Esta Con

Track Listings

 
1. Corazoncito Mio
2. Mexican Dinner
3. Cafetal
4. Cowboy Up
5. Que Mueran Las Penas
6. Prisionero de Tus Brazos
7. Restless
8. Memories of Dallas
9. Southern Confort
10. Estoy Enamorado

Esta Con,Mike Moroff,Fonovisa Inc.,Latin,Mexican,Mexico

Villancicos y Danzas Criollas
Average customer rating: 5 out of 5 stars
  • Perfect Performances
  • Mucho me pesa la cabeza
  • Just Get it!
  • This is such a great recording
  • ýCreoleý Songs and Dances from Old Spain to the New World
 Villancicos y Danzas Criollas

Manufacturer: Alia Vox Spain
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
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Similar Items:
  1. La Folia, 1490-1701
  2. Altre Follie, 1500-1750
  3. Isabel I: Reina de Castilla
  4. Harmonie Universelle
  5. Elizabethan Consort Music

ASIN: B0000E64U4
Release Date: 2004-03-09

Tracks:

  1. Chacona: A La Vida Bona
  2. Danza Del Hacha - Hesperion XXI
  3. Moresca: Di Perra Mora
  4. Negrilla A 4: San Sabeya Gugurumbe
  5. Ritual Formulario: Hanacpachap Cussicuinin
  6. Joto
  7. Tono Humano: Ay Que Me Rio De Amor
  8. Mestizo E Indio: Tleycantimo Choquiliya
  9. Negra A 5: Antonya Flaciquia Gasipa
  10. Cachua - Hesperion XXI
  11. Rorro: Desvelado Dueno Mio
  12. Negrilla: A Siolo Flasiquiyo
  13. Juguete: Un Juguetico De Fuego
  14. Juguete A 4: Convidando Esta La Noche
  15. Guaracha: Ay Que Me Abraso
  16. Villancico A 8: Serafin Que Con Dulce

Customer Reviews:

5 out of 5 stars Perfect Performances.......2007-07-11

Villancicos y Danzas Criollas is a homage to the cultural traditions of Iberia and Ibero-America, showing the influence of European traditions in the Americas. The Villancico (also called Chanzoneta) is a form of poetry that was adopted for use in secular songs and, in the 17th century, for Christmas carols (the modern usage of the word denotes a carol). The secular songs were gradually replaced by the Romance while the Christmas carol form became more popular. The typical lyrics of villancicos have two or three stanzas followed by a refrain. The most religious-oriented villancico of this collection is Hanacpachap Cussicuinin (from Lima) where the author asks for their prayer to be answered.

The transmission of musical culture is a favorite (and fascinating) subject for Jordi Savall and this CD includes some beautiful and rousing music. The CD begins with four selections reflecting Iberian music that sets the stage of presenting a song (usually) followed by a dance. Following this introduction we are off the Americas and music from Peru, Guatemala and Mexico.

As pointed out in the booklet, the colonial expansion that took place during the 15th and 16th centuries widen cultural connections to include Africa, Asia and the Americas, which is reflected in this collection of music. One will discover a mixing of African dance rhythms and percussion with European polyphony. This is nicely demonstrated by the first selection with its strong use of drums and bold brass playing combined with a fast-paced dance melody and mixed voices. The second work, by an anonymous composer, is quite a contrast with its more restrained and courtly rhythms played by string instruments without the percussion or brass. The Hanacpachap Cussicuinin is scored for percussion, brass and voices sounding like a solemn funeral procession and is followed by a beautifully played piece for harp and percussion from Mexico. The incomparable Montserrat Figueras sings with peerless passion and beauty, particularly in the short Tono Hidalgo of Juan Hidalgo. One could go on and on extolling the wonderful music of this CD, suffice it to say that among my collection of early music discs this one is at the top.

As with all of Jordi Savall's recordings the performance is excellent and beautifully balanced with voices and instruments receiving equal emphasis. If you do not have this disc and love early music get it without hesitation.

4 out of 5 stars Mucho me pesa la cabeza.......2007-07-02


Again and again we hear "Mucho me pesa la cabeza"..... "Much it pains my head."

This music is so ephemeral... so unique.... so mind massaging..... I love reading while it softly plays in the background in the room!

The massage is quite expansive!

Not a painful massage at all, but it does get inside your head!

5 out of 5 stars Just Get it!.......2006-08-20

It's hard to pick out anything special on this disk... everything is top-notch. The opening 'La Chacona' is a delight and it just gets better and better and better. The second piece definitely is having some fun setting the listener up for 'something.' The ritual piece is majestic while the tone changes again with the harp solo... Hesprion XX/XXI are treasures in the ocean of music.
Gracias, Senores!

5 out of 5 stars This is such a great recording.......2006-01-10

This recording is so great and so
breath taking that leaves me with
only this to say: since the day it
arrived to my doorstep back in mid
December, I have listen to it daily,
not just few tracks, but the whole
CD several times a day.....One
of the best works of Savall and
Hesperion XXI.....

5 out of 5 stars ýCreoleý Songs and Dances from Old Spain to the New World.......2004-05-16

An astonishing collection of vocal polyphony and dance music, largely from Guatemala, Peru, and Mexico. Performed with flair and feeling by the preeminent Spanish early-music ensemble of our time. Not to be missed!

My translation of the album title, given above, is not exact. "Criolla" can refer to anything Latin American, and a "villancico" is first and foremost a Spanish poetic genre from the 15th and 16th centuries. The Norton/Grove Concise Encyclopedia tells us that it was "originally derived from a medieval dance lyric and associated with rustic or popular themes." Certainly the rustic and popular loom large in this lively selection of Renaissance music. Hesperion XXI and its director Jordi Savall have often sampled folk styles in their imaginative reconstitutions of early performance tradition. So most of these selections get percussion accompaniment accentuating the dance element, while strumming guitars, castanets, maracas, and more are employed discreetly but effectively. Lusty and characterful vocal contributions come courtesy of La Capella Reial de Catalunya and soprano Montserrat Figueras, who takes a couple of fine solo turns. It's all recorded in a warm, resonant church acoustic.

