| 1. Casa (The House) |
| 2. Somos Novios (It's Impossible) |
| 3. Cada Vez (Everytime) |
| 4. Historia de un Amor (A Love Story) |
| 5. Sin Fe (No Faith) |
| 6. Que Sabes Tu (What Do You Know?/About Love) |
| 7. Amar y Querer (Love & Desire) |
| 8. Como Fué (How Was It?) |
| 9. Mi Versión (My Version) |
| 10. Contigo Aprendi (I Learned from You) |
Canciones de Amor,Humberto Ramírez,Rmm Records,Jazz,Latin,Latin Jazz,Latin Music,Puerto Rico,Tropical
Average customer rating:
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Spanish Guitar Music
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005YJ4Q Release Date: 2002-01-29 |
Tracks:
- Albeniz: Asturias
- Albeniz: Tango
- Sanz: Canarios
- Rodrigo: Fandango
- Torroba: Nocturno
- Segreras - El Colibri
- Albeniz: Sonata in D
- De Falla: The Corregidor's Dance
- De Falla: Fisherman's Song
- De Falla: The Miller's Dance
- Torroba: Madronos
- La Nit de Nadal
- El Noy de la Mare
- Granados: Ma Maja de Goya
- Abeniz: Cordoba
- Tarrega: Recuerdos de la Alhambra
- Granados: Spanish Dance No. 5
- El Testamen de Amelia
- Villa-Lobos: Prelude No. 4 in E Minor
- Albeniz: Sevilla
- De Falla: Homanaje
- Mudarra: Fantasia
- Turina: Fandanguillo
Customer Reviews:
Excellent Introduction to Spanish Classical Guitar Music.......2005-09-18
The music ranges from Renaissance composers (Sanz, Mudarra) and harmonized folk melodies to standard 20th Century works (Rodrigo, Torroba etc).
John Williams is excellent throughout. The CD is also cheap, and can be used either just for enjoyment, or further to explore other recordings by Williams, the classical guitar repertoire, or other classical guitarists.
As a marketing ploy, it is very effective.
For the collector or classical guitar enthusiast, the chief disadvantages of the CD are duplication of other recordings, and that the way at least some of the works on this CD are listed isn't helpful in telling the listener the set(s) to which these pieces belong and how to find them (e.g. "from ______, Op # "). The font listing the titles and track numbers is small and somewhat hard to read.
However, this CD should attract many listeners and enthusiasts both to the classical guitar, the repertoire, and guitarist John Williams - and I'm all for that.
Over 70 minutes playing time.
Recommended.
The guitar is an orchestra in miniature!.......2005-02-05
John Williams has always known the delicate equilibrium between the expresiveness and the glamouer. His impresive technique however is not exposed as his prima edonna. He goes directly to the soul of the composer, melts in his spirit and let the music sharp the qith eloquent conviction the composer's demanded atmosphere.
From Granados to Albeniz, from Rodrigo to Agustin Barrios - El indio Mangore -, from Moreno Torroba to Ponce , you will find the warmth, the passion and the Midas touch of this golden guitarrist.
GUITAR MAJESTY.......2004-12-21
Sweet, sweet music, an essential addition to your collection.......2004-12-07
A True Classic.......2004-01-26
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The Very Best of Victoria de los Angeles
Victoria De Los Angeles Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000083GOE Release Date: 2003-04-22 |
Tracks:
- O Mio Babbino Caro
- Un Bel Di Vedremo
- Si. Mi Chiamano Mimi - Jussi Bjorling
- Senza Mamma
- Voi Lo Sapete, O Mamma
- Qual Fiamma Avea Nel Guardo!... Hui! Stridono Lassu
- Ebben? Ne Andro Lontana
- Nacqui All'Affano...Non Piu Mesta
- Una Voce Poco Fa
- E Strano!... Ah, Fors' E Lui...Sempre Libera
- Porgi, Amor
- Dich, Teure Halle
- Einsam In Truben Tagen
- Je Ne Suis Que Faiblesse...Adieu, Notre Petite Table
- Les Grands Seigneurs...Ah! Je Ris
- Quand Je Vous Aimerai?...L'Amour Est Un Oiseau Rebelle
Tracks:
- Auf Flugein Des Gesanges
- Ich Liebe Dich
- Wiegenlied
- Les Filles De Cadiz
- Cuba Dentro De Un Piano
- Chevre
- Punto De Habanera
- Cancion De Cuna Para Dormir A Un Negrito
- Canto Negro
- De Espana Vengo
- Cancion Del Amor Dolido
- Cancion Del Fuego Fatuo
- La Pastoura Als Camps
- Bailero
- Chut, Chut
- Uno Jionto Postouro
- Oh! Had I Jubal's Lyre
- An Die Musik
- Dein Blaues Auge
- Vergebliches Standchen - Gerald Moore
- L'Invitation Au Voyage
- La Flute Enchantee
- Chanson Espagnole
- Chanson Francaise
- Chanson Italienne
- Clavelitos!
