Quiero Un Amor

1. Quiero un Amor

2. Ayudame a Vivir

3. Esta Noche

4. Llego el Negro

5. Te Vas

6. Te Quiero

7. Baile de la Negra

8. Apechao

Quiero Un Amor,DJ Negro,Max Music,Latin,Tropical

Average customer rating:

Lecuona Plays Lecuona
Lecuona the Cuban pianist is Great!
The Cuban Chopin
Lecuona, the musical genious . . . . .
LECUONA IS NO LIGHTWEIGHT

Ultimate Collection

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

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Similar Items:

Always in My Heart-Domingo sings Songs of Ernesto Lecuona
Juana Zayas:A Treasury of Cuban Piano Classics
Lecuona Sinfónica / Morton Gould and His Orchestra
Ernesto Lecuona: The Complete Piano Music, Volume 1
Ernesto Lecuona Piano Music: Piano Solo

ASIN: B000003G71
Release Date: 1997-02-11

Tracks:

Malaguena
Andalucia
Ante el Escorial
San Francisco el grande
Siempre en mi corazon
Maria la O
Siboney
Noche azul
La comparsa
Danza negra
Danza lucumi
A la antigua
Canto del guajiro
Canto del guajiro
La habanera
Damisela encantadora
Crisantemo
Romantico
Rosa la china
Como arrullo de palmas
Palomitas blancas
Poetico
Estudiantina
Cordoba
Music Box
Mazurka en glisado
Polichinela
Gitanerias
Aragon
Valencia mora

Tracks:

La brisa y yo
Devuelveme el corazon
Preludio en la noche
Yo te quiero siempre
Pavo real
Vals de las sombras
Bell Flower
Zambra gitana
Por eso te quiero
Vals azul
Vals en si mayor
Muneca de cristal
Mi amor fue una flor
Vals en re bemol
Apasionado
Amorosa
Ahi viene el chino
Al fin te vi
Por que te vas?
Mientras yo comia maullaba un gato
Por que te vas?
Amorosa
Los minstrels
No hables mas
Dame tu amor
Vals en re bemol
La 32
Mis tristezas
En tres por cuatro
Munequita
Burlesca
La paloma
Music Box

Amazon.com

This collection includes Ernesto Lecuona's complete 1954 recordings plus a series of 78s made in 1927-28. Ten of the recordings were previously unreleased. This is a lot of lightweight Cuban piano music to deal with at once, but it's definitely worth doing. Lecuona's music, which is having a major revival, may not be important. But it's consistently charming and entertaining. The 78s, which sound surprisingly good, reveal even more of a virtuoso than do the later recordings, but throughout we hear playing that expresses the spirit of the music extremely well. And yes, the famous Malagueña is here, sounding very sexy. --Leslie Gerber

Customer Reviews:

Lecuona Plays Lecuona.......2007-05-12

Oh Boy! What can I tell you about this magnificent collection of musical jewels from our Maestro Lecuona. I bought the original Long Playing Record back in the 50's in my country.
I purchased it again shortly after my arrival to the US, and I was lucky enough to buy it on DVD from Amazon, once I found out they had it.

Joseph L. Alcover
Miami, FL

Lecuona the Cuban pianist is Great!.......2005-08-17

In my opinion this is one of the best CD's from Lacuona, Most of his piano compositions are recorded here (original ones), What, Ms. Leslie Gerber forgot to mention is that Mr.Lecuona was a band leader,"Lecuona and the Cuban Boys", remembers him? Or maybe she does not have sufficient information about him. The music from Lecuona still is very well alive today. I came across his recordings on my own, no one ever told me about this great pianist. I happened to hear the Malague?a by another great Cuban composer and band leader Perez Prado (The Real Mambo King) in one of his albums and Lecuona was the author. That got me interested in him. I'm pretty sure that Ms.Leslie Gerber does not mean any harm trying to put this composer down. It's just that maybe all she knows is Gerber baby food stuff!

The Cuban Chopin.......2004-06-18

What a great album and great value. There is music here that will make you smile, break your heart, inspire you, and Lecuona's skill is breathtaking. If you enjoy classical piano music (with a Cuban/Spanish influence), you'll love this. No, it doesn't display the virtuosity, complexity or seriousness of Lizst, Chopin or Beethoven, but it's fun, beautiful, dramatic yet accessible. You'll love it.

