| 1. Dos Rosas |
| 2. Sálvame |
| 3. Falta Algo |
| 4. Charo |
| 5. Ro-Ro |
| 6. El Discusto |
| 7. Café con Leché |
| 8. Fiesta Venezolana/La Burra/El Cocuy Que Alumbra |
| 9. Quier Sera el Que Se Atreve |
| 10. Fiesta Mexicana/La Negra/! Ay! Jalisco No Te Rajes |
Musica,Wilfrido Vargas,Dead Line,Dominican Republic,Latin,Merengue,Tropical
Average customer rating:
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Rhythms del Mundo: Cuba
Various Artists Manufacturer: Hip-O Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000J23416 Release Date: 2006-11-14 |
Tracks:
- COLDPLAY - Clocks
- JACK JOHNSON - Better Together
- ARCTIC MONKEYS - Dancing Shoes
- DIDO and FAITHLESS - One Step Too Far
- IBRAHIM FERRER - As Time Goes By
- U2 with COCO FREEMAN - I Still Haven't Found What I'm Looking For
- MAROON 5 - She Will Be Loved
- KAISER CHIEFS - Modern Way
- OMARA PORTUONDO - Killing Me Softly
- VANYA and RDM featuring QUINCY JONES - Ai No Corrida
- STING - Fragilidad
- VANYA and RHYTHMS DEL MUNDO - Don't Know Why
- AQUILA ROSE and IDANIA VALDEZ - Hotel Buena Vista
- FRANZ FERDINAND - The Dark Of The Matinee
- LELE featuring RADIOHEAD - High And Dry
- IBRAHIM FERRER - Casablanca (As Time Goes By)
Amazon.com
Created as a benefit project for Artists' Project Earth, an organization devoted to protecting the environment, reversing climate change, and tendering disaster relief, this compilation pairs Western pop stars (U2, Sting, Artic Monkeys, et al) and their hits with all-new arrangements performed by members of Cuba's Buena Vista Social Club plus other Havana-based talent. The overall effect is of a well-meaning but not entirely simpatico mutual admiration society. Coldplay's "Clocks" is a good example; the lead vocal is coolly lethargic, engulfing the spiky crags of the rhythm section like syrup on a waffle. But then, most of the singers sound strangely unconnected to the frisky 1-2-3/1-2 of the clavé beat. The contrast between the two groups of players could have been bracing, and to many ears it perhaps will be, but most of the time, they seem to transmitting from parallel universes. Not surprisingly, the best tracks are those in which hometown icons are left to do what they do best. But the late, great Ibrahim Ferrer's marvelous interpretation of "As Time Goes By" (his final recording) and Omara Portuondo's wistful yet powerful cover of "Killing Me Softly" only serve to further showcase what's amiss with the rest of the album. --Christina RodenAmazon.com
Created as a benefit project for Artists' Project Earth, an organization devoted to protecting the environment, reversing climate change, and tendering disaster relief, this compilation pairs Western pop stars (U2, Sting, Artic Monkeys, et al) and their hits with all-new arrangements performed by members of Cuba's Buena Vista Social Club plus other Havana-based talent. The overall effect is of a well-meaning but not entirely simpatico mutual admiration society. Coldplay's "Clocks" is a good example; the lead vocal is coolly lethargic, engulfing the spiky crags of the rhythm section like syrup on a waffle. But then, most of the singers sound strangely unconnected to the frisky 1-2-3/1-2 of the clavé beat. The contrast between the two groups of players could have been bracing, and to many ears it perhaps will be, but most of the time, they seem to transmitting from parallel universes. Not surprisingly, the best tracks are those in which hometown icons are left to do what they do best. But the late, great Ibrahim Ferrer's marvelous interpretation of "As Time Goes By" (his final recording) and Omara Portuondo's wistful yet powerful cover of "Killing Me Softly" only serve to further showcase what's amiss with the rest of the album. --Christina RodenAlbum Description
This unique compilation project brings together the legendary musicians of the Buena Vista Social Club & some of today's most popular music stars Chris Martin (Coldplay), Dido, Franz Ferdinand, Sting, Bono, Radiohead among others, performing collaborations of some of their classic hits.Customer Reviews:
Great spin on contemporary tunes Don't buy the itunes version!.......2007-07-29
Buena Vista has done it again. Cold play's and the Jack Johnson tune's are my favorite. The best tracks are the ones where the artist gave the group all the masters separated by tracks allowing these guy to really do their magic. Some songs seem like they just grabed the original version of the song and pasted a Latin rythem on top.
