Se Morir

1. Se Morir

2. Ya No Eres Tu

3. Embrujo

4. Me Voy

5. Pecado Mortal

6. Poco Mas

7. Dia Gris

8. Ciertas Cosas

9. Donde Va

10. Ojos Extranos

11. Se Morir [Pista]

Se Morir,Andres Cepeda,F.M. / Balboa,Latin,Latin Pop

Average customer rating:

Rare but well-polished Verdi gems.

Les Introuvables Du Chant Verdien

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Classical | Box Sets | Stores | Music

Les Introuvables du Chant Français
Les Introuvables Du Chant Wagnérien
The Verdi Recordings
Arturo Benedetti Michelangeli plays Mozart, Chopin, Brahms, etc. (Box) [Germany]

ASIN: B000051W4C
Release Date: 2001-02-13

Tracks:

Ernani: Act I: Surta E La Notte... Ernani! Ernani, Involami - Frieda Hempel
Ernani: Act I: Che Mai Vegg'io!... Infelice!... Infin Che Un Brando Vindice - Boris Christoff
Ernani: Act II: Vieni Meco... - Mattia Battistini/Emillia Cors/Chor Del Teatro Alla Scala
Ernani: Act III: O De' Verd'anni Miei - Giuseppe Kaschmann/Salvatore Cottone
Ernani: Act III: Gran Dio!... O De' Verd'anni Miei - Benvenuto Franci
Ernani: Act III: O Sommo Carlo - Mattia Battistini/Emillia Corsi/Luigi Colazza/Aristodemo Silich/Chor Del Teatro Alla Scala
Il Trovatore: Act I: Tacea La Notte Placida - Giannina Arangi-Lombardi
Il Trovatore: Act I: Deserto Sulla Terra - Francesco Tamagno
Il Trovatore: Act II: Stride La Vampa! - Fedora Barbiera
Il Trovatore: Act II: Condotta Ell'era In Ceppi - Margarete Klose
Il Trovatore: Act II: Perigliarti Ancor (Sung In German) - Margarete Matzenauer/Heinrich Knote
Il Trovatore: Act II: Il Balen Del Suo Sorriso - Giuseppe Pacini
Il Trovatore: Act III: Ah! Si Ben Mio, Coll'essere - Charles Dalmores
Il Trovatore: Act III: Di Quella Pira (Sung In French) - Cesar Vezzani
Il Trovatore: Act III: Di Quella Pira - Jussi Bjorling
Il Trovatore: Act IV: Timor Di Me?... D'amor Sull'ali Rosee - Emmy Destinn
Il Trovatore: Act IV: D'amor Sull'ali Rosee (Sung In German) - Frida Leider
Il Trovatore: Act IV: D'amor Sull'ali Rosee - EVA TURNER
Il Trovatore: Act IV: Udiste?... Mira, D'acerbe Lagrime... Vivra! - Carlo Galeffi/Giannina Arragi-Lombardi
Il Trovatore: Act IV: Si M'ami Ancor... Ai Nostri Monti - Beniamino Gigli/Cloe Elmo

Tracks:

Macbeth: Act II: La Luce Langue (Sung In German) - Martha Modl
Macbeth: Act IV: O Figli, O Figli Mie!... Ah La Paterna Mano - Enrico Caruso
Macbeth: Act IV: Una Macchia E Qui Tuttora - Margherita Grandi/Vera Terry/Ernest Frank
Rigoletto: Act I: Questa O Quella - Alfred Piccaver
Rigoletto: Act I: Questa O Quella - Dino Borgioli
Rigoletto: Act I: Pari Siamo! - Tito Gobbi
Rigoletto: Act I: Gia Tre Lune... Veglia, O Donna (Sung In German) - Claire Dux/Joseph Schwartz
Rigoletto: Act I: E Il Sol Dell'anima (Sung In French) - Miguel Villabella/Elde Norena
Rigoletto: Act I: Caro Nome (Sung In Russian) - Lydia Lipowska
Rigoletto: Act I: Caro Nome (Sung In German) - Maria Ivogun
Rigoletto: Act II: Cortigiani, Vil Razza Damnata (Sung In German) - Joseph Schwarz
Rigoletto: Act II: Cortigianni, Vil Razza Damnata - Pasquale Amato
Rigoletto: Act II: Ciel! Dammi Corraggio! Tutte Le Feste - Olimpia Boronat
Rigoletto: Act II: Tutte Le Feste... Piangi Fanciulla - Lotte Schone/Herbert Janssen
Rigoletto: Act II: No, Vecchio, T'inganni... Si Vendetta - Maria Galvany
Rigoletto: Act III: La Donna E Mobile - Enrico Caruso
Rigoletto: Act III: La Donna E Mobile - Tino Folgar
Rigoletto: Act III: Bella Figlia Dell'amore - Beniamino Gigli/Louise Homer/Amelita Galli-Curci/Giuseppe De Luca
Rigoletto: Act III: O Mia Gilda... Lassu In Ciel - Tito Ruffo/Graziella Pareto

Tracks:

Simon Boccanegra: Prologuo: A Te L'estremo Addio... Il Lacerto Spirito - Francesco Navarini
Simon Boccanegra: Prologuo: A te L'estremo Addio... Il Lacertato Spirito - Alexander Kipnis
La Traviata: Act I: Un Di, Felice - Bjorn Talen/Lola Artot De Padila
La Traviata: Act I: Ah Fors' e Lui (Sung In Russian) - Antonina Neshdanova/Umberto Mazetti
La Traviata: Act I: Ah Fors'e Lui - Maria kousnezoff
La Traviata: Act I: Ah Fors'e Lui... Follie!... Sempre Libera - Luisa Tetrazzini
La Traviata: Act II: De' Miel Bollenti Spiriti - Fernando De Lucia
La Traviata: Act II: Lunge Da Lei... De' Miei Bollentti Spiriti - Giuseppe Di Stefano
La Traviata: Act II: Dite Alla Giovine - Nellie Melba/John Brownlee/Harold Craxton
La Traviata: Act II: Madamigella Valery?... Pura Siccome Un Angelo... Dite Alla Giovine - Rolando Panerai/Elisabeth Schwarzkopf
La Traviata: Act II: Che Fai? Nulla Scrivevi? (Sung In German) - Helge Roswaenge/Maria Cebotari
La Traviata: Act II: Mio Figlio... Di Provenza - Mattia Battistini
La Traviata: Act II: Alfredo, Alfredo... - Lilli Lehmann
La Traviata: Act III: Teneste La Promessa... Addio, Del Passato - Claudio Muzio
La Traviata: Act III: Teneste La Promessa... Addio De Passato - Margherita Carosio

Tracks:

Nabucco: Act I: Sperate, O Figli - Nazzareno De Angelis
Nabucco: Act II: Anch'io Dischiuso Un Giorno - Ines De Frate
Nabucco: Act III: Ah! Prigioniero Io Sono... Dio Di Giuda - Carlo Galeffi
La Forza Del Destino: Act I: Ma Pellegrina Ed Orfana - Gina Cigna
La Forza Del Destino: Act II: Madre, Pietosa Vergine - Celestina Boninsegna
La Forza Del Destino: Act II: Son Giunta!... Madre, Pietosa Vergine - Dusolina Giannini
La Forza Del Destino: Act II: Chi Puo Legger Nel Futoro (Sung In German) - Ivan Andresen/Meta Seinemeyer
La Forza Del Destino: Act II: Alzatevi... La Vergine Degli Angeli - Ezio Pinza/Rosa Ponselle/Chor Of The Metropolitan Opr
La Forza Del Destino: Act III: O Tu Che In Seno Agli Angeli - Francesco Merli
La Forza Del Destino: Act III: Solene In Quest'ora - Enrico Caruso/Antonio Scotti
La Forza Del Destino: Act III: Morir!... Urna Fatale... E Salvo (Sung In German) - Heinrich Schlusnus
La Forza Del Destino: Act IV: Invano, Alvaro - Gino Bechi/Giacomo Lauri-Volpi
La Forza Del Destino: Act IV: Pace, Pace, Mio Dio - Salomea Kruszelnicka
La Forza Del Destino: Act IV: Pace, Pace, Mio Dio - Zinka Milanov
La Forza Del Destino: Act IV: Non Imprecare - Ezio Pinza/Rosa Ponselle/Giovanni Martinelli

Tracks:

Don Carlo: Act I: E Lui... Dio, Che Nell'alma - Giuseppe De Luca/Giovanni Martinelli
Don Carlo: Act II: Nell Giardin Del Bello (Sung In German) - Margarete Arndt-Ober
Don Carlo: Act II: Restate - Boris Christoff/Tito Gobbi
Don Carlo: Act IV: Ou Suis-je!... Je Dormirai Dans Mon Manteau Royal (Sung In French) - Pol Plancon
Don Carlo: Act III: Ella Giammai M'amo!... Dormiro Sol - Boris Christoff
Don Carlo: Act III: O Don Fatale - Frida Leider
Don Carlo: Act III: O Don Fatale - Clara Butt
Don Carlo: Act III: I. Convien Qui Dirci Addio... Per Me Giunto/II. O Carlo Ascolta... Lo Morro - Tito Gobbi
Don Carlo: Act IV: Tu Che Le Vanita - Hertha Stolzenberg
I Vespri Siciliani: Act II: O Tu Palermo - Boris Christoff
I Vespri Siciliani: Act III: In Braccia Alle Dovizie - Riccardo Stracciari
I Vespri Siciliani: Act IV: Giorno Di Pianto (Sung In German) - Helge Roswaenge
I Vespri Siciliani: Act IV: Arrigo! Ah Parli A Un Core - Ester Mazzoleni
I Vespri Siciliani: Act IV: Merce, Dilette Amiche - Rosa Raisa

Tracks:

