Soledad

Track Listings

 
1. Cara a Cara
2. Cuando Pienso en Ti
3. Arriba del Coche
4. Te He Amado Siempre
5. Me Vieron Llorando
6. Tenemos Que Pensarlo
7. Soledad
8. Cuco el Perruco
9. Quiero
10. No Temas

Soledad,Los Dinnos,Luna Music Corp.,Corrido,Latin,Mexican


Live At The Cafe Au Go-Go (And Soledad Prison)
Average customer rating: 4.5 out of 5 stars
  • Hard blues True blues Live blues
  • Best Ever
  • Two Great Live Albums in One CD
  • Live John Lee...
  • What an incredible man!
Live At The Cafe Au Go-Go (And Soledad Prison)
John Lee Hooker
Manufacturer: Mca
ProductGroup: Music
Binding: Audio CD

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  1. It Serves You Right to Suffer
  2. Hooker 'n Heat
  3. Muddy "Mississippi" Waters Live
  4. At Newport
  5. Folk Singer

ASIN: B000002P4B
Release Date: 1996-11-19

Tracks:

  1. I'm Bad Like Jesse James
  2. She's Long, She's Tall (She Weeps Like A Willow Tree)
  3. When My First Wife Left Me
  4. Heartaches And Misery
  5. One Bourbon, One Scotch And One Beer
  6. I Don't Want No Trouble
  7. I'll Never Get Out Of These Blues Alive
  8. Seven Days
  9. What's The Matter Baby
  10. Lucille
  11. Boogie Everywhere I Go
  12. Serve Me Right To Suffer
  13. Bang Bang Bang Bang

Amazon.com essential recording

Simply one of the greatest live blues recordings ever. Hooker plays alone at Soledad, yet the real thrill is hearing him backed at Greenwich Village's Café Au-Go-Go in 1966 by Muddy Waters and his band, including pianist Otis Spann, unsung harmonica giant George Smith, Francis Clay on drums, and guitarists Sammy Lawhorn and Luther Johnson. All are at the height of their abilities, but it's Hooker who works like a hoodoo conjurer, making misery rain down in "Seven Days" and "When My First Wife Left Me." This August night's reading of "I'm Bad Like Jesse James" ranks among the most intimidating vocal performances ever taped. His guitar and baritone singing sink to rarely heard depths of the blues--that secret place in the music (known only to its absolute masters) where it becomes an elemental force. --Ted Drozdowski

Customer Reviews:

5 out of 5 stars Hard blues True blues Live blues.......2007-01-21

John lee seemed like he had the blues his hole life.Maybe he did maybe he didn't. He played the hole blues man thing to a T. He seemed like the coolest of all cats when he was up on stage. That's because he was. The people bought it hook line and sinker as they should.I have heard,lived and felt the blues since I was 8 yrs.old. I can totally relate to what he was doing and singing about back then and now.Hookers blues and boogie music is and will always be timeless. That to me is the conection I have with him.Pure blues, no nonsense music that hits you like a ton of bricks. This CD does just that and more.

5 out of 5 stars Best Ever.......2007-01-10

If I was stranded on a deserted island and I was to have one CD this would be the one , thought that Hooker and Heat was good , this blows it away ...............

5 out of 5 stars Two Great Live Albums in One CD.......2006-10-18

This is actually two live albums combined. Cafe Go-Go finds Johnny earlier in his career and Live at Soledad prison finds Johnny mid-career right in the middle of his endless boogie phase.

Live at The Cafe Go-Go is recoreded with Muddy Waters band (Muddy always had the best bands!) including the great Otis Spann on Piano. Muddy even plays guitar on one of the tunes. Sound quality is excellent and John Live is in fine form, but a little restrain. You get the feeling the band had not played that much together. Hearing JLH with Otis Spann in keys is pretty cool however. Bad like Jesse James is one of the creepiest songs made and is made even more haunting by Spann's parse piano.

Live at Soledad prison catch John Lee is his Endless Boogie phase, which for me is where it is at. Sound quality is surprisely very good and his band, including his son John Lee Jr., are tight. Bang Bang Bang is a great jam all the way from the Motor City. This contains all but two cuts of the original Live at Soledad album. These two tunes were sung by John Lee Jr. I love how at the end of the album the prison plugs the plug on the band and it takes a while for everybody to figure out what happened.

Looking for some more great live John Lee Hooker check the live Album with Albert King (they don'y played together, but share the same CD) 'I Play the Blues for you'. For me this is some of the finest JLH caught live on tape. JLH studio album 'Never get out of these blues alive' is also another great album.

This is a great album for anyone who enjoys the blues, live blues, John Lee, or enjoys Otis Spann. Album should be the staple of any basic bblues collection. I highly recommend this CD.

4 out of 5 stars Live John Lee..........2005-11-22

Hearing John Lee Hooker backed by the Muddy Water's band from the 1960's is a real treat. The version of "I'm Bad Like Jessie James" that opens the CD is one of the most menacing songs I've ever heard; John Lee describes in detail how he will "take care of" a former friend he took in who went around town telling everybody that he slept with John Lee's wife. This song is a perfect example of how John Lee Hooker was the personification of badass. John Lee also runs through some of his classics like "One Bourbon, One Scotch, and One Beer" and "Bang Bang Bang Bang". I prefer the Cafe Au Go Go set to the Soledad Prison set, but both sets are worth hearing and are full of good performances from John Lee and the band. This is definitely worth getting if you are fan of John Lee Hooker or the blues.