Rhythms Del Mundo.......2007-07-15
Rhythms del Mundo: Cuba.......2007-07-05
Great Salsa/Pop Fusion CD.......2007-07-04
Disappointing...buy something else.......2007-06-01
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Memoirs of a Geisha
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000BJS4TO Release Date: 2005-11-22 |
Tracks:
- Sayuri's Theme
- The Journey To The Hanamachi
- Going To School
- Brush On Silk
- Chiyo's Prayer
- Becoming A Geisha
- Finding Satsu
- The Chairman's Waltz
- The Rooftops Of The Hanamachi
- The Garden Meeting
- Dr. Crab's Prize
- Destiny's Path
- A New Name... A New Life
- The Fire Scene And The Coming of War- John Williams
- As The Water...
- Confluence
- A Dream Discarded
- Sayuri's Theme And End Credits
Amazon.com
Director Rob Marshall hired three of Asia's most fabulous stars (Zhang Ziyi, Michelle Yeoh, and Gong Li) for this Japan-set movie, so one wonders why he didn't put in a call to a local composer as well. Was Tan Dun's line busy? Was Joe Hisaishi otherwise engaged? In any case, John Williams won the assignment, and he didn't end up with egg on his face. Mercifully, Williams left the bombast at home and put cellist Yo-Yo Ma and violinist Itzhak Perlman to good use in this sensitive score. The lovely "Sayuri's Theme" resurfaces at regular intervals, and it's good to hear Williams keep his showier instincts in check through a good chunk of the movie, as he delivers a more subdued sound. One of the most dramatic moments happens during "The Fire Scene and the Coming of War." By then Williams has basically reverted to the familiar, brooding mode he uses for ominous scenes, when suddenly the track integrates an excerpt from "The Folding Fan as a Target," a traditional piece for voice and the Japanese lute known as biwa. Though Williams is right to err on the side of low key, it would have been nice to get more of these stark sounds in his competent but ultimately unmemorable compositions. --Elisabeth VincentelliCustomer Reviews:
Wonderful !.......2007-06-08
GREAT PRODUCT.......2007-04-07
In INdia this soundtrack was a little difficult to source. Not surpisingly, Amazon had it.
Thank you Amazon. The product is great.
great soundtrack.......2007-04-04
Memoirs of a geisha.......2007-02-20
Memoirs of a Geisha.......2007-01-21
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Master and Commander
Christopher Gordon , and Richard Tognetti Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000DG07D Release Date: 2003-11-11 |
Tracks:
- The Far Side Of The World
- Into The Fog
- Violin Concerto No. 3 'Straussburg' K.215, 3rd Movement
- The Cuckold Came Out Of The Amery (Traditional) 5. Smoke N' Oakum
- Fantasia On A Theme - Barry Wordsworth 7. Adagio From Concerto Grosso Op. 6. No. 8 In G Minor Christmas Concerto - Arcangelo Corelli Listen Listen Listen
- The Doldrums
- Prelude (From The Unaccompanied Cello Suite No. 1 In G Major, BWV 1007 - Yo-Yo Ma
- The Galapagos Listen Listen Listen
- Folk Medley: O'Sullivan's March/Cuckold Came Out Of The Amery/Mother Hen/Mary Scott/Nancy Dawson - Jim Walker
- The Phasmid
- The Battle
- Boccherini La Musica Notturna Delle Strade Di Madrid No. 6, Op. 30
- Full Circle
Product Description
A trio of noted Australian musicians--Iva Davies, Richard Tognetti and Christopher Gordon--composed the film's score. They previously collaborated on "The Ghost of Time," a piece commissioned for the Millennium celebrations in Sydney, which came to the attention of Peter Weir. The director was so impressed, he played the piece on the Master And Commander set throughout production, and he asked its creators to write the music for his movie. The score interweaves "Old World" and "New World" music, reflecting the talents and backgrounds of its composers. Iva Davies hails from both pop and classical traditions; Richard Tognetti, one of the world's great violin virtuosos, taught Russell Crowe the ins and outs of the instrument; and film/television composer Christopher Gordon brought orchestral texture to the project. Given the period, it comes as no surprise that the score is infused with source music from Bach (Cello Suite) and Mozart, among other great classical composers. Percussion dominates portions of the score. "Drums signal the forward movement of the ship," says Davies, "that it's on a mission. It brings you back into the action." The score's biggest surprise comes with its use of synthesizers. "Peter doesn't make films in the expected way," says Davies, "and for that reason we wanted the score to be not what everyone expected. Peter wanted some scenes to have what I call a kind of 'futuristic' sense"--conveying the idea that these 19th century sailors were cutting-edge explorers.Customer Reviews:
Marvelous.......2007-02-12
Pretty Good.......2006-12-14
I give the music 5 stars and the CD 2-1/2 stars.
the music .......2006-11-10
Good incidental music but not great listening music - except the classical pieces.......2006-11-09
The second type of music is much more enjoyable to listen to. Those that have seen the film know there are several scenes in which people are playing music - for example, Aubrey and Maturin in the captain's cabin performing a cello-violin duet, or the sailors on deck playing sea shanties on tin whistles. The pieces chosen for the film range from Bach to traditional folk music, and are a welcome addition to the soundtrack. The performances are very good (including a cello solo by Yo Yo Ma), and the recording quality is excellent. Deserving special mention is the Boccherini piece (La Musica Notturna Delle Strada di Madrid), which serves as a second unofficial theme song for the movie. The piece itself is presented in its entirety, and there is a callback to the piece in the incidental music as well, which is a welcome ray of levity in an otherwise oppressive piece.
