| 1. Quiero a Morir |
| 2. Soledad |
| 3. Es Una Promesa |
| 4. Lagrimas |
| 5. Ya |
| 6. Magdalena, Mi Amor (Quimbara) |
| 7. Juliana |
| 8. Todo |
Swing On,DLG [Dark Latin Groove],Sony International,Latin,Latin Music,Rap & Hip-Hop,Reggae,Salsa,Tropical
Average customer rating:
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From This Moment On
Diana Krall Manufacturer: Verve ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000GG4KTU Release Date: 2006-09-19 |
Tracks:
- It Could Happen to You
- Isnt This A Lovely Day
- How Insensitive
- Exactly Like You
- From This Moment On
- I was Doing All Right
- Little Girl Blue
- Day In Day Out
- Willow Weep For Me
- Come Dance With Me
- You Can Depend On Me
Amazon.com
This album appears in the footsteps of 2004's The Girl in the Other Room but doesn't sound like a follow-up. Whereas The Girl saw the pianist-singer abandon the Great American Songbook for more personal pastures, From This Moment On sees her working out on standards done in traditional arrangements. Although the tracks here are by the likes of Cole Porter, Jimmy Van Heusen and Sammy Cahn, and the Gershwins, Krall sounds more at ease than ever before; perhaps digging deep inside on The Girl loosened her up. Backed by the Clayton/Hamilton Jazz Orchestra on seven tracks, Krall sings off the big band with ease. On the title track, she keeps up with a galloping bass and explosive brass arrangements and even ventures into scatting toward the end of the song. Her voice has also acquired a wonderfully worn texture in the past few years, and it works wonders on the ballads (just listen to "Isn't This a Lovely Day" and "Little Girl Blue" for instance). When standards are done like this, there's just nothing like 'em. --Elisabeth VincentelliAlbum Description
From This Moment On is an 11-song collection that captures the Canadian-born sensation in full swing, in great company, and at the top of her game. It could also be called her strongest, most cohesive release to date. Krall--for the few still unknowing--is the 41-year old sensation whose cool, heavy-lidded vocals and strikingly sensitive piano-playing has helped her transcend barriers of genre to become a popular artist of the first order who has carved herself a permanent position at the top of the jazz charts. In songs, mood, and delivery, From This Moment On reveals Krall's personal ardor for that golden era of song-making, when Frank Sinatra, Ella Fitzgerald, and (especially) Nat "King" Cole were in their prime. It's musical territory that Krall has often explored, but this album was certainly not a case of simply repeating past formulas: Krall's A-team of support--producer Tommy LiPuma, engineer Al Schmitt, and arranger/bandleader John Clayton--were on hand to ensure that inspiration was kept on an edge, unhindered by the studio environment.
More Diana Krall
All for You: A Dedication to the Nat King Cole Trio |
Live in Paris |
Love Scenes |
The Girl in the Other Room |
Christmas Songs |
Stepping Out |
Customer Reviews:
Best Jazz singer around.......2007-07-28
You can't go wrong if you purchase this cd. Diana Krall at her best!!!
Cover Artist.......2007-07-19
Diana Krall Excells!.......2007-06-27
(Cute too.)
Buy this one. If you like jazz, it is a Must in your portfolio/collection.
"From This Moment On" ~ Diana Krall.......2007-06-26
Diana executes her songs with her strong, yet mellow voice.
The "back-up" band is a great asset to this CD, so between Diana singing and the band playing, you feel like you're "In Concert!"
Everyone HAS to hear it to believe it!
Mike
From This Moment On.......2007-06-10
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A Day to Remember - Instrumental Music for Your Wedding Day
O'Neill Brothers Manufacturer: O'Neill Brothers ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000066RG3 Release Date: 2002-04-25 |
Tracks:
- Falling in Love - Tim and Ryan O'Neill
- Wachet Auf - J.S. Bach
- Air on a G String - J.S. Bach
- Air (from Water Music) - Handel
- Reminiscent Joy - Tim and Ryan O'Neill
- Canon in D - Pachelbel
- Jesu, Joy of Man's Desiring - J.S. Bach
- The Wedding Song (There is Love) - Stookey
- Ave Maria - Schubert
- I Will Be Here - Steven Curtis Chapman
- The Gift of Love (Water is Wide melody)
- Spring (from The Four Seasons) - Vivaldi
- Ode to Joy - Beethoven
- From This Moment On - Shania Twain
- The Way You Look Tonight - Kern
- Forever in Love - Kenny G
Album Description
After performing at more than 200 weddings, Tim and Ryan O'Neill recorded this beautiful CD of favorite wedding songs. It features a full hour of instrumental piano, string quartet, flute, and guitar music that can be played at your ceremony or reception.It also gives suggestions for music at your wedding, including a special bridal website!