- Malaguena - Gerald Moore
- Granadina - Gerald Moore
- Adios, Granada
- Zapateado (La Tarantula E Un Bicho Mu Malo) - Alicia De Larrocha
Customer Reviews:
Very nice introduction to the work of a great soprano.......2007-07-13
Some cuts exemplify her art:
"Un bel di" is a ravishing version of this well known aria. She demonstrates a rich voice with fine musicality. This is a ravishing version of this aria. The singer displays good vocal control. There are nice transitions across the registers.
"Si, mi chiamano Mimi" is another well known work for sopranos. Again, nicely done. She appears (to me anyhow) to catch the spirit of Mimi very nicely indeed.
From "La Traviata," she essays "E strano. . .Sempre Libera." This is an affecting version. She does not have the coloratura armamentarium that some have brought to bear on this aria, but she does a fine job nonetheless. She seems to capture the desperate spirit of Violetta in "Sempre Libera."
Rossini's "Una voce poco fa" is a nice tour de force for sopranos. De los Angeles does a nice job here. This is a work from the Bel canto repertoire, but she does well. She shows vocal agility and captures the spirit of the work. This is an affecting, charming version. There is some occasional vocal harshness, but not a serious issue.
From "Carmen," "L'amour est un oiseau rebelle." Richly and nicely sung.
Her range on this CD is worth noting: from Puccini and Verdi to Wagner to Rossini to Gounod.
And then another of her specialties--songs. She does a nice turn with the Spanish song "Malaguena." Then, in a nice twist, she accompanies herself on guitar in "Adios Granada." I'm not normally so excited about songs, but in this case I found her work enchanting.
So, if you want to get a sense of the artistry of Victoria de los Angeles, this is an excellent starting point. Highly recommended!
The very best performance by Victoria de los Angeles.......2006-09-13
In Memoriam: A Tribute To The Late Victoria.......2005-02-01
Her voice was essentially full lyric with some spinto. Hearing her renditions of "O Mio Babbini Caro"- a signature soprano role, as well as "Ebben Ne Andro Lontana" from La Wally and her performances as Mimi, one is clearly treated to the truest form of a pure lyric soprano. Her voice is spunned gold, with sweet, warm, feminine textures. Her reperotire remained in the Italian and French. Of course, being Spanish, she was a leading singer in Spanish Lieder and romantic ballads. Her Art Songs in Spanish are full of elegance and grace. A champion of obscure composers, she sang and recorded recitals that featured the works of lesser known composers, though strictly Lieder and Folk/Art Song.
Victoria De Los Angeles is fortunately a well-documented artist. Some film footage exist of her performances. I seem to recall that there exists a taped performance of her Violetta in Verdi's La Traviata. She excelled in the lyric roles of Mimi in Puccini's La Boheme, Marguerite in Gounod's Faust. Her Madame Butterfly is a pure lyric rendition, with less of the dramatic intensity other singers have given the role- i.e. Leontine Price, Maria Callas, Renata Tebaldi, etc. But her Butterfly is actually the way the role ought to be sung. It's a voice of grace, naivete and above all romance that must colorize Butterfly. The dramatic intensity only makes her sound older and madly passionate. She is only a fifteen year old girl who has been deceived and betrayed. She must remain youthful sounding. De Los Angeles does justice to the truest form of Butterfly. She was thrilling in French and Italian operas and her Spanish songs were briliant and beautiful.
Victoria will always be remembered. She was a unique and talented artist of the lyric repertoire. Her pure, lovely voice was like an angel's. There will never be another Victoria De Los Angeles. With her death, the end of an era also passes. In particular, I will always remember one reported incident. She was about to make her first recital in America but she had no accompanist- pianist/guitarist etc. When asked how she would handle this, she remarked: "Well I brought my guitar with me". And she proceeded to accompany herself with the guitar.
the genius of de los angeles.......2004-02-14
A n angelic voice.......2004-02-06
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Cecilia Bartoli - Live in Italy / Jean-Yves Thibaudet
George Frideric Handel , Antonio Vivaldi , Giulio Caccini , Wolfgang Amadeus Mozart , Franz Schubert , Pauline Viardot , Hector Berlioz , Vincenzo Bellini , Gaetano Donizetti , Gioachino Rossini , Umberto Giordano , Xavier Montsalvatge , Georges Bizet , Sonatori de la Gioiosa Marca , Cecilia Bartoli , and Jean-Yves Thibaudet Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000DBTM Release Date: 1998-10-20 |
Tracks:
- Tu ch'hai le penne, Amore
- Amarilli
- Al fonte, al prato
- Lascia la spina
- Agitata da due venti
- Oiseaux, si tous les ans, K. 307
- La Pastorella, D 528
- Havanaise
- Hai luli!
