Swing On

Track Listings

 
1. Quiero a Morir
2. Soledad
3. Es Una Promesa
4. Lagrimas
5. Ya
6. Magdalena, Mi Amor (Quimbara)
7. Juliana
8. Todo

Swing On,DLG [Dark Latin Groove],Sony International,Latin,Latin Music,Rap & Hip-Hop,Reggae,Salsa,Tropical


From This Moment On
Average customer rating: 4 out of 5 stars
  • Best Jazz singer around
  • Cover Artist
  • Diana Krall Excells!
  • "From This Moment On" ~ Diana Krall
  • From This Moment On
From This Moment On
Diana Krall
Manufacturer: Verve
ProductGroup: Music
Binding: Audio CD

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  1. Duets: An American Classic
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ASIN: B000GG4KTU
Release Date: 2006-09-19

Tracks:

  1. It Could Happen to You
  2. Isnt This A Lovely Day
  3. How Insensitive
  4. Exactly Like You
  5. From This Moment On
  6. I was Doing All Right
  7. Little Girl Blue
  8. Day In Day Out
  9. Willow Weep For Me
  10. Come Dance With Me
  11. You Can Depend On Me

Amazon.com

This album appears in the footsteps of 2004's The Girl in the Other Room but doesn't sound like a follow-up. Whereas The Girl saw the pianist-singer abandon the Great American Songbook for more personal pastures, From This Moment On sees her working out on standards done in traditional arrangements. Although the tracks here are by the likes of Cole Porter, Jimmy Van Heusen and Sammy Cahn, and the Gershwins, Krall sounds more at ease than ever before; perhaps digging deep inside on The Girl loosened her up. Backed by the Clayton/Hamilton Jazz Orchestra on seven tracks, Krall sings off the big band with ease. On the title track, she keeps up with a galloping bass and explosive brass arrangements and even ventures into scatting toward the end of the song. Her voice has also acquired a wonderfully worn texture in the past few years, and it works wonders on the ballads (just listen to "Isn't This a Lovely Day" and "Little Girl Blue" for instance). When standards are done like this, there's just nothing like 'em. --Elisabeth Vincentelli

Album Description

From This Moment On is an 11-song collection that captures the Canadian-born sensation in full swing, in great company, and at the top of her game. It could also be called her strongest, most cohesive release to date. Krall--for the few still unknowing--is the 41-year old sensation whose cool, heavy-lidded vocals and strikingly sensitive piano-playing has helped her transcend barriers of genre to become a popular artist of the first order who has carved herself a permanent position at the top of the jazz charts. In songs, mood, and delivery, From This Moment On reveals Krall's personal ardor for that golden era of song-making, when Frank Sinatra, Ella Fitzgerald, and (especially) Nat "King" Cole were in their prime. It's musical territory that Krall has often explored, but this album was certainly not a case of simply repeating past formulas: Krall's A-team of support--producer Tommy LiPuma, engineer Al Schmitt, and arranger/bandleader John Clayton--were on hand to ensure that inspiration was kept on an edge, unhindered by the studio environment.

More Diana Krall

All for You: A Dedication to the Nat King Cole Trio

Live in Paris

Love Scenes

The Girl in the Other Room

Christmas Songs

Stepping Out

Customer Reviews:

5 out of 5 stars Best Jazz singer around.......2007-07-28


You can't go wrong if you purchase this cd. Diana Krall at her best!!!

2 out of 5 stars Cover Artist.......2007-07-19

I listened Diana Krall live in concert tonight. I did not know much about her except that she is regarded as one of the greatest jazz artists of our generation which made me feel rather ignorant as I am a big fan of jazz. She played for an hour and a half tonight and she is obviously a talented musician. However, one thing struck me as odd ... for one of the shining lights of modern jazz, she sang one, ONE, original song. All of the music she played were covers of some of the greatest jazz music ever recorded. What became evident is that this talented woman bears a talent that is only skin deep. The one original song that she sang was horrendous, a lyrical disaster. I cringed each and every time the refrain was repeated. Granted the crowd, purveyors of insipid music one and all, ate it up. Her own music can't all be that bad can it? I walked away with the thought that music, as in fine arts, has simply become a playground for lazy artists to appeal to lazy fans who don't expect any more than rote regurgitation. Diana Krall is a cover artist. What galls me about her fame and fortune is that talent alone didn't make her famous. Is it because she's an attractive woman who can tickle the keys of a piano and sing in a sultry voice? There are multitudes of rock cover bands who get ridiculed for playing songs they didn't write. So, why does this woman get lauded for doing the same thing? Talented yes, but genius? ... to compare her to Cole Porter or Nat King Cole would be sinful.

5 out of 5 stars Diana Krall Excells!.......2007-06-27

Diana has one of the greatest voices in the jazz biz. She plays a great piano, sings as a song bird, and is truly a marvelous performer.
(Cute too.)

Buy this one. If you like jazz, it is a Must in your portfolio/collection.

5 out of 5 stars "From This Moment On" ~ Diana Krall.......2007-06-26

Listening to my CD of Diana Krall, "From This Moment On," is so relaxing.
Diana executes her songs with her strong, yet mellow voice.
The "back-up" band is a great asset to this CD, so between Diana singing and the band playing, you feel like you're "In Concert!"

Everyone HAS to hear it to believe it!

Mike

5 out of 5 stars From This Moment On.......2007-06-10

From This Moment On~ Diana Krall is easy listening jazz at its best. Ms Kralls vocal skills are remarkable and she sings these traditional jazz tunes with conviction and fortitude of a grandmaster of jazz. The book-let is beautifull if a bit sparse. The photographs are simply put it amazing and she looks stunning. The production value is right on the money and I like it since it so easy to listen to even for jazz beginners such as myself. Highly recommended indeed and I easily give this album 5 out of 5 stars.
A Day to Remember - Instrumental Music for Your Wedding Day
Average customer rating: 5 out of 5 stars
  • A Beautiful Wedding
  • Wonderful!
  • Good CD for Wedding
  • A Day To Remember--Instrumental Music for Your Wedding Day, O'Neill Brothers
  • great choice!
A Day to Remember - Instrumental Music for Your Wedding Day
O'Neill Brothers
Manufacturer: O'Neill Brothers
ProductGroup: Music
Binding: Audio CD

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  1. A Day to Remember vol II
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  4. Heart Beats: Now & Forever - Timeless Wedding Songs
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ASIN: B000066RG3
Release Date: 2002-04-25

Tracks:

  1. Falling in Love - Tim and Ryan O'Neill
  2. Wachet Auf - J.S. Bach
  3. Air on a G String - J.S. Bach
  4. Air (from Water Music) - Handel
  5. Reminiscent Joy - Tim and Ryan O'Neill
  6. Canon in D - Pachelbel
  7. Jesu, Joy of Man's Desiring - J.S. Bach
  8. The Wedding Song (There is Love) - Stookey
  9. Ave Maria - Schubert
  10. I Will Be Here - Steven Curtis Chapman
  11. The Gift of Love (Water is Wide melody)
  12. Spring (from The Four Seasons) - Vivaldi
  13. Ode to Joy - Beethoven
  14. From This Moment On - Shania Twain
  15. The Way You Look Tonight - Kern
  16. Forever in Love - Kenny G

Album Description

After performing at more than 200 weddings, Tim and Ryan O'Neill recorded this beautiful CD of favorite wedding songs. It features a full hour of instrumental piano, string quartet, flute, and guitar music that can be played at your ceremony or reception.