Lecuona, the musical genious . . . . ........2002-10-16

I feel compelled to identify myself first. I am Cuban born who arrived in the US in 1960 at the age of 16 years old. I am a US citizen since 1965 and a US Army Veteran of Viet Nam. I will die defending the right Ms. Leslie Garber has of expresing her opinions. But what I will not condone is her ignorance. To say that Lecuona writes "lightweight Cuban piano music" and that "Lecuona's music may not be important" is to show ignorance. A musician that composes GREAT music in several genres of the music world, a musician that in all genres has highly succesful pieces, and, a musician that after many years, (70-80 years) is still heard and admired can not be called other than MUSICAL GENIOUS and a CLASSICAL MUSICIAN. His music is so beautiful that it will live forever. From his Afro-Cuban compositions, to his romantic popular boleros, to his valses, to his Zarzuelas, Lecuona demonstrates once and again, time after time his immense musical talent. His Afro-Cuban "Cafetal", his romantic boleros "Noche Azul" and "Amapola", His vibrant and colorful "Comparsa" and "Andalucia", his classical Valses, just to mention a few things, makes Lecuona to stand together with the great musicians of the world. The fact that Hollywood made a film around "Estas en mi corazon" and that great singers, like Placido Domingo, want to sing Lecuona's music speaks immensely well of Lecuona/s greatness. The fact the popular instrumental orchestras like Faith, Conniff, Mantovani, Cugat have arranged and interpreted a lot of Lecuona's music also says a lot about Lecuona's versatility in his work. Lecuona is probably important to many millions of people and his music is certainly not lightweight. And if the only thing Ms. Garber can say about "Malaguena" is that "it sounds very sexy" is to demonstrate that she does not know a thing about music. It definitely does not give her the priviledge of commenting about Lecuona's music.

LECUONA IS NO LIGHTWEIGHT.......2002-02-27

Lecuona is one of the most important composers of Latin-America. He is by no means the "unimportant" and "lightweight" Leslie Gerber (whomever that may be) claims, having been hailed for performances of his earlier (and "less mature") works by the likes of Maurice Ravel.

Tracks:

El Rey que rabi?: Mi t?o se figura
El Caser?o: Bueno d?as
La Canci?n del olvido: Marinela, Marinela
El Cabo primero: Yo quiero a un hombre
La Leyenda Del Beso: Amor, mi raza sabe conquistar
Bohemios: No quiero que sepa que aqu? vengo yo
La generala: Mi dulce sueno de adolescente
MARINA: Pensar en ?l
La Dolores: !Dolores m ... ! Aquu!
El Nino jud?o: De Espana vengo
Luisa Fernanda: Caballero del alto plumero
La Rosa del Azafr?n: No me duele que se vaya
Don Gil de AlcalBendita cruz
El D?o de la Africana: Comprende lo grave de mi situaci?n

Customer Reviews:

One of he greatest voice ever!.......2007-01-10

A privilege to hear this wonderful voice in these native, for her, works.

overall.......2006-03-16

Great recording
Great music selection, Great orchestration

Every thing is what I was looking for.
I wish you had the same subjects in DVD
Thank you

Beautiful.......2001-09-29

This is a must have if you are not familiar with zarzuela (Madrid's response to Vienna's operetta). It's a nice combination of arias sung by Caballe in beautiful voice and joined by her husband tenor Bernabe Marti for the duets. The CD comes with translations for non Spanish speaking which will greatly improve your satisfaction.
Caballe is in as beautful voice as ever and feels at home with this non very taxing repertoire. She doesn't overindulge in her other times frequent "floatiness" and is very expressive throughout. Thogh sometimes when some coloratura is needed she tends to drop the consonants blurring her enunciation of the words. We are used to this from her opera recordings though she's not as bad as Sutherland.
Marti is a nice tenor but is not in the same league as Caballe. That's why he never got star recognition though he made a few recordings whith his wife, like Bellini's "Il Pirata". His is a lyrical tenor, a little throaty but with nice projection of the sound. He sounds a little strained over the "passagio" but hits all the notes. More importantly, he compensates for his lack of vocal lustre with burning impersonations of his characters. Passionate and burning in some, tender and caressing in others. In this respect is better than his wife who is a little more doll like hidding behind her vocal resources. So I specially enjoyed the many and varied duets in this recording.
Strongly recommended.

