| 1. Rosa |
| 2. Si You Fuera El |
| 3. Ven, Ven |
| 4. Muerete del Carrete |
| 5. Comelon |
| 6. Roberto Alvarado |
| 7. Cobarde |
| 8. Linda Mujer |
| 9. Cholo Vaquero |
| 10. Mis Tres Animales |
| 11. Con la Misma Moneda |
| 12. Yesterday |
Musical,Vaquero's Musical,Musart,Latin,Latin Continuum,Mexican,Mexico
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High School Musical 2
Original Soundtrack Manufacturer: Disney ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000QCTGIE Release Date: 2007-08-14 |
Tracks:
- What Time Is It
- Fabulous
- Work This Out
- You Are the Music in Me
- I Don't Dance
- You Are the Music in Me (Sharpay Version)
- Gotta Go My Own Way
- Bet On It
- Everyday
- All For One
- BONUS TRACK: HUMUHUMUNUKUNUKUAPUA'A
Album Description
High School Musical 2 is the follow up to the Music Phenomenon of 2006! Featuring the #1 hit single "What Time Is It"
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Wicked (2003 Original Broadway Cast)
Stephen Schwartz , Kristin Chenoweth , and Idina Menzel Manufacturer: Decca Broadway ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000TB01Y Release Date: 2003-12-16 |
Tracks:
- No One Mourns the Wicked - Cristy Candler
- Dear Old Shiz
- The Wizard and I - Idina Menzel
- What Is This Feeling? - Kristin Chenoweth
- Something Bad - William Youmans
- Dancing Through Life - Michelle Federer
- Popular - Kristin Chenoweth
- I'm Not That Girl - Idina Menzel
- One Short Day - Kristin Chenoweth
- A Sentimental Man - Joel Grey
- Defying Gravity - Idina Menzel
- Thank Goodness - Kristin Chenoweth
- Wonderful - Idina Menzel
- I'm Not That Girl (Reprise) - Kristin Chenoweth
- As Long as You're Mine - Norbert Leo Butz
- No Good Deed - Idina Menzel
- March of the Witch Hunters
- For Good - Kristin Chenoweth
- Finale - Kristin Chenoweth
Amazon.com
One of the most common complaints about musicals is that the books are flimsy pretexts from which to hang numbers. Wicked runs into the opposite problem: it has a great plot, but too often the songs just get in the way. Based on Gregory Maguire's novel of the same name, Wicked tells us what happened between Glinda the Good and Elphaba, the Wicked Witch of the West, before Dorothy showed up in Oz. And the show is lucky to boast a pair of ace leading women in the main roles. As Glinda, Kristin Chenoweth delivers a sensational star turn, displaying a crystal-pure voice and sharp comic timing; Idina Menzel lends her powerful pipes to the tricky role of Elphaba. Unfortunately, you wish they had better material to work with. Stephen Schwartz's pop score is often dragged down by overly synthetic orchestrations and sentimental lyrics (think Chicken Soup for the Witch). Still, at its best Wicked is a seductive slice of popular entertainment that could well give a younger audience a lasting taste for musical theater. --Elisabeth VincentelliCustomer Reviews:
Pleased.......2007-08-07
Amazing.......2007-08-04
Very Excellent.......2007-08-02
L. Frank Baum should be rolling over..........2007-07-30
Mystical.......2007-07-23
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Legally Blonde (2007 Original Broadway Cast)
Manufacturer: Ghostlight ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000R7I3NW Release Date: 2007-07-17 |
Tracks:
- Omigod You Guys
- Serious
- What You Want
- The Harvard Variations
- Blood In the Water
- Positive
- Ireland
- Ireland
- Serious
- Chip On My Shoulder
- So Much Better
- Whipped Into Shape
- Take It Like a Man
- Bend And Snap
- There! Right There!
- Legally Blonde
- Legally Blonde
- Medley: Find My Way/Finale
Amazon.com
Like Wicked, this show is a girl-friendly extravaganza; the main difference--and it's a big one--is that the score of Legally Blonde is better. Based on the hit Reese Witherspoon movie, the zippy, frothy show tells the story of SoCal, pink-loving sorority girl Elle Woods, who enrolls at Harvard Law and goes on to prove that appearances can be deceiving. The opening number, "Omigod You Guys," gives an idea of what the Broadway-pop score by Laurence O'Keefe (Bat Boy--The Musical) and Nell Benjamin is up to, embracing its over-the-top cheer with goofily infectious energy. Sure, a couple of numbers feel a bit derivative (the show with the witches has "Popular," this one has "Positive"), and the Celtic detour ("Ireland") is rather puzzling, but overall the songs are firing on all cylinders. Just check out the use of a marching band on "What You Want" for instance. Laura Bell Bundy (Amber von Tussle in Hairspray) is a charming Elle, and she delivers numbers such as "So Much Better" with the requisite elan. But this is not a one-woman show, and Bundy is surrounded by a crack team, including the endearing Christian Borle as Elle's love interest Emmett, power-piped Orfeh as hairdresser Paulette and up-and-comer Leslie Kritzer as Delta Nu's Serena. --Elisabeth VincentelliCustomer Reviews:
Light Hearted, Fun CD- Perfect for Summer!.......2007-08-07
However, gradually, over time, I started to grow fond of the idea, and, after hearing a few songs on Youtube, I pre-ordered the CD on Amazon. Upon recieving it, I immediatley fell in love with the theme of the musical. It is not very thought-provoking, more for fun. Of course, like the movie, it does have the warm fuzzy girl power theme.