*Over 1,000 song titles listed
*Listen to samples of songs
*More ideas for each part of your ceremony, reception, and dance
Customer Reviews:
A Beautiful Wedding.......2007-07-10
Wonderful!.......2007-03-23
Good CD for Wedding.......2007-03-21
A Day To Remember--Instrumental Music for Your Wedding Day, O'Neill Brothers.......2007-02-07
great choice!.......2007-01-10
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Somewhere over the Rainbow: The Golden Age of Hollywood Musicals
Various Artists Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000066RO5 Release Date: 2002-06-04 |
Tracks:
- Singin In The Rain - Gene Kelly
- Theres No Business Like Show Business - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern
- 'S Wonderful - Gene Kelly & Georges Guetary
- Thats Entertainment! - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant
- Stranger In Paradise - Ann Blyth & Vic Damone
- Easter Parade - Judy Garland & Fred Astaire
- Lullaby Of Broadway - Winifred Shaw, Dick Powell & Chorus
- Get Happy - Judy Garland
- Night And Day - Fred Astaire
- True Love - Bing Crosby & Grace Kelly
- Honeysuckle Rose - Lena Horne w/ Benny Carter & His Orchestra
- They Cant Take That Away From Me - Fred Astaire
- Milkman, Keep Those Bottles Quiet - Nancy Walker & The M-G-M Studio Chorus w/ Tommy Dorsey & His Orchestra
- Baby, Its Cold Outside - Esther Williams & Ricardo Montalban
- For Me And My Gal - Gene Kelly & Judy Garland
- Puttin On The Ritz - Clark Gable & Co.
- Hallelujah! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs & Co.
- Bless Yore Beautiful Hide - Howard Keel
- Taking A Chance On Love - Ethel Waters & Eddie "Rochester" Anderson
- As Time Goes By - Dooley Wilson w/ Elliot Carpenter (Bonus Track)
- Laras Theme (Main Title) - The M-G-M Studio Orchestra (Bonus Track)
Tracks:
- Over The Rainbow - Judy Garland
- Its A Most Unusual Day - Jane Powell
- Wunderbar - Kathryn Grayson & Howard Keel
- Cant Help Lovin Dat Man - Ava Gardner
- Going Hollywood - Bing Crosby
- The Trolley Song - Judy Garland, The M-G-M Studio Chorus
- Gigi - Louis Jourdan
- I Got Rhythm - Judy Garland, Mickey Rooney & Co.
- Aba Daba Honeymoon - Debbie Reynolds, Carleton Carpenter & M-G-M Studio Chorus
- The Lady Is A Tramp - Lena Horne
- The Best Things In Life Are Free - June Allyson & Peter Lawford
- Cheek To Cheek - Fred Astaire
- A Kiss To Build A Dream On - Louis Armstrong
- Put 'Em In A Box - Doris Day & The Page Cavanaugh Trio
- If Swing Goes, I Go Too - Fred Astaire
- Almost Like Being In Love - Gene Kelly
- Lets Face The Music And Dance - Fred Astaire
- Be A Clown - Gene Kelly & Judy Garland
- Embraceable You - Connie Francis
- On The Atchison, Topeka And The Santa Fe - Judy Garland & Co.
- One For My Baby (And One More For The Road) - Fred Astaire
Amazon.com
The "Golden Age" referred to here spans The Jazz Singer and the advent of the talkies to the death throes of the old studio system in the 1960s. So vast was the era's musical landscape that even this 42-track, double-disc anthology can't encompass all its peaks. Not surprisingly, the bulk of this collection originated with the Tiffany's of the screen musical, M-G-M, a body of work whose riches here encompass both pop-cultural bedrock ("Over the Rainbow," "Singin' in the Rain," "There's No Business Like Show Business," etc.) and some less familiar, if equally delightful star turns: Clark Gable gamely "Puttin' On the Ritz"; the sassy, 1948 original of "The Lady Is a Tramp" by Lena Horne; and a loopy duet of "Baby, It's Cold Outside" by Esther Williams and Ricardo Montalban. Fred Astaire's elegant, epochal reign at RKO and M-G-M is represented by "Night and Day," "Let's Face the Music and Dance," and three others, while Metro mainstays Gene Kelly and Judy Garland share equal time and billing. It's not perfect--Cagney's "Yankee Doodle Boy" and/or some Sinatra seem more logical choices than the odd "bonus" duet of Casablanca's "As Time Goes By" and "Lara's Theme" from Dr. Zhivago that close out disc one--but it's a stunning, surprisingly comprehensive primer on the Hollywood film musical nonetheless. --Jerry McCulleyCustomer Reviews:
They were right--there is NO business like the show business they did way back when !!!.......2006-11-18
Can happen in a show
You can make 'em laugh
You can make 'em cry
Anything
Anything can go....
The clown with his pants falling down
Or the dance that's a dream of romance
Or the scene where the villain is mean
That's entertainment!
The lights on the lady in tights
Or the bride with the guy on the side
Or the ball where she gives him her all
That's entertainment!
The plot and the hot simply teeming with $ex
A gay divorcee who is after her ex
It could be Oedipus Rex
Where a chap kills his father
And causes a lot of bother
The clerk who is thrown out of work
By the boss who is thrown for a loss
By the skirt who is doing him dirt
The world is a stage,
The stage is a world of entertainment!
This two CD set amply proves that the musical melodies and lyrics from the golden age of the Hollywood musical remain unsurpassed to this day. This generous two CD set offers 42 incredible songs from Hollywood classic musicals. Most of these fine numbers are indeed from MGM, as Amazon correctly notes; but there are some RKO numbers and even a little from Warner Brothers. Thank goodness, though, that most of these songs came from MGM movies; MGM was the only studio that could boast that it truly had "more stars than there are in the heavens."