Average customer rating:

A Classic Recording
A must for a Placido fan
Great for what it is
Certainly not ALLL the Essential Domingo
Solid, comfortable, familiar -- very good!

Essential Placido Domingo

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Very Best of
Por Amor
Bravo Domingo
De Mi Alma Latina
The Domingo Songbook

ASIN: B00064AEYW
Release Date: 2004-10-26

Tracks:

Nessun Dorma!
Se Quel Guerrier Io Fossi!.. Celeste Aida
Ch'Ella Mi Creda Libero E Lontano
Una Furtiva Lagrima
Quando Le Sere Al Placido
Bimba Dagli Occhi
Addio, Fiorito Asi
Ingemisco
Amor Ti Vieta
Sincero Amor
Ah! Tout Est Bien Fini-O Souverain, O Juge, O Pere
Apri La Tua Finestra!
E Lucevan Le Stelle
Firenze E Come Un Albero Fiorito
Di Rigori Armato Il Seno
Sole E Amore
Von Der Jugend
Di Quella Pira

Tracks:

Te Quiero, Morena-Jota
La Roca Fria Del Calvario (Romanze)
Por El Humo Se Sabe Donde Esta El Fuego
Granada
Andalucia
Serenata Tapatia
Adoro
Siempre En Mi Corazon
Malaguena
Dulcinea
The Impossible Dream (The Quest)
In Pace
Maria
Perhaps Love
Love Came For Me
A Love Until The End Of Time

Customer Reviews:

A Classic Recording.......2007-03-09

This was a great buy for me. The power and accuracy of Placido's voice are demonstrated well. Two CD's and 34 songs--just can't beat that for the price.

A must for a Placido fan.......2005-04-23

If you've continously listened to this master of tenors and said "wow, I like it, I want to listen even more of him", then raise it to 5 stars, which is the rating I personally give the CD; HOWEVER, if you've only heard him once or not at all, you might want to wait a while and get to know him and other tenors better. Why? Well, disc 1 is the "classical" disc, with arias from famous operas and choral pieces by Puccini and the like, but disc 2, the "modern" or "popular" disc, contains music that will leave you a bit puzzled, since it's is not for everyone; a lot of people have never heard zarzuela or tunes by Manzanero or Lecuona. In short, this disc is better suited for fans of Placido or people who want to know him better, if not, it still is a top choice, and this way you just might fall in love with him (well, his singing, not him literally).

Great for what it is.......2005-01-13

I agree with the previous poster that this does not contain his great dramatic stuff like otello/wagner, but the collection is a beautiful one. There are some great recordings here, and his crossover stuff(maria, Dulcinea, impossible dream) is very interesting. His opera is of course impecable and brilliant. Finally we get to hear Domingo's high C in Di Quella Pira, and its a good one. The zarzuela or spanish operetta type songs and are wonderful.

I found this to be beautiful and exhilirating to listen to.

Certainly not ALLL the Essential Domingo.......2005-01-03

I grew up with Placido Domingo. Not in the sense of being boyhood friends, but rather in the sense that he was part of my "Golden Age" at the Metropolitan Opera. Of the "Three Tenors" (more Marketing hype than useful grouping of three fine singers) Domingo was the most dramatic - the "heaviest" of the three. His repertoire extended well beyond the lyric - and that's why this collection is not all the "essential" Domingo, but rather offers an interesting look at the lighter, more lyric side of Placido Domingo. You won't find Lohengrin or Otello here, but you will find many of the more lyric tenor arias from Verdi, Puccini and Donizetti - to name a few.

There is an "edge" to Domingo's voice that perhaps accounts for his ability to transition successfully into the heavier repertory. I find that tonal quality particularly noticeable in this collection - and sometimes too pronounced. On the other hand, there are a few wonderful surprises. His "Una furtiva lagrima" from L'elisir d'amore is a stand out. Its rare you here a tenor with this much power sing the role. The duet "Bima dagli occhi" from Madama Butterfly with Renata Scotto, again casts Pinkerton with a quality tenor not often found in the opera house any more. I loved the selection from Gianni Schicchi - when is the last time you found Rinuccio cast with this size tenor voice - and the Italian tenor's aria from Rosenkavalier is a treasure from a recording currently out of print. And then there is one of Domingo's signature roles - Jack Rance in Puccini's La Fanciulla del West. No one sings Rance better than Domingo - and the excerpt from the complete recording finds Domingo at his very best.