- Zaide
- Malinconia, ninfa gentile
- Ma rendi pur contento
- La conocchia
- Me voglio fa 'na casa
- Mi lagnero tacendo
- Mi lagnero tacendo (Il Risentimento)
- Mi lagnero tacendo (Sorzico)
- L' Orpheline du Tyrol
- Riedi al soglio (Zelmira)
- Le nozze di Figaro: Voi che sapete
- Canzonetta Spagnuola
- Caro mio ben
- Cinco Canciones negras, No. 5: Canto negro
- Carmen: Seguedille (Carmen)
Amazon.com essential recording
In the beginning, Cecilia Bartoli seemed to do one thing better than anybody, i.e., Rossini arias, which would not guarantee a long career even for a singer of her ebullience. This live performance from the Teatro Olympico in Vincenza, Italy, shows how much she's expanded, both linguistically and musically. The first five selections reflect her newfound specialty, early opera. The three Caccini selections from the 17th century--accompanied by small string ensemble--are deeply felt and stylistically convincing enough to make one eager for future forays. She's guilty of spinning out Handel's "Lascia la spina" excessively but hits new heights of virtuosity in Vivaldi's "Agitata da due venti." The rest of the disc is for voice and piano, in a program including both some genuine discoveries by French composer Pauline Viardot-Garcia that reveal the singer's increasing emotional depths and less consequential ones by Donizetti and Rossini. Bartoli also sings Spanish songs, most notably Montsalvatge's "Canto negro," proving that the singer doesn't venture into a new language until she can truly feel in it. Remarkably, her voice maintains its strength and body in the deeper, mezzo-ish regions as well as in the high, soprano-range areas. Might she have two voices? --David Patrick StearnsCustomer Reviews:
Buy two and give one to someone you love!.......2007-03-08
If you think you don't like listening to soprano soloists, you should buy this CD. I must say that I HATE listening to solo singing in general and soprano solo in particular! Well, this lady has stolen my heart! If you see her anywhere on the N American continent, please tell me.
The one-minute limit for listening on-line will simply not allow you to make a judgement. If I could legally allow you to hear track 5 "Griselda - Agitata da Due Venti" (Vivaldi), you would buy the CD without hearing anything else.
When I first heard Cecilia Bartoli on "Performance Today", the subject was "Opera Proibita" and I wrote to a friend who teaches voice at a local college and asked "Is she as good as I think, or am I just overreacting?" His simple response was "She's THAT good!"
This CD is of a live performance and you won't be disappointed except to realize that you COULD have been there, but weren't!
If she ever performs where I am able to see her, I'll be there. If I can talk to her, I will -- but I won't ask for my heart.
Highly recommended!
A joyful sample of the human voice........2006-06-12
A sheer delight from start to finish.......2005-07-14
I have been impressed by Cecilia's tendency to avoid the well worn paths of 19th century Italian operas in favour of championing neglected earlier music whether that be Vivaldi, Haydn, or Salieri. She has always talked about how the centre of gravity of Western music seems to be shifting backwards in time, and in her case this means away from the Austro-German tradition to the time when the Italians dominated music. After all the musical elite of even Wagner's time could be still be heard muttering 'but he just isn't as good as those Italian...' at premiers of works such as Tannhäuser and it took a lot of convincing before the the idea of German opera became accepted. This shift backward in time here is exemplified by way the recital begins with the music of Caccini, the father of opera.
Here on this recording I particularly love the spontaneity of the live music making. Her ability to capture the declamatory nature of much older music such as with Caccini, Vivaldi and Handel suite live recording perfectly. Her manner of conveying the meaning of the words especially when singing in Italian is simply unrivalled in this situation. This is the sort of thing that all too often gets lost in studio recordings so it is a blessing that this is a live recording, where Cecilia seems to just glow. The spontaneity, the sheer magic of the moment - it is all a sheer delight from start to finish. At moments her voice seems so etheral, the hushed and rapt awe of the music making so breathtaking, that it simply beggers belief that the human voice can be so beautiful an instrument. This is what great music making should be all about.