I love so many songs on these two CDs. Of course, there's the unforgettable classic "Over The Rainbow" sung by Judy Garland; she also performs "Easter Parade" and "Get Happy" on this two CD set and she carries most of the tune for "I Got Rhythm" even though Mickey Rooney helps her a little. I love "Baby, It's Cold Outside" for its' romantic overtones; and Lena Horne's "The Lady Is A Tramp" is flawless! We also get a rare chance to hear Clark Gable sing in "Puttin' On The Ritz;" and Bing Crosby's "Going Hollywood" may be brief but it's a fun song anyway.
There are two "bonus" tracks on the first CD: "As Time Goes By" from Casablanca and "Lara's Theme" from Doctor Zhivago. "As Time Goes By" is a good choice; it is another unsurpassed classic song that brings back memories and touches even the hardest of hearts. "Lara's Theme," however, is from the mid 1960s and I don't consider this period to be part of the "golden age" of Hollywood musicals.
The liner notes are excellent and they offer wonderful photos of the stars as well. The cover art is well done and the reverse cover art tells which movie each song is from and who is performing each song. Moreover, the quality of the sound is excellent especially when you consider that these numbers were recorded quite a few decades ago.
In short, this superlative two CD highlights the glory of the Hollywood musical when a certain type of sophistication dominated professional movie production. I highly recommend this CD for fans of Hollywood musicals, classic pop vocals and fans of the artists and actors who perform on this two CD set.
One of the best cds I ever bought. .......2006-06-07
Never Sounded Better.......2006-03-16
Somewhere Over The Rainbow.......2006-02-24
"Hollywood Musicals of the Golden Age are still among us".......2005-07-13
The lineup is fantastic and gives the listener a variety of what musicals were all about in the "Golden Age of the Hollywood Musicals"
June Allyson, Kay Armen, Louis Armstrong, Fred Astaire, Ann Blyth, Jack Buchanan, Louis Calhern, Bing Crosby, Vic Damone, Doris Day, Nanette Fabray, Connie Francis, Ava Gardner, Judy Garland, Kathyrn Grayson, Georges Guetary, Lena Horne, Betty Hutton, Louis Jourdan, Howard Keel, Gene Kelly, Grace Kelly, Peter Lawford, Oscar Levant, Ann Miller, Ricardo Montalban, Page Cavanaugh Trio, Debbie Reynolds, Winifred Shaw, Nancy Walker, Ethel Waters, Esther Williams, Dooley Williams and Keenan Wynn.
On Disc One 21 Classic Songs from great musicals with songs in alphabetical order:
AS TIME GOES BY - Dooley Wilson with Elliot Carpenter, pianist (1942)
BABY, IT'S COLD OUTSIDE - Esther Williams & Ricardo Montalban (1949)
BLESS, YORE BEAUTIFUL HIDE - Howard Keel (1954)
EASTER PARADE - Fred Astaire & Judy Garland (1948)
FOR ME AND MY GAL - Gene Kelly & Judy Garland (1942)
GET HAPPY - Judy Garland (1950)
HALLELUJAH! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs (for Russ Tamblyn) (1955)
HONEYSUCKLE ROSE - Lena Horne with Benny Carter & His Orchestra (1943)
LARA'S THEME (MAIN TITLE) - M-G-M Studio Orchestra (1965)
LULLABY OF BROADWAY - Winifred Shaw & Dick Powell (1935)
MILKMAN, KEEP THOSE BOTTLES QUIET - Nancy Walker with Tommy Dorsey & His Orchestra (1944)
NIGHT AND DAY - Fred Astaire (1934)
PUTTIN' ON THE RITZ - Clark Gable & Company (1939)
'S WONDERFUL - Gene Kelly & Georges Guetary (1951)
SINGIN' IN THE RAIN - Gene Kelly (1951)
STRANGER IN PARADISE - Ann Blyth & Vic Damone (1955)
TAKING A CHANCE ON LOVE - Ethel Waters & Eddie "Rochester" Anderson (1943)
THAT'S ENTERTAINMENT - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant (1953)
THERE'S NO BUSINESS LIKE SHOW BUSINESS - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern (1950)
THEY CAN'T TAKE THAT AWAY FROM ME - Fred Astaire (1949)
TRUE LOVE - Bing Crosby & Grace Kelly (1956)
On Disc Two more memorable performances from the Golden Age of Hollywood Musicals:
A KISS TO BUILD A DREAM ON - Louis Armstrong (1951)
ABA DABA HONEYMOON - Debbie Reynolds & Carleton Carpenter (1950)
ALMOST LIKE BEING IN LOVE - Gene Kelly (1954)
BE A CLOWN - Judy Garland & Gene Kelly (1948)
BEST THINGS IN LIFE ARE FREE - June Allyson & Peter Lawford (1947)
CAN'T HELP LOVIN' DAT MAN - Ava Gardner (beautiful woman, who my youngest grandaughter is named after...Avalon) (1951)
CHEEK TO CHEEK - Fred Astaire (1935)
EMBRACEABLE YOU - Connie Francis (1965)
GIGI - Louis Jourdan (1958)
GOING HOLLYWOOD - Bing Crosby (1933)
I GOT RHYTHM - Judy Garland & Mickey Rooney (1943)
IF SWING GOES, I GO TOO - Fred Astaire (1946)
IT'S A MOST UNUSUAL DAY - Jane Powell (1948)
LADY IS A TRAMP - Lena Horne (1948)
LET'S FACE THE MUSIC AND DANCE - Fred Astaire (1936)
ON THE ATCHISON, TOPEKA AND THE SANTA FE - Judy Garland & Company (1946)
ONE FOR MY BABY (AND ONE MORE FOR THE ROAD) - Fred Astaire (1943)
OVER THE RAINBOW - Judy Garland (became her theme song for the rest of her life) (1939)
PUT 'EM IN A BOX - Doris Day & the Page Cavanaugh Trio (1948)
THE TROLLEY SONG - Judy Garland & MGM Studio Chorus (1944)
WUNDERBAR - Kathryn Grayson & Howard Keel (two of MGM's favorite singing duos) (1953)
It was once said by the songwriters of that era - "There are two artists you want perform your songs on the big screen, they are Fred Astaire and Judy Garland they sing it just the way we wrote it, for which you will have a guaranteed hit on your hands"...well, this collections certainly has some merit to that statement...because with Judy Garland and Fred Astaire performing seven songs each, there must be something to it.
