Dolores

1. No Te Da

2. Babonuco

3. Sigo Amandote

4. Bailarina

5. Vacío

6. Dolores

7. Santo Domingo Carnaval

8. Y No Se Moria

9. Lleno de Calle

Dolores,Manuel Jimenez,RCA Intl,Jibaro,Latin,Puerto Rico,Tropical

Average customer rating:

I like that she is the same
Disappointing album bordering on BORING.
that bueatiful voice from the cranberries is back
A different style in the wonderful voice of Dolores
WOW, what a comeback! EVERY SONG ROCKS!

Are You Listening
Dolores O'Riordan
Manufacturer: Sanctuary Records
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

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Breakfast in Bed
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Volta

ASIN: B000O170YY
Release Date: 2007-05-15

Tracks:

Ordinary Day
When We Were Young
In The Garden
Human Spirit
Loser
Stay With Me
Apple of My Eye
Black Widow
October
Accept Things
Angel Fire
Ecstasy

Amazon.com

It's been a long wait for the solo debut from Irish icon Dolores O'Riordan. After all, the Cranberries issued their swan song in 2001. After their break up, O'Riordan collaborated with Germany's Jam and Spoon, Italy's Zucchero, and David Lynch composer Angelo Badalamenti. She also appeared, as herself, in the 2006 comedy Click. All the while, she toiled away on her first solo effort. Fortunately, good things come to those who wait. Co-produced by Youth (the Verve, U2), Are You Listening? is a throwback to 1980s-era Siouxsie and the Banshees and Sinead O'Connor--sweeping keyboards, forceful drumming, and muscular guitar work. It may seem like a melodramatic move, but the music never overwhelms the slight yet steely figure at the center of the maelstrom, particularly on the lilting "Ordinary Day" and haunting "Black Widow." Cranberries fans expecting something more demure may be taken aback, but O'Riordan's supple voice should win over most skeptics. And lyrically, she compensates with tender words inspired by her husband ("Apple of My Eye"), the death of her mother-in-law ("Black Widow"), and the birth of her youngest child ("Ordinary Day"). --Kathleen C. Fennessy

More from Dolores O'Riordan and the Cranberries

Ordinary Day (Single)

Everybody Else Is Doing It So Why Can't We? (The Complete Sessions)

No Need to Argue (The Complete Sessions)

To the Faithful Departed (The Complete Sessions)

Bury the Hatchet

Stars: The Best of the Cranberries, 1992-2002

Album Description

2007 solo debut from the former Cranberries vocalist. Written and recorded in Dublin and Canada and featuring production from Dan Broadbeck and acclaimed musician/producer Youth, whose many production credits include Paul McCartney and U2. The album was written and inspired by her personal experiences over the last four years including her marriage, the birth of her third child and the death of her mother-in-law. 12 tracks including the first single 'Ordinary Day', 'Loser' and 'Apple'.

Customer Reviews:

I like that she is the same.......2007-07-26

I dont know what is going on with the cranberries. I havent heard anything bad, but, this is a good sign that Delores is still going strong. I feel for her loss and the lyrics are darker than ever even though the melody is mellow. She has stayed true to her passonate side of the music. I really have enjoyed this Cd for the past few days. I hope to hear more from her and more importantly from the 'cranberries' since they are one of the founders of my musical obsession.

Thanks so much guys! you rock!

Disappointing album bordering on BORING........2007-07-19

I have been a Cranberries fan since the first time I heard their music. Dolores O'riordan's voice was simply magical. Listening to her singing always sent chills up my spine and gave me a buzz. Her original, intense, and emotional voice was a saving grace to much of the junk music that overwhelms us today. I was heartbroken to learn that the Cranberries split and went on to individual projects, but as long as Dolores was still singing, I'd surely be buying. And then she gives us "Are You Listening?" And well......What happened???!

She told us her solo album would be something different from anything she's ever done before. Something more .... AHEM... "experimental" (very overused word in the music industry and hardly applicable considering so much pop garbage sounds alike). Well, Dolores, where's the originality in this album? This album is much more < > POP sounding than her previous work with the Cranberries. The musical originality is absent from most of the songs. It sounds like she uses typical pop arrangements, sounds, and tricks and as a result the album sounds like very all-purpose, generic pop music with Dolores O'riordan's voice sing the predictable rhyming lyrics. Very uninspired music.

Dolores does quite a bit of whisper (breathy) singing on this album. Usually when I hear that I think of a singer who's vocals aren't as strong as they used to be and who literally CAN'T sing crisply, clearly, or as strong as before. I hope that's not the case with Dolores' voice, but all the whisperings on this album make for a weak sounding voice. An annoyance when I'm eagerly waiting for her to just SING.

As for the lyrical content, Dolores continues to sing about the same subjects - her children, her husband (and her love and/or desperate need for him in her life), her other family & loved ones, people who put her down (remember the song "Loud and Clear"? well, she still sings defensively to people who hurt her and this time it's in the song "Loser"), and her efforts to evolve and grow as a human being. Dolores' lyrics tend to be simply put and straightforward. There's nothing wrong with that. Simple can be good. Listening closely to her lyrics give me the impression that she is still trying to find herself and climb out of a dark, murky something that is taking up more than enough space in her life.

I find most of the songs plain, uninspired and very forgettable. There are some standouts, namely BLACK WIDOW and OCTOBER. Black Widow is a song she wrote while going through the death of her Mother-in-law from cancer. She sings the song passionately and with a little creative use of her voice. It is heavy on the electronic musical *help* though. I wonder how the acoustic version would sound. OCTOBER is another song that I really liked at first. When I heard it the band Linkin Park came to mind. This one sounds like a Gloria Gaynor "I Will Survive" song. Meaning, "I may be down but I'm not OUT!" It's a You Go Girl! song and I have a soft spot for those.

