Underground

1. Intro 10 Mandamientos - DJ Mafa

2. 1, 2, 3, 4

3. Sonido

4. Desesperado

5. I'm the King

6. Escucha Envidioso

7. Chico Pon Pon

8. So, Aqui Llego Yo

9. Junto a Mafa

10. No Doubt [Reggae Mix] - DJ Mafa

11. Danza

12. Plomo Para Usted

13. No Me Tires

14. Dominicano

15. Radio Version #1 - DJ Mafa

16. Radio Version #2 - DJ Mafa

17. Bonus Track [*] - DJ Mafa

Underground,DJ Mafa,RCA Intl,Dancehall,Latin,Latin Music,Latin Pop,Ragga,Reggae,Tropical

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Average customer rating: F is for Fantastic! Pretty Good All-time favorite DVD for kids Fun for Kids and their Grown-ups! My daughter loves it!!!!

Here Come the ABCs [CD/DVD Combo] They Might Be Giants Manufacturer: Disney ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Rock | Alternative Styles | Alternative Rock | Styles | Music General | Children's Music | Styles | Music Disney | Children's Music | Styles | Music Educational | Children's Music | Styles | Music Sing-A-Longs | Children's Music | Styles | Music Pop Rock | Pop | Styles | Music Disney Records | Amazon.com Label Stores | Stores | Music Similar Items: No! For The Kids Bed, Bed, Bed (They Might Be Giants) Mary Had a Little Amp Jazz for Kids: Sing, Clap, Wiggle and Shake ASIN: B000BEZPSC Release Date: 2005-10-25

Tracks:

1. Here Come The ABC's
2. Alphabet Of Nations
3. E Eats Everything
4. Flying V
5. Q U
6. Gor For G!
7. Pictures Of Pandas Painting
8. D & W
9. Fake - Believe
10. Can You Find It?
11. The Vowle Family
12. Letter / Not A Letter
13. Alphabet Lost And Found
14. I C U
15. Letter DHapes
16. Who Put The Alphabet In Alphabetical Order
17. Rolling O
18. L M N O
19. C Is For Conifers
20. Fake Believe (Type B)
21. D Is For Drums
22. Z Y X
23. Goodnight My Friends
24. Clap Your Hands
25. Here In Higglytown (Theme To Disney's Higglytown Hero's)
26. Hovering Sombrero '05
27. I Never Go To Work

Amazon.com

No stranger to the realm of children's records, They Might Be Giants have seen success with their CD No! and the book-and-CD combo Bed, Bed, Bed. Their latest CD, Here Come the ABCs, offers up 25 alphabetically themed songs. However, as is their charming way, the two Johns (Flansburgh and Linnell), use the letters as merely the connective tissue, allowing them to pursuit intriguing flights of fancy that consider everything from the relative power of letters and sounds to animal hijinks. Just as they've always done, there are wistful ballads and high octane rockers. TMBG have always been a family-friendly band, and this disc works just fine for adult fans, who can rightfully consider this simply their newest release. --David Greenberger

Customer Reviews:

F is for Fantastic!.......2007-07-27

I cannot rave enough about Here Come the ABCs! These lessons in the ABCs are quirky yet educational, silly yet sophisticated, and truly speak to the mind of a child. Oh, and I love to listen to them too!

My favorite track is Fake-Believe, while my children heartily enjoy E Eats Everything. This is much more than typical children's music or corny songs about the alphabet -- it is They Might Be Giants in everyway. Blending silliness with sophistiaction is the m.o. of tmbg, and the two Johns definitely hit the mark with this dvd/cd. You and your children will come back to this over and over, you might even beg for more!

Pretty Good.......2007-07-23

My son of 18 months likes this. The DVD is good, the CD loses a little something since some of the songs need the visual clues (like where is the letter). My wife just finds it strange :-)
Dan

All-time favorite DVD for kids.......2007-07-18

My family loves this DVD. All of the songs and accompanying animation is very creative, while teaching kids the alphabet. The songs are not annoying like some kids music, and my husband and I find ourselves going around singing the songs all the time. The CD that comes with the DVD is great for taking along in the car.

Fun for Kids and their Grown-ups!.......2007-06-10

I bought "Here Come the ABC's" for a friend for her birthday after she watched it with my son. She adores the set. They Might Be Giants performs wonderfully catchy songs that are both easy to remember and challenge thinking. My son, who is 2, enjoys the puppets and the vivid and sometimes strange animation sequences. Favorite songs in our household include "Alphabet of Nations" (me), "E Eats Everything" (my son), and "Alphabet Lost and Found" (my husband). This set is one that I would recommend to anyone who interacts with young children learning to play with language. It grabs their attention, and they don't mind at all.

My daughter loves it!!!!.......2007-05-30

At least once a day my daughter asks to watch the video. I don't mind because the songs are fun, origional, and educational. I find myself singing along!

Average customer rating:

Challengers The New Pornographers Manufacturer: Matador Records ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Indie Rock | Indie & Lo-Fi | Alternative Rock | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: Under the Blacklight Icky Thump Our Love to Admire Sky Blue Sky Easy Tiger ASIN: B000S9KSC8 Release Date: 2007-08-21

Tracks:

1. My Rights Versus Yours
2. All the Old Showstoppers
3. Challengers
4. Myriad Harbour
5. All the Things That Go to Make Heaven and Earth
6. Failsafe
7. Unguided
8. Entering White Cecilia
9. Go Places
10. Mutiny, I Promise You
11. Adventures in Solitude
12. The Spirit of Giving

Amazon.com

Pay no attention to the reviews that imply the New Pornographers have "grown up" or "matured" or "drifted away" from the perfect-pop promise of their first three records. For if you throw darts at the songs on Challengers, an ambitious soundscape that had members of the all-star Canadian band recording their parts all over North America, you'll hit one flawless song after another. "All The Old Showstoppers," "All the Things That Go to Make Heaven and Earth," and "Mutiny, I Promise You" (with its driving Farfisa organ) all venture back to the infectiousness of the band's earlier records, with leader and chief songwriter A.C. Newman (now a Brooklyn native) penning some of the most thought-provoking lyrics this side of Billy Bragg. Yes, there are departures, including a string section, flute and harp, and Dan Bejar's foray into indie-pop hip-hop with the witty, New York-heavy "Myriad Harbour." But there's also Neko Case dominating the divine title track and equally charming "Go Places"" as only she can, Kathryn Calder making her lead-vocal debut on "Failsafe" and (with Newman) on the melancholy "Adventures in Solitude," and Newman using an ambitious six and a half minutes to write about his new home city ("Unguided"). Then, your 50 minutes--a dozen songs--are up, as is the conclusion: Grown up? Sure. Matured? OK. Still pop perfect? Utterly. --Scott Holter

More from the New Pornographers and Friends

Mass Romantic	Electric Version	Twin Cinema
Destroyer's Rubies, Destroyer (featuring Dan Bejar)	Fox Confessor Brings the Flood, Neko Case	Slow Wonder, A.C. Newman

Average customer rating: awesome album He's Back...As If He Never Left Truly Remarkable. Pretty good, but you gotta get the Best Buy version Not up to Monch standards

Desire Pharoahe Monch Manufacturer: Umvd Labels ProductGroup: Music Binding: Audio CD General | Rap & Hip-Hop | Styles | Music Pop Rap | Rap & Hip-Hop | Styles | Music Similar Items: Finding Forever Ruff Draft The Return of the Magnificent Graduation The Undisputed Truth ASIN: B000JJRIOI Release Date: 2007-06-26

Tracks:

1. Intro
2. Free
3. Desire
4. Push
5. Welcome To the Terrordome
6. What It Is
7. When the Gun Draws
8. Let's Go
9. Body Baby
10. Bar Tap
11. Hold On
12. So Good
13. Trilogy

Customer Reviews:

awesome album.......2007-08-07

very good album. pharoah monch is one of the best emcees out there. do yourself a favor and buy this album!

