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<P><LI><A HREF="http://www.amazon.com/exec/obidos/ASIN/083862149X/music2u"><FONT SIZE="4">Star on Many a Battlefield : Brevet Brigadier General Joseph Kargce in the American Civil War</FONT></A>
<P><A HREF="http://www.amazon.com/exec/obidos/ASIN/083862149X/music2u"><IMG SRC="http://images.amazon.com/images/P/083862149X.01.MZZZZZZZ.jpg" ALIGN="BOTTOM" BORDER="0" alt="Star on Many a Battlefield : Brevet Brigadier General Joseph Kargce in the American Civil War"></A>
<HR>
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<P><A HREF="http://www.amazon.com/exec/obidos/ASIN/0807824046/music2u"><IMG SRC="http://images.amazon.com/images/P/0807824046.01.MZZZZZZZ.jpg" ALIGN="BOTTOM" BORDER="0" alt="The Papers of John Marshall: Correspondence, Papers, and Selected Judicial Opinions January 1820-December 1823 (Papers of John Marshall)"></A>
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<HR>
<P><LI><A HREF="http://www.amazon.com/exec/obidos/ASIN/0881501093/music2u"><FONT SIZE="4">The Humorous Mr Lincoln: A Profile in Wit, Courage, and Compassion</FONT></A>
<P><A HREF="http://www.amazon.com/exec/obidos/ASIN/0881501093/music2u"><IMG SRC="http://images.amazon.com/images/P/0881501093.01.MZZZZZZZ.jpg" ALIGN="BOTTOM" BORDER="0" alt="The Humorous Mr Lincoln: A Profile in Wit, Courage, and Compassion"></A>
<HR>
<P><LI><A HREF="http://www.amazon.com/exec/obidos/ASIN/0809311178/music2u"><FONT SIZE="4">The Papers of Ulysses S. Grant: June 1-August 15, 1864 (Papers of Ulysses S Grant)</FONT></A>
<P><A HREF="http://www.amazon.com/exec/obidos/ASIN/0809311178/music2u"><IMG SRC="http://images.amazon.com/images/P/0809311178.01.MZZZZZZZ.jpg" ALIGN="BOTTOM" BORDER="0" alt="The Papers of Ulysses S. Grant: June 1-August 15, 1864 (Papers of Ulysses S Grant)"></A>
<HR>
<P><LI><A HREF="http://www.amazon.com/exec/obidos/ASIN/0823218902/music2u"><FONT SIZE="4">The Limits of Dissent: Clement L. Vallandigham &amp; the Civil War (North's Civil War Series, 8)</FONT></A>
<P><A HREF="http://www.amazon.com/exec/obidos/ASIN/0823218902/music2u"><IMG SRC="http://images.amazon.com/images/P/0823218902.01.MZZZZZZZ.jpg" ALIGN="BOTTOM" BORDER="0" alt="The Limits of Dissent: Clement L. Vallandigham &amp; the Civil War (North's Civil War Series, 8)"></A>
<HR>
<P><LI><A HREF="http://www.amazon.com/exec/obidos/ASIN/0809311186/music2u"><FONT SIZE="4">The Papers of Ulysses S. Grant: August 16-November 15, 1864 (Papers of Ulysses S Grant)</FONT></A>
<P><A HREF="http://www.amazon.com/exec/obidos/ASIN/0809311186/music2u"><IMG SRC="http://images.amazon.com/images/P/0809311186.01.MZZZZZZZ.jpg" ALIGN="BOTTOM" BORDER="0" alt="The Papers of Ulysses S. Grant: August 16-November 15, 1864 (Papers of Ulysses S Grant)"></A>
<HR>
<P><LI><A HREF="http://www.amazon.com/exec/obidos/ASIN/0823222144/music2u"><FONT SIZE="4">The Lincoln Forum: Rediscovering Abraham Lincoln (North's Civil War (Hardcover))</FONT></A>
<P><A HREF="http://www.amazon.com/exec/obidos/ASIN/0823222144/music2u"><IMG SRC="http://images.amazon.com/images/P/0823222144.01.MZZZZZZZ.jpg" ALIGN="BOTTOM" BORDER="0" alt="The Lincoln Forum: Rediscovering Abraham Lincoln (North's Civil War (Hardcover))"></A>
<HR>