Disk two is devoted to song - popular and classical. There is a fair amount of tripe - too much cross over (as in who needs to hear Domingo sing "The Impossible Dream" from Man of La Mancha - Broadway is not Mr. Domingo's genre). But there are some wonderful cuts as well - "Granada" is a Domingo encore specialty, and I was particularly struck by the song "In Pace" from the motion picture Hamlet - I never saw the film and was truly taken aback at how beautiful a song this is, and Domingo's voice soars.

I found the sound of these CD's a bit "tinny". Perhaps its the analogue to digital conversion, but I was disappointed in the overall sound. The album is badly mistitled "The Essential Placido Domingo". Certainly this is some of the essential Domingo - and some very wonderful examples of the lyric Domingo - but there is clearly a volume two to come - the dramatic Placido Domingo. But why wait - buy this fine collection, and then feast on some of the complete recordings such as Otello or Lohengrin.

Solid, comfortable, familiar -- very good!.......2005-01-01

Why wait to see if this reviewer enjoyed Sony's latest offering: I did, and so will you. Hats off to Sony for getting it right with this two CD, 34-song bonanza of Placido Domingo singing -- well, as the name implies -- the essentials, from opera to Broadway to Hollywood, in a mix that keeps its distance while holding it all together in a package that breeds enough familiarity to make even the most harsh tenor critic purr. The more clasical offerings are on the first CD and the more sentimental are on disc two. Interestingly, I found side two more seductive and subdued in tone, and enjoyed listening to Mr. Domingo's interpretation of such popular favorites as "Maria" from "West Side Story", "Dulcinea" from "Man From LaMancha" and a couple duets with John Denver (Perhaps Love) and Maureen McGovern (A Love Without End). The songs selected for side two actually did set a thematic tone. Readers of my reviews know that I place a high value on a CDs overall ability to present what is offered in a bundle that sets and keeps a mood. I usually ask two questions: is it consistent once the mood is set; and does it keep the listener in that mood throughout once established? Here, well, here, I break from tradition and profess some confusion. The mood on disc one is not thematic but ecclectic -- from solo's to duets, from live recordings to studio, from one orchestra to the next, from upbeat to mellow. Technically, while there is some difference in the overall sound quality while switching from one setting to another, it is something you would have to listen for to catch, and becaue of this doesn't amount to a serious flaw as presented. What saves disc one from my usual "tenor blahs" is Mr. Domingo's exceptional voice and the selection of songs chosen -- which, while altering between one mood and another, are all familiar enough that we listen with knowing ease to what we expect. This isn't the kind of CD you put on while holding a conversation with anyone, but rather one you would put on, close your eyes and listen to for its sheer technical achievement -- or more precisely for Mr. Domingo's talent. The voice is clear and strong and passinate and reflects Mr. Domingo's control of his range and interpretive skills. Listen to Verdi's "Ingemisco" with The London Symphony and Leonard Bernstein; Puccini's "Bimba Dagli Occhi" with Renata Scoto (he sings a couple meodies with Scoto) and Umberto Giordino's "Amor ti Vieta" from Fedora to get an idea of what I am referring to here. It took me a couple sessions with each side to settle down and appreciate what was offered. Hopefully this review will get you ready and you will enjoy it from the start. PJW

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For the last time!
Standing Ovation !!!
A mistake that we need to remember
I Wish I Was There
Not the best tenors album.

Paris 1998

Manufacturer: Atlantic / Wea
ProductGroup: Music
Binding: Audio CD

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The 3 Tenors in Concert 1994
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ASIN: B000009N02
Release Date: 1998-08-18

Tracks:

Maristella: Io Conosco Un Giardino
Fedora: Amor Ti Vieta
Granada
T'estimo
Memoires De Danton
Caruso
Medley Of Romance: Sous Le Ciel De Paris
Medley Of Romance: Solamente Una Vez
Medley Of Romance: Maria, Mari
Medley Of Romance: Torero Quiero
Medley Of Romance: Parlami D'amore Mariu
Medley Of Romance: Tu, Ca' Nun Chiagne
Medley Of Romance: Manha De Carnaval
Medley Of Romance: Ti Voglio Tanto Bene
Voce E Notte
La Del Soto Del Parral: Quiero Desterrar De Tu Pecho El Temor
Turandot: Nessun Dorma
Because
O Sole Mio
Medley Of The World: O Surdato 'Nnamurato
Medley Of The World: Ay, Ay, Ay
Medley Of The World: Lolita
Medley Of The World: Standchen
Medley Of The World: Dicitencello Vuie
Medley Of The World: Core 'Ngrato
Medley Of The World: You'll Never Walk Alone