He's Back...As If He Never Left.......2007-08-04

Not too many people can take the time off he did and make this good of album. There might be one or two tracks you may skip, but for the 10 out of 12 songs you wont skip a beat. The rhymes are are good as they get. His wit and all-around knowlegde is displayed throughout cd. A must buy or a must have!!!

Truly Remarkable........2007-08-02

Simon Says isn't on this record, nothing that resembles it is either. If he had been able to release his second solo album in maybe 2001, there might have been. But with 8 years in between ventures, he's matured quite a bit. The same outstanding wordplay, imagery and mind bending lyricism is here, and the production is more than solid.

The only weak song, which is still enjoyable because of his humor and word play, is Bar Trap. If you're patient enough to listen to the whole song, Trilogy is fantastic and one of the more original, clever ballads to come out of hip hop in years.

"New York City respect my game like Joe Namath/and I protect my name, like yo anus/in prison..." - off the track 'Desire'.

I had originally downloaded this album months ago. But I felt compelled to buy it after seeing him perform a few songs off it with a live band at the Rock the Bells concert.

Pretty good, but you gotta get the Best Buy version.......2007-07-25

This is my first Pharoah Monch album. Having listened to some of his collaborations over the years ('Dub Plate' w/Wyclef, 'Love' w/J Dilla, etc.), I knew he was going to have a classic album with this one. Well, at least it's classic compared to a lot of what's coming out these days.

The big problem with this disk is the production. I believe a great beat can save a bad MC, but a so-so beat cannot save a great MC, and that's the case here on 'What it is,' 'Gun Draws,' 'Hold On,' and 'Trilogy.' I haven't heard much from Mr. Porter before (Only 'Around the World' on Game's Doctor's Advocate album, which also wasn't that great), but after learning he learned under J Dilla and Dr. Dre, his work's really disappointing here.

Enough with that negative ish, you gotta love the intro to the album, a slave song that compliments many of the issues PM talks about on this CD. This naturally leads into 'Free,' which is as hard as any song released this year. Then The Alchemist produces 'Desire,' an incredibly soulful song that's probably the best on the album. A great beat compliments 'Push,' but as another reviewer commented it's not long enough. 'Welcome to the Terrodome' is a cover of the Public Enemy classic with a political introduction by Chuck D himself. It's as good as always, and Pharoah adds a bit of his own flavor here. 'Let's Go' is pretty good, a more laid back track compared to some of the other songs here. 'Body Baby' has the best beat and hook on the record, further proving that blues and hip hop mix rather nicely. 'Bar Tap' has a decent beat from one of my favorite producers at the moment, Black Milk (go cop his CD too, while you're at it), and it's also pretty funny. I love Erykah Badu, but she can only do so much for the boring 'Hold On,' but it's immediately redeemed by 'So Good,' one of the best pre-sex hip hop tracks of all time. Try playing this during a romantic night and see if clothes DON'T come off. Finally, 'Trilogy' does get better as the track progresses, so skipping ahead makes this an ok track.

But you gotta get the Best Buy version, which has the excellent 'Book of Judges.' This is what 'Gun Draws' should have been, it's angrier, more controversial and fresher. With this version, PM has just released the hip hop album of the year so far, though it could be replaced shortly by Common, Kanye West and Chamillionaire.

Not up to Monch standards.......2007-07-23

In the barren wasteland of the current hip hop desert, one tends to look at anything that doesn't sound exactly the same as the mainstream trash as something better than it truly is. If this album were released in 1994-2000, it would be considered in Pharoahe Monch's minor works. Surely we wouldn't place it with his seminal masterpiece Stress: The Extinction Agenda, or even the now defunct solo record Internal Affairs. This album has way too much sugary r & b hooks throughout, this from the same guy who posited "Why do you choose to listen to R & B?" Gun Talks is a standout cut, but haven't true Organized Konfusion fans already been down this road with Stray Bullet?
Pharoahe's skills on the mic are always going to be at the top of the game, the production and lack of subject matter needs to catch up. Mediocre and redundant.

Average customer rating: I'm going to be listening to this one for a long long time Awesome Corny More of the Same from Fountains of Wayne Fun fun fun!

Traffic and Weather Fountains of Wayne Manufacturer: Virgin Records ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Indie Rock | Indie & Lo-Fi | Alternative Rock | Styles | Music General | Indie & Lo-Fi | Alternative Rock | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music Pop | Styles | Blowout Music | Stores | Music Rock | Styles | Blowout Music | Stores | Music Alternative Rock | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Sky Blue Sky Because of the Times Favourite Worst Nightmare Easy Tiger We Were Dead Before the Ship Even Sank ASIN: B000N4SKFK Release Date: 2007-04-03

Tracks:

1. Someone To Love
2. '92 Subaru
3. Yolanda Hayes
4. Traffic And Weather
5. Fire In The Canyon
6. This Better Be Good
7. Revolving Dora
8. Michael And Heather At The Baggage Claim
9. Strapped For Cash
10. I-95
11. Hotel Majestic
12. Planet Of Weed
13. New Routine
14. Seatbacks And Traytables

Amazon.com

Punctuated by 2005's sprawling compilation of B-sides and outtakes (Out-of-State Plates), a nearly four-year interval between fresh recordings has done nothing to tarnish Fountain of Wayne's pop-drenched songwriting tandem of Chris Collingswood and Adam Schlesinger. This 14-song bash is a late-'60s/early-'70s time warp that exploits every facet of the pop action plan (chiming guitars, infectious choruses, sinful harmonies) and begs for radio play. As usual, the band never takes itself too seriously, crafting melodies around a lively, vigorous cast of characters that practically come to life. There's a DMV attendant who can't shake our attention (the bouncy, piano-boosted "Yolanda Hayes"), an airport-stranded couple waiting impatiently for lost luggage (the folksy "Michael and Heather at the Baggage Claim"), and ex-lovers who blame it on the highway ("Fire in the Canyon," which explores the radio country-rock of the Eagles and America). They sing of an old-model Japanese car to get the girl ("'92 Subaru") and Renee seeing you "at the Gap in a baseball cap" ("This Better Be Good"), and any way they shake it, even after a too-long interruption, Collingswood and Schlesinger rarely miss the mark. --Scott Holter

Album Description

A new, indelible cast of characters is inducted into the FOW pantheon of stars on Traffic And Weather: Yolanda Hayes, a sullen object of affection behind the glass at the Department Of Motor Vehicles; Seth Shapiro and Beth Mackenzie, two lonely, hardworking New Yorkers who cross paths - sort of - in "Someone To Love" (which features Hole/Smashing Pumpkins bassist Melissa Auf Der Maur singing backing vocals); the exhausted couple in "Michael and Heather At The Baggage Claim", dragging themselves onto an airport shuttle bus after a long trip; newscasters in heat in the album's title track, and many others. Hapless protagonists like the suspicious boyfriend of "This Better Be Good" and the hit-man target in "Strapped For Cash" are also classic Fountains Of Wayne narrators.