In his liner notes, Prof. Rui Vieira Neri introduces the Spanish part of this collection by noting a long tradition of mixing high and low culture, not to mention Christian, Jewish, and Muslim cultural elements in the art and music of the Iberian peninsula. And right away we get to hear a vocal chaconne (a dance imported from the Indies "by mail" according to Lope de Vega) and a Moresca "Di Perra Mora," with strong Arabic flavor and hints of 5/2 meter.

Of the New World selections, some of the most engaging combine indigenous languages with Netherlands musical style. The solemn processional hymn "Hancpachap cussicuinin," written by a native composer in the Quechua language of Peru, was also the first example of polyphony printed in the Americas. Gaspar Fernandes (1570-1629), chapel master at the Puebla cathedral, wrote a number of villancicos that mix Castilian with Nahuatl, the Aztec tongue, including "Tleycantimo choquiliua" on this recording. It is based on a local Indian dance, as is another Christmas villancico included here, "Ay que me abraso," which moves to the beat of the Mexican guaracha.

Bantu and Yoruba phrases crop up frequently in the refrains of the African-influenced numbers, so numerous in their day that they were customarily referred to in the old manuscripts as Negro, Negrilla, or Guineo. Savall includes three such pieces on this recording; they abound in the sort of rhythmic intricacies and call-and-response effects that Europeans already associated with Africa. Among the most infectious is "Antonya, Flasiquiya, Gasipá," in which the song's characters wake up after a long night of drinking and dancing in order to go to Bethlehem to pay homage to baby Jesus, where more carousing will be called for. Each refrain ends with the words "Mucho me pesa la cabeza": "Oh, my aching head."

I wouldn't want to give the impression that this music will appeal mostly to scholars. In fact, it is simply full of human joy, tenderness, and fun, qualities that leap across the centuries at us and need no special pleading, thanks to the terrific performances on this CD. You will enjoy it.
Miguel Llobet: Guitar Music
Average customer rating: 5 out of 5 stars
  • A superb interpretation of Llobet's music
  • EXCITING MUSIC
 Miguel Llobet: Guitar Music

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
GuitarGuitar | Strings | Instruments | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
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ASIN: B0001Z65EY
Release Date: 2004-06-15

Tracks:

  1. Scherzo - Vals
  2. Estudio Capricho
  3. Mazurka
  4. L'Hereu Riera
  5. El Testament D'Amelia
  6. La Nit De Nadal (El Desembre Congelat)
  7. El Mestre
  8. La Preco De Lleida
  9. La Pastoreta
  10. La Filla Del Marxant
  11. Lo Rossinyol
  12. Plany
  13. El Noi De La Mare
  14. La Filadora
  15. Lo Fill Del Rey
  16. Canco Del Lladre
  17. Respuesta (Impromptu)
  18. Preludio (A Rosita Lloret)
  19. Preludio En Mi Mayor
  20. Preludio (A Maria Luisa Anido)
  21. Preludio En La Mayor
  22. Prelude - Original
  23. Mazurka Por Federico Bufaletti
  24. Estilo Popular Argentino (En Mi Menor)
  25. Estilo Popular Argentino (En Re Mayor)
  26. Estilo Popular Argentino (En Fa Sharp Menor)
  27. Leonesa
  28. Estudio En Mi Mayor
  29. Romanza
  30. Tema
  31. Variation I (Sor)
  32. Variation II (Sor)
  33. Variation III
  34. Variation IV
  35. Variation V
  36. Variation VI
  37. Intermezzo. Andante Molto Espressivo
  38. Variation VII
  39. Variation VIII - Toda Esta Variacion En Sonidos Harmonicos
  40. Variation IX - Toda Esta Variacion Con La Mano Izquierda Sola
  41. Variation X

Customer Reviews:

5 out of 5 stars A superb interpretation of Llobet's music.......2006-10-30

I had come across L. Micheli almost accidentally by watching one of the Guitar Foundation of America videos when I was amazed by the breathtaking performance of the Variaciones sobre un tema de Sor! This CD is worth every penny. I would also recommend the M Castelnuovo Tedesco one as well. Very expressive, accurate, clean performance - I had the feeling I am watching Glenn Gould playing guitar.

5 out of 5 stars EXCITING MUSIC.......2006-03-25

I have found this CD at the Naxos website catalogue.I was just looking around the CD's and the word LLOBET got my attention because it was hard to find a complete collection of the composer.I was lucky that it caught my attention!
Let's come to the inside of it.It has all kind of music forms composed by llobet such as;Catalan Folksongs,Preludes,Folksongs,Etudes,Mazurkas,Romanzas and even Variations which I liked most.They have really been arranged nicely and the Llobet himself composed beautifuly(they say Llobet opened a new period for the guitar music at the early 1900's; they are right.)
You can't find most of the pieces on other CD's they are really "rare" pieces and the affordible price makes the CD even more nice.
Most of the tracks are short about 1 or 2 minutes but the total playing time is OK that means there's a lot of track in it(41 tracks).
What about the guitarist.Lorenzo Micheli.I know much guitarist but I have heard Micheli with this CD.It's good to be me that I heard Micheli.He plays the guitar with his soul,so sweet guitar really.And also the technique is one of the factors that makes this CD amazing because without a good technique you can't hand over most of the tracks such as Repuesta.
It is certain that this music gives us a joy and "also" I didn't know Llobet composed such great works I means the listener gets informed about it.
1)GOOD COLLECTION
2)PRICE
3)GOOD GUITAR PLAYING
4)EXCITING AND ORIGINAL WORKS FOR GUITAR
...they are the reasons you should buy this CD.
Songs Of Spain / De Los Angeles, et al
Average customer rating: 5 out of 5 stars
  • The most noble voice
  • PURCHASE THIS JEWEL WHILE YOU CAN
  • luminous artistry from a genius
  • A special Dignity and an Unfailing Beauty of Voice.
 Songs Of Spain / De Los Angeles, et al

