Moments in Love

1. When Love Leads Us Up

2. Magic Night

3. Streets of Paris

4. Love Is You

5. Share a Miracle

6. Simply Unforgettable

7. Lady in Love

8. I Will Cross Every River

9. I'm Not Afraid

10. Man, That I Would Die For

11. Why Lovers Are Fools

12. Moments in Love

Moments in Love,Deborah Sasson,Ariola,Latin Pop

Average customer rating:

Romantic Moments.... Andre Rieu
Andre Rieu - Romantic Moments
Decent playing, lousy arrangements
Forget the hype, this is great music
Music That Will Touch Your Heart

Romantic Moments
Nino Rota , Franz Lehár , Wolfgang Amadeus Mozart , Fryderyk Chopin , Giacomo Puccini , Irish Traditional , Richard Heuberger , Josef Strauss , Antonin Dvorak , Johann Paul Aegidius Martini , Franz Schubert , Enrico Toselli , Friedrich von Flotow , André Rieu , J. Huijts , Teun Ramaekers , and Arthur Cordewener
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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Tuscany
At The Movies
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The Christmas I Love
100 Years of Strauss

ASIN: B00000I076
Release Date: 1999-02-02

Tracks:

Love Theme From Romeo & Juliet
Song To The Moon
Komm Mit Mir Ins Chambre Separee
Etude From Op.10 No. 3 In E Major
O Mio Babbino Caro (O My Darling Boy)
Londonderry Air (Danny Boy)
Violin Concerto No.3 In G Major, K.216: Adagio
Spharenklange (Music Of The Spheres)
Giuditta: Meine Lippen, Sie Kussen So Heiss
Plaisis D'amour
Wiener Lied (Viennese Song)
Adagio From Clarinet Concerto In A Major, K.622
Serenata
Die Letzte Rose (The Last Rose)
The 'New World' Symphony: Far From Home, Largo
Romeo & Juliet: Love Theme

Amazon.com

Set the table, open the wine, light some candles. Slip on this disc. Let the gentle sounds of André Rieu's slippery fiddle and fur-tipped orchestra lull you with classical music's most memorable soothers, from "O Mio Babbino Caro" and "Plasir D'Amour" to the largo from Dvorák's New World Symphony and Nino Rota's "A Time for Us," which opens and closes the collection. Lightweight stuff, yes, but ingenuously arranged and performed, and the ribbon of reverb that surrounds the orchestra will please erstwhile Mantovani fans. --Jed Distler

Customer Reviews:

Romantic Moments.... Andre Rieu.......2007-02-24

Love this music & Andre Rieu is popular with not only my husband & myself but with our children & parents. It's fun & a wonderful way to introduce the classics to any & all lovers of music.

Andre Rieu - Romantic Moments.......2006-08-31

Oh, So beautiful---- every track!!!!! My personal favorite has to be the soothing SERENATA. So, get comfy, put on the headphones so you won't miss a single note...... Andre Rieu's violin is magical!!!!!

Decent playing, lousy arrangements.......2005-11-11

Well, apparently I'm in the minority, but I found this CD disappointing. I bought it because I fell in love with "Song to the Moon" when I heard it on the radio, but this track and possibly the "Londonderry Air" are the only ones worth listening to. Although the melodies chosen for this album are indeed beautiful, the arrangements (Rieu's own) are poorly done. I would much more highly recommend Joshua Bell's Romance of the Violin, which has a similar theme, albeit restricted to classical tunes.

Forget the hype, this is great music.......2005-08-04

Try not to think about the cheesy "Andre Rieu in Tuscany" PBS special. This is a very pleasing program of selections of great romantic melodies, beautifully arranged. Few people are going to purchase a CD of Dvorak's Rusalka just to hear "Song to the Moon" so this is the place to hear it. And it's even better on Rieu's violin than in the original vocal version. Rieu plays perfectly in tune (not always easy in the higher registers of the violin) and has exquisite phrasing that brings out the musicality of even the most over-recorded selections.

Rhieu's arrangements (with Jo Huijts) have hints of "beautiful music" (think Ray Coniff) but only hints, and the result is very tasteful. For example, the piano obligato under the strings on "O mio babbino caro" makes you wish that Puccini had thought of that.

This is a wonderful album to listen to while relaxing and would make a great gift for someone who appreciates classical music but doesn't have specific preferences.

Music That Will Touch Your Heart.......2004-12-05

This one is one of my favorites of Andre Rieu. It's very romantic. It reminded me of my honeymoon in Vienna. I like to play it at home a lot. It lifts the spirit and touches the heart. Made me cry one time.

Average customer rating:

Age breeds a shining moment
Nice but dismissable.
Disappointing by Quartet West standards
If you breathe and have ears, buy this record!
A Night and a Lonely Town

The Art of the Song

Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

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Quartet West

ASIN: B00000JNMR
Release Date: 1999-07-27

Tracks:

Lonely Town
Why Did I Choose You
Moment Musical Opus 16 No.3 In B Minor
In Love In Vain
Ruth's Waltz
Scenes From A Silver Screen
I'm Gonna Laugh you Right Out Of My Life
You My Love
Prelude En La Mineur
The Folks Who Live On The Hill
Easy On The Heart
Theme For Charlie
Wayfaring Stranger

Amazon.com

Bassist Charlie Haden was an integral part of Ornette Coleman's pioneering avant-garde groups in the '50s and '60s and led his own equally forward-thinking Liberation Music Orchestra. His ensemble Quartet West, with tenor saxophonist Ernie Watts, drummer Larance Marable, and pianist Alan Broadbent, revealed a sentimental side of his musical personality that surprised many. This recording, with string arrangements by Broadbent, sounds like a soundtrack to a Raymond Chandler film as Haden's sturdy bass tones make him a worthy supporting actor. But although Shirley Horn's ethereal voice sparkles on "Lonely Town," "In Love in Vain," and "I'm Gonna Laugh You Right Out of My Life," and crooner Bill Henderson's towering pipes are radiant on "Why Did I Choose You," "Ruth's Waltz," "You My Love," and "Easy on the Heart," all of the material is in pretty much the same ballad tempo, which, compounded by the time length of the CD, robs it of the romantic resonance it could truly shine on the listener. --Eugene Holley Jr.

Customer Reviews:

Age breeds a shining moment.......2003-11-20

The criticisms miss the point. This is an effort that does a rare thing - it brings together men and women who can put the experience of life to judicious use in their art. Unlike listening to the deterioration other performers have faced, in later years, at the hands of studio production teams that no longer know what to do with them, Charlie Haden has found a way to create a beautiful volume of space in which to let the years of these venerated performers shine through. It is in this space you shall hear the notes of lives lived and savored.

Nice but dismissable........2001-08-09

Haden's pleasant miscellany of neglected but deserving ballads is indeed a mixed bag, but somehow his focus, purpose, and method elude this listener. Neophyte writers are frequently enjoined to compose with a sharp, definitive, unified "thesis." Haden could have used a bit of coaching along these lines before producing this collection. Even drawing upon a common composer (as opposed to ranging from Kern to Rachmaninoff to public domain) might have provided the needed coherence to the project.