5 out of 5 stars What an incredible man!.......2005-04-07

It's hard not to get shivers when listening to this recording. John Lee Hooker had such an incredible voice and it's as if his singing and playing encapsulates all misery imaginable. He extracted so much emotion from these songs that made me feel as though I'd actually lived the experience. It's so incredibly painful to listen to in places that I expected the heavens to open up in response. This is a man who knew what he was doing.

The band is in top form and John Lee uses them to get the crowd rocking as he works his magic. Everything is spot-on! From slow, painful numbers to upbeat, rollicking shuffles, John Lee Hooker and his band can do it all.

This is a landmark album that shows a man (and a band) at the top of their game and it's something no self-respecting blues fan should be without! You'd have to be dead not to be affected by this!
Hommage A Piazzolla
Average customer rating: 4.5 out of 5 stars
  • Wonderfully captivating music by the tango master
  • When styles mix
  • Explains It All To Those Wounded in Love
  • Great sex music! Comes from the heart!
  • Piazzolla's Unofficial Interpreter
Hommage A Piazzolla

Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

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ASIN: B000005J48
Release Date: 1996-09-24

Tracks:

  1. Milonga En Re
  2. Vardarito
  3. Oblivion
  4. Escualo
  5. Histoire Du Tango: Cafe 1930
  6. Concierto Para Quinteto
  7. Soledad
  8. Buenos Aires Hora Cero
  9. Celos
  10. El Sol Sueno (Hommage A Astor Piazzolla)
  11. Le Grand Tango

Amazon.com essential recording

Gidon Kremer, who plays the standard violin repertoire so well, has remained a restless explorer of music. Here is his first album of Piazzolla arrangements, introduced by a moving and perceptive assessment of Piazzolla by composer John Adams. Kremer has completely steeped himself in the spirit of the tango, and of Piazzolla's transformation of this music into concert works. The selection (mostly larger-scale Piazzolla works), the varied arrangements, and the compelling quality of the playing make this one of the best albums of this music not involving the composer's own performances. And if you love it, you'll be glad to know that Kremer's second Piazzolla album is also available. --Leslie Gerber

Customer Reviews:

5 out of 5 stars Wonderfully captivating music by the tango master.......2005-10-25

I was introduced to the music of Astor Piazzolla by the more than great violinist Gidon Kremer when he played a virtuosic tango as an encore. Whenever a rich new vein of wonderful music is opened to me, well, it makes for a bright and happy day. Not long after I picked up this CD and I can recommend it to you highly. This is more than just tango dance music, these are serious and contemplative compositions that use the Tango as the vehicle just as the classical and especially Baroque composers used their dance music for instrumental compositions. The music is full of mood, sensuality, rhythm, lush harmonies, dissonance, love, and pain. It is a music of contrasts and never gets too fussy or complicated. It wears its heart on its sleeve and draws us in because it is so charming.

Each piece has its own varied ensemble and the musicians in that ensemble also arrange the music for that track. Kremer leads from the violin in all of them, after all it is his album and his hommage to Piazzolla. However, the instruments used depend on the musical materials and mood of the piece. The piano is used quite a bit, and at times there are wind instruments. The bandoneón is required in tango, as well. It is a kind of concertina that was developed and made in Germany, but adopted in Argentina for the Tango. It has a wonderfully reedy sound and is played with buttons on each side of the bellows. Depending on the model, the note can change or stay the same whether you are pulling the bellows out or pushing them in, but in all of them there are two voices always at the octave and gives the bandoneón its characteristic sound.

The only composition not by Piazzolla is a very interesting tango included as a tribute to the master entitled "El sol sueño" by Jerzy Peterbushsky.

This is good music and a very enjoyable change of pace.

4 out of 5 stars When styles mix.......2005-09-07

I bought this record following a live performance by Gidon Kremer et al. at the Verbier Festival. The mixture of classical music with a dose of jazz on a Latin base produces an interesting result that is quite surprising at first. However, the more one hears, the more the result grows on the listener, just as at the live show where the audience, somewhat stunned at the outset, gave a standing ovation at the end.

Overall, the mélange is pleasant, chill listening to be appreciated by fans of any of the three styles of music.

4 out of 5 stars Explains It All To Those Wounded in Love.......2005-01-16

Ever have a moment where you loved someone so much you hated him?

Ever have a relationship you could not get out of your mouth, your mind, your heart, your system, but that you knew was over and done with forever and ever, and you'd never even see the other again?

Ever feel so happy you wanted to cry? No, sob? Wrenching, wracking sobs? From happiness, now.

Yes?

Have I got a CD for you: Hommage a Piazzolla, featuring Gidon Kremer.

Like many, I suspect, I have a mixed relationship to tango. When I put on a tango CD, I fear I'll be hearing something that sets my teeth to jangling and makes me want to slap someone in the face.

This isn't that. You could listen to most of this while sitting perfectly still, on a window sill, in fact, with the lights down low in your apartment, as you stare out at the rain-slicked city at night. A drink sits on a nearby table, unfinished...you have no will to finish it.

(It's hard not to imagine these things while listening to this music; really, it's all so poetic, cinematic, irresistable.)

At some point, though, you're probably not going to be able to sit still any more, and you'll have to put that rose in your teeth and cut a few moves.