People purchasing this disc run the real risk of being disappointed - the incidental music works so well in the context of the film that you are likely to think (as I did) that the music is itself worth listening to alone. Unfortunately, I don't find this is the case, but the classical music that is included makes this a soundtrack worth having, especially for the Boccherini piece.
Great classical music accompanies bland original score.......2006-09-27
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The Mozart Effect - Music for Babies - Playtime to Sleepytime
Manufacturer: Children's Group ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000DA1O Release Date: 1998-10-13 |
Tracks:
- Toy Symphony II - Janos Sebestyen
- Excerpts From 12 Variation Oh Ah Vous Dirai-Je Maman K.265 - Janos Sebestyen
- Toy Symphony III, Minuet - Ensemble Villa Musica
- Flute Quartet In C Major, K.171: Andantino - Ensemble Villa Musica
- Rondo-Allegro Ma Non Troppe From Serenade No. 9 In D Major, K.320 - Mozart
- Flute Quartet In C Major K.171: Andantino - Ensemble Villa Musica
- Symphony No. 25 In G Minor, K.183 II: Andante - Capella Istropolitana
- Organ Music Variation On K.265 Ah Vous Dirai-Je, Maman - Janos Sebestyen
- Adagio (III) From Quartet No. 20 In D Major K.499 'Hoffmeister' - Eder Quartet
Product Description
The Mozart Effect - Music For Babies - Playtime To Sleepytime CdCustomer Reviews:
Nice...........2006-11-10
still great 6 years later.......2005-03-02
A wonderful CD.......2003-06-01
There is one comment below from someone who thought the music was too simple and was of poor quality. I would agree that the music is very simple (not a bad thing), but disagree with the notion that it is poor quality. Anyway, this should be just one CD in a library of different types of music, classical and other, to help your child's music appreciation develop. If it happens to expand other developmental skills as well, even better!
Works as advertised-.......2003-05-23
Works Like A Charm.......2003-04-03
I like that this CD is organized into more up tempo songs for playtime, and slower paced songs for sleepytime. I admit I wouldn't buy this CD if I were looking for some real Mozart listening pleasure, but this is for my infant, not for me. (Although I do admit, I am also soothed too by a little Mozart Effect.) And, I wish there weren't two versions of Twinkle Twinkle Little Star, but it is still worth the $$.
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Lauridsen: Lux Aeterna, etc. / Salamunovich, Los Angeles Master Chorale
M. Lauridsen Manufacturer: Rubeda Canis Musica ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000006OF1 Release Date: 1998-05-19 |
Tracks:
- Introitus - Lux Aeterna
- In Te, Domine, Speravi - Lux Aeterna
- O Nata Lux - Lux Aeterna
- Veni, Sancte Spiritus - Lux Aeterna
- Agnus Dei - Lus Aeterna - Lux Aeterna
- En Une Seule Fleur - Les Chansons Des Roses
- Contre Qui, Rose - Les Chansons Des Roses
- De Ton Reve Trop Plein - Les Chansons Des Roses
- La Rose Complete - Les Chansons Des Roses
- Dirait - On - Les Chansons Des Roses
- Ave Maria - Ave Maria
- MID WINTER SONGS: Lament For Pasiphae - M. LAURIDSEN
- MID WINTER SONGS: Like Snow - M. LAURIDSEN
- MID WINTER SONGS: She Tells Her Love While Half Asleep - M. LAURIDSEN
- MID WINTER SONGS: Mid-Winter Waking - M. LAURIDSEN
- MID WINTER SONGS: Intercession In Late October - M. LAURIDSEN
- O Magnum Mysterium - O Magnum Mysterium
Amazon.com
Modern choral music for amateur singers may be America's biggest musical underground. That's the only explanation of why Grammy-nominated composer Morten Lauridsen can claim that his works are some of the most often-performed new pieces in years, although few among the East Coast intelligentsia have ever heard of him. Like the similarly popular John Rutter, Lauridsen inhabits an extremely conservative style directed simply and single-mindedly at showing off the beauty of choral singing while it illustrates inspiring texts. Unlike many of his fellow neo-Romantic conservatives, Lauridsen displays a brand of conservatism that is completely convincing and sincere. His music also has range, from the spellbindingly rapturous Lux aeterna to his playful settings of Rilke's poems about the beauty and thorniness of roses in Les chansons des roses. There is, moreover, a Coplandesque streak heard in his Mid-Winter Songs, which are settings of poems by Robert Graves. Though the Los Angeles Master Chorale has a suitably red-blooded sound, the music would be better served with more precise diction. --David Patrick StearnsCustomer Reviews:
Review of Lauridsen: Lux Aeterna/Salamunovich, Los Angeles Master Chorale.......2007-05-13
So beautiful that it hurts........2007-04-27
Buy this album now. The music is truly exquisite. The performance is outstanding. The CD is a masterpiece. After one hearing of Lauridsen's "Lux Aeterna," I tell you the truth: I could not sleep the entire night. The music was with me all night, and it continues to resonate through my soul.