My biggest complaint with this album is that Dolores just doesn't sound very alive when she's singing. I don't mind that she sings about the same topics. She could be singing about her cornflakes cereal for all I care. But sing it like it's the best stuff you've ever tasted and every bite tastes absolutely wonderful and puts you in 7th heaven! That kind of energy is missing from this album. She sounds like she's trying too hard when it used to come almost effortlessly. Maybe Dolores went the way of some other artists (Tori Amos, Sinead O'connor, Alanis Morrisette to name a few) would could sing beautifully and with such raw passion when they were angry or unhappy, but somehow lost some of that spark when intense dark emotions left them. Can't they be just as intense when they're happy?

Dolores hasn't done a complete 360 (a la Sinead O'connor) with her voice, it still sounds great. But in this album it's sounding a little more flat and dull. Not a bad effort for her first solo album, but I hope for a better sophmore solo album.

I shelved this album one month after I purchased it. It's so lackluster. And I am still listening to her older works more than 10 years since I purchased it. That says a whole lot. No doubt she could be a great solo artist, but she missed it buy a long shot with this album. Buy it and listen for yourself.

that bueatiful voice from the cranberries is back.......2007-07-18

What a great debue solo album. I found the first half of the album awsome some of the second half dropped off a bit, but over all a great album. If you like the cranberries I think you will really like this.

A different style in the wonderful voice of Dolores.......2007-07-16

Even though there are bad comments for this album, as a Cranberries fan I think this CD is AWESOME!!! It's logical that Dolores try to make something different than the songs from the Cranberries. This new album shows that Dolores has everything to succeed!!! With a totally new style this album shows the taste of music that Dolores Has. All the songs in the album are wonderful!! My favourites, Ordinary Day, When we were young, Angel Fire, Apple of my eye, Black Widow, Loser, ALL OF THEM!!!

Here in Mexico, there's no too much promotion of this album, but I think that it has to have that promotion because it's a really masterpiece. This album combines new rythms, sounds and types of music that makes you imagine a lot of wonderful things. And the best part, the voice of Dolores... She has the most wonderful voice in this planet.

Buy it!!! you'll have no regrets!! Guaranteed

WOW, what a comeback! EVERY SONG ROCKS!.......2007-07-13

EVEN without the Cranberries, this album is so rich who needs them!? I also love her as always unique voice that can easily be recognized! EVERY SONG ON THIS ALBUM IS GREAT! That is a rarity these days!

Music for a Darkened Theatre, Vol. 2: Film & Television Music

Average customer rating:

Priceless, at any price
Good overview
Great Music!!!!!!!!!
Very nice for a Danny Elfman collection
Bring on Volume 3

Music for a Darkened Theatre, Vol. 2: Film & Television Music

Manufacturer: Fontana Mca
ProductGroup: Music
Binding: Audio CD

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music
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Music for a Darkened Theatre, Vol. 1: Film & Television Music
Serenada Schizophrana
So Lo
Sleepy Hollow: Music from the Motion Picture
Edward Scissorhands: Original Motion Picture Soundtrack

ASIN: B000002P4P
Release Date: 1996-12-03

Tracks:

Edward Scissorhands Suite: Main Titles
Edward Scissorhands Suite: Storytime
Edward Scissorhands Suite: Suite
Edward Scissorhands Suite: Suburbia-Barber
Edward Scissorhands Suite: The Grand Finale
Dolores Claiborne Suite: Main Titles
Dolores Claiborne Suite: Vera's World
Dolores Claiborne Suite: Flashback
Dolores Claiborne Suite: Sad Room
Dolores Claiborne Suite: End Titles
To Die For Suite: Main Titles
To Die For Suite: Suzie's Theme
To Die For Suite: Busted
To Die For Suite: Wheepy Donuts
To Die For Suite: Finale
Black Beauty Suite: Main Titles
Black Beauty Suite: Baby Beauty
Black Beauty Suite: Jump For Joy
Black Beauty Suite: Frolick-Sick
Black Beauty Suite: Bye Bye Jerry
Black Beauty Suite: Memories
Black Beauty Suite: End Titles
Batman Returns Suite:Birth Of A Penguin
Batman Returns Suite: Trouble Suite
Batman Returns Suite: The Finale
Batman Returns Suite: End Titles

Tracks:

Mission Impossible Suite: Trouble
Mission Impossible Suite: Looking For Job
Mission Impossible Suite: Betrayal
Sommersby Suite: Main Titles
Sommersby Suite: Return Montage
Sommersby Suite: Finale-End Titles
Dead Presidents Suite: Main Titles
Dead Presidents Suite: Daughter
Dead Presidents Suite: Montage
Dead Presidents Suite: Nam
Dead Presidents Suite: Nightmare
Nightmare Before Christmas Suite: Overture
Nightmare Before Christmas Suite: Jack And Sally Suite
Nightmare Before Christmas Suite: Christmas Eve Montage
Freeway Suite: Main Titles
Freeway Suite: On The Road
Freeway Suite: Back In The Car
Shrunken Heads Suite: Main Titles
Television Odds 'N Ends Suite: Amazing Stories 'Family Dog'
Television Odds 'N Ends Suite: Amazing Stories 'Family Dog'
Television Odds 'N Ends Suite: Amazing Stories 'Mummy, Daddy
Television Odds 'N Ends Suite: Barkley Superhero 'Nike Commercial'
Television Odds 'N Ends Suite: The Flash 'Theme'
Television Odds 'N Ends Suite: Pee Wee's Playhouse
Television Odds 'N Ends Suite: Beetlejuice - Animated Tv Series 'Theme'
Untitled
Untitled
Untitled
This Is Halloween (Original Demo For Nightmare Before Christmas)

Amazon.com

A delightfully buoyant, mock-creepy collection of film scores from Hollywood's first and best call for quirk, strangeness, and charm. Focusing on Elfman's post-1992 work (much of it for director Tim Burton), this 2 CD set features excerpts from Edward Scissorhands, To Die For, and Batman Returns, among other lesser items. -- Jeff Bateman

Customer Reviews:

Priceless, at any price.......2007-07-06

Years ago, watching peter Jennings cover the funeral procession of Princess Diana, my soul was captured by some hauntingly beautiful music that at times played in the background. So began my mission to find out what it was, who wrote it and how I could get it. After some correspondence with the network I was put in touch with the woman who "put together" that part of the programming. All she could remember is that it came from the movie "Black Beauty". THEN I found out how many versions of that had been made lol. With determination, I finally found it, and had a local music store order it for me.
There are no words to describe what this music does to me. I did try listening to some of the other tracks, but they didn't even come close. I rate this music right up there with the 1971 score for "Jane Eyre" by John Willams... and that's pretty high :D

Good overview.......2007-04-18

Very nice overview of Elfman work. Insufficient by itself but worth having along with the full soundtracks. Bonus disc is a nice extra.