Tango often sounds, to we non-Argentinians, like a parody of itself.

This CD does not.

Rather, when I put it on, not at all sure what to expect, I had one of those epiphanies that art can give you.

I had been brooding over a vexed relationship, one I did not understand, but knew was hurting me, not with any immediacy, but like a sore tooth that could stand to go a few more months before you get over your fear of the dentist to get it fixed.

What bugged me most of all was that I did not understand what was hurting. Rationally, I had no reason to feel troubled.

I put on this CD, with the relationship way in the back of my mind, and I just, immediately thought, "That's it. This music is explaining it all; this music is articulating everything."

Not bad.

This kind of music, music that allows in the true bittersweet of life, the unsolvable, the passion, is all too rare. If music that addresses those qualities is what you crave, this CD might be just what you need.

5 out of 5 stars Great sex music! Comes from the heart!.......2004-07-21

The music and perforamance are so sensually played and achingly beautiful, the hairs on my neck and arms stand up on end. Listen to the opening track and tell me this is not great sex music. Yes, tango is a very sensual art form and this CD is great for those very intimate moments. Of course, sex aside, the music is nothing short of a miracle unto itself. That I was to discover this CD just last year meant I was without it for 7 years since it was released. My life is richer for this and other Piazzolla works done by Kremer.
This CD has become one of those "island" CDs that you would take if you wer so to become deserted on one. You should be so lucky!

5 out of 5 stars Piazzolla's Unofficial Interpreter.......2001-04-12

I first became aware of this CD several years ago as its melancholy strains wafted through the air of a bookstore through which I was browsing. My ears perked up...Piazzolla!!! Upon inquiry, I was shown the CD and I immediately purchased a copy. I couldn't wait to get home and listen to it at elevated volume. What a recording!! Kremer has captured and distilled the essence of Piazzolla's music. Every song is a masterpiece and nearly all of my favorite mid-period Piazzolla compositions are contained within. A special treat is the magnum opus which closes the set, a 12-minute rendering of Le Grand Tango with just Kremer's violin and the restrained passion of Vadim Sakharov's piano to lead your mind into another musical dimension. Gidon Kremer has since recorded a number of Piazzolla-related CDs and in so doing has set himself up as the unofficial interpreter of El Maestro's music. If you like Piazzolla, you are sure to enjoy this CD. I give it my highest recommendation.
La Camorra
Average customer rating: 5 out of 5 stars
  • addicted to Piazzolla
  • Thrilling work
  • La Camorra, Piazolla
  • EXCELLENT
  • Paradise Now
La Camorra

Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

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  5. Pulsación

ASIN: B00000IXTX
Release Date: 2007-03-02

Tracks:

  1. Soledad
  2. La Camorra I
  3. La Camorra II
  4. La Camorra III
  5. Fugata
  6. South: The Dreams
  7. South: Regression To Love

Customer Reviews:

5 out of 5 stars addicted to Piazzolla.......2007-05-20

I am just reading the Piazzolla's splendid biography which had enabled me to have a better understanding of his compositions and given me an appreciation of his individuality.
The music is intoxicating and powerful to anyone addicted to the rhythm of tango. The harmony is easy to listen to and the melodies are very likable. The authentic performance of the composer and his New Quintet is quite remarcable. It is hard to imagine that Piazzolla would be involving in his quintet anyone less that highly accomplished. Splendid CD. Highly
recomended.
Joe Neustatl.

5 out of 5 stars Thrilling work.......2007-03-17

This is a thrilling work. Soledad is an exemplar of slow, passionate music of a sort I have never heard before. I would love to see a choreographers vision of the three part La Camorra. The music summons an Argentina I read about decades ago in Borges' stories. Everything I could hope for in a Piazzolla work.

5 out of 5 stars La Camorra, Piazolla.......2005-10-14

This Piazolla CD is pure Argentinian magic! The first piece on the CD is divinely beautiful. I could listen to it over and over again.

5 out of 5 stars EXCELLENT.......2004-12-09

I'm stunned by two things: First, that I am the first person to review this great album and it is nearly 5 years old.

Second, that I havnt 'discovered' Piazzola sooner. Sure, I have known the name but tango has never much appealed to me before...that is until I heard this CD.

The recording is EXCELLENT the playing is EXCELLENT the music is EXCELLENT.

If you are on the fence on this one don't hesitate to jump in and get it.

5 out of 5 stars Paradise Now.......2001-10-01

What I like about Astor Piazzolla 's compositions are that they shift dynamically, rhythmically, mood-wise in a fairly illogical way that mimics the texture of everyday life (mine at least). Not rampant atonality . Like life, the compositions retain consistent voices, threads of melodies. But bet's are off about what's comin' around the corner.

Piazzolla is always a first-class FEELING human as opposed to a musician's musician. Operatic in his emotional intensity.

This CD has an erotically slow "Soledad", three raucous and adorable fight-songs about "La Camorra" (the quarrel). Next, a muscular fugue, "Fugata", "Sur: Los Suenos (South: The Dreams)" holding a child's nursery song? inside, and last "Regresso Al Amor (South: Regression To Love)". I enjoy YOYO Ma's version of "Regresso Al Amor" (on Yo-Yo Ma: SOUL OF THE TANGO: MUSIC OF ASTOR PIAZZOLLA) but this CD has the composer performing, making it more bittersweet (he died in '92)- more "regressive".