Quickly, the songs made it to my most played folder, and I do not regret my time spent listening to them. Upon recieving it in the mail, I had no familairity with the cast, but was pleasantly surprized to find that Laura Bell Bundy was the original stand in for Kristin Chenoweth in the smash Wicked (to which I am also enamored). Such an amazing voice!
This CD is up-beat, great for working out to, or road trips. I especially like 'There! Right there!' The cast is incrediable, and, if you do choose to buy this CD, make sure to listen to the VERY end of Find My Way/ Finale, for the UPS man's song.
No regrets- truly a hot-pink gem!
So Much Better Than Expected.......2007-07-31
While I enjoyed seeing the production (starring the terrific Laura Bell Bundy), the score seemed somewhat unmemorable - until I got the cd. Some of the songs work better on stage (ie. "Bend and Snap"), but after a few listens, several of the songs emerged as favorites:
Omigod You Guys
Ireland
So Much Better
Legally Blonde
Legally Blonde Remix
This is not meant to be a thought-provoking show - just one to smile.
What Happened?.......2007-07-30
omigod i love it!!.......2007-07-30
Christian Borle was meant to play Emmet alng with Miachel Rupert as Callahan!!
Nonstop Fun!.......2007-07-28
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Jersey Boys (2005 Original Broadway Cast)
Ronald Melrose , Ken Dow , Anik Oulianine , Stephanie Cummins , Deborah Hurwitz , Kevin Dow , Joe Payne , Larry Saltzman , Dave Spier , Bill Hayes , Randall Andos , Bob Milikan , Debra Shufelt , Maxine Roach , Belinda Whitney , Cenovia Cummins , Eric de Gioia , Louise Owen , Robin Zeh , Sarah Schwartz , Shinwon Kim , Christian Hoff , Daniel Reichard , Donnie Kehr , Erica Piccininni , J. Robert Spencer , Jennifer Naimo , John Lloyd Young , Sara Schmidt , Tituss Burgess , Steve Orich , and Bob Gaudio Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000BFH2QY Release Date: 2005-11-01 |
Tracks:
- Ces Soirees la'
- Early Years Medley
- Cry For Me
- Backups Medley
- Sherry
- Big Girls Don't Cry
- Walk Like A Man
- December, 1963
- My Boyfriend's Back
- My Eyes Adored You
- Dawn (Go Away)
- Big Man In Town
- Dialog: A Little Trouble
- Beggin'
- Dialog: See How You Handle It
- Medley Listen Listen
- c'mon marianne
- Can't Take My Eyes Off Of You
- Working My Way Back To You
- Fallen Angel
Amazon.com
Although it squarely falls in the "jukebox musical" category, Jersey Boys doesn¹t try to integrate its songs in an artificial plotline. The show tells the story of the early-1960s group the Four Seasons, and the musical numbers tend to be introduced in context, as when songwriter Bob Gaudio comes up with a tune, or the quartet performs a show. This allows Jersey Boys to flow better than some of ill-fated peers, and the actors can shine without having to bend backward to accommodate an inane book. The show's most (only) daring move is to start with a hip-hop-tinged French-language version of "December 1963 (Oh, What a Night)," an actual hit in France in 2000. After that it's all VH1-biopic territory, but it's done with so much flair, taste and energy that the ride's a fun one. The Four Seasons had enough hits ("Sherry," "Big Girls Don't Cry," "Rag Doll," etc.) to easily fill an evening at the theater, so it's left to the cast to do right by them. And it does, particularly John Lloyd Young as the band¹s star lead, Frankie Valli. Young hits all the falsetto notes and brings real freshness to the part. His "Can¹t Take My Eyes Off You," a second-act peak, is signed, sealed and delivered with a star's acumen. --Elisabeth VincentelliAlbum Description
Recounting the rich history and reliving the timeless sounds of the phenomenal Frankie Vallie & The 4 Seasons, the new Broadway musical Jersey Boys answers the musical-and philosophical question, "How did four would-be wise guys from Newark, NJ, become one of the greatest chart-topping successes in pop music history?" Jersey Boys celebrates legendary Rock and Roll Hall of Famers Frankie Valli, Bob Gaudio, Tommy DeVito, and Nick Massi who, as the 4 seasons, wrote their own songs, invented their own identity, and sold 175 million records worldwide-all before they were 30.Customer Reviews:
Jersey Boys.......2007-07-30
Jersey Boys relived.......2007-07-28
Jersey Boys-original broadway cast recording.......2007-07-26
Jersey Boys (2005 Original Broadway Cast).......2007-07-19
Jersey Boys.......2007-07-08
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Spring Awakening (2006 Original Broadway Cast)
Duncan Sheik , Steven Sater , Skylar Astin , Lilli Cooper , John Gallagher Jr. , Gideon Glick , Jonathan Groff , Brian Johnson , Lea Michele , and Lauren Pritchard Manufacturer: Decca Broadway ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000J3FBFC Release Date: 2006-12-12 |
Tracks:
- Mamma Who Bore Me
- Mamma Who Bore Me (Reprise)
- All That's Known
- The B*tch of Living
- My Junk
- Touch Me
- The Word of Your Body
- The Dark I Know Well
- And Then There Were None
- The Mirror-Blue Night
- I Believe
- Don't Do Sadness
- Blue Wind
- The Guilty Ones
- Left Behind
- Totally F*ucked
- The Word of Your Body (Reprise)
- Whispering
- Those You've Known
- The Song of Purple Summer
Amazon.com
Who would have thought that Duncan Sheik would succeed where Paul Simon and Randy Newman failed, successfully transitioning from the pop-rock world to the Broadway stage? With Spring Awakening, Sheik and book writer/lyricist Steven Slater (who had already worked on Sheik's 2001 album Phantom Moon) have created a thoroughly exciting show that incorporates a contemporary art-indie idiom (including a small rock band instead of an orchestra) into a dramatic musical-theater context. The unlikely setting is that of a Frank Wedekind adaptation, but as it turns out, teenage angst is perennial, whether it's in contemporary America or in a 1891 German boarding school. Songs such as "The Bitch of Living" ("with nothing going on, asking just what went wrong"), "The Word of Your Body," "I Don't Do Sadness," and "Totally Fucked" ("You're fucked if you speak your mind and you know you will") resonate with the rage, frustration, confusion, excitement, joy, anger, and of course budding lust of those hormone-driven years. The show is greatly enhanced by its youthful cast members (they're all pretty close in age to their characters), who sing their hearts out. --Elisabeth VincentelliAlbum Description
Decca Broadway presents the cast recording for the acclaimed new Broadway production, SPRING AWAKENING. Written by pop music composer Duncan Sheik and playwright/lyricist Steven Sater, the musical explores emotional earthquakes in the lives of teenagers.SPRING AWAKENING is based on Frank Wedekind's controversial 1891 drama, which was scandalous in its day for addressing sex violence and suicide. The story, dialogue and costumes suggest the 19th Century, and are perfectly wedded to a beautiful alternative pop music score by Grammy® nominated singer/songwriter Duncan Sheik. The creative team also includes Tony® Award Winning director Michael Mayer (Thoroughly Modern Millie) and legendary choreographer Bill T. Jones.
Customer Reviews:
Spring Awakens.......2007-07-30
Surprisingly Moving and Original.......2007-07-27
What's all the hype?????.......2007-07-23
Spring Awakennings? I don't think so!!!.......2007-07-23
In my opinion buy something else with your money such as 'The Pirate Queen' which has no longer showing.
One of the best musical soundtracks ever!.......2007-07-22
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Curtains (2007 Original Broadway Cast)
Manufacturer: Manhattan Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000PC1QKQ Release Date: 2007-06-05 |
Tracks:
- Overture
- Wide Open Spaces
- What Kind Of Man?
- Thinking Of Him
- The Woman's Dead
- Show People
- Coffee Shop Nights
- In the Same Boat
- I Miss the Music
- Thataway!