Great Music!!!!!!!!!.......2005-09-08

I Love Danny Elfman's music so much that I have started my own collection of the soundtracks that he composed. For a while, I was trying to find the "Beetlejuice" theme song from the TV show, but thanks to this release, I finally have it!!! Keep up the good work Elfman!

Very nice for a Danny Elfman collection.......2005-08-02

Music For A Darkened Theater, Vol.2 is a great cd!!! I love all of the tracks on both cd's,but my fav. ones are the t.v. scores and the This Is Halloween demo!!! If you love this,then i recomend looking at all the actually albums on this cd and his other works!!!! good job,Danny Elfman.

Bring on Volume 3.......2005-05-04

The liner notes and "This is Halloween Demo" on this compilation are well worth the CD price by themselves. Danny comments on each of the tracks on the CDs which is a rare and ego-free look at what a composer thinks of his own work.

Edward Scissorhands is magical, Black Beauty is a rollercoaster of emotion, and Dolores Claiborne makes me want to find the nearest piano. This is not a "Most Popular" compilation, rather it aptly showcases Danny Elfman's (and Orchestrator, Steve Bartek's) brilliance and wide range of style.

Every suite has an Elfman signature, such as the layered complexity which never sounds overdone, or the use of a choir as an instrument.

This (and Volume 1) are examples of the work of a modern day composer who consistently stands out as one of the best.

If you like this and have the spare cash, grab the individual scores from some of the movies he has worked on, including "Men In Black", "Spiderman", "Batman", "Batman Returns", "Nightmare Before Christmas", "Edward Scissorhands", "Mars Attacks" and so many more.

Average customer rating:

Amazing voice!
Maria Dolores Pradera must have a time machine, with which

Serie Platino: 20 Exitos
Maria Dolores Pradera
Manufacturer: Sony International
ProductGroup: Music
Binding: Audio CD

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20 Exitos: Maria Dolores Pradera
Ellas Cantan Asi
20 De Coleccion
Un Bolero por Favor
30 Años

ASIN: B000005MD4
Release Date: 1997-02-11

Tracks:

La Flor De La Canela
El Rosario De Mi Madre
De Carne Y Hueso
Pa' Todo El Ano
Fina Estampa
Toda Una Vida
Quisiera Amarte Menos
El Tiempo Que Te Quede Libre
Amarraditos
En Un Rincon Del Alma
Dos Amores
Limena
Amaneci En Tus Brazos
Son De La Loma
Carino Malow
Tu Que Puedes Vuelvete
El Ausente
Cuando Vivas Conmigo
Cuando Ya No Me Quieras
Mi Mejor Tristeza

Customer Reviews:

Amazing voice!.......2003-06-24

I discovered Maria Dolores Pradera quite by accident. She's fantastic. I like making my own compilations, with my favourite songs, but when I tried to chose some from this disc, it was not very easy. In the end I chose 8 songs, but I love all of them. The music is romantic, the guitar is played beautifully, the rhythms, either soft and sensual or a bit more lively, pull at your heartstrings. And the voice...Oh, this voice...Like warm honey or melting chocolate, like a lover singing her love, a woman crying with passion.
A great CD in all respects. Buy it!

Maria Dolores Pradera must have a time machine, with which.......1999-08-05

she can visit the great South American cities of one hundred years ago. Those coastal cultures, which now exist only in some forgotten period architecture, come to life here in her music. She is truly a genius at interpreting the music of this time and place. No one does it better. I wish I could travel with her back to the Lima or Santiago of 1900. Fortunately, these cultures live again thanks to her. You can hear the warm summer nights of these places, and the eternal struggle between men and women. My favorites are songs like Fina Estampa, about a gentleman walking down the street, or De Carne y Hueso, about a woman who simply cannot understand her (ex?)novio. Atahualpa Yupanqui wrote the poignant Tu Que Puedes Vuelvete, and Pradera interprets his song about a wanderer and a river, brilliantly. Some collections are made up of mostly ho-hum music, with a few selections that stand out. This CD is wonderful listening from beginning to end. I'm sad because I know that few will ever hear this music. But at least this musical treasure exists, and I got my copy.

Average customer rating:

Are you a real Cranberries / Dolores fan? BUY IT NOW!

Ordinary Day
Dolores O'Riordan
Manufacturer: Sequel Records UK
ProductGroup: Music
Binding: Audio CD

General | Rock | Styles | Music

Pop Rock | Pop | Styles | Music

Adult Alternative | Pop | Styles | Music
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Are You Listening
Everybody Else is Doing It So Why Can't We? (The Complete Sessions 1991-1993)
The Cranberries - Stars - The Best Videos 1992-2002
Courage
Are You Listening

ASIN: B000NVIWYM
Release Date: 2007-05-07

Tracks:

Ordinary Day
Without You
Ordinary Day (Video)

Album Description

Enhanced CD pressing of the first single pulled from Are You Listening?, the solo debut album from the former Cranberries vocalist. Features two versions of 'Ordinary Day' (Main Version and Enhanced Video) plus the non album 'Without You'. Sequel.

Album Details

The Songstress, Smouldering Icon and Critically Acclaimed Voice of the Cranberries is Back with her Stunning Single Co-produced by Youth, from 2007 Solo Full Length.

Customer Reviews:

Are you a real Cranberries / Dolores fan? BUY IT NOW!.......2007-05-21

I was a HUGE fan of the Cranberries' first three albums and Dolores is definately on my Top 10 favorite singers list but the group's last two attempts seemed... weird. But this album... classic Dolores. Back to the days of Linger and Zombie. Love it. I am SO glad she decided to grace us with more of her melodic voice.