Excellent.......2007-04-06
Great CD.......2007-02-17
Glorious, but not Perfection.......2007-01-20
This recording displays Lauridsen at his best--the long-standing working relationship between the Los Angeles Master Chorale and the composer give these performances an authority and credibility which would be the envy of any group. The Chorale voices display a depth and maturity (particularly in the Bass and Alto sections) which I miss in college choirs, yet the control is perfect.
The works are recorded in the Sacred Heart Chapel of Loyola Marymount University--a very live acoustic, which contributes to the wonderful sense of blend and sonic depth in these pieces. This sonorous glory does have a price, however. The wonderful texts are quite frequently muddled a bit. The enunciation and diction are not as clear on this recording as one might have expected from this group. That is a small cavil, however--intonation and interpretation are flawless.
Buy this, put it in your CD player, turn it up, and enjoy it. If you love choral music, you need to own this disc.
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Dinner Classics: The Japanese Album
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000026XT Release Date: 1990-05-17 |
Tracks:
- Sakura, Sakura
- Chin-Chin-Chidori
- Yamanakabushi
- Toryanse (Children's Song)
- Chidori No Kyoku
- Defune
- Oharabushi
- Shimabara No Komoriuta
- Imayoh
- Imayo
- Chugoko-Chino-No-Komoriuta
- Jogashima No Ame
- Haru No Umi
- Sakura, Sakura
Customer Reviews:
Good Traditional Japanese music.......2007-07-14
Super-relaxing.......2007-03-05
One of the Best Japanese Music Album's I've found.......2006-11-04
Softener for the ears..........2006-08-26
The whole CD is like a softener for an audience which might not be used to a non western sound. At the same time it will get a wrong idea about what Japanese music is and will miss its real quality.
Beautiful and Relaxing!.......2005-07-29
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György Ligeti Edition 3: Works for Piano (Etudes, Musica Ricercata) - Pierre-Laurent Aimard
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000029P0 Release Date: 1997-01-21 |
Tracks:
- Piano Etudes (Book One): I. De'sordre - Molto vivace, vigoroso, molto ritmico
- Piano Etudes (Book One): II. Cordes a' vide - Andantino con moto, molto tenero
- Piano Etudes (Book One): II. Touches bloque'es - Presto possibile, sempre molto ritmico
- Piano Etudes (Book One): IV. Fanfares - Vivacissimo molto ritmico, con allegria e slancio
- Piano Etudes (Book One): V. Arc-en-ciel - Andante molto rubato, con eleganza, with swing
- Piano Etudes (Book One): VI. Automne a' Varsovie - Presto cantabile, molto ritmico e flessibile
- Piano Etudes (Book Two): VII. Galamb borong - Vivacissimo luminoso, legato possibile
- Piano Etudes (Book Two): VIII. Fe'm - Vivace risoluto, con vigore
- Piano Etudes (Book Two): IX. Vertige - Prestissimo sempre molto legato, sehr gleichmassig
- Piano Etudes (Book Two): X. Der Zauberlehrling - Prestissimo, staccatissimo, leggierissimo
- Piano Etudes (Book Two): XI. En suspens - Andante con moto, (avec l`e'le'gance du swing)
- Piano Etudes (Book Two): XII. Entrelacs - Vivacissimo molto ritmico, sempre legato, con delicatezza
- Piano Etudes (Book Two): XIII. L'escalier du diable - Presto legato ma leggiero
- Piano Etudes (Book Two): XIV. Coloana infinita' - Presto possibile, tempestoso con fuoco
- Musica ricercata: I. Sosenuto - Misurato - Prestissimo
- Musica ricercata: II. Mesto, rigido e cerimoniale
- Musica ricercata: III. Allegro con spirito
- Musica ricercata: IV. Tempo de Valse (poco vivace - a' l'orgue de Barbarie)
- Musica ricercata: V. Rubato. Lamentoso
- Musica ricercata: VI. Allegro molto capriccioso
- Musica ricercata: VII. Cantabile, molto legato
- Musica ricercata: VIII. Vivace. Energico
- Musica ricercata: IX. Adagio. Mesto - Allegro maestoso
- Musica ricercata: X. Vivace. Capriccioso
- Musica ricercata: XI. Andante misurato e tranquillo
- Piano Etudes (From Book Three): XV. White on White
Customer Reviews:
A nice mico-view of Ligeti's work.......2007-03-11
The most obvious technical requirement of this music is touch. In some of the etudes, complex voicings are required at very low dynamic levels. In others, the ability to bring out multiple voices is paramount. Aimard is perfect. His technique is so assured that we can easily get to the music and not be sidetracked by prowess.