<P><LI><A HREF="http://www.amazon.com/exec/obidos/ASIN/0837172462/music2u"><FONT SIZE="4">Politics and a Belly-full : The Journalistic Career of William Cullen Bryant, Civil War Editor of the New York Evening Post</FONT></A>
<P><A HREF="http://www.amazon.com/exec/obidos/ASIN/0837172462/music2u"><IMG SRC="http://images.amazon.com/images/P/0837172462.01.MZZZZZZZ.jpg" ALIGN="BOTTOM" BORDER="0" alt="Politics and a Belly-full : The Journalistic Career of William Cullen Bryant, Civil War Editor of the New York Evening Post"></A>
<HR>
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<b>
<FONT COLOR="orange">Similar Items:</FONT></b>
<OL>
<LI>Bach: Cantatas, Vol. 22</LI>
<LI>Caruso 2000</LI>
<LI>The Complete Caruso</LI>
<LI>Classic Puccini Recordings</LI>
<LI>Leon Fleisher Plays Brahms</LI>
</OL>
<br>
<b>ASIN: </b>B00030B92K
<br>
<b>Release Date: </b>2004-11-23</td>
</tr>
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<p>
<FONT SIZE="4" COLOR="orange">Album Description</FONT>
</p>The Complete Caruso: Volumes 1 - 12  
<P>The Italian tenor Enrico Caruso holds a unique place in musical history, as the first operatic singer whose recordings sold in millions, and who created an international reputation on the strength of these. Caruso's robust tone and musical sincerity made him both an ideal stage and recording artist, whose voice the primitive acoustic recording technology of the early twentieth century was able to reproduce with startling fidelity. The Naxos Historical Caruso edition constitutes the complete cycle of all Caruso's recordings issued in chronological order. In addition, the transfers have been immaculately undertaken by top sound engineer Ward Marston, unrivalled for his knowledge of the specialized world of acoustic opera recordings, and his rare ability to retrieve all of the music lying in the grooves of the original recordings. Naxos Historical's incredible price (12 CD'S FOR THE PRICE OF 10) puts this unique legacy of great singing within the reach of all music-lovers. This!  complete cycle of recordings represents a major document in the history of sound recording, and one which no collector and enthusiast of great singing will wish to be without. "There is no series of vocal records that have a greater documentary value, that meant more to the development of the phonograph record, or that are as consistently capable of providing pleasure to lovers of great singing. ...One of the most significant recording industry events of the decade." Fanfare
<p>
<b>
<FONT SIZE="4" COLOR="green">Customer Reviews:</FONT></b>
</p>
<p>
<img src="http://www.bill88.com/images/stars-5-0.gif" width="64" height="12" alt="5 out of 5 stars" border="0">
<FONT SIZE="4" COLOR="orange">Get It While You Can</FONT>.......2006-10-13</p>This may not be easy to get in the USA for very long.....don't miss it.
<p>
<img src="http://www.bill88.com/images/stars-5-0.gif" width="64" height="12" alt="5 out of 5 stars" border="0">
<FONT SIZE="4" COLOR="orange">Essential edition for opera lovers</FONT>.......2005-02-01</p>This set gives you the opportunity to follow the entire recording career of one of the greatest singers in Operatic History.  Enrico Caruso was the first superstar of the 20th century -- and this without the benefit of mass media.  His person and his records were his greatest publicity.