In any case, it's always a welcome experience to hear Shirley Horn; the revival of a touching ballad like "In Love in Vain" merits our appreciation; and though I was never a big fan of Bill Henderson (an acquired taste), he deserves to be recorded based on the evidence of this recording.

In sum, this album is more than anything else a "sampler" and should have been priced accordingly.

Disappointing by Quartet West standards.......2001-05-09

The outstanding Quartet West album is 'Always Say Goodbye'. On that CD, Broadbent demonstrates his skills at orchestral arrangement, and Haden deftly selects great oldies to intermingle with some of his own superb compositions. Haden also takes some historic performances -- such as Jo Stafford on vocals -- to bring a resonance to the new covers. The experiment was very successful.

You can see the logic behind this subsequent album: instead of using dusty old recordings, why don't we use today's state-of-the-art production to capture the voices of several current artists? And why don't we let Alan orchestrate the whole album?

The trouble is that the orchestration, beautiful though it is throughout, constrains the band terribly. And the vocals swamp the album. (Actually the Jo Stafford track on 'Always Say Goodbye' is one of the weakest on the album.) They say that the saxophone is the instrument closest to the human voice, and it is Ernie Watts who suffers most on this album, The sax is simply crowded out by all the singing. It is only on the stand-out track, 'Prelude en la mineur', an instrumental re-working of a Ravel piece, that Watts finally gets a chance to let rip.

Shirley Horn's vocals are fine, particularly on 'Lonely Town'. But I simply cannot listen to any of the tracks containing Bill Henderson's voice, and sadly, there are four of them.

The most touching song is the last one, where Haden himself bravely takes the vocal lead. It's a song his mother used to sing on the radio, back in the early 1940s, when the entire Haden family would appear on KWTO Springfield. It is a farewell to the dead, and also a reassurance that one day they will meet again.

If you want a quick survey of this CD, check out tracks #1, #9 and #13. It's a long way from the days of Haden's playing with Ornette Coleman and the Liberation Orchestra, and it's very mellow.

If you breathe and have ears, buy this record!.......2001-04-15

I first heard of Charlie Haden on Dublin's best radio music show - The Mystery Train presented by John Kelly on RTE Radio 1. I bought this CD and it has never been off my current play list. This is beautiful music that touches the heart. Listen to Wayfaring Stranger, Lonely Town, I'm Gonna Laugh You Right Out Of My Life, or Ruth's Walz after a tough day at the office or jammed in traffic and you will be back in touch with the good things in life. As someone who has evolved though Thin Lizzy, The Eagles, Eric Clapton, Queen, U2, Ella Fitzgerald, Louis Armstrong, BB King, Grant Green etc, Charlie Haden is proof of my graduation. After since buying other and even better Haden CD's, I am looking forward to seeing him in concert with Quartet West here in Dublin on April 29. BUY IT NOW!

A Night and a Lonely Town.......2000-05-24

Despite its problems, I think this album still deserves a five-star rating. Seemingly inspired by the music of moody classic cinema, a listener might well envision a seedy nightclub in a fog-swept black & white San Francisco of the 1940s or a tearful Ingrid Bergman about to board a twin-propellor leaving Rick and Casablanca behind her forever.

Regardless of which side of the Atlantic you envision on your moody musical journey, this is definitely a lounging type of music, perfect for lazy Sunday afternoons, after-theatre drives around town on warm summer evenings, warm candle-lit baths, or romantic dinners for two. The beautifully romantic ballads range from the longing "Lonely Town" to the mostly-resolute "I'm Going to Laugh You Right Out of My Life" to the quietly complacent "The Folks Who Live on the Hill." Interspersed with these great standards, however, are wonderful instrumental pieces which frame the remaining vocals with stunningly dramatic moods.

The only flaw is the rather unappealing voice of Bill Henderson, who seems to be suffering from a weak set of lungs, if not from lack of enthusiasm. Henderson seems to strive for the vocal capabilities of Shirley Horn, who sings on 1, 4, 7 and 10, but is incapable of achieving those same dramatic pitches of his fellow artist. Nevertheless, he does an adequate job on "Ruth's Waltz" and "Easy on the Heart" even if "Why Did I Choose You" is downright painful to listen to. Haden, who sings on 13, seems similarly incapable of reaching Horn's heights, but "Wayfaring Stranger," the traditional song he chose to render, is capable of carrying itself with the slow somber tone it evokes in the listener.

Tracks:

Concerto No. 2, Op. 18 In C Minor: Moderato; Allegro
Concerto No. 2, Op. 18 In C Minor: Adagio sostenuto
Concerto No. 2, Op. 18 In C Minor: Allegro scherzando
Concerto No. 3, Op. 30 In D Minor: Allegro ma non tanto
Concerto No. 3, Op. 30 In D Minor: Intermezzo: Adagio
Concerto No. 3, Op. 30 In D Minor: Finale: Alla breve

Tracks:

Concerto No. 1, Op, 1 In F Sharp Minor: Vivace
Concerto No. 1, Op, 1 In F Sharp Minor: Andante
Concerto No. 1, Op, 1 In F Sharp Minor: Allegro vivace
Concerto No. 4, Op. 40 In G Minor: Allegro vivace
Concerto No. 4, Op. 40 In G Minor: Largo
Concerto No. 4, Op. 40 In G Minor: Allegro vivace
Rhapsody On A Theme Of Paganini, Op. 43: Introduction: Allegro vivace
Rhapsody On A Theme Of Paganini, Op. 43: Variation I: (Precedente)
Rhapsody On A Theme Of Paganini, Op. 43: Tema: L'istesso tempo
Rhapsody On A Theme Of Paganini, Op. 43: Variation II: L'istesso tempo
Rhapsody On A Theme Of Paganini, Op. 43: Variation III: L'istesso tempo
Rhapsody On A Theme Of Paganini, Op. 43: Variation IV: Piu vivo
Rhapsody On A Theme Of Paganini, Op. 43: Variation V: Tempo precedente
Rhapsody On A Theme Of Paganini, Op. 43: Variation VI: L'istesso tempo
Rhapsody On A Theme Of Paganini, Op. 43: Variation VII: Meno mosso, a tempo moderato
Rhapsody On A Theme Of Paganini, Op. 43: Variation VIII: Tempo I
Rhapsody On A Theme Of Paganini, Op. 43: Variation IX: L'istesso tempo
Rhapsody On A Theme Of Paganini, Op. 43: Variation X: Poco marcato
Rhapsody On A Theme Of Paganini, Op. 43: Variation XI: Moderato
Rhapsody On A Theme Of Paganini, Op. 43: Variation XII: Tempo di minuetto
Rhapsody On A Theme Of Paganini, Op. 43: Variation XIII: Allegro
Rhapsody On A Theme Of Paganini, Op. 43: Variation XIV: L'istesso tempo
Rhapsody On A Theme Of Paganini, Op. 43: Variation XV: Piu vivo scherzando
Rhapsody On A Theme Of Paganini, Op. 43: Variation XVI: Allegretto
Rhapsody On A Theme Of Paganini, Op. 43: Variation XVII: (Allegretto)
Rhapsody On A Theme Of Paganini, Op. 43: Variation XVIII: Andante cantabile
Rhapsody On A Theme Of Paganini, Op. 43: Variation XIX: A tempo vivace
Rhapsody On A Theme Of Paganini, Op. 43: Variation XX: Un poco piu vivo
Rhapsody On A Theme Of Paganini, Op. 43: Variation XXI: Un poco piu vivo
Rhapsody On A Theme Of Paganini, Op. 43: Variation XXII: Un poco piu vivo (Alla breve)
Rhapsody On A Theme Of Paganini, Op. 43: Variation XXIII: L'istesso tempo
Rhapsody On A Theme Of Paganini, Op. 43: Variation XXIV: A tempo un poco meno mosso