- The Man Is Dead
- He Did It
- In the Same Boat
- It's a Business
- Kansasland
- Medley: Thinking Of Him/I Miss the Music
- A Tough Act To Follow
- In the Same Boat
- In the Same Boat
- Show People
- Wide Open Spaces
- A Tough Act To Follow
Amazon.com
Sadly, Curtains is the final entry in the long and fruitful partnership of lyricist Fred Ebb (who died in September 2004) and composer John Kander. While the show doesn't reach the heights of the team's previous masterpieces, such as Cabaret and Chicago, it's certainly a lot better than, say, their middling 1997 offering Steel Pier. Deliberately old-fashioned (it even features a real overture, something that's fast becoming a rarity), Curtains is a whodunit rolled into a musical--or vice versa. Set in 1959 Boston, it takes place backstage at a singing-and-dancing Western corker titled Robbin Hood. Someone gets killed, and a show tunes-crazy homicide detective (David Hyde Pierce) is called in. The plot is just a pretext for a series of very entertaining, characteristically brass-heavy songs that may not have the bite of old Kander and Ebb but are still very catchy. Above all, Curtains is (both thematically and stylistically) a love letter to old-school showbiz, and it's delivered on a silver platter by a cast of pros that includes the aforementioned Hyde Pierce, Kander and Ebb habituée Karen Ziemba, endearing Jason Danieley and, a notch above the rest, Debra Monk. Unsurprisingly, she chews the scenery and spits it right back in a pair of rowdy numbers: "Show People" and "It's a Business." --Elisabeth VincentelliAlbum Description
Curtains is an entertaining play within a play, as well as a "whodunit" new musical comedy featuring one of the last scores by legendary, Tony Award-winning songwriters John Kander and Fred Ebb (Cabaret, Chicago, New York, New York). Starring David Hyde Pierce (Spamalot, "Frasier") and Debra Monk, the Curtains original Broadway cast album is produced by nine-time Grammy Award-winner Jay David Saks.Customer Reviews:
Curtains CD.......2007-08-07
Hilarious, Totally Hilarious! .......2007-08-06
A sad finale.......2007-08-05
Pretty good Kander and Ebb.......2007-07-29
Curtains.......2007-07-29
In the Same Boat is a Kander & Ebb tour de force.
The arrangements, production and mixing of this CD are superb, and the chorus work is probably the best I've heard on any show CD for many a long year...
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The Pirate Queen (2007 Original Broadway Cast)
Manufacturer: Sony Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000QTCY72 Release Date: 2007-07-03 |
Tracks:
- Prologue
- Pirate Queen
- Woman
- My Grace
- Here on This Night
- Waking of the Queen
- Rah-Rah, Tip-Top
- Choice Is Mine
- Boys'll Be Boys
- Wedding
- I'll Be There
- Day Beyond Belclare
- Sail to the Stars
- Entr'acte
- Enemy at Port Side
- I Dismiss You
- If I Said I Loved You
- Role of the Queen
- Christening
- Let a Father Stand by His Son
- Surrender
- She Who Has All
- Sea of Life
- Woman to Woman
- Finale
Amazon.com
The Pirate Queen, with a score by Alain Boublil and Claude-Michel Schönberg (Les Misérables, Miss Saigon), took a critical beating when it opened on Broadway, but as this catchy cast recording demonstrates, that reception was really unnecessarily harsh. Set in the 17th century, the show (which closed after only 85 performances) tells the story of Grace O'Malley (Stephanie J. Block), an Irish ship captain and pirate who defied Queen Elizabeth I (Linda Balgord). The combination of that setting with the fact that the producers also brought us Riverdance means an overall Celtic flavor. But fans of Boublil and Schönberg should not fear. The duo delivers plenty of the over-the-top, super-emotional power ballads they're famous for--it's hard not to wonder what Celine Dion would make of songs such as "Woman" or "I'll Be There" (the latter sung by a man, but no matter!). Special kudos to Balgord, whose deliciously campy stage portrayal of Elizabeth I comes across well on "The Waking of the Queen," "The Role of the Queen," and two harpsichord-driven, vibrato-laden duets with Block, "She Who Has All" and "Woman to Woman." Also of note to fans of traditional singing is the participation of Áine Uí Cheallaigh (known from Riverdance) on several tracks. --Elisabeth VincentelliCustomer Reviews:
Boublil & Schonberg's Newest Creation.......2007-08-03
Overall, a worthwhile addition to your collection if not up to the Les Miz and Saigon standards. Having played it several times now it certainly improves each time you hear it. I am very happy to recommend this recording especially now that the show has finished and we may not have the chance of seeing it again....... who knows? Watch this space though!
NOT THE BEST, BUT STILL BRILLIANT.......2007-08-02
I was really glad I did. I have a keen musical ear and a discriminatory musical palate, and I'm usually pretty good at judging things by their covers (even though I know I shouldn't). I was utterly pleased with this musical after listening to it twice. It gets four stars for not blowing me away like some musicals can on the first listening (Les Miserables is a great example). But the point is that it gets all of those four stars.