Average customer rating:

Instant attraction.
La Gran Dama de la Cancion
What a great lady!
Maria Dolores one of the best voices in the world.
Truly the best singer of spanish "rancheras" ever

20 Exitos: Maria Dolores Pradera
Maria Dolores Pradera
Manufacturer: Sony International
ProductGroup: Music
Binding: Audio CD

General | International | Styles | Music

General | Latin Music | Styles | Music

Latin Pop | Latin Music | Styles | Music

General | Rock | Styles | Music

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Similar Items:

Serie Platino: 20 Exitos
Ellas Cantan Asi
Maria Dolores Pradera - El Rey
10 de Coleccion
20 De Coleccion

ASIN: B000005LU4
Release Date: 1996-04-16

Tracks:

Limena
Carino Malo
El Rosario De Me Madre
Pa' Todo El Ano
La Flor De La Canela
Que Si Te Quiero Juralo
Quisiera Amarte Menos
De Carne Y Hueso
Fuego Lento
El Ausente
Fina Estampa
Fallaste Corazon
Senora Maria Rosa
Cuando Vivas Conmigo
Amarraditos
Llegando A Ti
Amaneci En Tus Brazos
Tu Que Puedes Vuelvete
Hace Un Ano
Tu Solo Tu

Customer Reviews:

Instant attraction........2003-07-16

I am very fond of Mariachi music and I must confess that I had never heard of Maria Dolores Pradera. I heard one of her songs for about two minutes on internet radio and I was struck by how "different" her voice is. On the spot, I decided to purchase the CD.

La Gran Dama de la Cancion.......2002-07-16

This magnificent Madrileña has become famous for singing the classic popular songs of Latin America. She is a masterful interpreter of this music, from the compositions of Argentina's Atahualpa Yupanqui, to Mexico's Jose Alfredo Jimenez, and has an astounding repertoire of over 500 songs.

Though her recordings have sold in the millions around the world, sadly, she's been vastly under-appreciated in the U.S. Her mellow voice is exquisite, her style a blend of simplicity and sophistication, and she's an enchanting presence as a perfomer, with incredible beauty and elegance.

In this collection of 20 songs, every track is a winner. The musicianship and arrangements are marvelous, and the sound is good. Total time is 54'18.
This is a great CD for peaceful listening, and would also be the perfect accompaniment for a quiet dinner party, to go with the best of wines. There is a flowing grace to this music, a perfect balance...one of the reasons she is known as La Gran Dama de la Cancion.

What a great lady!.......2002-03-23

I borrowed this CD from one of my friends. I didn't realize the charm of her songs until March 1st, 2002. That afternoon, I had a drink with my friend. By accident, my friend played this CD. Maria's rich voice and her powerful emotion surprisingly touched me. I started crying. I don't speak Spanish at all. But I really got sympathetic response from her beautiful voice.
Additionally, it's this CD that makes me indulge into latin ballads and boleros.

Maria Dolores one of the best voices in the world........2001-06-16

Maria Dolores Pradera has been my absolute favorite singer since childhood. No one comes even close to interpreting the awesome classics of Latin American Music in such a beautiful and heartfelt way. I am a true FAN of this woman, if you want to listen to pure beauty just buy this... Not a single bad song interpreted by the absolute BEST.

Truly the best singer of spanish "rancheras" ever.......1999-09-30

I grew up listening to the music of Maria Dolores from my mothers tape player. Only now do I realize the beauty of her music. Her songs of broken relationships are intesified with her powerful voice. The anguish of a lost love is realistically rendered through her voice. The pain projected in her voice is the closest replication of the true emotions of the songs. Finally, the guitars on most of the songs are beatifull.

Average customer rating:

Lush and Sultry!
welcome back, Miss Gray!
At Last....Dolores Gray at Her Finest

Warm Brandy: The Capitol Years
Dolores Gray
Manufacturer: Drg
ProductGroup: Music
Binding: Audio CD

General | Jazz | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music

Pop Rock | Pop | Styles | Music

General | Vocal Pop | Pop | Styles | Music

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General | Soundtracks | Styles | Music
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No Reservations

ASIN: B000MM1F2I
Release Date: 2007-03-13

Tracks:

Shangri-La
Penthouse Serenade (When We're Alone)
You're Getting To Be A Habit With Me
Kiss Me
How Long Has This Been Going On
Close Your Eyes
You Go To My Head
Do-Do-Do
Speak Low
Don't Blame Me
Isn't It Romantic?
You're My Thrill
My Mama Likes You
I'm Innocent
Fool's Errand
There'll Be Some Changes Made

Customer Reviews:

Lush and Sultry!.......2007-06-01

Dolores Gray, fabulous, Tony-Award winning (for a show which ran on Broadway only 1 week!) star of stage and Fifties screen, gives beautiful renditions of standards on this, her only studio album. Somewhat of a cult figure (for all the Right reasons!), Gray was a strong vocalist in the tradition of Ethel Merman, fully capable of projecting over and above a big Broadway orchestra and to the very last row of the balcony in those pre-amplification days; she needed no body microphone to be heard distinctly and clearly. This album was a departure for her: soft ballads, lushly orchestrated, and sung in a sultry, whispery, close-to-the microphone voice. The selections are romantic rather than melancholy, and are perfect for a candle-light dinner, or a relaxing soak in the tub after a hard day.

While this album has been on cd before, first as a Japanese import, then as part of EMI's British two-albums-on-one-cd series, this release is crucial for the addition of several singles Gray also recorded for Capitol, including a great (and different) rendition of one of her signature songs, "There'll Be Some Changes Made", which she sang in the MGM film "Designing Woman." Her costars in that production, well worth seeking out on DVD, were Gregory Peck, Lauren Bacall, and in his only onscreen appearance, Broadway and Hollywood dancer-choreographer Jack Cole.
Looking forward to Decca Broadway hopefully re-issuing her Phillips LP "Dolores Gray Live at London's Talk of the Town" on cd!
Designing Woman

welcome back, Miss Gray!.......2007-03-18

Broadway star...movie actress...Dolores Gray had many hats during her long showbusiness career, but the talented songstress only recorded one album, under a brief contract with Capitol Records. WARM BRANDY makes it's compact disc premiere here, and no doubt many people will be anxious to grab it.