Tracks:

Isle Of The Dead, Op. 29
Vocalise, Op. 34, No. 14
Symphony No.3, Op. 44 In A Minor: Lento; Allegro moderato
Symphony No.3, Op. 44 In A Minor: Adagio ma non troppo
Symphony No.3, Op. 44 In A Minor: Allegro

Tracks:

Sonata, Op. 30, No. 3 In G: Allegro assai
Sonata, Op. 30, No. 3 In G: Tempo di minuetto, ma molto moderato e grazioso
Sonata, Op. 30, No. 3 In G: Allegro vivace
Sonata D. 574 In A: Allegro moderato
Sonata D. 574 In A: Scherzo: Presto; Trio
Sonata D. 574 In A: Andantino
Sonata D. 574 In A: Allegro vivace
Sonata, Op. 45 In C Minor: Allegro molto ed appassionato
Sonata, Op. 45 In C Minor: Allegretto espressivo alla Romanza
Sonata, Op. 45 In C Minor: Allegro animato

Tracks:

Partita No. 4, BWV 828: Sarabande
Harpsichord Suite No. 5: Air And Variations - 'Harmonious Blacksmith'
Sonata, K. 331: III: Turkish March
32 Variations, WoO 80 In C Minor: Thema: Allegretto
32 Variations, WoO 80 In C Minor: Variation I
32 Variations, WoO 80 In C Minor: Variation II
32 Variations, WoO 80 In C Minor: Variation III
32 Variations, WoO 80 In C Minor: Variation IV
32 Variations, WoO 80 In C Minor: Variation V
32 Variations, WoO 80 In C Minor: Variation VI
32 Variations, WoO 80 In C Minor: Variation VII
32 Variations, WoO 80 In C Minor: Variation VIII
32 Variations, WoO 80 In C Minor: Variation IX
32 Variations, WoO 80 In C Minor: Variation X
32 Variations, WoO 80 In C Minor: Variation XI
32 Variations, WoO 80 In C Minor: Variation XII
32 Variations, WoO 80 In C Minor: Variation XIII
32 Variations, WoO 80 In C Minor: Variation XIV
32 Variations, WoO 80 In C Minor: Variation XIX
32 Variations, WoO 80 In C Minor: Variation XXII
32 Variations, WoO 80 In C Minor: Variation XXIII
32 Variations, WoO 80 In C Minor: Variation XXIV
32 Variations, WoO 80 In C Minor: Variation XXV
32 Variations, WoO 80 In C Minor: Variation XXVI
32 Variations, WoO 80 In C Minor: Variation XXVII
32 Variations, WoO 80 In C Minor: Variation XXVIII
32 Variations, WoO 80 In C Minor: Variation XXXI
32 Variations, WoO 80 In C Minor: Variation XXXII
Return Home
Polish Songs: The Maiden's Wish
Die schone Mullerin: Das Wandern
Schwanengesang: Serenade
Polonaise No. 2 In E
Songs Without Words, Op. 67: Spinning Song
Impromptu, Op. 90, No. 4 In A Flat
Concert Etude No. 2: Gnomenreigen
Orfeo ed Euridice: Melodie
Etude, Op. 104b, No. 2 In F
Etude, Op. 104b, No. 3 In A Minor
Spanisches Liederspeil: The Smuggler
Minuet, Op. 14, No. 1 In G
Liebesfreud

Tracks:

Sonata No. 2, Op. 35 'Funeral March': Grave; Doppio movimento
Sonata No. 2, Op. 35 'Funeral March': Scherzo
Sonata No. 2, Op. 35 'Funeral March': Marche funebre
Sonata No. 2, Op. 35 'Funeral March': Presto
Carnaval, Op. 9: Preambule
Carnaval, Op. 9: Pierrot
Carnaval, Op. 9: Arlequin
Carnaval, Op. 9: Valse noble
Carnaval, Op. 9: Eusebius
Carnaval, Op. 9: Florestan
Carnaval, Op. 9: Coquette
Carnaval, Op. 9: Replique
Carnaval, Op. 9: Sphinxes
Carnaval, Op. 9: Papillons
Carnaval, Op. 9: A. S. C. H. - S. C. H. A. (Letteres dansantes)
Carnaval, Op. 9: Chiarina
Carnaval, Op. 9: Chopin
Carnaval, Op. 9: Estrella
Carnaval, Op. 9: Reconnaissance
Carnaval, Op. 9: Pantalon et Colombine
Carnaval, Op. 9: Valse allemande
Carnaval, Op. 9: Pganini (Intermezzo)
Carnaval, Op. 9: Aveu
Carnaval, Op. 9: Promenade
Carnaval, Op. 9: Pause
Carnaval, Op. 9: Marche des 'Davidsbundler' contre les Philistins
Nocturne, Op. 9, No. 2 In E Flat
Waltz, Op. 64, No. 2 In C Sharp
Waltz, Op. 64, No. 3
Ballade No. 3, Op. 47 In A Flat
Mazurka, Op. 68, No. 2
Waltz, Op. Posth. In E Minor

Tracks:

Partita No. 3, BWV 1006: Preludio
Partita No. 3, BWV 1006: Gavotte
Partita No. 3, BWV 1006: Gigue
A Midsummer Night's Dream: Scherzo
Liebersfreud
Die schone Mullerin: The Brooklet
Polka de V.R.
Etude-tableau, Op. 39, No. 6 In A Minor
Prelude, Op. 3, No. 2 In C Sharp Minor
Sorochintsy Fair: Hopac
Lullaby, Op. 16, No.1
Tsar Saltan: Flight of the Bumblebee
The Ruins Of Athens: Turkish March
Scherzo In A Flat
The Seasons: November: Troika
Prelude No. 8, Op. 11, No. 8 In F Sharp
One Lives But Once
Powder and Paint
Polka italienne (Piano 4 Hands)

Tracks:

Concerto No. 2, Op. 18 In C Minor: Maderato; Allegro
Concerto No. 2, Op. 18 In C Minor: Adagio sostenuto
Concerto No. 2, Op. 18 In C Minor: Allegro scherzando
Prelude, Op. 23, No. 10 In G Flat
Prelude, Op. 32, No. 3 In E Major
Prelude, Op. 32, No. 7 In F Major
Prelude, Op. 32, No. 6 In F Minor
Etude-tableau, Op. 33, No. 2 in C Major
Etude-tableau, Op. 33, No. 7 In E Flat
Daisies, Op. 38, No. 3
Oriental Sketch
Melodie, Op. 3, No. 3 in E
Serenade, Op. 3, No. 5 In B Flat
Humoresque, Op. 10, No. 5 In G
Lilacs, Op. 21, No. 5
Moment Musical, Op. 16, No. 2 In E Flat

Tracks:

Mazurka, Op. 63, No. 3 In C Sharp Minor
Nocturne, Op. 15, No. 2 In F Sharp
Waltz, Op. 18 'Grande valse brilliante' In E Flat
Waltz, Op. 34, No. 3 'Valse brilliante' In F
Waltz, Op. 64, No. 1 'Minute'
Waltz, Op. 69, No. 2 In B Minor
Waltz, Op. 70, No. 1 In G Flat
Scherzo No. 3, Op. 39 In C Sharp Minor
Waltz, Op. 64, No. 1 'Minute' In D Flat
Le coucou
L'Arlesienne Suite No. 1: Minuet
Carnival Of The Animals: The Swan
Songs Without Words, Op. 67: Spinning Song
Waltz
Lyric Pieces, Op. 12: Elfin Dance
Etude, Op. 28, No. 6 In F Minor
If I Were a Bird
La jongleuse
Dr. Gradus ad Parnassum
Children's Corner: Golliwogg's Cakewalk
The Seasons: November: Troika
Humoresque, Op. 10, No. 2 In G
Waltz, Op. 40, No. 8 In A Flat

Tracks:

Prelude, Op. 23, No. 5 In G Minor
Prelude, Op. 32, No. 12 In G Sharp Minor
Prelude, Op. 3, No. 2 In C Sharp Minor
Prelude, Op. 32, No. 5 In G
Serenade, Op. 3, No. 5 In B Flat
Lilacs, Op. 21, No. 5
Polichinelle, Op. 3, No. 4 In F Sharp Minor
Polka de V.R.
Liebesleid
Hungarian Rhapsody No. 2
Pastorale In E Minor
Theme and Variations
Waltz, Op. 42 'Two - Four' In A Flat
Waltz, Op. 64, No. 3 In A Flat
Polka de V.R.
Bacarolle, Op. 10, No. 3 In G Minor
Prelude, Op. 3, No. 2 In C Sharp Minor

Amazon.com

We remember Rachmaninov today mostly for the music he wrote. But as this set quickly reveals, he was one of the greatest pianists of the 20th century, able to play his own music and a great variety of others with tremendous personality and a technique that is still astonishing. There's no point picking highlights from this set, since they are everywhere. But if you've never heard Rachmaninov play Schumann's Carnaval, try starting there for one of the most imaginative recreations of a piece of music ever recorded. The set also includes Rachmaninov's only recordings as a conductor in two of his own major works. --Leslie Gerber

Customer Reviews:

Save some $ money! Get the newer January 2006 reissue set instead........2006-05-17

At the time of this review, whenever you search for a phrase such as "Rachmaninoff Complete", amazon's search engine always lands on this out-of-print recording (ASIN: B000003FB7) . It's also no fun to see that it costs more than a hundred bucks! But if you type "B000A2AD2S" in the search box, you'll see the new reissued set for half the price. It's the exact same 10 CDs. Just the cover art is different.

Unfortunately, this situation is a common pattern with amazon's listing of classical music: when you use your intuition and type in common-sense search phrases for Bach, Mozart, etc, you often get the ultra-expensive out-of-print ships-in-4-weeks items as the default item. It takes a lot of detective work to find the newer reissue recordings. For example, to find the new reissue without knowing the ASIN, I had to enter just "Rachmaninoff" in the search text (deliberately left the word "Complete" out of the search) so it would no longer lock me into this item page that you're looking at and give me a full listing instead. I then sorted the listing by "Original Release Date" and found it on the 2nd page. There's no picture on the new item which doesn't give you any confidence that you found the right one. Don't worry, B000A2AD2S is what you want.

For product research, it's good to have both ASIN product listings because the older out-of-print B000003FB7 has the sound samples (and also all the helpful customer reviews) while the new B000A2AD2S has the better price and availability.

To make things even more confusing, the amazon staff sometimes copies entire customer reviews to the new item which would then make THIS review seem strangely out of place. If that happens and I notice it, I will delete this review for B000003FB7.

(In another strange twist, amazon searches in rock/pop usually points you to the newer cheaper remastered/repackaged/reissued/whatever of a particular recording. I don't know why it works the opposite way in classical music?!?!)

6, or Even 7 Stars!.......2005-06-04

Hofmann hit the nail on the head when he said Rachmaninov had "arms of steel and heart of gold". From this album, we can have a clear picture of Rachmaninov's vison of music, of his musical mind and thoughts and moreover his own playing.

While Kempff's playing would often remind of the protestant church music, Rachmaninov bring to our mind the chanting of the Orthodox church, which is much thicker and darker. On top of that, his playing is orchestral which is so powerful and full colours. Yet, it is nothing like Richter, where often the whole piece is just one phrase.

Here each piece has it's own life and identity each with a focal point. It is water tight compact and yet very much natural and alive, never as hair-raising as Horowitz. But, it is not natural in Arrau's way. It is somewhere in between, closer to Argerich but with more consistency and depth. And like Casals' playing, it keeps our attention from the first note up to its focal point until its very end. But unlike Casals, he touches our hearts. It is very emotional but never to the point of being sentimental-- the performance of his own concertos, for example, can tell you that.

Sure, he did have fingers of steel that helped him to bring out whatever colour or atmostphere as appropriate. And despite that fact that there are some minor alterations on the scores like his Chopin, he is one of the few pianists who could really show you every note on the score counts and, above all, how it counts...

His Chopin may not be as neurotic as Cortot. Nonetheless, he sheds light on the dark and nervous side of Chopin so well: a very throbbing interpretation that is so unique. We also have him accompanying Kreisler on some violin sonatas, something that one could turn to time and again, year after year. What a great chamber musician and accompanist he was...!

The recorded sound of the CDs do vary, and some are more acceptable than the others. But for genuine music lovers, they should be able to get over this very soon: how else would they benefit from one of the greatest legacies of a genuinely great musician!

A must have for Piano and classical music lovers.......2005-04-04

To respond to a review about the sound quality-for those people who have no experience with historical performances i.e cortot-hofmann-etc these discs are for the most part much better recorded. There are the inevitable pops and hisses but if these things disturb you, or you cant get past them, then you shouldnt be listening to this kind of thing anyway. the importance here is in the playing, and the playing is extra ordinary. I you want to buy a disc for the reperatoire then i can think of hundreds of performances that will satisfy, but only people with a true interest to hear and study these pieces will be beyond satisfied. I know that may not sound like a lot of fun, but these discs are fun, great, and for me, almost too good to be true. Again, if sound disturbs you, then you may be listening to the music for the wrong reasons. Take from it the playing, the revelations that Rach provides to his pieces, and how fortunate we are that it sounds as good as it does.