My favorite PIAZZOLLA CD is no longer just "Tango: Zero Hour." It's a tie between Zero and La Camorra. "Zero Hour" is more ethereal; "La Cammorra" is more agitated.
Los Tangueros
Average customer rating: 5 out of 5 stars
  • Amazing
  • Typical Piazzolla...Extraordinary
  • A Christlike Performance
  • superb playing of great music
Los Tangueros

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000029TY
Release Date: 1997-01-14

Tracks:

  1. Revirado
  2. Fuga y misterio
  3. Milonga del angel
  4. Decarissimo
  5. Soledad
  6. La muerte del angel
  7. Adios Nonino
  8. Libertango
  9. Verano porte
  10. Michelangelo '70
  11. Buenos Aires hora cero
  12. Tangata

Amazon.com essential recording

Like his frequent partner, Yo-Yo Ma, pianist Emanuel Ax has become infatuated with the tangos of Astor Piazzolla. Ax sought out pianist Pablo Ziegler, a long-time member of Piazzolla's ensemble, to make these arrangements and perform them with him. With his innate musicianship and Ziegler as a tutor, Ax has entered wholeheartedly into the world of the New Tango. These performances have just the right feeling for rhythm and color. Whether you need an album of Piazzolla on two pianos is another question. I'd say get some of Piazzolla's own recordings first. But for piano tango this album is a total success. --Leslie Gerber

Customer Reviews:

5 out of 5 stars Amazing.......2005-07-16


There is a certain intensity in Piazzola's music that is hard to describe. It can be very powerful and nostalgic at the same time, very energetic and extremely mellow. Rumor has it that when Piazzola was studing music, his teacher pesuaded him to go back to his natural instrument, the bandoneon, as Piazzola had proven to play it with a special sensitivity.
While played in the bandoneon , Piazzola's music reaches all its Argentinean identity and character, but in the piano- in this case two of them- his music transforms and gets a richness that is really imppresive. I can't imagine two better piano players to deliver the passion of Piazzola's music. Emmanuel Ax and Pablo Ziegler are amazing together. Los Tangueros is a classic for all the Piazzola fans.

5 out of 5 stars Typical Piazzolla...Extraordinary.......2003-03-05

The quintessential Piazzolla is presented here in a rapturous performance by several artists in their own right. I was attracted to this recording because I play the piano and the idea of Emanual Ax and Pablo Ziegler (another one of those classical-Tango joint venture a la Yo Yo Ma) performing Tango was too much to pass up.

The transcriptions are very, very good. In fact, though one can readily distinguish the sound from the classic Tango ensemble, the music is seamless. It works! Of particular interest is "La muerte del angel". One wishes that the "angel" trilogy could be presented in one package instead of spread out over several recordings. And speaking of transcripts, a German firm now distributes piano versions of Piazzolla tangos in three volumes.

While I'm wishing, it would be great if someone recorded the entire body of Piazzolla compositions in one collection.

5 out of 5 stars A Christlike Performance.......2000-08-02

I was unfamiliar with Emanuel Ax, very familiar with Pablo Ziegler, and ultra familiar with the work of Astor Piazzolla, so I decided to give this CD a try. The only disappointment is that there are only 12 songs on this recording. It must have been difficult for Piazzolla acolyte Ziegler to decide which of the hundreds of worthy Piazzolla compositions to record. In the end, he did a great job not only in selecting a variety of Piazzolla styles, but also in selecting those which fit his conception of this project. Its hard to choose a favorite here though if pressed, I'd name the stately Soledad followed closely by the equally majestic Tangata. Ziegler's arrangements are impeccable. He proves that a lot of music can spring from two pianos with no other instrumentation needed when the arrangements are right. I heartily recommend this album not only to Piazzolla fans, but to fans of the piano. I hope that Ax and Ziegler soon offer an encore to this Christlike performance.

5 out of 5 stars superb playing of great music.......1999-08-07

Piazzola does for tango what Gershwin did for the blues. And there is no better medium to hear what Piazzola is up to than these splendid arrangements for two pianos. Emanuel Ax, of course, is one of America's best living pianists. With Ziegler, he forms an unforgettable team. Highly worthwhile.
Four Seasons of Buenos Aires
Average customer rating: 4 out of 5 stars
  • Piazzolla brazillian version
  • Bland music
  • Master piece
  • Don't Be Fooled
  • Superb collection
Four Seasons of Buenos Aires

Manufacturer: Milan Records
ProductGroup: Music
Binding: Audio CD

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  5. La Camorra

ASIN: B0001FGAWQ
Release Date: 2004-03-09

Tracks:

  1. Spring Of Buenos Aires
  2. Summer Of Buenos Aires
  3. Autumn Of Buenos Aires
  4. Winter Of Buenos Aires
  5. Fugue 9
  6. Years Of Solitude - Paulo Sergio Santos
  7. Libertango - Chiquinho Do Acordeon
  8. Tristango - Chiquinho Do Acordeon
  9. Novitango - Chiquinho Do Acordeon
  10. Deus Xango - Paulo Sergio Santos

Customer Reviews:

4 out of 5 stars Piazzolla brazillian version.......2007-05-18

Only Astor Piazzolla could equal himself. A bandoneon virtuoso playing his own works, nobody could do better than him. However Four Seasons of Buenos Aires deserves a place of honour in the cd collection of Piazzolla's fans.