To the hardcore Broadway musical fans, Dolores Gray is one of the all-time classic voices. She rose to fame playing the title role for the 1947 London production of "Annie Get Your Gun", then got cast in Broadway's notorious flop "Carnival in Flanders". Gray moved to Hollywood in the mid-1950s, where she snagged roles in the M-G-M movies "Kismet", "Designing Woman", "The Opposite Sex" and "It's Always Fair Weather". Mainstream movie fame alluded her, and she returned to Broadway to star as Frenchie in the musical version of "Destry Rides Again", and later played Lorraine in the ill-fated "Sherry!". Gray replaced Angela Lansbury in the 1974 London production of "Gypsy"; played Dorothy Brock for the Broadway and touring productions of "42nd Street", as well as Carlotta in a 1986 London revival of "Follies". She sadly passed away in 2002.

During her time with M-G-M, Gray recorded a series of singles as well as her WARM BRANDY album for the Capitol label. Here on this compact disc from DRG, her entire Capitol output has been compiled for the very first time.

WARM BRANDY features a mix of musical theatre favourites and jazz standards, and Gray wraps her velvet chops around each and every one of them. Highlights include "You Go to My Head" (sung in an arrangement that'll definitely go to YOUR head!), "You're Getting to Be a Habit With Me" (a 1930s chestnut), and "Shangri-La" (another exotic number which works well with Gray).

The series of bonus singles will also thrill the long-time Gray fans: "There'll Be Some Changes Made" (from the "Designing Woman" soundtrack), "Fool's Errand", "I'm Innocent", and "My Mama Likes You".

The remastering job for WARM BRANDY is a little muddy in places, but the selection of bonus singles are as fresh as paint.

[DRG 5257]

Further Listening (more titles with Dolores Gray):
Spotlight on Dolores Gray
Annie Get Your Gun; Broadway Musical Seri
Two on the Aisle (1951 Original Broadway Cast)
MGM's Kismet: Original Motion Picture Soundtrack
It's Always Fair Weather (1955 Movie Soundtrack) (Rhino Handmade)
Destry Rides Again (1959 Original Broadway Cast)
Stairway to the Stars (Original 1989 London Cast)

At Last....Dolores Gray at Her Finest.......2007-03-18

This jazzy collection of ballads contains the album "Warm Brandy" and all additional sides recorded by Dolores Gray at the height of her fame in 1957. Long out-of-print, this is a pristine example of this premiere vocalist who has unjustly been largely forgotten. Dolores Gray was primarily a Broadway performer (check out "Two on the Aisle" and "Destry Rides Again" as two Original Cast Recordings that showcase her at her finest). She had a voice for the ages, superior to Merman and all of her contemporaries. Unfortunately, her tempestuous nature undermined her career but what she left us is of the highest quality. She worked briefly for MGM (her Lalume in "Kismet" is definitive) and displayed a natural flair for wry comedy that was never fully utilized. Our loss.

Still, it is that magnificent voice that remains eternal and "Warm Brandy" is quite an unusual foray for Gray. Here, she eschews the roof-raising sound that was better than the "Merm" for a gentler, jazzier approach to some classic material. Quite a sophisticated album, "Warm Brandy" displays the broad range of Gray's instrument and her exquisitely warm and nuanced interpretations are the antithesis of that famous "belt". One can't imagine Merman or any of Gray's contemporaries pulling this off so effectively. From the gentle opener "Shangri-La" to the sultry "How Long Has This Been Going On", Gray shows she's got the goods. Her pitch, phrasing and intonation are perfection itself, but it is her interpretive ability that makes these songs live. "Speak Low" may be definitive, and "Don't Blame Me" smolders with her special brand of sexy cooing. As a bonus track (one of four) we get "There'll Be Some Changes Made", a brassy piece of dynamite from Gray's last movie, "Designing Woman", and Gray shines in her most familiar element.

Still, "Warm Brandy" is class in every respect and deserves to find an audience who'll rediscover the immense talent Ms. Gray possessed. Let us never forget.

Cecilia Bartoli - Live in Italy / Jean-Yves Thibaudet

Average customer rating:

Buy two and give one to someone you love!
A joyful sample of the human voice.
A sheer delight from start to finish
Exquisite
Cecilia Live

Cecilia Bartoli - Live in Italy / Jean-Yves Thibaudet
George Frideric Handel , Antonio Vivaldi , Giulio Caccini , Wolfgang Amadeus Mozart , Franz Schubert , Pauline Viardot , Hector Berlioz , Vincenzo Bellini , Gaetano Donizetti , Gioachino Rossini , Umberto Giordano , Xavier Montsalvatge , Georges Bizet , Sonatori de la Gioiosa Marca , Cecilia Bartoli , and Jean-Yves Thibaudet
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Cecilia Bartoli - The Vivaldi Album / Il Giardino Armonico
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Cecilia Bartoli - An Italian Songbook (Bellini, Donizetti, Rossini)
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Cecilia Bartoli - If You Love Me (Se tu m'ami ), 18th-Century Italian Songs

ASIN: B00000DBTM
Release Date: 1998-10-20

Tracks:

Tu ch'hai le penne, Amore
Amarilli
Al fonte, al prato
Lascia la spina
Agitata da due venti
Oiseaux, si tous les ans, K. 307
La Pastorella, D 528
Havanaise
Hai luli!
Zaide
Malinconia, ninfa gentile
Ma rendi pur contento
La conocchia
Me voglio fa 'na casa
Mi lagnero tacendo
Mi lagnero tacendo (Il Risentimento)
Mi lagnero tacendo (Sorzico)
L' Orpheline du Tyrol
Riedi al soglio (Zelmira)
Le nozze di Figaro: Voi che sapete
Canzonetta Spagnuola
Caro mio ben
Cinco Canciones negras, No. 5: Canto negro
Carmen: Seguedille (Carmen)