Those who know Ligeti's music know how protean he could be. Like a good athlete, he was willing to take on enormous risks. Sometimes the result felt intellectualized and tiresome. But more often than not, the music soared. This is certainly true of the Etudes on this disk. They are studies in the truest sense of the word--one may focus on a particular set of intervals, another on a texture, yet another on a rhythm. Each one is fascinating and the collection holds together nicely. There are even hints of Nancarrow!
Ligeti himself felt ambiguously about the "Musica Ricercata", and it isn't hard to see why. The first piece is based on only two pitches (with octaves); the second on three and so on. It sort of proves a point, but what point? By the time you get to the fourth piece, it starts to get good, but the listener has to regain some flagging energy. The third piece is actually the basis of the opening of "6 Bagatelles for Wind Quintet".
So while I have little quibbles, I still recommend this disk strongly. It's great music, beautifully played.
Very Nice Piano Studies. Not the best Ligeti.......2006-09-02
Don't get me wrong. I think almost all of the studies on these tracks are good, maybe even almost as good as Chopin and Liszt, but I don't think so. We don't hum Ligeti etudes the way some people hum Chopin etudes or dances for piano. And, a few of the passages sound like the scene from 'Ghostbusters' where Bill Murray tickles the very high keys on Sigourny Weaver's piano as they enter her apartment to track down some particularly awesome apparitions of Zuel (sic) and Gozer (sic sic).
If you are looking to touch only the high points of Ligeti's music and don't have the compulsioin to own everything, you can pass on these and not be missing too much of the good stuff. Check out his choral and a capella works for the really hot stuff.
Perfect Ligeti........2005-10-19
What we find in this CD, 3rd of an outstanding series, is the technical perfection made piano playing, in the hands of Aimard, who plays absolutely all the notes full of perfection, sense and correction, from the dynamic to the tempo, from the correct attack to the prodigious use of the pedal. If you are used to a romantic piano you can feel this versions a little cold or dry, but this is because Aimard goes directly to the heart of the XXth Century style of piano playing, in the line that comes from Schönberg-Berg-Webern and that goes in a different way of playing than the century before, so you can be lost in some sense about the way he understand the use of the piano, the playing, the technique, the echoes, the silences...
You'll find in this CD the Musica Ricercata, a work from Ligeti's first period, very easy to understand for those who are not used to listen this kind of "modern" music. It has many folk motives, used in a way very close to Bartók's style. One of this pieces (Musica ricercata: II. Mesto, rigido e cerimoniale) was taken by Stanley Kubrick for his last film Eyes Wide Shut, with an outstanding presence in the film associated to the worries and pressure over the main character; Ligeti says about this piece that it was a knife against the stalinist regime because of this style of music, sinister, innovative and forgiven in the communist Europe. The film's version is slower than this by Aimard, more "cinematographic" but slower than the score asks. Aimard's version in this piece and in the full pieces are outstanding.
The rest of the CD it's based on the Etudes, books I & II, both of them complete. Those are pieces much more modern than the Musica Ricercata, some of them, in the words of Ligeti with some links and inspiration on Nancarrow's works. We are listening in this case some of the most complex works for piano written in the XXth Century, and many of them authentic jewels of the genre. The Aimard versions for Sony are the better I know from the French pianist, who have recorded some of them in other CDs, like his great recording from de Carnagie Hall (Warner), but not so good like this outstanding CD.
So, if you are looking for perfection in Ligeti's piano music performances don't doubt about this CD; if you want to discover the piano of the XXth Century this could be a great door to go into, because of the music, because of the performing and because of a perfect recording and booklet.
good cd.......2005-08-23
Ligeti on cd, hooray.......2005-08-01
The recording quality in this series is outstanding, and it is a delight to see the breadth of this series. Having many works of Ligeti from the Wergo vinyl catalog of the 70's, I selected the piano works for the fun of discovery.
Those of you who enjoy this piano stuff should try to find Nina Deutsch's recording of Charles Ives: Solo Piano Music.