<br />
<br />The set begins with Caruso's Italian made recordings.  They show a great raw talent.  The artistry is lacking with many sobs, over acting and mistaken cues.  The 1902 and 1903 clearly show a tenor with a lot to learn.  But learn it he did.  His 1904 sessions show a mature artist on par with any heard since.  His voice matures before your very ears and by 1910, you wonder if you will ever listen to any other tenor the same way again.
<br />
<br />The engineering used for this set is wonderful.  There is no attempt at all to use the soundstream process of computer sound enhancement as heard on the RCA issued sets.  These are near perfect mint conditioned discs copied by engineer extraordinary Ward Marston.  They sound like natural 78s, they way Caruso himself must have heard the playbacks at the (RCA) Victor studios.
<br />
<br />Also included are outtakes and extra takes.  There is a "Celeste Aida" from 1908, complete with a broken high note, previously released by RCA in a 1973 set commemorating the tenor's centenary birthday.  But there are new treasures here as well, including extra takes of two of Caruso's greatest recordings, the Italian song "L'Alba separa dalla l'uce ombra" and an aria from Rubinestine's Nerone.  Listening to them, one wonders what Caruso could have possible thought inadquate in those long lost altenative takes.
<br />
<br />Finally, there is the simple joy of hearing so many things so well sung.  Caruso was the pinnacle of the tenor art.  He can be compared to no other single tenor since ... he has the brilliant ring of Bjorling, the passion of Gigli, the beauty of Gedda, the youthful enthusiasm of Lanza, the warm tonal quality of Tucker, the pure strength of Corelli, the charasma of Pavarotti and the artestry of Domingo.
<br />
<br />Whether you are an opera fan, a voice fan or just a music lover.  This set is worth every penny.
<br />
<br />Todd Kosovich
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<b>
<FONT SIZE="4">Tiempo de Amar</FONT></b>
<br>Menudo
<br>
<b>Manufacturer: </b>Musica Futura
<br>
<b>ProductGroup: </b>Music
<br>
<b>Binding: </b>Audio CD
<br>
<br>
<img src="http://www.bill88.com/images/lbball3.gif" width="14" height="14" alt="General" border="0">General
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<b>ASIN: </b>B000002FM0
<br>
<b>Release Date: </b>1996-02-13</td>
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<p>
<b>
<FONT SIZE="4" COLOR="green">Tracks:</FONT></b>
</p>
<OL>
<LI>Donde Esta Tu Amor</LI>
<LI>Te Amare</LI>
<LI>Tiempo de Amar</LI>
<LI>No Entiendo</LI>
<LI>He Venido a Pedirte Perdon</LI>
<LI>Buscando un Amor</LI>
<LI>Besame</LI>
<LI>Solo Tu, Solo Yo</LI>
<LI>Mas y Mas</LI>
<LI>Limosna</LI>
<LI>Soy Todo un Enredo</LI>
</OL>
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<FONT SIZE="4">Tiempo de Amar</FONT></b>
<br>Los Dinnos
<br>
<b>Manufacturer: </b>Fonovisa Inc.