Ah, Rachmaninoff, brilliant star of music, how we adore you.......2003-09-14

The music of Rachmaninoff is beyond words, furthermore, beyond imagination. He was a genius, no doubt, and nobody will ever understand how incredibly lucky we are to be blessed with his compositions. Furthermore, it is truly astonishing to hear Rachmaninoff play his own work. There is nothing so beautiful on this earth and there never will be.

Review from a spoiled modern listener.......2003-07-13

I'll admit that I'm a spoiled modern listener, accustomed to having the bang and hiss edited out of a recording, and it took me a while to warm to these. Rachmaninoff's performances are splendid, but if you can hardly hear them over the cacophony of background noise, what's the use? His performance of his own, often overlooked Concerto No. 4 finally made me sit up and listen, even though I've owned two versions of this piece for a number of years (Ashkenazy & Wild).

Average customer rating:

ah-HA ... Quite a pleasure, really.
A Pleasant Surprise
That's It --- I'm Voting for Beeblebrox!
So long, that's all
Zarquad! What A Hoopy Soundtrack!

The Hitchhiker's Guide to the Galaxy

Manufacturer: Hollywood Records
ProductGroup: Music
Binding: Audio CD

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

General | Vocal Pop | Pop | Styles | Music
Similar Items:

The Hitchhiker's Guide to the Galaxy (Widescreen Edition)
The Hitchhiker's Guide to the Galaxy
Charlie & The Chocolate Factory
Batman Begins
Harry Potter & the Goblet of Fire

ASIN: B0007Z9RDY
Release Date: 2005-04-26

Tracks:

The Dolphins
So Long & Thanks For All The Fish
Arthur Wakes Up
Shoo-Rah! Shoo-Rah! - Betty Wright
Here I Am (Come And Take Me) - Al Green
Destruction Of Earth
Journey Of The Sorcerer
The Hitchhikers's Guide To The Galaxy: Original Soundtrack
Inside The Vogon Ship
Vogon Poetry
Space
Vogon Command Centre
Trillian & Arthur Reunited
Pan Galactic Gargle Blaster
Ten In Space
Deep Thought
Infinite Improbability Drive
Viltvodle Street Music
Huma's Hymn
Capture Of Trillian
Vogcity
Love
The Whale
Planet Factory Floor
Earth Mark II
Magic Moments - Perry Como
Shootout
Finale
Blast Off
So Long & Thanks For All The Fish (Reprise)
Careless Talk
Vote Beeblebrox
Reasons To Be Miserable (His Name Is Marvin)

Album Description

The popular "Hitchhiker" books by the late Douglas Adams inspired the engagingly quirky score by Joby Talbot. In addition to the score, the CD features: "Shoo-Rah Shoo-Rah" by Betty Wright; "Here I Am (Come and Take Me)" by Al Green; "Magic Moments " from Perry Como; "So Long and Thanks for All the Fish" by Neil Hannon; "Careless Talk" and "Vote Beeblebrox" by Neil Hannon, Douglas Payne and Andy Dunlop; and "Reasons to be Miserable (His Name is Marvin)" by Stephen Fry.

Joby Talbot began writing and performing in the early '90s, working with artists such as Tom Jones, Paul McCartney, and producer Nigel Godrich. In 2000, his score to the primetime British comedy "The League of Gentlemen" won the Royal Television Society Award for Best Title Music. The British Film Institute commissioned Talbot to compose a new score for Alfred Hitchcock's silent classic "The Lodger." As a classical composer, he has worked with all the major U.K. orchestras and has been commissioned by the prestigious BBC Proms Festival.

Customer Reviews:

ah-HA ... Quite a pleasure, really. .......2006-03-05

.
If you enjoyed the movie [and we will assume that you did since you're here] you will love this soundtrack! It's got Everything!

Much of the work is orchestral. Some of it is techno. There are a couple of pop tune, and Perry Como [it works, trust me].

The Opening Theme "So Long and Thanks for All the Fish" is a gloriously funny show tune. It was funny on screen, but here you can pick out the lyrics. It's even more fun when you can sing along.

It's got the theme from the original radio play "Journey of the Sorcerer", banjo and all. [so did the movie].
Pan Galactic Gargle Blaster is mellow enough to blow your mind.
"Huma's Hymn" about the Coming of the Great White Handkerchief is nothing more then Holy.
The "Planet Factory Floor" is ...Well, it's just plain Huge!

And Stephen Fry rapping. Stephen Fry, Man!! Reginald Jeeves of "Jeeves and Wooster" fame! If you are familiar with Stephen Fry, then the absurdity of him rapping makes this even more fun to listen to. He does the last track called "Reasons to Be Miserable (His Name is Marvin)", and he pulls it off so well!

It's enough to make you want this album!

A Pleasant Surprise.......2005-11-12

The Hitchhiker's Guide movie,for all its stupendous obserdity, had a surprisingly good score that one doesn't usually find in a comedy.

The silly tracks are in there too, and they're just as entertaining as the more traditional stuff. I love the music that is emitted from the Guide; its digital tones sound like a cell phone (except way less annoying and way cooler). Pan Galactic Gargle Blaster is really awesome; it's like chilled Guide techno.

The slower tracks are equally nice. Tea in Space, Love, The Whale, and Space are all so simple and very pretty.

Then there are a few scores that are really big and just plain awesome. So Long and Thanks for All the Fish (and the intro about dophins) is so hysterical...I love how it's all put together. The Journey of the Sorcerer is fantastic. The only thing that's different about this version from the film is the addition of drums, but it's not a bad change at all. Planet Factory Floor is filled with such wonder and hugeness that's perfect for Magrathea. It's followed by the equally awesome Earth Mark II.

The only thing I didn't like about this CD was the addition of
Reasons to Be Miserable (His Name is Marvin). It was just....annoying and incredibly bad. But it's at the end of the CD, so I just don't listen to it. Not a big problem.

If you've seen the movie and enjoyed the music, this CD is definitely worth it. Who knew a comedy could have such epic music in it?

That's It --- I'm Voting for Beeblebrox!.......2005-11-03

By now, you've probably seen the "Hitchhiker's Guide to the Galaxy" movie in a theater, or at least on DVD (if not both.) Now check out the movie's amazing soundtrack.

The two major standouts of this album in my opinion are "Journey of the Sorcerer" and "Vote Beeblebrox." Anyone who's more than a casual fan of "Hitchhiker's" will immediately recognize "Journey of the Sorcerer" as the classic "Hitchhiker's" theme by the Eagles played on both the radio and television versions and now the movie as well. This version is enhanced and sounds great. It was a treat hearing it at the theater and it's awesome on this CD as well. "Vote Beeblebrox" --- I about died laughing when I heard this one. This is a sort of campaign song for Zaphod Beeblebrox that unfortunately never made it into the movie. "Don't believe the rumors / don't believe the vicious lies" it says, talking about how Zaphod isn't stupid. It continues in this vain with a hilarious spoken part from Zaphod saying that he "y'know, just wants to say all the things that presidents say, y'know." Has to be heard to be believed.