I Lombardi/Jerusalem: Act II: Je Veux Encore Entendre - Leonce Escalais
I Lombardi/Jerusalem: Act II: Grace, Mon Dieu!... O Jour Fatal - Paul Payan
I Lombardi/Jerusalem: Act III: Or Non Piu... Qual Volutta Trascorrere - Elisabeth Rethberg/Beniamino Gigli/Ezio Pinza
Aida: Act I: Celeste Aida (Sung In French) - Paul Franz
Aida: Act I: Se Quel Guerrier Io Fossi!... Celeste Aida (Sung In German) - Helge Roswaenge
Aida: Act I: I Sacri Nomi (Sung In French) - Felia Litvinne
Aida: Act I: Ritorna Vincitor - Giannina Russ
Aida: Act I: Ritorna Vincitor - Florence Austral
Aida: Act III: O Patria Mia (Sung In German) - Emmy Destinn
Aida: Act III: Qui Radames Verra... O Patria Mia (Sung In Russian) - Natalia Yushina
Aida: Act III: Pur Ti Riveggo - Giovanni Martinelli/Rosa Ponselle
Aida: Act III: Fuggiam Gli Ardori Inospiti (Sung In German) - Elsa Bland/Leo Slezak
Aida: Act III: Lo L'amo Sempre... Gia I Sacerdoti (Sung In German) - Sabine Kalter/Richard Tauber
Aida: Act III: Ohime!... Morir Mi Sento - Ebe Stignani/Chor Del Teatro Dell'Opr Di Roma
Aida: Act III: Morir Si Pura E Bella (Sung In German) - Leo Slezak/Sofie Sedlmair
Aida: Act III: O Terra, Addio - Johanna Gadski/Enrico Caruso

Tracks:

I Due Foscari: Act I: O Vecchio Cor - Riccardo Stracciari
I Due Foscari: Act I: Questa Dunque - Pasquale Amato
Otello: Act I: Esultate - Giacomo Lauri-Volpi
Otello: Act I: Esultate - John O'Sullivan
Otello: Act I: Qua, Ragazzi... Inaffia L'ugola! - Apollo Granforte/Nello Palai/Piero Girardi/Chor Del Teatro Alla Scala, Milano
Otello: Act I: Gia Nella Notte - Tino Pattiera/Meta Seinemeyer
Otello: Act II: Credo In Un Dio Crudel - Cesare Formichi
Otello: Act II: Tu! Indietro... Ora E Per Sempre Addio (Sung In French) - Jose Luccioni
Otello: Act II: Tu! Indietro... Ora E Per Sempre Addio - Mario Del Monaco
Otello: Act II: Era La Notte - Eugenio Giraldoni
Otello: Act II: E Qual Certezza... Era La Notte - Lawrence Tibbett
Otello: Act II: Si Pel Ciel - Giovanni Zenatello/Paquale Amato
Otello: Act III: Dio! Mi Potevi Scagliar (Sung In German) - Lauritz Melchior
Otello: Act III: Dio! Mi Potevi Scagliar - Renato Zanelli
Otello: Act IV: Piangea Cantando (Sung In German) - Lotte Lehmann
Otello: Act IV: Mia Madre Aveva Una Pavera Ancella - Yvonne Gall
Otello: Act IV: Ave Maria (Sung In German) - Tiana Lemnitz
Otello: Act IV: Niun Mi Tema - Francesco Tamagno/Salvatore Cottone
Otello: Act IV: Niun Mi Tema - Giuseppe Borgatti

Tracks:

Luisa Miller: Act I: Ah! Tutto M'arride... Il Mio Sangue - Tancredi Pasero
Luisa Miller: Act II: Oh! Fede Negar Potessi... Quando Le Sere Al Placido - Giuseppe Anselmi
Luisa Miller: Act II: Quando Le Sere Al Placido - Aureliano Pertile
Un Ballo In Maschera: Act I: Zitti... L'incanto... Re Dell'abisso - Irene Minghini-Cattaneo
Un Ballo In Maschera: Act I: E' Scherzo Od E Follia - Aureliano Pertile/Ines Maria Ferraris/Luis Bertana/Antonio Righetti/Cesare Baromeo
Un Ballo In Maschera: Act II: Ma Dall'arido Stelo - Eugenai Burzio
Un Ballo In Maschera: Act II: Ma Dall'arido Stelo - Hina Spani
Un Ballo In Maschera: Act III: Morro, Ma Prima In Grazia (Sung In German) - Melanie Kurt
Un Ballo In Maschera: Act III: Morro, Ma Prima In Grazia - Elisabeth Rethberg
Un Ballo In Maschera: Act III: Eri Tu - Giuseppe De Luca
Un Ballo In Maschera: Act III: Saper Vorreste - Selma Kurz
Un Ballo In Maschera: Act III: Forse La Soglia Attinse... Ma Se M'e Forza Perderti - Antonio Cortis
Falstaff: Act I: L'onore! - Mariano Stabile
Falstaff: Act II: Alfin, T'ho Colto... Quand'ero Paggio - Antonio Magini-Coletti/Elisa Petri
Falstaff: Act II: Quand'ero Paggio - Victor Maurel
Falstaff: Act III: Ehi! Taverniere - Mariano Stabile
Falstaff: Act III: Da Labbro Il Canto - Tito Schipa
Falstaff: Act III: Sul Fil D'un Soffio Etesio - Toti Dal Monte/Chor Del Teatro Alla Scal, Milano