Amazon.com

If you think you've heard it all, you're wrong. The three big guys are indeed back, in the shadow of the Eiffel Tower, with a rabidly enthusiastic crowd to welcome them. They sing many favorites-- "Granada," "Because," "Nessun dorma"--and there are a pair of medleys: one devoted to love songs, and one called "Medley of the World," which ends with a rendition of "You'll Never Walk Alone" that might just bring tears to your eyes. If the truth be known, the three tenors have put on 8 years since we first heard them together, and a fair amount of bloom is off their rose-like voices--with Domingo's ardency sounding a bit hard-edged, Carreras's tone even more spread than before, and some of Pavarotti's gold tarnished and his breath shorter. Suffice it to say that older CDs by these three formerly-really-great tenors are worth their weight in gold, compared to the bronze you'll find here. But the classy James Levine at the helm keeps the "event" going with passion, and it's hard not to get caught up in the excitement. --Robert Levine

Customer Reviews:

For the last time!.......2006-12-23

The last of the great tenor concerts that is worth watching!

Standing Ovation !!!.......2001-09-24

Once again, the Tenors electrified the world. It was estimated that over 1.6 billion viewers saw this extraordinary display of musical genius.
The Pavarotti rendition of "Nessun Dorma" was breathtaking as he "hit" his famous high C with VINCERO!!!
With the exception of "Nessun Dorma & Caruso", I felt that it
was Domingo who carried the show. His voice style changes so dramatically to fit the mood and melody of each song.
Carreras, I felt, was lacking the "oomph" in his solos on this tour. However, no one can top Carreras when a line needs to be delivered that has "deep-gut" emotional feelings, almost mad sounding, i.e. the song "Because" -- listen when he sings "his love makes mangle of devile...", you'll understand what I mean.
Combine the Three together and you have pure brilliance. Listen to the song "You'll Never Walk Alone" is almost patriotic like.
"O' Sole Mio" and the show stopper "La Donna Mobile" left the people standing and cheering.
The Paris setting was spectacular. James Levine was his normal go lucky conductor self as he makes the viewing audience and the orchestra feel at ease with his upbeat facial expressions.
An awesome addition to your collection. I highly recommend it to anyone who wants to see why the world has labled them "The Three Tenors." BRAVO

A mistake that we need to remember.......2001-09-10

I was blessed to have a chance to be in Paris at that time, and really one of the reasons I went to the City of Romance was because I was so eager to go to the Three Tenors Concert. I managed to get a very good seat at the front in order to really experience and enjoy the concert that I had been dreaming to go all my life, because I am so madly in love with classical and opera music. Also I am a great fan for all of these three tenors, particularly Placido Domingo.

Having watched the Three Tenors Concert in Los Angeles, which was so great and inspiring, I was hoping this one can turn out to be greater and more successful. However it really failed my expectation and turned me into disappointment. Several mistakes were made which surely caused this concert to be a failure.

First, the choice of the conductor. James Levine was really the wrong choice for the position which is actually the heart of such an important event. His style of conduct and taste of music was proven unsuitable. It did not make you feel excited, but at sometimes made you feel uneasy and uncomfortable.

Second, something seemed to be limiting Domingo's ability and talent to be fully expressed. In fact he appeared to be much older and less energetic. The usual powerfulness and beauty of his voice really disappeared somewhere that can be hardly known.
As for Pavarotti we can only give him an average mark for his performance.

Third, lack of common sense. Even three years old child knows Granada has to be and is best to be sung by Domingo, just like Nessun Dorma has to be by Pavarotti, but I just can't understand why the organiser or the music directors did not realize this? Were they too commercially motivated or too careless???

Jose was the best and played an instrumental role to keep this concert going, my admiration towards him grow more after this event. Anyway huamns do make mitakes including the famous and popular ones. Although this concert was not their greatest my support for them will still remain.