As far as the recording itself goes I have never noticed any disturbing audience noises anywhere even on my system which tends to makes the slightest of rustling blatantly obvious. The recording engineers do an excellent job of capturing the ambience of the acoustic of the Teatro Olimpico in Vincenzo despite the presence of the audience.
A stunning recording and an absolute favourite to relax to or just to be inspired by.
Exquisite.......2003-01-31
Such was the appreciation from the audience that the director had to request that the audience not stamp their feet as they would set off the alarm system.
There are hardly words to describe Cecilia Bartoli's remarkable vocal qualities, emotional range and warmth. When I listen to this CD, I am calmed completely. There is an element of comfort in her style. Maybe one could explain it as a lullaby for the soul.
She has the ability to support the longest of phrases on the back of a single breath all while varying the tone color and dynamic level. Singing seems as effortless as breathing as she becomes emotion all while capturing the drama and mood.
In this live performance from the Teatro Olympico in Vincenza, Italy, she performs each piece as if she is intimately entwined with the notes. How can music be this sensual and this comforting all at once? It just is. She can express a wide range of emotions, from profound despair to extreme joy.
The Teatro Olimpico is the worlds' oldest surviving covered theatre. It has fine acoustics, a sky-blue ceiling and marble. Cecilia Bartoli wanted to perform in one of the great treasures of Italy's cultural heritage and this led to this live performance with concert pianist Jean-Yves Thibaudet who seems to sense every emotion in Cecilia's voice. It is a sublime combination of talent which is further enhanced by violins, viola, cello, violone, archlute and harpsichord.
Tu ch'hai le penne, Amore - A song to love asking love to fly to where the heart lies and to promise that his heart and soul were ever hers.
Amarilli - Delicate and beautiful expression of true love.
Al fonte, al prato - You can feel spring approaching and this song has a certain energy Cecilia embraces as she sings away troubles and sadness to allow in merriment.
Lascia la spina - Melancholy. "Old age will creep up on you when your heart does not expect it."
Agitata da due venti - Cecilia's voice takes flight in this song about waves raging in a stormy sea. She almost becomes the force of the ocean as her voice surges and dives and wow.
Oiseaux, si tous les ans, K307 - She embodies a haunting vulnerability and the freshness of spring/summer. This song ends far too quickly.
La pastorella, D528 - Calm beauty to reflect a shepherdess in a meadow. Innocent love.
Havanaise - It seems like she has a completely different voice in this song as she reaches
to new ranges in depth. Charmed by a song? Perhaps.
Hai luli! - A seductive treatment of a song asking "where can my love be?"
"What's the point of living without a lover?"
Zaide - High energy and fast paced. A song about an orphan.
Malinconia, ninfa gentile - Gorgeous and poetic song.
Ma rendi pur contento - She really captures longing and an almost delicate purity.
La conocchia - Light and breezy.
Me voglio fa 'na casa - A song about the desire to build a house surrounded by the sea. Fantasy and happiness.
Mi langero tacendo - Poignant moment.
"I shall not complain of my bitter fate;
but, my beloved, do not hope for me not to love you."
Mi lagnero tacendo ll resentimento - the sorrow continues. The lover is said to be cruel.
Mi lagnero tacendo Sorzico - more complaints of cruelty and sorrow. She seems to capture frustration so exquisitely and is that stomping I hear? ;)
L'Orpheline du Tyrol - The Tyrolean orphan girl. Jean-Yves Thibaudet really takes the stage at first and Cecilia follows almost timidly. A song of tragedy, hunger and suffering.
Riedi al soglio from Rossini's opera Zelmira left seasoned connoisseurs dazzled. After the aria's final cadence, they broke from their awe-struck silence to add to the shouts of "encore."
Voi che sapete - Light and yet still dramatic. Desire, torment, ice. All explored fully by her voice. You can hear "torment" when she sings "martir" even if you could not see the words or follow along. Her voice really "flutters" when she sings "palpito e tremo." It is just amazing.
Canzonetta spagnuola - A muse comes to torment a painter.
Caro mio ben - A lover grows faint without love. Solitary melodies and you can almost feel the chill in the room or the feeling of despair the lover feels.
Canto negro - Is there anything she can't sing? This piece might seem completely out of place, but by now everyone is completely drunk with emotion from this performance.
