Tengo un Corazon

1. Tengo un Corazon

2. Mis Mejores Años

3. Mi Segunda Madre

4. Me Agarro Contigo

5. Soy Ladron

6. Falsa Ilusion

7. Te Lo Juro

8. Siento Ñañaras

9. Me Moriria

10. Matea

Tengo un Corazon,Relampagos del Norte,Orfeon Records,Latin,Mexican,Norteño

Average customer rating:

The most noble voice
PURCHASE THIS JEWEL WHILE YOU CAN
luminous artistry from a genius
A special Dignity and an Unfailing Beauty of Voice.

Songs Of Spain / De Los Angeles, et al

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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The Fabulous Victoria De Los Angeles
Isabel Bayrakdarian ~ Azulão
The Maiden and the Nightingale: Songs of Spain
The Very Best of Victoria de los Angeles
On the Wings Of Song and Zarzuela Arias - Victoria de los Angeles

ASIN: B00000I4KQ
Release Date: 1999-02-23

Tracks:

El rossinyol
El testament d'Amelia
Adios meu homino
Mina nay por me casare
Tengo que subir
Ahi tienes mi corazon
La vi llorando
Ya se van los pastores
Campanas de Belen
Jaeneras que yo canto
A dormir ahora mesmo
Granadinas
Hincarse de rodillas
Cancion de trilla
Parado de Valldemosa
Nik baditut
Andregaya
Din, dan, boleran
Mariam matrem
Ay, triste vida corporal!
Que es mi vida, preguntais?
Porque es, dama, tanto quereros?
No me llames segalaherba
Ay, luna que reluces
En esta larga ausencia
Molinillo que mueles amores
Confiado jilguerillo
Seguidillas religiosas
Cancion de cuna
El jilguerillo con pico de oro
El canape

Tracks:

Ah, el novio no quiere dinero
Coma la rosa en la guerta
Estavase la mora
Aquel rey de Francia
Damos gracias a ti, Dios
Sobre Baca estaba el rey
Ay que non hay!
Rosa das rosas
Maravillosos e piadosos
Tres moricas m'enamoran
Paseabase el rey moro
Dime a do tienes las mientes
Si no's huviera mirado
Dexo la venda
Puse mis amores
Aqui me declaro su pensamiento
Pues que me tienes
Gentil dama, non se gana
Mi querer tanto vos quiere
Una hija tiene el rey
Una matica de ruda
Si la noche se hace oscura
Pastorcico, non te aduermas
Ay triste que vengo
No soy you quien la descrube
Pase el agua, Julieta
Aquel caballero, madre
Duelete de mi, Senora
De Antequera salio el Moro
De los alamos vengo, madre
Enfermo estaba Antioco
Dame acogida en tu hato
Morenica, dame un beso
Senora, si te olvidare
De donde venis, amore?

Tracks:

La rosa enflorece
Ven querida
Adio, querida
Durme, durme, hermozo hijico
Paxaro d'hermosura
Avrix, mi galanica
Irme quiero, la mi madre
Ya viene el cativo
Yo m'enamori d'un aire
Una matica de ruda
Anda, jaleo
Los cuatro muleros
Las tres hojas
Los mozos de Monleon
Las morillas de Jaen
Sevillanas del siglo 18
El cafe de Chinitas
Nana de Sevilla
Los pelegrinitos
Zorongo
Romance de Don Boiso
Los reyes de la baraja
La tarara
El combat del somni: Damunt de tu, nomes les flors
A l'ombra del Lledoner: Canco de grumet
Canciones negras: Cancion de cuna para dormir a un negrito
Cuatro madrigales amatorios: De los alamos vengo, madre
Coleccion de tonadillas: Callejeo
Coleccion de tonadillas: El tra la la y el punteado
Seis canciones castellanas: No quiero tus avellanas
Seis canciones castellanas: Jota
Panxolina
Tu pupila es azul
Cantos populares espanolas: Malaguena
Cantos populares espanolas: Granadina
Cantos populares espanolas: El Vito
Cantos populares espanolas: Pano murciano
Clavelitos
Adios, Granada
Madrigal

Tracks:

Coleccion de tonadillas: Amor y odio
Coleccion de tonadillas: Callejeo
Coleccion de tonadillas: El majo discreto
Coleccion de tonadillas: El majo olvidado
Coleccion de tonadillas: El majo timido
Coleccion de tonadillas: El mirar de la maja
Coleccion de tonadillas: El tra la la y el punteado
Coleccion de tonadillas: La maja de Goya
Coleccion de tonadillas: Las currutacas modestas
Tres majas dolorosas: Oh muerte cruel!
Tres majas dolorosas: Ay majo de mi vida
Tres majas dolorosas: De aquel majo amante
Goyescas: La maja y el ruisenor (Rosario)
'La vida breve': Vivan los que rien! (Salud - Act 1)
'La vida breve': Alli esta! Riyendo! (Salud - Act 2)
'Acis y Galatea': Confiado jilguerillo
El tripili
Llorad, corazon
Iban al pinar
No lloreis, ojuelos
Mananica era
Mira que soy nina
Gracia mia
El pano moruno
Seguidilla murciana
Asturiana
Jota
Nana
Cancion
Polo
'La Tempranica': Zapateado (La tarantula e un bicho mu malo)