I Wish I Was There.......2000-12-11

I found this is one of my favorite of all "The Three Tenors" recordings. I would have loved to have been present one the night of this concert. I want to say all of the tenors do a superb job. I cannot understand why people put down Carreras because he proves here how much he appreciates his gift. Domingo is almost flawless. I have been a fan of Pavarotti since I 1980 (when I was just 12). Here is my personal favorite, Caruso.

Not the best tenors album........2000-05-03

First of all, the change of the conductor. We were used to the thundering conducting of Mehta. Then, Pavarotti is not the same man that he was in '94 and in '90. His range fell a lot. Then, he dared to sing a song that is traditionally sang by Domingo (Granada) It lacks opera arias. Not a good purchase. Buy the first or the second albums.

Average customer rating:

Luys Milan: El Maestro, 1536

Manufacturer: Astree
ProductGroup: Music
Binding: Audio CD

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Lux Feminae
La Folia, 1490-1701

ASIN: B000062U6B
Release Date: 2002-10-08

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Entre Dos Mundos

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Bajo El Cielo Espanol
Por Amor
100 years of Mariachi
De Mi Alma Latina, Vol. 2
De Mi Alma Latina

ASIN: B00000281J
Release Date: 1992-07-28

Tracks:

Sevilla
El Grito De America
Andalucia
Sonadores De Espana
Malaguena
Te Quiero Morena
Siboney
Amor, Mi Raza Sabe Conquistar
Adios Mariquita Linda
Maria La O
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De Este Apacible Rincon
Un Viejo Amor
Cancion Para Una Reina
Damisela Encantadora
Adoro
Yo Sere Tu Primer Hombre
Canto Karabali

Tirzo Paiz 1- Si Me Quisieras Un Poquito 2- Un Adios Sin La Grimas 3-sonando Contigo 3- Ya No Hay Rossas 4- Por Otr0 Amor 5-si Me Hubieras Querido 6-vuelva Con Ella 7- Sufriendo Un Amor 8-quien Te Dijo Que Te Quiero 9-llano Llores Corzon.

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Tirzo Paiz 1- Si Me Quisieras Un Poquito 2- Un Adios Sin La Grimas 3-sonando Contigo 3- Ya No Hay Rossas 4- Por Otr0 Amor 5-si Me Hubieras Querido 6-vuelva Con Ella 7- Sufriendo Un Amor 8-quien Te Dijo Que Te Quiero 9-llano Llores Corzon.
este es tirzo paiz
ProductGroup: Music
Binding: Audio CD
ASIN: B000KA4M1I

Product Description

this is a cd which is verry hard to find you will not find this cd any where just with wulfrano check our store front to find more hard to find music at the best prices dont pay espencived prices with o ther sellers buy to us. wulfrano.

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Brava Berganza! A Birthday Tribute

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Maria Bayo vuelve a grabar cancion española.

Canciones españolas

Manufacturer: Valois
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music
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María Bayo Album

ASIN: B00007A3IQ
Release Date: 2003-01-14

Customer Reviews:

Maria Bayo vuelve a grabar cancion española........2003-09-18

Maria Bayo ya fue protagonista de un celebrado disco de cancion española en el sello CLAVES alla por 1992, y once años despues edita un nuevo acercamiento a este genero, con el que vuelve a merecer el aplauso, y que es un complemento ideal al primero.
Ahora revisa Bayo melodías españolas de Toldrá, Guridi, Montsalvage... o de influencia española (Ravel) para rematar el recital con el 'Açulao', una pieza portuguesa muy típica como bis en este tipo de recitales. Vuelvo a decir los mismos elogios que al primer cd: la voz es bellisima, plena de matices, y la forma de decir la poesía de los textos tiene un gusto incomparable... .
Malcom Martineau acompaña al piano de manera notable, lo que redondea un disco con el que Maria Bayo vuelve a cosechar un gran y merecido triunfo.
Habrá que esperar ahora al acercamiento al barroco español que Maria Bayo ya prepara, ni mas ni menos que con Rousset. Exito asegurado, seguro.

Average customer rating:

A lovely sing along.
Isagani Urgino
Domingo's "continuing tradition" is one worth ending!
Domingo's "continuing tradition" is one worth ending!

