| 1. Nuestro Motivo |
| 2. Vol Vamos a Comenzar |
| 3. Cuando Fuimos Dos |
| 4. Gracias a Tu Amor |
| 5. Amigos |
| 6. Perdoname/Ol Vidalo |
| 7. Mejor de Mi |
| 8. Por Ese Hombre |
Edgar & Mariana,Edgar & Mariana,T.H. Rodven,Latin,Tropical
Average customer rating:
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Appassionato
Manufacturer: Sony Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000KWZ7DS Release Date: 2007-01-09 |
Tracks:
- Going To School featuring John Williams
- IV. Allegretto poco mosso from Sonata in A Major for Violin and Piano
- II. Andante con moto e poco rubato from Three Preludes
- II. Largo from "Winter", Op. 8, No. 4, RV 297 from the Four Seasons
- Doce de coco
- II. Largo from Concerto No. 1 in G minor for Cello and Orchestra, Op. 49
- Cinema Paradiso: Nostalgia from Giuseppe Tornatore Suite
- The Swan from Carnival of the Animals (Chamber Version)
- Yanzi (Swallow Song)
- II. Andante from Concerto for Violin, Cello and Orchestra in A minor,
- Soledad
- No. 4 Mikin Pekko from Five Finnish Folk Songs
- First Impressions featuring Edgar Meyer; Mark O'Connor
- Song Without Words, Op. 109
- Gabriel's Oboe from The Mission featuring Ennio Morricone
Amazon.com
Any new compilation CD starring Yo-Yo Ma is certain to please. This master of the cello takes the listener through so many types of music that the ear and mind never tire. The present selection is billed as a sort of "musical autobiography," and, indeed, it gives us a tour of Ma's musical life. The Silk Road Project is represented by Zhao's "Swallow Song," with its eerie, fascinating soundscape (specially re-recorded for this CD). We also accompany Ma on his excursions into the world of the baroque cello with Vivaldi or of the Finnish folk song (by Mamiya, a first recording). There are Gershwin's languid Second Prelude, with its intimations of the song "Summertime," and an all-new recording of a nine-minute heart-breaker by Astor Piazzolla ("Soledad"). Ma also gives us more familiar Brahms, Franck, and Saint-Saens. The compilation's mellow 65 minutes offer relaxing, beautiful music, all exquisitely played. Ma is joined by the best: Emanuel Ax, Kathryn Stott, John Williams (who plays piano on his own "Going to School" from Memoirs of a Geisha), Isaac Stern, and Claudio Abbado. This is a veritable Who's Who of superb musicians. --Robert LevineCustomer Reviews:
Pure Listening Pleasure.......2007-05-18
Appassionato.......2007-05-18
Deep, Serious and diverse.......2007-04-26
This is a darker collection than I expected. And like a serious, reserved friend, it can take a little longer to appreciate than the bubbly outgoing ones. I now find I like it very much, but it is serious "conversation."
There is great variety here as well, and I gave it to a friend's teenager who is considering whether she wants to learn the cello. Her response was much the same as mine. Initially not so sure, but over time, has really come to like it, too. This collection has great depth.
Yo-Yo Ma's Appassionato.......2007-04-13
A soulful compilation.......2007-04-13
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The Essential Yo-Yo Ma
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000A7Q29G Release Date: 2005-08-16 |
Tracks:
- Prde from Suite No. 1 in G Major for Cello, BWV 1007
- II. Largo from "Winter", Op. 8, No. 4, RV 297 from the Four Seasons
- Jesus, bleibet meine Freude (Jesu, Joy of Man's Desiring), BWV 147
- Schafe kn sicher weiden (Sheep May Safely Graze), BWV 208
- Wachet auf, ruft uns die Stimme (Sleepers Awake), BWV 645
- The Swan from Carnival of the Animals (Chamber Version)
- Havanaise, Op. 83
- Mtation from Tha
- Liebesfreud Instrumental
- Allegro ben ritmato e deciso from Three Preludes
- Vocalise Vocal
- IV. Allegro from Sonata in D minor for Cello and Piano, Op. 40
- Andante Cantabile for Cello Solo and String Orchestra, Op. posth.