It also gives suggestions for music at your wedding, including a special bridal website!
*Over 1,000 song titles listed
*Listen to samples of songs
*More ideas for each part of your ceremony, reception, and dance

Customer Reviews:

5 out of 5 stars A Beautiful Wedding.......2007-07-10

This CD made all the difference in our wedding celebration. The songs were simply beautiful. The CD was delivered promptly. I would definitely buy from this vendor again.

5 out of 5 stars Wonderful!.......2007-03-23

This is exactly what I was looking for for my wedding day. It's a beautiful cd, absolutely perfect.

5 out of 5 stars Good CD for Wedding.......2007-03-21

All great music for weddings. It really does have all the music I want to use!

5 out of 5 stars A Day To Remember--Instrumental Music for Your Wedding Day, O'Neill Brothers.......2007-02-07

The music was just perfect for our wedding--not too formal, not too simple.

5 out of 5 stars great choice!.......2007-01-10

There are so many different songs to choose from on this cd and it's a great buy. whether you want to play it while eating dinner at the wedding, to walking down the isle, it's wonderful!!!!
Somewhere over the Rainbow: The Golden Age of Hollywood Musicals
Average customer rating: 4.5 out of 5 stars
  • They were right--there is NO business like the show business they did way back when !!!
  • One of the best cds I ever bought.
  • Never Sounded Better
  • Somewhere Over The Rainbow
  • "Hollywood Musicals of the Golden Age are still among us"
Somewhere over the Rainbow: The Golden Age of Hollywood Musicals
Various Artists
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

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  5. That's Entertainment!: The Best Of The M-G-M Musicals - Motion Picture Soundtrack Anthology

ASIN: B000066RO5
Release Date: 2002-06-04

Tracks:

  1. Singin In The Rain - Gene Kelly
  2. Theres No Business Like Show Business - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern
  3. 'S Wonderful - Gene Kelly & Georges Guetary
  4. Thats Entertainment! - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant
  5. Stranger In Paradise - Ann Blyth & Vic Damone
  6. Easter Parade - Judy Garland & Fred Astaire
  7. Lullaby Of Broadway - Winifred Shaw, Dick Powell & Chorus
  8. Get Happy - Judy Garland
  9. Night And Day - Fred Astaire
  10. True Love - Bing Crosby & Grace Kelly
  11. Honeysuckle Rose - Lena Horne w/ Benny Carter & His Orchestra
  12. They Cant Take That Away From Me - Fred Astaire
  13. Milkman, Keep Those Bottles Quiet - Nancy Walker & The M-G-M Studio Chorus w/ Tommy Dorsey & His Orchestra
  14. Baby, Its Cold Outside - Esther Williams & Ricardo Montalban
  15. For Me And My Gal - Gene Kelly & Judy Garland
  16. Puttin On The Ritz - Clark Gable & Co.
  17. Hallelujah! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs & Co.
  18. Bless Yore Beautiful Hide - Howard Keel
  19. Taking A Chance On Love - Ethel Waters & Eddie "Rochester" Anderson
  20. As Time Goes By - Dooley Wilson w/ Elliot Carpenter (Bonus Track)
  21. Laras Theme (Main Title) - The M-G-M Studio Orchestra (Bonus Track)

Tracks:

  1. Over The Rainbow - Judy Garland
  2. Its A Most Unusual Day - Jane Powell
  3. Wunderbar - Kathryn Grayson & Howard Keel
  4. Cant Help Lovin Dat Man - Ava Gardner
  5. Going Hollywood - Bing Crosby
  6. The Trolley Song - Judy Garland, The M-G-M Studio Chorus
  7. Gigi - Louis Jourdan
  8. I Got Rhythm - Judy Garland, Mickey Rooney & Co.
  9. Aba Daba Honeymoon - Debbie Reynolds, Carleton Carpenter & M-G-M Studio Chorus
  10. The Lady Is A Tramp - Lena Horne
  11. The Best Things In Life Are Free - June Allyson & Peter Lawford
  12. Cheek To Cheek - Fred Astaire
  13. A Kiss To Build A Dream On - Louis Armstrong
  14. Put 'Em In A Box - Doris Day & The Page Cavanaugh Trio
  15. If Swing Goes, I Go Too - Fred Astaire
  16. Almost Like Being In Love - Gene Kelly
  17. Lets Face The Music And Dance - Fred Astaire
  18. Be A Clown - Gene Kelly & Judy Garland
  19. Embraceable You - Connie Francis
  20. On The Atchison, Topeka And The Santa Fe - Judy Garland & Co.
  21. One For My Baby (And One More For The Road) - Fred Astaire

Amazon.com

The "Golden Age" referred to here spans The Jazz Singer and the advent of the talkies to the death throes of the old studio system in the 1960s. So vast was the era's musical landscape that even this 42-track, double-disc anthology can't encompass all its peaks. Not surprisingly, the bulk of this collection originated with the Tiffany's of the screen musical, M-G-M, a body of work whose riches here encompass both pop-cultural bedrock ("Over the Rainbow," "Singin' in the Rain," "There's No Business Like Show Business," etc.) and some less familiar, if equally delightful star turns: Clark Gable gamely "Puttin' On the Ritz"; the sassy, 1948 original of "The Lady Is a Tramp" by Lena Horne; and a loopy duet of "Baby, It's Cold Outside" by Esther Williams and Ricardo Montalban. Fred Astaire's elegant, epochal reign at RKO and M-G-M is represented by "Night and Day," "Let's Face the Music and Dance," and three others, while Metro mainstays Gene Kelly and Judy Garland share equal time and billing. It's not perfect--Cagney's "Yankee Doodle Boy" and/or some Sinatra seem more logical choices than the odd "bonus" duet of Casablanca's "As Time Goes By" and "Lara's Theme" from Dr. Zhivago that close out disc one--but it's a stunning, surprisingly comprehensive primer on the Hollywood film musical nonetheless. --Jerry McCulley

Customer Reviews:

5 out of 5 stars They were right--there is NO business like the show business they did way back when !!!.......2006-11-18

Everything that happens in life
Can happen in a show
You can make 'em laugh
You can make 'em cry
Anything
Anything can go....

The clown with his pants falling down
Or the dance that's a dream of romance
Or the scene where the villain is mean
That's entertainment!

The lights on the lady in tights
Or the bride with the guy on the side
Or the ball where she gives him her all
That's entertainment!

The plot and the hot simply teeming with $ex
A gay divorcee who is after her ex
It could be Oedipus Rex
Where a chap kills his father
And causes a lot of bother

The clerk who is thrown out of work
By the boss who is thrown for a loss
By the skirt who is doing him dirt

The world is a stage,
The stage is a world of entertainment!

This two CD set amply proves that the musical melodies and lyrics from the golden age of the Hollywood musical remain unsurpassed to this day. This generous two CD set offers 42 incredible songs from Hollywood classic musicals. Most of these fine numbers are indeed from MGM, as Amazon correctly notes; but there are some RKO numbers and even a little from Warner Brothers. Thank goodness, though, that most of these songs came from MGM movies; MGM was the only studio that could boast that it truly had "more stars than there are in the heavens."

I love so many songs on these two CDs. Of course, there's the unforgettable classic "Over The Rainbow" sung by Judy Garland; she also performs "Easter Parade" and "Get Happy" on this two CD set and she carries most of the tune for "I Got Rhythm" even though Mickey Rooney helps her a little. I love "Baby, It's Cold Outside" for its' romantic overtones; and Lena Horne's "The Lady Is A Tramp" is flawless! We also get a rare chance to hear Clark Gable sing in "Puttin' On The Ritz;" and Bing Crosby's "Going Hollywood" may be brief but it's a fun song anyway.