Seguidille - Pleasure comes when two people are together. Definitely so when Cecilia Bartoli and Jean-Yves Thibaudet perform together. This song is almost a metaphor of the entire intoxicating experience. I just love how the audience goes absolutely wild after this song.
And too soon, it is over. I look forward to one day viewing the performance on DVD. It will be so much easier to understand the words now that I've literally studied this performance. Knowing the words definitely adds to the subtle emotions and more expressive moments.
~TheRebeccaReview.com
Cecilia Live.......2002-07-12
On this album which was recorded live at the Teatro Olimpico, Vicenza, Italy in 1998 Cecilia Bartoli offers her listeners a varied programme comprised of several composers: Caccini, Haendel, Vivaldi, Mozart, Rossini, Donizetti, Bellini, Viardot, Schubert, Montsalvatge and Bizet. She's accompanied in Caccini, Haendel and Vivaldi by the Sonatori de la Gioiosa Marca (Baroque string ensemble) and for the other pieces by Jean-Yves Thibaudet on piano. The accompanying booklet contains the lyrics, translations and further information.
Ms. Bartoli certainly has expanded her musical horizons here in several ways. On this disc she sings in Italian, French and Spanish. I loved her intense and heartfelt rendition of Caccini's and Haendel's arias. The passionate acrobatics of Vivaldi. And the Sonatori de la Gioiosa Marca gave her a fine support. She made a warm and lovely Cherubino in Mozart's famous 'Voi che sapete'. I also loved her sparkling interpretations of Viardot's 'Havanaise', Rossini's 'Mi lagnero tacendo' or his 'Canzonetta spagnuola'. But Montsalvatge's 'Canto negro' made me feel definitely uncomfortable and Ms. Bartoli herself didn't connect with it. Although I liked her rendition of Bizet's 'Seguedille, I still missed something there. Jean-Yves Thibaudet lends her an excellent, attentive and expressive support.
Although I would have preferred some more Baroque pieces at this concert, this live album is a keeper for me. Everytime the bundle of pure joy that is Cecilia Bartoli has the power to move me deeply!
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Isabel Bayrakdarian ~ Azulão
Manuel de Falla , Enrique Granados , Carlos Guastavino , Xavier Montsalvatge , Fernando J. Obradors , Jaime Ovalle , Joaquin Rodrigo , Catalan Traditional , Heitor Villa-Lobos , Isabel Bayrakdarian , and Jamie Parker Manufacturer: Musica Viva ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000DFZY4 Release Date: 2003-10-21 |
Tracks:
- El Majo Discreto
- El Majo Timido
- El Tra La La Y El Punteado
- La Maja De Goya
- La Maja Y El Ruisenor
- Song Of The Birds
- La Rosa Y El Sauce
- Con Que La Lavare?
- Vos me Matasteis
- De Donde Venis, Amore?
- De Los Alamos Vengo, Madre
- El Vito
- Al Amor
- Corazon, Porque Pasais?
- La Mi Sola, Laureola
- Del Cabello Mas Sutil
- Chiquitita La Novia
- El Pano Moruno
- Asturiana
- Cancion
- Nana
- Jota
- Polo
- Cancion De Cuna Para Dormir A Un Negrito
- Aria (Cantilena)
- Dance/Danse (Martel)
- Azulao
Album Description
Following on the enormous success of her first recording for CBC RECORDS - Joyous Light (CBC SMCD 5215) - the stunning young Canadian lyric soprano ISABEL BAYRAKDARIAN turns her attention to the seductive colours and rhythms of Spain and Latin America. The centre piece of this recording is the vocal evergreen, Bachianas Brasileiras # 5 for soprano and eight cellos by Brazilian composer Heitor Villa-Lobos. After winning the Metropolitan Opera National Auditions in 1997, Isabel (who is of Armenian descent) has gone on to make debuts with such international companies as the Metropolitan Opera (New York), Lyric Opera of Chicago, Paris Opera and La Scala (Milan), Semperoper (Dresden) and the Canadian Opera Company (Toronto).Customer Reviews:
Isabel's voice is enchanting!.......2006-10-12
sunlight. Her interpretations are exquisite. My favorite on the recording is Granados' "La Maja y el Ruisenor".
Brava Isabel!
A real diamond!.......2006-04-13
Isabel has a rare talent that combines beautiful tone, clarity and unbelievable fluidity of her voice, intelligent thinking, good sensitive heart and generous nature. You believe every intonation, every nuance. She is always authentic, always noble and her expressivity is never forced, emotions are never overacted.
This CD captures well her magic voice. And God, she is amazing in pianissimos! That's why to me, the Lullaby by Xavier Montsalvatge with its softness and warmth is the highlight of this recording.