Following close behind these are definitely both versions of the wondrous "So Long and Thanks for All the Fish." Personally, I prefer the second version, a sort of upbeat lounge number, but both are great. "So long and thanks for all the fish / So sad that it should come to this / We tried to warn you all, but oh dear."

This album also includes a couple of what I guess could called Golden Oldies --- "Shoo-Rah! Shoo-Rah!" and "Here I Am (Come and Take Me)." Of these two, I thought "Shoo-Rah! Shoo-Rah!" was definitely better and more fun.

The bulk of the CD is the instrumental tracks from the film. Composed by Joby Talbot, these tend to suit the scenes they come from well. Enjoy some memories from the movie, or just enjoy listening to the music.

Finally, one last thing to mention --- "Reasons to be Miserable (His Name is Marvin)." Performed by Stephen Fry, this is a redo of a song by "Marvin himself." Wanna know what it's like to be Marvin? "In everything he has to do, he finds the world condemning / If he had his time again, he'd rather be a lemming." Yep, that Marvin's sure depressed (and depressing), but the song is fairly fun to listen to.

So long, that's all.......2005-10-01

When I saw the film and heard that catching tune "So Long & Thanks For All the Fish" I immediately decided to have this soundtrack, no doubt. So I rushed to buy the recording and, well brother you've bet, I fell in love with the whole disk. Get this, now, today! You won't be disappointed! You're gonna love the title song!

Zarquad! What A Hoopy Soundtrack!.......2005-06-02

Joby Talbot's score for the film version of the Hitchhiker's Guide To The Galaxy is phenomenal. I mean, wow! Really incredibly phenomenal! I mean, you may think Danny Elfman's score to Spider-Man 2 was phenomenal, but that's just peanuts to this score! Okay, I may be exaggerrating a bit, but that should not distract from the fact that this is a great score for a wonderful film. Not only does the music work well with the film, but I would suggest it as a companion to other versions of the Hitchhiker's Guide To The Galaxy you may come across. Try listening to it while reading one of the books, for instance. Or playing the text adventure from Infocom.

Some notable points:
The introduction about Dolphins, read by Stephen Fry, who of course played the voice of the Book in the film. And of course, the brassy, Broadway-style show-stopping musical number "So Long, And Thanks For All The Fish" which serves as a wonderfully ridiculous setpiece for the opening credits. The melody appears several times throughout the score, usually whenever Arthur or Trillian are thinking of Earth. It is also reprised as a slow, jazzy, lounge singery song during the first part of the closing credits.

The cue from when the Vogons destroy the earth, which is appropriately tense and dramatic, and climaxes with a panicked-sounding string section playing imposibly high, abrubt notes, and ends abruptly as the earth is destroyed.

To fans of the original radio and TV series, I say to you Don't Panic, because Bernie Leadon's "Journey of the Sorcerer" (Which, for those of you that don't know, served as the theme to both the TV and radio series) is on the soundtrack with a faithful and reverent arrangement, complete with banjo. It is one of my favorite tracks on the album, and I listen to it along with the following track, which shares its name with the film's title, and the title of one of the most wholly remarkable books in the universe: The Hitchhiker's Guide To The Galaxy.

Another great track is the music for the whale that is suddenly called into existance over the planet of Magrathea. It is filled with unwarranted optimism, and pathos, and gives the scene the necessary emotional edge, which I think is something Douglas Adams himself would have enjoyed immensely, since he created the whale in response to cop shows where innocent bystanders are meaninglessly killed as a result of conflicts or car chases that they had nothing to do with, and the audience doesn't care about them since they were only on the screen for two seconds. So Douglas wanted to create a character who would only exist as a character for a very short time, but make him extremely sympathetic so the audience would feel actual emotion when he is killed. And it works, and has worked in every version of the Hitchhiker's Guide I've been exposed to.

Another great track is "Huma's Hymn", which sounds so authentically like a church song that you could swear you'd be able to find it in your church's song book. (But you won't, so don't go looking for it.) As I understand it, most of the chorus singing the song consists not of professional singers, but of fans and other random people who happened to be walking by the church where the song was recorded, to give it that extra level of authenticity that other filmmakers probably wouldn't care about.

Overall, this is a very evocative and wonderfully fantastic score. Mr. Talbot displays much originality, but at points seems to channel other great composers of SciFi movie music. I hear traces of John Williams' scores for the Star Wars films and Superman the Movie, Jerry Goldsmith's Star Trek: The Motion Picture, James Horner's Star Treks II and III, and even Nobuo Uematsu's Final Fantasy soundtracks. Just listen to track 8 and you'll see what I mean.

Just so you know, there are three tracks that are not part of the score of the film. I suppose you could call them "Pop" tracks, but they're not tracks that have been popular in the past 10 years, at least. Only one of them: Perry Como's "Magic Moments" was in the film, at least that I could tell. It was used as source music twice, once in the pub near the beginning, and once near the end. That's all I can say about that without spoiling the movie for anyone who hasn't seen it. (And if you don't recognise the name of the song, it's been used in several movies, so you've probably heard it before.) The other two songs are Betty Wright's "Shoo-Rah! Shoo-Rah!" and Al Green's "Here I Am (Come And Take Me)". While the inclusion of these songs on an otherwise orchestral soundtrack may seem odd, they definitely fit the film. Even if "Shoo-Rah! Shoo-Rah!" and "Here I Am (Come And Take Me)" don't appear in the film, you can imagine that they'd be the next songs to be cued on the jukebox in the pub near the beginning of the film, and so they help establish the mood for the scene. Some fans may be surprised or disappointed in the non-inclusion of Louis Armstrong's "What A Wonderful World", but if you see the film, you will see that the scene during which that song played in the radio and TV series is not in the film. But no biggie, if they make a sequel (and there's no reason they shouldn't) perhaps that scene will make it in.

Overall, I'd say that this is a soundtrack that no fan of the Hitchhiker's franchise should be without. So buy it now, before the earth is demolished to make a hyperspace bypass!

Average customer rating:

Idil amazing
Essential Rachmaninoff at a good price.