- IV. Rondo alla Zingarese. Presto from Quartet No. 1 in G minor for Piano and Strings, Op. 25
- III. Finale. Allegro moderato from Concerto in B minor for Cello and Orchestra, Op. 104
Tracks:
- Cristal
- A lenda do caboclo
- Chega de Saudade Live
- Wapango Live
- Libertango
- Appalachia Waltz Solo Cello Version
- Butterfly's Day Out
- 1B
- Pickin' from Three Pieces for Solo Cello
- Simple Gifts
- The Mission
- Gabriel's Oboe
- The Falls Album Version
- The Eternal Vow from Crouching Tiger, Hidden Dragon
- The Cellist of Sarajevo - A Lament in Rondo Form for Solo 'Cello, Op. 12
- Chi passa per'sta strada
- Mido Mountain (Chinese Traditional)
- Mohini (Enchantment)
- Baroque in Rhythm from Suite for Cello and Jazz Piano Trio
- Anything Goes Instrumental
- I Could Have Danced All Night Extended version
Amazon.com
Here are three dozen pieces of music, all played by Yo-Yo Ma, culled from his extensive discography. Aside from the technical mastery and beautiful tone that are absolutes in all of his playing, one is dazzled by his curiosity and ability to adapt to so many forms and types of music. His Bach and Vivaldi are pellucid and played with non-sentimental crispness, his tango music gritty and rhythmically pungent, his jazz seemingly spontaneous, the "Meditation" from Thais simply ravishing, "Anything Goes" a romp, and the Appalachian music performed with both respect and a great twang, while the traditional Chinese music is fascinating. It's really a matter of how much Ma loves whatever he plays here, how entirely he becomes involved in it, and what a fine partner he invariably is to other musicians. This collection is a doozy--it is truly "essential." --Robert LevineCustomer Reviews:
pure genius.......2007-05-21
Yo Yo Ma shows to be master of the instrument and his interpretations en technique are pure genius. Everyone should have this album in his (or hers of course) basic classical collection
Another great Yo-Yo Disc.......2007-05-15
first disc great- second a flop.......2007-04-12
Encore.......2007-03-31
The Versatile Yo-Yo Ma.......2007-03-29
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Appalachia Waltz / Ma, Meyer, O'Connor
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002C0Y Release Date: 1996-09-24 |
Tracks:
- The Green Groves of Erin - The Flowers Of Red Hill
- Appalachia Waltz
- Chief Sitting In The Rain
- Mama
- Butterfly's Day Out
- Druid Fluid
- First Impressions
- Etienne Et Petunia
- F.C.'s Jig
- College Hornpipe
- Pickles
- Old Country Fairytale
- Schizoozy
- Star of the Country Down
- Speed The Plow Medley
- Fair Dancer Reel
Customer Reviews:
Welcome to "alternative" classical music!.......2007-02-19
It's Yo-Yo so it's Exquisite.......2007-02-12
I, too, found many of the sounds unique. For a real experience, listen in a darkened room with a pair of superior earphones - the things you pick up will shock. I literally turned my head several times, convinced that the artist was in the room.
As one reviewer noted, this is not supposed to be the rustic sound one might imagine or (the reverse) simply an intellectual exercise. The artist (with able assistance) seems to draw on some kind of inner reserve and literally pour his soul into his newest project. I, for one, applaud this widening of the boundaries between genres and hope that it continues.