Amazing amazing stuff.......2004-10-07
I first fell in love with Bayrakdarian's voice on the CD "Joyous Light," a collection of Armenian liturgical music arranged for soprano and orchestra (some of it just solo voice.) This disc intrigued me because of her incredible voice and the somewhat off the beaten path repertoire & instrumentation (soprano, piano & cello ensemble!?!) I was happy to see a young, amazing talent NOT do a disc of Italian or German arias. Her CDs definately seem to explore the lesser known repertoire and that's to be commended, because we get to hear a stellar voice bring some real gems to light. Interesting that soprano's solo disc includes an instrumental piece, but it fits in nicely and is certainly appreciated by this listener.
The first two of the Rodrigo madrigales are arrestingly beautiful. The disc as a whole is sublime. She's definately one to watch. I can't think of another soprano I'd rather hear these days than Bayrakdarian. I'm flying back to my hometown next year to her in concert. It's months & months away and I can't think of another performance anytime soon that I'm looking this forward to.
Fascinating Program Beautifully Performed.......2003-11-21
First, the program is well-constructed, alternating vocal/piano music with vocal/cello ensemble music, with cello ensemble music. Timbres are changed often enough that one's ear does not tire. Second, every bit of the program is superbly performed. Pride of place must be given to Miss Bayrakdarian, whose voice is crystalline and yet imbued with a womanly sensuality that well serves the alternately sultry and kittenish Spanish music present here. She sings Granados's delicious 'Four Tonadillas' with the kind of charm that I thought only a native Spaniard could bring to it. She negotiates the agréments and their subtle alterations of intonation so typical of Spanish singing with complete mastery. Late in the program she performs, with the cello ensemble, the ever-popular Bachianas Brasileiras No. 5 as well as I've ever heard it. She also inhabits the sung version of Granados's 'La Maja y el Ruiseñor' ('The Maiden and the Nightingale') arranged for the opera he made from his piano suite 'Goyescas.'
The cello group plays Pablo Casals's arrangement of the Catalan Christmas carol, 'El Cant dels Ocells' ('The Song of the Birds'). And they lend a hand in Joaquin Rodrigo's 'Cuatro madrigales amatorios' ('Four Love Madrigals'), with cello ensemble accompaniment arranged (as in others here recorded) by Peter Tiefenbach. I particularly liked the interplay of teasing soprano and sporty cellos in 'Vos me matásteis' ('I die for love of you'), the second of this set, which is then followed by a bang-up performance of the familiar, catchy 'De los álamos vengo, madre' ('I've been down by the poplars, mother').
Fernando Obradors wrote wonderful songs that occasionally get sung by non-Spanish singers--I remember once being entranced by Elly Ameling singing the set recorded here by Bayrakdarian with superb assistance from pianist Parker, 'Canciones clásicas españolas' ('Classic Spanish Songs'). And I must say that at times I hear a hint of Ameling in Bayrakdarian's voice, something I call 'a smile in the voice.' This set is followed by an expert arrangmement, this time by Claude Kenneson, of Manuel de Falla's 'Suite populaire espagnole' that employs the cello ensemble (with some melting solo work by Epperson, their leader) playing three all-instrumental pieces and then accompanying Bayrakdarian in three of the six songs.
The CD is rounded out by Xavier Montsalatge's Lullaby from 'Cinco canciones negras,' the aforementioned Bachianas Brasileiras No. 5, and then the song that gives this album its title, Jayme Ovalle's 'Azulão' ('Bluebird'). The latter uses all the forces available here--soprano, pianist, cellists--in a haunting lament: 'Go bluebird, bluebird, companion of mine, go! Go see my faithless love.'
I cannot praise this issue highly enough. Ms Bayradkarian's voice is world-class and she sings with great musicality and feeling. Her accompanists are flawless. The recorded sound is quite good. The unattributed notes are very helpful. There are full translations of all the sung texts.