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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  1. The Fabulous Victoria De Los Angeles
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ASIN: B00000I4KQ
Release Date: 1999-02-23

Tracks:

  1. El rossinyol
  2. El testament d'Amelia
  3. Adios meu homino
  4. Mina nay por me casare
  5. Tengo que subir
  6. Ahi tienes mi corazon
  7. La vi llorando
  8. Ya se van los pastores
  9. Campanas de Belen
  10. Jaeneras que yo canto
  11. A dormir ahora mesmo
  12. Granadinas
  13. Hincarse de rodillas
  14. Cancion de trilla
  15. Parado de Valldemosa
  16. Nik baditut
  17. Andregaya
  18. Din, dan, boleran
  19. Mariam matrem
  20. Ay, triste vida corporal!
  21. Que es mi vida, preguntais?
  22. Porque es, dama, tanto quereros?
  23. No me llames segalaherba
  24. Ay, luna que reluces
  25. En esta larga ausencia
  26. Molinillo que mueles amores
  27. Confiado jilguerillo
  28. Seguidillas religiosas
  29. Cancion de cuna
  30. El jilguerillo con pico de oro
  31. El canape

Tracks:

  1. Ah, el novio no quiere dinero
  2. Coma la rosa en la guerta
  3. Estavase la mora
  4. Aquel rey de Francia
  5. Damos gracias a ti, Dios
  6. Sobre Baca estaba el rey
  7. Ay que non hay!
  8. Rosa das rosas
  9. Maravillosos e piadosos
  10. Tres moricas m'enamoran
  11. Paseabase el rey moro
  12. Dime a do tienes las mientes
  13. Si no's huviera mirado
  14. Dexo la venda
  15. Puse mis amores
  16. Aqui me declaro su pensamiento
  17. Pues que me tienes
  18. Gentil dama, non se gana
  19. Mi querer tanto vos quiere
  20. Una hija tiene el rey
  21. Una matica de ruda
  22. Si la noche se hace oscura
  23. Pastorcico, non te aduermas
  24. Ay triste que vengo
  25. No soy you quien la descrube
  26. Pase el agua, Julieta
  27. Aquel caballero, madre
  28. Duelete de mi, Senora
  29. De Antequera salio el Moro
  30. De los alamos vengo, madre
  31. Enfermo estaba Antioco
  32. Dame acogida en tu hato
  33. Morenica, dame un beso
  34. Senora, si te olvidare
  35. De donde venis, amore?

Tracks:

  1. La rosa enflorece
  2. Ven querida
  3. Adio, querida
  4. Durme, durme, hermozo hijico
  5. Paxaro d'hermosura
  6. Avrix, mi galanica
  7. Irme quiero, la mi madre
  8. Ya viene el cativo
  9. Yo m'enamori d'un aire
  10. Una matica de ruda
  11. Anda, jaleo
  12. Los cuatro muleros
  13. Las tres hojas
  14. Los mozos de Monleon
  15. Las morillas de Jaen
  16. Sevillanas del siglo 18
  17. El cafe de Chinitas
  18. Nana de Sevilla
  19. Los pelegrinitos
  20. Zorongo
  21. Romance de Don Boiso
  22. Los reyes de la baraja
  23. La tarara
  24. El combat del somni: Damunt de tu, nomes les flors
  25. A l'ombra del Lledoner: Canco de grumet
  26. Canciones negras: Cancion de cuna para dormir a un negrito
  27. Cuatro madrigales amatorios: De los alamos vengo, madre
  28. Coleccion de tonadillas: Callejeo
  29. Coleccion de tonadillas: El tra la la y el punteado
  30. Seis canciones castellanas: No quiero tus avellanas
  31. Seis canciones castellanas: Jota
  32. Panxolina
  33. Tu pupila es azul
  34. Cantos populares espanolas: Malaguena
  35. Cantos populares espanolas: Granadina
  36. Cantos populares espanolas: El Vito
  37. Cantos populares espanolas: Pano murciano
  38. Clavelitos
  39. Adios, Granada
  40. Madrigal

Tracks:

  1. Coleccion de tonadillas: Amor y odio
  2. Coleccion de tonadillas: Callejeo
  3. Coleccion de tonadillas: El majo discreto
  4. Coleccion de tonadillas: El majo olvidado
  5. Coleccion de tonadillas: El majo timido
  6. Coleccion de tonadillas: El mirar de la maja
  7. Coleccion de tonadillas: El tra la la y el punteado
  8. Coleccion de tonadillas: La maja de Goya
  9. Coleccion de tonadillas: Las currutacas modestas
  10. Tres majas dolorosas: Oh muerte cruel!
  11. Tres majas dolorosas: Ay majo de mi vida
  12. Tres majas dolorosas: De aquel majo amante
  13. Goyescas: La maja y el ruisenor (Rosario)
  14. 'La vida breve': Vivan los que rien! (Salud - Act 1)
  15. 'La vida breve': Alli esta! Riyendo! (Salud - Act 2)
  16. 'Acis y Galatea': Confiado jilguerillo
  17. El tripili
  18. Llorad, corazon
  19. Iban al pinar
  20. No lloreis, ojuelos
  21. Mananica era
  22. Mira que soy nina
  23. Gracia mia
  24. El pano moruno
  25. Seguidilla murciana
  26. Asturiana
  27. Jota
  28. Nana
  29. Cancion
  30. Polo
  31. 'La Tempranica': Zapateado (La tarantula e un bicho mu malo)

Customer Reviews:

5 out of 5 stars The most noble voice.......2004-05-28

Victoria de los Angeles' voice not only has a silken quality and fascinating glow to it but it is one of the most regal, noble sounds you'll ever hear. She illuminated those moments of quietness, gentleness and noble, feminine pride and elegance like no other soprano before and after her. This release of her "Spanish Songs" has never been surpassed. The songs of her homeland seem to have been written for her beautiful instrument alone, she fills every piece with special beauty and charm, religious flair and beautiful, noble simplicity. Buy this recording and see why Victoria is one of the best sopranos ever having come from Spain.