Let's not forget the other artists, particularly Meyer. Many times the celebrity saps all the attention leaving a wake of sore feeling in their wake. Ma has always been one to give credit where credit is due and in this case it is due to those who ably assisted him. My grade - A
Love it- great for weddings.......2007-01-24
Stellar album.......2006-11-10
**Superb**.......2006-07-19
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Tales of Mystery and Imagination
Alan Parsons Manufacturer: Umvd Import ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000OFP8O4 Release Date: 2007-05-07 |
Tracks:
- Dream Within a Dream [Instrumental]
- Raven
- Tell-Tale Heart
- Cask of Amontillado
- (The System Of) Doctor Tarr and Professor Fether
- Fall of the House of Usher: Prelude [Instrumental]
- Fall of the House of Usher: Arrival [Instrumental]
- Fall of the House of Usher: Intermezzo [Instrumental]
- Fall of the House of Usher: Pavane [Instrumental]
- Fall of the House of Usher: Fall [Instrumental]
- To One in Paradise
- Raven [Original Demo][*]
- Edgar [Demo of an Unreleased Track]
- Orson Welles Radio Spot [*]
- Interview with Alan Parsons and Eric Woolfson [1976][*]
Tracks:
- Dream Within a Dream [1987 Remix][Instrumental]
- Raven [1987 Remix]
- Tell-Tale Heart [1987 Remix]
- Cask of Amontillado [1987 Remix]
- (The System Of) Dr. Tarr and Professor Fether [1987 Remix]
- Fall of the House of Usher: Prelude [1987 Remix]
- Fall of the House of Usher: Arrival [1987 Remix]
- Fall of the House of Usher: Intermezzo [1987 Remix]
- Fall of the House of Usher: Pavane [1987 Remix]
- Fall of the House of Usher: Fall [1987 Remix]
- To One in Paradise [1987 Remix]
- Eric's Guide Vocal Medley [*]
- Orson Welles Dialogue [*]
- Sea Lions in the Departure Lounge: Sound Effects and Experiments [*]
- GBH Mix: Unreleased Experiments [#][*]
Album Description
2007 digitally remastered two CD Deluxe Edition of the debut album from the Alan Parsons Project. featuring the original 1976 mix of the album, the 1987 remix and eight previously unreleased bonus tracks! Recorded at Abbey Road in 1975 and released in 1976, the idea for the Project came from manager and writer Eric Woolfson, who saw his role as an auteur, bringing together some of the greatest talents in music to bring to life Poe's sinister, gothic tales. Enlisting the white-hot production whiz-kid Alan Parsons, fresh from his work with Wings and Pink Floyd, the duo set about making dreams reality. The album remains a singular, compelling work and can be seen as a bridge between Pink Floyd's Dark Side Of The Moon and Jeff Wayne's War Of The Worlds. Universal.Album Details
2007 Digitally Remastered Double CD Deluxe Edition of the Album Classic that Remastered by Alan Parsons Himself and Partner Eric Woolfson. This Special Package Includes the Remastered Original 1976 Edition, the 1987 Remix (Which Incorporated Dialogue by Orson Welles!) and Eight Previously Unreleased Tracks. Recorded at Abbey Road in 1975 and Released in 1976, the Idea for the Alan Parsons Project Came from Manager and Writer Eric Woolfson, who Saw his Role as an Auteur, Bringing Together Some of the Greatest Talents in Music to Bring to Life to Edgar Allan Poe's Sinister, Gothic Tales. Woolfson Enlisted the White-hot Production Whiz-kid, Fresh from his Work with Wings and Pink Floyd, to Set About Making Dreams Reality. This Spectacular Debut Recording Remains a Singular, Compelling Rock Musical Work that was a Clearly Logical Step for Parsons to Take on his Own after the Accolades of "Dark Side of the Moon".Customer Reviews:
Finally.............2007-07-17
As for me, I prefer the '76 version because it sounds much more haunting, especially "Fall of the House of Usher". I would never argue with what Orson Welles' narration brought to the newer version, it's great. I just feel that the older version was more organic and more intense. This is one of those albums to put on headphones after midnight and listen start to finish. It doesn't even seem like separate songs, it's one whole piece with so many different moods that set up each other.
For example, after the "Prelude" to "Fall of the House of Usher", cracks of thunder, an ominous organ, and then a deceptively pleasant melody for "Arrival", and then Intermezzo, which sounds eerie enough intself before "Pavane". This is such a gentle piece with mainly harpsichord and harp that sets up and gradually segues into the brutal "Fall". This part is so much more frightening on the '76 version, and part of it is due to the way it begins creeping through in the last 30 seconds of "Pavane". I'm sure you'll get a chill from "Fall", especially if you've closed your eyes and imagined the story of the "Fall of the House of Usher" through each part. Finally, after that, "To One in Paradise", which sounds like Poe's biography in four minutes. Or, as Eric Woolfson put it, an epitaph.
With some Alan Parsons fans who are only familiar with the albums from "I Robot" on, you might not know about this one because it was originally issued on another label and took so long to be released on CD (at least, the original version was). Also, it didn't really have any hit singles, even though a couple were released and didn't chart all that high. Don't miss out on this new reissue. In addition to getting both versions, you get some great bonus tracks that feature an informative interview with Parsons and Woolfson, some demos, and the great original Orson Welles voice parts.