TT=76:14
Scott Morrison
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Seville to Sante Fe: A Spanish Guitar Anthology
Manufacturer: Talking Taco/Iago Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001D3K Release Date: 1999-05-18 |
Tracks:
- Cancion Mixtteca (Frank Corrales)
- Camino A Santa Fe (Ruben Romero)
- Adelita (Frank Corrales)
- Recuerdos De La Alhambra (Terry Muska)
- La LLorona (Frank Corrales)
- Romance Antiquo (Ben Tavera King)
- Valentina (Frank Corrales)
- Adelita (Terry Muska)
- Delgadina (Frank Corrales)
- El Testament d'Amelia (Terry Muska)
- Seis Cuerdas y Seis Cervezas (Frank Corrales)
- Amanacer En Nuevo Mexico (Ruben Romero)
- Canarios (Ben Tavera King)
- Las Golondrinas (Frank Corrales)
- Romance Anonimo (Terry Muska)
- Leyenda (Terry Muska)
- Cielito Linda (Frank Corrales)
- Lagrima (Terry Muska)
- El Abandonado (Frank Corrales)
- FaLai Mina Amor (Ben Tavera King)
Product Description
The solo and duo guitar arrangements on "SEville to Santa Fe" cover over 500 years of guitar music starting withthe royal courts of Spain and continuing through today with performances of the best-loved selections from the Spanish and Mexican guitar reperoire and flamenco improvisations.Customer Reviews:
A Review of Classical Guitar- Terry Muska.......2000-04-15
Beautiful work, Terry!
excellent music.......1999-01-28
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Canciones de Amor
Tito Rodriguez Manufacturer: Sony International ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000M8N43U Release Date: 2007-02-06 |
Tracks:
- Inolvidable
- Llanto de Luna
- Tiemblas
- Ya Son Las Doce
- Mismo Que a Usted
- Lltela
- Cigarrillo, La Lluvia y T
- Hoja Seca
- Mentira (Se Te Olvida)
- En La Oscuridad
- Mono
- Casa
- No Te Importe Saber
- Cuando Ya No Me Quieras
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Spanish Guitar Music
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000277B Release Date: 1991-04-05 |
Tracks:
- Asturias
- Tango
- Canarios
- Fandango
- Nocturno
- El Colibri
- Sonata In D
- The Corregidor's Dance
- Fisherman's Song
- The Miller's Dance
- Mondronos
- La Nit de Nadal
- El Noy de la Mare
- La Maja de Goya
- Cordoba
- Recuerdos de la Alhambra
- Spanish Dance No. 5
- El Testamen de Amelia
- Prelude No. 4 In E Minor
- Sevilla
- Homanaje
- Fantasia
- Fandanguillo, Op. 36
Customer Reviews:
Brilliant in many ways.......2005-10-04
This is a solo album - all of the pieces here are arranged for single guitar. Some of the music is distinctively Spanish, while others bear a Catalan and Portuguese influence. Few of the composers on this album are well-known names in the Northern-European culture, but in the Latin culture, these are names that are known, and the music even more so.
From the earliest century of guitar music, composers such as Gaspar Sanz and Alonso Mudarra show the origins of this kind of work, which includes dissonances that occasionally sound like modern composition. There are pieces with lively spirit and power, inspiring dance in a more popular mode.
Mateo Albeniz has only one surviving composition; a church organist in the late eighteenth/early nineteenth century, he was influenced by Scarlatti and wrote for the harpischord - Williams has transcribed the piece for guitar here.
From the nineteenth to early twentieth centuries, many composers were productive: Isaac Albeniz, Julio Sagreras, Manuel de Falla, Enrique Granados, Francisco Tarrega, Heitor Villa-Lobos, and Joaquin Turina. Some like de Falla were very influenced by traditional Spanish stories and musical themes, whereas others like Granados drew inspiration from the broader aspects of European musical tradition. Villa-Lobos shows the transportation of Spanish music into the new world, becoming a noted name in Brazilian music (which, ironically, is the only major South American country without Spanish as its primary language).
Joaquin Rodrigo and Frederico Moreno Torroba represent composers in this grand style up to the present day.
John Williams' playing is technically sound and has flashes of emotional power and inspiration. Many pieces here are wonderful, but 'The Miller's Dance', the 'Fandango' and the Villa-Lobos 'Prelude No. 4 in E minor' stand out as the greatest of tracks here, being nothing short of brilliant.
classical gems.......2003-07-09
The music takes us back to the mid 16th century with Alonso Mudarra's "Fantasia", which is short and charming, as well as another early composer, Gaspar Sanz (1640-1710), with his "Canarios", up to many 20th century masters like de Falla, Torroba, and the only non-Spaniard represented, the Brazilian Heitor Villa-Lobos.
Favorites include Albeniz' "Cordoba", which has a marvelous "rasqueado", and the familiar but exciting "The Miller's Dance" by de Falla, but every track is impressive on this CD, as well as entertaining, something solo guitar music occasionally fails to be.
Having been reared by a mother who loved her guitar almost as much as her children, I have heard these pieces played often and by many great artists, but never better, or more enjoyably. This is a compilation that consists of previously released material, some from the 70's and 80's; the sound throughout is excellent, and the total time 73:46.