There are two "bonus" tracks on the first CD: "As Time Goes By" from Casablanca and "Lara's Theme" from Doctor Zhivago. "As Time Goes By" is a good choice; it is another unsurpassed classic song that brings back memories and touches even the hardest of hearts. "Lara's Theme," however, is from the mid 1960s and I don't consider this period to be part of the "golden age" of Hollywood musicals.

The liner notes are excellent and they offer wonderful photos of the stars as well. The cover art is well done and the reverse cover art tells which movie each song is from and who is performing each song. Moreover, the quality of the sound is excellent especially when you consider that these numbers were recorded quite a few decades ago.

In short, this superlative two CD highlights the glory of the Hollywood musical when a certain type of sophistication dominated professional movie production. I highly recommend this CD for fans of Hollywood musicals, classic pop vocals and fans of the artists and actors who perform on this two CD set.

5 out of 5 stars One of the best cds I ever bought. .......2006-06-07

What an amazon collection of songs! This is bar none my favorite cd just because of the variety and the quality of songs on it. I love music from this era, and this cd is the perfect companion to my life. Love it! Buy it, you won't regret it for a moment!

1 out of 5 stars Never Sounded Better.......2006-03-16

Apart from the great selection of soundtracks, what really makes this compilation top value is the quality of the sound processing. Executed with finesse, these tracks sound better than when first issued and many are unedited, fuller versions: like "Singing In The Rain", for example. Throw in the great price, and this double disc set is a "must have" for all lovers of classic movie music.

5 out of 5 stars Somewhere Over The Rainbow.......2006-02-24

A Sensational CD with Lots of Showtunes that Keep You Happy and makes You Want To Sing Along With!!!

5 out of 5 stars "Hollywood Musicals of the Golden Age are still among us".......2005-07-13

Rhino Records and Turner Classic Movies Music present - "SOMEWHERE OVER THE RAINBOW: THE GOLDEN AGE OF HOLLYWOOD MUSICALS", some of the long ago musicals and stars that will never be forgotten...a 2-CD-Set covering several decades from 1935-1965 with many of the show stoppers of that time...some rare moments from entertainers that you haven't heard or thought of in sometime.

The lineup is fantastic and gives the listener a variety of what musicals were all about in the "Golden Age of the Hollywood Musicals"
June Allyson, Kay Armen, Louis Armstrong, Fred Astaire, Ann Blyth, Jack Buchanan, Louis Calhern, Bing Crosby, Vic Damone, Doris Day, Nanette Fabray, Connie Francis, Ava Gardner, Judy Garland, Kathyrn Grayson, Georges Guetary, Lena Horne, Betty Hutton, Louis Jourdan, Howard Keel, Gene Kelly, Grace Kelly, Peter Lawford, Oscar Levant, Ann Miller, Ricardo Montalban, Page Cavanaugh Trio, Debbie Reynolds, Winifred Shaw, Nancy Walker, Ethel Waters, Esther Williams, Dooley Williams and Keenan Wynn.

On Disc One 21 Classic Songs from great musicals with songs in alphabetical order:
AS TIME GOES BY - Dooley Wilson with Elliot Carpenter, pianist (1942)
BABY, IT'S COLD OUTSIDE - Esther Williams & Ricardo Montalban (1949)
BLESS, YORE BEAUTIFUL HIDE - Howard Keel (1954)
EASTER PARADE - Fred Astaire & Judy Garland (1948)
FOR ME AND MY GAL - Gene Kelly & Judy Garland (1942)
GET HAPPY - Judy Garland (1950)
HALLELUJAH! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs (for Russ Tamblyn) (1955)
HONEYSUCKLE ROSE - Lena Horne with Benny Carter & His Orchestra (1943)
LARA'S THEME (MAIN TITLE) - M-G-M Studio Orchestra (1965)
LULLABY OF BROADWAY - Winifred Shaw & Dick Powell (1935)
MILKMAN, KEEP THOSE BOTTLES QUIET - Nancy Walker with Tommy Dorsey & His Orchestra (1944)
NIGHT AND DAY - Fred Astaire (1934)
PUTTIN' ON THE RITZ - Clark Gable & Company (1939)
'S WONDERFUL - Gene Kelly & Georges Guetary (1951)
SINGIN' IN THE RAIN - Gene Kelly (1951)
STRANGER IN PARADISE - Ann Blyth & Vic Damone (1955)
TAKING A CHANCE ON LOVE - Ethel Waters & Eddie "Rochester" Anderson (1943)
THAT'S ENTERTAINMENT - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant (1953)
THERE'S NO BUSINESS LIKE SHOW BUSINESS - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern (1950)
THEY CAN'T TAKE THAT AWAY FROM ME - Fred Astaire (1949)
TRUE LOVE - Bing Crosby & Grace Kelly (1956)

On Disc Two more memorable performances from the Golden Age of Hollywood Musicals:
A KISS TO BUILD A DREAM ON - Louis Armstrong (1951)
ABA DABA HONEYMOON - Debbie Reynolds & Carleton Carpenter (1950)
ALMOST LIKE BEING IN LOVE - Gene Kelly (1954)
BE A CLOWN - Judy Garland & Gene Kelly (1948)
BEST THINGS IN LIFE ARE FREE - June Allyson & Peter Lawford (1947)
CAN'T HELP LOVIN' DAT MAN - Ava Gardner (beautiful woman, who my youngest grandaughter is named after...Avalon) (1951)
CHEEK TO CHEEK - Fred Astaire (1935)
EMBRACEABLE YOU - Connie Francis (1965)
GIGI - Louis Jourdan (1958)
GOING HOLLYWOOD - Bing Crosby (1933)
I GOT RHYTHM - Judy Garland & Mickey Rooney (1943)
IF SWING GOES, I GO TOO - Fred Astaire (1946)
IT'S A MOST UNUSUAL DAY - Jane Powell (1948)
LADY IS A TRAMP - Lena Horne (1948)
LET'S FACE THE MUSIC AND DANCE - Fred Astaire (1936)
ON THE ATCHISON, TOPEKA AND THE SANTA FE - Judy Garland & Company (1946)
ONE FOR MY BABY (AND ONE MORE FOR THE ROAD) - Fred Astaire (1943)
OVER THE RAINBOW - Judy Garland (became her theme song for the rest of her life) (1939)
PUT 'EM IN A BOX - Doris Day & the Page Cavanaugh Trio (1948)
THE TROLLEY SONG - Judy Garland & MGM Studio Chorus (1944)
WUNDERBAR - Kathryn Grayson & Howard Keel (two of MGM's favorite singing duos) (1953)

It was once said by the songwriters of that era - "There are two artists you want perform your songs on the big screen, they are Fred Astaire and Judy Garland they sing it just the way we wrote it, for which you will have a guaranteed hit on your hands"...well, this collections certainly has some merit to that statement...because with Judy Garland and Fred Astaire performing seven songs each, there must be something to it.

This collection of musicals still has the magic that we remember from those bygone years...but as long as we have the labels and networks who play and show these wonderful films of yesteryear, they will never be forgotten...hats off to Rhino Records, George Feltenstein (producer) and Doug Schwartz (engineer) and Turner Classic Movies for sharing those 42 selections from 42 films...celebrating decades of the tunes and artists that gave it their all...from what it commonly called "The Hollywood Dream Factory"...The Golden Age of Hollywood Musicals is still among us...gotta love it!