5 out of 5 stars PURCHASE THIS JEWEL WHILE YOU CAN.......2002-01-08

FOR A LONG TIME "SONGS OF SPAIN" HAS BEEN MY FAVORITE ALBUM OF CLASSICAL, POPULAR, SECULAR AND RELIGIOUS (CHRISTIAN AND SEPHARDIC) SPANISH SONGS. DE LOS ANGELES DEFIES A RIVAL IN THIS GENRE. DE LARROCHA, SORIANO AND ZANETTI PROVIDE UNEQUALED ACCOMPANIEMENTS. THE RECORDINGS ARE SECOND ONLY TO LIFE PERFORMANCES. I UNDERSTAND THAT EMI INTENDS TO TAKE THIS SET OUT OF PUBLICATION. PURCHASE THIS JEWEL WHILE YOU CAN! I JUST PURCHASED MY THIRD SET FROM AMAZON AND I TREASURE IT AS MUCH AS MY FIRST!

5 out of 5 stars luminous artistry from a genius.......2000-12-26

the vocal artist of vocal artistsdisplays her absolutely gorgeous voice and musical understanding of spanish feeling with a warmth that is unmatched anywhere.the only thing better was to hear her in person!

5 out of 5 stars A special Dignity and an Unfailing Beauty of Voice........2000-09-17

This set offers four generously-filled CDs comprising almost 140 Spanish songs from Victoria de los Angeles' repertoire. To all of them she brings a special dignity and an unfailing beauty of voice. The earliest recordings date from 1950 and the last is the items she sang at the opening of the Barcelona Olympics in 1992. Yes, you will find the ubiquitous "Clavelitos!" here, and a later version of "La maya el ruisenor" from "Goyescas". The enclosed booklet provides illuminating notes by Lionel Salter, who also translated many of the texts which are also included. Accompanists include Gerald Moore and Alicia de Larrocha, and Victoria de Los Angeles provides a guitar accompaniment herself in one song. The last track of all, a zapateado from a zarzuela, recorded live in New York, must almost have brought the house down.
Secular Music from Christian and Jewish Spain
Average customer rating: 4 out of 5 stars
  • Like a religious experience
  • Dissappointing soprano
  • A balm for any soul
  • Ten stars if possible...
  • Historical re-release
 Secular Music from Christian and Jewish Spain

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
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GeneralGeneral | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
Similar Items:
  1. Sephardic Romances
  2. Music for the Spanish Kings
  3. The Splendour of Al-Andalus
  4. Mudejar
  5. Spanish Music of Travel and Discovery/ The Waverly Consort

ASIN: B00000J2QD
Release Date: 1999-06-08

Tracks:

  1. Villancicos From Cancionero de la Colombina: Ni?a y vi?a
  2. Villancicos From Cancionero de la Colombina: Propide melyor
  3. Villancicos From Cancionero de la Colombina: Como no le andaro
  4. Villancicos From Cancionero de la Colombina: Recercada
  5. Villancicos From Cancionero de la Colombina: Fantasia
  6. Villancicos From Cancionero de la Colombina: Pavana
  7. Villancicos From Cancionero de Palacio: Al alva venid, buen amigo
  8. Villancicos From Cancionero de Palacio: Perda mi rrueca
  9. Villancicos From Cancionero de Palacio: A los badel amor
  10. Villancicos From Cancionero de Palacio: Fantasia
  11. Villancicos From Cancionero de Palacio: Romanesca
  12. Villancicos From Cancionero de Palacio: Pues bien para esta
  13. Villancicos From Cancionero de Palacio: Si av dicho, marido
  14. Romances From Cancionero de Palacio: Si d'amor pena sent
  15. Romances From Cancionero de Palacio: O voy
  16. Romances From Cancionero de Palacio: Qu'es de ti, desconsolado
  17. Recercadas sobre tenores: Recercada 4
  18. Recercadas sobre tenores: Recercada 5
  19. Recercadas sobre tenores: Recercada 6
  20. Villancicos From Cancionero de Uppsala: Yo me soy la morenica
  21. Villancicos From Cancionero de Uppsala: Si la nocha haze escura
  22. Villancicos From Cancionero de Uppsala: Soleta s ac
  23. Villancicos From Cancionero de Uppsala: Con qua lavar
  24. Villancicos From Cancionero de Uppsala: Soy serranica

Tracks:

  1. Sephardic Romaces: Pregoneros van y vienen
  2. Sephardic Romaces: El rey de Francia tres hijas tenia
  3. Sephardic Romaces: Una matica de Ruda
  4. Sephardic Romaces: Palestina hermoza
  5. Sephardic Romaces: Nani, nani
  6. Sephardic Romaces: El rey que tanto madruga
  7. Sephardic Romaces: Por que llorax blanca nina
  8. Sephardic Romaces: Moricos los mis moricos
  9. Sephardic Romaces: Lavava y suspirava
  10. Sephardic Romaces: Paxarico tu te llamas
  11. Sephardic Romaces: La Reina xerifa mora
  12. Sephardic Romaces: Por alli paso un cavallero