Amazon.com essential recording

In the beginning, Cecilia Bartoli seemed to do one thing better than anybody, i.e., Rossini arias, which would not guarantee a long career even for a singer of her ebullience. This live performance from the Teatro Olympico in Vincenza, Italy, shows how much she's expanded, both linguistically and musically. The first five selections reflect her newfound specialty, early opera. The three Caccini selections from the 17th century--accompanied by small string ensemble--are deeply felt and stylistically convincing enough to make one eager for future forays. She's guilty of spinning out Handel's "Lascia la spina" excessively but hits new heights of virtuosity in Vivaldi's "Agitata da due venti." The rest of the disc is for voice and piano, in a program including both some genuine discoveries by French composer Pauline Viardot-Garcia that reveal the singer's increasing emotional depths and less consequential ones by Donizetti and Rossini. Bartoli also sings Spanish songs, most notably Montsalvatge's "Canto negro," proving that the singer doesn't venture into a new language until she can truly feel in it. Remarkably, her voice maintains its strength and body in the deeper, mezzo-ish regions as well as in the high, soprano-range areas. Might she have two voices? --David Patrick Stearns

Customer Reviews:

Buy two and give one to someone you love!.......2007-03-08

(That way, you can get free shipping!) Or, buy Opera Proibita also.

If you think you don't like listening to soprano soloists, you should buy this CD. I must say that I HATE listening to solo singing in general and soprano solo in particular! Well, this lady has stolen my heart! If you see her anywhere on the N American continent, please tell me.

The one-minute limit for listening on-line will simply not allow you to make a judgement. If I could legally allow you to hear track 5 "Griselda - Agitata da Due Venti" (Vivaldi), you would buy the CD without hearing anything else.

When I first heard Cecilia Bartoli on "Performance Today", the subject was "Opera Proibita" and I wrote to a friend who teaches voice at a local college and asked "Is she as good as I think, or am I just overreacting?" His simple response was "She's THAT good!"

This CD is of a live performance and you won't be disappointed except to realize that you COULD have been there, but weren't!

If she ever performs where I am able to see her, I'll be there. If I can talk to her, I will -- but I won't ask for my heart.

Highly recommended!

A joyful sample of the human voice........2006-06-12

'Live in Italy' by mezzo-soprano Cecilia Bartoli, accompanied by pianist Jean-Yves Thibaudet is, for those of us who do not know Italian and are not avid opera fans, a simply delightful essay in the beauty of the human voice. I am really happy this is not the first Bartoli album I have bought, as others, such as her recordings of French and Italian love songs have more substance to offer (if you don't know the operas from which these pieces are taken) but this recording, with its live ambiance, is a great pleasure all by itself, a very nice change from the somewhat frostier Fraulain Von Otter from the northern climes.

A sheer delight from start to finish.......2005-07-14

Although I rarely follow singers, even I am totally disarmed by Cecilia's magic spell of charm that criticism fails me. You will see that most of my reviews of music are about modern or Renaissance music, so for me to go out and lavish praise on her is really something totally out of the ordinary. Then again her singing is out of the ordinary in that it has an instantly recognisable warmth and captivating personality that makes her the outstanding singer of the current generation for me.

I have been impressed by Cecilia's tendency to avoid the well worn paths of 19th century Italian operas in favour of championing neglected earlier music whether that be Vivaldi, Haydn, or Salieri. She has always talked about how the centre of gravity of Western music seems to be shifting backwards in time, and in her case this means away from the Austro-German tradition to the time when the Italians dominated music. After all the musical elite of even Wagner's time could be still be heard muttering 'but he just isn't as good as those Italian...' at premiers of works such as Tannhäuser and it took a lot of convincing before the the idea of German opera became accepted. This shift backward in time here is exemplified by way the recital begins with the music of Caccini, the father of opera.

Here on this recording I particularly love the spontaneity of the live music making. Her ability to capture the declamatory nature of much older music such as with Caccini, Vivaldi and Handel suite live recording perfectly. Her manner of conveying the meaning of the words especially when singing in Italian is simply unrivalled in this situation. This is the sort of thing that all too often gets lost in studio recordings so it is a blessing that this is a live recording, where Cecilia seems to just glow. The spontaneity, the sheer magic of the moment - it is all a sheer delight from start to finish. At moments her voice seems so etheral, the hushed and rapt awe of the music making so breathtaking, that it simply beggers belief that the human voice can be so beautiful an instrument. This is what great music making should be all about.

As far as the recording itself goes I have never noticed any disturbing audience noises anywhere even on my system which tends to makes the slightest of rustling blatantly obvious. The recording engineers do an excellent job of capturing the ambience of the acoustic of the Teatro Olimpico in Vincenzo despite the presence of the audience.

A stunning recording and an absolute favourite to relax to or just to be inspired by.

Exquisite.......2003-01-31

"Her natural command of messa di voce phrasing, willingness to shade the voice away to the quietest pianissimo and acute sensitivity to the words of Caccini's love songs proved irresistible, attracting a generous mix of applause and foot stamping."

Such was the appreciation from the audience that the director had to request that the audience not stamp their feet as they would set off the alarm system.

There are hardly words to describe Cecilia Bartoli's remarkable vocal qualities, emotional range and warmth. When I listen to this CD, I am calmed completely. There is an element of comfort in her style. Maybe one could explain it as a lullaby for the soul.

She has the ability to support the longest of phrases on the back of a single breath all while varying the tone color and dynamic level. Singing seems as effortless as breathing as she becomes emotion all while capturing the drama and mood.

In this live performance from the Teatro Olympico in Vincenza, Italy, she performs each piece as if she is intimately entwined with the notes. How can music be this sensual and this comforting all at once? It just is. She can express a wide range of emotions, from profound despair to extreme joy.

The Teatro Olimpico is the worlds' oldest surviving covered theatre. It has fine acoustics, a sky-blue ceiling and marble. Cecilia Bartoli wanted to perform in one of the great treasures of Italy's cultural heritage and this led to this live performance with concert pianist Jean-Yves Thibaudet who seems to sense every emotion in Cecilia's voice. It is a sublime combination of talent which is further enhanced by violins, viola, cello, violone, archlute and harpsichord.

Tu ch'hai le penne, Amore - A song to love asking love to fly to where the heart lies and to promise that his heart and soul were ever hers.