Amazon.com

This collection, whose French title might be translated "Verdi Vocal Rarities," is a unique contribution to the Verdi centennial year. Its 136 selections on eight compact discs offer an in-depth survey of singers who recorded notable Verdi performances during the era of 78-rpm recording. Coincidentally, this period covers, within a few years, the half- century after the composer's death, in 1901. Some of the singers in the earliest cuts--tenor Francesco Tamagno and bass Victor Maurel, for example--had known Verdi and sung for him. Many of the singers will be familiar to connoisseurs of Verdi discography--Enrico Caruso, Boris Christoff, Fedora Barbieri, Ezio Pinza, Elisabeth Schwarzkopf, Tito Gobbi, Beniamino Gigli, and Jussi Bjoerling, to name a few. Others, such as Frieda Hempel, Emmy Destinn, Martha Modl, Joseph Schwarz, Gino Cigna, and Mattia Battistini, are names you come across in books about opera, but you have heard their voices only if you spend a lot of time with historic recordings. And a lot of performances, including some of the best, are likely to be the work of singers encountered for the first time.

Most of the big moments from Verdi's operas are included--grouped by opera, not by chronological order of recording. There are a few strange omissions; for example, the "Miserere" scene from Il trovatore. But other selections, such as "Ah fors' e lui" and "La donna e mobile," are given in two or three performances--sometimes in French, German, or Russian as well as Italian. Some of the performances are classics; many are mind-boggling.

Some favorite Verdi singers--Maria Callas, Joan Sutherland, Placido Domingo, and Luciano Pavarotti, among them--are absent because they began recording after the collection's cutoff date. Other problems are mostly related to the dates of the original recordings. The sound is all pre-high-fidelity and sometimes quite primitive, though some remarkable work has been done to optimize the earliest items. The annotations are minimal--mostly the date, venue, and performers in each cut, with pictures of the biggest stars. This decision was probably made to keep the price low, and those who already know most of the arias and ensembles will likely find the tradeoff acceptable. --Joe McLellan

Customer Reviews:

Rare but well-polished Verdi gems........2001-10-21

Classical music enthusiasts will have become aware that EMI have been marketing several boxed sets with a French title containing the word "introuvables". The word suggests that when you open the box you'll find items that are so rare as to be almost unobtainable. It suggests also that their rarity is not due only to age or production limitations, it is also due to the incomparability of their quality.

Few would quibble about the quality of what is to be found in this splendid collection of Verdi "introuvables". You will hear how Emmy Destinn portrayed Aida yearning for her homeland in 1908, and how Elisabeth Schwarzkopf portrayed Violetta intereacting with her lover's father in 1953. You will hear several items duplicated. Francesco Navarini, recorded in 1907 with a piano, makes a stunning Fiesco in the "Simon Boccanegra" prologue, as is not up-staged by the more familiar Alexander Kipnis version which follows.

You might regret that your favourite Verdi record is not here. You'll have opportunities to make comparisons, however. I could never believe that anyone could equal Giuseppe de Luca'a 1930 "O sommo Carlo" from "Ernani, but here I have a chance to hear for the first time how the famous baritone Mattia Battistini did it in 1906.

Keith Hardwick compiled and transferred this collection originally in the late 1980s. He has augmented and transferred that issue onto 8 CDs, and provided the annotations. Full recording details are provided, there are many singer photographs but no singer biographies.

Tracks:

Cantiam Lieti Cantiamo
E D'Un Bel Matin D'Amore
Quella Bella E Biancha Mano
Una Leggiadra Nimpha
Venite Amanti Insieme
Divini Occhi Sereni
Con L'Angelico Riso
Madonna, Il Tuo Bel Viso
Fuggi, Fuggi, Cor Mio
Si Liet' E Grata Morte
Se La Dura Durezza
Ahime, Ahime, Dov'E 'L Bel Viso
Madonna, S'Io V'Offendo
II Bianco E Dolce Cigno
Donne, Venete Al Ballo
Morir Non Puo Il Mio Cuore
Se La Mia Vita
Mia Benigna Fortuna
Ancor Che Col Partire
O Sonno
Chi La Gagliarda
Madonna Mia Fa
Medici Noi Siamo
Quando Sara Mai Quel Zorno
Matona, Mia Cara
Tre Ciechi Siamo

Tracks:

O Grief Even On The Bud
When Lo By Break Of Morning
April Is In My Mistress' Face
The First Part
The Second Part
Sweet Nymph Come To Thy Lover
The First Part
The Second Part
Miraculous Love's Wounding
Adieu Sweet Amarillis
Weep O Mine Eyes
The Silver Swan
The First Part
The Second Part
Since Robin Hood
Fire And Lightning
Strike It Up Tabor
See, See, The Shepherds' Queen
Come Sable Night
Sweet Suffolk Owl
In Nets Of Golden Wires
Draw On Sweet Night

Customer Reviews:

A "Regular People" Review.......2007-03-20

So I was on a Renaissance kick for a while and picked this up, first of all, great value. I enjoy listening to a few of these every now and then but can't take too much at once, check out the previews and if you interested, go for it!