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Before their expulsion in 1492, the Jews of medieval Spain developed a rich and lively culture, including an exquisite repertory of songs called romanceros--and they kept that repertory alive as they settled in places as diverse as Morocco, Bosnia, Turkey, and Bulgaria. Lovely as the romanceros are, they would have languished as the objects of ethnomusicological studies and might have disappeared altogether, were it not for the efforts of gifted musicians like Hespèrion XX. Jordi Savall and his ensemble, fronted by the unique soprano Montserrat Figueras, just about single-handedly brought those songs to the attention of the modern public with this 1976 recording (now reissued at a bargain price). Disc 1 features a selection of secular music from "Christian" Spain--that is, the courts of Ferdinand and Isabella and the Catholic nobility. The music is elegant and occasionally austere, but Figueras, Savall, and colleagues give the livelier pieces a flavorful swing. Yet disc 2, which features the Sephardic songs, is the real drawing card here. It was in Moorish Spain that Jewish culture flourished, so Hespèrion XX performs the romanceros with Arabic instruments, such as the 'ud (the ancestor of the European lute) and hand drums. These musicians, rechristened Hespèrion XXI in honor of the new century, perform this repertory with more polish now than they did in 1976, but--just as A Feather on the Breath of God did for Hildegard von Bingen--this recording made its own little bit of musical history. --Matthew Westphal

Customer Reviews:

5 out of 5 stars Like a religious experience.......2007-03-28

This disc is pure magic that transends and defies definition. It is time period music that has been rereleased to capture the magic of the original recording. Each song is amazing. The music creates a mood that is best enjoyed alone ,in private so that your thoughts can be elevated to the point of inspiration. Although I like both discs I prefer the one that features Sephardic Romances over the disc that is Court Music and Songs. Montserrat Figueras angelic voice lends itself to beautiful interpretations of these beautiful songs from the Age before the expulsion of the Jews from Spain in 1492. This ancient music is preserved and freshly interpreted under the masterful leadership of Jordi Savall for an authentic recreation. If you have never heard Hesperion XX check this one out, it is fantastic. Recommended for classical music fans who want to hear something different. Once you hear Montserrat Figuerras voice you will feel the inspiration and be hooked on her angelic voice.

3 out of 5 stars Dissappointing soprano.......2006-02-22

I was excitet buying this CD, expecting the quality of songs equal or better than
Begona Olavide and Carlos Paniagua on MA recodings. The music was fine but singing by soprano Montserrat Figueras was borderline annoying.

5 out of 5 stars A balm for any soul.......2001-01-02

Attempting to review a Savall/Figueras CD is a frustrating task. The arsenal of superlatives is so quickly depleted. Terms like 'matchless' and 'unique' might be used, but lack strict definition. After all, a 'matchless' voice needn't be a good one. Terms like 'divine' or 'angelic' tend to remove Montserrat's singing from the real and human. She's nothing if not human. Having been blessed with watching as well as hearing her perform, vouching for her vitality on a stage is easy. But the superior quality of her voice and presentation is so far above the mundane or common as to become nearly indescribable. Anything less than adulation for her seems to indicate shortcomings in the disk or performer. Neither performance nor disk quality falls short here. That she performs religious songs here simply adds to the power of her impact on the listener. You necessarily hesitate, cease other activity, and, if moved enough, drop to your knees in respect and admiration. Tough to do in a crowded concert hall, but the motivation is there. And this from someone who shunned listening to vocal performances for many years. Dame Kiri was one exception and Argenta another, but the discovery of Figueras was the discovery of a voice without flaw.

Anyone visiting this page must certainly know of Jordi Savall and Hesperion XX. You may, however, have missed the glory of Montserrat Figueras' voice. Make up for that lack right away. The selections available here are pitifully limited, but this CD is as good an introduction as any. Don't hesitate to sit and enjoy this music. The sounds received will be a reward to whatever spiritual sense you possess.

5 out of 5 stars Ten stars if possible..........2000-01-27

I agree completely with Stephan: outstanding performance. Montserrat at her best. If "Si d'amor pena sentis" doesn't bring tears to your eyes, what does?

3 out of 5 stars Historical re-release.......1999-07-20

Hesperion XX were pioneers in reviving this music, and collectors will value these recordings which first came out in 1976. However most listeners may prefer more recent recordings by Wimmer on Naxos, and Alia Musica on Harmonia Mundi which have digital sound and include Spanish, and occasionally Hebrew, texts and translations.
Missa Mexicana
Average customer rating: 5 out of 5 stars
  • Missa Mexicana - Ecstacy and Ear Candy
  • One of the most interesting and best recorded Early Music programs available
  • Ridiculously fine recording
  • Superb - if idiosyncratic - performances!!
  • Fabulous, exciting Baroque music
 Missa Mexicana
Andrew Lawrence-King , and The Harp Consort
Manufacturer: Harmonia Mundi Fr.
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Padilla: Music of the Mexican Baroque
  2. Mexican Baroque
  3. Masterpieces of Mexican Polyphony
  4. El arte de fantasía
  5. Matins for the Virgin of Guadeloupe

ASIN: B000068327
Release Date: 2002-10-08

Tracks:

  1. Villancico: Canten dos jilguerillos (Francisco Escalada)
  2. Kirie: [Missa Ego flos campi] (Juan Gutiirrez de Padilla)
  3. Jacaras de la costa (Santiago de Murcia)
  4. Xaacara: Los que fueren de buen gusto (Francisco de Vidales)
  5. Gloria: [Missa Ego flos campi]
  6. Corrente Italiana (Juan Cabanilles)
  7. Xacara: A la xacara xacarilla (Juan Gutiirrez de Padilla)
  8. Credo: [Missa Ego flos campi]
  9. Cumbies (Santiago de Murcia)
  10. Negrilla: A siolo flasiquiyo (Juan Gutiirrez de Padilla)
  11. Sanctus [Missa Ego flos campi]
  12. Marizapalos a lo humano: Marizapalos bajs una tarde (Anonymous: 17th-century Peru)
  13. Marizapalos a lo divino: Serafin que con dulce harmonma (Joan Cererols)
  14. Diferencias sobre marizapalos (Miguel Pirez de Zavala)
  15. Agnus Dei [Missa Ego flos campi]
  16. Guaracha: Convidando esta la noche (Juan Garcma de Zispedes)