Finally, I need to take a minute here. Kudos to a classic rock station in Kansas City, I think it was KYYS. I was there in 2004, and they not only played "System of Doctor Tarr and Professor Fether", but they played the original version!
ABSOLUTELY SUPERB EDITION.......2007-07-02
This set caps the re-release of the first four AP-supervised remastered titles (three more to follow in September '07, and the final three in December).
For this edition, for the first time on CD, we finally get the original 1976 mix of the album that started it all. While I definitely prefer the '87 remix, there are passages in the original I also enjoy, so it's great to finally be able to compare the two, especially in glorious, remastered form.
In the additional material, there are two excellent spoken-word pieces: One, Orson Welles' entire original recitation, sans music/effects, and also a very enjoyable 8+ minute 1976 radio interview with AP and EW.
The booklet is a wonderful, detailed labor of love, with a great essay.
If you're an APP fan, this is an absolute must-own.
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Appalachian Journey
Edgar Meyer , Mark O'Connor , Stephen Foster , Traditional , James Taylor , Anonymous , and Yo-Yo Ma Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004S38H Release Date: 2000-03-21 |
Tracks:
- 1B
- Misty Moonlight Waltz
- Hard Times Come Again No More
- Indecision
- Limerock
- Benjamin
- Fisher's Hornpipe
- Duet for Cello and Bass
- Emily's Reel
- Cloverfoot Reel
- Poem For Carlita
- Caprice For Three
- Second Time Around
- Slumber My Darling
- Vistas
Amazon.com
With the help of some friends (James Taylor and Alison Krauss lend some vocal support), the trio of Yo-Yo Ma, Edgar Meyer, and Mark O'Connor have created yet another fascinating hybrid of chamber music and bluegrass. This follow-up to 1996's Appalachia Waltz is filled with highly lyrical string passages, a homage or two to Copland, and plenty of tracks where Meyer's bass vamps with the best of them. This is reflective (and relaxing) music, lacking the intricate structure of classical music and the rough edges of folk. But, boy, is it catchy! Yo-Yo Ma fans may be disappointed to hear that--aside from the gorgeous "Duet for Cello and Bass"--the cellist takes more of a supportive role on this disc. Still, this is fun music, more intimate than Short Trip Home (Meyer's other crossover project for Sony), but still lively (just check out "1B" or "Caprice for Three"). --Jason VerlindeCustomer Reviews:
Best on the Planet!.......2006-03-24
Stilted.......2005-12-15
Walking the trail.......2005-08-07
Superb concert.......2005-08-02
Too Studied.......2005-06-22
The music throughout most of the CD sounds too labored, too studied. It is, frankly, not that inspiring. The playing throughout is, of course, of the highest calibre and the recorded sound excellent. But there is no hint of the exhuberance of Folk or Bluegrass which is the supposed inspiration for the disc. The guest spots by James Taylor and Alison Krauss are good but they sound like outtakes from their own CDs, these songs are out of context here. (But note how many other Amazon reviews reference their contributions as reasons for loving the CD. Perhaps so many five star ratings because these people need broader musical exposure?)
Too many critics over intellectualize. I base my ratings on one simple criterion: How much did the music move me? In this case, not much.