Not stilted but powerfully alive.......2005-02-24

My idea of stilted is to sing these madrigals in the phony, glee-club RP style endured for so many years, that made precious, quaint curiosities of them. The Elizabethan pronunciation on this CD is an eye and ear-opener. We may appreciate how much of that speech actually endures in regional accents in both the US and UK. More importantly, this CD brings us the sounds of the long-forgotten English human beings of the Renaissance, people who drank, fought and screwed, who brought us Shakespeare and the King James Bible. I love this recording.

Better at Italian than English.......2003-07-25

A stilted style and even more stilted attempts at Renaissance-English pronunciation make the English Madrigal disk a terrible disappointment. All emotional content -- the mellow, lumimous melancholy with flashes of fire that characterizes English music at its best -- has been drained in this attempt to kill, skin, and stuff these madrigals in order to present them as museum pieces. The pronunciation problem is particularly galling -- if these songs are going to be made incomprehensible to modern English speakers, where, then, is their cultural home?

Album Description

This is the first of a 2-CD set which illustrates the kind of music sung and played by the women musicians of the courts of Parma and Ferrara in the second half of the sixteenth century. These women were among the first professional women musicians, and they practised their trade at the peril of their reputations. Some of them did not survive their activities - one was murdered by her husband on suspicion of adultery, another was ostracised by the court for appearing too eager to sing. This disc concentrates on the established madrigal repertoire written by Cipriano de Rore and his pupils Giaches de Wert, Luzzasco Luzzaschi and Marc'Antonio Ingegneri.

Average customer rating:

beautiful perfomances of exsquisite madrigals

Carlo Gesualdo: Madrigali Libri I-III

Manufacturer: Cpo Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Soundtracks | Styles | Music
Similar Items:

Gesualdo: Quinto Libro di Madrigali (1611)
Gesualdo di Venosa: 18 Quarto Libro di Madrigali, 1596
Gesualdo: Complete Sacred Music for Five Voices
Monteverdi: Concerto Settimo Libro dei Madrigali
Gesualdo: Tenebrae

ASIN: B000AMMSH6
Release Date: 2005-09-20

Customer Reviews:

beautiful perfomances of exsquisite madrigals.......2005-10-01

The first 3 books of Gesualdo's madrigals don't have the startling chromaticism and the violent rhythmic contrasts of the 5th and 6th books, but they're rich pieces nonetheless and here and there are hints of the over the top imagination of the later works. These performances are characterized by accurate intonation and lovely timbre. This is one of my favorite recordings of Italian madrigals.

La Traviata à Paris / Gvazava, Cura, Panerai; Mehta (2000 TV film)

Average customer rating:

A flop
good but not great
La Traviata a Paris a wonderful experience
Wonderful music, very well sung
angel music

La Traviata à Paris / Gvazava, Cura, Panerai; Mehta (2000 TV film)
Giuseppe Verdi , Zubin Mehta , José Cura , Eteri Gvazava , Rolando Panerai , Nicolas Rivenq , Magali Léger , Raphaelle Farman , Alain Gabriel , and Giorgio Gatti
Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

General | Soundtracks | Styles | Music
Similar Items:

Jose Cura - Puccini Arias / Domingo
Verdi Arias
Verismo
Song of Love
Boleros

ASIN: B00004TT0K
Release Date: 2000-08-15

Tracks:

La Traviata A Paris: Preludio - Zubin Mehta
Atto Primo: 'Dell'invito Trascorsa E Gia L'ora' - Nicolas Rivenq
Atto Primo: Brindisi 'Libiamo, Libiamo Ne'lieti Calici' - Nicolas Rivenq
Atto Primo: 'Che E Cio?' - Nicolas Rivenq
Atto Primo: 'Oh! Qual Pallor!' - Jose Cura
Atto Primo: 'Un Di Felice' - Jose Cura
Atto Primo: 'Si Ridesta In Ciel L'aurora' - Nicolas Rivenq
Atto Primo: 'E Strano! E Strano!...Ah, Fors'e Lui' - Eteri Gvazava
Atto Primo: 'Follie! ... Sempre Libera' - Jose Cura
Atto Secondo: 'Lunge Da Lei' - Jose Cura
Atto Secondo: 'De'miei Bollenti Spiriti' - Jose Cura
Atto Secondo: 'Annina, Donde Vieni?' - Jose Cura
Atto Secondo: 'Oh Mio Rimorso!' - Jose Cura
Atto Secondo: 'Alfredo?' - Rolando Panerai
Atto Secondo: 'Pura Siccome Un Angelo' - Rolando Panerai
Atto Secondo: 'Dite Alla Giovine' - Rolando Panerai
Atto Secondo: 'Dammi Tu Forza, O Cielo' - Jose Cura
Atto Secondo: 'Ah, Vive Sol Quel Core' - Rolando Panerai
Atto Secondo: 'Di Provenza Il Mar' - Rolando Panerai

Tracks:

Atto Secondo: 'Avrem Lieta Di Maschere La Notte' - Raphaelle Farman
Atto Secondo: 'Noi Siamo Zingarelle' - Raphaelle Farman
Atto Secondo: 'Di Madride Noi Siam Matadori' - Raphaelle Farman
Atto Secondo: 'Alfredo! Voi!' - Nicolas Rivenq
Atto Secondo: 'Invitato A Qui Seguirmi' - Jose Cura
Atto Secondo: 'Ogni Suo Aver' - Nicolas Rivenq
Atto Secondo: 'Di Sprezzo Degno' - Nicolas Rivenq
Atto Terzo: Preludio - Zubin Mehta
Atto Terzo: 'Annina? - Commandate?' - Eteri Gvazava
Atto Terzo: 'Teneste La Promessa' - Eteri Gvazava
Atto Terzo: 'Addio, Del Passato Bei Sogni' - Eteri Gvazava
Atto Terzo: 'Largo Al Quadrupede Sir Della Festa' - Emanuela di Pietro
Atto Terzo: 'Signora... - Che T'accadde?' - Jose Cura
Atto Terzo: 'Parigi, O Cara, Noi Lasceremo' - Jose Cura
Atto Terzo: 'Ah! Gran Dio! Morir Si Giovane' - Jose Cura
Atto Terzo: 'Ah! Violetta! - Voi, Signor' - Rolando Panerai
Atto Terzo: 'Se Una Pudica Vergine' - Rolando Panerai

Amazon.com

This recording comes from the "real-time" Traviata presented on European television in June 2000. The idea was to heighten the drama by placing the opera in Parisian locations that still reflected the 1850s setting, and then having the soloists sing as plausibly as possible to a recorded soundtrack. The effect was somewhat bizarre--especially when it appeared that Violetta's cramped, little Act IV apartment had a mysteriously grand concert-hall acoustic. The recording, however, allows one to judge the performance on its musical--and not its televisual--merits, and on the whole it comes off rather well. Dreamboat tenor José Cura makes a passionate and convincing Alfredo, and Eteri Gvazava captures the pathos, if not the sparkle, of Violetta. She excels in the dramatic deathbed music of Act IV, but is less happy in the spinto (and fiendishly difficult) scales and leaps of "Sempre libera" in Act I. The warm orchestral accompaniment is sensitive to the singers, but just occasionally lacks power. All in all, this is a good introduction to the opera and a neat tie-in to the TV production. --Warwick Thompson

Customer Reviews:

A flop.......2004-02-03

A Violetta that sounds like a cheap imitation of Callas, Cura sounding crude and Panerai way over the hill. There are much better Traviatas out there than this one.

good but not great.......2003-06-29

I just had the opportunity to see a rebroadcast of the TV film, and completely disliked the visual performance, including the staging, the camera work, and the acting. Now, if you close your eyes, and listen to the music, you might actually enjoy it. Although it is a stretch to compare it with the classic recordings of the same, it does hold its own, at least it is not bad. The exception is the elder Germont. I never had the chance to listen to Rolando Panerai when he was younger, but here at 75, his voice is stiff, lacks emotion, and contains too many rough edges to my liking. While I agree with one of the reviewers who dismisses the critical comment about this performance by pleading ignorance to the academic finer points, and focusses instead on the enjoyment aspect of the show, I am also in agreement with the author of that critical comment, why bother with this one, if you can't completely enjoy it.

OK, some of you may want to find a different presentation of the old classic, in that sense, you probably won't be disappointed by the musical portion of it (if you can overlook the one role I mentioned above), but for those of you looking for the DVD, I would suggest to stop that search right now, not because it is not available in stores, but because of its less than pleasing visual presentation.

The raison d'etre of this sound recording is the made-for-television event of broadcasting from Paris, purportedly made by the same crew that made the Tosca from Rome. While Tosca from Rome was a live performance, a grand artistic tour de force, this TV film was made in such an amateurish fashion, that it looks like the entire crew had a lobotomy after the first success. The direction, the use of cameras (angles, movement, etc.), as well as the acting evoked from the performers are horrendous. The under-the-table scene in Act I is unnecessary, and looks to be a copy from Boheme; the use of Steadycam (it is mounted on the cameraman, and his going and stopping give the feeling of discontinuity) gimmick is not much of an improvement from Dave Letterman's Monkeycam years ago; and the camera angle and zoom is very curious, the director seems to like to place obstacles, like tree leaves, tall grass, furniture, and other things, between the camera and performers. I was so distracted by his constant obscuring of Germont and Violetta's faces in Act II that I kept thinking "ticks, ticks, ticks" when they walked into the overgrown tall grass, and "will she scream if she finds a worm" when they kept walking into the hanging willow leaves. 8-)

I may appear to be a little cynical, but my point is that if it fails to capture the attention of the audience, the director failed his job. This production's visual part is full of unsuccessful experiments, it is painful to watch. So if you have to get this performance, get the CD version, but stay away from the video (get the Zefferelli version instead to see how it's supposed to be done).