Average customer rating:
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Venus Vina Musica
Corvus Corax Manufacturer: Dancing Ferret ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000FP2IWS Release Date: 2007-07-16 |
Tracks:
- Anti Dolores Capitis
- Venus Vina Musica
- Urmawi
- Tuska
- Qui Nous Demaine
- Bibit Aleum
- Katrinka
- Tertio
- Feralis Saltare
- Sanyogita
- Scotus
- Lamentatio Coelibatus
Album Description
Following their debut US concerts in 2005, Corvus Corax has been popping up on US magazine covers, TV shows, movie soundtracks and more. With the release of "Venus Vina Musica," 2006 promises more of the US falling sway to the mesmerizing tribal medieval rock style of this eight piece band of German minstrels.If you're thinking of chamber music from old guys in suits, think again! An abundance of attitude accompanies a plenitude of pipes and a plethora of percussion. Hand-made, historically researched instruments and authentic medieval songs are invigorated with an aggressive performance style that brings people to their feet and keeps them there.
"Venus Vina Musica" features 12 brand new songs in the trademark tribal-medieval style of Corvus Corax.
Customer Reviews:
Recommended for Corvus Corax fans.......2007-01-04
Big, Loud, Acrobatic, Silly, Black Birds: You'll want to dance around too!.......2006-10-08
Corvus Corax, whos name means raven, is a German medieval ensemble of seven formed in the late 1980s and true to their namesake, which are known for their loud and deep caw and elaborate mating acrobatics, the band is known for its live performances of loud, emotional, and powerful street music! Band members are skilled experts in a variety of dated instruments, including: various bagpipes (yes, there are actually numerous different types), various shawms, bells, assorted drums, the ceng-cengs and other cymbals, the cittern (an old stringed instrument), the ever lovable fiddle, the gangu or "dragon drum" used for talking to the dead, the krack krack (a Moroccan instrument), etc. I'd be remiss if I didn't add that some of the tracks also feature the oldest instrument of all - the human voice. I think you get the idea ... basically they take various instruments from around the world that predate the institutionalization of music, and create emotional and energetic music designed for common people.
About the Album:
Venus Vina Musica follows in the footsteps of their Best of Corvus Corax album, which was major success after being released in the United States in April 2005. If you've not listened to their Best of album, please check out that item as well. Venus Vina Musica could easily be a best of album in its own right. Featuring 52 minutes of 12 full-length tracks, the album is everything we have come to expect from Corvus Corax and more. What is nice is that two guest musicians join our crazy ravens, including Oliver Sa Tyr of Faun who plays a Celtic Harp and Jordon Finus as another bagpipe player. I personally enjoyed the tracks that also featured vocals.
I bought this album without listening to it, solely based on other songs I've come to love from them, and they've continued to show musical growth with this latest release. Unfortunately you can not currently sample the tracks on Venus Vina Musica here on amazon, but you can try visiting their homepage (corvuscorax.de) to listen to samples - though their page requires flash and is slow on my dialup, it is so worth visiting in its own right - they explain in English all of their instruments.
Recommended Tracks:
- Lamentatio Coelibatus
- Qui Nous Demaine (which features a Celtic Harp)
- Bibit Aleum
- Katrinka (the fiddle piece)
- Scotus
I'll add that if you enjoy percussive world music, such as what is offered on this album, then you actually might also enjoy Bear McCreary's Battlestar Galactica soundtracks which also incorporate similar elements (though produced in a studio, whereas Corvus Corax are best experienced live). Also if you happen to really enjoy medieval music and be in Germany, then buy any "Miroque" compilation you might find. Mittelalter musik is thriving in Germany, but like the period it hails to, it tends to focus on local artists whom are not as prolific and hence there is plenty of amazing music that tends to be a bit harder to find.
Similar Artists:
- Schelmish
- Faun
- Estampie
- In Extremo
- Qntal
- Irfan
- Vas
- Moon Far Away (you'll probably have to order this Russian band from their French label Prikosnovenie)
severely underrated.......2006-08-23
On that note, this German based band only gets better with time. It was definitely a refreshing experience to hear their earlier work when I did, as there are not many bands trying to break into the mainstream with this bands' unique style. However, Corvus Corax are not so ambigious as to dismay the innocent on-looker. This is truly a masterpiece that any music lover would enjoy to behold.
To describe them consicely--- Latin chanting mixed with Scottish bagpipes and heavy Egyptian drumming. Scared yet??? Don't be. This is one hell of a breathtaking album, to say the least.
High power, meditative, catchy, carefully arranged; i haven't heard anything this good since Karl Sanders from NIle put out his solo album.
Excellent, excellent album all around.
,
Corvus Corax: It's Not Just for Germans Anymore..........2006-07-18
I then proceeded to scream and hyperventilate further. And buy the new album.