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Music for Two (Bonus DVD)
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0001XAMS6 Release Date: 2004-04-27 |
Tracks:
- Bug Tussle
- Invention 10, BWV 796
- Pile Up
- Prelude No.24, BWV 869
- Solar
- Blue Spruce
- Canon
- The One I Left Behind
- V. Menuet I - II, BWV 825
- Prelude No.2, BWV 847
- Palmyra
- The Lake Effect
- Largo/Allegro Vivace
- Allegro Vivace
- Wrong Number
- Woolly Mammoth
- Wishful Thinking
Amazon.com
On Music for Two, banjo wizard Béla Fleck and stand-up bass maestro Edgar Meyer effortlessly sail through a challenging program that includes compositions by Bach, a sonata by Henry Eccles, a Miles Davis tune, and a number of self-composed finger twisters. The amazing thing about this varied selection is not its eclecticism--which is only to be expected with these two--but that it all blends together so seamlessly. Fleck's jazz-tinged compositions (like "The Lake Effect") and Meyer's bluegrass-inspired tunes (like "Wishful Thinking") sit so comfortably next to Bach's baroque jewels and Davis's cool jazz that it makes you question the entire of concept of musical classification. (In fact, the Bach preludes, inventions, and partitas translate so well to the banjo/bass arrangements, you have to wonder if old JSB might not have had a bit of bluegrass in his soul.) Music for Two was recorded live at a series of 2001 concerts, where Fleck and Meyer proved conclusively that the banjo and the bass were capable of remarkable subtlety and not just twang and boom. --Michael John SimmonsCustomer Reviews:
A Must Have.......2007-04-25
Broad Spectrum Virtuosity.......2007-04-23
Cool Pairing for Meyer/Fleck Fans.......2007-01-02
Bela Fleck + Edgar Meyer = strange mixture .......2006-11-10
Virtuosity Knows No Musical Boundaries.......2006-10-22
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They Only Come Out at Night
The Edgar Winter Group Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000024Z3 Release Date: 1990-10-25 |
Tracks:
- Hangin' Around
- When It Comes
- Alta Mira
- Free Ride
- Undercover Man
- Round & Round
- Rock 'N' Roll Boogie Woogie Blues
- Autumn
- We All Had A Real Good Time
- Frankenstein
Customer Reviews:
Only ONE thing could have made this a better CD..........2007-01-10
Monster Album!.......2006-11-26
Remarkable! Exciting and Yet Oddly Charming.......2006-07-17
But one I picked up the album about six months back and have listened to it probably fifty times through. It is very hard for myself to start playing it and switch to something out on my playlist without listening to it in its entirety. While none of the songs in my mind (except for Frankenstein) truly stick out (which is possibly why it is not more well known,) the album gels together as a whole so well that few albums match it in terms of pure consistency.
While many of the songs seem simple in appearance, the instrumentation, the dynamics, and the full-blown singing of the more uptempo songs give a level of sophistication, yet remarkable, fun sound to each and every song, all the while staying unique from every other. Added to this, is the even more surprising fact that the two love songs, Round and Round, and Autumn, are two of the most beautiful songs to ever come out of a rock album, let alone a hard rock one.
Hanging Around is one of the best openers one could ever hope to have for an album, infectious, fun, spirited, truly awesome.
When It Comes is possibly the raunchiest sounding Edgar ever sounded (if that's really him singing, I'm not really sure since it sounds as if there are nine different voices singing each of the songs with lyrics), other great, fun sounding song.
Alta Mira is very quirky, yet charming song that you can't help but sing along to. Has an almost Jamaician sound that makes it all the more infectious.
Free Ride needs no explanation, as it's impossible to live past the age of 10 and not have heard the song at least once.
Undercover Man is probably the only weak song on the album if only for the ending which I think it stretched out just a bit too long. Although, it's Edgar in very fine form in terms of loud, almost off-kilter singing.
Round & Round is possibly my favorite song on the album, with its wonderful mix and acoustic and almost country-rock sound. Beautiful.
A ridiculous change of pace from Round & Round (although that's not a bad thing.) The song is basically self-evident from the title... Rock and Roll Boogie Woogie Blues. It delivers perfectly.
Autumn, as said before, is quite possibly the most beautiful rock song I've ever had the pleasure of listening to. Beyond gorgeous.
And almost lastly, another huge change of pace with quite possibly a song that perfectly exemplifies the college spirit (woot), with We All Had a Real Good Time. If there's a better song out there that keeps the fun, youthful spirit of us kids and of the basic tenets of Rock n' Roll, I've yet to hear it.
Well, if you're not convinced, then its at the fault of this reviewer and not the album.. for it is truly one of the best hard rock has to offer. Better than anything Skynyrd or Ted Nugent or Black Sabbath or Led Zeppelin has to offer. And that's no lie. A wonderful standout from 1972 (although it's difficult for me to say that definitively, since I was -13 at the time.)