Total Time: 2-CD-Set ~ Rhino Records 78323 ~ (6/02/2002)
The Notebook
Average customer rating: 4.5 out of 5 stars
  • Touching
  • Pays music a complement. I love the classical pieces!
  • the Notebook soundtrack (Audio CD)
  • Very Nice
  • A sweeping, emotional standout!
The Notebook
Various Artists
Manufacturer: New Line Records
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. The Notebook (New Line Platinum Series)
  2. The Notebook
  3. A Walk to Remember
  4. Finding Neverland
  5. The Lake House

ASIN: B00023B1E4
Release Date: 2004-06-08

Tracks:

  1. Main Title
  2. Overture
  3. "I'll Be Seeing You" Performed by Billie Holiday
  4. "Alabamy Home" Performed by Duke Ellington
  5. Allie Returns
  6. House Blues/The Porch Dance/The Proposal/The Carnival
  7. Noah's Journey
  8. "Always And Always" Performed by Benny Goodman & His Orchestra
  9. "A String Of Pearls" Performed by Glenn Miller & His Orchestra
  10. On The Lake
  11. "Diga Diga Doo" Performed by Rex Stewart And The Ellingtonians
  12. "One O'Clock Jump" Performed by Benny Goodman & His Orchestra
  13. "I'll Be Seeing You" Performed by Jimmy Durante
  14. Noah's Last Letter
  15. Our Love Can Do Miracles

Amazon.com

Based on Nicholas Sparks' novel, director Nick Cassavetes film spins the bittersweet tale of a 60-year romance, as seen from the polar perspectives of its promising youth and the travails of an old age cursed by Alzheimer's. Its soundtrack effectively echoes those polar dramatic concerns, with composer Aaron Zigler's gentle orchestral score largely giving voice to the character's melancholy present, while a rich, well-chosen slate of vintage material by Billie Holiday, Duke Ellington, Benny Goodman and Glenn Miller imparts a restless energy to their youth. There's a certain schmaltz to much of Zigman's work here, yet cues like "House Blues/The Porch Dance.." and "Noah's Journey" argue he's achieved something more elusive than mere melodramatic wallpaper with the deceivingly difficult task at hand; it can't be easy to have your work seasoned with the likes of Ellington's sassy "Alabamy Home" and Goodman's still-vibrant "One O'Clock Jump." Sharply contrasting versions of "I'll Be Seeing You" by Holiday and Jimmy Durante bookend the soundtrack, perfectly evoking the story's alternating shades of hope and fading nostalgia and framing Zigman's understated work in the bargain. --Jerry McCulley

Album Description

Based on the best selling novel by Nicholas Sparks ("A Walk To Remember", "Message In A Bottle"), "The Notebook" is the story of Noah and Allie, teenage lovers torn apart by WWII and Allie's parents' demands to marry a respectable lawyer. After 14 years apart, they meet again and rekindle their true love. Starring Ryan Gosling, Rachel McAdams, James Garner, and Gena Rowlands. The soundtrack is a propelling force. In addition to classic WWII era pieces, Aaron Zigman's score suites enhance the record with beautifully dramatic themes. Score performed by the Hollywood Studio Symphony.

Customer Reviews:

5 out of 5 stars Touching.......2007-07-04

There isn't much I can say about this beautiful movie, except that it was so touching!
It say's go for the "true love", settle for nothing else no matter what may be in store, because love that is "true" and as beautiful as their's was, is a rare thing!
I absolutely loved the ending.
I also loved that a movie CAN be truly wonderful, beautiful and touching WITHOUT grafic "sex scenes!" Also sadly a rare thing in movies today.

Ever seen "Hanover Street?" Equally beautiful. No SEX scenes either!

Angelfish

5 out of 5 stars Pays music a complement. I love the classical pieces!.......2007-05-27

I do not have the soundtrack to The Notebook, but I do have the movie itself. Having said that, every song is wonderful. Some music carries with it, a wealth of emotion and a sense of timelessness. I love all of the classical pieces , perhaps the best, in this particular movie. Classical has never been my speed when it comes down to music, but something about this movie's classical masterpieces struck a chord in me...made me smile and maybe even sniffle a bit. If you are a fan of the movie, I'm sure you would love its soundtrack too. Music like this is ideal for a romantic evening or just for pleasure listening. You don't know if you'll like something until you give it a chance! So give this a chance!!

5 out of 5 stars the Notebook soundtrack (Audio CD).......2007-05-13

This is a beautiful collection of music from the movie, The Notebook. Most is instrumental, very relaxing, as well as lively at times. Two renditions of "I'll Be Seeing You" are included.

5 out of 5 stars Very Nice.......2007-03-30

I really enjoyed listening to the soundtrack, but I'm also a big fan of background music and this cd was great for both. Listening to the cd took me back to the movie and reminded me how much I enjoyed it, but I also put the cd on during a nice meal with friends and it worked out very well, they all enjoyed the music.

5 out of 5 stars A sweeping, emotional standout!.......2007-01-11

The music from The Notebook brings you right back to the film, capturing your heart and soul. It's music will roll live waves through your soul and bring you from nostalgia to your own feelings of love and desire. The selections, arrangements and orchestrations are to be admired, and Mr. Zigman is to be praised. This soundtrack truly completes the legacy of "The Notebook".
Peace Like a River
Average customer rating: 5 out of 5 stars
  • A source of peace for peace-lovers
  • Beautiful
  • A few bright spots, but also some disappointments
  • This CD Deserves SIX Stars!
  • every good adjective
Peace Like a River
James Lucas , Janice Kapp Perry , John Rutter , Jean Sibelius , John Tavener , American Traditional , English Traditional , Spiritual Traditional , Mack Wilberg , Craig D. Jessop , Clay Christiansen , John Longhurst , Richard L. Elliott , Daron Bradford , and Meredith Campbell
Manufacturer: Mormon Tabernacle
ProductGroup: Music
Binding: Audio CD

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ASIN: B00020H9W0
Release Date: 2004-06-22

Tracks:

  1. Sweet Peace
  2. Be Still, My Soul
  3. Peace Like a River
  4. All Things Bright and Beautiful
  5. Lord Is My Shepherd
  6. This Is My Father's World
  7. Wayfarin' Stranger
  8. Lord, Make Me an Instrument of Thy Peace
  9. Swing Low, Sweet Chariot
  10. Deep River
  11. Lamb
  12. Child's Prayer
  13. It Is Well With My Soul
  14. Count Your Blessings Instead of Sheep
  15. Gaelic Blessing
  16. Thou Gracious God, Whose Mercy Lends
  17. Come, Let Us Anew

Customer Reviews:

5 out of 5 stars A source of peace for peace-lovers.......2007-08-03

This CD is one of my favorites to listen to when I feel the need to be closer to the Spirit. Mack Wilberg is a master at transforming old hymns into glorious arrangements. I have had experience with high school students who love singing his arrangements even within the context of a world that seems in a state of constant conflict. THIS CD IS FABULOUS!

5 out of 5 stars Beautiful.......2007-06-14

This CD is a must have for any Mormon Tabernacle Choir fans. The music is very reverent and gentle, and should also appeal to those not from the LDS church, seeing as how most of the music is common to the wider Christian community. This CD is a fantastic addition to any music collection.

3 out of 5 stars A few bright spots, but also some disappointments.......2007-01-19

It Is Well With My Soul is one of my favorite-favorites and that is the main reason why I bought the CD; it turned out to be a huge let down on this album, they rearranged it so much that I almost didn't recognize it. Be Still My Soul is another reason why I bought it and it's good, but not great. Swing Low Sweet Chariot is where it starts to get good. The last two songs "Thou Gracious God, Whose Mercy Lends"
and "Come, Let Us Anew" are very good reasons to buy this CD, they each have truely powerful passages and make the CD worth having. The Mormon Tabernacle Choirs 2006 release entitled Then Sings My Soul is by far the best that I've heard from them.