La Traviata a Paris a wonderful experience.......2002-04-13

The finest la Traviata I have ever heard. Bold orchestration and deep rich vocals. Wonderful listening experience. It's a great CD for fledgling opera buffs who want to start with the best execution of the best composers.

Wonderful music, very well sung.......2002-04-12

So what if they overdubbed to make a good TV show... the singing is just fine. Not perfect, but Gvazava and Cura put on a very good show.

Remember that this beautiful music and drama was created as entertainment. Let's not get in the way of enjoying this fine performance with pointless academic refernces to other people who may have done it better. Lighten up folks!

Having vented all of that,I'm looking forward a release of the DVD version of this performance. The CD just is fine, but watching it as a full performance is even better. Just saw it broadcast by the CBC while in Toronto. Get the DVD, listen - watch, enjoy.

angel music.......2001-08-24

level of recording and presentation beyond excellence. Couple Gura/Gvazava is a guarantee of full success. Please find me the DVD.

Average customer rating:

A Worthy Trovatore
Strangely fascinating!

Verdi: Il Trovatore

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Mascagni: Cavalleria Rusticana
Puccini: La fanciulla del West

ASIN: B00006LENP
Release Date: 2003-02-11

Tracks:

All'erta! All'erta! - Giorgio Tozzi
Di Due Figli Vivea Padre Beato - Giorgio Tozzi
Che Piu T'arresti?
Tacea La Notte Placida E Bella In Ciel Sereno
Di Tale Amor, Che Dirsi Mal Puo Dalla Parola
Tace La Notte! ... Il Trovator! - Ugo Savarese
Deserto Sulla Terra ... Anima Mia!
Infida!...- Qual Voce! ... Di Geloso Amor Sprezzato ... Un Istante Almen Dia Loco il Tuo Sdegno Alla Ragione
Vedi! Le Fosche Notturne Spoglie ... Chi Del Gitano I Giorni Abbella? (Anvil Chorus) - Coro Del Maggio Musicale Fiorentino
Stride La Vampa! ... Mesta E La Tua Canzon - Mario Del Monaco
Soli Or Siamo; Deh, Narra Quella Storia Funesta ... Condotta Ell'era In Ceppi - Mario Del Monaco
Non Son Tuo Figlio? - Mario Del Monaco
Mal Reggendo All'aspro Assalto ... L'usato Messo Ruiz Invia! - Mario Del Monaco
Perigliarti Ancor Languente Per Cammin Selvaggio Ed Ermo! - Mario Del Monaco
Tutto E Deserto - Giorgio Tozzi
Il Balen Del Suo Sorriso ... Quel Suono! ... Ardir!... Andiam ... Per Me, Ora Fatale, I Tuoi Momenti Affretta - Giorgio Tozzi
Ah!... Se L'erro T'ingombra, O Figlia D'Eva, I Rai ... Perche Piangete?
E Deggio... E Posso Crederlo? ... Urgel Viva!

Tracks:

Or Co' Dadi, Ma Fra Poco Giocherem Ben Altro Gioco - Giorgio Tozzi
Squilli, Echeggi La Tromba Guerriera - Giorgio Tozzi
In Braccio Al Mio Rival! ... Che Fu? ... Innanzi, O Strega - Giulietta Simionato
Giorni Poveri Vivea ... Tu Vedi Chi L'infame, Orribil Opra Commettea ... Deh, Rallentate, O Barbari, Le Acerbe Mie Ritorte - Giulietta Simionato
Quale D'armi Fragor Poc'anzi Intesi?
Ah! Si, Ben Mio; Coll'essere Io Tuo, Tu Mia Consorte - Mario Del Monaco
L'onda De' Suoni Mistici ... La Zingara, Vieni, Tra Ceppi Mira
Di Quella Pira L'orrendo Foco ... All'armi! All'armi!
Siam Giunti: Ecco La Torre
D'amor Sull'ali Rosee Vanne, Sospir Dolente
Miserere ... Quel Suon, Quelle Preci Solenni ... Ah, Che La Morte Ognora E Tarda Nel Venir
Tu Vedrai Che Amore In Terra Mai Del Mio Non Fu Piu Forte
Udiste? Come Albeggi, La Scure Al Figlio, Ed Alla Madre Il Rogo - Ugo Savarese
A Te Davanti. - Qual Voce!
Mira, Di Acerbe Lagrime Spargo Al Tuo Piede Un Rio
(Vivra!... Contende Il Giubilo I Detti A Me, Signore...)
Madre?... Non Dormi? ... Vedi?... Le Sue Fosche Impronte - Mario Del Monaco
Si; La Stanchezza M'opprime, O Figlio - Mario Del Monaco
Che!... Non M'inganna Quel Fioco Lume?
Parlar Non Vuoi?
Ti Scosta... - Non Respingermi
Prima Che D'altri Vivere... Io Volli Tua Morir! ... Sia Tratto Al Ceppo!

Customer Reviews:

A Worthy Trovatore.......2006-05-13

I decided to buy a used copy of this half century old Trovatore on the strength of the earlier review posting. I'm certainly glad I did.