Travel and transportation continue to figure heavily in the on-the-go world of FOW. The guy who buys himself a "'92 Subaru" is convinced that the right pimped-out ride is all he needs to get the girl; in the Beatlesque "i-95" a driver explores a rest area gift shop late at night, on the way to visit his loved one; we hear of "an eerie kind of sadness on the highway today" in the Gram Parsons-tinged "Fire In The Canyon" (featuring backing vocals by the Candy Butchers' Mike Viola, who was the voice of "That Thing You Do"). The misery of sitting in coach on a delayed flight is examined in the wistful waltz "Seatbacks And Traytables" (which contains a guest appearance on guitar by James Iha). And in the semi-epic "New Routine", we follow a series of characters who each randomly pick a new place to live, only to discover someone else there who can't wait to move away.

Customer Reviews:

I'm going to be listening to this one for a long long time.......2007-07-24

Let's make it simple. The music is catchy, the lyrics are fun and original. I hear and feel Beatles, Fleetwood Mac, Sheryl Crow, and a whole lot of great 80's bands on this one. I dare you not to bob your head while driving and listening to the title track!

Awesome.......2007-07-20

It makes me laugh when I read reviews of people complaining about this record. I like all of FOW's records and I to might've liked a little more guitar driven rockers on this release but for the life of me I can't understand how anyone can put this record down. Nobody out there is as creative lyrically or hook wise and nobody is doing or can do what they are doing and I'm grateful as heck that there is a band out there that I actually look forward to hearing and learning those smart snappy lyrics. These guys are real musicians and that seems to be a long lost artform these days. Go listen to the radio and you'll see what I mean.

Corny.......2007-07-18

This album is either 2 or 3 stars - I decided for 2. This is the first Fountains of Wayne album I have listened to, but I have heard a few of their singles from years ago. The songwriting on this album is real corny, and intentionally so. A lot of the instrumentation is just as corny too - overly catchy hooks and harmonies that grate with only a few listens. Oh, and the name dropping and brand-slinging is rampant and also becomes grating.

Sure, they don't take themselves too seriously, but nearly every single song is obsessed with cars, trains, airplanes, and travel in some way. This obsession certainly is familiar to me - perhaps the songwriter is autistic? Or, to be fairer, maybe they were trying to create a theme album, however, I hear that this band is always obsessed with transportation. I don't know; I must say that I can easily remember each song, which is a good sign, but many songs are not memorable in a good way. I hear other albums, like their self-titled, are better. I recommend listening to that first if, like me, this is the first FoW album you are about to hear.

More of the Same from Fountains of Wayne.......2007-07-15

Fountains of Wayne's latest album doesn't change much of their formula. There are 14 songs, all some variation of pleasant, ultra-catchy pop-rock. It's all well-written and some of it is clever, and yet, the overall effect is something a bit diminished this time. I thought I personally had an endless appetite for cool variations on power-pop, but maybe that's not so true anymore. It's tough to pin down exactly what, if anything, is wrong with Traffic and Weather.

The songs, taken individually, are pretty darn good. There's opener and single "Someone to Love," which features a slight curveball in the familiar FoW formula by including a hyped-up disco-beat chorus. Then there's "Yolanda Hayes," a bouncy song with sweet lyrics about the narrator's attempts to woo a DMV attendant. "This Better Be Good" is about the paranoia of a man who keeps hearing sketchy rumors of his girlfriend being seen with other men and in places she isn't supposed to be. I-95 is a wistful country song with lyrics about driving down the titular interstate to visit a long-distance lover. "Planet of Weed" is a one-joke song that's made to work with the ambient sounds in the background- various clinking and low talking. Plus the piano that fades in and out, playing bits completely unrelated to the main song, and the tambourine that keeps showing up that isn't on the beat at all. "New Routine" is a strong rocker that zooms around the world and tells several stories of disenchanted people making a change in their lives.

But then there's the rest of the songs. The band's penchant for pop-culture references verges on the out-of-control on this album; it'll be dated by 2008. "Someone to Love" works entirely on its music and chorus, the verses reference Coldplay, King of Queens, and The Late Show, and you're getting a bit aggravated on the first song. Then there's "'92 Subaru," a song whose narrator is a pompous jackass talking about how he is pimping out his car. I think it's supposed to be ironic, but the "irony" comes across about as well as Motley Crue's "Dr. Feelgood" came across as an anti-drug song (now they've got me making the references- dammit!). "Traffic and Weather" is a one-joke song that doesn't work, as a male news anchor spends the whole song telling his female co-anchor "we belong together, like traffic and weather." The effect is creepy, and not so funny. "Michael and Heather at the Baggage Claim" is a boring story of a couple who have lost their luggage, and it's supposed to be sweet, but it's piled on too thick and becomes cloying. And "Strapped for Cash" features another unlikeable narrator that's supposed to be funny, this time a loser who owes money to everyone.

Leaders Adam Schlesinger and Chris Collingwood are as strong as ever in the songwriting department. But since their style hasn't changed nearly at all over the past decade, the weaknesses in the lyrics keep this album from being a home run. Too bad the guys didn't write more stuff like the two great new songs off of their 2005 B-side collection, "Maureen" and "The Girl I Can't Forget." Despite the complaints, this is still a pretty good album. I'd give it a 3.5 on the Amazon scale, or a solid 7/10.

Fun fun fun!.......2007-06-08

My only prior experience with FOW was Welcome Interstate Managers which I love. Listening to this band never fails to bring a smile to my face. No, they are not very "deep," but they are clever and I always feel like I am in on the joke. Their rhymes put me in mind of Lily Allen. The song that runs through my head these days is Traffic and Weather, but I love Strapped for Cash, and the part that makes me go Awww! is in Michael and Heather at the Baggage Claim where Michael asks Heather "Have you had enough?" and Heather says "Michael, you know it's you I love." And how about the places people end up in New Routine? Too funny. This is pop at its finest - catchy, funny and makes you feel smart.