I'm listening to the high-quality sound samples from their new album on their own website right now, and it's everything I hoped it would be. I discovered Corvus Corax, what is often described as a "German Medieval band", last year, on the eve of their debut US appearance at the Pennsylvania Renaissance Festival. I happened to be looking up reference photos for ravens ("Corvus Corax" is the latin name for the common raven) and came across their website instead. I listened to the sound samples I found there, fell madly in love with the music, and since then I've willingly paid an arm and a leg to have seven of their albums shipped across the Atlantic to me here in the US. I even had to buy one twice, because I played, transported, jostled and scratched it so much it became unreadable by my CD player.
If you're new to Corvus Corax and wondering what their music is like, the best I can do for you is to direct you to their own website, corvuscorax.de, where they have wonderful sound samples from all of their albums. The next best thing I can do for you is to suggest that their music is something like you might expect to hear on the soundtrack of a movie like...well, any movie that would take place in medieval Germany (not surprisingly, I suppose, no such movies spring readily to mind). Call it ethnic, call it tribal, call it medieval...just don't call it ordinary.
I haven't been able to find any comparable German bands that tickle my fancy like Corvus Corax does; the closes thing to them that I like are the Scandinavian bands Hedningarna and Garmarna, although Corvus Corax uses a lot of bagpipes, which you don't hear in either Hedningarna or Garmarna.
As their website indicates, this album seems to take a bit of a different tact than their previous efforts: the instrumentation and overall flavor of the music seems more worldly, or at least less eurocentric and with more of an eastern flavor. Veteran fans won't be disappointed, and the uninitiated should find this album as appropriate a place as any other to begin their voyage into the world of Corvus Corax.
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Pachelbel Canon and Other Baroque Hits
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003F5Y Release Date: 1991-09-06 |
Tracks:
- Canon
- Brandenburg Concerto No. 3: Allegro
- Messiah: Overture
- The Four Seasons: Spring: Allegro (Danza pastorale)
- Orchestral Suite No. 2: Menuet & Badinerie
- Jesu, Joy Of Man's Desiring
- Guitar Concerto in D: Adagio
- Xerxes: Largo
- Brandenburg Concerto No. 2: Allegro Assai (Theme From 'Firing Line')
- Orchestral Suite No. 3: Air On The G String
- Royal Fireworks Music: Overture (excerpt)
- Water Music: Hornpipe
- Brandenberg Concerto No. 5: Allegro
- Adagio
- The Four Seasons: Winter: Allegro non molto
- Rondeau (Theme from 'Masterpiece Theatre')
Customer Reviews:
A great introduction to Baroque music..........2005-10-04
The demographics of this disc point to an intended mainstream audience. For example, the track listing includes references to which songs served as themes for television shows. For example, Bach's Brandenburg Concerto No. 2 includes the byline "Theme from 'Firing Line'" and Mouret's Rondeau says "Theme from 'Masterpiece Theater'". So this collection does represent a popular collection of Baroque songs. And it plays that role very well.
Other standout tracks include: 2 movements from Vivaldi's justifiably famous "The Four Seasons", Bach's amazing "Air on the G String" and Handel's "Xerxes". The disc includes no vocal tracks. "Jesu, Joy of Man's Desiring" from Bach's Cantata No. 147 gets performed on a solo organ (the original has vocals and a string arrangement). So those uneasy with "classical style singing" will find no problems here.
All in all, this disc serves as a good introduction to a great period of music history. It could also serve as a starting point for selecting a favorite composer or as a guide for building a classical music collection.
Good "best of" CD, but nothing more........2001-09-27
This CD will whet your appetite. You'll need to buy more, after you've heard the excerts of the great works here.