1 out of 5 stars Bland music.......2007-05-07

I heard this piece at a concert and loved it. However, this recording had none of the fire and passion of the concert. I returned it.

5 out of 5 stars Master piece.......2005-12-29

The right balance between classical, popular, contemporany music this CD is a fascinating interpretation of Piazzolla best works in a Brazilian way bringing together some of its best talented musicians.
The extraordinary performances of Rio Cello Trio and the Orquestra de Cordas Brasileiras makes this CD unforgettable.

4 out of 5 stars Don't Be Fooled.......2005-03-05

Milan Records owns the rights to a lot of the later Piazzolla canon, and since his death has steadily been mining its holdings with a number of CD reissues and compilations that are readily identified as Milan's by the similarity of the cover art used. Don't be fooled by the Four Seasons of Buenos Aires, however. While it is a fine recording, Piazzolla does not appear on it as anything but the composer.
I didn't read the back of the CD cover before I bought it and so when I opened it, I was surprised to find that the cover had fooled me into thinking Piazzolla was featured. I played it anyway, prepared for the worst, as many offerings of Piazzolla compositions turn out mediocre at best. At first, it seemed like my fears were confirmed, but after several listens I warmed to the music.
Those familiar with AP's "Four Seasons" sequence know that they are among the most classically oriented of his works and have only the slightest connection to tango. But they also know that when performed by Piazzolla and one of his musical formations, that they are among the most powerful of his longer works. Anyone taking on the task of interpretation had better know well what the heck they are doing or risk making musical fools of themselves.
This interpretation of the "Four Seasons" is done by a Brazilian orchestra that in my view started rather weakly. It isn't until "winter" (Invierno Porteno) was reached that the power and majesty of the music comes to fruition.
From there on out, the rest of the CD is quite good. My favorites of the remainder are the three parts of the "Libertango" sequence that they performed and which features some excellent mandolin work and Deus Xango, which closes the recording with a jazzy rendering oddly reminiscent of some of the old CTI-era jazz recordings.
The weakness of the start drops a star, but its the rest of the recording which puts this in the recommended category for anyone who loves the music of Astor Piazzolla.

5 out of 5 stars Superb collection.......2004-05-04

Superb collection of Piazzolla's 'new tango': four ear-bending modern arrangements followed by an array of traditional performances. Because of its versatility and constant quality, this disc easily lets itself play from start to end and over again. Four seasons for the ear indeed.
The Best of Tebaldi
Average customer rating: 5 out of 5 stars
  • Resurrection of an Old LP Compilation
  • Vintage Renata
The Best of Tebaldi

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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  1. Grandi Voci: Renata Tebaldi
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ASIN: B0002L2XUC
Release Date: 2004-10-12

Customer Reviews:

5 out of 5 stars Resurrection of an Old LP Compilation .......2007-03-09

I bought this compilation on a London LP back in the seventies. I listened to it until I wore it out. They wisely began the disc with probably the best recording she ever made, that of Si, mi chiamano Mimi, from La Boheme. The singing on that cut is so ravishing and inspired. All the other cuts are almost as good, except for the one from La fanciulla del West; there she was past her prime, but it's a great aria. Instead, they should have included her recording of O Patria Mia from AIDA. Tebaldi had something that even the great Caballe has never completely matched, and this CD really does represent her best work.

5 out of 5 stars Vintage Renata.......2005-01-03

This recital, one of the series of "original cover" [in this case the English, not the American cover] albums that DECCA has been re-issuing, is a compilation-recital drawn from Tebaldi's many complete-opera sets.

TRACKLISTING

1 Sì. Mi chiamano Mimì (Mimì)
La Bohème Puccini
2 Donde lieta uscì al tuo grido (Mimì)
La Bohème Puccini
3 Vissi d'arte (Tosca)
Tosca Puccini
4 Laggiù nel Soledad (Minnie)
La fanciulla del West Puccini
5 Un bel dì, vedremo (Cio-cio-san)
Madama Butterfly Puccini
6 "Con onor muore" (Cio-cio-san)
Madama Butterfly Puccini
7 Signore, ascolta! (Liù)
Turandot Puccini
8 Tu che di gel sei cinta (Liù)
Turandot Puccini
9 La mamma morta (Maddalena)
Andrea Chénier Giordano
10 Io son l'umile ancella (Adriana)
Adriana Lecouvreur Cilèa
11 Poveri fiori (Adriana)
Adriana Lecouvreur Cilèa
12 L'altra notte in fondo al mare (Margherita)
Mefistofele Boïto

Carlo Bergonzi tenor (tracks 1 & 6)
Cornell MacNeil baritone (track 4)
Mario del Monaco tenor (track 8)
Orchestra e coro dell'Accademia di Santa Cecilia
Tullio Serafin (tracks 1, 2, 5, 6 & 12)
Francesco Molinari-Pradelli (track 3)
Franco Capuana (tracks 4, 10 & 11)
Alberto Erede (tracks 7 & 8)
Gianandrea Gavazzeni (track 9)

Her luminous, radiant voice was at her best here.

Now DECCA ought to re-issue Tebaldi's classic 1955 recital with Alberto Erede conducting, from which I particularly cherish the two items from Licinio Refice's CECILIA, an azione sacra from the 1930s that Tebaldi sings with a tenderness and glow that is guaranteed to bring tears to your eyes.