<br>
<b>ProductGroup: </b>Music
<br>
<b>Binding: </b>Audio CD
<br>
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<b>ASIN: </b>B000009O82
<br>
<b>Release Date: </b>1998-07-14</td>
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<p>
<b>
<FONT SIZE="4" COLOR="green">Tracks:</FONT></b>
</p>
<OL>
<LI>Aquel Chofer</LI>
<LI>A Medio Metro</LI>
<LI>Te Conozco</LI>
<LI>Me Duele</LI>
<LI>Chiquitita (La Surtidita)</LI>
<LI>De Que Sirvio</LI>
<LI>Donde Estas</LI>
<LI>Quiero Amancer</LI>
<LI>Quisiera</LI>
<LI>Solos</LI>
</OL>
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<FONT SIZE="4">Tiempo de Amar</FONT></b>
<br>Lupita D'Alessio
<br>
<b>Manufacturer: </b>Orfeon Records
<br>
<b>ProductGroup: </b>Music
<br>
<b>Binding: </b>Audio CD
<br>
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<img src="http://www.bill88.com/images/lbball3.gif" width="14" height="14" alt="General" border="0">General
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 | Latin Music
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<br>
<img src="http://www.bill88.com/images/lbball3.gif" width="14" height="14" alt="CDs $7 - $10" border="0">CDs $7 - $10
 | Latin General
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<img src="http://www.bill88.com/images/lbball3.gif" width="14" height="14" alt="All Bargain Titles" border="0">All Bargain Titles
 | Latin General
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<br>
<b>ASIN: </b>B000008U4V
<br>
<b>Release Date: </b>1990-10-25</td>
</tr>
</table>
<p>
<b>
<FONT SIZE="4" COLOR="green">Tracks:</FONT></b>
</p>
<OL>
<LI>Tiempo de Amar (Te Amo)</LI>
<LI>Quedate Conmigo Amor</LI>
<LI>Como Decirte Que Me Voy</LI>
<LI>A Mi</LI>
<LI>Te Quiero Al Alba</LI>
<LI>Solo Soy Una Mujer</LI>
<LI>Aqui Estoy Yo</LI>
<LI>Te Quiero Como Te Quiero</LI>
<LI>Soue Te Perdia</LI>
<LI>Mi Amor Sin Ti</LI>
</OL>
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<FONT SIZE="4">Tiempo De Amar</FONT></b>
<br>Lupita D'Alessio
<br>
<b>Manufacturer: </b>Sony Discos/Orfeon
<br>
<b>ProductGroup: </b>Music
<br>
<b>Binding: </b>Audio CD
<br>
<br>
<img src="http://www.bill88.com/images/lbball3.gif" width="14" height="14" alt="Latin Pop" border="0">Latin Pop
 | Latin Music
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<br>
<img src="http://www.bill88.com/images/lbball3.gif" width="14" height="14" alt="CDs $7 - $10" border="0">CDs $7 - $10
 | Latin Pop
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<img src="http://www.bill88.com/images/lbball3.gif" width="14" height="14" alt="All Bargain Titles" border="0">All Bargain Titles
 | Latin Pop
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<br>
<b>ASIN: </b>B000002F29
<br>
<b>Release Date: </b>1995-08-08</td>
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"0">General
 | Boito, Arrigo
 | ( B )
 | Featured Composers, A-Z
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<br>
<img src="http://www.bill88.com/images/lbball3.gif" width="14" height="14" alt="All Works by Donizetti" border="0">All Works by Donizetti
 | Donizetti, Gaetano
 | ( D )
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 | Franck, C&eacute;sar
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<img src="http://www.bill88.com/images/lbball3.gif" width="14" height="14" alt="Godard, Benjamin" border="0">Godard, Benjamin
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<img src="http://www.bill88.com/images/lbball3.gif" width="14" height="14" alt="Caruso, Enrico" border="0">Caruso, Enrico
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<br>
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<img src="http://www.bill88.com/images/lbball3.gif" width="14" height="14" alt="Adam, Adolphe-Charles" border="0">Adam, Adolphe-Charles