Irish/Celtic music usually begins to irritate me after I listen to it for a while. It's nice, it's pleasant, but it's not my cup of Earl Grey tea. But the blend of Schonberg's and Boubil's distinct style of musical (made popular by their other work) with the more natural/historical sound of Great Britain blends well. I feel that if this musical had not appeared on Broadway with all the hype surrounding Pirates of the Caribbean releasing it's third installment, that this musical would have garnered more respect, instead of the mass populace thinking, as I believe, "oh, another pirate thing." I am sad that I get the chance to go to see a show in late September in NYC, and this one's already gone - the only one I really want to see.
The money's worth it for a few of the tracks by themselves. Namely, "Woman", "I Dismiss You", "Surrender", and surprisingly, the "Entr'acte". Others have stated in their reviews that they don't like "Boys'll Be Boys" as it's so utterly expected in the tradition of a "Master of the House" song. You know what? Who cares. I think "Boys'll be Boys" as well as "Rah-Rah, Tip-Top" are entertaining for the ears, and every musical has its form of comic relief - though I must say, both songs are dark comedy focusing around characters who are chauvinists. I haven't yet got that spin on Thenardier, as despicable and delightful as he was in Les Miserables. Though initially it's hard to understand some of the Queen's pieces, the feeling of the absolute monarch comes cleanly through, and the harpsichord background is not cliche. It's perfect in those pieces.
I urge other people who are considering buying this to check out these reviews, but judge it for yourselves, and don't start listening to it with expectations. Rather, just sit back and enjoy the show.
Broadway not Chicago.......2007-07-31
CLASSIC MUSICAL.......2007-07-30
Unsinkable Pirate Queen.......2007-07-30
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The Wall (Deluxe Packaging Digitally Remastered)
Pink Floyd Manufacturer: Capitol ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000006TRV Release Date: 2000-04-25 |
Tracks:
- In The Flesh?
- The Thin Ice
- Another Brick In The Wall, Part 1
- The Happiest Days Of Our Lives
- Another Brick In The Wall, Part 2
- Mother
- Goodbye Blue Sky
- Empty Spaces
- Young Lust
- One Of My Turns
- Don't Leave Me Now
- Another Brick In The Wall (Part III)
- Goodbye Cruel World
Tracks:
- Hey You
- Is There Anybody Out There?
- Nobody Home
- Vera
- Bring the Boys Back Home
- Comfortably Numb
- The Show Must Go On
- In The Flesh
- Run Like Hell
- Waiting For The Worms
- Stop
- The Trial
- Outside The Wall
Amazon.com Essential Recording
The Wall is less a collection of songs than a single work, which is sometimes frustrating; the plot lacks enough coherence to hold the snippets of music together. However, there are occasional flashes of brilliance on what ranks as Pink Floyd's most ambitious project. Most of these come from the fully developed songs, which have become classics in their own right. "Hey You," "Mother," and especially "Comfortably Numb" are subtle, incredible pieces of music. Though complex, they move at a relaxed pace, allowing the listener to absorb them slowly; this kind of pacing was something Pink Floyd excelled at. Also worth noting is the "Another Brick in the Wall/The Happiest Days of Our Lives" medley, which has become a staple of rock radio. --Genevieve WilliamsCustomer Reviews:
Art and Music and a guy named Roger Waters.......2007-07-31
The Wall is epic, so large nobody can touch it. It is something that takes a lifetime to truly experience and understand, and even then you are amazed at how it just continues to grow and change while still showing some of the same things hold true years and years later. Some of the songs really seem like nothing more than toe tapping rockers but if you know the story then you know the depth that is behind those songs.
One of the greatest Dual Album studio releases of all time. Forget the cartoon and the drugs and all that other hocus pocus and just soak this in, one day at a time for a lifetime. You won't regret it, it will one day be your baby also. They just don't make records like this anymore, with so much meaning and feeling and power and social and political ideas all melded into one thing...and that thing is THE WALL by Pink Floyd.
A DARK PERSONAL JOURNEY FOR SOME .......2007-07-26
There are some really terrific reviews here already, but I couldn't resist adding my two cents. As others have stated, THE WALL is a polarizing album -- people tend to love it or hate it. I'm one of the ones who love it. When I was introduced to THE WALL, I was going through some pretty rough times psychologically and my misery needed some company. I bought the double album and rented the movie from my local video store. I watched the movie first. I really think that this helped me to be able to grasp the narrative.
The music is somewhat dark, but not inaccessibly morose. Anyone who has ever experienced periods of melancholy should be able to tap into these feelings when listening. It is not an easy listen though. In order to fully appreciate the work, it is best to actively listen, preferably while blocking out other senses and thoughts (i.e., in a darkened room without distractions). I also find that it is impossible to share with others. If the co-listener is not a fan, it is embarrassing to listen to. It makes one feel exposed, uncomfortably naked. If the other participant is a fan, however, the experience is akin to the parallel play observed in toddlers. They are playing alongside each other, but they are not truly interacting.