This collection of musicals still has the magic that we remember from those bygone years...but as long as we have the labels and networks who play and show these wonderful films of yesteryear, they will never be forgotten...hats off to Rhino Records, George Feltenstein (producer) and Doug Schwartz (engineer) and Turner Classic Movies for sharing those 42 selections from 42 films...celebrating decades of the tunes and artists that gave it their all...from what it commonly called "The Hollywood Dream Factory"...The Golden Age of Hollywood Musicals is still among us...gotta love it!
Total Time: 2-CD-Set ~ Rhino Records 78323 ~ (6/02/2002)
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The Notebook
Various Artists Manufacturer: New Line Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00023B1E4 Release Date: 2004-06-08 |
Tracks:
- Main Title
- Overture
- "I'll Be Seeing You" Performed by Billie Holiday
- "Alabamy Home" Performed by Duke Ellington
- Allie Returns
- House Blues/The Porch Dance/The Proposal/The Carnival
- Noah's Journey
- "Always And Always" Performed by Benny Goodman & His Orchestra
- "A String Of Pearls" Performed by Glenn Miller & His Orchestra
- On The Lake
- "Diga Diga Doo" Performed by Rex Stewart And The Ellingtonians
- "One O'Clock Jump" Performed by Benny Goodman & His Orchestra
- "I'll Be Seeing You" Performed by Jimmy Durante
- Noah's Last Letter
- Our Love Can Do Miracles
Amazon.com
Based on Nicholas Sparks' novel, director Nick Cassavetes film spins the bittersweet tale of a 60-year romance, as seen from the polar perspectives of its promising youth and the travails of an old age cursed by Alzheimer's. Its soundtrack effectively echoes those polar dramatic concerns, with composer Aaron Zigler's gentle orchestral score largely giving voice to the character's melancholy present, while a rich, well-chosen slate of vintage material by Billie Holiday, Duke Ellington, Benny Goodman and Glenn Miller imparts a restless energy to their youth. There's a certain schmaltz to much of Zigman's work here, yet cues like "House Blues/The Porch Dance.." and "Noah's Journey" argue he's achieved something more elusive than mere melodramatic wallpaper with the deceivingly difficult task at hand; it can't be easy to have your work seasoned with the likes of Ellington's sassy "Alabamy Home" and Goodman's still-vibrant "One O'Clock Jump." Sharply contrasting versions of "I'll Be Seeing You" by Holiday and Jimmy Durante bookend the soundtrack, perfectly evoking the story's alternating shades of hope and fading nostalgia and framing Zigman's understated work in the bargain. --Jerry McCulleyAlbum Description
Based on the best selling novel by Nicholas Sparks ("A Walk To Remember", "Message In A Bottle"), "The Notebook" is the story of Noah and Allie, teenage lovers torn apart by WWII and Allie's parents' demands to marry a respectable lawyer. After 14 years apart, they meet again and rekindle their true love. Starring Ryan Gosling, Rachel McAdams, James Garner, and Gena Rowlands. The soundtrack is a propelling force. In addition to classic WWII era pieces, Aaron Zigman's score suites enhance the record with beautifully dramatic themes. Score performed by the Hollywood Studio Symphony.Customer Reviews:
Touching.......2007-07-04
It say's go for the "true love", settle for nothing else no matter what may be in store, because love that is "true" and as beautiful as their's was, is a rare thing!
I absolutely loved the ending.
I also loved that a movie CAN be truly wonderful, beautiful and touching WITHOUT grafic "sex scenes!" Also sadly a rare thing in movies today.
Ever seen "Hanover Street?" Equally beautiful. No SEX scenes either!