To know Renata is to love her, and so will you, if you hear this exquisite disc.

The several non-jet-setting conductors in this dic lead with un-flashy excellence and a gracious, Italianate regard for the needs of the singer: a lesson in STYLE.

Grandi Voci: Renata Tebaldi
Average customer rating: 4.5 out of 5 stars
  • Tebaldi has the bigger voice
  • What a voice!
  • Excellent, but Tebaldi was no Cher
  • 20th century's greatest Italian soprano
  • The real thing
Grandi Voci: Renata Tebaldi

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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  5. Diva:Montserrat Caballe

ASIN: B00000422F
Release Date: 1993-11-09

Tracks:

  1. Un Bel Di Vedremo (Madama Btterfly - Puccini)
  2. Si, Mi Chiamano Mimi (La Boh Me - Puccini)
  3. Tu Che Di Gel Sei Cinta (Turandot - Puccini)
  4. Vissi D'Arte (Tosca - Puccini)
  5. Ritorna Vincitor! (Aida - Verdi)
  6. Mia Madre Aveva Una Povera Ancella... Piangea Cantando... Ave Maria (Otello - Verdi)
  7. Pace, Pace, Mio Dio! (La Forza Del Destino - Verdi)
  8. O Mio Babbino C Ro (Gianni Schicchi - Puccini)
  9. Senza Mamma, O Bimbo (Suor Angelica - Puccini)
  10. Laggi Nel Soledad (La Fanciulla Del West - Puccini)
  11. In quelle trine morbide (Manon Lescaut - Puccini)
  12. Ecco, Respiro Appena... Lo Son L'umile Ancella (Adriana Lecouvreur - Cilea)
  13. La Mamma Morta (Andrea Ch Nier - Giordano)
  14. L'altra Notte In Fondo Al Mare (Mefistofele - Boito)
  15. Ebben?... Ne Andr Lontana (La Wally - Catalini)

Customer Reviews:

2 out of 5 stars Tebaldi has the bigger voice.......2005-02-10


Yes, if you got Tebaldi in her vocal prime and Callas in her vocal prime to sing together on stage, the Italian would blow away the Greek with her enormous volume.

4 out of 5 stars What a voice!.......2005-01-03

I heard Tebaldi many times at the Metropolitan, and no recording can truly give a full idea of the radiance of her voice at its best. It was an opulent, luscious sound, with a depth all its own. Her stage persona was charming and sympathetic, but ever-so-slightly aloof: she was a true diva in the original, untainted meaning of that Italian word: a "goddess" inhabiting her own special realm.

This selection is drawn, with few exceptions, from her glory days in the 1950s, and includes some-but by no means all-of her finest moments on disc. While no recording can quite recreate her special aura, it CAN reproduce her way with a phrase, the exquisite light-and-shade of her personal style. In this she was a fine musical interpreter, and a real Italian: no heavy-breathing psychotics from Renata! Her heart, like the timbre of her voice, was full of Italy's sun.

In the glorious tradition of Claudia Muzio, Tina Poli-Randaccio, Giannina Arangi-Lombardi, Maria Caniglia and Mafalda Favero.

3 out of 5 stars Excellent, but Tebaldi was no Cher.......2004-12-20

Few singers have performed "Tusca" with the flourish and brilliance of Tebaldi, and her arias, filled with her rich, creamy, full-bodied voice are stunning even to this day. However, never have I seen anything from Tebaldi that even begins to compare with the eye-popping dance moves, bold vocal stylings, and see-through leotards of Cher. The works of Puccini are indeed fine; however I wager that fans of Tebaldi should--indeed MUST--indulge in classics like "Do You Believe In Life After Love" before considering their music collections complete.

5 out of 5 stars 20th century's greatest Italian soprano.......2004-08-10

Living in an era as we do where there are so few great Italian lyric/spinto sopranos,it is a joy to listen to this CD and to hear the "real thing." Tebaldi's voice is so rich and so luxurious that it may come as a surprise to a younger generation that has not heard an Italian soprano with such a large and velvety voice. It reminds me of the many saturday afternoons I would listen to Tebaldi on the Met radio broadcasts. Comparisons can be interesting...Callas's dramatic intensity, Sutherland's coloratura and high notes, the brilliance of Leontyne Price, etc. but Tebaldi truly was the greatest Italian soprano of the 20th century and owned the roles of Mimi, Liu, Minnie, and Tosca. There was a reason that Toscannini selected a young Tebaldi to re-open the opera house at La Scala in Milan after World War II..he knew that a voice like that came but once in a hundred years.

5 out of 5 stars The real thing.......2004-06-25

Although I prefer the "La Tebaldi" 2-disc set on Decca because it has arias not included here, this colection is great. The aria from Adriana gets my vote as one of the most beautiful things ever recorded, by anyone. If you enjoy beautiful singing, you'll want this disc.
Puccini
Average customer rating: 3.5 out of 5 stars
  • Commitment, passion and problems. . . .
  • Flawed, but nevertheless excellent
  • Disappointing Puccini recital
  • Mixed bag
  • Pitch problems and vocal disappointments
Puccini

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

All Works by PucciniAll Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
Gheorghiu, AngelaGheorghiu, Angela | ( G ) | Featured Performers, A-Z | Classical | Styles | Music
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Puccini, GiacomoPuccini, Giacomo | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music
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Romantic (c.1820-1910)Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music
ItalianItalian | Languages | Opera & Vocal | Styles | Music
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ASIN: B0006G9HAC
Release Date: 2005-03-01