Rachmaninov: Piano Music (Box Set)

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

Polkas | Ballets & Dances | Classical | Styles | Music

Canons | Forms & Genres | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

Improvisation | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

Classical | Box Sets | Stores | Music

Chopin: Complete Piano Music
Works for Solo Piano
Sergei Prokofiev - 50th Anniversary Edition
Brahms: Works for Solo Piano
Liszt: Piano Works

ASIN: B00004W54X
Release Date: 2000-08-15

Tracks:

Vivace
Andante
Allegro Vivace - Andante Ma Non Troppo - Tempo Primo
Allegro Vivace
Largo
Allegro Vivace
Introduction
Variation 1
Theme
Variation 2
Variation 3
Variation 4
Variation 5
Variation 6
Variation 7
Variation 8
Variation 9
Variation 10
Variation 11
Variation 12
Variation 13
Variation 14
Variation 15
Variation 16
Variation 17
Variation 18
Variation 19
Variation 20
Variation 21
Variation 22
Variation 23
Variation 24

Tracks:

Moderato
Adagio Sostenuto
Allegro Scherzando
Allegro Ma Non Tanto
Intermezzo: Adagio
Finale: Alla Breve

Tracks:

No. 1 In F Minor: Allegro Non Troppo
No. 2 In C Major: Allegro
No. 3 In C Minor: Grave
No. 4 In D Minor: Moderato
No. 5 In E Flat Minor: Non Allegro
No. 6 In E Flat Major: Allegro Con Fuoco
No. 7 In G Minor: Moderato
No. 8 In C Sharp Minor: Grave
No. 1 In C Minor: Allegro Agitato
No. 2 In A Minor: Lento Assai
No. 3 In F Sharp Minor: Allegro Molto
No. 4 In B Minor: Allegro Assai
No. 5 In E Flat Minor: Appassionata
No. 6 In A Minor: Allegro
No. 7 In C Minor: Lento
No. 8 In D Minor: Allegro Moderato
No. 9 In D Major: Allegro Moderato

Tracks:

No. 1 In F Sharp Minor
No. 2 In F Major
No. 3 In C Minor - E Flat Minor
I. Romance In F Sharp Minor
II. Prelude In E Flat Minor
III. Melodie In E Major
IV. Gavotte In D Major
I. Nocturne In A Minor
II. Valse In A Major
III. Barcarolle In G Minor
IV. Melodie In E Minor
V. Humoresque In G Major
VI. Romance In F Minor
VII. Mazurka In D Flat Major

Tracks:

No. 1 In F Sharp Minor: Largo
No. 2 In B Major: Maestoso
No. 3 In D Minor: Tempo Di Minuetto
No. 4 In D Major: Andante Cantabile
No. 5 In G Minor: Alla Marcia
No. 6 In E Flat Major: Andante
No. 7 In C Minor: Allegro
No. 8 In A Flat Major: Allegro Vivace
No. 9 In E Flat Minor: Presto
No. 10 In G Flat Major: Largo
No. 1: Elegie In E Flat Minor
No. 2: Prelude In C Sharp Minor
No. 3: Melodie In E Major
No. 4: Polichinelle In F Sharp Minor
No. 5: Serenade In B Flat Minor

Tracks:

No. 1 In C Major: Allegro Vivace
No. 2 In B Flat Minor: Allegretto
No. 3 In E Major: Allegro Vivace
No. 4 In E Minor: Allegro Con Brio
No. 5 In G Major: Moderato
No. 6 In F Minor: Allegro Appassionato
No. 7 In F Major: Moderato
No. 8 In A Minor: Vivo
No. 9 In A Major: Allegro Moderato
No. 10 In B Minor: Lento
No. 11 In B Major: Allegretto
No. 12 In G Sharp Minor: Allegro
No. 13 In D Flat Major: Grave - Allegro
Liebesleid
Liebesfreud

Tracks:

Allegro Moderato
Lento
Allegro Molto
Allegro Agitato
Non Allegro - Lento - L'istesso Tempo
Allegro Molto

Tracks:

Allegro Agitato
Non Allegro
Allegro Molto
Theme: Andante
Var. I: Poco Piu Mosso
Var. II: L'istesso Tempo
Var. III: Tempo Di Menuetto
Var. IV: Andante
Var. V: Allegro (Ma Non Tanto)
Var. VI: L'istesso Tempo
Var. VII: Vivace
Var. VIII: Adagio Misterioso
Var. IX: Un Poco Piu Mosso
Var. X: Allegro Scherzando
Var. XI: Allegro Vivace
Var. XII: L'istesso Tempo
Var. XIII: Agitato
Intermezzo
Var. XIV: Andante (Come Prima)
Var. XV: L'istesso Tempo
Var. XVI: Allegro Vivace
Var. XVII: Meno Mosso
Var. XVIII: Allegro Con Brio
Var. XIX: Piu Mosso, Agitato
Var. XX: Piu Mosso
Coda: Andante
No. 1: Andantino
No. 2: Allegretto
No. 3: Andante Cantabile
No. 4: Presto
No. 5: Adagio Sostenuto
No. 6: Maestoso

Tracks:

Prelude
Gavotte
Gigue
Wohin
Scherzo
Hungarian Rhapsody No. 2
Gopak
L'Arlesienne - Minuetto
Flight Of The Bumble-Bee
Lullaby
Daisies
Lilacs
Dance Of The Young Gypsy Maidens
Liebesleid
Liebesfreud
Polka W.R.
The Star Spangled Banner

Tracks:

Theme: Largo
Var. I: Moderato
Var. II: Allegro
Var. III (Allegro)
Var. IV: (Allegro)
Var. V: Meno Mosso
Var. VI: Meno Mosso
Var. VII: Allegro
Var. VIII (Allegro)
Var. IX (Allegro)
Var. X: Piu Vivo
Var. XI: Lento
Var. XII: Moderato
Var. XIII: Largo
Var. XIV: Moderato
Var. XV: Allegro Scherzando
Var. XVI: Lento
Var. XVII: Grave
Var. XVIII: Piu Mosso
Var. XIX: Allegro Vivace
Var. XX: Presto
Var. XXI: Andante - Piu Vivo
Var. XXII: Maestoso - Presto
Moment musical, Op. 16, No. 2
Lento In D Minor
Canon In E Minor
Fughetta In F Major
Morceau de fantaisie In G Minor
Piece In D Minor
Fragments
Oriental Sketch
Prelude In F Major
Andante ma non troppo In D Minor

Customer Reviews:

Idil amazing.......2006-07-19

No other performer compares to idil. HANDS down. HEr unique and individual style sets her apart from every other performer past and present.

Her recording of Rachmaninov's prelude in C sharp minor can only be topped by rachmaninov himself.

Every time i hear i new song from her, i feel i grow as a pianist.

Essential Rachmaninoff at a good price........2002-07-10

Buy this box set. Biret is great. She plays Rachmaninoff straight up and doesn't taint the compositions with any wild "interpretations." And the recording quality is five star, too. I bought this in order to snag some lesser known Rachmaninoff that I loved (Cinq Morceaux, Moments Musicaux, etc.) and I really got what I paid for. Take a look at the huge tracklist - this is the Rachmaninoff you've been missing out on.