Angelfish
Pays music a complement. I love the classical pieces!.......2007-05-27
the Notebook soundtrack (Audio CD).......2007-05-13
Very Nice.......2007-03-30
A sweeping, emotional standout!.......2007-01-11
Average customer rating:
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Peace Like a River
James Lucas , Janice Kapp Perry , John Rutter , Jean Sibelius , John Tavener , American Traditional , English Traditional , Spiritual Traditional , Mack Wilberg , Craig D. Jessop , Clay Christiansen , John Longhurst , Richard L. Elliott , Daron Bradford , and Meredith Campbell Manufacturer: Mormon Tabernacle ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00020H9W0 Release Date: 2004-06-22 |
Tracks:
- Sweet Peace
- Be Still, My Soul
- Peace Like a River
- All Things Bright and Beautiful
- Lord Is My Shepherd
- This Is My Father's World
- Wayfarin' Stranger
- Lord, Make Me an Instrument of Thy Peace
- Swing Low, Sweet Chariot
- Deep River
- Lamb
- Child's Prayer
- It Is Well With My Soul
- Count Your Blessings Instead of Sheep
- Gaelic Blessing
- Thou Gracious God, Whose Mercy Lends
- Come, Let Us Anew
Customer Reviews:
A source of peace for peace-lovers.......2007-08-03
Beautiful.......2007-06-14
A few bright spots, but also some disappointments.......2007-01-19
and "Come, Let Us Anew" are very good reasons to buy this CD, they each have truely powerful passages and make the CD worth having. The Mormon Tabernacle Choirs 2006 release entitled Then Sings My Soul is by far the best that I've heard from them.
This CD Deserves SIX Stars!.......2005-11-05
every good adjective .......2005-08-06
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Spotlight on Keely Smith (Great Ladies of Song)
Keely Smith Manufacturer: Capitol ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000DR4Q Release Date: 1995-03-21 |
Tracks:
- It's Magic
- You Go To My Head
- Stardust
- I Can't Get Started (With You)
- When Your Lover Has Gone
- Sweet And Lovely
- Stormy Weather
- Fools Rush In
- The Song Is For You
- Mr. Wonderful
- It's Been A Long, Long Time
- I'll Never Smile Agian
- Someone To Watch Over Me
- I'll Get By
- Don't Take Your Love From Me
- Lullaby Of The Leaves
- There Will Never Be Another You
- Imagination
- On The Sunny Side Of The Street
- I Wish You Love
Customer Reviews:
Goosebumps on my goosebumps! .......2007-07-29
Keely Rocks.......2007-01-23
When Your Lover Has Gone.......2006-03-10
I may buy other albums of hers.
The best in the business.......2004-12-29
A lot of the difference is that Keely faced a mike with working 50's and 60's orchestras with Billy May and Nelson Riddle charts whereas modern singers like McCorkle and Karrin Allyson have-if they're lucky- Concord Jazz bands, who mostly play bop jazz and other hophead stuff.
You just can't go wrong with this compilation if you want the pure Keely Smith.
Cool collection of a cool singer's repertoire!.......2004-10-29
Average customer rating:
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Ooooooohhh...On the TLC Tip
TLC Manufacturer: Arista ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000013G1 Release Date: 1992-02-25 |
Tracks:
- Intro
- Ain't 2 Proud 2 Beg
- Shock Dat Monkey
- Intermission I
- Hat 2 Da Back
- Das Da Way We Like 'em
- What About Your Friends
- His Story
- Intermission II
- Bad By Myself
- Somethin' You Wanna Know
- Baby-baby-baby
- This Is How It Should Be Done
- Depend On Myself
- Conclusion
Amazon.com
A hip-hop album with major pop crossover appeal, TLC's 1992 debut was an instant success. The trio of young women--T-Boz, Chilli, and Left Eye--projected a playful and colorful image, wearing bright, floppy clothes and using prophylactics as fashion accessories (Left Eye used to wear a colored condom as an eye patch, hence the nickname). The music was equally vibrant, trading off Left Eye's sandy raps, T-Boz's low-register come-hither croon, and Chilli's sultry R&B vocal melodies, creating an infectious, high-energy buzz. With singles like "Baby-Baby-Baby," "What About Your Friends," and the party-anthem shout-out "Ain't 2 Proud 2 Beg," the group approached subjects like sex and friendship with a youthful, inexplicit innocence. --Beth BessmerCustomer Reviews:
Where it all began.......2007-06-05
Although CRAZYSEXYCOOL is probably TLC's best selling and most popular disc, OOOOOOOHHH...ON THE TLC TIP, the Atlanta group's debut, is my favorite by the trio. Primarily produced by Dallas Austin, Jermaine Dupri, L.A. Reid and Babyface, this is one of the few CDs that features samples throughout it that I really love. While all the ladies contribute their now trademark sounds, it is the late Lisa "Left Eye" Lopes who dominates the material here. I still listen to it at least once everyday. I first purchased it on cassette and wore it out so badly, I had to get another one and the same thing happened. Finally I just got the CD and I still have it today. I can honestly say that this was the CD that changed my life when I first brought it in '92. TLC might have taken a page from Salt 'n Pepa by talking about female empowerment, safe sex, loyalty, black-on-black crime, double standards and true friendship - issues that touched me in a huge way back then (and still do today, to a degree) but they took it to an even higher level. This is GIRL POWER in its finest form. The message on it gave me the confidence and courage to face the dilemmas in my life instead of running away from them, to rely on myself, and I haven't looked back since! This is why these girls mean so much to me, and why I've supported them from day one.