Although the music is subordinate to the narrative, there are some truly sublime musical moments. The song "Comfortably Numb" is my favorite song of all time. If I can let myself relax, it transports me to another realm everytime I listen to it. The high-pitched ding heard during the chorus focuses my attention and makes me feel as though I am floating on air. Other standouts are "Hey You," "Mother," and "Run Like Hell." Each is beautiful in its own way. "Hey You" is haunting both lyrically and musically. "Mother" is both stark and soothing. I love the back and forth between Waters and Gilmour (as in "Comfortably Numb"). "Run Like Hell" sets strong anti-fascism lyrics to a killer dance beat.
If you are psychologically-inclined, you will love THE WALL. Listen to it when you have the time, alone and in the dark. It just might transform you.
Pink Floyd Under Construction.......2007-07-24
I grew out of it over time and it has become something of a memory machine, revisiting the past and the intensity of that time as I sought meaning in life. It has no relevance on that level anymore.
However, I stumbled across "Pink Floyd: Under Construction" which contains demos of the process by which The Wall came to be. Apparently, Waters, in the late 70s, came to the band with ideas for The Wall and what would become The Pros and Cons of Hitchhiking. The band thought the material for The Wall had potential and began to build on it (though there are traces of The Wall material in the Hitchhiking album or vice versa).
Though for the most part it is the same album, there are some subtle and significant differences in the songs as we know them, mostly in the lyrics.
Comfortably Numb originally began for Gilmour's first solo album but made its way into The Wall. Gilmour brings the melody; Waters adds the lyrics. However, imagine these lyrics in "Comfortably Numb":
"Wake up now, pull yourself togeather
Get out and meet new people (Scream)
I'm sure they'll understand
Come on, put away the shotgun,
Here have another blue one(Scream)
Have your fingertips gone numb?"
Or these for "Mother":
"Mama's gonna check out all your girlfriends for you
Mama won't let anyone dirty get through
Mama's gonna burn all your pornography
She'll watch what you see and watch what you hear..."
It's fascinating to listen to these demos after knowing the album so well. It's as if I'm hearing it for the first time and it is mind blowing this time from a more historical, archival point of view rather than as music that defines my emotional life.
You'll find the song What Shall We Do Now? in the film but not on the album, though the lyrics are on the inner sleeve of the original album. The song is on the Under Construction disc. Young Lust is just an instrumental. This is a fan's dream. It's like being there as the creative process unfolds and you can see the roll Bob Ezrin played in bringing this to its finished form that we all know.
Hunt down a copy of Under Construction and really, really appreciate just how amazing this album really is.
You can also get hints of Roger Waters taking control of the direction of the sound and how it would culminate with Floyd in The Final Cut, the trajectory Waters taking climaxing with The Pros and Cons of Hitchhiking (also very recommended).
The Wall ,,,,,,Nuf Said.......2007-07-15
Waters dominated effort hurtling toward a dark and dreary place.......2007-07-12
That being said, there are enjoyable musical moments on this work. As others have noted, The Wall, is colored to a much greater extent by the personality of Roger as his works became lyrically denser at the expense of the fine instrumental passages of the earlier works. There are also songs that you simply want to skip (thank goodness for CDs). Some songs, such as "Comfortably Numb", have personally become more meaningful due to circumstances occuring in my life (my dad was in a coma). So, I wouldn't dismiss the entire work as rubbish...just be prepared for a Pink Floyd on steriods/cocaine (seems the Lysergic had declined in popularity).
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Dark Side Of The Moon
Pink Floyd Manufacturer: Capitol ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002U82 Release Date: 1990-10-25 |
Tracks:
- Speak To Me/Breathe
- On The Run
- Time
- The Great Gig In The Sky
- Money
- Us And Them
- Any Colour You Like
- Brain Damage
- Eclipse
Amazon.com essential recording
Dark Side of the Moon, originally released in 1973, is one of those albums that is discovered anew by each generation of rock listeners. This complex, often psychedelic music works very well because Pink Floyd doesn't rush anything; the songs are mainly slow to mid-tempo, with attention paid throughout to musical texture and mood. The sound effects on songs like "On the Run," "Time" and especially "Money" (with sampled sounds of clinking coins and cash registers turned into rhythmic accompaniment) are impressive, especially when we remember that 1973 was before the advent of digital recording techniques. This is probably Pink Floyd's best-known work, and it's an excellent place to start if you're new to the band. --Genevieve WilliamsCustomer Reviews:
The beginning of the Pink Floyd era of my life.......2007-08-06
All thanks goes to this guy in my high school that used Braindamage in this morning announcements thing. I was immediately intrigued by this song and I heard the "Dark side of the moon" lyric I knew what it was. My got the CD and fell in love immediately.