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<br>
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<br>
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<br>
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<br>
<img src="http://www.bill88.com/images/lbball3.gif" width="14" height="14" alt="Oratorios" border="0">Oratorios
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<br>
<img src="http://www.bill88.com/images/lbball3.gif" width="14" height="14" alt="Requiems" border="0">Requiems
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<br>
<img src="http://www.bill88.com/images/lbball3.gif" width="14" height="14" alt="General" border="0">General
 | Songs &amp; Lieder
 | Vocal Non-Opera
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<br>
<img src="http://www.bill88.com/images/lbball3.gif" width="14" height="14" alt="General" border="0">General
 | Latin Music
 | Styles
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<br>
<img src="http://www.bill88.com/images/lbball3.gif" width="14" height="14" alt="General" border="0">General
 | Soundtracks
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<br>
<img src="http://www.bill88.com/images/lbball3.gif" width="14" height="14" alt="Classical" border="0">Classical
 | Box Sets
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<br>
<b>ASIN: </b>B000003F1L
<br>
<b>Release Date: </b>1990-11-20</td>
</tr>
</table>
<p>
<b>
<FONT SIZE="4" COLOR="green">Tracks:</FONT></b>
</p>
<OL>
<LI>Rigoletto, Act I: Studenti! Udite!</LI>
<LI>Rigoletto, Act I: Questa o quella</LI>
<LI>Aida, Act I: Celeste Aida</LI>
<LI>Manon, Act II: Chiudi gli occhi (II Sogno)</LI>
<LI>L'elisir d'amore, Act II: Una furtiva lagrima</LI>
<LI>Mefistofele, Epilogue: Giunto sul passo estremo</LI>
<LI>Germania, Act I: Ah, vieni qui ... No, non chiuder gli occhi vaghi</LI>
<LI>Mefistofele, Act I: Dai campi, dai prati</LI>
<LI>Tosca, Act III: E lucevan le stelle</LI>
<LI>Iris, Act I: Apri la tua finestra</LI>
<LI>Mefistofele, Act I: Dai campi, dai prati</LI>
<LI>Fedora, Act II: Amor ti vieta</LI>
<LI>Aida, Act I: Celeste Aida</LI>
<LI>La Gioconda, Act II: Cielo e mar</LI>
<LI>Pagliacci, Act I: Recitar!  mentre preso dal delirio...Vesti la giubba</LI>
<LI>Cavalleria Rusticana: O Lola (Siciliana)</LI>
<LI>Non t'amo piu</LI>
<LI>La mia canzone</LI>
<LI>Adriana Lecouvreur, Act II: No, pui nobile</LI>
<LI>Luna fedel</LI>
<LI>Un bacio ancora</LI>
<LI>Luna fedel</LI>
<LI>L'elisir d'amore, Act II: Una furtiva lagrima</LI>
<LI>Tosca, Act III: E lucevan le stelle</LI>
<LI>Germania, Act I: Ah, vieni qui ... No, non chiuder gli occhi vaghi</LI>
<LI>Rigoletto, Act IV: La donna e mobile</LI>
<LI>Cavalleria Rusticana: O Lola (Seciliana)</LI>
</OL>
<p>
<b>
<FONT SIZE="4" COLOR="green">Tracks:</FONT></b>
</p>
<OL>
<LI>Tu non mi vuoi piu ben</LI>
<LI>Tosca, Act III: E lucevan le stelle</LI>
<LI>Gli Ugonotti (Les Hugenots), Act I: Qui sotto ii ciel</LI>
<LI>Rigoletto, Act I: Questa o quella</LI>
<LI>Rigoletto, Act IV: La donna e mobile</LI>
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<LI><A HREF="021.html">Culture Shock: Spain (Culture Shock Series)</A>
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<LI><A HREF="020.html">Cultural Studies and Critical Theory</A>
<BR>Cultural Studies and Critical Theory: Books: Patrick Fuery,Nick Mansfield by Patrick Fuery,Nick Mansfield
<LI><A HREF="019.html">Cultural Pessimism</A>
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<LI><A HREF="018.html">Creating Web Sites: The Missing Manual (Missing Manual)</A>