Amazon.com

"New Spain" comes roaring to life on Missa Mexicana. The disc's mainstay is a Mass setting by Juan Gutiiérez de Padilla, who was appointed maestro de capella at Mexico's Puebla Cathedral in 1629. Although Padilla was born in Andalucía, his work came to embrace Mexico: the rhythms of its dances, the exuberance of its song, and the textures of its popular instrumental ensembles (complete with guitars, percussion, and shawms). Padilla was not a pioneer in this regard; at the time, Spain's sacred music was also greatly influenced by secular sounds. But perhaps the greatest draw of this repertoire, as Andrew Lawrence-King shows off so well, is the tight interweaving of European, Native, and African cultures in Padilla's Mexico, and how he and his contemporaries utilized all of these cultural streams in their own work. Bolstered by an array of other compositions of the age, Lawrence-King makes a strong case for 17th-century Mexico as a cultural crossroads, not merely as a remote outpost of Spanish influence. One prime example is Santiago de Murcia's "Cumbées," with its call-and-response vocals, delicate, mbira-like instrumental interlude, and earthy drumbeat recalling West African music. Another is Padilla's own Christmastime negrilla, "A siolo flasiquiyo," which invites worshipers to dance the guacambe, canario, and villano to celebrate the Messiah's coming. As on his other recordings, harpist and conductor Andrew Lawrence-King has brought together a host of today's most respected early music specialists for this trip to Mexico, including soprano Ellen Hargis, bass Paul Hillier, and gamba player Hille Perl. Lawrence-King himself performs on the Spanish harp, organ, and psaltery. As one might expect from such a gathering, the ensemble is top notch, in both technical expertise and musicianship. The singers (and instrumentalists) are equally comfortable in both Missa Mexicana's religious and earthly spheres, moving from a Gloria to a bawdy song with ease. --Anastasia Tsioulcas

Customer Reviews:

5 out of 5 stars Missa Mexicana - Ecstacy and Ear Candy.......2007-07-26

I heard a review with sound clips from this album on NPR and rushed to Amazon to order it immediately! I was not disappointed. The aural blend of old/new world music is evocative of Mayan, Incan, and Aztec images overlain with Caribbean and African spiritual dances forming a cathedral altarpiece. What a feast!

Melody, instrumentation, harmony, rhythm, poetry - it's all there in combinations unheard of before, new and ancient at once. This is how music SHOULD sound!

5 out of 5 stars One of the most interesting and best recorded Early Music programs available.......2006-09-26

This program performed by Andrew Lawrence-King and the Harp Consort is built around Juan Gutierrez de Padilla's (c. 1590-1664) Missa Ego flos campi. Padilla served as maestro of the Puebla Cathedral in Mexico from 1629 until his death, the choir of which was considered to be finest in all of Spain's colonies.

On this release, Andrew Lawrence-King has paired each of the Mass' five movements with one or more dance pieces either composed by Padilla or another contemporary composer. This purpose of this approach is to bring together Padilla's vibrant Mass, which itself is permeated with dance elements, with the actual dance pieces (ex: villancicos) that influenced Padilla. In addition to impacting the style of Padilla's sacred works, such dance pieces were actually included on church programs in 17th-century Mexico. Church authorities were a bit ambivalent about the inclusion of such dance pieces on church programs, as they were seen as being "excessively arousing" by some, but others noted that such pieces brought people into church which would not otherwise attend.

Despite being relatively unknown today, Padilla was obviously a first-rate composer. What makes his music remarkably fascinating is how naturally he combines Spanish and Italian stylistic elements with the harmonies and rhythms of the New World, in addition to African music brought to Central America by slaves. Padilla's "Negrilla" (Track 10) for instance, incorporates African rhythms and drums with elements of the European Renaissance. The end result is mesmerizing, especially the complicated and thrilling conclusion. The "A la xácara xacarilla" (Track 7) combines native percussion instruments with a bajón (precursor to the bassoon) and guitars in an intoxicating dance melody. The vocalists in particular do an outstanding job in breathing life into this piece through their enthusiastic and characteristic singing. The final piece on the program, the "Guaracha," itself alone is worth the price of the CD. More than being "excessively arousing" this piece, employing virtually every music instrument known, is downright exhilarating.

The ensemble performing this music is incredibly varied, and includes a large contingent of Mexican baroque guitars, a sackbut, a shawm, a Spanish harp and a percussion section consisting of all types of drums, a rainstick and even a conch shell. The vocalists and instrumentalists provide very enthusiastic and characteristic performances. The sound quality here is audiophile quality.

In short, this disc belongs in any collection of Early Music, but those out there who are not fans of the genre would find much to like here as well. This is fantastic music, which is marvelously performed and recorded. A winner on all accounts.

Highest recommendation!!

TT: 69:11

***
As a side note, those who are enthusiastic about this CD should also check out the Villancicos y Danzas Criollas released by Alia Vox and Moon, Sun & All Things released by Hyperion.

5 out of 5 stars Ridiculously fine recording.......2006-09-18

At the risk of exposing myself as a true music dork I'm happy to say that I am inspired by the amount of scholarship behind this recording! More important however is that the music making on this disc cannot be accused of being too dry. No, Andrew Lawrence-King and his Harp Concert et.al. are obviously excited about this program. Their enthusiasm is contagious. The balance between sacred, secular and instrumental provides a great overview of 17th century Spanish music of the New World. This is the type of recording you can listen to from start to finish and then repeat. Highly recommended.

5 out of 5 stars Superb - if idiosyncratic - performances!!.......2005-05-23

New-World [Hispanic] music from the 16th-18th centuries has experienced something of a renaissance in recent years, and a number of excellent recordings have been released, of which this is indeed a superlative example. Andrew Lawrence-King and the Harp Consort present a vividly atmospheric programme which is centred around the Missa Ego Flos Campi by one of the leading composers of the period, Juan Gutierrez de Padilla (c.1590-1664), the maestro de capilla at Puebla Cathedral. Padilla's Mass is complemented with examples of secular music by his contemporaries - villancicos, xacaras, etc.