A classic Rock And Roll Masterpiece.......2006-07-07
Perfect Album..............2006-03-13
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Uncommon Ritual
Edgar Meyer , Béla Fleck , and Mike Marshall Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000029VI Release Date: 1997-09-30 |
Tracks:
- Uncommon Ritual
- Seesaw
- Sliding Down
- Chromium Picolinate
- Contramonkey
- Chance Meeting
- Zigeunerweisen
- Travis
- Old Tyme
- Contrapunctus XIII From 'The Art Of The Fugue'
- Third Movement From 'Amalgamations For Solo Bass'
- By The River
- Big Country
- Barnyard Disturbance
- In The Garden
- Child's Play
- The Big Cheese
Customer Reviews:
Uncommon Ritual.......2007-06-27
Background Music?.......2007-01-02
An absolute must-buy for any collection........2006-07-01
Creative Composers with a New Vein of Music.......2006-04-09
The works marry American folk tune semblances with folk music sounds from stray parts of the world. But they also know their classical training and the roundelays on old themes and styles prove to be some of the most exciting. Edgar Meyer plays Bass, Contrabass , Mandocello, and Piano; B?la Fleck plays Banjo, Electric Guitar, Gut String Guitar, Mandolin, national steel guitar, and Track Performer; and Mike Marshall plays Guitar, Mandocello, Mandola, Mandolin, and Track Performer. Just listing the instruments involve in this m?lange of works suggests that the music is unlike any you may have heard before, especially in the chamber music atmosphere it is played.
All three artists are gifted with fertile minds and technical demands for the instruments used. The result is a recital of endlessly interesting music, as fresh as morning sun and equally as welcome! Grady Harp, April 06
I love this CD.......2005-10-11
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Classic Yo-Yo
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005OAY5 Release Date: 2001-09-18 |
Tracks:
- Unaccompanied Cello Suite No. 1 in G Major
- Prelude
- Fear Tango
- Butterfly's Day Out
- Was Gott tut, das ist wohlgetan
- Slavonic Dance No. 2 in E minor, Op.72
- Three Preludes
- Allegro ben ritmato e deciso
- American Collection Theme
- Sonata for Cello and Piano in F Major, Op. 99
- IV. Allegro molto
- The Eternal Vow from Crouching Tiger, Hidden Dragon
- Erbarme dich (Matthdus-Passion)
- Quartet for Piano & Strings No. 2 in G minor, Op. 45
- IV. Allegro molto
- Vocalise
- Libertango
- Simple Gifts
- Appalachia Waltz
Amazon.com
Except for one "previously unreleased" recording and two new ones, this is a compilation of segments taken from older Yo-Yo Ma CDs, perhaps to whet listeners' appetite to hear the entire records. The disc represents a triumph of performance over material. The program consists of short pieces and single movements of long ones and serves to display Yo-Yo Ma's extraordinary versatility, his spectacular instrumental and musical gifts, and his remarkable ability to invest everything he plays with the same commitment and emotional concentration. There is no logic to the sequence, except that it begins and ends with solo cello. Bach, whom Ma plays tuned normally when unaccompanied and tuned low with the Amsterdam Baroque Orchestra, may justify the CD's title but seems out of place. Moreover, juxtaposing him with O'Connor and Piazzolla is jarring, though the Tangos are beautiful. The transcription of Dvorák's lovely E-minor Slavonic Dance, despite the participation of violinist Itzhak Perlman and his golden tone, sounds like a movie soundtrack: all bravura and cheap effects. The playing's the thing, and it is stunning, not only Yo-Yo Ma's, but that of all his collaborators, from vocalists Bobby McFerrin and Alison Krauss to pianist Emanuel Ax, Ma's duo partner of 25 years. Ax joins Ma for the Finale of Brahms's second cello sonata; that is what you may find yourself humming at the end. --Edith EislerCustomer Reviews:
New Yo-Yo Fan.......2006-07-09
Simply wonderful!.......2006-06-04
Awesome.......2004-08-20
On a more positive note, I found every track beautiful, from the elegant solo cello in the Bach cello suite to the haunting vocal line in the Bobby McFerrin piece. Yo-Yo Ma gathered a wide range of intriguing pieces to make this fantastic album.
What is this?.......2004-02-10
Great if you're not familiar with Yo-Yo Ma.......2002-12-27
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Wagner: Tristan und Isolde
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005NW0D Release Date: 2001-09-11 |
Tracks:
- Act I: Prld - Wilhelm Furtwangler
- Act I, Scene 1: Westwarts Schweift Der Blick
- Act I, Scene 1: Brangane, Du? Sag - Wo Sind Wir?
- Act I, Scene 1: O Weh! Ach! Ach, Des Ubels, Das Ich Geahnt!