Day Dreams: Music for Romantic Moments, Vol. 2

Average customer rating:

Day Dreams: Music for Romantic Moments, Vol. 2

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

Quintets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Deutsche Grammophon: Music | Specialty Stores | Music
ASIN: B00004Z343
Release Date: 2004-05-27

Tracks:

Ser in E, Op.22: Moderato - English CO/Rafael Kubelik
Str Qnt in E, Op.11 No.5: Menuett - Orpheus CO
Vc Con in e, Op.85: Adagio - Mischa Maisky
Eine Kleine Nachtmusik, K525: Romanze - Orpheus CO
L'Arlesienne, Ste No.1: Minuetto - LSO/Claudio Abbado
A Midsummer Night's Dream, Op.61: Notturno - Orpheus CO
Con in F, BWV 1053: Siciliano - Douglas Boyd
Fant On Greensleeves - Orpheus CO
Cl Con in A, K622: Adagio - Charles Neidich
Str Son No.3 in A: Moderato - Camerata Bern/Thomas Furi
Thais: Meditation - Christer Thorvaldsson
Jocelyn: Berceuse - Patrick Gallois/Fabrice Pierre
Cavalleria Rusticana: Intermezzo - Philharmonia Orch/Giuseppe Sinopoli
Fant Para Un Gentilhombre: Espanoleta: Adagio - Narciso Yepes
Peer Gynt, Ste No.1: Morning Mood - Gothenburg SO/Neeme Jarvi

A Celebration of Defining Moments in Recording History

Average customer rating:

Interesting, and so cheap!
Not that great

A Celebration of Defining Moments in Recording History

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music
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Great Artists of the Century: 25 Launch Releases
American Classics Sampler
Lakme
Dutilleux: Cello Concerto, Lutoslawski: Cello Concerto
Great Recordings Of The Century - Rimsky-Korsakov: Scheherazade; Borodin: Polovtsian Dances / Beecham, Royal Philharmonic Orchestra

ASIN: B0002VEQIY
Release Date: 2004-09-07

Tracks:

Sinfonietta - Simon Rattle
El Combat Del Somni - Victoria De Los Angeles
Piano Concerto - Sviatoslav Richter
Don Giovanni - Carlo Maria Giulini
Eroica - Otto Klemperer
Gymnopedies - Aldo Ciccolini
Don Carlo - Placido Domingo
24 Caprices - Itzhak Perlman
Liederkreis Op.39 - Dietrich Fischer-Dieskau
Cello Concerto - Sir John Barbirolli
Alborada Del Gracioso - Dinu Lipatti
'Peter Grimes' - Andre Previn
Das Lied Von Der Erde - Otto Klemperer
Violin Concerto No.1 - David Oistrakh
Boris Godunov - Boris Christoff
Piano Concerto No.22 - Annie Fischer
La Boheme - Jussi Bjorling
Symphony No.2 'Resurection' - Otto Klemperer

Tracks:

Bachianas Brasileiras - Heitor Villa-Lobos
Die Zauberflote - Herbert Von Karajan
Preludes II - Walter Gieseking
Symphonie Fantastique - Sir Thomas Beecham
Il Trovatore - Maria Callas
String Quartet - Alban Berg Quartett
Wesendonck-Lieder - Elisabeth Schwarzkopf
Horn Concerto No.3 - Dennis Brain
Fidelio - Otto Klemperer
Piano Concerto In G - Arturo Benedetti Michelangeli
Kindertotenlieder - Bruno Walter
Dialogues Des Carmelites - Pierre Dervaux
Violin Concerto - Yehudi Menuhin
Salome - Herbert Von Karajan
Tout Un Monde Lointain... - Mstislav Rostropovich
Il Barbiere Di Siviglia - Vittorio Gui
Fantasia On 'Greensleeves' - Sir John Barbirolli
Die Lustige Witwe - Nicolai Gedda
Symphony No.9 'Choral' - Wilhelm Furtwangler

Customer Reviews:

Interesting, and so cheap!.......2005-03-17

In response to the reviewer below, yes, some of the recordings do not have the best sound quality. But that's not what this is about, it's about great recordings of the century.
There are two discs, each with about 18 tracks, averaging about 4 minutes each, of excerpts and individual movements of the some of the most famous of the 150 "GROCs."

In the booklet it has a few interesting (sometimes not that interesting) facts about each of the 150 performances.

If you don't mind excerpts of pieces or isolated movements, this would be a worthwhile purchase, especially for the bizarrely reasonable price.

Not that great.......2004-11-19

If this is supposed to be an album of "the greatest" -- I wasn't too impressed. The quality didn't seem that good and the selections, well, not all that popular to my mind.

A Pyromaniac's Love Story: Original Motion Picture Soundtrack - Also Featuring Music From Ethan Frome And Great Moments In Aviation

Average customer rating:

Sounds just like another Rachel Portman score
Uplifting...Sad...Haunting..."A Benediction to the Soul"

A Pyromaniac's Love Story: Original Motion Picture Soundtrack - Also Featuring Music From Ethan Frome And Great Moments In Aviation
Rachel Portman
Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

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1990s | By Decade | Soundtracks | Styles | Music
Similar Items:

Emma: Music From The Miramax Motion Picture
The Lake House

ASIN: B000003TF4
Release Date: 1995-05-09

Tracks:

A Pyromaniac's Love Story: Tango
A Pyromaniac's Love Story: The Favor
A Pyromaniac's Love Story: Garet Kisses Hattie
A Pyromaniac's Love Story: Mr. Linzer's Troubles
A Pyromaniac's Love Story: Aspiration
A Pyromaniac's Love Story: Garet
A Pyromaniac's Love Story: Off To See The World
A Pyromaniac's Love Story: End Titles
Great Moments In Aviation: End Titles
Great Moments In Aviation: Gabriel Explores Ship
Great Moments In Aviation: Safe Walls Are Falling
Great Moments In Aviation: Montage
Great Moments In Aviation: The Hope Is In Me
Great Moments In Aviation: Icarus
Great Moments In Aviation: We Both Killed Her
Great Moments In Aviation: Vesuvia's Feast
Great Moments In Aviation: Nothing To Hide
Smoke: Brooklyn
Smoke: Peter Rabbit
Smoke: Broken T.V.
Smoke: End Titles
Ethan Frome: Fox Here Again
Ethan Frome: The Sermon
Ethan Frome: Coasting
Ethan Frome: Mattie Arrives
Ethan Frome: Walking Home
Ethan Frome: Ethan Clears His Room
Ethan Frome: End Titles

Customer Reviews:

Sounds just like another Rachel Portman score.......2005-07-14

I watched this movie, and listening to the first few notes I thought the composer had copied Rachel Portman's score from Only You, which I love. The more I listened, and the more similar the music sounded to the theme from Only You, I realized that it must be Rachel Portman. And it was. This isn't bad. It's unoriginal, but just like the music from Only You, it's light and whimsical and very pretty, although this type of music does seem more fitting to travels through Italy (in Only You) than the middle of New York City--I don't feel quite the same whimsy walking around Manhattan as I do in Tuscany. Oh well, it's still good.

Uplifting...Sad...Haunting..."A Benediction to the Soul".......1999-02-18

The CD "A Pyromaniac's Love Story" welcomes you, the listener, to some of the most alluring and timeless film music written today. For an introduction into the multiple textures and moods of composer Rachel Portman this CD has it all! Her music is like a "benediction" and pulls out the deepest qualities in her listeners yet lightens the soul. The tracks from "Great Moments in Aviation" will bring "your heart into your mouth"and "tears to your eyes". The clips from the "Ethan Frome" tracks are beautifully cold, shivering and unsullied. Give Rachel's music a listen and you will be searching eagerly for "more".

Average customer rating:

The Best of Russian Music

Manufacturer: Le Chant Du Monde
ProductGroup: Music
Binding: Audio CD

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