Average customer rating: Artful Poses Class of Their Own Good music. Rock from the other side. The record that happened

The Velvet Underground & Nico The Velvet Underground , and Nico Manufacturer: Polydor / Umgd ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Proto Punk | Hardcore & Punk | Alternative Rock | Styles | Music General | Rock | Alternative Styles | Alternative Rock | Styles | Music Experimental Rock | Rock | Alternative Styles | Alternative Rock | Styles | Music Folk Rock | Rock | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music CDs $7 - $10 | Alternative General | Alternative Rock | Today's Deals in Music | Formats | Music All Bargain Titles | Alternative General | Alternative Rock | Today's Deals in Music | Formats | Music CDs $7 - $10 | Pop General | Pop | Today's Deals in Music | Formats | Music All Bargain Titles | Pop General | Pop | Today's Deals in Music | Formats | Music $7.99 and Under | Blowout Music | Stores | Music Pop | Styles | Blowout Music | Stores | Music Rock | Styles | Blowout Music | Stores | Music Alternative Rock | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music $7.99 and Under | Prices | Blowout Music | Stores | Music 4-for-3 Alternative Rock | 4-for-3 Music | Stores | Music 4-for-3 Pop | 4-for-3 Music | Stores | Music 4-for-3 Rock | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Similar Items: The Velvet Underground White Light/White Heat London Calling Loaded Never Mind the Bollocks Here's the Sex Pistols ASIN: B000002G7C Release Date: 1996-05-07

Tracks:

1. Sunday Morning
2. I'm Waiting For The Man
3. Femme Fatale
4. Venus in Furs
5. Run Run Run
6. All Tomorrow's Parties
7. Heroin
8. There She Goes Again
9. I'll Be Your Mirror
10. The Black Angel's Death Song
11. European Sun

Amazon.com essential recording

When the Velvets recorded this debut, they were best known as the protégés of Andy Warhol (who designed the sleeve), and as a grating, combustive live band. Fueled by drummer Moe Tucker's no-nonsense wham and John Cale's howling viola, some of the straight-up rock & roll and arty noise extravaganzas here bear that out. But before Lou Reed was singing about sadomasochism and drug deals and writing lyrics inspired by his favorite poets, he was a pop songwriter, and this album has some of his prettiest tunes, mostly sung by Nico, the German dark angel who left the band after this disc. Even the sordid rockers are underscored by graceful pop tricks, like the two-chord flutter at the center of the classic "Heroin." --Douglas Wolk

Customer Reviews:

Artful Poses.......2007-08-06

I generally will not review a product on Amazon unless the existing commentary is thin. This CD is an exception, because it's so critically acclaimed and so BAD that I don't think there can be enough negative reviews on here to compensate for the cult following of people who've listened to it so many times that they think it's worthwhile for the rest of us.

I don't need to tell you what's wrong with it. There are lots of other good reviews detailing the many ills of this recording: terrible production with almost no sound separation, tone-deaf singing of unoriginal melodies, a dated style presented with limited musicianship, etc. Instead, I want to address the logical follow-up question that you might want to ask these negative reviewers: If it's so bad then why is it so praised?

This album was popular not because of what it WAS, but because of what it ostentatiously WAS NOT. The Velvet Underground flaunted their rejection of sugary "bubblegum" pop, of the British Invasion, and of the pastoral jam music then emerging out of the American folk/blues tradition. With all the subtlety of a thumb in your eye, they rejected these movements in favor of a stripped-down drone that was urban and cynical. In that sense, they were rebelling against American youth music in the same way that Steely Dan later would -- but incapable of drawing on a rival musical tradition (such as jazz), armed only with warmed-over Eastern and classical techniques already being used by the psychedelic artists that they mocked, all VU could offer were the lyrics and the pose. The critics embraced them for breaking the monotony, but their praise does more to explain why the music is forgettable than anything you'll get from the attacks: Nico's looks. Warhol's New York sophistication. All they could say on behalf of the music is that it was violently loud and repetitive. That's not particularly clever and, these days, it's not even rare. So many other people do it so, so much better.

Undeniably, Lou Reed was onto something with his reworking of Bob Dylan's vocal style. Even this early you can tell he's the one who'd eventually achieve some stardom. But rarely can he put it together with the band to craft a good performance. "I'm Waiting for the Man" would have lost nothing if Reed had performed it a capella, whereas with "All Tomorrow's Parties" it's too bad the vocalists lacked the wisdom to lay out. About the closest they get to a song that actually works both musically and vocally is "Venus in Furs," but it's hardly strong enough to carry an album.

Class of Their Own.......2007-05-26

The first time I heard The Velvet Underground, I thought and still do think their style is so distinctive, like no other.

Lou Reed has great versatility in his voice,and can be quite commanding as in Heroin and Run,Run,Run.

There up there with Nico, just wow !!!!!

Thankfully through Andy Warhol artist on canvas film and music, we have The Velvet Underground.

Good music. .......2007-05-14

Not so fond of Nico's voice, but Lou Reed and the Velvet Underground are awesome!

Rock from the other side........2007-05-10

The Velvets had always been different. In the mid sixties, when just about every band in business was trying to be the Beatles, the Stones, Bob Dylan, or somewhere in between, the Velvet Underground were doing their own thing. And what a thing it was! Led by swaggering, snarling hipster-junky Lou Reed, this was a band of cultured weirdos and playful freaks. Their music was different from just about everyone else's: It was miles beyond any of the mainstream music of the times- even the height of the Beatles' experimental phase doesn't come close to the otherworldly insanity found here. The band's alien sound is all over the place: Multi-instrumentalist John Cale is a one-man noise factory, drenching songs in his wailing electric viola, pulverizing bass lines, and droning keyboard playing. On drums, Maureen Tucker reduces rock n roll's signiature rhythm to its bare essentials, pounding primal, sensual pulses of pure musical incantation. The partnership of Lou Reed and Sterling Morrisson on guitars is equally jarring- the two play their instruments like a pair of disgruntled folkies, jumping back and fourth between clean lines and ugly distortion, hyperactive rhythms and sky-scraping melodies, crazed strumming and whiplashing fingerpicking. Reed's lyrics and singing are, as you've probably guessed, just as out-of-this-world: He kicks aside the typical boy-meets-girl fare for grimy drug anthems, dark surrealism, back-alley sexuality, and tense paranoia. He delivers these distinctive musings in a choppy, throaty chant that epitomizes detatched cool. Joining the band for this album only is Nico, the icy-voiced German model who lends her distinctive voice to three of the songs on the record. Now, experimentation is all fine and good, but it would be totally worthless if the songs weren't great. After all, there's nothing more pretentious or unpleasent (musically, anyway) than a mess of unlistinable noise that tries to pass itself off as "experimental." Not to worry! The Velvets may be weird, but they've got an impeccable knack for creating great music. It may take a few listens to get used to, but once you've pushed your way past the initial surprise and confusion, you'll find that this is a set of highly original, fantastically listenable, outta-this world rock 'n' roll.