5 out of 5 stars This CD Deserves SIX Stars!.......2005-11-05

However, the rating scale has a limit of five. I own over 700 CDs of virtually every type of music. Peace Like A River belongs in a class by itself! I've never written a review before but, after listening to this STUNNING performance by the Mormon Tabernacle Choir, I feel compelled to share my praise with that of the five other reviewers. If I were limited to one word, I would use the word "SUPERB" to describe this beautiful and moving CD. SIX stars for Peace Like a River! BRAVO!!!

5 out of 5 stars every good adjective .......2005-08-06

This album is all beauty and solace. The singing is pristine, the arrangements lush and often stirring--never saccharine. As with the previous reviewer, my first listing of "Peace Like a River" brought me to tears (especially "Peace Like a River," the sopranos in "Swing Low," and the bagpipes in "Thou Gracious God"). Buy this one.
Spotlight on Keely Smith (Great Ladies of Song)
Average customer rating: 5 out of 5 stars
  • Goosebumps on my goosebumps!
  • Keely Rocks
  • When Your Lover Has Gone
  • The best in the business
  • Cool collection of a cool singer's repertoire!
Spotlight on Keely Smith (Great Ladies of Song)
Keely Smith
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

Traditional BluesTraditional Blues | Blues | Styles | Music
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  1. Keely Sings Sinatra
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  5. Vegas '58 -- Today

ASIN: B00000DR4Q
Release Date: 1995-03-21

Tracks:

  1. It's Magic
  2. You Go To My Head
  3. Stardust
  4. I Can't Get Started (With You)
  5. When Your Lover Has Gone
  6. Sweet And Lovely
  7. Stormy Weather
  8. Fools Rush In
  9. The Song Is For You
  10. Mr. Wonderful
  11. It's Been A Long, Long Time
  12. I'll Never Smile Agian
  13. Someone To Watch Over Me
  14. I'll Get By
  15. Don't Take Your Love From Me
  16. Lullaby Of The Leaves
  17. There Will Never Be Another You
  18. Imagination
  19. On The Sunny Side Of The Street
  20. I Wish You Love

Customer Reviews:

5 out of 5 stars Goosebumps on my goosebumps! .......2007-07-29

There is little I can say by way of reviewing this album that isn't readily apparent in a quick listen of the song samples. My God, what a voice! These top-notch arrangements give you a true bit o' Keely heaven. Don't hesitate for a moment to buy this album!

5 out of 5 stars Keely Rocks.......2007-01-23

This album really showcases the great talent that is Keely Smith. Her range and voice control come through beautifully. She is too much unheralded among the female vocalists of her era.

4 out of 5 stars When Your Lover Has Gone.......2006-03-10

I bought the album because I heard the above titled song on live365 (Music from the Blue Light, I think). But I like most of the other songs on the album too. I had no idea she did much without Louis Prima. Her voice is sultry and soft and sexy, but really strong at appropriate moments.

I may buy other albums of hers.

5 out of 5 stars The best in the business.......2004-12-29

Of the classic era women standards singers, Keely is the best. It's as simple as that-her only rival in my mind is the late Susannah McCorkle, who recorded much later and died relatively young. And there's no denying that while McCorkle often had a more introspective, intellectual approach to the song, Keely swung and did so effortlessly, without the appearance of thought (which had to be deceiving-Keely has to be very intelligent to do what she does).

A lot of the difference is that Keely faced a mike with working 50's and 60's orchestras with Billy May and Nelson Riddle charts whereas modern singers like McCorkle and Karrin Allyson have-if they're lucky- Concord Jazz bands, who mostly play bop jazz and other hophead stuff.

You just can't go wrong with this compilation if you want the pure Keely Smith.

4 out of 5 stars Cool collection of a cool singer's repertoire!.......2004-10-29

For those who are not familiar with Keely Smith's voice, this CD will have you hooked. Keely's range can go from silky smooth to jazzy hot from song to song. Her voice can lull you or make you jump up and want to sing along with her. This collection shows off Keely's range very well. There are some jazzy numbers, such as ON THE SUNNY SIDE OF THE STREET and some lush torch songs, like I WISH YOU LOVE. Her voice can be powerful, but not overwhelming, soft, but not breathy. If you like listening to female lounge-style singers, you'll love Keely!
Ooooooohhh...On the TLC Tip
Average customer rating: 4.5 out of 5 stars
  • Where it all began
  • Scratched
  • 4.5 stars
  • Debut
  • Do I rate for then or now?
Ooooooohhh...On the TLC Tip
TLC
Manufacturer: Arista
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Dance & DJ | Styles | Music
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ASIN: B0000013G1
Release Date: 1992-02-25

Tracks:

  1. Intro
  2. Ain't 2 Proud 2 Beg
  3. Shock Dat Monkey
  4. Intermission I
  5. Hat 2 Da Back
  6. Das Da Way We Like 'em
  7. What About Your Friends
  8. His Story
  9. Intermission II
  10. Bad By Myself
  11. Somethin' You Wanna Know
  12. Baby-baby-baby
  13. This Is How It Should Be Done
  14. Depend On Myself
  15. Conclusion

Amazon.com

A hip-hop album with major pop crossover appeal, TLC's 1992 debut was an instant success. The trio of young women--T-Boz, Chilli, and Left Eye--projected a playful and colorful image, wearing bright, floppy clothes and using prophylactics as fashion accessories (Left Eye used to wear a colored condom as an eye patch, hence the nickname). The music was equally vibrant, trading off Left Eye's sandy raps, T-Boz's low-register come-hither croon, and Chilli's sultry R&B vocal melodies, creating an infectious, high-energy buzz. With singles like "Baby-Baby-Baby," "What About Your Friends," and the party-anthem shout-out "Ain't 2 Proud 2 Beg," the group approached subjects like sex and friendship with a youthful, inexplicit innocence. --Beth Bessmer

Customer Reviews:

4 out of 5 stars Where it all began.......2007-06-05

Imagine the late '80s - early '90s R&B group Bell Biv Devoe as a girl group - and TLC is what you get. Little did we know we had legends in the making!! They had a unique look and style, and they weren't like ANYONE else out there - and this is why people are STILL talking about this group. We will never forget the almost cartoonish Day-Glo clothes that were baggy as all get out, and condoms worn as the "must-have" fashion accessory.

Although CRAZYSEXYCOOL is probably TLC's best selling and most popular disc, OOOOOOOHHH...ON THE TLC TIP, the Atlanta group's debut, is my favorite by the trio. Primarily produced by Dallas Austin, Jermaine Dupri, L.A. Reid and Babyface, this is one of the few CDs that features samples throughout it that I really love. While all the ladies contribute their now trademark sounds, it is the late Lisa "Left Eye" Lopes who dominates the material here. I still listen to it at least once everyday. I first purchased it on cassette and wore it out so badly, I had to get another one and the same thing happened. Finally I just got the CD and I still have it today. I can honestly say that this was the CD that changed my life when I first brought it in '92. TLC might have taken a page from Salt 'n Pepa by talking about female empowerment, safe sex, loyalty, black-on-black crime, double standards and true friendship - issues that touched me in a huge way back then (and still do today, to a degree) but they took it to an even higher level. This is GIRL POWER in its finest form. The message on it gave me the confidence and courage to face the dilemmas in my life instead of running away from them, to rely on myself, and I haven't looked back since! This is why these girls mean so much to me, and why I've supported them from day one.