Customer Reviews:

The most noble voice.......2004-05-28

Victoria de los Angeles' voice not only has a silken quality and fascinating glow to it but it is one of the most regal, noble sounds you'll ever hear. She illuminated those moments of quietness, gentleness and noble, feminine pride and elegance like no other soprano before and after her. This release of her "Spanish Songs" has never been surpassed. The songs of her homeland seem to have been written for her beautiful instrument alone, she fills every piece with special beauty and charm, religious flair and beautiful, noble simplicity. Buy this recording and see why Victoria is one of the best sopranos ever having come from Spain.

PURCHASE THIS JEWEL WHILE YOU CAN.......2002-01-08

FOR A LONG TIME "SONGS OF SPAIN" HAS BEEN MY FAVORITE ALBUM OF CLASSICAL, POPULAR, SECULAR AND RELIGIOUS (CHRISTIAN AND SEPHARDIC) SPANISH SONGS. DE LOS ANGELES DEFIES A RIVAL IN THIS GENRE. DE LARROCHA, SORIANO AND ZANETTI PROVIDE UNEQUALED ACCOMPANIEMENTS. THE RECORDINGS ARE SECOND ONLY TO LIFE PERFORMANCES. I UNDERSTAND THAT EMI INTENDS TO TAKE THIS SET OUT OF PUBLICATION. PURCHASE THIS JEWEL WHILE YOU CAN! I JUST PURCHASED MY THIRD SET FROM AMAZON AND I TREASURE IT AS MUCH AS MY FIRST!

luminous artistry from a genius.......2000-12-26

the vocal artist of vocal artistsdisplays her absolutely gorgeous voice and musical understanding of spanish feeling with a warmth that is unmatched anywhere.the only thing better was to hear her in person!

A special Dignity and an Unfailing Beauty of Voice........2000-09-17

This set offers four generously-filled CDs comprising almost 140 Spanish songs from Victoria de los Angeles' repertoire. To all of them she brings a special dignity and an unfailing beauty of voice. The earliest recordings date from 1950 and the last is the items she sang at the opening of the Barcelona Olympics in 1992. Yes, you will find the ubiquitous "Clavelitos!" here, and a later version of "La maya el ruisenor" from "Goyescas". The enclosed booklet provides illuminating notes by Lionel Salter, who also translated many of the texts which are also included. Accompanists include Gerald Moore and Alicia de Larrocha, and Victoria de Los Angeles provides a guitar accompaniment herself in one song. The last track of all, a zapateado from a zarzuela, recorded live in New York, must almost have brought the house down.

Average customer rating:

Tengo un Corazon
Ulises Quintero
Manufacturer: Sony International
ProductGroup: Music
Binding: Audio CD

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Contigo

ASIN: B0009RQSNW
Release Date: 2005-06-28

Tracks:

Coqueta
Regme la Felicidad
Duee Mi Vida
Falsa Ilusi
No Puedo M
Que Me Lleven a la Cel
Casa Nueva
Amor Prisionero
Todo Todo
Tengo un Coraz
Vete, Vete
Gracias a Ti Madrecita

Average customer rating:

Aqui Tengo Un Corazon
Eduardo Trujillo
Manufacturer: Lideres Ent. Group
ProductGroup: Music
Binding: Audio CD

General | Latin Music | Styles | Music

Corridos | Latin Music | Styles | Music

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ASIN: B00005ABMA
Release Date: 2001-03-27

Tracks:

De Sus Caricias Prisionero
Con Cartitas
Entre Pena y Llanto
El Malandrin
Primera Caricia
Ya Para Que
Ando Muerto en Vida
El Corrido de los Perez
Regresa Por Favor
Prenda Querida
Prisionero de Tus Brazos
Aqui Tengo un Corazon

Songs of the Spanish Renaissance, Vol. 1

Average customer rating:

Montserrat's voice casts a seductive spell,Viva Diva!!!!
'Spirit and music, song and instrument...'
"Great" she may be, BUT ABSOLUTELY NOT in this repertory!!