"Heroin" sums this up quite succinctly: The song builds from a pretty, delicate, yet slightly unsettling guitar strum. Lou plays the deranged folk singer, intoning his emotionally ambiguous lyric over the song's glowing chords. From there, the tune builds in intensity, morving into a galloping nightmare ballad, while Reed's lyric slips back and forth between dreamy self-reflection and nightmarish chaos. Soon, John Cale joins in, pummeling his viola into screeching submission, building the whole thing into a screaming, violent catharsis. "Venus in Furs" is a gloomy, doom-laden death drone, built around a disquieting, stomping rhythm section and a creepy ascending guitar line, over which Lou, chanting like a man in a deep trance, celebrates the joys of masochism. "All Tomorrow's Parties," one of the songs that feature Nico as vocalist, is a regal, decadent epic that features some wonderfully sinewey guitar lines. Nico's voice fits in with the proceedings nicely, arcing over the strange melody with clipped Teutonic precision. Other highlights include "The Black Angel's Death Song," in which Lou spits out a slippery, surreal, stream-of-conciousness ramble over a rumbling, dizzy guitar line and a flailing viola line, as well as the outta hand group improvisation "European Son." "I'm Waiting for the Man" and "There She Goes Again" reveal the band's debt to traditional rock and R&B- the former is a pummeling, piano driven blues-rock churner, while the latter is a souring slice of greasy proto-blue-eyed soul that kicks off with a musical allusion to Marvin Gaye (listen to his "Hitch Hike"). But even those two songs are plenty subversive- Lou Reed's lyrics are unsentimental evocations of the seedier aspects of urban life, relating tales of back-street drug deals and the kind of girl your mother warned you about. Reed is particularly good on "Waiting for the Man," as he moans, chants, and struts his way through a set of lyrics that casually narrates the joys and bitter pains of drug addiction with equal parts foolish optimism and complete self-loathing. Similarly, "Run Run Run" builds off of a pummeling rock backbeat, mixing in bursts of jagged guitar noise and violent lyricl poetry. "Femme Fatalle" and "I'll Be Your Mirror," Nico's other two contributions to the album, prove that the Velvets could make beautiful music if they wanted to- along with the eerily gorgeous album oppener "Sunday Morning," these songs are airy, otherworldly ballads that still manage to convey an amazing ammount of tension and discomfort.

As a whole, the Velvet Underground's debut is a brilliant album, a set of pop songs the likes of which you've never heard. It may have flown over the heads of listeners back in 1967, but its still managed to inspire countless musicians and musical movements. Influence aside, it's still a fantastic listen, a rock n roll album that'll blow your mind with every spin. Get it now.

The record that happened .......2007-04-14

THE VELVET UNDERGROUND & NICO is longer running than most records of its era and loaded with interesting, exciting, and beautiful yet strange songs. Also the content is odd for its time, or any time, but I think the "homosexual" perception was grafted on post-facto ("I'm Waiting For The Man" is of course actually sung "I'm waiting for MY man. . .") and though long perceived as "gay" because of certain references, such as the narrator's lack of interest in black girls instead of his purpose in being up town ("Oh no sir!") It sounded "queer," but it's queer only in the sense that Lou Reed is waiting for his drug dealer "...he's always late" who gives him "sweet taste." Our narrator then swiftly exits, presumably to consume his drugs. I think Reed's later admissions of juvenile homosexuality, drug use, and a kind of artistic bisexuality lead to over-interpretation of the lyrics on this most challenging of VELVET UNDERGROUND records. That being said, this record, a low-seller in its day, is unique, endlessly listenable, and tuneful. The long stated commentary about "drone" and "buzz" is fair, particularly on tracks "Heroin," "European Son" and my own favorite, "The Black Angel's Death Song." But, this record is much more than a Punk predecessor, Andy Warhol bank rolled project, or Art Rock oddity. THE VELVET UNDERGROUND & NICO remains one of the most important, intriguing, and unusual of records in the Rock catalog and a must for students of modern music.

Average customer rating: FOOD FOR THOUGHT... sick re-issue but yet 1 flaw Raw & eccentric Hip-Hop at its best Flawless Doom ...

MM..Food? -special limited edition packaging MF Doom Manufacturer: Rhymesayers ProductGroup: Music Binding: Audio CD Gangsta & Hardcore | Rap & Hip-Hop | Styles | Music General | Rap & Hip-Hop | Styles | Music Pop Rap | Rap & Hip-Hop | Styles | Music Similar Items: Venomous Villain Finding Forever Champion Sound Take Me to Your Leader Desire ASIN: B000PHX172 Release Date: 2007-07-24

Tracks:

1. Beef Rapp
2. Hoe Cakes
3. Potholderz
4. One Beer
5. Deep Fried Frenz
6. Poo-Putt Platter
7. Fillet-O-Rapper
8. Gumbo
9. Fig Leaf Bi-Carbonate
10. Kon Karne
11. Guinnesses
12. Kon Queso
13. Rapp Snitch Knishes
14. Vomitspit
15. Kookies

Album Description

Seconds Anyone? After being out of print for close to two years, MM..FOOD? returns with a Bonus DVD with over an hour of live performances and behind the scenes footage. The initial pressing of this reissue also comes in a special limited candy bar chocolate scratch-n-sniff silver mylar package with a bonus poster and sticker to boot.

Customer Reviews:

FOOD FOR THOUGHT..........2007-08-05

how can you not be happy with coppin' this joint? chocolate, scratch n sniff packaging, that looks like a pop tart, a poster with tour dates, a dope album, the mm..food food drive tour bonus dvd and a cool mm..food sticker, for the door of my booth. that's a purchase that satisfies! i'm full. thx mf doom!

sick re-issue but yet 1 flaw.......2007-07-28

not really a flaw either. he re-recorded Kookies. New beat, new flow, same lyrics. everything else is like the original. (For those in NYC... u can get the original at ur local New York Public Library... for FREE). the album comes wrapped in a candy wrap and the label is scratch n sniff... also comes with a MM..Food? sticker and a the promo poster for MM..Food Drive Tour. the dvd is well worth it as well... over an hour of footage of DOOM on tour. perfect for any collection.

Raw & eccentric Hip-Hop at its best.......2007-07-25

MF DOOM is an MC/producer genius. MF DOOM's flowetry blended with his great beats makes for a truly unforgettable journey with the super villain. The entire set of tracks does not disappoint and even the guest MC appearances are worth noting. The album's context deals with food entirely and MF tears up the mic making clever comparisons eclectically to food. If you are an MF DOOM fan, definitely obtain a copy of this album. Plus, the re-released version of the album comes with a bonus DVD of the Mm...Food tour. This CD is a bit more refined than other MF DOOM/other alias releases; the album is on par with the DangerDoom release which is also a modern classic.

Flawless Doom ..........2007-07-24

As a relatively new MF Doom fan, I was excited to add 'MM .. Food?' to my collection, along with The Mouse and the Mask, Madvilliany, and Live From Planet X. Although it is hard to compare his albums to one another, this particular one really stands out from the others. Doom drops pure lyrical genius all over this album, with witty comments and puns that directly relates life to food. It's a fun album that truly showcases his quick and flawless delivery.