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<LI><A HREF="017.html">Cosmic Grooves-Taurus : Your Astrological Profile and the Songs that Define You (Cosmic Grooves)</A>
<BR>Cosmic Grooves-Taurus : Your Astrological Profile and the Songs that Define You (Cosmic Grooves): Books: Jane Hodges by Jane Hodges
<LI><A HREF="016.html">Corporealities; Body, Knowledge, Culture and Power</A>
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<LI><A HREF="015.html">Computer Games: Text, Narrative And Play</A>
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<LI><A HREF="014.html">Computer Architecture: A Quantitative Approach (The Morgan Kaufmann Series in Computer Architecture and Design)</A>
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<LI><A HREF="011.html">Chicks on Speed : It's a Project</A>
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<LI><A HREF="010.html">Celtic Body Decoration Pack: Contains Book, Transfers, Body Paint and Applicator</A>
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<LI><A HREF="012.html">CISSP for Dummies</A>
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<LI><A HREF="009.html">Business Data Communications and Networking</A>
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<LI><A HREF="008.html">Brought to You in Living Color: 75 Years of Great Moments in Television and Radio from NBC</A>
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<LI><A HREF="007.html">Brian Friel in Conversation (Theater: Theory/Text/Performance)</A>
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<LI><A HREF="006.html">Bodies of Nature (Theory, Culture and Society Series)</A>
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<LI><A HREF="005.html">Beyond Subculture; Youth and Pop in a Multi-Ethnic World</A>
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<LI><A HREF="004.html">Before and After Graphics for Business</A>
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<LI><A HREF="003.html">Atomic Culture: How We Learned to Stop Worrying and Love the Bomb (Atomic History and Culture)</A>
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<LI><A HREF="002.html">Adobe Photoshop Elements 4.0 and Premiere Elements 2.0 Classroom in a Book Collection</A>
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</OL>
<P><HR>
<P><A HREF="index.html">Books 46</A>
<P><A HREF="http://www.newreleasebooks.com/"><B>Books</B></A>
<!--LinkSite-->
<P>Books
<OL>
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 humaine!...Inspirez-moi, race divine</LI>
<LI>Mia sposa sara la mia bandiera</LI>
</OL>
<p>
<b>
<FONT SIZE="4" COLOR="green">Tracks:</FONT></b>
</p>
<OL>
<LI>Macbeth, Act IV: O fifgli, o figli miei...Ah, la paterna mano</LI>
<LI>La Boheme, Act IV: Vecchia zimarra, senti</LI>
<LI>Cantique de Noel</LI>
<LI>Sancta Maria</LI>
<LI>Tiempo antico</LI>
<LI>Santa Lucia</LI>
<LI>Op. 6, No. 5: Pourquoi?</LI>
<LI>Eugene Oneguine (Evgeny Onegin), Act II: Pour moi ce jour est tout mystere</LI>
<LI>Op. 102, No. 6: Chanson de juin</LI>
<LI>Andrea Chenier, Act IV: Come un bel di di maggio</LI>
<LI>Samson et Dalila, Act III: Vois ma misere, helas</LI>
<LI>Les pecheurs de perles, Act I: A cette voix quel trouble...Je crois entendre encore</LI>
<LI>Les pecheurs de perles, Act II: De mon amie, fleur endormie</LI>
<LI>Rigoletto, Act IV: Bella figlia dell'amore (Quartet)</LI>
<LI>Verdi: Bella figlia dell'amore (Quartet)</LI>
<LI>Lucia di Lammermoor, Act II: Chi mi frena in tal momento? (Sextet)</LI>
<LI>Lucia di Lammermoor, Act II: Chi mi frena in tal momento? (Sextet)</LI>
<LI>M'appari tutt'amor</LI>
<LI>Op. 5: Musica proibita</LI>
<LI>Uocchie celeste</LI>
</OL>
<p>
<b>
<FONT SIZE="4" COLOR="green">Tracks:</FONT></b>
</p>
<OL>
<LI>L'alba separa dalla luce l'ombra</LI>