OOOOOOOHHH....ON THE TLC TIP grabs you right from the start - yes, even the intro makes you interested in what you are about to hear. (And yes, the interludes between the songs will crack you up, too.) Exploding with the sounds of New Jack Swing, funk, rap, hip-hop, catchy pop hooks, and crazy, frenetic Public Enemy-like samples all over it, this CD is an instant injection of fun and youthful energy. The material sounds just as good now as it did back in the day. It kicks off with the Grammy-nominated hit "Ain't 2 Proud 2 Beg", goes right into the red-hot "Shock Dat Monkey" and keeps the momentum going with "Hat 2 Da Back". The CD sort of hits a bump with "Das The Way We Like 'Em" - all I can say is I prefer that Left Eye do the rapping, and let T-Boz and Chilli stick to singing. However, it picks right up again with the hit "What About Your Friends" and "His Story", an amazing song that showed that TLC had a serious side to them as well. This tune caused a bit of controversy back then because Left Eye mentioned the name of a prominent rape victim in the intro. (For those who don't know, this was a huge story in the late 1980s in New York and the news spread nationwide. The teenage girl, who was black, accused six white men, some of them police officers in Westchester County, NY of kidnapping and raping her but when it came down to it, she was accused of lying about the attack. She continued to stand by her story. It's been said that the song "His Story" is loosely based on that event.) What I loved so much about this group is they almost always had important messages in their songs, subjects we all need to pay attention to - as we see with their later smashes, "Waterfalls" and "Unpretty".

The CD keeps up the pace with the hyped-up girl-power anthem "Bad By Myself", and segues into the smoother ballads "Something You Wanna Know" and the # 1 R&B hit, "Baby-Baby-Baby". Another misstep here is "This Is How It Should Be Done" - don't really like this much even though it does feature Left Eye. But a perfect closer to this is MY personal anthem - "Depend On Myself", words I truly live by and take to heart. Ladies, if you ever need a dose of confidence and something to lift your spirits, this is the CD to listen to! Energetic, lively and positive, if you are a TLC fan then there is no reason for you NOT to own this. Put it on, dance and have a good time - I know Lisa would want it that way.

2 out of 5 stars Scratched.......2007-05-18

Half of the songs on this CD were scratched. However, the seller did make it a priority to send me the tape.

4 out of 5 stars 4.5 stars.......2007-04-09

For awhile now, I had all of TLC's albums except for this one. (I have a weird tendency to purchase an artist's discography backwards.) Anyway, I finally bought it and when I popped it into my CD player, I listened to it threee times straight through. I absolutely love it! It's so fun and energetic. This is obviously the album that Left Eye had the creative control on. Every song is great, especially "His Story." I also loved "Intermission I." Funny stuff. This is definitely one of those albums you clean your house to, or you can just listen to it without any disruptions. Either way, I highly recommend.

3 out of 5 stars Debut.......2006-04-06

...Tip is not a consistent effort. The singles are good as well as a handful of album cuts. But some of the other songs are mediocre or just cringe-inducing, particularly the Marley Marl produced song Das Da Way We Like'em. There is a reason why Left-Eye is the rapper in the group and not Chilli. You can tell Marley Marl didn't understand tlc or the make-up of the group.

I also don't care for the album's version of Hat 2 Da Back. The remix they used for the video was MUCH better.

This is tlc's most hip-hop sounding album and they are certainly having fun, but in comparison to their later efforts, this one is sub-par and underproduced.

Addendum 7/26/06 The above comments don't do these girls justice. Let me start over.

When I was 10, I remember seeing tlc on Arsenio Hall. I was very intrigued. I liked their style and their attitudes. Up until this point, I just listened to music on the radio. I didn't own any albums.

One day I decided to buy some music. I was in the record store with my mom, and I got one of the clerks to pick me out 2 albums. One was Oooooooh...and the other one was the first record from Wreckx in Effect(what can I say, I liked Rumpshaker.) To my horror, my mom told me I could only get one. I picked TLC, and haven't looked back. I had it on tape and I listened to it 3 or 4 times a day on my walkman. Fourteen years later, TLC is still my favorite musical act. Even though I don't listen to their music as much anymore, they're the only act that I would buy an album from blindly. This means, I would buy their cd without having to hear one note from it first. Just the fact it is them would be enough. As I've grown, I realize the album is still all of the things I said in my review at the top. It is inconsistent, and certainly not their best album. But it's still tlc: the GREATEST girl group of all time.

4 out of 5 stars Do I rate for then or now?.......2006-01-14

If I had to rate the song based on how I would feel about it after listening now I would probably give it a two or three stars since I was only 12 when the album debuted in 1992. But back then I listend to it over and over and over again so I know I would have definitely given it a five star. I've just matured since then and I'm sure they have to. Well I hope so. TLC (T-Boz, Left-eye, and Chili) where all adults when this album debuted but their energy and youthful clothing and behavior made them appear much younger and it made them appealing to a much younger crowd. I wish I still had the album so that I could listen to it now and see what memories it would bring back . In the early nineties I didn't own a cd player. I thought they were for rich people or people like my brother who didn't mind spending so much money on a cd player and expensive cds. Now I own an ipod.
TOLD YA THINGS CHANGE!
Porgy & Bess
Average customer rating: 5 out of 5 stars
  • Absolutely peerless
  • once-in-a-lifetime greatness
  • We love this album
  • Simply great
  • Porgy and Bess
Porgy & Bess
Ella Fitzgerald , and Louis Armstrong
Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000046Z5
Release Date: 1990-10-25

Tracks:

  1. Overture
  2. Summertime
  3. I Wants To Stay Here
  4. My Man's Gone Now
  5. I Got Plenty O'Nuttin'
  6. Buzzard Song
  7. Bess, You Is My Woman Now
  8. It Ain't Necessarily So
  9. What You Want Wild Bess?
  10. A Woman Is A Sometime Thing
  11. Oh, Doctor Jesus
  12. Medley: Here Come De Honey Man/Crab Man/Oh, Deh's So Fresh And Fine (Strawberry Woman)
  13. There's A Boat Dat's Leavin' Soon For New York
  14. Bess, Oh Where's My Bess
  15. Oh Lawd, I'm On My Way

Amazon.com

Getting the two most personable voices in jazz to sing an hour's worth of George Gershwin's opera Porgy & Bess (Ella doing all the female parts, Satchmo all the male) was a good idea, but not quite as great as it sounded. Armstrong savors the down-and-dirty Charlestonisms that inspired the cadences of the music and lyrics, and they fit his happy rasp like an old shoe; Fitzgerald, conversely, sounds almost prissy every time she has to sing the word "ain't," though her melodic genius gets Gershwin's bold, supple tunes over. The arrangements are full-throttle Broadway, with a few leaps into Dixieland (including some fine Armstrong trumpet solos), but the disc works best when the vocalists break character and let their jazz side out. --Douglas Wolk

Customer Reviews:

5 out of 5 stars Absolutely peerless.......2006-11-17

"Porgy and Bess" has just opened (with some controversy) in London's West End, though as a musical and not as an opera as it was originally conceived. Reviews have been promising and I aim to go down and see it soon. I decided to listen to this CD to put myself in the mood. I hadn't listened to it for years and I'd completely forgotten how good it actually is. Ella's voice blends with Louis' perfectly and Russell Garcia's orchestration gives them a dreamy landscape to perform against. I have one or two other CDs by Louis and Ella but this one is by far my favourite. The CD opens with "Overture" and its orchestral performance of classics like "Summertime", "I Wants To Stay Here", "I Got Plenty O' Nuttin'" and "It Ain't Neccessarily So" set the tone nicely, leaving one ever so keen for the vocal versions. Louis Armstong has a very rough tone to his voice but the emotion he packs with it is moving, most especially on the mournful "Bess, Oh Where's My Bess?" And we get all this and Louis' wonderful trumpet playing too?

Gershwin and Gershwin must be among the top composers of the last century and this opera showcases their talents more than anything I've heard. Ella and Louis are peerless as a vocal duo and though I doubt the West End performance will capture the magic in the same way they did, I still remain very keen to go see it. Is it opera or is it a jazz performance? I don't really know. I just know that I love it. And strongly recommend it.