The album begins with 'Beef Rapp', which is a half instrumental/sampled song until he finally decides to start rapping two minutes into it. In this particular song his scruffy voice compliments the heavy and loud superhero sounding beat. His lyrics are impressive: ""Heart attack, heart disease ... ain't no holding back once arteries start to squeeze." 'Hoe Cakes' uses a spit sounding beat with a female sample saying "Super" throughout the chorus - interesting mix. 'Potholderz,' featuring Count Bass D, is a decent song with an average beat ... however Doom really begins to shine in 'One Beer' and 'Deep Fried Frenz.' Both of these songs show his quick and witty delivery and interesting lyrics. Unfortunately, both of these songs have annoying beats that make it rather difficult to listen to. 'Poo Putt Platter' through 'Fig Leaf' are all instrumentals, however it's worth the waiting because Doom shows up in tip top form for the remainder of the album. 'Kon Kane' makes a departure from the annoying beats mentioned previously by introducing a quick piano melody with what sounds like Space Invaders taser blasts. 'Guinnesses' features Angelika and 4ize, and this song is one of the best tracks on the album. It's a unique and addicting Rockabilly beat, all delivered by Angelika. Doom is only present during the chorus where he relates "War wounds, morphine, and veterans" to marrying and trying to tame a female! "Some chicks are just too hard to wife!" In 'Kon Queso' Doom picks a perfect match of beat, melody, and lyrics. It is a really quick pulsating beat with exceptional lyrics. "When it rain it sure do thunderstorm / I got more rhymes in the summer than musty underarms." He really shines; and it continues to get better. After 'Rapp Snitch,' a cheesy filler song, Doom continues to blow the album up with 'Vomitspit.' Not only does this song sport a crazy beat, his lyrics don't get any better. "The mask is like Jason / They told the place not to let the basket type case in / He could be some kind of wacko / Waiting for the chance to heat the pipes like a crack hoe." And finally, the last song caps off a great album. 'Kookies' has a beat that you just want to row your windows down and cruise to. This song is an interesting one in which Doom refers to trying to track down females online to his cookie consumption habits over a brass sounding beat. "Catch sugar fits every time he sees a nice pair of / Chips ahoy double chocolate chunk / Something with the bubble and the junk in the trunk"

Overall, the album is great. It took me a few times through to really apprecaite how well thought the album is. It truly grows on you. I find it interesting how he relates different stuff to food. There are quite a few songs that are just samples on the album; in fact, almost every song has samples and cartoons mixed towards the end. This frustrates some people, however it mostly all tells a story - why he wears his mask. This doesn't take away from the album in any form or fashion.

"I elect Doom master of the Universe!"

Rusty Rothwell
Lousiville, KY

Average customer rating: Save your Nickels and Dimes Solid Greatest Hits Record Give Mike a Break! Only one disc? Worth a purchase even for the hardcore fans...

Greatest Hits Social Distortion Manufacturer: Time Bomb ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Punk | Hardcore & Punk | Alternative Rock | Styles | Music American Punk | Hardcore & Punk | Alternative Rock | Styles | Music General | American Alternative | Alternative Rock | Styles | Music General | Rock | Styles | Music Roots Rock | Rock | Styles | Music General | Hard Rock & Metal | Styles | Music Hard Rock | Hard Rock & Metal | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: New Maps of Hell A Poet's Life Music from Regions Beyond Zeitgeist Libertad ASIN: B000QFCCUA Release Date: 2007-06-26

Tracks:

1. Another State Of Mind
2. Mommy's Little Monster
3. Prison Bound
4. Story Of My Life
5. Ball And Chain
6. Ring Of Fire
7. Bad Luck
8. When The Angels Sing
9. I Was Wrong
10. Reach For The Sky
11. Far Behind

Customer Reviews:

Save your Nickels and Dimes.......2007-08-05

I bought this on impulse. I love the band, and see them live whenever they're within 300 miles from home.

There aren't any original studio recordings on the disc. Nothing you've ever heard on the radio, nothing you've seen live. It's a quickly thrown-together garage-studio set of re-interpreted hits, and a few non-hits mixed in. There are some obvious choices missing, as well, but I knew that when I bought it.

Some tracks have cinder-block-room reverb. Others have mic splatter. It's just a hard disc to listen to. It doesn't sound live *or* studio. It sounds like a demo tape, really, but without the energy.

If you want live recordings, get the live cd they put out a few years ago. If you want the cleaned-up originals, get the old sony cds (or better yet, just download them for free from the Social D web site). If you've already got both, just save up your nickels and dimes for the next show.

Solid Greatest Hits Record.......2007-07-24

I have been a huge Social Distortion fan since 1988. I remember hearing "Prison Bound" when I was skateboarding a lot. My first Social Distortion show was in 1990 on the self-titled tour. I remember hearing "Ball and Chain" and "Sick Boy" live and it was the most awesome thing ever. The energy at the show was amazing. I have seen them many times since then and through many line-up changes. One thing stays the same and that is that Social Distortion is the greatest band of modern times. Mike Ness always impresses me with his lyrics and signature sound. This greatest hits record is really cool and I appreciate the re-recorded sound. It is very tastefully done and anyone who loves Social Distortion will gladly welcome this as an addition to their collection. I can't wait to hear the new record when it comes out and to catch another fantastic Social Distortion show.

Give Mike a Break!.......2007-07-09

Of course if you are a longtime fan you might now want this, as it is largely a reprise. (Thus the title: Greatest Hits.) I, as a fanatic, am looking forward to checking out some of the re-recorded songs and love "Far Behind." Obviously if you are looking for new material, this isn't the place to go! Come on, guys. It looks like a pretty competent greatest hits collection to me. If you want B-tracks, etc., buy the damn original albums like the rest of us! Mike--you are one of the greatest songwriters of our era, and I can't wait for the new album!

Only one disc?.......2007-07-02

Considering that I have been enamored with Social Distortion since I was eight years old, my review may be on the biased side, but the major quips I have with this collection are that A. It's only one disc: Granted not every Social Distortion song can be called a hit, they have more than 11 tracks to consider great. B. Not all the old songs are remastered: The two tracks I'm really talking about are 'Another State of Mind' and 'Prison Bound'. If you've been lucky enough to see or hear one of their latest shows, they start off 'Prison Bound' with a beautiful piano melody, which would have been fantastic to hear in a studio form, and 'Another State of Mind' with the new dynamic duo of Ness and Wickersham would have been something for the ages. I am pleased to hear the White Light, White Heat, White Trash songs redone, but they didn't require too much reworking because of the album's sheer perfection on its release eleven years ago.

So for those just getting into Social Distortion, or the people like me who will buy just about anything they do regardless of how it's reviewed, give this a try, but don't spend too much on it or expect monumental difference in songs. Hopefully it won't be another eight years before another album hits the shelves.