OOOOOOOHHH....ON THE TLC TIP grabs you right from the start - yes, even the intro makes you interested in what you are about to hear. (And yes, the interludes between the songs will crack you up, too.) Exploding with the sounds of New Jack Swing, funk, rap, hip-hop, catchy pop hooks, and crazy, frenetic Public Enemy-like samples all over it, this CD is an instant injection of fun and youthful energy. The material sounds just as good now as it did back in the day. It kicks off with the Grammy-nominated hit "Ain't 2 Proud 2 Beg", goes right into the red-hot "Shock Dat Monkey" and keeps the momentum going with "Hat 2 Da Back". The CD sort of hits a bump with "Das The Way We Like 'Em" - all I can say is I prefer that Left Eye do the rapping, and let T-Boz and Chilli stick to singing. However, it picks right up again with the hit "What About Your Friends" and "His Story", an amazing song that showed that TLC had a serious side to them as well. This tune caused a bit of controversy back then because Left Eye mentioned the name of a prominent rape victim in the intro. (For those who don't know, this was a huge story in the late 1980s in New York and the news spread nationwide. The teenage girl, who was black, accused six white men, some of them police officers in Westchester County, NY of kidnapping and raping her but when it came down to it, she was accused of lying about the attack. She continued to stand by her story. It's been said that the song "His Story" is loosely based on that event.) What I loved so much about this group is they almost always had important messages in their songs, subjects we all need to pay attention to - as we see with their later smashes, "Waterfalls" and "Unpretty".
The CD keeps up the pace with the hyped-up girl-power anthem "Bad By Myself", and segues into the smoother ballads "Something You Wanna Know" and the # 1 R&B hit, "Baby-Baby-Baby". Another misstep here is "This Is How It Should Be Done" - don't really like this much even though it does feature Left Eye. But a perfect closer to this is MY personal anthem - "Depend On Myself", words I truly live by and take to heart. Ladies, if you ever need a dose of confidence and something to lift your spirits, this is the CD to listen to! Energetic, lively and positive, if you are a TLC fan then there is no reason for you NOT to own this. Put it on, dance and have a good time - I know Lisa would want it that way.
Scratched.......2007-05-18
4.5 stars.......2007-04-09
Debut.......2006-04-06
I also don't care for the album's version of Hat 2 Da Back. The remix they used for the video was MUCH better.
This is tlc's most hip-hop sounding album and they are certainly having fun, but in comparison to their later efforts, this one is sub-par and underproduced.
Addendum 7/26/06 The above comments don't do these girls justice. Let me start over.
When I was 10, I remember seeing tlc on Arsenio Hall. I was very intrigued. I liked their style and their attitudes. Up until this point, I just listened to music on the radio. I didn't own any albums.
One day I decided to buy some music. I was in the record store with my mom, and I got one of the clerks to pick me out 2 albums. One was Oooooooh...and the other one was the first record from Wreckx in Effect(what can I say, I liked Rumpshaker.) To my horror, my mom told me I could only get one. I picked TLC, and haven't looked back. I had it on tape and I listened to it 3 or 4 times a day on my walkman. Fourteen years later, TLC is still my favorite musical act. Even though I don't listen to their music as much anymore, they're the only act that I would buy an album from blindly. This means, I would buy their cd without having to hear one note from it first. Just the fact it is them would be enough. As I've grown, I realize the album is still all of the things I said in my review at the top. It is inconsistent, and certainly not their best album. But it's still tlc: the GREATEST girl group of all time.
Do I rate for then or now?.......2006-01-14
TOLD YA THINGS CHANGE!
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Porgy & Bess
Ella Fitzgerald , and Louis Armstrong Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000046Z5 Release Date: 1990-10-25 |
Tracks:
- Overture
- Summertime
- I Wants To Stay Here
- My Man's Gone Now
- I Got Plenty O'Nuttin'
- Buzzard Song
- Bess, You Is My Woman Now
- It Ain't Necessarily So
- What You Want Wild Bess?
- A Woman Is A Sometime Thing
- Oh, Doctor Jesus
- Medley: Here Come De Honey Man/Crab Man/Oh, Deh's So Fresh And Fine (Strawberry Woman)
- There's A Boat Dat's Leavin' Soon For New York
- Bess, Oh Where's My Bess
- Oh Lawd, I'm On My Way
Amazon.com
Getting the two most personable voices in jazz to sing an hour's worth of George Gershwin's opera Porgy & Bess (Ella doing all the female parts, Satchmo all the male) was a good idea, but not quite as great as it sounded. Armstrong savors the down-and-dirty Charlestonisms that inspired the cadences of the music and lyrics, and they fit his happy rasp like an old shoe; Fitzgerald, conversely, sounds almost prissy every time she has to sing the word "ain't," though her melodic genius gets Gershwin's bold, supple tunes over. The arrangements are full-throttle Broadway, with a few leaps into Dixieland (including some fine Armstrong trumpet solos), but the disc works best when the vocalists break character and let their jazz side out. --Douglas WolkCustomer Reviews:
Absolutely peerless.......2006-11-17
Gershwin and Gershwin must be among the top composers of the last century and this opera showcases their talents more than anything I've heard. Ella and Louis are peerless as a vocal duo and though I doubt the West End performance will capture the magic in the same way they did, I still remain very keen to go see it. Is it opera or is it a jazz performance? I don't really know. I just know that I love it. And strongly recommend it.
once-in-a-lifetime greatness.......2006-10-06
But after its premiere in 1935, no less than Duke Ellington said, "It has grand music and a swell play, but the two didn't go together. It does not use the Negro musical idiom --- the times are here to debunk Gershwin's lampblack Negroisms."