In truth, it is perhaps difficult to know how representative of 17th century Mexico this recording is, and for the purist there are certain issues which may raise a few eyebrows...[Padilla's 42-part choir is reduced to a handful of soloists; Santiago de Murcia's 'Cumbees' - primarily intended for guitar - are arranged for harp and interspersed with pseudo-African scat-syllabic improvisations, rendering the notated 'golpes' practically inaudible; Juan Cabanilles' 'Corrente Italiana' - originally for organ - is transfered to a continuo group of harp, bajon, guitars and percussion; etc....]

Yet given the strength of the performances, these musicological quibbles perhaps loose their significance. These are truly stylish interpretations combining flair with panache, and the line up includes some excellent (and well-known) exponents of early music.

Incidentally, if you've enjoyed this recording, you should also explore similar (if not even better - if that's possible!) ones by Jordi Savall & Hesperion XXI ['Villancicos y danzas criollas', Alia Vox AV9834] and Gabriel Garrido & Ensemble Elyma [in particular 'Fiesta Criolla', K617139 and 'Juan de Araujo - L'Or et L'Argent du Haut-Perou', K617124].

5 out of 5 stars Fabulous, exciting Baroque music.......2005-02-02

The title says it all. I cannot add to the other laudatory reviews. Pay no attention whatsoever to the negative review. The writer obviously has no comprehension of what music is about. This is fabulous Baroque music with Latin and African flavoring. We who love Baroque music are indebted to to Mr. Andrew Lawrence-King for making this music available to us. I truly love the European Baroque and own a great many CDs of it, including some of the lesser known names. But it is truly wonderful to expand one's horizons into a hitherto little known area of Baroque music. I am enriched by it and I know you will be also.
Missa Mexicana
Average customer rating: 5 out of 5 stars
  • Magnificent!
 Missa Mexicana

Manufacturer: Harmonia Mundi Fr.
ProductGroup: Music
Binding: Audio CD

CourantesCourantes | Baroque Dance Suites | Ballets & Dances | Classical | Styles | Music
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  1. Dvorák: Cello Concerto [Hybrid SACD]
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ASIN: B0000B003N
Release Date: 2003-10-14

Customer Reviews:

5 out of 5 stars Magnificent!.......2003-11-20

Beautiful music, the players clearly enjoying themselves in a breathtaking performance. Superb!!
SACD sound is much more natural than the CD layer!
Cancionero Musical de Palacio
Average customer rating: 4.5 out of 5 stars
  • they're at it again!
  • Musica en el Palacio de los reyes catolicos
  • Very good
  • Some very lively and lovely music
 Cancionero Musical de Palacio

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Music of the Spanish Renaissance
  2. Secular Music from Christian and Jewish Spain
  3. Sephardic Romances
  4. Music for the Spanish Kings
  5. Spanish Music of Travel and Discovery/ The Waverly Consort

ASIN: B00000149R
Release Date: 1996-11-05

Tracks:

  1. Rodrigo Martinez
  2. Con Amores, Mi Madre
  3. Pues Que Jamas Olvidaros
  4. Si Abra En Este Baldres
  5. Si D'Amor Pena Sentis
  6. Tir Alla, Que Non Quiero
  7. Todo Quanto Yo Servi
  8. Levanta Pascual
  9. Malos Adalides Fueron
  10. Todos Los Bienes Del Lmundo
  11. Durandarte
  12. Fata La Parte
  13. Pedro, I Bien Te Quiero
  14. Danza Alta
  15. Qu'es De Ti, Desconsolado
  16. La Tricotea
  17. Ay Triste, Que Vengo
  18. So Ell Enzina
  19. Como Esta Sola Mi Vida
  20. O Voy
  21. Tres Morillas M'Enamoran
  22. Hoy Comamos Y Bebamos

Customer Reviews:

5 out of 5 stars they're at it again!.......2001-08-07

The players here (also known as Unicorn and Oni Wytars) are among the very few truly brilliant early music performers. Not for them the dry, desiccated path of passionless scholarship! Unlike almost every other instrumental early music ensemble (and I've surveyed a LOT), they display fully engaged, scintillating musicianship at every turn. Their unconventional performance decisions tend to cut them out of critics' golden lists -- most of this music shouldn't really be considered authentically presented -- but such objections go lame and impotent before the vivacity and improvisational panache saturating this CD...along with their MANY others!

5 out of 5 stars Musica en el Palacio de los reyes catolicos.......1999-12-07

One of my favorite cancioneros ,and one that I recommend to all.It is performed on period instruments,and it contains romances,songs from about the times of the "reconquista",instrumental pieces, pieces for viols, and solos for vihuela. One of my favorite pieces of this is track 14 Danza Alta by Francisco de la Torre,it's an intrumental piece for viols and recorder.This music that was performed at the court of King Don Fernando de Aragon.It is hard of finding recordings of Cancioneros at budget price so take advantage of this one...It's really good

4 out of 5 stars Very good.......1999-07-11

Another 4 stars, though I don't share the reviewer from Australia's reservations about the lack of rasp in the singing. Who really knows how these notes were sung? It's a matter of personal preference. Alround a very good recording but not "the definitive" version of these songs (we may never have that). There is a companion disc by Wimmer : Early Music - Sephardic Romances which, like this one, has Spanish texts and English translations. (Naxos) 553617.