Tracks:

  1. Un Bel Di Vedremo
  2. Tu, Tu, Piccolo Iddio
  3. Addio, Mio Dolce Amor - Chorus Of The Royal Opera House, Covent Garden
  4. Nel Villaggio D'Edgar - Chorus Of The Royal Opera House, Covent Garden
  5. Chi Il Sogno Di Doretta
  6. Si, Mi Chiamano Mimi
  7. Quando Me N'vo
  8. Donde Lieta Usci
  9. L'amore E Un'altra Cosa...Laggiu Nel Soledad
  10. In Quelle Trine Morbide
  11. Sola, Perduta, Abbandonata
  12. Senza Mamma
  13. O Mio Babbino Caro
  14. Se Come Voi Piccina Io Fossi
  15. Signore, Ascolta!
  16. Tu Che Di Gel Sei Cinta
  17. In Questa Reggia - Chorus Of The Royal Opera House, Covent Garden

Tracks:

  1. Vissi D'arte

Amazon.com

It would be difficult to fault the singing of Angela Gheorghiu on these discs (the second, bonus CD contains "Vissi d'arte" from her complete recording of Tosca). She goes through almost the entire Puccini catalog of heroines--Mimi and Musetta, Liu, Butterfly, Manon Lescaut, Liu and Turandot, Lauretta, Suor Angelica, Minnie (from Fanciulla), as well as the gals from La Rondine, Edgar, and Le Villi, and her exquisite, fine-grained, unique sound--with its dusky lower register--is always interesting and beautifully inflected. Her attention to dynamics is admirable, verbally, she seems genuinely involved in each character. The voice can deliver as much power, as in the end of the first Edgar aria, as gentleness, in Suor Angelica's "Senza Mamma" as needed. But somehow she doesn't make any one of the characters entirely her own. This may be a bit picky, but maybe that's the case with recital albums. Let's face it--her voice is irresistible and her husband, Roberto Alagna, adds his bronzed tones to two of the selections. --Robert Levine

Customer Reviews:

5 out of 5 stars Commitment, passion and problems. . . ........2007-01-28

Buy this CD and stay with it for a day or two. You'll eventually be won over, even if you belong to another
"camp".

OK: We all know there is a type of "opera queen" of all sexes and sexual orientations that thrive on bashing
certain singers while lauding others. This is not a war. I resisted Gheroghiu for years due to the hype and
marketing. I have not heard her live, so I don't know if she is out-faching herself by singing damn near
everything alla Callas.

What I DO hear is a rather "ugly" voice (again alla Callas) that is so distinctive as to be instantly recognizable. There is that middle European "keening", rapid vibrato quality that Vishnevskaya had.

What I hear above ALL however, is commitment and passion. There are pitch problems, AGAIN alla Callas, sharp
here, flat there, driven "ugly" sounds: all the hallmarks of the Kunstdiva, of which I think she might be the
reigning example in our time.

The Puccini style here is questionable: let's lay that off on the conductor.

Fleming, Gheorghiu, Netrebko, et al: committed, intelligent, driven women who make the world a better place
in which to live and listen.

Have your favorites, and lay off the others in print.

4 out of 5 stars Flawed, but nevertheless excellent.......2006-02-04

My personal rating is 5 stars, but I'm just biased to everything Romanian, the public rating derives from the fact that people need an objective as possible review, and that lead me to the flaws:
Ms. Gheorghiu's voice is there as always, with it's dark, round timbre but, as I beleive a fellow reviewer has noted, they sound a bit alike. The usual passion she injects in this music is not entirely present, she somehow sounds uninspired.
Even so, the good outweighs the bad, and that's what makes this an excellent addition to your musical library; there's not a misplaced note anywhere, her gorgeous voice is a delight to the ears, and the musical selection is quite good and interesting, even if she's not up to the challenge of Turandot (at least not yet). For some reason that I don't share, a few people have found the conducting bad, but that's the aspect I pay less attention to, unless it's enormously obvious.
In short, this is a disc fans of Gheorghiu and good singing can't miss.

3 out of 5 stars Disappointing Puccini recital.......2005-12-06

Angela Gheorgiou can sing Puccini like nobody's bussiness, but something is missing from this collection. It's good, with few rough spots (and admittedly, pitch issues) but I don't want "good" from Angela, I want GREAT! She can do better. She can sing these arias with more passion, better technique and I just don't understand what has happened to her. There is sameness to all these arias, and not much color or variation.
Vissi D'arte is very good, and In questa Regia is great, very different from how it is usually done, but Tu, Tu, Piccolo Iddio is not good at all and I don't like Quando Me N'vo either, I have heard much better performances of this classic, especially by Anna Netrebko, who is hot on Angela's heels as the next great diva. Watch your back, dear Angela!
Also, the programming on this album is strange, why is Vissi D'arte on a seperate disc...?
For anyone who loves this voice, it would still be a nice recital, but I am disappointed, I expected better.

4 out of 5 stars Mixed bag.......2005-12-06

As a great lover of Puccini music, it's difficult to disappoint me when it comes to recordings. This collection of arias sung by Angela Gheorghiu covers every Puccini opera except Il Tabarro (from Il Trittico), so the broad selection is a treat. I've heard many conflicting opinions about her singing, but I consider Gheorghiu's soprano sound to be uniquely rich and beautiful. Moreover, she has made a strong contribution to recorded opera.