Placido Domingo: Songs of Love
Daniel A. Robles , Jacob Gade , Richard Tauber , Eugene Kohn , Bebu Silvetti , John J. Dee , Bill Ross , Rafael Solano , Julio Hernandez , Orlando Hernandez , Peter Horton , Charles Boito , Joseph Meyer , Amy Shulman , Ramon Stagnaro , Joel Timm , James Walker , and Woodward, Gary
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

General | Vocal Pop | Pop | Styles | Music
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Placido Domingo: A Love Until The End Of Time
Be My Love
The Broadway I Love
Por Amor
The Domingo Songbook

ASIN: B00004W4MV
Release Date: 2000-09-04

Tracks:

Love Story
O Sole Mio
Be My Love
Sabor A Mi
Somewhere My Love
En Aranjuez Con Tu Amor
Spanish Eyes
Sabras Que Te Quiero
Aquellos Ojos Verdes
Alma Latina
Somewhere Over The Rainbow
El Condor Pasa
Jealousy Tango
Love Be My Guiding Star

Amazon.com

If the concept of an operatic tenor plying the pop charts with a broad range of songs d'amour is hardly a new one (see also Mario Lanza and Luciano Pavarotti), it's one that has enduring appeal, especially when entrusted to the talents of an established master like Placido Domingo. Culled from his albums De mi alma Latina ("From My Latin Soul") (volumes 1 and 2) and Be My Love, this collection ably finds the common ground between Hollywood and La Scala, and wends its way through a Latin-inflected romantic songbook that stretches from Rome to Rio. Whether mining the sentiments of filmdom's Francis Lai ("Love Story") and Maurice Jarre ("Somewhere My Love") or pop standards like Bert Kaempfert's "Spanish Eyes" and "Somewhere over the Rainbow," Domingo infuses them all with a grace and drama that belie the sometimes overly precious arrangements that back his efforts. The singer has aimed for timelessness here, and largely hit the mark. --Jerry McCulley

Customer Reviews:

A lovely sing along........2007-01-03

We teach voice improvement for singing and speaking so it is heart warming to be able to use such an incredible master to sing along with
in our mother language of English.
Michael White, Director, The Optimal Breathing Institute

Isagani Urgino.......2006-08-08

Placido Domingo is a legend and this CD only prooves that he is not only a legend in the field of Opera but as well as popular music (Crosover). Excellent interpretation. I love it.

Domingo's "continuing tradition" is one worth ending!.......2001-06-28

Classical artists' attempts to cross over to the many varied popular music genres, and vice versa, are rarely pleasant experiences especially for informed and knowing devotees on either side. Domingo's is by far is not only one of the worst but one of the saddest. Domingo's own liner notes attests to the "huge influence" and "lasting inspiration" that the sources of these popular songs had on him. Domingo must have devoted a remarkably great degree of effort overcoming these to become one of this generation's great classical vocalists. But despite this Herculean effort, they tragically resurfaced as evidenced by the universally poor quality of virtually every element of this album. The recordings of Florence Foster Jenkins illustrate well what happens when someone doesn't know any better. Domingo does know better and still couldn't help himself proving bad habits never die. That is what makes Jenkins' effort so funny and, regrettably, what makes Domingo's so sad. The great Domingo "tradition" is more than well documneted in so many previous wonderful recordings and this CD clearly demonstrates he has little left to do in the studio except discredit himself. But he's is only following the same path so many before have traveled in their declining years. And as usual, those in the know are amazed but never surprised.

Domingo's "continuing tradition" is one worth ending!.......2001-06-27

Classical artists' attempts to cross over to the many varied popular music genres, and vice versa, are rarely pleasant experiences especially for informed and knowing devotees on either side. Domingo's is by far is not only one of the worst but one of the saddest. Domingo's own liner notes attests to the "huge influence" and "lasting inspiration" that the sources of these popular songs had on him. Domingo must have devoted a remarkably great degree of effort overcoming these to become one of this generation's great classical vocalists. But despite this Herculean effort, they tragically resurfaced as evidenced by the universally poor quality of virtually every element of this album. The recordings of Florence Foster Jenkins illustrate well what happens when someone doesn't know any better. Domingo does know better and still couldn't help himself proving, once again, bad habits never die. That is what makes Jenkins' effort so funny and, regrettably, what makes Domingo's so pittifully sad. The lasting Domingo tradition was documented on recordings many years ago and "Songs of Love" represents all that's left for him to do in the studio. Like so many before him, he's simply following an all too familiar path in his declining artistic years. Those in the know are always amazed but never surprised.

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