5 out of 5 stars once-in-a-lifetime greatness.......2006-10-06

Two thousand five hundred musicians have recorded "Summertime" --- it's a classic. (I bet most Americans can name Janis Joplin and no other singer.) As for "Porgy and Bess," the folk opera from which "Summertime" springs, it's such a classic that it's hard to believe anyone ever had a harsh word to say about it.

But after its premiere in 1935, no less than Duke Ellington said, "It has grand music and a swell play, but the two didn't go together. It does not use the Negro musical idiom --- the times are here to debunk Gershwin's lampblack Negroisms."

A quarter of a century later, the producers of the film version had trouble assembling a cast. Harry Belafonte rejected their offer to play Porgy. Sidney Poitier took the part --- and wished he hadn't. Poitier later wrote that the movie insulted black people; when he chose clips of his best performances for his tribute at the American Film Institute, he picked nothing from "Porgy and Bess."

And in 1985, when Grace Bumbry was a sensation as Bess in a Metropolitan Opera production, she slammed the opera: "I thought it beneath me, I felt I had worked far too hard, that we had come far too far to have to retrogress to 1935."

All that may be. All I know is that I have, in a long life, rarely been confronted with more genius than in the Fitzgerald/Armstrong recording of "Porgy & Bess." Set aside the achievement of George and Ira Gershwin in transforming DuBose Heyward's novel into a folk opera. Let's just focus on Armstrong and Fitzgerald, who were at the peak of their popularity when this record was made in 1957.

"Summertime" --- the first song --- sets the tone. A baleful horn figure, then violins. And then Armstrong's trumpet: slow, steady, dignified. But wait --- here comes a slurred note. And a cool little improvisation. Just enough of each. Very tasty.

Fitzgerald sings a verse. She is cool and formal. A lady. Not to be taken lightly. Now it's Armstrong's turn. Tender, but let's not kid ourselves --- this is not singing as others define it. This is melodic speech: rough, gutteral. And thus he is ideally cast: His Porgy may have his charms, but he'll have to stretch to keep Bess.

And so it goes throughout the CD. Trumpet mastery --- Armstrong has dazzling control. His tone is bright, but never shrill; there's a warmth in his playing no one else could produce. And Fitzgerald is just a study in inevitability; to hear her is to wonder how anyone could sing these songs any other way.

"I Got Plenty O' Nuttin'." "Bess, You Is My Woman Now." "A Woman Is a Sometime Thing." "There's a Boat Dat's Leavin' Soon for New York." "Bess, Oh Where's My Bess?" "Oh Lawd, I'm on My Way."

All brilliantly conceived, orchestrated and recorded.

The greatest trumpet player in this history of jazz.

The father of scat singing.

The queen of the jazz vocal.

There are no-brainers, and then there is this Ella Fitzgerald-Louis Armstrong collaboration --- music that imprints on your soul.

5 out of 5 stars We love this album.......2006-08-22

We hope they will someday bring this beautiful story back to the stage

5 out of 5 stars Simply great.......2006-03-04

The fusion between the great two voices and the orchestra is just brilliant. Very good brass and violins that accompany Fitzeralds and Armstrongs magic voices leaves you with your mouth open.

A must have for everyone!

5 out of 5 stars Porgy and Bess.......2005-10-14

Could not find this anyway locally. It is a great recording
Blood On The Dance Floor: HIStory In The Mix
Average customer rating: 4 out of 5 stars
  • Stunning album that was seriously underrated.
  • Cream always flows to the top !
  • Michael Jackson's Dance on The Blooded Floor: 2 stars
  • RED BLOODED MONSTER--JACKO
  • great!!
Blood On The Dance Floor: HIStory In The Mix
Michael Jackson
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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  5. Dangerous

ASIN: B000002BVN
Release Date: 1997-05-20

Tracks:

  1. Blood On The Dance Floor
  2. Morphine
  3. Superfly Sister
  4. Ghosts
  5. Is It Scary
  6. Scream Louder (Flyte Tyme Remix)
  7. Money (Fire Island Radio Edit)
  8. 2 Bad (Refugee Camp Mix)
  9. Stranger In Moscow (Tee's In-House Club Mix)
  10. This Time Around (D.M. Radio Mix)
  11. Earth Song (Hani's Club Experience)
  12. You Are Not Alone (Classic Club Mix)
  13. HIStory (Tony Moran's HIStory Lesson)

Customer Reviews:

5 out of 5 stars Stunning album that was seriously underrated. .......2007-05-24

A cracking album that shot straight to No 1 in the UK and bursts with Michael's anger and vitriol. His voice is just amazing. Check out Ghosts/Is it Scary, This Time Around and the remixed Scream and see what I mean. Powerful stuff that's also incredibly energising. While I was formerly not a big fan of dance music the reworked tracks are treated in such a brilliant way that I am coverted.Pulsating. Recommended.

5 out of 5 stars Cream always flows to the top !.......2006-08-12

The greatest individual star of all times, if not at last of the last 3 decades, and a other and an other 3 to come, he is just as big as the Beatles if not bigger as he has to do it on his own.
I, along with the court of justice do believe Micheal does not have a bad bone in his body, the fact that he needs kids around him is perfectly natural, because kids are sincere, this is wat he Michael and eveyone else needs to stay in touch with reality.

Thanks Michael for all the happy memories your music has brought us and hopefully will for a long time to come.

Who's Bad ?
Not Michael !

2 out of 5 stars Michael Jackson's Dance on The Blooded Floor: 2 stars.......2006-07-18

As Michael Jackson ventured on the second leg of the HIStory World Tour in 1997, the EP Blood On The Dancefloor was released perhaps in order to capitalize on Jackson's success in Europe. His HIStory album had experienced enormous success in Europe, yet America did not embrace the album as warmly as Europe had. Jackson's popularity in Europe was cemented as the first single Blood On The Dancefloor reached no. 1 on the English single chart, while the album enjoyed success in both England and the rest of Europe.

Blood On The Dancefloor is mainly to be regarded as an EP or a remix album, consisting of 5 ordinary songs and 8 remixes. The title track and the first single Blood On The Dancefloor is a funky up-tempo song with a fusion of keyboard and teasing synthesizers. Despite being released as the opening single, the song was hardly among Jackson's finest material. In fact, Blood On The Dancefloor even sounded dated in 1997 and it has certainly not aged very well. I always found that the song bore a resemblance to the Dangerous album in terms of sound. Perhaps the material on the Blood on the Dancefloor album was written for that particular album or during the same time period. However, the gruelling theme continues as the song Morphine reveals a character completely obsessed with the drug. The soft and hunting verses are a contrast to the sturdier choruses, yet surprisingly it works quite well. Superfly Sister is Michael Jackson's attempt to simulate Prince; however the repetitive, dull baseline is an unwelcome addition. Similar to the lead single, Superfly Sister suffers from the syndrome of ¨dated-ness¨. Ghosts and Is It Scary are enjoyable songs; however they are not among Jackson's greatest works. Notably, Is It Scary is a lovely track especially due to the shift between the soft verses and the tougher choruses. I considered it the best song among the 5 ordinary songs on the album. The remaining 8 songs/remixes are a Tour De Force of dance remixes. Generally, I do not like remixes, however the remix of 2 Bad, Scream-Louder and HIStory are not half-bad. Yet the remixes of the remaining songs leave a lot to be desired.