Worth a purchase even for the hardcore fans..........2007-07-01

When I first learned that Social Distortion would be releasing a "greatest hits" album, I wasn't too excited about it. Of course, I have all the albums already and I wasn't looking forward to the prospect of paying $14 to get the one new song in an album of repackaged hits. I was also a bit put off by the fact that this album would only contain 11 songs. That is pretty thin for a "greatest hits" album. Still, since I can't get enough of Social Distortion and I'm a shameless completist, I knew I'd end up forking over the cash.

Let's just say that I was surprised when I first listened to this CD. As has been speculated on by Social Distortion fans for some time now, all of the songs from the major label era albums (tracks 4-9) have been given a major facelift.

This is where things get interesting. As of now, the band has not officially commented on this situation and the liner notes are no help either. Some fans are convinced that these tracks are merely remastered. Others think that the original songs have been re-mixed. Still, more think that what's on this CD is demo versions of the Sony era classics. Others think that the songs have been completely re-recorded.

I can't say that I'm an expert on mastering, mixing, or recording, but all I needed to hear was the first 5 seconds of "I Was Wrong" to realize that these songs are basically totally different. To me, the vocals and guitars sound totally different on all of the songs.

Personally, I don't buy the notion that these songs have only been "remastered". I own many remastered albums. I re-bought some of Bad Religions re-mastered releases in 2004. All of those songs sounded nearly identical to their original releases. The only difference in those releases is that they ended up much louder and crisper on the remastered discs. This is not the case with this CD. These songs have been altered and altered alot.

I'm sure some purists will be put off by the fact that the band has done this under the name of a greatest hits cd. Myself, I don't mind it one bit. It was a welcome surprise and actually made it worth me buying this cd. If I want to listen to the originals, I can pop those cd's in any time. This is a nice change of pace.

The new versions of the classic songs are interesting. I really can't call them better or worse than the originals. They are just different. I like both the originals and what's on this cd. Like I said, this is just a nice change of pace. Also, Far Behind is a great song. Classic Social Distortion.

So, I will say that this "greatest hits" album was worth the money in the end. In a perfect world, I would have preferred them to have released a b-sides/unreleased tracks cd. Social Distortion has a huge catalog of rarities that they've never released. That would have been better for the hardcore fans like myself, but I'll take what I can get. Maybe someday I'll get what I'm looking for (Mike Ness if you happen to read this: hint, hint). In the end, this will tide me over until they get around to releasing another new album. I'll just keep crossing my fingers and hoping that doesn't take nearly a decade like the last one.

If you're a hardcore SxDx fan or a newbie just looking to get aquainted with some of Social Distortion's music, you won't be disappointed with this cd.

Average customer rating:

Underground Kingz UGK Manufacturer: Jive ProductGroup: Music Binding: Audio CD Gangsta & Hardcore | Rap & Hip-Hop | Styles | Music General | Rap & Hip-Hop | Styles | Music Southern Rap | Rap & Hip-Hop | Styles | Music Pop Rap | Rap & Hip-Hop | Styles | Music Similar Items: T.I. vs T.I.P. Ridin High Get Money, Stay True Young Jeezy Presents U.S.D.A.: Cold Summer Double Up ASIN: B000K7UFL2 Release Date: 2007-08-07

Tracks:

1. Intro
2. Cocaine - Featuring Rick Ross
3. The Game Belongs To Me
4. Tell Me How Ya Feel -Featuring Jazze Pha
5. How Long Can It Last-Featuring Charlie Wilson
6. Players Anthem- Featuring Three 6 Mafia
7. Two Type of Bitches- Featuring Dizzee Rascal
8. Candy
9. Quit Hatin' The South-Featuring Charlie Wilson and Willie D
10. Next Up-Featuring Big Daddy Kane and Kool G Rap
11. Heaven
12. Still Ridin' Dirty
13. Hit The Block -Featuring T.I.
14. Trill Niggas Don't Die-Featuring Z-Ro
15. Take Tha Hood Back- Featuring Slim Thug, Vicious and Middle Fingaz
16. Stop-N-Go- Featuring Jazze Pha
17. Again-Featuring Ronald Isley
18. Real Women- Featuring Talib Kweli and Raheem DeVaughn
19. Shattered Dreams-Featuring Sleepy Brown
20. Chrome Plated Woman
21. Gravy
22. Underground Kingz
23. Life Is 2009 -Featuring Too $hort
24. Living This Life
25. Outro
26. Like That

Album Description

It's been a while, and UGK has a lot to say! Underground Kingz is a special 2 CD set! Not only that, folks celebrating UGK's return are a veritable who's who of the inner circle, and they lined up to lend their talents for UGK's eighth. They include Three 6 Mafia, Lil Jon, Scarface, Too $hort, T.I., Rick Ross, Slim Thugz, Andre 3000, and more! In 2006, UGK is free and pimpin' again - just like you wish you could. Their highly anticipated, star studded, and no-holds-barred release is simply put...the perfect stocking stuffer!

Average customer rating: good stuff GOOD MUSIC R.E.M. Rocks Good Collection Of Hits R.E.M? G.O.O.D.

In Time: The Best of R.E.M. 1988-2003 R.E.M. Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | American Alternative | Alternative Rock | Styles | Music General | Rock | Alternative Styles | Alternative Rock | Styles | Music Jangle Pop | Indie & Lo-Fi | Alternative Rock | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: And I Feel Fine...: The Best of the I.R.S. Years 1982-1987 U2 - The Best of 1990-2000 The Best of 1980-1990 Best Of R.E.M. Stars: The Best of the Cranberries, 1992-2002 ASIN: B0000CC6QF Release Date: 2003-10-28

Tracks:

1. Man on the Moon
2. The Great Beyond [from Man on the Moon soundtrack]
3. Bad Day [previously unreleased]
4. What's The Frequency, Kenneth?
5. All The Way To Reno (You're Gonna Be A Star)
6. Losing My Religion
7. E-Bow The Letter
8. Orange Crush
9. Imitation of Life
10. Daysleeper
11. Animal [previously unreleased]
12. The Sidewinder Sleeps Tonite
13. Stand
14. Electrolite
15. All The Right Friends [from Vanilla Sky soundtrack]
16. Everybody Hurts
17. At My Most Beautiful
18. Nightswimming

Amazon.com

How do you condense 15 years of music down to 76 minutes? In the case of this survey of the second phase of R.E.M.'s career, the answer is: Exceptionally well. The dangling carrot for diehards is two new songs; the rapid fire "Bad Day" hurtles along like the kissing cousin of "It's the End of the World as We Know It," while "Animal" is anchored by a majestic drone reminiscent of the Beatles' "Tomorrow Never Knows." In a surprising, but gratifying move, the rest of the program shortchanges the band's breakthrough, Out of Time (no "Shiny Happy People"), to better accommodate movie soundtrack contributions, and spotlight gems from the less commercial, post-Bill Berry albums Reveal and Up; with its baroque piano and multi-tracked vocal harmonies, the Beach Boys homage "At My Most Beautiful" is particularly gorgeous, while the burbling keyboards and slightly dazed singing of "All the Way to Reno" will appeal to Flaming Lips fans. --Kurt B. Reighley

Customer Reviews:

good stuff.......2007-07-18

this is a great compilation but the only reason i bought this album was for losing my religion and man in the moon...im not a very big fan of their other stuff.