<LI>L'alba separa dalla luce l'ombra</LI>
<LI>Neron, Act II: Oh! lumiere du jour</LI>
<LI>Neron, Act III: Oh! lumiere du jour</LI>
<LI>A la luz de la luna</LI>
<LI>Sei morta ne la vita mia</LI>
<LI>La Partida</LI>
<LI>La forza del destino, Act III: Ne gustare m'e dato un'ora...Sleale! il segreto fu dunque violato</LI>
<LI>Over There...Par la-bas</LI>
<LI>Niedermeyer: Pieta, Signore</LI>
<LI>A Granada</LI>
<LI>Campane a sera</LI>
<LI>Inno di Garibaldi</LI>
<LI>Rosario Bourdon: La Campana di San Giusto</LI>
<LI>Le Regiment de Sambre et Meuse</LI>
<LI>Sultanto a tte</LI>
<LI>Samson et Dalila: Je viens celbrer la victoire</LI>
<LI>Venti scudi!</LI>
</OL>
<p>
<b>
<FONT SIZE="4" COLOR="green">Tracks:</FONT></b>
</p>
<OL>
<LI>A' Vucchella</LI>
<LI>Vieni sul mar</LI>
<LI>Tu ca nun chiagne</LI>
<LI>L'addio a napoli</LI>
<LI>Nina (Tre giorni son che Nina)</LI>
<LI>Premiere caresse</LI>
<LI>Senza nisciuno</LI>
<LI>Salavator Rosa, Act I: Mia piccirella</LI>
<LI>Memories Of A Concert</LI>
<LI>Scordame</LI>
<LI>Love Me or Not</LI>
<LI>Serse, Act I: Frondi tenere e belle...Ombra mai fu (Largo)</LI>
<LI>Noche feliz</LI>
<LI>Rachel, quand du Seigneur</LI>
<LI>I' m'arricordo 'e Napule</LI>
<LI>Vaghissima sembianza</LI>
<LI>L'Africana (L'Africaine) Act III: Che dicon mai?...Deh, ch'io ritorni</LI>
<LI>Amadis de Gaule, Act III: Bois epais</LI>
<LI>A Dream</LI>
<LI>Petite Messe solennelle: Domine Deus</LI>
<LI>Petite Messe solennelle: Crucifixus</LI>
</OL>
<p>
<FONT SIZE="4" COLOR="orange">Amazon.com essential recording</FONT>
</p>From the youthful bloom and impetuous swagger of Enrico Caruso's debut 1902 recordings to the darker, almost baritonal overtones typifying his final sessions before the acoustic horn, the singer's resplendent vocalism and generous performing style remain the archetype for Italian tenors. As a child of the late 19th century, Caruso was prone to embellish upon composers' texts, yet his passion, communicative power, and soaring musicality transcend time. The Italian sessions from 1902 to 1904 and Caruso's recordings with piano between 1904 and 1905, along with two later sides, receive conventional, unaltered transfers. The remaining material is restored via the controversial Soundstream computer process, which fleshes out the lower partials of the voice while compromising its overtones, relegating the orchestral accompaniment to a rumbling backdrop rather than contributing partner. Yet many will find the Soundstream transfers easier on the ear. Those who wish to acquire the complete Caruso in a single package at midprice should not hesitate to purchase this significant set. --Jed Distler
<p>
<b>
<FONT SIZE="4" COLOR="green">Customer Reviews:</FONT></b>
</p>
<p>
<img src="http://www.bill88.com/images/stars-5-0.gif" width="64" height="12" alt="5 out of 5 stars" border="0">
<FONT SIZE="4" COLOR="orange">No - the deffect is NOT on EVERY set!!!</FONT>.......2006-12-08</p>The deffect that some previous reviewers were so mad about did not happen to my set. After purchasing it for two years and listening to the disks every other day, they are still shiny and beautiful like new. You can't use the word "EVERY" so cavelierly, because you have not listened to EVERY set.
<p>
<img src="http://www.bill88.com/images/stars-5-0.gif" width="64" height="12" alt="5 out of 5 stars" border="0">
<FONT SIZE="4" COLOR="orange">The Master of Italian Tenor Singing-Get it</FONT>.......2006-05-20</p>     I have been collecting Caruso performance since 1960- of course they were on vinyl- I even had some 78's.  I think the 78 and vinyl records produced a warmer tone, but it is a delight to have the Master's performances in one place.  My vinyls are worn to shreds.