Anton Coppola's conducting is too slow for my taste most of the time. He seems to love every note Puccini wrote (which is understandable!), but his pacing undermines the drama in some of these selections. He also doesn't get much force out the orchestra when it is needed, such as in Turandot and the Madama Butterfly finale.

EMI's packaging is ridiculous. One aria, "Vissi D'arte" from Tosca, is on a separate disc, billed as a "bonus CD." It is from her earlier recording of the opera conducted by Antonio Pappano. The case is like a hardcover book, which looks nice, but does not fit in typical CD storage spaces.

2 out of 5 stars Pitch problems and vocal disappointments.......2005-09-27

I really liked Gheorghiu the first time that I heard her. I thought that she was probably the best soprano out there in the spotlight. After hearing this CD, however, I have really changed my mind. First of all, she sings flat in alot in this CD. Secondly, her technique is showing some flaws now in that she can not always pronounce the words correctly. So she makes some strange sounds. For example, "Tu, tu, tu" which should be pronounced with a pure 'oo' sound is pronounced 'tuh'. I also feel that her voice is a bit frantic in alot of parts with her middle range and chest voice being weak and uncoordinated. How unfortunate! She needs to get it together or she is going down the toilet.
Cantos Revolucionarios De America Latina
Average customer rating: Not rated
    Cantos Revolucionarios De America Latina
    Soledad Bravo
    Manufacturer: Last Call
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Folk | Styles | Music
    VenezuelaVenezuela | South & Central America | International | Styles | Music
    GeneralGeneral | Latin Music | Styles | Music
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    ASIN: B0000DEM9R
    Release Date: 1998-01-27

    Tracks:

    1. Hasta Siempre
    2. Quirl Santo Padro
    3. Canciara Mi Amca
    4. Parabide la Paloma
    5. Cancie Pablo
    6. Si el Poeta Eres Tu
    7. Uno de Abajo
    8. Santiago de Chile
    9. Chamam Cuba
    10. Cancie Tribio Garica
    11. Su Nombre Puede Ponerse en Verso
    12. Compadre Juan Miguel
    13. Preguntitas Sobre Dios
    14. Guerrillera
    15. O Griherio Vem Pedra Va
    16. Porque los Prbres No Tienen
    17. Rio de Sangr
    18. Punto y Raya
    19. Cancion del Elegido
    20. Pobre del Cantor
    21. Ers Estariendo un Coraz

    Album Description

    Born in Spain but raised in Venezuela, Soledad Bravo is a Latin institution with over thirty releases. Bravo is the only Latin singer able to go from one style to another, epitomizing the fusion of beautiful poetry and unique singing in an extraordinarily.Last Call Records.2004.
    The Hardest Walk
    Average customer rating: 4 out of 5 stars
    • Power
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    • Potent Stones-influenced garage-blues
    • Damn good shiz!
    The Hardest Walk
    Soledad Brothers
    Manufacturer: Alive Records
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Alternative Rock | Styles | Music
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    ASIN: B000EGEJSO
    Release Date: 2006-03-14

    Tracks:

    1. Truth or Consequences
    2. Downtown Paranoia Blues
    3. Crying out Loud (Tears of Joy)
    4. Crooked Crown
    5. Sweet and Easy
    6. Dark Horses
    7. White Jazz
    8. Good Feeling
    9. Let Me Down
    10. Mean Ol' Toledo
    11. Loup Garou
    12. True to Zou Zou

    Customer Reviews:

    4 out of 5 stars Power.......2006-06-11

    I remember their last record. I think it was a live record. It was pretty good, but not a proper recording. Finally we have what I am talking about. Soledad Brothers are one of the best bands from Detroit. Now they are reaching out to the rest of the world. It's a lot of good old rock and roll. One of the best songs is "Downtown Paranoia Blues." This record is a trip. It goes back and forth between intensity and relaxation. It is a great album of roots rock and powerful emotions.

    5 out of 5 stars mesmerizing blues .......2006-06-05

    The cd is beautiful and it rocks. It gently takes your soul into a dreamlike blues and brings you back renewed.

    4 out of 5 stars Potent Stones-influenced garage-blues.......2006-04-26

    Grown in the same Detroit firmament as The White Stripes, this three-piece offers a similar blend of garage rock and blues, but without the two-piece minimalism. Their fifth album, the first for the California-based Alive Records, gains its intensity and blues heaviness more from the British Invasion (particularly the Stones, Yardbirds and Pretty Things) than directly from the Mississippi Delta or Chicago bars. The potent rhythm guitar interplay and the punk-tinged vocals are particularly remindful of mid-60s blues reinterpreters. The band's originals add touches of psychedelia and glamrock swagger, and on "Good Feeling" a taste of the Memphis soul that Big Star brought to the rock 'n' roll party. The band's fascination with the Stones hasn't subsided, but it's definitely evolved, as though their debt has been paid but not forgotten. [?2006 redtunictroll at hotmail dot com]

    4 out of 5 stars Damn good shiz!.......2006-04-07

    Great blues rock, call it whatever you like. The Soledad's rock. Highly recommend this along with their previous efforts. Catch them live if you can....you won't be disappointed. Libertas Unitas Franternitas!

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