First, there is the pleasure of hearing Tebaldi in a role that wasn't central to her repertory. Having heard her Violetta on an early '50s Decca recording of Traviata I was not expecting much in the way of florid singing. I was pleasantly surprised. True, some of the runs are sketchy and the tone isn't always ideally equalized when she goes for the high notes, but Tebaldi isn't far behind the fabled Milanov, a favorite in this role. Tebaldi's italianate timbre is a decided plus. A few days ago I played the first act aria and cabaletta for some friends without any identification. After some puzzled looks, someone commented that whoever it was, she was great and though she sounded like Tebaldi, the florid singing was too good for it to be her. Needless to say, they were all pleasantly surprised.

I think Simionato is simply the finest Azucena on disc - whether here or in the legendary Salzburg broadcast of a few years later.

Del Monaco isn't an intellectual tenor by any stretch of the imagination, but this is elemental, viscerally exciting singing. I'll give up the subtle nuances for a vital, heroic Manrico like this.

Savarese is a competant Di Luna. He's certainly not offensive, but there's not much here to convince the listener he belongs in the company of the great exponents of the role. I have to admit that I think the role's showpiece, "Il balen" is a problem for any interpreter. I think organ grinder every time I hear it.

It's always a pleasure to hear the young Tozzi's richly overtoned voice as Ferrando.

Erede is no Karajan (or Mehta) but he gives us a well routined reading of the score. Finally, the sonics of this 1956 recording are very impressive early vintage stereo. Despite its occasional flaws, I quickly have become very attached to this venerable Trovatore.

Strangely fascinating!.......2004-01-01

This old Trovatore recording has aspects that would normally make one avoid it. However, I find myself listening to it more and more and actually enjoying it more than other, more popular recordings of this opera.

Mario Del Monaco is, as expected, a heroic Manrico. He rarely sings piano and knows little about elegant phrasing but the sheer vigour and ring of his voice strikes in magnificiently! Only F. Corelli equals Mario in force and exciting high notes. Musically, Corelli is certainly more creative but I've always found Del Monaco's voice more handsome. Tastes differ, though. Del Monaco is particularly thrilling in "mal reggendo, all'aspro assalto", "ah! Si, ben mio" and "Di quella pira" even if he could hold the last note longer in the cabaletta.

The casting of Renata Tebaldi as Leonora is for most opera fans controversial. She is a spinto with little agilty; it's interesting to see what such a voice can offer. Indeed, she barely manages the florid parts and the highest notes sound effortfull. In this part she's nowhere near Caballe, Milanov, Callas or even Price. However, there are other moments that no other soprano in my experience has ever sung so idiomatically. In "mira, di acerbe lagrime" for example, the way she sings those long phrases using her glorious spinto instrument is unique. She firmly grasps each note and the result is intoxicating! Same with Miserere and the proceeding Manrico - Leonora encounter. Dramatically her outbreaks are few. However, Tebaldi was THE FIRST who made me realise that Leonora is a woman in love!

If one can argue about the performances of Tebaldi and Del Monaco, little can be said about Simionato's Acuzena. Along with Barbieri and Cossotto she's one of the best interpreters of this wonderful role, probably Verdi's greatest mezzo part. The weakest link of the cast is Ugo Savarese's routine Conte di Luna. If only Bastianini had joined this recording instead. Tozzi does an OK job as Ferrando. Erede conducts well but nothing really memorable. Decca's early stereo sound certainly impresses; pity that EMI and RCA didn't adopt stereo so early as well.

Tracks:

Se Morir
Ya No Eres Tu
Embrujo
Me Voy
Pecado Mortal
Poco Mas
Dia Gris
Ciertas Cosas
Donde Va
Ojos Extranos
Se Morir [Pista]

Customer Reviews:

Cepeda es Impecable!.......2001-11-09

Este disco es la respuesta a la necesidad del bolero contemporaneo, incluso se atreve a explorar otras combinaciones que resultan tambien muy acertadas como el Latin-Jazz y la ranchera.
A pesar de envolvernos en un aura triste y "gris"
"Se morir" tiene vida en cada cancion, razgos muy calidos tambien.. como musica de fogata.
Cepeda resulta brillante!
No sobra destacar tambien su evolucion como musico solista luego de Poligamia la cual me resulta muy familiar a lo sucedido con Enrique Bunbury y sus hereoes del silencio a una escala 10/100.
Es el sentido y la capacidad de hacer otro tipo de melodias sin que necesariamente se estanquen en generos tan trillados como el pop-rock,ese es su angel y eso es a lo que en estos dias cuando ya todo ha sido creado le llamamos creatividad.

Thank Goodness for Andres Cepeda.......2001-03-11

This guy took old school boleros and fused in some Jazz, Blues and Ranchero to make a nearly perfect CD. The sounds are smooth, romantic and jazzy with a killer Latin beat. Well worth every penny if your looking for a new "play-through" CD!

soothing, romantic, melancholic, latin beat.......2000-08-20

this kind of music you can dance, close your eyes, and feel it seducing the hidden moves in the curves of your body...wether alone, or with mr/miss right now...so very latin it makes me proud...