Phenomenal Collection of Music.......2001-09-19
Phenomenal Collection of Music.......2001-09-18
DEFINES "CLASSIC".......2000-05-26
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The Bells of St. Genevieve and Other Baroque Delights
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003F8U Release Date: 1992-01-28 |
Tracks:
- The Bells Of St. Genevieve
- Concerto For Violin, BMV 1042: Allegro
- Concerto For Flute No. 3, Op. 10: Allegro
- 'The Four Seasons': Summer: Presto
- The Arrival Of The Queen Of Sheba
- Canon
- Brandenburg Concerto No. 2, BWV 1047: Allegro Assai
- Orchestral Suite No. 3, BWV 1068: Air On The G String
- Concerto For Violin (Transcribed From BWV 1056): Largo
- Guitar Concerto, R. 93: Adagio
- Orchestral Suite No. 2 BWV 1067: Minuet & Badinerie
- Concerto For Violin, BWV 1042: Allegro assai
- Trumpet Voluntary
- Messiah: Overture
- Brandeburg Concerto No. 3, BWV 1048: Allegro
- Rondeau
Customer Reviews:
One of my all-time classical favorites.......2005-12-12
The Bells! The Bells!.......2005-10-12
Although some but few classical chamber pieces can be played well by pretty much any average group, some pieces such as "The Bells" require a certain expertise in instrument and style that very few musicians can properly apply to bring out all of the desired qualities of the piece. The interpretation on this album is a perfect example. Marin Marais was a French Baroque composer who was one of several royal court composers for King Louis XIV in the 17th-18th centuries. He was a soloist prodigy in the viola da gamba which actually sound as if they're being played by cellos here instead. Aside from any change in instruments, they are played with such deficiency in terms of quality, interpretation, and execution,here that it is rather sad that this would be included in an album such as this one. The viola is an instrument with a lot of range as it has more strings and is larger than the cello and the notation is made for the range of such instruments. In particular, there are literally less than five musicians today who are anywhere near proficient with this type of music and those playing here aren't anywhere near the top contenders. All of these things take out an enormous aspect of the full potential of this piece in terms of how it is supposed to sound and performances such as the one here are literally mutilations instead of transcriptions or interpretations. Such performances in many ways cheat the curious listener who is exploring this music as to the music's real potential as intended by its genius source. I recommend to those who may have heard a sample of the 'Bells' here and liked it to then compare it to the performance of this piece by Jordi Savall and Le Concert Des Nations in the soundtrack for 'All The Mornings of the World" available on Amazon. You will hear what I mean and understand how there's simply no comparison. Jordi Savall is the undisputed master in performing on authentic violas that have completely different acoustics than their modern counterparts. Savall is also an established conductor of French Baroque music unlike those here who completely misinterpret the piece as a result. Buying classical music is not as simple as just buying a certain piece by any performer thinking it's great. Unless you really don't care too much and just want to use it as background muscac in your life, classical music requires fine tuning just like playing the instruments themselves as the musicians are in a sense the instruments of the composer and the conductor's interpretatation. Don't settle for second best because the catastrophic results such a choice entails is similar to the range on the Richter scale: the difference between a No. 1 and a No. 4 best performance is exponential as the difference with the 'Bells' version I have mentioned perfectly illustrates. There are differences between symphonic and chamber groups, conductors, soloists, instruments, specialities of technique, production, etc. All of these things fine tune the performance and make the difference between epic and atrocious.
In sum then, although this album is a great source of introductory material as to the range of classical styles and in some cases has reputed perfomers, it is certainly not a sample of the best performances around. These types of albums always require a closer look because you never know what you're gonna get anyway unless you know what you're looking for. Trusting record labels to find stuff for you is not always a good idea. More often than not, this is the place where mediocre professionals can make some form of living without having to wait for a major deal that's never gonna come. If you feel you like the style of music here once you've heard it, expand your horizons in terms of performances as many on this album and similar ones are often simply mediocre in one form or another and there's stuff that's so much better out there for your listening enjoyment of a particular composition and/or style. Hope this helps! Good luck!
GREAT WORK MUSIC.......2004-09-17
Quite a nice little compilation........2002-03-21
I'm not an expert when it comes to Baroque music, but I am something beyond a beginner; I guess I'd consider myself a moderately knowledgable amateur. However, before purchasing this album, I had never heard the title piece, "The Arrival of the Queen of Sheba," or track # 10 "Guitar Concerto" by Vivaldi. Some of the other tracks were familiar but not well-known to me. I was also pleased to see the inclusion of the turbulent Presto from "Summer" instead of the ubiquitous "Spring."
Compilations are often quite useful in helping neophytes get a better understanding and appreciation for classical music (I know they've helped me over the years). Not all compilations are a good mix or contain decent recordings; many seem like carbon copies of each other. This one, however, has good sound quality and great recordings from the likes of James Galway, Pinchas Zukerman, Canadian Brass, and James Levine.
I recommend this album to anyone wishing to branch out a bit in Baroque music but who is not sure where to start. I've discovered new favorites from listening to this album.
Rock fan falls in love with Baroque's "greatest hits" album!.......2002-03-16
Salsa Music:
- Musica Para La Intimidad
- Musica Para La Intimidad
- Ni por la Razon, Ni por la Fuerza
- Nueva Imagen de los Mirlos
- Papaito
- Recuerdame Bonita
- Rinde Homenaje a Abelardo Barroso
- Roberto Torres Presenta
- Romances [Enhanced]
- Salsa: Lo Mejor De Colombia [Import]
Salsa Music
Down the Dusty Road//Old Time Drover's Lament [Import]
Talkin' Verve: Roots Of Acid Jazz [Extra tracks] [Import]
Stravinsky/Bartók: Violin Concertos
This Is What We Do Pt.2 [CD-single] [Import]