- Act I, Scene 2: Frisch Weht Der Wind Der Heimat Zu - Rudolf Schock
- Act I, Scene 2: Mir Erkoren, Mir Verloren
- Act I, Scene 2: Hab Acht, Tristan! Botschaft Von Isolde - Dietrich Fischer-Dieskau
- Act I, Scene 2: Darf Ich Die Antwort Sagen? - Dietrich Fischer-Dieskau
- Act I, Scene 3: Weh, Ach Wehe! Dies Zu Dulden!
- Act I, Scene 3: Wie Lachend Sie Mir Lieder Singen
- Act I, Scene 3: Von Seinem Lager Blickt' Er Her
- Act I, Scene 3: O Wunder! Wo Hatt' Ich Die Augen?
- Act I, Scene 3: Da Friede, Suhn' Und Freundschaft
- Act I, Scene 3: O Susse, Traute! Teure! Holde! Goldne Herrin! - Blanche Thebom
- Act I, Scene 3: Ungeminnt Den Hehrsten Mann
- Act I, Scene 3: Kennst Du Der Mutter Kusnte Night?
- Act I, Scene 4: Auf! Auf! Ihr Frauen! - Dietrich Fischer-Dieskau
- Act I, Scene 4: Herrn Tristan Bringe Meinen Gruss
- Act I, Scene 4: Nun Leb Wohl, Brangane!
- Act I, Scene 5: Langsam - Wilhelm Furtwangler
- Act I, Scene 5: Begehrt, Herrin, Was Ihr Wunscht
- Act I, Scene 5: Da Du So Sittsam, Mein Herr Tristan
- Act I, Scene 5: Nun Will Ich Des Eides Walten
Tracks:
- Act I, Scene 5: War Morold Dir So Wert
- Act I, Scene 5: Ho! He! Ha! Am Obermast Die Segel Ein!
- Act I, Scene 5: Du Horst Den Rut?
- Act I, Scene 5: Auf Das Tau! Anker Los!
- Act I, Scene 5: Tristan!...Isolde!
- Act I, Scene 5: Was Traumte Mir Von Tristans Ehre?
- Act I, Scene 5: Schnell, Den Mantel, Den Konigsschmuck!
- Act II: Prld - Wilhelm Furtwangler
- Act II, Scene 1: Horst Du Sie Noch?
- Act II, Scene 1: Der Deiner Harrt - O Hor Mein Warren!
- Act II, Scene 1: O Lass Die Warnende Zunde
- Act II, Scene 1: Und Musste Der Minne Tuckischer Trank
- Act II, Scene 2: Isolde! Geliebte!...Tristan! Geliebter!
- Act II, Scene 2: Das Licht! Das Licht!
- Act II, Scene 2: Der Tag! Der Tag!
- Act II, Scene 2: O Eitler Tagesknecht!
- Act II, Scene 2: In Deiner Hand Dne Sussen Tod
- Act II, Scene 2: O Nun Maren Wir Nacht-Geweihte! - Ludwig Suthaus
- Act II, Scene 2: O Sink Hernieder, Nacht Der Liebe
- Act II, Scene 2: Einsam, Wachend In Der Nacht - Blanche Thebom
- Act II, Scene 2: Lausch, Geliebter!
- Act II, Scene 2: Unsre Liebe? Tristans Liebe? - Ludwig Suthaus
Tracks:
- Act II, Scene 2: Doch Unsre Liebe
- Act II, Scene 2: So Sturben Wir, Un Ungetrennt
- Act II, Scene 2: Habet Acht! Habet Acht!
- Act II, Scene 2: O Ew'ge Nacht, Susse nacht!