GOOD MUSIC.......2007-05-16

REM have a unique sound and this CD is one of their best.

R.E.M. Rocks.......2007-05-13

I love this CD. Great song selection and a true joy to own.

Good Collection Of Hits.......2007-05-12

This is good collection of songs from R.E.M. from their Warner Brothers years but there are some hits missing. The obvious hits are there, like Man On the Moon, What's The Frequency, Kenneth?, Everyboby Hurts, etc. This collection is of their mainstream hits while there is another collection of hits "The IRS Years", which are songs from before 1988, which were hits in nerdy college radio stations.

R.E.M? G.O.O.D........2007-03-30

Enjoyed this very much. Will be checking out other cd''s of R.E.M.

Average customer rating: mixed I like it more with each listening A lot of filler songs product: great but postage: lengthy How Great is St. Elsewhere

St. Elsewhere Gnarls Barkley Manufacturer: Downtown ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Soul | R&B | Styles | Music General | Rap & Hip-Hop | Styles | Music Experimental Rap | Rap & Hip-Hop | Styles | Music Pop Rap | Rap & Hip-Hop | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: Stadium Arcadium Broken Boy Soldiers Eyes Open Back to Black FutureSex / LoveSounds ASIN: B000F3AAUW Release Date: 2006-05-09

Tracks:

1. Go-Go Gadeget Gospel
2. Crazy
3. St. Elsewhere
4. Gone Daddy Gone
5. Smiley Faces
6. The Boogie Monster
7. Feng Shui
8. Just a Thought
9. Transformer
10. Who Cares?
11. On-Line
12. Necromancing
13. Storm Coming
14. The Last Time

Amazon.com

In 2006, Danger Mouse is King Midas of the music world. He has an uncanny knack for creating jagged, dense, frenzied beats and odd, eerie, vivid soundscapes that never compromise the music's natural flow. Meanwhile, rapper and singer Cee-Lo, a veteran of Atlanta's Dirty South scene, has never been one to be constrained by hip-hop conventions, and is a willing partner in adventure. The result is an intrepid psychedelic blend of pop, hip-hop, soul, and rock that consistently challenges and delights. It's no wonder that "Crazy," with its modest riff, irresistible hook, and disarming opening line ("I remember when, I remember, I remember when I lost my mind") became a worldwide Internet sensation a full six months before the official release of St. Elsewhere. But that relatively simple soul-pop gem is the tamest track on this wide-ranging, often dark and introspective collaboration. (In fact, the duo considers Gnarls Barkley to be a wholly new creation, as opposed to a collaboration of existing artists.) "Everybody is somebody, but nobody wants to be themselves," Cee-Lo croons on "Who Cares?" He and Danger Mouse try very hard not to be their old selves as they creatively and confidently break down boundaries, but the brilliant cores of their musical personae--Cee-Lo's eccentric spiritual soul man and Danger's bold sonic explorer--remain. --Marc Greilsamer

Album Description

Gnarls Barkley is the highly anticipated collaboration from Danger Mouse and Cee-Lo. Danger Mouse is one of the most important artist/producers in music today. "Demon Days" sold over 5 million worldwide and Dangerdoom's "The Mouse And The Mask" sold over 100,000 units. Accolades include GQ's "Men Of The Year" honor; Spin's "Eccentric Genius Of The Year", NME's "Hottest Hip-Hop Producer In The World", Entertainment Weekly's "Album Of The Year", Grammy nomination for Producer Of The Year, and more. Cee-Lo is a Grammy-nominated, founding member of Goodie Mob. He wrote and produced the Pussycat Dolls #1 smash hit "Don't Cha", and his two solo albums for Arista scanned over 500,000 units combined. He also wrote hit singles for Ludacris, Common, P Diddy, Trick Daddy, and others. "Goodie Mob" has sold over two million albums worldwide. "Crazy", from this release, is all over UK's Radio One.

Customer Reviews:

mixed.......2007-07-12

rap, reggae, gospel...quite a variety of sounds, but no unique "sound" to define the group's style. Not very impressed.

I like it more with each listening.......2007-07-09

The first time I heard the album, I listened to it all the way through. I thought it was just OK. "Who Cares" was sort of clever. And how on earth did "Crazy" get to be such a hit? But I listened to it again a week later, and I found a little more to like. A few days later I wanted to hear those two songs again. Now I can't stop listening to them, and, yes, I agree that "Crazy" is amazing, and I love it. The songs on this album have richly layered beats that you find something new in each time you hear them. Cool, baby!

A lot of filler songs.......2007-07-03

I would give it three stars, if I didn't like at least one of the songs on the CD so much.

product: great but postage: lengthy.......2007-06-27

gday
im an australian who enjoys purchasing their music via the internet either via ebay, amazon, etc. It is usually cheaper to purchase music material over the internet but i understand that given that this requires time for postage i am usually patient. this is the second time i have purchased an music album from the US but the last time i ordered the item from ebay and i recieved the item within 10 days.
Im not sure what efforts can be made but to wait 20 days for a CD from the US seems excessive when other items are able to be sent in a quicker span of time between payment/purchase in the US and receipt in Australia.
This is my only complaint. I appreciate the range of products but surely postage could be arranged so it arrives within a quicker time-frame than 20 days.
Thank you

How Great is St. Elsewhere.......2007-06-02

Here is my 2 cents on this album. Last summer when I heard the single "Crazy" I INSTANTLY took notice...I was stunned how great it was.
And this was playing on commercial pop radio? I gave the record a chance anyway, and man let me tell you...after the 2nd listen to this disc I was HOOKED! This record is interesting, soulful, edgy, thoughtful, original, and fantastic. A musical masterpiece. I can't wait to hear what Cee-Lo and Dangermouse do next.
Highly recomended.

Salsa Music:

1. Vistete de Ternura
2. Viva la Charanga
3. 15 Exitos De Ramon Ayala
4. 15 Exitos Y Una Pista
5. Amorcito Lindo
6. Amores Y Canciones
7. Amuleto
8. Asi el Changui
9. Bachata Manía
10. Bailexitos, Vol. 2

Salsa Music

salsa music

Salsa Music

Mati:K

The Greatest Tenor

Street of Lost Brothers

Country & Western Music Gold Collection [Import]

Soundsystem [Explicit Lyrics] [Import]

Salma Ya Salama [Import]

So Many Times the Lord Made a Way for Me

So Much for the Afterglow (15 Tracks) [Import] [Extra tracks]

Swing Wide Your Gate of Love: Best Of, Vol. 1 [Import]

Quiero Volver

The End

Smash...! Boom...! Bang...! [Import]

Tachytelic Night: Welcome You to [Import]

Richard Strauss: 5 Great Tone Poems

Passion Session