Blood On The Dancefloor is primarily an indulgence for hardcore Michael Jackson fans. The few ordinary songs are pleasant, however they are not on par with Michael Jackson's back-catalogue. If you like remixes in generally, I am positive the remixes on the album would surely appeal to you. If you have recently discovered Michael Jackson's music, I would advise you to purchase Number Ones or The Essential Michael Jackson in order to fully grasp the back-catalogue of Jackson.

Overall Grade: 4.0/10

5 out of 5 stars RED BLOODED MONSTER--JACKO.......2006-07-16

I LIKE JACKSON SINCE THE DAYS OF THRILLER.AT THAT TIME I WAS A KID AND USED TO JUMP OFF MY FEET WHENEVER I GOT CHANCE TO LISTEN TO HIM.

THIS ALBUM DO NOT HAVE QUANTITY BUT THE THING IS THAT THIS HAS QUALITY ONLY ONE SINGLE--BOTDF IS SUFFICIENT TO MAKE THIS ALBUM WORTH A WHILE
GO GET THIS ALBUM AND BE PROUD TO HAVE SUCH COMPILATIONS

4 out of 5 stars great!! .......2005-12-12

Blood on the dance floor is mainly a remix album of Michael Jackson's HIStory songs.
Well, the thing is that I don't like remixes but there is one that's definitely good. That's the remix of track 'HIStory'.
Now on to the new stuff. MJ really did well by choosing 5 new tracks because it convinced me that his every song is different and innovative.
BOTDF, as fans often call it, has the
title track on it: this is an echo-filled, strong, blood-red composition of dance with a bit of techno, soul and rock. This is unique if you believe me.
I enjoyed it through a whole summer when I watched
the video for it every day!
MJ proves that he is a good and.. an even better dancer. A real surprise. Even a friend of mine who is far from being an MJ-fan, told me that he finds MJ a better dancer than he'd done before.

SUPERFLY SISTER is a rap-like but still strangely soulful track with a catchy beat and a great 'east coast' feeling I like very much. It's got a message, listen up!

GHOSTS is a great r&b song that is solid, consistent and you can easily get hooked on the melody. The video is awesome, too. I bet!

IS IT SCARY: brother of the previous one. Jackson's best vocal achievement since 1995's 'Smile' and before 2001's 'Unbreakable'. An r&b-based song that grows to a pop hymn - without a hymnical feature.

MORPHINE: This is I think MJ's most unique song ever, quite the 'Musicology' for him. This is fully composed & ordered by him, he even plays the instruments.
The song mixes an acid and steely beat with innovative vocal elements of metal and even a Jackson-style rap. So a closed composition emerges.
I hated Morphine first. But now I see it as a kind of masterpiece.

OK. Don't buy it. It's mess.
But I bet you still do. Enjoy!
Jacques Loussier Plays Bach
Average customer rating: 5 out of 5 stars
  • Good but too literal and too classical
  • French Brubeck
  • BACH & JAZZ LOVERS
  • Treat yourself nice with Loussier's music...
  • An authentic masterpiece
Jacques Loussier Plays Bach

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

All Works by J.S. BachAll Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
SuitesSuites | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
OrganOrgan | Keyboard | Instruments | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
Bebop GeneralBebop General | Bebop | Jazz | Styles | Music
GeneralGeneral | Jazz | Styles | Music
Swing GeneralSwing General | Swing Jazz | Jazz | Styles | Music
Similar Items:
  1. Baroque Favorites
  2. Plays Debussy
  3. Jacques Loussier Trio: Bach's Goldberg Variations
  4. Solo Piano: Impressions on Chopin's Nocturnes
  5. The Four Seasons

ASIN: B000003D5Q
Release Date: 1996-08-27

Tracks:

  1. Fugue No.5 In D Major
  2. Italian Conerto: Allegro
  3. Italian Concerto: Andante
  4. Italian Concerto: Presto
  5. Pastorale In C Minor
  6. Air On A G String
  7. Toccata & Fugue In D Minor
  8. Gavotte In D Major
  9. Concerto In D Minor: Allegro
  10. Concerto In D Minor: Adagio
  11. Concerto In D Minor: Allegro

Customer Reviews:

4 out of 5 stars Good but too literal and too classical.......2007-02-24

This, when you boil it down to its essence, pretty much sounds like classical music played with a jazz beat rather than any extended jazz improvisations on classical pieces akin to the Wayne Shorter band's interpretation of "Valse Triste" on the "Soothsayer" album. In fact, this sounds less jazzy than Brubeck's 1950s classical themed album "Jazz Impressions of Eurasia" or Stan Getz's interpretation of Michel Legrand's "Back to Bach" on "Communications '72."

This is more like a jazz version of what Emerson, Lake & Palmer do with rock music. Loussier's technique is formidable and his band are total virtuosos on their instruments and the album as a whole is impressive and fun to hear when you're in a more upbeat and non-introspective mood but the deepness of the Bach pieces are definitely trivialized by doing it in the jazz idiom this straight. Jazz gets deep through improvisation. I think Loussier needed to give himself freer rein to express himself and improvise. If I want straight Bach I can go listen to the original pieces done by the best classical players of all time.

Threfore, this is a higher-than-average recommendation only if you don't mind some high-energy classical-light with overtones of cool-jazz hipness but if you want something state-of-the-art that really digs deep go listen to Brad Mehldau's trio offerings.

5 out of 5 stars French Brubeck.......2005-09-25

If you like the fusion of classical with jazz(Forinstance"Jazz impressions of eurasia"you will love this disc.

5 out of 5 stars BACH & JAZZ LOVERS.......2000-12-31

Being a huge fan of Bach's (I could honestly listen to his piano and vocal music all day long!) this album was a natural for me. After reading the other reviews online and hearing two friends rave about it, I decided to buy this CD and am awfully glad I did. What wonderful arrangements! This is definitely an album for both Bach lovers and jazz lovers. The source music is, of course, powerful and innovative; Loussier takes Bach and doesn't so much "transform" him as he does take the music to another level...keeping all the beauty. My personal favorite would be the very familiar "Air On A G String." Not better, mind you. Simply wonderful!

5 out of 5 stars Treat yourself nice with Loussier's music..........2000-10-27

My best friend introduced this CD to me, the very first time for me to explore how fantastic someone can make for classic music! I am a lover for both classic and jazz music. Loussier is the master for this beautiful combination! Treat yourself nice every now and then, and enjoy this CD with friends or along with a good bottle of wine! I can't help it but fall in love with his music, eventually become a collector of Loussier's work. And I am glad to tell you that friends around me start to appreciate classic music because of the Loussier... You will love him too!

5 out of 5 stars An authentic masterpiece.......2000-05-21

If Bach himself could listen Loissier version of his music, he would say "he understood the escence". I'really enjoyed this cd, and I recommend it to every Bach lover, and to every good jazz lover.

Salsa Music:

  1. Te Quiero
  2. Tejano Treasures
  3. The Come Back
  4. Tu Solamente Tu
  5. Vine Pa' Quedarme
  6. 15 Corridos Dedicados Al Senor Chito Cano
  7. 15 Exitos Caballos
  8. 20 Exitos De Oro Romantico
  9. 4 Colosos de Billo, Vol. 1
  10. 4 Colosos de Billo, Vol. 2

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Latino Groove [Import]

Saint-Saëns: Symphony No. 3; Works by Widor, Grison, Jongen

Soul Cloud

Christmas Time in the Valley

Stars & Stripes Forever, Vol. 1

Slidin' on the Frets: The Hawaiian Steel Guitar Phenomenon

Sin Empujar a Nadie

Songs of Rumi

Speed/She Couldn't Change Me [CD-single]

Sambas de Enredo 2001 [Import]

SANTISIMO

Surfing With the Alien [Import]

Terry's Café, Vol. 2

J.C. Bach: Woodwind Concertos, Vol. 2

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