A quarter of a century later, the producers of the film version had trouble assembling a cast. Harry Belafonte rejected their offer to play Porgy. Sidney Poitier took the part --- and wished he hadn't. Poitier later wrote that the movie insulted black people; when he chose clips of his best performances for his tribute at the American Film Institute, he picked nothing from "Porgy and Bess."
And in 1985, when Grace Bumbry was a sensation as Bess in a Metropolitan Opera production, she slammed the opera: "I thought it beneath me, I felt I had worked far too hard, that we had come far too far to have to retrogress to 1935."
All that may be. All I know is that I have, in a long life, rarely been confronted with more genius than in the Fitzgerald/Armstrong recording of "Porgy & Bess." Set aside the achievement of George and Ira Gershwin in transforming DuBose Heyward's novel into a folk opera. Let's just focus on Armstrong and Fitzgerald, who were at the peak of their popularity when this record was made in 1957.
"Summertime" --- the first song --- sets the tone. A baleful horn figure, then violins. And then Armstrong's trumpet: slow, steady, dignified. But wait --- here comes a slurred note. And a cool little improvisation. Just enough of each. Very tasty.
Fitzgerald sings a verse. She is cool and formal. A lady. Not to be taken lightly. Now it's Armstrong's turn. Tender, but let's not kid ourselves --- this is not singing as others define it. This is melodic speech: rough, gutteral. And thus he is ideally cast: His Porgy may have his charms, but he'll have to stretch to keep Bess.
And so it goes throughout the CD. Trumpet mastery --- Armstrong has dazzling control. His tone is bright, but never shrill; there's a warmth in his playing no one else could produce. And Fitzgerald is just a study in inevitability; to hear her is to wonder how anyone could sing these songs any other way.
"I Got Plenty O' Nuttin'." "Bess, You Is My Woman Now." "A Woman Is a Sometime Thing." "There's a Boat Dat's Leavin' Soon for New York." "Bess, Oh Where's My Bess?" "Oh Lawd, I'm on My Way."
All brilliantly conceived, orchestrated and recorded.
The greatest trumpet player in this history of jazz.
The father of scat singing.
The queen of the jazz vocal.
There are no-brainers, and then there is this Ella Fitzgerald-Louis Armstrong collaboration --- music that imprints on your soul.
We love this album.......2006-08-22
Simply great.......2006-03-04
A must have for everyone!
Porgy and Bess.......2005-10-14
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Blood On The Dance Floor: HIStory In The Mix
Michael Jackson Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002BVN Release Date: 1997-05-20 |
Tracks:
- Blood On The Dance Floor
- Morphine
- Superfly Sister
- Ghosts
- Is It Scary
- Scream Louder (Flyte Tyme Remix)
- Money (Fire Island Radio Edit)
- 2 Bad (Refugee Camp Mix)
- Stranger In Moscow (Tee's In-House Club Mix)
- This Time Around (D.M. Radio Mix)
- Earth Song (Hani's Club Experience)
- You Are Not Alone (Classic Club Mix)
- HIStory (Tony Moran's HIStory Lesson)
Customer Reviews:
Stunning album that was seriously underrated. .......2007-05-24
Cream always flows to the top !.......2006-08-12
I, along with the court of justice do believe Micheal does not have a bad bone in his body, the fact that he needs kids around him is perfectly natural, because kids are sincere, this is wat he Michael and eveyone else needs to stay in touch with reality.
Thanks Michael for all the happy memories your music has brought us and hopefully will for a long time to come.
Who's Bad ?
Not Michael !
Michael Jackson's Dance on The Blooded Floor: 2 stars.......2006-07-18
Blood On The Dancefloor is mainly to be regarded as an EP or a remix album, consisting of 5 ordinary songs and 8 remixes. The title track and the first single Blood On The Dancefloor is a funky up-tempo song with a fusion of keyboard and teasing synthesizers. Despite being released as the opening single, the song was hardly among Jackson's finest material. In fact, Blood On The Dancefloor even sounded dated in 1997 and it has certainly not aged very well. I always found that the song bore a resemblance to the Dangerous album in terms of sound. Perhaps the material on the Blood on the Dancefloor album was written for that particular album or during the same time period. However, the gruelling theme continues as the song Morphine reveals a character completely obsessed with the drug. The soft and hunting verses are a contrast to the sturdier choruses, yet surprisingly it works quite well. Superfly Sister is Michael Jackson's attempt to simulate Prince; however the repetitive, dull baseline is an unwelcome addition. Similar to the lead single, Superfly Sister suffers from the syndrome of ¨dated-ness¨. Ghosts and Is It Scary are enjoyable songs; however they are not among Jackson's greatest works. Notably, Is It Scary is a lovely track especially due to the shift between the soft verses and the tougher choruses. I considered it the best song among the 5 ordinary songs on the album. The remaining 8 songs/remixes are a Tour De Force of dance remixes. Generally, I do not like remixes, however the remix of 2 Bad, Scream-Louder and HIStory are not half-bad. Yet the remixes of the remaining songs leave a lot to be desired.