Everything wasn't happily ever after though. I found that this music had a profound effect on me. I began to just lay around and listen to it in the dark. I became very melancholic and I guess you could say existential.
I got a new friend a few months later and he loved DSotM too and he sorta did the same thing. Laid around moping and listening to it. He noticed the changes this album made to him as well. One day while doodling he noticed he drew a smiling picture of Ernie(sesame street) with a speech bubble that read: I'm dead.
Now, this album may have made yours truly melancholic but not insane. My friend wasn't as lucky though. He knew things had gone too far when he began to go to sleep at night with his head in an empty fish bowel. He even talked on the phone with me with his head in a fishbowel. Finally he came out of it and said: What the f**k is wrong with me, I'm sleeping with my head in a fishbowel. Oh yeah, he wasn't only listening to DSotM at the time. He was big into this band called Tool so that is why he got crazy I guess.
Anyway, we were also listening to other Pink Floyd albums at the time so I will continue this series of reviews on different albums.
Timeless must own album.......2007-08-03
One of the worst, most pretentious recordings in music history .......2007-07-27
Very overrated and unoriginal.
"Shorter of breath, and one day closer to death...".......2007-07-19
Of all the memorable lines in this great album, why do I seize on this one? Because it best represents the philosophy that lies beneath this album, which is, at best, pessimism, and at worst, despair and fatalism. This is dangerous stuff, especially for young people, who are prone to narcissism.
Although importantly flawed, DSOTM is a great album. "Money" and "Us and Them" are conceptual and musical masterpieces. "Money" is especially notable for the best use of sound effects in rock history, and the poignant "Us and Them" soars musically. "The Great Gig in the Sky" is a daring innovation (singing, without words) that wholly succeeds as a mystical, pagan contemplation of death. "Time" is another musical gem that, despite the objections given above, warns us all about wasting our talents, in what is perhaps my favorite line of the album, "Then one day you turn to find/ ten years have got behind you/ no one told you when to run/ you missed the starting gun." "On the Run" is sonically ground-breaking and a pleasure to listen to.
Unfortunately, the sophomoric "Brain Damage" mars the album with its spoken-word and cackling pretension. This is excusable due to former bandmate Syd Barrett's descent into madness, but "Brain Damage" sounds like something out of a bad science fiction movie, not as a mature consideration of mental illness.
Overall, DSOTM represents a historic and musical milestone, and is a must for every rock music collection, the above objections notwithstanding.
Polished and pretentious. .......2007-07-18
Revsiting it so many years later it's hard to see what the fuss is about. It's a very well produced album I'll grant you that. Sound is excellent throughout (although perhaps Alan Parsons, not Pink Floyd themselves is mainly to thank for that) But *musically* I can't really see this as the greatest thing ever recorded, let alone greatest pop record.
Speak To Me- not really music,but an atmospheric intro
Breathe- Nice enough soft tune, but not really memorable. Water's is at his worst "butter wouldn't melt in my mouth" gentleness though.
On The Run - A synth going "bloobly bloobly blooby" to sound effects. Must have seemed clever in 1973 but it's just boring after about 3 listens.
Time- The first genuinely good song here. The guitar solo is about as good as the clean "understated" guitar style gets. Great intro too.
Great Gig In The Sky- Moving in parts, but a lot of the time it's just tuneless wailing.
Money- Floyd get funky. Meh. One of the first manifestations of Waters annoying "I hate the music business" fixation. Hey Roger my heart bleeds for you, with you having so much money. It's evil, I know.
Us And Them- Like Breathe, it's a quiet little song, quite pleasant, but to me it wouldn't sound out of place in Sesame Street.
Any Colour You Like - Hit and miss instrumental.
Brain Damage -Good song. I sometimes wonder though if Water's too obvious English pronounciations ("the lunatic is on the grawhss") are a turn on for Americans in the way that Monty Python's pronounciations of "bawwhhstid" have them in stitches.
Eclipse.- Nice ending to the album.
So overall, there are some good momemts here and there. But, in essence this album is essentially a soft rock album dressed up in Stanley Kubrick-esque pretentions. It's not "space rock", despite what people say. Early Tangerine Dream, for example, would have much more reason to call an album "Dark Side Of The Moon" than Pink Floyd.
I don't hate this album, I just don't think it's worth getting too excited over. I heard it in my formative years, but it's not music I think is worth revisiting.