There is also another recording of similar material on Naxos : Royal Songbook, by Thorby and Musica Antiqua London - but that is marred by lack of texts or translations. (Naxos 553325)

And a final recommendation : Music of the Spanish Renaissance / Shirley Rumsey / Recorded 1991 / Spanish texts and English translations. 550614

4 out of 5 stars Some very lively and lovely music.......1999-02-28

After centuries of Arabic and Jewish influence, the new music of Spain born at the court of Ferdinand and Isabella had all the strength of European melody with all the richness of rhythm and chromatic freedom of Northern Africa and the East. The performances by Ensemble Accentus do full justice to this music - largely because it and its director, Thomas Wimmer, have delved into and brilliantly performed the Jewish Sephardic music of old Spain. My only complaints are that there is not enough music here by Juan del Encina; and the singers do not understand the texture of old music. Most singers strive for purity and smoothness of voice and register, but the Renaissance loved loud, deep, rich, overtoned and raspy voices: voices with the sting of crumhorns and hurdy-gurdies. Here we hear some of the instruments played well, but not the larynxes which should accompany them. Nonetheless, a valuable and enjoyable CD for any fan of this era. [SW]
20th Century Voices in America
Average customer rating: 5 out of 5 stars
  • Harold Blumenfeld: "Rilke for Voice & Guitar"
 20th Century Voices in America

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

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ASIN: B000001K52
Release Date: 1995-09-26

Tracks:

  1. Tableaux, Sound Pictures From 'The Silver Talons Of Piero Kostrov' For Soprano And Eleven Players - Jan De Gaetani
  2. No. 1
  3. No. 2
  4. No. 3
  5. No. 1
  6. No. 2
  7. No. 3
  8. No. 1
  9. No. 2
  10. No. 3
  11. No. 1
  12. No. 2
  13. No. 3
  14. The Wonderful Widow Of Eighteen Springs, For Voice & Piano (1942) - Rosalind Rees
  15. Tell Me Where Is Fancy Bred, For Voice And Guitar (1938) - Elliott Carter
  16. Orpheus With His Lute, For Voice And Guitar (1944) - William Schuman
  17. Tell Me Where Is Fancy Bred, For Voice, Clarinet & Guitar (1964) - Richard Wagner

Tracks:

  1. I. Du, Meine Heilige Einsamkeit - Harold Blumenfeld
  2. II. Archaischer Torso Apollos - Harold Blumenfeld
  3. III. Ich Bin Nicht Diese Steile Stunde - Harold Blumenfeld
  4. Steps, For Voice And Guitar (1975) - Gregg Smith
  5. The Sentences, For Voice And Guitar (1976) - Rosalind Rees
  6. 'O, The Chimneys,' For Mezzo Soprano, Flute, Clarinet, Cello, Percussion And Piano (1969) - Shulamit Ran
  7. String Quartet No.2, For Soprano And String Quartet (1959-1961) - Phyllis Bryn-Julson

Customer Reviews:

5 out of 5 stars Harold Blumenfeld: "Rilke for Voice & Guitar".......2000-03-09

This CD set includes "Rilke for Voice & Guitar" by Harold Blumenfeld. The composer submits this review of the work by Donal Henahan in the New York Times. "In Harold Blumenfeld's austerely beautiful 'Rilke', a cycle of three songs, soprano Rosalind Rees sang superbly, with a dulcet tone, unusual attention to dynamic subtleties, and flawless pitch. The songs, with the guitar softening contemporary asperities that a piano sometimes exaggerates, made their lonely, pained point with the utmost precision. The guitarist, David Starobin, performed with exemplary technique and great sensitivity as accompanist."
Spanish & Portuguese Vihuela Songs
Average customer rating: Not rated
    		Spanish & Portuguese Vihuela Songs

    Manufacturer: Chandos
    ProductGroup: Music
    Binding: Audio CD

    PartsongsPartsongs | Vocal Non-Opera | Opera & Vocal | Styles | Music
    GeneralGeneral | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
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    ASIN: B000000A5B
    Release Date: 1994-07-26

    Tracks:

    1. Lady Of The World
    2. Isabel, You've Lost Your Girdle
    3. Three Moorish Girls
    4. I Departed Joyfully To See You
    5. I Have Now Put An End To My Pangs Of Love
    6. Who Brought You, Knight?
    7. Nero Looks Down
    8. You, Gypsy, Who Can Read The Future
    9. The Moorish King Was Out Walking
    10. Fantasia: Book 2, No.4
    11. I Dreamed That She Who Died Spoke To Me
    12. 'Tis Better To Exchange Pleasure For Pain
    13. You Sighed, Baldovinos
    14. With Love, Mother
    15. Let My Eyes Pay Up
    16. Fantasia No.8
    17. Clear, Fresh Streams
    18. O Jealousy Of Lovers
    19. Green And Flowery Meadow
    20. On The Morning Of Saint John
    21. Three Little Moorish Girls
    22. The King Was Surveying Baza
    23. Mille Regretz
    24. Given My Pain And Torment
    25. To Town I Go
    26. Pavana
    27. How Alone My Life Is!
    Sonia La Unica, Boleros Con Alma, Envidia - Esta Noche La Paso Contigo - Te Amare Toda La Vida
    Average customer rating: Not rated
      		Sonia La Unica, Boleros Con Alma, Envidia - Esta Noche La Paso Contigo - Te Amare Toda La Vida
      Sonia la Unica
      Manufacturer: Orfeon Records
      ProductGroup: Music
      Binding: Audio CD

      GeneralGeneral | International | Styles | Music
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      ASIN: B000002F1G
      Release Date: 1992-07-31

      Tracks:

      1. Envidia
      2. Esta Noche La Paso Contigo
      3. Temor
      4. Te Amare Toda La Vida
      5. Seguire Mi Viaje
      6. Mucho Corazon
      7. Cuando Ya No Me Quieras
      8. Desvelo De Amor
      9. Que Seas Feliz
      10. Piensa En Mi

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      1. Estoy Aqui
      2. Grandes Exitos
      3. Grandes Exitos
      4. Haciendo Trampas
      5. Hits
      6. Homenaje Al Trio los Panchos
      7. J Posada
      8. Jazzin'
      9. Kaos 1995
      10. La Fuente

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      Chooglin': A Tribute To The Songs Of John Fogerty

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