Amarilli - Delicate and beautiful expression of true love.

Al fonte, al prato - You can feel spring approaching and this song has a certain energy Cecilia embraces as she sings away troubles and sadness to allow in merriment.

Lascia la spina - Melancholy. "Old age will creep up on you when your heart does not expect it."

Agitata da due venti - Cecilia's voice takes flight in this song about waves raging in a stormy sea. She almost becomes the force of the ocean as her voice surges and dives and wow.

Oiseaux, si tous les ans, K307 - She embodies a haunting vulnerability and the freshness of spring/summer. This song ends far too quickly.

La pastorella, D528 - Calm beauty to reflect a shepherdess in a meadow. Innocent love.

Havanaise - It seems like she has a completely different voice in this song as she reaches
to new ranges in depth. Charmed by a song? Perhaps.

Hai luli! - A seductive treatment of a song asking "where can my love be?"

"What's the point of living without a lover?"

Zaide - High energy and fast paced. A song about an orphan.

Malinconia, ninfa gentile - Gorgeous and poetic song.

Ma rendi pur contento - She really captures longing and an almost delicate purity.

La conocchia - Light and breezy.

Me voglio fa 'na casa - A song about the desire to build a house surrounded by the sea. Fantasy and happiness.

Mi langero tacendo - Poignant moment.

"I shall not complain of my bitter fate;
but, my beloved, do not hope for me not to love you."

Mi lagnero tacendo ll resentimento - the sorrow continues. The lover is said to be cruel.

Mi lagnero tacendo Sorzico - more complaints of cruelty and sorrow. She seems to capture frustration so exquisitely and is that stomping I hear? ;)

L'Orpheline du Tyrol - The Tyrolean orphan girl. Jean-Yves Thibaudet really takes the stage at first and Cecilia follows almost timidly. A song of tragedy, hunger and suffering.

Riedi al soglio from Rossini's opera Zelmira left seasoned connoisseurs dazzled. After the aria's final cadence, they broke from their awe-struck silence to add to the shouts of "encore."

Voi che sapete - Light and yet still dramatic. Desire, torment, ice. All explored fully by her voice. You can hear "torment" when she sings "martir" even if you could not see the words or follow along. Her voice really "flutters" when she sings "palpito e tremo." It is just amazing.

Canzonetta spagnuola - A muse comes to torment a painter.

Caro mio ben - A lover grows faint without love. Solitary melodies and you can almost feel the chill in the room or the feeling of despair the lover feels.

Canto negro - Is there anything she can't sing? This piece might seem completely out of place, but by now everyone is completely drunk with emotion from this performance.

Seguidille - Pleasure comes when two people are together. Definitely so when Cecilia Bartoli and Jean-Yves Thibaudet perform together. This song is almost a metaphor of the entire intoxicating experience. I just love how the audience goes absolutely wild after this song.

And too soon, it is over. I look forward to one day viewing the performance on DVD. It will be so much easier to understand the words now that I've literally studied this performance. Knowing the words definitely adds to the subtle emotions and more expressive moments.

~TheRebeccaReview.com

Cecilia Live.......2002-07-12

I have loved her low and warm voice ever since the first time I listened to her, the Italian mezzo-soprano Cecilia Bartoli. With respect and tenderness she treats the composers, whose works she performs while adding her own dimension. She transports me with her art. It is as if we become one person, and I experience her joy of music. Together we share a glimpse of eternity.

On this album which was recorded live at the Teatro Olimpico, Vicenza, Italy in 1998 Cecilia Bartoli offers her listeners a varied programme comprised of several composers: Caccini, Haendel, Vivaldi, Mozart, Rossini, Donizetti, Bellini, Viardot, Schubert, Montsalvatge and Bizet. She's accompanied in Caccini, Haendel and Vivaldi by the Sonatori de la Gioiosa Marca (Baroque string ensemble) and for the other pieces by Jean-Yves Thibaudet on piano. The accompanying booklet contains the lyrics, translations and further information.

Ms. Bartoli certainly has expanded her musical horizons here in several ways. On this disc she sings in Italian, French and Spanish. I loved her intense and heartfelt rendition of Caccini's and Haendel's arias. The passionate acrobatics of Vivaldi. And the Sonatori de la Gioiosa Marca gave her a fine support. She made a warm and lovely Cherubino in Mozart's famous 'Voi che sapete'. I also loved her sparkling interpretations of Viardot's 'Havanaise', Rossini's 'Mi lagnero tacendo' or his 'Canzonetta spagnuola'. But Montsalvatge's 'Canto negro' made me feel definitely uncomfortable and Ms. Bartoli herself didn't connect with it. Although I liked her rendition of Bizet's 'Seguedille, I still missed something there. Jean-Yves Thibaudet lends her an excellent, attentive and expressive support.

Although I would have preferred some more Baroque pieces at this concert, this live album is a keeper for me. Everytime the bundle of pure joy that is Cecilia Bartoli has the power to move me deeply!

Average customer rating:

One of he greatest voice ever!
overall
Beautiful

Zarzuela Arias & Duets

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B000003FW6
Release Date: 1995-09-04

Tracks:

El Rey que rabi?: Mi t?o se figura
El Caser?o: Bueno d?as
La Canci?n del olvido: Marinela, Marinela
El Cabo primero: Yo quiero a un hombre
La Leyenda Del Beso: Amor, mi raza sabe conquistar
Bohemios: No quiero que sepa que aqu? vengo yo
La generala: Mi dulce sueno de adolescente
MARINA: Pensar en ?l
La Dolores: !Dolores m ... ! Aquu!
El Nino jud?o: De Espana vengo
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Customer Reviews:

One of he greatest voice ever!.......2007-01-10

A privilege to hear this wonderful voice in these native, for her, works.

overall.......2006-03-16

Great recording
Great music selection, Great orchestration

Every thing is what I was looking for.
I wish you had the same subjects in DVD
Thank you

