioteers" from "Ben Hur," the theme from "The Magnificent Seven," and "The Imperial March" from Star Wars.

5 out of 5 stars A GREAT COMPILATION!.......2005-06-05

I've come to appreciate soundtracks more and more. This compilation progresses chronologically through 60 years of film music, starting with 1939's "The Merry Adventures of Robin Hood", and ending with "Titanic". It encompasses a huge range of styles. Along with the usual suspects - music from "Ben-Hur", "The Magnificent 7", "Star Wars", et al, there are a few real sleepers, like John Barry's medieval-flavored theme to "The Lion in Winter", or Leonard Roseman's lyrical "East of Eden". Blessedly, most of the tracks are original recordings, conducted by the composers, among them Leonard Bernstein and Aaron Copland. Only those of us burned by tinny, tacky, sacriligiously rearranged retreads on obscure labels can appreciate this.

There are a few notable omissions. The prolific Randy Newman isn't represented, though Uncle Alfred is. And NO Ennio Morricone? - incredible! Presumably, this has more to do with Sony's current copyrights and contracts than the relative merits of the composers. And it's fine to have John Williams included twice, but why two pieces from "Star Wars"? Why not the theme from "Jaws", for instance? Or "Sugarland Express", for a really unexpected treat? But these are minor quibbles. And for whatever it's lacking, there's no fluff substituted. This is real music from fine craftsmen, which sometimes attains art. A great intro to the form, and wonderful just to listen to. I bought it used - one of my best deals ever!

3 out of 5 stars So So Compilation.......2002-01-14

My major interest in this CD was in the selection entitled "Robin Hood And His Merry Men" (duration: 4 min, 28 sec), conducted by John Williams, and performed by the London Symphony Orchestra. It turns out that this is a re-issue of the track from Sony Classical SK 62788, 1997. Surprisingly, this performance is poky, ponderous, and prodding. The conducting is, well, somnambulistic. Miking/mixing/processing yields a sonic brick deficient in instrumental nuances while sounding like way too many musicians were shoe horned into the recording studio. As for the rest of the tracks, it's hard to believe, but Silva America offers better compilations! Best to skip this one.

5 out of 5 stars Deserves more than five stars.......2000-06-23

I have several discs of film music, and this one if by far the best. As one of the previous reviewers noted, there are many peices absent that could have been included here, but I don't see how anyone could be completely satisfied with any compilation that fit on just one disc.

The performances here are crisp and clear, and include a good selection of both old and new, ranging from traditional film favorites like the Star Wars theme, to less common selections like the screeching strings from Psycho (at least, I think they're less common, but I could be wrong). And I could listen to the Magnificent Seven theme over and over.

Anyway, this is a great disc for almost anyone. If you're looking for one thing in particular, find that film's soundtrack, but otherwise, this is a fantastic disc, and one of my favorites!

4 out of 5 stars Music In Film (NPR Milestones of the Millennium.......2000-05-02

Great CD;the music is crystal clear with an excellent variety demonstrating the wide variety of musical talents in Hollywood. Liner notes are also most interesting, explaining some of the history behind the cuts and pointing out differences in the composers styles...as with John Barry. His style ranges from "the Lion in Winter" bold dramatic soundtrack to the exquisitley tender "Dances with Wolves" theme music. A CD to enjoy over and over

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