Blood On The Dancefloor is primarily an indulgence for hardcore Michael Jackson fans. The few ordinary songs are pleasant, however they are not on par with Michael Jackson's back-catalogue. If you like remixes in generally, I am positive the remixes on the album would surely appeal to you. If you have recently discovered Michael Jackson's music, I would advise you to purchase Number Ones or The Essential Michael Jackson in order to fully grasp the back-catalogue of Jackson.
Overall Grade: 4.0/10
RED BLOODED MONSTER--JACKO.......2006-07-16
THIS ALBUM DO NOT HAVE QUANTITY BUT THE THING IS THAT THIS HAS QUALITY ONLY ONE SINGLE--BOTDF IS SUFFICIENT TO MAKE THIS ALBUM WORTH A WHILE
GO GET THIS ALBUM AND BE PROUD TO HAVE SUCH COMPILATIONS
great!! .......2005-12-12
Well, the thing is that I don't like remixes but there is one that's definitely good. That's the remix of track 'HIStory'.
Now on to the new stuff. MJ really did well by choosing 5 new tracks because it convinced me that his every song is different and innovative.
BOTDF, as fans often call it, has the
title track on it: this is an echo-filled, strong, blood-red composition of dance with a bit of techno, soul and rock. This is unique if you believe me.
I enjoyed it through a whole summer when I watched
the video for it every day!
MJ proves that he is a good and.. an even better dancer. A real surprise. Even a friend of mine who is far from being an MJ-fan, told me that he finds MJ a better dancer than he'd done before.
SUPERFLY SISTER is a rap-like but still strangely soulful track with a catchy beat and a great 'east coast' feeling I like very much. It's got a message, listen up!
GHOSTS is a great r&b song that is solid, consistent and you can easily get hooked on the melody. The video is awesome, too. I bet!
IS IT SCARY: brother of the previous one. Jackson's best vocal achievement since 1995's 'Smile' and before 2001's 'Unbreakable'. An r&b-based song that grows to a pop hymn - without a hymnical feature.
MORPHINE: This is I think MJ's most unique song ever, quite the 'Musicology' for him. This is fully composed & ordered by him, he even plays the instruments.
The song mixes an acid and steely beat with innovative vocal elements of metal and even a Jackson-style rap. So a closed composition emerges.
I hated Morphine first. But now I see it as a kind of masterpiece.
OK. Don't buy it. It's mess.
But I bet you still do. Enjoy!
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Jacques Loussier Plays Bach
Manufacturer: Telarc ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003D5Q Release Date: 1996-08-27 |
Tracks:
- Fugue No.5 In D Major
- Italian Conerto: Allegro
- Italian Concerto: Andante
- Italian Concerto: Presto
- Pastorale In C Minor
- Air On A G String
- Toccata & Fugue In D Minor
- Gavotte In D Major
- Concerto In D Minor: Allegro
- Concerto In D Minor: Adagio
- Concerto In D Minor: Allegro
Customer Reviews:
Good but too literal and too classical.......2007-02-24
This is more like a jazz version of what Emerson, Lake & Palmer do with rock music. Loussier's technique is formidable and his band are total virtuosos on their instruments and the album as a whole is impressive and fun to hear when you're in a more upbeat and non-introspective mood but the deepness of the Bach pieces are definitely trivialized by doing it in the jazz idiom this straight. Jazz gets deep through improvisation. I think Loussier needed to give himself freer rein to express himself and improvise. If I want straight Bach I can go listen to the original pieces done by the best classical players of all time.
Threfore, this is a higher-than-average recommendation only if you don't mind some high-energy classical-light with overtones of cool-jazz hipness but if you want something state-of-the-art that really digs deep go listen to Brad Mehldau's trio offerings.
French Brubeck.......2005-09-25
BACH & JAZZ LOVERS.......2000-12-31
Treat yourself nice with Loussier's music..........2000-10-27
An authentic masterpiece.......2000-05-21
Salsa Music:
- Te Quiero
- Tejano Treasures
- The Come Back
- Tu Solamente Tu
- Vine Pa' Quedarme
- 15 Corridos Dedicados Al Senor Chito Cano
- 15 Exitos Caballos
- 20 Exitos De Oro Romantico
- 4 Colosos de Billo, Vol. 1
- 4 Colosos de Billo, Vol. 2
Salsa Music
Saint-Saëns: Symphony No. 3; Works by Widor, Grison, Jongen
Stars & Stripes Forever, Vol. 1
Slidin' on the Frets: The Hawaiian Steel Guitar Phenomenon
Speed/She Couldn't Change Me [CD-single]
Sambas de Enredo 2001 [Import]
Surfing With the Alien [Import]