Beautiful.......2001-09-29

This is a must have if you are not familiar with zarzuela (Madrid's response to Vienna's operetta). It's a nice combination of arias sung by Caballe in beautiful voice and joined by her husband tenor Bernabe Marti for the duets. The CD comes with translations for non Spanish speaking which will greatly improve your satisfaction.
Caballe is in as beautful voice as ever and feels at home with this non very taxing repertoire. She doesn't overindulge in her other times frequent "floatiness" and is very expressive throughout. Thogh sometimes when some coloratura is needed she tends to drop the consonants blurring her enunciation of the words. We are used to this from her opera recordings though she's not as bad as Sutherland.
Marti is a nice tenor but is not in the same league as Caballe. That's why he never got star recognition though he made a few recordings whith his wife, like Bellini's "Il Pirata". His is a lyrical tenor, a little throaty but with nice projection of the sound. He sounds a little strained over the "passagio" but hits all the notes. More importantly, he compensates for his lack of vocal lustre with burning impersonations of his characters. Passionate and burning in some, tender and caressing in others. In this respect is better than his wife who is a little more doll like hidding behind her vocal resources. So I specially enjoyed the many and varied duets in this recording.
Strongly recommended.

Average customer rating:

I'm keen on keane!
Best of Dolores Keane
Give Yourself A Christmas Present -- Now!
The Best of Dolores Keane
The Best of Dolores Keane

Best of Dolores Keane
Dolores Keane
Manufacturer: Celtic Corner
ProductGroup: Music
Binding: Audio CD

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Solid Ground
A Woman's Heart: A Decade On
A Woman's Heart
Helpless Heart
Woman's Heart 2

ASIN: B000004BTP
Release Date: 1998-02-17

Tracks:

Caledonia
Lion In A Cage
My Love Is In America
Never Be The Sun
Galway bay
The Island
Teddy O'Neill
Let It Be (with De Danann)
Far Away In Australia
Telling Me Lies
Have I Told You lately
A Place In Your haert
Lili Marlene

Customer Reviews:

I'm keen on keane!.......2002-11-20

Where can one start to tell the story of the great Dolores Keane?
This Best Of Dolores Keane collection is long overdue.Dolores inherited her singing from her famous Sean Nos (old gaelic singers)Aunts, Rita and Sarah.Based in Galway in the West of Ireland.Dolores possibly came to prominence while doing lead singing with Irish Trad specialists De Dannan.Her rendition of Galway Bay is unbelievable here,also Far Away In Australia,Never Be The Sun,and Mick Hanleys My Love Is In America,all exellent.Some of the older tunes like Lili Marlene are nice too,and Let It Be by the Beatles is fantastic.All in this as I say was long overdue.I personally consider Dolores as the greatest Female Irish Vocalist of them all,yet commercially she hasn't been marketed very well.When one considers that Emmylou Harris is her greatest fan,and also Nathalie Merchant(ex 10,000 Maniacs)has said in the past that Dolores has been a big influence on her,well then what are you waiting for?Just go and purchase the hauntingly beauitiful voice of the legend Dolores Keane.Guranteed not to dissappoint.

Best of Dolores Keane.......2001-12-07

This is very good Irish folk music. I have most of her CD's and I am very happy with them. "Caledonia" and "Never Be The Sun" are two of my favorites from this recording. Be sure to try her other music. It is wonderful.

Dolores' brother, Sean Keane, is also an excellent choice to listen to. "The Man That I Am" and "No Stranger" are my favorites.

Give Yourself A Christmas Present -- Now!.......2000-12-16

I listen to a lot of music. I listen to a fair amount of Irish music, mostly haphazardly. Probably my favorite recorded sounds are memorable female voices (no, not Streisand among them, good Gawd!), a random sample might include early Supremes, Emmylou Harris, Renee Fleming, Etta James, Kate and Anna McGarrigle, Sleater Kinney, very early Grace Slick and, before her, the first female singer with Jefferson Airplane, Signe Toly Anderson. Given all that, how the hell did I come this far in life without encountering Dolores Keane? It's inexplicable, but all that matters in the end is to have finally stumbled on her phenomenal singing. You should too, post-haste. My first hearing was in John Prine's duets CD on A Town This Size. Then, almost immediately thereafter, I found When Irish Girls Grow Up, the best thing on Tom Russell's uneven CD, The Man From God Knows Where. On Best Of the voice is younger, with some of the songs probably more than a decade old. I find its full-throated huskiness even more attractive now, but this CD is a spectacular introduction to her work. Lion in a Cage is a vibrant Afro-beat tribute to Nelson Mandela. Most of the other songs are ballads of what we Irish do best -- longing for places and people or both that are far distant in time and space. My Love is in America, Galway Bay, Teddy O'Neill, and Far Away in Australia are the best examples. She includes three covers -- Let It Be, Van the Man's Have I Told You Lately, and Linda Thompson's Telling Me Lies. For my taste, only the latter matches up to the other tracks here. Similarly, The Island -- contrasting the horror of conflict with the personal peace of love -- is a concept which just doesn't quite come off as a song. Those, however, are quibbles too inconsequential to be even minor. Do yourself a favor and get your hands on this CD now. It will be weeks before it comes out of your player. As for me, I'll be sampling all her other work. Sometimes the later discoveries in life are the best of all.

The Best of Dolores Keane.......2000-03-18

I was not familiar with Ms. Keane until I heard her in duet with John Prine on In Spite of Ourselves CD, and was totally intrigued with her voice. Now, after listening to the "best" of Delores (which is a modest description of the tunes on this CD)....I am totally enthralled with her music. I have played the CD over & over and find it more enchanting each play. I can't believe I have, at the age of 50, just discovered the delights of celtic music. It is a most pleasing listen.

The Best of Dolores Keane.......1999-11-27

I bought this album on a whim while in Ireland and have been unable to stop listening to it. Many of the songs are haunting tributes to the Irish experience and the arrangements are lovely in their simplicity and clarity. This is a wonderful find!

Average customer rating:

Ellas Cantan Asi
Maria Dolores Pradera
Manufacturer: Sony International
ProductGroup: Music
Binding: Audio CD

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Tiempo Que Te Quede Libre - Los Gemelos, Maria Dolores Pradera
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Que Te Vaya Bonito - Los Gemelos, Maria Dolores Pradera
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