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Hairspray (2002 Original Broadway Cast)
Marc Shaiman , Scott Wittman , Marissa Jaret Winokur , Harvey Fierstein , and Kerry Butler Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006AALQ Release Date: 2002-08-13 |
Tracks:
- Good Morning Baltimore
- The Nicest Kids In Town
- Mama, I'm A Big Girl Now
- I Can Hear The Bells
- (The Legend of) Miss Baltimore Crabs
- It Takes Two
- Welcome To The 60's
- Run And Tell That!
- Big, Blonde And Beautiful
- The Big Dollhouse
- Good Morning Baltimore Reprise
- (You're) Timeless To Me
- Without Love
- I Know Where I've Been
- (It's) Hairspray
- Cooties
- You Can't Stop The Beat
Amazon.com
The cast recording for the Broadway musical of John Waters's 1988 paean to dance, music, big beautiful women, and integration is a sheer delight. It's wonderfully upbeat all the way through, with a classic feel that's in keeping with the story's setting in the early 1960s. The characters come alive in these songs, from Marissa Jaret Winokur's (Tracy Turnblad) opening lines in "Good Morning Baltimore" to the stunningly upbeat finale, "You Can't Stop the Beat." The music is by Marc Shaiman, whose recent projects include South Park: Bigger, Longer & Uncut, as well as a number of film soundtracks, and his compositions are simultaneously solid and exuberant. Shaiman and Scott Wittman's lyrics brim over with the unreserved passions and primary-color emotions that made the film so successful. Regardless of one's familiarity with the story or the stage production, it's hard to avoid the appeal of this recording; even the less cheerful songs are awash in bright colors, without disrespect for their subjects. --Genevieve WilliamsCustomer Reviews:
cd purchase.......2007-07-30
I CAN HEAR THE BELLS .......2007-05-18
My New Obsession.......2007-02-07
From the great opener 'Good Morning Baltimore' to the best closing song I've ever heard, 'You Can't Stop the Beat', this recording is a gem.
One of my favorite songs on this soundtrack is 'The Nicest Kids in Town'. It has that kind of beat that's hard to not dance to. Another favorite is 'Mama, I'm A Big Girl Now'. It reminds me of the songs of Leslie Gore. My favorite line comes from Amber von Tussle "Once upon a time I used to dress up Ken/but now that I'm a woman I like bigger men/And I don't need a Barbie doll to show me how".
'(The Legend of)Miss Baltimore Crabs' is a glorious song for the villain. With wonderful drumming and violins in the background, Velma von Tussel has a great solo song.
'It Takes Two' is such a great slow song. I can just imagine a 1960's prom. Everyone slow dancing and the lights low. A band set up on the stage. I can't help sing along.
'Welcome to the 60's' is another wonderful song. It seems to be everyone's favorite. It's one of mine too. Harvey Fierstein is great as Edna.
'Big, Blonde, & Beautiful' is another good song. A good message to all big girls to be proud of yourself. Ignore what everyone says about you and strut. "Bring on that pecan pie/pour some sugar on it/Sugar don't be shy"
'(You're) Timeless to Me' is such a cute song between Wilbur and Edna.
'Without Love' is my number one favorite on this recording. Link proclaiming his love to Tracy who's locked up in solitary confinement and Seaweed proclaiming his love to Penny who's tied up on her bed. "Darling I'll be yours forever/'cause I never wanna be/Without love/so darling throw away the key"
'I Know Where I've Been' is a glorious gospel song. Sung by Motormouth Maybelle about her experiences and having learned from them.
'Cooties' is such a childish sounding song but it's the kind of song that should have it's own dance. It's too much fun.
The little song that follows 'You Can't Stop the Beat' is so funny and dark. I don't know the name, I just refer to as 'Blood on the Pavement'. "Don't drink and drive/please keep your head/Or come graduation day/you'll be dead".
I recommend this soundtrack to everyone. It's the kind of soundtrack that doesn't sound like a musical soundtrack.
Hairspray CD.......2007-01-14
You Can't Stop the Beat!.......2006-11-30
Salsa Music:
- Norteņo
- Norteno, Vol. 2
- Porque Usted Lo Ha Pedido
- Rancherisimo, Vol. 2
- Rancherisimo, Vol. 3
- Rancherisimo, Vol. 4
- Romanticos de America
- Salsa en la Calle 8 '96
- Salsa Pa' Gozar, Vol. 2
- Serie 20 Exitos
Salsa Music
Miss Moneypenny's: Going Global [Limited Edition] [Import]
Rachmaninov: Symphonic Dances, etc.
The Best of the Pilgrim Travelers, Vol. 1
Strauss: Tod und Verklärung, etc