- Act II, Scene 3: Rette Dich, Tristan! - Dietrich Fischer-Dieskau
- Act II, Scene 3: Tatest Du's Wirklich? - Josef Greindl
- Act II, Scene 3: Wozu Die Dienste Ohne Zahl - Josef Greindl
- Act II, Scene 3: Dies Wunderhehre Weib - Josef Greindl
- Act II, Scene 3: Nun, Da Durch Solchen Besitz Mein Herz - Josef Greindl
- Act II, Scene 3: O Konig, Das Kann Ich dir Nicht Sagen - Ludwig Suthaus
- Act II, Scene 3: Wohin Nun Tristan Scheidet, Willst Du, Isold', Ihm Folgen? - Ludwig Suthaus
- Act II, Scene 3: Als Fur Ein Fremdes Land - Kirstan Flagstad
- Act II, Scene 3: Verrater! Ha! Zur Rache, Konig! - Ludwig Suthaus
- Act III: Prld - Wilhelm Furtwangler
- Act III, Scene 1: Shepherd's Pipe Song - Wilhelm Furtwangler
- Act III, Scene 1: Kurwenal! He! Sag, Kurwenal! - Dietrich Fischer-Dieskau
- Act III, Scene 1: Od' Und Leer Das Meer!.../Shepherd's Pipe Song/Die Alte Weise - Wilhelm Furtwangler
- Act III, Scene 1: Wo Du Bist? In Frieden, Sicher Und Frei! - Dietrich Fischer-Dieskau
- Act III, Scene 1: Dunkt Dich Das? Ich Weiss Es Anders - Ludwig Suthaus
- Act III, Scene 1: Isolde Noch Im Reich Der Sonne - Dietrich Fischer-Dieskau
Tracks:
- Act III, Scene 1: Noch Iosch Das Licht Nicht Aus - Dietrich Fischer-Dieskau
- Act III, Scene 1: Mein Kurwenal, Du Trauter Freund! - Ludwig Suthaus
- Act III, Scene 1: Shepherd's Pipe Song/Noch Ist Kein Schiff Zu Sehn! - Wilhelm Furtwangler
- Act III, Scene 1: Nein! Ach Nein! So Heisst Sie Nicht! - Ludwig Suthaus
- Act III, Scene 1: Der Trank! Der Trank! Der Furchtbare Trank! - Ludwig Suthaus
- Act III, Scene 1: Mein Herre! Tristan! Schrecklicher Zauber! - Dietrich Fischer-Dieskau
- Act III, Scene 1: Das Schiff? Siehst Du's Noch Nicht? - Dietrich Fischer-Dieskau
- Act III, Scene 1: Wie Sie Selig, Hehr Und Milde - Ludwig Suthaus
- Act III, Scene 1: Shepherd's Pipe Song/O Wonne! Freude! Ha! Das Schiff! - Wilhelm Furtwangler
- Act III, Scene 2: O Diese Sonne! Ha, Diesser Tag!
- Act III, Scene 2: Ich Bin's, Ich Bin's Sussester Freund!
- Act III, Scene 2: Die Wunde? Wo? Lass Sie Mich Heilen!
- Act III, Scene 3: Kurwenal! Hor! Ein Zweites Schiff - Dietrich Fischer-Dieskau
- Act III, Scene 3: Tot Denn Alles! Alles Tot! - Josef Greindl
- Act III, Scene 3: Sie Wacht! Sie Lebt! Isolde! - Josef Greindl
- Act III, Scene 3: Mild Und Leise Wir Er Lachelt
- Act III, Scene 3: Heller Schallend, Mich Umwallend
Amazon.com essential recording
It's not surprising that this sublime performance of Wagner's Tristan und Isolde has remained on the market for so long: Wilhelm Furtwängler's reading of the tale with Ludwig Suthaus, Dietrich Fischer-Dieskau, and Kirsten Flagstad is probably definitive. The conductor is peerless at achieving a strong sense of direction throughout the epic length. Carlos Kleiber's controversial version with the Dresden State Orchestra might boast orchestral fireworks (abetted by modern recording technology), but if you're looking for a Tristan in which the singing takes center stage, this is the recording to buy. Newly remastered with Abbey Road Technology as part of EMI's Great Recordings of the Century series. --Joshua CodyCustomer Reviews:
Hey this set was $60 for almost 20 years!.......2007-06-04
The BEST Tristan to date. Furtwangler's magic!.......2007-02-05
I don't have 10 stars!.......2007-01-20
A Great Reading... A Great Recording!.......2006-11-22
"Classic" or "Legendary" recordings turn off some people due to the fact that they never know what kind of sound quality they will receive. Let me tell you as an audiophile, conductor, composer, musician and long time music listener: This is not what you think! It is a wonderfully clear, bold and warm recording with great dynamic influx and solid resonance that will fill any room on a good set of speakers. There is no better way to enjoy this great masterpiece! Bravo EMI! Bravo Furtwangler! This is without a doubt one of the 20th century's greatest sound recordings!
Twilight of the god and goddess.......2006-06-29
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