Nobody Does It Better.......2001-11-24
Good CD.......2001-10-15
A cultural treasure.......2001-10-09
Average customer rating:
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Guitarra española
Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000B09Z5 Release Date: 2004-03-09 |
Customer Reviews:
Outstanding music and great value!!.......2006-04-02
Excellent.......2005-08-22
Very Highly Recommended.......2004-05-08
No matter what popular and lay opinions may be about Williams, Bream, Segovia, and others, the greatest classical guitarist of the 20th century was Narciso Yepes. It is a pity and a shame that the fear of the older generation of guitarists and their associates made Yepes a marginal figure.
He was a consummate technician and a knowledgeable interpreter of all musical idioms from the Middle Ages through to the height of the 20th Century avant-garde. His playing was characterized by intelligence, sensibility, clarity, power, majesty, poetry, and a devilish ability to separate and sustain contrapuntal lines.
In this box of 5 CDs you will find the definitive performance of Rodrigo's now famous "Aranjuez" concerto, which, incidentally, was first recorded and made famous by Yepes. There are also 2 CDs with rare concertos by Salvador Bacarisse, Antonio Ruiz-Pipo, and Maurice Ohana.
The other 3 CD's contain generally the best performances of the canon of solo guitar works that you are likely to find. The composers include Sanz, Mudarra, Narvaez, Soler, Sor, Albeniz, Granados, Tarrega, De Falla, Turina, Bacarisse, Rodrigo, Llobet, Pujol, Moreno Torroba, Montsalvatge, Ohana, and Ruiz-Pipo.
Every guitarist and every lover of the instrument should own this set. If it is not available, also refer to a similar box set with the ASIN number B00006L6RN or another B000026ZRL.
Average customer rating:
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Canciones de Amor
Yolandita Monge Manufacturer: Sony International ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000M06KEI Release Date: 2007-02-06 |
Tracks:
- Amor
- Clo Hago Yo?
- S
- Distancia
- Qume Ese Hombre del Coraz
- Dl
- Ahora, Ahora
- Contigo
- Este Amor Que Hay Que Callar
- Nunca Te Dirdi
- Acame Como Soy
- Cantar
- Sin Amor
- Sombra de lo Que Fui
Customer Reviews:
What a cd!.......2007-05-06
Average customer rating: |
Marilyn Horne - Divas in Songs (A 60th Birthday Celebration) with Caballé, Donath, Fleming, Swenson, von Stade, Levine, Ramey, Bjarnason
Benjamin Britten , Franz Schubert , Aaron Copland , Gustav Mahler , Enrique Granados , Richard Strauss , Johannes Brahms , Arnold Schoenberg , Johann II Strauss , Stephen Foster , Joaquin Turina , Franz Lehar , John Kander , Johann Paul Aegidius Martini , Richard Rodgers , Jerome Kern , William Bolcom , Sergey Rachmaninov , Marilyn Horne , Montserrat Caballé , Warren Jones , Martin Katz , Frederica von Stade , Reneé Fleming , Manuel Burgueras , Helen Donath , Klaus Donath , Fritz Lohner , Olafur Bjarnason , Oscar II Hammerstein , James Levine , and Samuel Ramey Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003FOY Release Date: 1994-09-13 |
Tracks:
- Let The Florid Music Praise - Renee Fleming
- Der Musensohn - Frederica Von Stade
- Vocalise - Ruth Ann Swenson
- Lob Des Hohen Verstands - Marilyn Horne
- Quejas, O La Maya Y El Ruisenor - Montserrat Caballe
- Zueignung - Helen Donath
- Von Ewiger Liebe - Marilyn Horne
- Standchen - Renee Fleming
- Arie Aus Dem - Frederica Von Stade
- Voci Di Primavera - Ruth Ann Swenson
- If You've Only Got A Moustache - Marilyn Horne
- Cantares - Montserrat Caballe
- Vilja-Lied - Helen Donath
- A Letter From Sullivan Ballou - Renee Fleming
- Plaisir D'amour - Marilyn Horne
- Dein Ist Mein Ganzes Herz - Olafur Bjarnason
- Oh, What A Beautiful Mornin' - Helen Donath
- Ol' Man River - Samuel Ramey
- Amor - Frederica Von Stade
- At The River - Marilyn Horne
- Finale - Marilyn Horne/Montserrat Caballe/Helen Donath/Renee Fleming/Ruth Ann Swenson/Frederica Von Stade...
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