Songs of the Spanish Renaissance, Vol. 1

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
ASIN: B00008K4WW
Release Date: 2003-05-20

Tracks:

Isabel, Perdiste La Tu Faxa
Recuerde El Alma Dormida
Dindirindin
De Los Alamos Vengo, Madre
Arded Corazon Arded
Falai Mina Amor
Morenica, Dame Un Beso
Un Cuydado Que Mia Vida Ten
En La Fuente Del Rosel
Poys Dezeys Que Me Quereys Ben
Madonna Per Voi Ardo
Perdida Tenyo La Color
De Donde Venis Amore
La Bella Mal Maridada
Quien Amores Ten
Si Tantos Balcones
Con Que La Lavare
Aquel Cavallero, Madre
Triste Estava El Rey David
Durandarte

Customer Reviews:

Montserrat's voice casts a seductive spell,Viva Diva!!!!.......2006-04-06

Montserrat Caballe is the voice of all ages.She continues to bring joy to millions around the world.This latest recording finds caballe in lovely voice,with plenty of lush pianissimos.While I was listening to this album I felt immersed into a very spiritual atmosphere,that nearly carried me out of my body.I realised this peaceful music with caballe's ethereal singing was levitating me closer to the pearls of spanish mysticism.
I will treasure this 24 bit recording for the rest of my life!

Beautiful singing from Caballe's later years.She was in her late 60s during the recording of this beautiful little gem of spanish renaissance songs!Highly reccomended to all who love the ethereal voice of montsy and/or intrigued by early spanish music!

'Spirit and music, song and instrument...'.......2005-05-22

The heart of this collection of Spanish Renaissance canciones is the enduring musical presence of Montserrat Caballe, whose vivifying art spans the second half of the twentieth century like a colossus. I can think of few artists who better exemplify the humility required to consistently reveal art as an essential component of human progress. Caballe, among them all, is the complete humanist, the complete artist. Who can afford not to be grateful for these things?

She sings accompanied only by the intriguing vihuela de mano, masterfully played by Manuel Cubedo. Fittingly used for these musical gems of renaissance Spain, this stringed instrument possesses a complex intonation conformed to the human voice. The CD notes hold another gem - an essay (printed in three languages) by Cesar Rodriguez Campos, called "The Enraptured Spirit: Song and Vihuela de mano in the 16th Century", an informative addition to a compelling disc. The Spanish text of each song is also provided.

Caballe's genial musical majesty pervades every track. Those elements of her art that inform and transcend the operatic canon, are present here, refined to mystical simplicity and pleasure: the artist in her native tongue, lissome ornamentation, serious preparation and scholarship. What emerges is a portrait of the artist as carriage of the spiritual. So, this is a transforming recording. You can say this is Montserrat after opera. I think the arc of her art extends even to these delicacies. Only one whose gifts replenished the operatic art's true conformation, as being one that must rest upon the human voice alone as on an unchangable foundation, could create a recording as revealing as this one. Recommended.

"Great" she may be, BUT ABSOLUTELY NOT in this repertory!!.......2005-05-07

I'm really not sure what this recording (or should I say this series) is getting at...

Presumably, Montserrat Caballe had either lost enthusiasm for playing endless operatic divas, felt she had lost her youthful agility and technique (resorting to "easier"[?] music), or perhaps even wanted to exhibit a sense of patriotism by showing that - yes - Spain had an equivalent to the German Lieder tradition (albeit an earlier one).

But just who is this recording aimed at...? Are seasoned Caballe fans really interested in music from 15th and 16th century Spain...? Are passionate early music listeners - familiar with this repertory from the numerous infinitely superior recordings available - really wanting to hear a fruity and unashamedly operatic interpretation of this repertoire...? Indeed the most irritating feature of this recording is the sheer arrogance with which these performances are presented. No performer, no matter how great or experienced, is appropriate for every type of music. Would Emma Kirkby be a suitable Carmen in Bizet's renowned Opera...? Would Ella Fitzgerald be appropriate for a recital of Wolf's 'Italienisches Liederbuch', or Michael Jackson for Schubert's 'Die Winterreise'...? I think not. Suffice to say that there is not a single scrap of evidence which could be called upon to justify Caballe's wobbly style in this music...

And of course, it would all perhaps be infinitely more acceptable if both she and her accompanist could at least attempt to sing and play in tune. Caballe's intonation is decidedly unreliable; indeed, she is often flat as a pancake, and in certain tracks completely off-key (try track 19 for starters). Perhaps this is partially the result of her dire accompanist, who is quite simply one of the most abysmal vihuela players I've EVER heard (and not a patch on exponents like Rolf Lislevand, Jose Miguel Moreno and Xavier Diaz-Latorre). If you're looking for a recording to shatter the myth that opera singers are better than early music singers, THIS most definitely is it. Personally, I believe she should stick to her dying diva roles. Indeed, looking at the photograph on the back of the CD (in which she wears pastiche "Elizabethan" frocks), one could believe she has just walked out of a production of Donizetti's 'Maria Stuarda' - she certainly sounds like she has...