<br />
<br />    Except for the lighter and bel canto roles, Caruso is supreme in the Italian and some of the French repetoire. Last night I listened to the Quartet from Martha for the first time in many years. Caruso sings about a 20 second phrase beginning "Dormi   
<br />Pur" which had me in tears as it had in the past. The ease of Caruso cadenzas in "La donna e Mobile" and "Una Furtiva Lagrima" put most tenors with a 1/4 of Caruso's vocal weight and size to shame. 
<br />
<br />     There are no American/Swedish or any other hyphenated Carusos. He was unique and I am a Bjoerling freak.  I find it  
<br />odd that a previous reviwer mentioned Mario Lanza favorably with Caruso.  
<br />
<br />    Lanza rarely performed on an opera stage. On recording his voice seems large but his singing is amateurish. He squeezes, forces, barks and croons. At times one can hear a pretty sound but I do not consider him a major opera singer.
<br />
<br />    Rudolf Bing's comment that people who heard Richard Tucker were just as lucky as those who heard Caruso is silly.  Tucker was excellent but NOT Caruso.
<br />
<br />    Lauritz Melchior, in the heavy German repetoire and to my mind Otello, is as unique and uncomparable as Caruso is in the Italian and French repetoire.   
<br />          
<br />                  
<p>
<img src="http://www.bill88.com/images/stars-1-0.gif" width="64" height="12" alt="1 out of 5 stars" border="0">
<FONT SIZE="4" COLOR="orange">WARNING-All Original Releases Corrode Because of Dye</FONT>.......2005-04-24</p>EVERYONE who bought the ORIGINAL multi-disc release has seen each disc become unplayable through corrosion because of a dye used to print the label side.  BMG is well aware of this and has been inundated with demands for replacement.
<br />
<br />This set is available in a subsequently released BUDGET compilation, also available through AMAZON.  There are no manufacturing defects.
<p>
<img src="http://www.bill88.com/images/stars-5-0.gif" width="64" height="12" alt="5 out of 5 stars" border="0">
<FONT SIZE="4" COLOR="orange">from a 13 year old kid</FONT>.......2005-03-15</p>it is a great cd. when they say complete, they mean complete! 12 cds about 70mins each. comes with booklet with recording dates and matrix #s. in cardboardy-leather box. i did not have a probelem with red batwing labels making a clear film. the set is from the 70's but is the quality that great any way? contains private recordings.
<p>
<img src="http://www.bill88.com/images/stars-4-0.gif" width="64" height="12" alt="4 out of 5 stars" border="0">
<FONT SIZE="4" COLOR="orange">There are other, better options</FONT>.......2004-05-17</p>I was surprised to see that this set was still available.  These transfers were made in the late 1970's at the dawn of the digital era and were state of the art for that time.  But in cleaning up the surface noise these old digital transfers seriously flatten out the sound of Caruso's voice.
<p>I would suggest that people interested in Caruso check out the "complete" Caruso series on Naxos with new digital restorations by the greatiaries_of_victor_klemperer_1.html">089</A> 
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Basald&uacute;a studied harp with his father, and was already participating in recordings at the age of eight. His younger brother Hugo is a vocalist and plays guitar, and has won songwriting contests in Paraguay. The youngest brother Yiyo also sings, and plays folk instruments such as the quena. And their sister, Hilda Maria, is a highly attractive and original singer, taking most of the lead vocals, and is also an expert in Paraguayan folk dance.  In performances, Papi Basald&uacute;a and his Grupo Cantares prize the purity of their tradition while at the same time expressing the feelings and emphases of the modern Paraguayan people&#133;herein lies the secret of their great popularity in their homeland.
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